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Downloaded from
YTS.MX

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[traffic rumbles]

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Official YIFY movies site:
YTS.MX

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[Mike] Maja, what are we doing
right now?

5
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Going to meet the punks.

6
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Riding in a crazy taxi.

7
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In the crazy traffic.

8
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[Mike] What do you wanna say

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00:00:29,572 --> 00:00:30,740
to our friends
in New Orleans back home?

10
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That if we survive
this taxi ride,

11
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we'll be with you shortly.

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And that Myanmar is amazing.

13
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- [horn honks]
- [man shouting]

14
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[Mike] Yeah!

15
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[upbeat music playing]

16
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[wind buffeting]

17
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[Mike] Well, this is definitely
not the place.

18
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We'll pay you to go back.

19
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Th-- Thank you.

20
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[speaking Burmese]

21
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Okay. [speaking other language]

22
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Hello? [speaking other language]

23
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Hello?

24
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Hello, hello?

25
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Oh.

26
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I don't know what to do.

27
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[Maja] Can you hear punk music?

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[faint sound of live music]

29
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[Mike] That's actually
a good point.

30
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[Maja] Ask this lady
if there is a punk show.

31
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Mike, I'm hearing
something there.

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[driver] Yeah.

33
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- [Maja] Okay.
- [driver] Okay, yeah.

34
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All right. This, this.

35
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Okay.

36
00:02:04,333 --> 00:02:05,835
[Maja] Or is this--
this is the show?

37
00:02:05,918 --> 00:02:07,127
[Mike] Yeah.

38
00:02:07,211 --> 00:02:08,295
[Maja] Let me just check
really quickly.

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Maybe this is it.

40
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[Mike] Maja, where
are you going?

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[Maja] I thought I heard
something.

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[Mike] No, that--

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[Maja] It's not that.

44
00:02:21,934 --> 00:02:23,727
- [Mike] Do you hear that?
- [Maja] I-- I thought--

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[Mike] We-- we want the music.

46
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Okay, oh.

47
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[car door slams]

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[car rumbles]

49
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[backing up beeping]

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[Maja] Can you hear music?

51
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- [Maja] You hear music?
- [driver] Music?

52
00:02:46,333 --> 00:02:47,501
- [Maja] Mhmm.
- [driver] Okay, yeah, yeah.

53
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[wind buffeting]

54
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[Mike] Oh, no.

55
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[indistinct]

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- [Maja] Yeah.
- [faint music gets louder]

57
00:03:01,223 --> 00:03:01,974
- [driver] Oh.
- [Maja] Yes!

58
00:03:02,850 --> 00:03:04,268
- [Mike] Yes!
- [Maja laughs]

59
00:03:04,351 --> 00:03:06,937
- [Mike] Yes!
- [driver] Oh! Oh! Oh!

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[Maja] Oh, it's so good.

61
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[driver] [indistinct]
Yeah.

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- [Maja] Yes.
- [driver] Ohhh!

63
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[Mike] What?

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[singer shouting into mic]

65
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- [driver] Okay?
- [Mike] What?

66
00:03:16,447 --> 00:03:17,489
[driver laughs]

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[Maja chuckles]

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[singer] <i>One, two, three, four!</i>

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<i>Oi!</i>

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[Maja] This is good.

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[The Rebel Riot playing
"Street Punx"]

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[singing in Burmese]

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[Mike] What?

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[driver]
[speaking other language]

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[Maja] Oh yeah, this is so good.

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[singing in Burmese]

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[Maja laughs]

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♪

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[singing in Burmese]

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<i>♪ Oi oi oi ♪</i>

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<i>♪ Oi ♪</i>

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♪

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[singing in Burmese]

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♪

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<i>♪ Street punks</i>
<i>street punks ♪</i>

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<i>♪ Way of life ♪</i>

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<i>♪ Street punks</i>
<i>street punks ♪</i>

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<i>♪ Oi oi oi ♪</i>

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<i>♪ Street punks</i>
<i>street punks ♪</i>

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<i>♪ Way of life ♪</i>

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<i>♪ Street punks</i>
<i>street punks ♪</i>

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<i>♪ Oi oi oi ♪</i>

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[feedback hum of guitar fading]

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[man] And completely sugar-free.

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- [man] This is a cashew cheese.
- [woman] I am not convinced.

96
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This meat is not meat.
What do you think it is?

97
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Take a guess.
What do you think it is?

98
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- It's--
- What do you think it is? Guess.

99
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- It's-- uh-- uh--
- Guess. No, guess.

100
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- It--
- Look, it's beets.

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[woman 2] Hey, guys, um...

102
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Have you all signed
your contracts for next year?

103
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[man] Um, yes.

104
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It's due next week, isn't it?

105
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Where is everyone?

106
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It's Senior Skip Day.

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So, why are you here?

108
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{\an8}[Jojo]

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I agree with you, Jojo.

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I think maybe I should quit.

111
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Well, I just want
to make movies.

112
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Yeah.

113
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Well, for now,

114
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how about...

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you take off your shirt.

116
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<i>Okay.</i>

117
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[soft music playing]

118
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{\an8}[Maja] Ooh...

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{\an8}Uh-huh.

120
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{\an8}Yeah.

121
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{\an8}[Jojo] <i>Oh, my gosh. [laughs]</i>

122
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{\an8}[Maja] You've never done it
before?

123
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{\an8}<i>Yes.</i>

124
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{\an8}[laughs]

125
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How about you take
your hand,

126
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put it on your neck,

127
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on your chest,

128
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all the way down
to your underwear.

129
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Jojo?

130
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Jojo, are you there?

131
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Fuck.

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[clicks tongue] Hmm.

133
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[sighs]

134
00:07:51,805 --> 00:07:55,309
[slow, mellow music playing]

135
00:08:01,899 --> 00:08:03,025
[glass shattering]

136
00:08:03,108 --> 00:08:06,278
[hum of chatter]

137
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That's you, isn't it?

138
00:08:13,785 --> 00:08:14,828
No.

139
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[glass shattering]

140
00:08:16,538 --> 00:08:18,832
[hum of chatter]

141
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[woman] Congrats on the show.

142
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[Leon] Oh, thank you.

143
00:08:21,877 --> 00:08:25,255
I-- clearly, I draw my
inspiration from my experience.

144
00:08:25,339 --> 00:08:26,882
- Absolutely, yeah.
- Yeah.

145
00:08:26,965 --> 00:08:30,761
Um, my last relationship
left me feeling trapped,

146
00:08:30,844 --> 00:08:33,931
so I looked inside myself,

147
00:08:34,014 --> 00:08:36,683
and I just-- I went so deep.

148
00:08:37,184 --> 00:08:38,727
I didn't know about that, yeah.

149
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I love it.

150
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She gets it.

151
00:08:42,731 --> 00:08:44,191
Yeah.

152
00:08:44,274 --> 00:08:45,776
[man] So, what's with
the lighting?

153
00:08:45,859 --> 00:08:47,444
[man 2] Well, let me
ask you something.

154
00:08:47,527 --> 00:08:50,364
Why is it that men are afraid
to be beautiful?

155
00:08:50,447 --> 00:08:51,490
[man] Consider the peacock.

156
00:08:51,949 --> 00:08:54,076
You look familiar. [laughs]

157
00:08:54,159 --> 00:08:55,702
- Rosario.
- Maja.

158
00:08:56,161 --> 00:08:58,789
So what do you do when you're
not busy being uh, Leon's muse?

159
00:08:59,623 --> 00:09:02,000
Um... I, um...

160
00:09:02,084 --> 00:09:04,044
She's a filmmaker, too.

161
00:09:04,127 --> 00:09:06,004
Oh, are you working on
anything new?

162
00:09:06,088 --> 00:09:07,714
We're always looking
for new projects,

163
00:09:07,798 --> 00:09:09,258
especially from women.

164
00:09:10,008 --> 00:09:11,260
Oh, yeah.

165
00:09:12,177 --> 00:09:13,845
Um...

166
00:09:13,929 --> 00:09:16,473
I'm working on this project
about punk rockers

167
00:09:16,556 --> 00:09:17,891
in Myanmar right now.

168
00:09:18,433 --> 00:09:21,103
Interesting. Well, look,
uh, I leave for LA next week,

169
00:09:21,186 --> 00:09:22,980
but we should definitely
grab a drink or something.

170
00:09:23,063 --> 00:09:25,565
Um, I have to go,
but it was nice meeting you.

171
00:09:25,649 --> 00:09:26,817
Yeah, definitely.

172
00:09:26,900 --> 00:09:28,735
[Rosario's cell phone chimes]

173
00:09:28,819 --> 00:09:29,861
With the punks?

174
00:09:35,325 --> 00:09:37,619
[hum of chatter]

175
00:09:37,703 --> 00:09:39,371
[glass shattering]

176
00:09:40,747 --> 00:09:42,666
[upbeat jazz music playing]

177
00:09:42,749 --> 00:09:44,084
Oh my God!

178
00:09:44,167 --> 00:09:45,335
- I'm so happy to see you.
- Hi!

179
00:09:45,419 --> 00:09:46,712
Oh, hey!

180
00:09:46,795 --> 00:09:48,755
- Ahh!
- Hey, oh!

181
00:09:49,798 --> 00:09:51,842
- Hey, this is Bradley.
- Oh, hey.

182
00:09:51,925 --> 00:09:54,219
- Hey!
- Hey, the star of the show, huh?

183
00:09:54,303 --> 00:09:56,013
Unfortunately.

184
00:09:56,096 --> 00:09:57,723
Bradley just found out
his documentary is getting

185
00:09:57,806 --> 00:09:58,932
premiered at Sundance.

186
00:09:59,016 --> 00:10:00,434
- Whoa!
- Yeah.

187
00:10:00,517 --> 00:10:02,394
- Congratulations.
- [all laugh]

188
00:10:02,477 --> 00:10:04,229
What is the film about?

189
00:10:04,313 --> 00:10:06,606
Well, it's about this ritual
they perform in Mexico

190
00:10:06,690 --> 00:10:08,108
using menstrual blood.

191
00:10:08,608 --> 00:10:11,445
Yeah, the most rewarding thing
is that I get to bring

192
00:10:11,528 --> 00:10:14,698
these Mayan women who've never
been outside of Yucatan

193
00:10:14,781 --> 00:10:16,199
- to Utah.
- Yeah.

194
00:10:16,283 --> 00:10:18,827
- Whoa, that is so cool.
- Yeah, I know.

195
00:10:18,910 --> 00:10:20,579
- This is great.
- Yeah.

196
00:10:20,662 --> 00:10:22,247
I-- I read about it
and I went to the village,

197
00:10:22,331 --> 00:10:23,498
and I just made it.

198
00:10:24,124 --> 00:10:25,917
Just like that?
You just went and did it?

199
00:10:26,001 --> 00:10:27,461
- [laughs]
- Yeah.

200
00:10:27,544 --> 00:10:29,838
- I will be right back.
- Okay.

201
00:10:34,426 --> 00:10:36,511
Hey, why are you
sneaking around in a wig?

202
00:10:36,595 --> 00:10:37,929
Well, it's just,
like, camouflage.

203
00:10:38,013 --> 00:10:39,264
Helps hide from-- from Elise.

204
00:10:39,348 --> 00:10:40,682
Don't worry, it's my new thing.

205
00:10:40,766 --> 00:10:42,351
So, who's this guy
that she's with?

206
00:10:43,268 --> 00:10:44,519
Bradley?

207
00:10:44,603 --> 00:10:46,897
Bradley.
Yeah, what's his deal?

208
00:10:48,106 --> 00:10:50,233
He made a documentary
about Mayan women,

209
00:10:50,317 --> 00:10:51,902
and it's premiering
in Sundance.

210
00:10:51,985 --> 00:10:53,362
Great. So are they fucking?

211
00:10:53,445 --> 00:10:54,988
Are they dating?
Like, what's up with it?

212
00:10:56,156 --> 00:10:58,116
My God, just, like,
look how she's looking at him.

213
00:10:58,950 --> 00:11:01,161
Oh my God, look at his fuckin'
hair. It's beautiful.

214
00:11:01,703 --> 00:11:04,081
Did you really call me out here
to talk about Bradley's hair?

215
00:11:04,164 --> 00:11:06,291
No man, I just can't focus
when they're here.

216
00:11:07,250 --> 00:11:09,127
Leon's here,
and I'm dealing with it.

217
00:11:09,211 --> 00:11:10,545
Really? You're just fine
that your face

218
00:11:10,629 --> 00:11:11,713
is all up in his artwork?

219
00:11:11,797 --> 00:11:12,839
That's on me.

220
00:11:12,923 --> 00:11:14,591
[sighs]

221
00:11:14,674 --> 00:11:15,884
Then what-- what happened
with you guys, anyways?

222
00:11:15,967 --> 00:11:16,927
I thought you were fine
in Asia.

223
00:11:17,010 --> 00:11:18,512
He's a raging egomaniac.

224
00:11:18,595 --> 00:11:20,389
God, I just can't believe
she's here, man.

225
00:11:20,472 --> 00:11:21,681
These are, like, my homies.

226
00:11:22,557 --> 00:11:24,643
Hey, do you know
this woman, Rosario?

227
00:11:24,726 --> 00:11:26,520
- No, I don't think so.
- Hmm.

228
00:11:26,603 --> 00:11:28,188
Dude, who are they talking to?

229
00:11:28,897 --> 00:11:30,607
They're a throuple.
Are they a throuple?

230
00:11:30,690 --> 00:11:32,401
- She's a film producer.
- They're a throuple.

231
00:11:32,484 --> 00:11:34,528
- They're totally a throuple.
- And you know what?

232
00:11:34,945 --> 00:11:36,530
Earlier she approached me,

233
00:11:36,613 --> 00:11:38,198
and she asked if I was
working on anything,

234
00:11:38,281 --> 00:11:40,951
and I just kind of panicked,
and...

235
00:11:41,785 --> 00:11:44,329
well, I told her I was doing
a project about the punks

236
00:11:44,413 --> 00:11:45,789
in Myanmar.

237
00:11:45,872 --> 00:11:47,582
Dude, it was like,
she was like,

238
00:11:47,666 --> 00:11:49,209
always talking about, like,
let's have a threesome.

239
00:11:49,292 --> 00:11:50,836
Let's like,
bring some other people in,

240
00:11:50,919 --> 00:11:52,337
and maybe it would've worked,
and shit.

241
00:11:52,421 --> 00:11:53,505
I'm sure she's fucking
doing all that shit

242
00:11:53,588 --> 00:11:54,464
with Bradley now.

243
00:11:54,548 --> 00:11:55,173
What the fuck, man?

244
00:11:56,508 --> 00:11:59,636
You know what?
Maybe it's not a bad idea.

245
00:11:59,719 --> 00:12:00,804
A threesome?

246
00:12:02,264 --> 00:12:04,766
No, a movie about punks.

247
00:12:04,850 --> 00:12:05,892
What punks?

248
00:12:06,601 --> 00:12:07,769
In Myanmar.

249
00:12:08,520 --> 00:12:10,313
Oh yeah, you posted some of that
on Instagram, didn't you?

250
00:12:10,397 --> 00:12:11,982
- Yeah.
- Yeah, it was pretty cool.

251
00:12:12,065 --> 00:12:13,400
They look pretty cool,
those guys.

252
00:12:13,483 --> 00:12:14,651
- Hi.
- What are you doing here?

253
00:12:15,569 --> 00:12:16,903
I'm just chilling.

254
00:12:16,987 --> 00:12:18,572
You shouldn't trust this guy.

255
00:12:21,241 --> 00:12:22,409
I've gotta get a longer wig.

256
00:12:22,951 --> 00:12:24,661
Okay, uh, do you
wanna get out of here?

257
00:12:25,495 --> 00:12:26,621
You can tell me about your doc.

258
00:12:27,456 --> 00:12:28,540
It's a narrative.

259
00:12:28,623 --> 00:12:30,041
Oh, a narrative?

260
00:12:30,125 --> 00:12:31,209
Oh, that sounds cool.
With the punks?

261
00:12:32,210 --> 00:12:34,504
Well, they already have
a documentary made about them.

262
00:12:34,588 --> 00:12:36,840
This would be like
a narrative feature.

263
00:12:36,923 --> 00:12:38,758
Great, uh, yeah,
let's go have a drink.

264
00:12:38,842 --> 00:12:40,594
You can tell me about it.
I'm like, super into it.

265
00:12:40,677 --> 00:12:42,304
- Really?
- Yeah, it sounds cool as shit.

266
00:12:43,138 --> 00:12:45,182
[electronic music playing]

267
00:12:46,516 --> 00:12:47,642
Bradley Johnson.

268
00:12:48,852 --> 00:12:50,145
He's so photogenic.

269
00:12:50,645 --> 00:12:52,105
Oh my God, look at his hair.

270
00:12:53,398 --> 00:12:54,941
And an activist.

271
00:12:55,775 --> 00:12:57,611
Would you call him
a social justice warrior?

272
00:12:58,236 --> 00:13:00,030
Yeah, totally.
Jojo? Yeah.

273
00:13:00,113 --> 00:13:01,865
No, dude, Bradley.

274
00:13:02,782 --> 00:13:04,576
I'm talking about Jojo
in Myanmar.

275
00:13:04,659 --> 00:13:05,702
Fuck.

276
00:13:06,244 --> 00:13:09,289
Damn, this city
is too fucking small.

277
00:13:09,956 --> 00:13:11,291
Yeah, I know, I'm so over it.

278
00:13:11,374 --> 00:13:12,417
[sighs heavily]

279
00:13:16,505 --> 00:13:17,547
Okay, let's do it.

280
00:13:18,715 --> 00:13:19,758
Do what?

281
00:13:19,841 --> 00:13:20,884
Let's make a movie.

282
00:13:23,011 --> 00:13:25,055
- Are you serious?
- Yeah, 100 percent.

283
00:13:25,138 --> 00:13:26,389
Wait, what's it about?

284
00:13:27,349 --> 00:13:28,934
Um, I don't know.

285
00:13:29,017 --> 00:13:31,269
Um, Myanmar, punks, and...

286
00:13:31,353 --> 00:13:33,271
Great, great, great.
Uh, and what's the title?

287
00:13:34,147 --> 00:13:35,190
Are they looking at me?

288
00:13:36,149 --> 00:13:37,275
"Street Punks?"

289
00:13:37,359 --> 00:13:39,110
Yeah, I love it, I love it.

290
00:13:39,194 --> 00:13:41,029
Um-- [clears throat] I'm gonna
start an Instagram page

291
00:13:41,112 --> 00:13:43,281
so that, uh, we can sort of
get the ball rolling here.

292
00:13:43,365 --> 00:13:44,491
- [indistinct]
- Mhmm.

293
00:13:44,574 --> 00:13:46,826
This is my idea.

294
00:13:46,910 --> 00:13:48,453
- Uh-huh.
- You know you have this tendency

295
00:13:48,537 --> 00:13:50,080
to just take over projects,
and I--

296
00:13:50,163 --> 00:13:52,123
Look, all right,
that was Leon.

297
00:13:52,541 --> 00:13:54,501
I wanted to use
your script, dude.

298
00:13:55,043 --> 00:13:56,086
Script.

299
00:13:56,836 --> 00:13:58,797
I need to write a script.

300
00:13:58,880 --> 00:14:00,173
Dude, fuck a script.

301
00:14:00,257 --> 00:14:01,883
We just need to get there.

302
00:14:03,134 --> 00:14:04,553
Soon.

303
00:14:04,636 --> 00:14:06,346
Yeah,
I hear you but the thing is,

304
00:14:06,429 --> 00:14:09,224
I-- I got a job and I can't
just pack up and leave.

305
00:14:09,307 --> 00:14:10,892
- And do like you.
- [Yamil] Do you see good hair

306
00:14:10,976 --> 00:14:12,561
Sundance Bradley over there?

307
00:14:12,644 --> 00:14:15,689
Yeah, you're gonna have
to make a choice, Maja.

308
00:14:16,231 --> 00:14:19,359
He woke up one day,
he quit his shitty barista job

309
00:14:19,442 --> 00:14:21,736
and he went and made
a kick-ass movie, all right?

310
00:14:23,738 --> 00:14:26,658
And now he's got the girl, okay?

311
00:14:28,952 --> 00:14:30,620
We need to be more like Bradley.

312
00:14:35,458 --> 00:14:37,085
Fine, let's do it.

313
00:14:37,168 --> 00:14:38,503
Okay great, let's get
the fuck out of here.

314
00:14:39,129 --> 00:14:40,171
Mimi's?

315
00:14:40,589 --> 00:14:41,965
No dude, Malaysia.

316
00:14:42,048 --> 00:14:42,966
Here's to street punks
of Yangon.

317
00:14:43,883 --> 00:14:45,635
[mother] I don't know
what more I can do.

318
00:14:45,719 --> 00:14:47,846
I try to get her
to apply herself

319
00:14:47,929 --> 00:14:49,264
but I walk
past her room

320
00:14:49,347 --> 00:14:51,474
and there she is at her computer

321
00:14:51,558 --> 00:14:55,103
with her damn headphones
on making beats.

322
00:14:55,186 --> 00:14:58,148
I try to tell her
she won't get anywhere in life

323
00:14:58,231 --> 00:15:00,025
if she flunk out
of high school.

324
00:15:00,400 --> 00:15:01,526
But she won't listen.

325
00:15:04,946 --> 00:15:09,200
I think it seems to me
that Miles really is passionate

326
00:15:09,284 --> 00:15:10,619
about what she's doing

327
00:15:10,702 --> 00:15:12,329
and that's kind of rare

328
00:15:13,622 --> 00:15:15,624
and maybe we should be
more encouraging.

329
00:15:17,709 --> 00:15:19,169
I mean, you know,
grades are not everything.

330
00:15:19,252 --> 00:15:20,712
Excuse me?

331
00:15:21,171 --> 00:15:23,465
I'm not saying she should
drop out or anything like that,

332
00:15:23,548 --> 00:15:25,216
obviously,
it's just...

333
00:15:27,218 --> 00:15:30,388
it's easy to lose sight
of your dreams

334
00:15:30,472 --> 00:15:32,349
and, you know,
just get stuck.

335
00:15:32,766 --> 00:15:36,144
While she still
has that passion in her,

336
00:15:36,645 --> 00:15:39,272
I think it's important
she puts really hard work

337
00:15:39,356 --> 00:15:40,940
into what truly
sets her on fire.

338
00:15:42,150 --> 00:15:44,527
What the hell
are you talking about?

339
00:15:44,611 --> 00:15:46,154
What are we doing here?

340
00:15:50,283 --> 00:15:52,911
{\an8}[mother speaking Polish]

341
00:16:24,234 --> 00:16:26,986
[chill synth music]

342
00:16:34,828 --> 00:16:36,413
You look very familiar to me.

343
00:16:37,372 --> 00:16:39,958
In fact I feel like you are me.

344
00:16:41,042 --> 00:16:42,627
You have my same nose.

345
00:16:44,462 --> 00:16:45,922
Those are my eyes.

346
00:16:46,005 --> 00:16:47,382
God damn it, those are my eyes.

347
00:16:47,465 --> 00:16:48,550
How'd you do that?

348
00:16:48,633 --> 00:16:49,634
Dude that's Edward Sharpe.

349
00:16:50,343 --> 00:16:51,928
- You got a beard.
- We should talk to him.

350
00:16:52,011 --> 00:16:54,514
- About what?
- What do you mean about what?

351
00:16:54,597 --> 00:16:56,307
You think it's a coincidence
that we're at this empty bar

352
00:16:56,391 --> 00:16:58,184
and Edward Sharpe
is there performing for us?

353
00:16:59,686 --> 00:17:01,229
Dude, we need to talk
to him about the movie.

354
00:17:01,312 --> 00:17:02,897
He's a rock star.

355
00:17:02,981 --> 00:17:04,733
He's gonna want to get
involved in a movie

356
00:17:04,816 --> 00:17:06,317
that deals with punks
on the other side of the world.

357
00:17:06,401 --> 00:17:08,111
So we just go up to him
and start pitching the movie?

358
00:17:08,862 --> 00:17:09,904
Exactly.

359
00:17:11,698 --> 00:17:14,284
Okay, well,
how do we go about that?

360
00:17:15,535 --> 00:17:16,578
Easy.

361
00:17:16,661 --> 00:17:19,205
[cheering]

362
00:17:21,833 --> 00:17:23,918
Uh, so what's
your movie about?

363
00:17:24,711 --> 00:17:27,630
Oh, it's a day in the life
of this punk rocker

364
00:17:27,714 --> 00:17:30,884
that I just mentioned walking
down the streets of Yangon.

365
00:17:30,967 --> 00:17:32,844
Have you seen
<i>Permanent Vacation,</i>

366
00:17:32,927 --> 00:17:34,179
Jim Jarmusch's first film?

367
00:17:35,513 --> 00:17:37,807
It's like that but in Yangon.

368
00:17:37,891 --> 00:17:39,142
- Ah.
- Yeah.

369
00:17:39,225 --> 00:17:40,643
That's
a Russian accent, right?

370
00:17:40,727 --> 00:17:43,188
- Polish.
- Ah. Ah.

371
00:17:43,271 --> 00:17:44,647
- So.
- Hey.

372
00:17:44,731 --> 00:17:45,982
- You gonna score it?
- Right, no.

373
00:17:46,065 --> 00:17:47,484
Because I'm--
I'm working on--

374
00:17:47,567 --> 00:17:49,611
I-- I'm-- I'm making
my own movie.

375
00:17:49,694 --> 00:17:50,945
- Oh, sweet.
- Yeah.

376
00:17:51,029 --> 00:17:52,071
Wait, what's it about?

377
00:17:55,867 --> 00:17:56,910
You know poetry.

378
00:17:57,660 --> 00:17:59,412
- This moment for instance.
- Mm-hmm.

379
00:18:00,538 --> 00:18:01,581
The two of us.

380
00:18:02,207 --> 00:18:03,249
Filmmakers.

381
00:18:03,917 --> 00:18:05,585
It's beautiful getting
to know each other

382
00:18:05,668 --> 00:18:06,711
and yet I know

383
00:18:07,253 --> 00:18:09,088
that just in a few moments

384
00:18:09,172 --> 00:18:11,216
you guys are gonna
get up and leave, right?

385
00:18:11,299 --> 00:18:12,967
And I'm gonna be stuck
here by myself.

386
00:18:13,343 --> 00:18:15,512
And yet that's not happening
now, that's happening then.

387
00:18:16,054 --> 00:18:17,931
But I know
that it's going to happen.

388
00:18:18,681 --> 00:18:22,602
And that crushes me
and yet it makes me cherish

389
00:18:22,685 --> 00:18:26,022
this moment all the more
and that is poetry.

390
00:18:26,397 --> 00:18:27,607
Yeah, you wrote a script?

391
00:18:28,858 --> 00:18:30,026
No, fuck no.

392
00:18:30,109 --> 00:18:31,653
Fuck scripts. I'll show you.

393
00:18:31,736 --> 00:18:33,696
I have a,
uh, I have a thing.

394
00:18:33,780 --> 00:18:35,698
I have a-- I have a clip
that I put together.

395
00:18:36,616 --> 00:18:39,160
Yeah, the fucking
internet is terrible here.

396
00:18:40,662 --> 00:18:42,872
We don't actually need
to see it, you can just tell us.

397
00:18:42,956 --> 00:18:46,501
No, no, I-- I-- I edited it
and you know,

398
00:18:47,126 --> 00:18:50,255
truly I need an editor but I--
I am using iMovie and--

399
00:18:50,338 --> 00:18:51,756
Oh, dude I know iMovie.

400
00:18:51,840 --> 00:18:53,132
- Really?
- Yeah, I can totally help you.

401
00:18:53,216 --> 00:18:54,300
- [sighs]
- [Maja] What?

402
00:18:54,384 --> 00:18:55,802
And what about your movie?

403
00:18:55,885 --> 00:18:57,345
- I can do both.
- I already told you about it.

404
00:18:58,221 --> 00:18:59,472
What do you
mean you could do both?

405
00:18:59,889 --> 00:19:01,432
Maja, we just quit our jobs.

406
00:19:01,516 --> 00:19:04,269
So, we can make
my movie in Yungon.

407
00:19:04,352 --> 00:19:07,272
- Okay.
- Oh, now it's your movie?

408
00:19:07,355 --> 00:19:11,693
Uh, you know,
if you're trying to move

409
00:19:11,776 --> 00:19:13,778
to another project,
then yeah.

410
00:19:14,028 --> 00:19:16,614
Maja, I just
said I could do both.

411
00:19:17,532 --> 00:19:21,953
Exactly, because you can
never just commit yourself

412
00:19:22,036 --> 00:19:24,330
to something and that's
what it takes to make a movie.

413
00:19:24,956 --> 00:19:26,875
To really focus
and follow through.

414
00:19:27,792 --> 00:19:29,627
Yeah, I should
have fucking known it

415
00:19:30,295 --> 00:19:33,339
because, you know,
you've done the same with Elise.

416
00:19:38,261 --> 00:19:39,846
Cliff, what's
the internet in here?

417
00:20:26,851 --> 00:20:28,436
Babe, have you seen my keys?

418
00:20:28,519 --> 00:20:29,562
I don't think so.

419
00:20:29,646 --> 00:20:30,730
Do you want some millet?

420
00:20:30,813 --> 00:20:32,315
Hm, no, I have to go.

421
00:20:32,565 --> 00:20:34,025
- Oh.
- How are you? You good?

422
00:20:34,734 --> 00:20:36,945
Well, I started writing
down this movie idea

423
00:20:37,028 --> 00:20:39,072
that I have but it's not
really making sense.

424
00:20:40,615 --> 00:20:42,033
Where are you going?
Can I come with?

425
00:20:42,617 --> 00:20:45,328
Um, yeah, if you want to come
help me counsel a classroom

426
00:20:45,411 --> 00:20:49,624
full of young women about
how it's practically impossible

427
00:20:49,707 --> 00:20:52,251
to get an abortion
in the state of Louisiana

428
00:20:52,335 --> 00:20:54,295
and how their reproductive
rights are being stripped

429
00:20:54,379 --> 00:20:59,300
from them by men in power who
hate women then you can come.

430
00:21:00,134 --> 00:21:01,177
[sighs]

431
00:21:01,427 --> 00:21:02,595
Where are my keys?

432
00:21:02,679 --> 00:21:05,181
Oh, um, let's see.

433
00:21:08,476 --> 00:21:10,436
There they are. Right there.

434
00:21:11,020 --> 00:21:12,772
Sometimes you just stop,
you take a breath,

435
00:21:12,855 --> 00:21:14,273
what you're looking
for is right in front of you.

436
00:21:16,609 --> 00:21:18,027
- All right.
- [Maja] See you tonight?

437
00:21:18,111 --> 00:21:19,195
Yeah.

438
00:21:20,613 --> 00:21:22,657
Just keep going for it,
baby, you're gonna find it.

439
00:21:23,658 --> 00:21:24,742
- Bye.
- Bye.

440
00:21:31,916 --> 00:21:32,959
[door closing]

441
00:21:43,970 --> 00:21:46,931
[ethereal synth music]

442
00:21:58,568 --> 00:22:00,903
[drum beat kicking in]

443
00:22:13,041 --> 00:22:15,293
[electric guitar coming in]

444
00:22:28,473 --> 00:22:35,855
♪

445
00:23:09,222 --> 00:23:11,015
[knocking]

446
00:23:15,686 --> 00:23:16,771
Hey.

447
00:23:17,230 --> 00:23:18,731
- You hungry?
- I ate.

448
00:23:19,732 --> 00:23:21,317
Okay, um.

449
00:23:21,400 --> 00:23:23,861
Okay, so I had this
thought, right? Um...

450
00:23:24,487 --> 00:23:27,031
Wouldn't you
say what you're doing is really

451
00:23:27,115 --> 00:23:28,491
just extraordinary?

452
00:23:28,991 --> 00:23:30,910
What do you mean?

453
00:23:30,993 --> 00:23:32,787
You know, like, you're making
this movie with the punks on

454
00:23:32,870 --> 00:23:34,330
the other side of the world.

455
00:23:34,413 --> 00:23:35,873
I mean, it's next level shit.

456
00:23:36,666 --> 00:23:38,251
- I guess.
- Yeah!

457
00:23:38,334 --> 00:23:39,794
And so then the thought was,

458
00:23:40,586 --> 00:23:44,507
why don't we document this
whole process?

459
00:23:44,590 --> 00:23:46,259
Of me going to
Myanmar and stuff?

460
00:23:46,342 --> 00:23:49,303
Exactly.
Of you making your movie.

461
00:23:50,304 --> 00:23:52,974
I mean, like, why not? Right?

462
00:23:54,267 --> 00:23:55,810
I guess, sure.

463
00:23:55,893 --> 00:23:59,605
Yeah. Awesome,
because I brought my guys.

464
00:23:59,689 --> 00:24:00,773
Hey guys.

465
00:24:04,152 --> 00:24:05,278
And let's shoot tonight.

466
00:24:09,907 --> 00:24:12,243
Okay. Damn, we're
gonna need more light, right?

467
00:24:14,453 --> 00:24:15,496
Great.

468
00:24:16,664 --> 00:24:18,749
Okay, so.

469
00:24:20,960 --> 00:24:22,336
What's the plan?

470
00:24:22,587 --> 00:24:23,796
- [video camera beeps, whirs]
- To write a script.

471
00:24:24,630 --> 00:24:27,758
I have to, um,
send it over to that producer...

472
00:24:27,842 --> 00:24:29,385
- Okay.
- ...in a week.

473
00:24:29,468 --> 00:24:31,429
Cool. All right, great.
You guys can set up.

474
00:24:31,512 --> 00:24:32,638
We can get some shots of that.

475
00:24:37,977 --> 00:24:40,563
So you wanna talk about
last night?

476
00:24:44,650 --> 00:24:45,735
[beep]

477
00:24:46,194 --> 00:24:49,155
Yeah. Yeah,
I'd love to actually.

478
00:24:51,532 --> 00:24:52,658
Um...

479
00:24:56,204 --> 00:24:57,288
Maya,

480
00:24:58,206 --> 00:25:00,458
after last night, I really...

481
00:25:02,043 --> 00:25:04,253
understand how important it is

482
00:25:04,337 --> 00:25:06,422
for me to
commit to this project,

483
00:25:06,505 --> 00:25:08,758
and really
see it to the end.

484
00:25:09,467 --> 00:25:11,010
Um. [clears throat]

485
00:25:11,093 --> 00:25:12,428
I'm trying here, okay?

486
00:25:13,429 --> 00:25:15,097
I... I believe in it.

487
00:25:15,431 --> 00:25:19,310
I believe in you and I want to

488
00:25:19,977 --> 00:25:23,606
make this movie.
Your movie, okay?

489
00:25:23,981 --> 00:25:27,652
And... I don't know,
I don't want to stop until

490
00:25:27,735 --> 00:25:30,780
we see those punks up
on the big screen you know?

491
00:25:32,114 --> 00:25:33,199
So.

492
00:25:35,076 --> 00:25:36,118
What do you say?

493
00:25:37,703 --> 00:25:39,038
Let's make this movie.

494
00:25:41,290 --> 00:25:44,043
- [laughing]
- Okay. So, step number one.

495
00:25:44,126 --> 00:25:47,338
[chewing, slurping]

496
00:25:51,592 --> 00:25:52,718
Can you stop chewing?

497
00:25:54,220 --> 00:25:55,263
Sorry.

498
00:25:56,347 --> 00:25:57,598
Stay in your flow,
stay in your zone.

499
00:25:57,682 --> 00:25:58,724
That's what's up.

500
00:26:08,985 --> 00:26:10,069
You know it's been an hour.

501
00:26:11,195 --> 00:26:13,072
Well, did you think that
writing the script was gonna be

502
00:26:13,155 --> 00:26:14,740
interesting to film?

503
00:26:14,824 --> 00:26:16,742
Maja, you're not even writing
over there.

504
00:26:16,826 --> 00:26:18,744
Well, yeah, 'cause this whole
thing, this situation is not

505
00:26:18,828 --> 00:26:22,206
really helping my,
you know, creative thing.

506
00:26:22,581 --> 00:26:24,583
Wait, can you make sure you
bring the boom down a bit?

507
00:26:24,667 --> 00:26:25,793
I want to get this line.

508
00:26:26,585 --> 00:26:28,170
You're being ridiculous.

509
00:26:28,963 --> 00:26:33,050
No, what's ridiculous is you in
this room in New Orleans

510
00:26:33,134 --> 00:26:35,261
trying to write a script
about a movie that

511
00:26:35,344 --> 00:26:37,555
takes place on the other
side of the world.

512
00:26:38,806 --> 00:26:41,100
- That's actually true.
- I know.

513
00:26:41,183 --> 00:26:42,768
But, you know,
we're here now,

514
00:26:42,852 --> 00:26:46,272
so let's figure out
what can we do.

515
00:26:47,690 --> 00:26:48,816
I was gonna save this for later.

516
00:26:49,483 --> 00:26:50,943
[rustling]

517
00:26:51,027 --> 00:26:52,069
What is it?

518
00:26:54,989 --> 00:26:57,825
- What's that?
- The tickets to Yangon baby.

519
00:27:00,411 --> 00:27:03,748
Okay, but...
we need more than just

520
00:27:03,831 --> 00:27:05,124
tickets to make a movie.

521
00:27:06,000 --> 00:27:09,545
I know, that's why
I got us a meeting with

522
00:27:09,628 --> 00:27:11,547
a potential investor tomorrow.

523
00:27:12,173 --> 00:27:14,133
Really? Who?

524
00:27:18,220 --> 00:27:19,513
{\an8}[Maja] Yes of course.

525
00:27:25,269 --> 00:27:28,230
Actually, wait,
'cause my buddy's here.

526
00:27:28,856 --> 00:27:29,940
Um.

527
00:27:30,983 --> 00:27:33,486
- Hey.
- This is Yamil. Jojo.

528
00:27:33,569 --> 00:27:35,363
How you doing?
Nice to meet you.

529
00:27:37,656 --> 00:27:39,784
{\an8}- No.
- No. No, no, no, no, no, no.

530
00:27:39,867 --> 00:27:41,827
Absolutely not. Mm-mm.

531
00:27:41,911 --> 00:27:44,163
Never, ever, ever, ever.

532
00:27:44,580 --> 00:27:45,915
What is that supposed to mean?

533
00:27:46,582 --> 00:27:50,211
Uh, he's the
producer of the movie.

534
00:27:50,294 --> 00:27:51,462
Okay.

535
00:27:51,545 --> 00:27:53,005
Maybe I'll call you tomorrow.

536
00:27:53,089 --> 00:27:54,340
I'll talk about it all.

537
00:27:54,423 --> 00:27:55,800
Yes, okay.

538
00:27:55,883 --> 00:27:57,468
And I'll see you very,
very soon.

539
00:27:58,844 --> 00:27:59,887
Bye.

540
00:28:03,516 --> 00:28:04,683
[Maja] Mm-hmm.

541
00:28:06,227 --> 00:28:10,481
So, um,
should I take my shirt off?

542
00:28:11,065 --> 00:28:12,983
At least he
takes directions well.

543
00:28:13,067 --> 00:28:16,070
[laughing] Oh, you know I just
found this in your kitchen.

544
00:28:16,987 --> 00:28:18,531
Oh, Tequila! Let's celebrate.

545
00:28:18,614 --> 00:28:20,241
Yes. Also, do you think
I can crash here because

546
00:28:20,324 --> 00:28:21,909
my place kind of fell
through for the night?

547
00:28:21,992 --> 00:28:23,869
- I don't know.
- Great! Slumber party.

548
00:28:23,953 --> 00:28:25,579
- Uh. Can you open it?
- Let me.

549
00:28:26,956 --> 00:28:28,499
[hard rock music]

550
00:28:28,582 --> 00:28:31,919
[indistinct lyrics]

551
00:28:53,232 --> 00:28:55,734
[breathing heavily]

552
00:29:04,285 --> 00:29:05,744
[birds chirping]

553
00:29:09,123 --> 00:29:10,166
[Maja] This place?

554
00:29:10,833 --> 00:29:11,834
Yeah.

555
00:29:12,209 --> 00:29:13,711
You sure this guy is ready?

556
00:29:13,794 --> 00:29:16,005
Of course, dude.
Ian's like a punk legend,

557
00:29:16,088 --> 00:29:18,174
all right? Don't be judging
no book by its cover.

558
00:29:18,257 --> 00:29:19,341
Come on.

559
00:29:23,429 --> 00:29:25,556
- [man] Babe, come on.
- [woman] I'm fucking done.

560
00:29:26,265 --> 00:29:28,225
- [man] Don't do this.
- [woman] No, I'm doing this.

561
00:29:28,309 --> 00:29:31,479
[man] Come on. I'm lost
in the dark without you.

562
00:29:31,562 --> 00:29:32,605
[woman] No, I'm done!

563
00:29:34,398 --> 00:29:37,151
Foxy. Come on, babe.

564
00:29:37,234 --> 00:29:38,694
Come back inside.

565
00:29:38,777 --> 00:29:40,362
I'll make us tacos.

566
00:29:40,446 --> 00:29:42,156
No, I am so done with
feeding you all my shit

567
00:29:42,239 --> 00:29:44,325
and you're just like
rejecting all my ideas!

568
00:29:44,408 --> 00:29:46,035
Yeah, only when they don't work.

569
00:29:46,118 --> 00:29:48,287
Oh, you are such an egomaniac,
you know that?

570
00:29:48,370 --> 00:29:50,164
Literally nobody even
gives a shit what some old

571
00:29:50,247 --> 00:29:51,916
- white man has to say anyway.
- [scoffing]

572
00:29:51,999 --> 00:29:54,001
Yeah, that's why
I have you in the band.

573
00:29:55,336 --> 00:29:56,462
Fuck you.

574
00:29:57,004 --> 00:29:58,088
Come on.

575
00:29:58,506 --> 00:29:59,673
Roxy.

576
00:30:00,591 --> 00:30:02,885
[scoffing]
Whatever dude she'll be back.

577
00:30:03,385 --> 00:30:05,054
- What's up man?
- [Yamil] Hey.

578
00:30:05,137 --> 00:30:06,180
Oh, you got a smoke?

579
00:30:06,972 --> 00:30:08,224
Uh, I just quit.

580
00:30:08,807 --> 00:30:11,060
Shit, uh, I think
I got some in here.

581
00:30:11,435 --> 00:30:12,686
Somewhere.

582
00:30:12,770 --> 00:30:14,563
Shit.

583
00:30:14,647 --> 00:30:15,773
Fucking Roxy.

584
00:30:16,190 --> 00:30:17,358
Man...

585
00:30:18,067 --> 00:30:22,696
She keeps calling this
"my band," like... [scoffing]

586
00:30:22,780 --> 00:30:24,448
it's our band, baby, right?

587
00:30:24,782 --> 00:30:26,909
I mean, yeah, I write the songs,

588
00:30:26,992 --> 00:30:29,703
I fucking do all the artwork,

589
00:30:29,787 --> 00:30:31,830
I book the tours,
but, you know,

590
00:30:31,914 --> 00:30:33,582
who to see-- who do
people come to see right?

591
00:30:34,416 --> 00:30:36,252
I blew through all my cash

592
00:30:36,335 --> 00:30:38,170
booking this
three night tour we got

593
00:30:38,254 --> 00:30:40,256
starting tomorrow morning

594
00:30:40,881 --> 00:30:44,677
and if we don't hit the
road and she doesn't come back,

595
00:30:46,762 --> 00:30:48,430
what the hell am I
supposed to do, you know?

596
00:30:49,723 --> 00:30:50,766
Fuck.

597
00:30:56,730 --> 00:30:57,815
You sing?

598
00:30:58,566 --> 00:30:59,608
No.

599
00:31:01,402 --> 00:31:02,444
Perfect.

600
00:31:02,528 --> 00:31:04,321
[hard rock music]

601
00:31:04,405 --> 00:31:07,575
<i>- ♪ Baby I'm lost ♪</i>
- Sing with me.

602
00:31:07,658 --> 00:31:09,159
<i>♪ Lost in the dark ♪</i>

603
00:31:10,244 --> 00:31:11,495
Come on, a little louder.

604
00:31:11,579 --> 00:31:13,122
<i>♪ I'm lost ♪</i>

605
00:31:14,373 --> 00:31:16,625
- Sing!
<i>- ♪ Lost in the dark ♪</i>

606
00:31:17,668 --> 00:31:19,295
Can't hear your voice, baby,
I wanna hear it.

607
00:31:19,378 --> 00:31:21,130
<i>♪ I'm lost ♪</i>

608
00:31:21,589 --> 00:31:23,716
- Louder!
- ♪ Lost in the dark ♪

609
00:31:23,799 --> 00:31:25,342
I still don't feel like
you're feeling it.

610
00:31:25,426 --> 00:31:26,760
I wanna hear it from
the bottom of your soul!

611
00:31:26,844 --> 00:31:28,429
<i>♪ I'm so lost ♪</i>

612
00:31:28,512 --> 00:31:31,181
- Louder!
<i>- ♪ Lost in the dark ♪</i>

613
00:31:31,599 --> 00:31:34,018
Come on, baby!
Gotta feel it!

614
00:31:35,561 --> 00:31:36,604
All the way, let's do it!

615
00:31:38,147 --> 00:31:40,107
<i>♪ I am lost ♪</i>

616
00:31:40,649 --> 00:31:42,818
<i>♪ Lost in the dark ♪</i>

617
00:31:45,404 --> 00:31:46,947
Yeah, I don't think
this is gonna work.

618
00:31:47,740 --> 00:31:48,741
Sorry, babe.

619
00:31:49,116 --> 00:31:51,869
Uh, I'll just, I'll call her.

620
00:31:57,625 --> 00:31:58,709
It's cool.

621
00:31:58,792 --> 00:32:00,044
I got some of the leads.

622
00:32:01,337 --> 00:32:03,797
[soft meditative instrumental]

623
00:32:10,220 --> 00:32:13,057
Honestly, the whole
Hollywood experience

624
00:32:13,140 --> 00:32:15,517
nearly destroyed my Shakti.

625
00:32:17,686 --> 00:32:19,063
If it weren't for my awakening

626
00:32:19,146 --> 00:32:20,814
I might not be here today.

627
00:32:21,982 --> 00:32:23,192
Awakening?

628
00:32:23,275 --> 00:32:26,028
Shané, please clear the space.

629
00:32:28,447 --> 00:32:29,740
It happened in Bali.

630
00:32:29,823 --> 00:32:31,200
I was meditating in a flower

631
00:32:31,283 --> 00:32:34,370
bath when Golenka first
entered my body.

632
00:32:35,162 --> 00:32:36,747
Is he an actor?

633
00:32:36,830 --> 00:32:40,334
She, is my spiritual
guide from the beyond.

634
00:32:40,834 --> 00:32:42,378
My sexy shaman.

635
00:32:43,712 --> 00:32:45,506
Well, we are actually here to

636
00:32:45,589 --> 00:32:48,592
also tell you a little bit
about the work we're doing

637
00:32:48,676 --> 00:32:50,260
which is the movie.

638
00:32:50,344 --> 00:32:51,387
Ah!

639
00:32:53,138 --> 00:32:55,849
Yamil had mentioned that it
takes place in Burma.

640
00:32:55,933 --> 00:32:57,184
Uh, Myanmar.

641
00:32:57,267 --> 00:32:58,977
It's what it goes by these days.

642
00:32:59,645 --> 00:33:04,108
Golenka has told me that
I might have a purpose there.

643
00:33:05,150 --> 00:33:06,819
Maybe this is serendipitous.

644
00:33:06,902 --> 00:33:08,362
- [Yamil] Yeah.
- [Maja] Totally.

645
00:33:08,779 --> 00:33:12,116
I assume it has
something to do with Buddhism?

646
00:33:12,574 --> 00:33:14,201
Well, um, not really.

647
00:33:14,284 --> 00:33:17,037
It's, um,
about Burmese punk rockers.

648
00:33:20,999 --> 00:33:23,961
Well it's also a story about,
um, an awakening.

649
00:33:24,795 --> 00:33:25,838
How so?

650
00:33:28,382 --> 00:33:31,677
Uh, well the-- the main
character is this woman and

651
00:33:31,760 --> 00:33:36,223
she, uh, finds her
celestial oneness by

652
00:33:36,306 --> 00:33:40,728
spending time with this,
uh, Burmese...

653
00:33:40,811 --> 00:33:41,979
[clears throat] ...monk.

654
00:33:43,772 --> 00:33:45,357
Monk or punk?

655
00:33:46,275 --> 00:33:48,152
Um, it's one of those,
sort of like,

656
00:33:48,235 --> 00:33:50,863
you know she starts off as
a monk and then becomes a punk

657
00:33:50,946 --> 00:33:53,031
and then goes back
to being a monk.

658
00:33:53,115 --> 00:33:54,199
Intriguing.

659
00:33:54,867 --> 00:33:56,493
But I haven't acted in years.

660
00:33:56,577 --> 00:33:57,995
Oh, but you'll be-- you'll be

661
00:33:58,078 --> 00:33:59,621
absolutely incredible in this

662
00:33:59,705 --> 00:34:02,875
and I mean you look just
unbelievable.

663
00:34:02,958 --> 00:34:06,336
I'll have to discuss this
with Golenka.

664
00:34:06,420 --> 00:34:07,463
Of course, of course.

665
00:34:07,546 --> 00:34:09,089
Which reminds me,

666
00:34:09,965 --> 00:34:12,509
if I am not deep in
Samadhi by sundown,

667
00:34:12,593 --> 00:34:15,888
I will be an absolute
Sheela na Gig.

668
00:34:16,472 --> 00:34:17,973
[laughing]

669
00:34:19,183 --> 00:34:20,225
Yeah.

670
00:34:23,395 --> 00:34:24,646
[soft gong ding]

671
00:34:25,230 --> 00:34:27,107
Enjoy the food in the house.

672
00:34:27,483 --> 00:34:29,693
Shané would like the company.

673
00:34:29,777 --> 00:34:32,905
He gets a little lonely when I

674
00:34:32,988 --> 00:34:34,782
drift away
into the astral plane.

675
00:34:35,157 --> 00:34:36,825
- You can leave
the script with him.

676
00:34:37,284 --> 00:34:40,537
I insist that he pre-read
all of my offers.

677
00:34:41,121 --> 00:34:43,832
Great, we will, and thank you
again so much, Laura,

678
00:34:43,916 --> 00:34:44,958
for meeting with us.

679
00:34:45,584 --> 00:34:46,960
Really nice meeting you.

680
00:34:47,836 --> 00:34:49,713
We may have met before,
actually.

681
00:34:51,840 --> 00:34:56,053
Golenka tells me that we were
lovers in ancient India

682
00:34:57,304 --> 00:34:58,972
before your husband
beheaded you.

683
00:34:59,056 --> 00:35:00,849
[distant screaming, splashing]

684
00:35:05,813 --> 00:35:07,022
[thudding]

685
00:35:11,568 --> 00:35:12,903
[sighs] Fuck.

686
00:35:14,863 --> 00:35:17,533
So, uh, Shané.

687
00:35:17,616 --> 00:35:18,909
Just call me Shane, dude.

688
00:35:20,661 --> 00:35:21,870
Okay, Shane.

689
00:35:21,954 --> 00:35:24,581
Um, so Shane,

690
00:35:24,665 --> 00:35:27,960
we actually don't
have our script

691
00:35:28,043 --> 00:35:30,337
with us here right now
but we can come back.

692
00:35:30,420 --> 00:35:32,673
[mumbling] Oh, no,
that-- that's fine.

693
00:35:33,465 --> 00:35:36,093
We're not gonna be
doing this project.

694
00:35:36,176 --> 00:35:38,053
What do you mean? Why?

695
00:35:38,136 --> 00:35:39,471
Look, level with me here.

696
00:35:39,555 --> 00:35:41,640
You-- You came here to

697
00:35:41,723 --> 00:35:43,809
see if she would
invest your money, right?

698
00:35:43,892 --> 00:35:45,352
- Uh--
- Well, I mean, a little,

699
00:35:45,435 --> 00:35:47,020
but we also really
want her to act in the film.

700
00:35:47,104 --> 00:35:48,772
Here's what
she's gonna say to that:

701
00:35:48,856 --> 00:35:50,440
there are three types of
people who invest in film.

702
00:35:50,983 --> 00:35:53,610
Family, friends, and fools.

703
00:35:53,694 --> 00:35:54,778
Isn't that cute?

704
00:36:01,034 --> 00:36:02,244
- Yamil.
- Hm?

705
00:36:02,327 --> 00:36:03,704
What the hell was that?

706
00:36:03,787 --> 00:36:05,414
Yeah I don't
think she's gonna bite.

707
00:36:05,497 --> 00:36:07,291
It's okay,
I got some other leads.

708
00:36:07,374 --> 00:36:09,334
No, I mean the stuff that you
said about the monks.

709
00:36:09,418 --> 00:36:13,255
I mean, that has
nothing to do with my story.

710
00:36:13,881 --> 00:36:15,007
What story?

711
00:37:14,024 --> 00:37:16,026
[door unlatching]

712
00:37:39,883 --> 00:37:43,470
[soft flute playing]

713
00:37:47,182 --> 00:37:48,850
Roman Polanski.

714
00:37:50,227 --> 00:37:51,770
What's your take on all that?

715
00:37:52,187 --> 00:37:53,897
That controversy.

716
00:37:56,608 --> 00:37:57,693
It's complicated.

717
00:37:58,610 --> 00:38:00,320
He's a great director.

718
00:38:01,154 --> 00:38:03,031
Got quite a legacy
to live up to.

719
00:38:04,241 --> 00:38:08,078
Polanski, Kieslowski, Sulawski.

720
00:38:09,079 --> 00:38:10,247
Agnieszka Holland.

721
00:38:11,456 --> 00:38:13,333
Can't forget the women.

722
00:38:13,417 --> 00:38:14,584
The future's female.

723
00:38:16,795 --> 00:38:18,755
You know,
I used to date a Polish girl.

724
00:38:19,631 --> 00:38:22,843
The only time she smiled

725
00:38:23,343 --> 00:38:24,469
was when she orgasmed.

726
00:38:25,262 --> 00:38:26,346
Which was rare.

727
00:38:28,640 --> 00:38:31,018
It would last a second,
then it was like poof.

728
00:38:32,060 --> 00:38:34,271
- [Yamil] Damn.
- Back to poker face.

729
00:38:40,944 --> 00:38:42,654
So, tell me about this movie.

730
00:38:42,738 --> 00:38:44,406
All right, so we're thinking
we want to go to Yangon.

731
00:38:44,489 --> 00:38:46,450
Maybe you should let
the director speak.

732
00:38:51,830 --> 00:38:52,956
Maja?

733
00:38:57,002 --> 00:38:58,211
The movie.

734
00:38:59,296 --> 00:39:00,630
Um...

735
00:39:01,339 --> 00:39:03,925
It's about
a Burmese punk rocker in Yangon,

736
00:39:04,009 --> 00:39:05,927
but it really
is about the city itself.

737
00:39:06,011 --> 00:39:08,680
You know how it's still stuck
in the past and it's tradition.

738
00:39:08,764 --> 00:39:10,640
But at the same time,
rapidly changing.

739
00:39:10,724 --> 00:39:12,059
Internet.

740
00:39:12,142 --> 00:39:14,895
Imagine a sunset
above Yangon river

741
00:39:14,978 --> 00:39:16,563
and all those
little wooden boats

742
00:39:16,646 --> 00:39:18,356
taking people to the other shore

743
00:39:18,440 --> 00:39:19,858
at the end of
the day of work.

744
00:39:20,609 --> 00:39:22,527
You have food stands
with steaming samosas.

745
00:39:22,611 --> 00:39:24,404
Smells so good.

746
00:39:24,488 --> 00:39:26,281
[Maja] You have stray dogs
everywhere sniffing trash

747
00:39:26,364 --> 00:39:28,950
and there is this old man
with a blue typewriter.

748
00:39:29,034 --> 00:39:30,994
- Just typing away.
- Finishing up his novel.

749
00:39:31,369 --> 00:39:34,748
A string of baby nuns passes
in their pink robes.

750
00:39:34,831 --> 00:39:36,750
And then the punks
are sitting on a median,

751
00:39:37,084 --> 00:39:38,418
drinking whiskey.

752
00:39:39,002 --> 00:39:40,128
Playing music.

753
00:39:47,803 --> 00:39:49,137
Pink nuns.

754
00:39:51,932 --> 00:39:53,225
Blue typewriter.

755
00:39:54,893 --> 00:39:56,269
Samosas.

756
00:39:56,812 --> 00:39:58,188
Stray dogs.

757
00:40:02,526 --> 00:40:04,361
We could explore
a part of the world

758
00:40:04,444 --> 00:40:06,154
that nobody
has ever seen before.

759
00:40:07,489 --> 00:40:08,824
And with the punks,

760
00:40:09,741 --> 00:40:12,160
it's kind of a fresh hook,
you know?

761
00:40:12,244 --> 00:40:13,870
Exactly, right?

762
00:40:14,246 --> 00:40:16,456
I mean I just want to capture
the mood and the atmosphere

763
00:40:16,540 --> 00:40:17,833
more than anything else.

764
00:40:17,916 --> 00:40:19,751
Minimal dialogue. Images.

765
00:40:19,835 --> 00:40:21,378
Like Antonioni.

766
00:40:21,461 --> 00:40:23,547
- Yeah.
- It's a brisky point.

767
00:40:23,630 --> 00:40:25,507
The desert orgy scene.

768
00:40:25,924 --> 00:40:28,677
It's one of the most
sublime moments in cinema.

769
00:40:30,262 --> 00:40:32,305
I like the explosion in the end.

770
00:40:32,722 --> 00:40:34,307
Wait, there's a desert orgy?

771
00:40:34,724 --> 00:40:36,143
I need to watch this.

772
00:40:36,226 --> 00:40:37,727
You thought that blow up
was so boring.

773
00:40:37,811 --> 00:40:39,312
- Oh, it's the same director?
- Yeah.

774
00:40:40,063 --> 00:40:41,356
No, it's kind of slow.

775
00:40:41,690 --> 00:40:43,525
You know,
I just thought it was sexist.

776
00:40:44,192 --> 00:40:45,777
Well, that's how
movies used to be.

777
00:40:47,654 --> 00:40:48,697
Slow.

778
00:40:49,698 --> 00:40:52,450
Or allow silences to last.

779
00:40:52,534 --> 00:40:54,286
You know, shots lingering.

780
00:40:55,120 --> 00:40:57,247
Yeah, you know, some of my
favorite movies are those

781
00:40:57,330 --> 00:40:58,832
where barely anything happens.

782
00:41:02,752 --> 00:41:03,795
[indistinct]

783
00:41:04,963 --> 00:41:06,464
She's a keeper.

784
00:41:10,468 --> 00:41:11,511
I'm in.

785
00:41:14,097 --> 00:41:15,849
[Yamil]
What do you mean? Like?

786
00:41:16,141 --> 00:41:17,767
I'd like to invest in this film.

787
00:41:18,560 --> 00:41:19,728
Really?

788
00:41:21,438 --> 00:41:22,522
Wow.

789
00:41:22,606 --> 00:41:24,065
Okay, so...

790
00:41:24,524 --> 00:41:26,234
how do we make it official?

791
00:41:26,318 --> 00:41:29,237
Oh, we can go through all
the legalities later.

792
00:41:29,988 --> 00:41:31,072
For now...

793
00:41:32,157 --> 00:41:33,491
let's have another drink.

794
00:41:34,492 --> 00:41:36,620
The thing is, I've got
to teach in 20 minutes.

795
00:41:36,703 --> 00:41:38,580
And what are you,
a teacher or a director?

796
00:41:42,918 --> 00:41:44,836
[hard rock instrumental]

797
00:41:51,635 --> 00:41:54,095
We're making a movie!

798
00:41:56,765 --> 00:41:58,266
What do we get? Oh.

799
00:41:58,350 --> 00:42:00,685
- You want some?
- Oh, yeah. Let's drink it.

800
00:42:05,315 --> 00:42:06,650
- Hey.
- Hi.

801
00:42:06,733 --> 00:42:08,318
Can we please be
on your Instagram?

802
00:42:08,401 --> 00:42:10,820
Because we're making our movie
and we love you.

803
00:42:10,904 --> 00:42:12,739
- [clerk] Yes.
- Thank you so much.

804
00:42:12,822 --> 00:42:15,242
We're making our movie!

805
00:42:15,325 --> 00:42:16,451
Yeah.

806
00:42:16,534 --> 00:42:18,370
[Maja and Yamil laughing]

807
00:42:18,453 --> 00:42:20,455
♪

808
00:42:22,165 --> 00:42:24,292
<i>♪ Street punx, street punx,</i>
<i>ready or not ♪</i>

809
00:42:24,376 --> 00:42:26,670
<i>♪ Street punx, street punx,</i>
<i>oy, oy, oy ♪</i>

810
00:42:26,753 --> 00:42:29,005
<i>♪ Street punx, street punx,</i>
<i>ready or not ♪</i>

811
00:42:29,089 --> 00:42:31,091
<i>♪ Street punx, street punx,</i>
<i>oy, oy, oy ♪</i>

812
00:42:39,474 --> 00:42:41,726
<i>[indistinct lyrics]</i>

813
00:42:46,231 --> 00:42:49,276
<i>♪ Why street punx,</i>
<i>fuck it when I die ♪</i>

814
00:42:53,029 --> 00:42:55,198
<i>♪ Street punx, street punx,</i>
<i>ready or not ♪</i>

815
00:42:55,282 --> 00:42:57,450
<i>♪ Street punx, street punx,</i>
<i>oy, oy, oy ♪</i>

816
00:42:57,534 --> 00:42:59,619
<i>♪ Street punx, street punx,</i>
<i>ready or not ♪</i>

817
00:42:59,703 --> 00:43:01,746
<i>♪ Street punx, street punx,</i>
<i>oy, oy, oy ♪</i>

818
00:43:01,830 --> 00:43:04,040
<i>♪ Street punx, street punx,</i>
<i>ready or not ♪</i>

819
00:43:04,124 --> 00:43:06,209
<i>♪ Street punx, street punx,</i>
<i>why, why, why ♪</i>

820
00:43:06,293 --> 00:43:08,253
<i>♪ Street punx, street punx,</i>
<i>ready or not ♪</i>

821
00:43:08,336 --> 00:43:16,261
<i>♪ Street punx, street punx,</i>
<i>why, why, why ♪</i>

822
00:43:16,344 --> 00:43:19,180
Well, I came here for a gig
and I love it here,

823
00:43:19,264 --> 00:43:21,433
So, I figured, what the heck,
I'm going to stay.

824
00:43:21,516 --> 00:43:24,185
Amazing.
Um, do you have a place?

825
00:43:24,644 --> 00:43:26,646
I'm couch surfing
at Kelly's right now.

826
00:43:27,355 --> 00:43:30,317
Because, you know, uh,
I'm actually, uh...

827
00:43:30,400 --> 00:43:31,860
I should sublet my room

828
00:43:31,943 --> 00:43:33,862
because I'm going to Asia,
to Yangon,

829
00:43:33,945 --> 00:43:35,739
for a few months
to shoot a movie.

830
00:43:36,364 --> 00:43:38,616
And, I don't know,
would you be interested?

831
00:43:38,700 --> 00:43:40,076
- Yes.
- Yeah?

832
00:43:40,160 --> 00:43:42,245
- Where is it?
- It's in Amerity.

833
00:43:42,329 --> 00:43:44,039
I love that neighborhood.

834
00:43:44,122 --> 00:43:45,665
Yes, you should move in.

835
00:43:45,749 --> 00:43:47,417
Do you have your own bathroom?

836
00:43:47,500 --> 00:43:49,919
- Yes.
- Oh, my gosh!

837
00:43:50,003 --> 00:43:52,464
I have a few boxes,
but I don't have anything.

838
00:43:52,547 --> 00:43:53,923
I don't have sheets or towels.

839
00:43:54,007 --> 00:43:55,508
No, no, you can use
all of my stuff.

840
00:43:55,592 --> 00:43:57,677
- I love it here!
- Yeah!

841
00:43:59,095 --> 00:44:01,222
- Can I come tomorrow?
- Yes!

842
00:44:02,307 --> 00:44:03,808
I'll bring my boxes.

843
00:44:05,101 --> 00:44:07,479
[thumping electronic music]

844
00:44:20,617 --> 00:44:25,622
♪

845
00:44:45,809 --> 00:44:47,477
[Maja]
Yamil, I'm going to go dance.

846
00:44:50,522 --> 00:44:52,649
This is really happening.

847
00:44:52,732 --> 00:44:54,526
It's really happening, Maja.

848
00:44:54,609 --> 00:44:55,944
I know.

849
00:44:56,027 --> 00:44:57,195
We're making a movie.

850
00:44:57,278 --> 00:44:59,531
We're making a movie so soon.

851
00:44:59,614 --> 00:45:01,991
I mean, we're making a movie
right now.

852
00:45:02,075 --> 00:45:04,077
Yeah, I mean, so soon.

853
00:45:04,619 --> 00:45:08,748
You were the only person in the
whole world

854
00:45:08,832 --> 00:45:13,128
that believed in this vision.

855
00:45:13,211 --> 00:45:15,255
I believe it. I believe it.

856
00:45:15,338 --> 00:45:17,298
I love you for that.

857
00:45:17,382 --> 00:45:19,592
I need you to--
I need you to hear me out, okay?

858
00:45:19,676 --> 00:45:24,180
That even if this doesn't turn
out how we think it's going to,

859
00:45:24,264 --> 00:45:26,391
it's still going to be really
beautiful and amazing.

860
00:45:26,474 --> 00:45:28,101
I know, of course.

861
00:45:28,184 --> 00:45:30,353
Like, even if it's not
what you're expecting.

862
00:45:30,895 --> 00:45:33,064
Nothing is ever what you expect.

863
00:45:33,481 --> 00:45:37,068
That's the beautiful-- That's
what's beautiful about it.

864
00:45:37,152 --> 00:45:39,028
Cool. So, you get it, right?

865
00:45:39,612 --> 00:45:41,156
- I get it.
- Okay.

866
00:45:41,239 --> 00:45:43,199
- Of course, I get it.
- I knew you would.

867
00:45:43,283 --> 00:45:44,993
- I love you.
- I love you too.

868
00:45:45,076 --> 00:45:46,494
Can I get a hug?

869
00:45:46,578 --> 00:45:48,538
Yeah, of course.

870
00:45:49,080 --> 00:45:51,207
I feel so good right now.

871
00:45:51,291 --> 00:45:55,044
[techno music playing]

872
00:45:56,546 --> 00:45:59,549
[crowd cheers]

873
00:46:04,387 --> 00:46:06,473
[crowd chattering]

874
00:46:26,701 --> 00:46:27,952
Woo!

875
00:46:38,004 --> 00:46:40,715
[crowd cheers]

876
00:46:49,432 --> 00:46:55,897
♪♪♪

877
00:47:01,653 --> 00:47:03,613
Hi, Janice.
This is Maja.

878
00:47:03,696 --> 00:47:05,657
I'm just calling
to let you know

879
00:47:05,740 --> 00:47:07,408
that I'm still not feeling well.

880
00:47:08,618 --> 00:47:10,078
Yeah, I don't think
I'm going to be able

881
00:47:10,161 --> 00:47:11,538
to come today at all.

882
00:47:12,413 --> 00:47:13,957
That's okay.

883
00:47:14,624 --> 00:47:17,126
Michael, thank you so much.
I really appreciate this.

884
00:47:17,210 --> 00:47:20,004
Oh, my Maja!
Ah, it's okay.

885
00:47:20,088 --> 00:47:21,923
[indistinct]

886
00:47:23,299 --> 00:47:25,218
Just one, one.
Ah, two.

887
00:47:25,301 --> 00:47:27,220
Okay, I got it. Ah!

888
00:47:27,303 --> 00:47:29,973
[gasp] I love this room.

889
00:47:30,056 --> 00:47:31,975
I love this room.

890
00:47:32,058 --> 00:47:33,768
I didn't go to sleep. I was
just feeling really energized.

891
00:47:33,851 --> 00:47:35,270
So I went to Polly's.
I had some grits.

892
00:47:35,353 --> 00:47:36,771
I had one mimosa.

893
00:47:36,854 --> 00:47:38,356
And then I just walked
right over here.

894
00:47:38,439 --> 00:47:39,774
It's so close to Polly's.
It's incredible.

895
00:47:39,857 --> 00:47:41,609
Amanda let me in.
I love her.

896
00:47:41,693 --> 00:47:43,903
I'm obsessed with her.
Best first impression ever.

897
00:47:43,987 --> 00:47:45,947
She actually said she would
help me with the boxes,

898
00:47:46,030 --> 00:47:48,324
but I was just feeling really
a lot of fire in my glutes,

899
00:47:48,408 --> 00:47:50,368
and I was just like,
girl, I got this.

900
00:47:50,451 --> 00:47:52,120
So I just, I almost tripped.

901
00:47:52,203 --> 00:47:54,497
I made it. I lost two boxes,
but I did it.

902
00:47:54,581 --> 00:47:58,084
And what the heck?

903
00:47:58,167 --> 00:48:02,005
Your bed is like
a freaking cloud.

904
00:48:02,088 --> 00:48:04,465
Ah!

905
00:48:04,549 --> 00:48:06,384
I feel like if you
decided to stay,

906
00:48:06,467 --> 00:48:08,595
then we would both just fit
in this bed just fine.

907
00:48:08,678 --> 00:48:10,513
I feel like you would barely
know that I was here.

908
00:48:10,597 --> 00:48:12,432
But on the walk over here,
I just was feeling really full.

909
00:48:12,515 --> 00:48:14,934
I was just feeling like, oh,
just like a water balloon

910
00:48:15,018 --> 00:48:16,603
about to burst
because I really, really,

911
00:48:16,686 --> 00:48:17,854
really have to go
to the bathroom.

912
00:48:17,937 --> 00:48:19,230
Can I use your bathroom?

913
00:48:19,314 --> 00:48:21,816
Oh, my gosh.
My own bathroom.

914
00:48:21,899 --> 00:48:24,235
I love your bathroom.
I love your taste.

915
00:48:24,319 --> 00:48:26,112
I love--

916
00:48:26,195 --> 00:48:27,780
When I take off my pants now,

917
00:48:27,864 --> 00:48:29,449
it's just like
glitter comes out.

918
00:48:29,532 --> 00:48:31,075
Last night when we were
on the dance floor,

919
00:48:31,159 --> 00:48:32,660
I had this vision
that we were mermaids,

920
00:48:32,744 --> 00:48:34,579
and I felt like
our hair was just wafting

921
00:48:34,662 --> 00:48:36,539
through the water
and everything was like...

922
00:48:36,623 --> 00:48:39,792
[hums]

923
00:48:39,876 --> 00:48:41,502
You know like
when you're underwater

924
00:48:41,586 --> 00:48:42,920
and everything feels like
it's slow motion?

925
00:48:46,633 --> 00:48:47,842
I can't go.

926
00:48:49,177 --> 00:48:50,970
I feel like I'm having
a little bit of anxiety.

927
00:48:51,054 --> 00:48:52,639
I need to turn on the water.

928
00:48:52,722 --> 00:48:54,223
You know like when
you turn on the water,

929
00:48:54,307 --> 00:48:56,059
it sounds like a waterfall,
especially

930
00:48:56,142 --> 00:48:57,810
because the acoustics
in the bathroom are so good.

931
00:48:57,894 --> 00:48:59,437
It's just like...

932
00:48:59,520 --> 00:49:02,899
Ah!

933
00:49:07,403 --> 00:49:09,447
{\an8}Thanks, Jojo.

934
00:49:09,530 --> 00:49:13,326
{\an8}I actually have to run soon to
talk to someone about the film.

935
00:49:15,620 --> 00:49:16,829
{\an8}Yeah.

936
00:49:18,498 --> 00:49:21,000
{\an8}Jojo, I'm so very excited.

937
00:49:21,084 --> 00:49:22,627
{\an8}We're going to do this movie
together, are you?

938
00:49:24,128 --> 00:49:25,630
{\an8}I already got the tickets.

939
00:49:36,974 --> 00:49:39,811
Hey. Is Sidhu around?

940
00:49:46,567 --> 00:49:49,070
[door closes]

941
00:49:49,153 --> 00:49:52,240
[piano music playing
in the room]

942
00:50:57,555 --> 00:50:59,766
[Sidhu] So...

943
00:50:59,849 --> 00:51:01,768
I have some ideas.

944
00:51:02,143 --> 00:51:04,771
I just jotted down some
possible plot lines

945
00:51:04,854 --> 00:51:06,439
you know,
to get the story moving.

946
00:51:08,274 --> 00:51:09,650
What if...

947
00:51:10,193 --> 00:51:13,946
Jojo gets in trouble with
the Burmese mafia?

948
00:51:15,072 --> 00:51:16,949
Also, I googled Yangon.

949
00:51:17,033 --> 00:51:18,868
I mean, this place is so...

950
00:51:19,911 --> 00:51:21,370
unique.

951
00:51:22,121 --> 00:51:23,998
So untouched.

952
00:51:24,081 --> 00:51:26,959
It's a great time to get in
there before it all gets ruined.

953
00:51:28,294 --> 00:51:29,378
Oh.

954
00:51:30,671 --> 00:51:33,174
How tired are you
of directing?

955
00:51:33,257 --> 00:51:35,218
- What?
- I mean, my buddy Spike's been

956
00:51:35,301 --> 00:51:37,053
wanting to make
a movie out there forever.

957
00:51:37,136 --> 00:51:39,180
- Spike Lee?
- Jones.

958
00:51:39,263 --> 00:51:41,390
- Three Kings.
- Yeah.

959
00:51:42,600 --> 00:51:44,519
Apparently,
he even knows about the punks.

960
00:51:44,602 --> 00:51:46,229
They're so hot right now.

961
00:51:46,813 --> 00:51:49,232
Um, I'm definitely going
to have to direct my own movie.

962
00:51:49,315 --> 00:51:51,359
- That's not negotiable.
- Okay, you're committed.

963
00:51:51,442 --> 00:51:52,902
I just wanted to check.

964
00:51:52,985 --> 00:51:54,362
That's great.
I respect that.

965
00:51:55,238 --> 00:51:57,323
Ah... one other thought.

966
00:51:58,741 --> 00:52:00,409
Why punks?

967
00:52:00,993 --> 00:52:03,788
Hmm.
I think they're fascinating.

968
00:52:03,871 --> 00:52:07,667
Umm, you know,
these guys creating

969
00:52:07,750 --> 00:52:10,127
this alternative culture over

970
00:52:10,211 --> 00:52:15,049
there that goes beyond
the religious, umm...

971
00:52:17,760 --> 00:52:20,304
And plus, it's true.

972
00:52:21,097 --> 00:52:23,099
The whole scene is incredibly
cinematic.

973
00:52:23,641 --> 00:52:26,310
Okay, you use this word a lot.
But what does it mean, really?

974
00:52:26,978 --> 00:52:29,772
I mean, isn't cinema
more than just surfaces?

975
00:52:29,856 --> 00:52:31,941
It is.
Isn't it?

976
00:52:32,608 --> 00:52:34,026
I mean,
what's the deeper theme here?

977
00:52:34,110 --> 00:52:35,903
What do these punks symbolize?

978
00:52:37,071 --> 00:52:40,783
I want to show how these guys
have courage to be themselves.

979
00:52:40,867 --> 00:52:42,869
Um...

980
00:52:42,952 --> 00:52:44,620
- And, um...
- [sniffles]

981
00:52:44,704 --> 00:52:46,914
Create their own personal
revolution.

982
00:52:46,998 --> 00:52:48,749
Okay, but how?

983
00:52:49,959 --> 00:52:52,628
What's the story?
What happens?

984
00:52:52,712 --> 00:52:54,463
It's not a plot-driven movie.

985
00:52:54,547 --> 00:52:56,215
So we're gonna go over there

986
00:52:56,299 --> 00:52:58,259
and let the whole thing
unfold organically.

987
00:52:58,342 --> 00:52:59,844
It's like you said.
Nothing happens.

988
00:52:59,927 --> 00:53:01,762
Well, it's not
that nothing happens.

989
00:53:01,846 --> 00:53:04,473
It's just that what's not
happening is more important

990
00:53:04,557 --> 00:53:06,350
than what happens.

991
00:53:07,727 --> 00:53:09,228
Okay, well,
what's the point, then?

992
00:53:09,312 --> 00:53:11,981
- Does there have to be a point?
- Exactly.

993
00:53:12,481 --> 00:53:14,609
- Like the whole, like, what's
- the-point-of-life thing.

994
00:53:14,692 --> 00:53:18,112
I mean, maybe life doesn't have
a point, but a movie should.

995
00:53:18,195 --> 00:53:19,572
True.

996
00:53:21,449 --> 00:53:22,909
Well, um...

997
00:53:23,993 --> 00:53:25,328
I believe that.

998
00:53:26,454 --> 00:53:29,916
Cinema's supposed to ask
questions rather than...

999
00:53:31,459 --> 00:53:32,585
answer them.

1000
00:53:34,045 --> 00:53:35,338
Okay, hear me out.

1001
00:53:37,465 --> 00:53:40,635
What if the movie's not about
the punks, per se?

1002
00:53:41,844 --> 00:53:45,014
What if it's about a young,
attractive tourist

1003
00:53:45,097 --> 00:53:48,100
that gets swept up in the
Burmese underground punk scene?

1004
00:53:48,726 --> 00:53:50,686
- I could get Chloe to do it.
- Sevigny?

1005
00:53:50,770 --> 00:53:52,188
No, Chloe Moritz.

1006
00:53:52,980 --> 00:53:54,357
She's one of my best friends.

1007
00:53:56,692 --> 00:53:59,487
What if she falls in love
with one of them, right?

1008
00:53:59,570 --> 00:54:01,864
She's bored,
trapped in her hotel room

1009
00:54:01,948 --> 00:54:04,158
in Yangon until
she meets one of the punks.

1010
00:54:04,241 --> 00:54:05,910
What if we cast
Scarlett Johansson

1011
00:54:05,993 --> 00:54:07,787
and have her connect
with an aging actor

1012
00:54:07,870 --> 00:54:09,830
who's also trapped in Yangon
shooting a commercial?

1013
00:54:09,914 --> 00:54:11,499
Now you're talking.
I love this.

1014
00:54:11,582 --> 00:54:15,461
Okay, what if the main
character is a filmmaker

1015
00:54:15,544 --> 00:54:18,631
and she's kind of like Maja?

1016
00:54:18,714 --> 00:54:19,799
I like it.

1017
00:54:20,424 --> 00:54:21,968
This movie's not about me.

1018
00:54:22,051 --> 00:54:23,469
I mean, it could be.

1019
00:54:23,970 --> 00:54:27,014
I mean, isn't every story
we tell ultimately our own?

1020
00:54:27,974 --> 00:54:29,517
I'm not sure if I believe that.

1021
00:54:29,600 --> 00:54:31,477
- Oh, Maja.
- [pouring drink]

1022
00:54:31,560 --> 00:54:34,480
What's wrong with centering it
around someone like you?

1023
00:54:36,607 --> 00:54:37,650
MAYA: Um...

1024
00:54:39,151 --> 00:54:41,153
Nothing's wrong.
It's just that I'd rather

1025
00:54:41,237 --> 00:54:44,365
give voice to those who don't
have a platform to be heard.

1026
00:54:44,448 --> 00:54:46,200
- That's valid.
- Yeah.

1027
00:54:46,283 --> 00:54:48,786
Well, who are you
to give them a voice?

1028
00:54:48,869 --> 00:54:51,956
And if you're giving it to them,
isn't it your voice anyway?

1029
00:54:52,039 --> 00:54:54,959
I mean, maybe you want to make
this movie about these punks

1030
00:54:55,042 --> 00:54:57,420
because it's easier
than having to face yourself.

1031
00:55:01,215 --> 00:55:02,383
I don't think so.

1032
00:55:03,092 --> 00:55:04,593
Well, then tell me.

1033
00:55:04,677 --> 00:55:06,679
What's fueling you?

1034
00:55:06,762 --> 00:55:10,391
You want to be a director
because it sounds sexy and cool?

1035
00:55:10,474 --> 00:55:11,976
Or do you have something to say?

1036
00:55:12,560 --> 00:55:13,686
Yeah, I have plenty to say.

1037
00:55:13,769 --> 00:55:15,021
Like what?

1038
00:55:18,524 --> 00:55:20,109
If I could just say it,

1039
00:55:20,192 --> 00:55:21,861
I wouldn't have to be
making a movie about it.

1040
00:55:21,944 --> 00:55:24,697
[laughing]

1041
00:55:26,991 --> 00:55:28,325
Such a cop-out.

1042
00:55:29,118 --> 00:55:31,245
This is good.
This is good, y'all.

1043
00:55:31,328 --> 00:55:33,497
We're getting
a conversation started, right?

1044
00:55:33,581 --> 00:55:35,791
You know, we don't have to
make any decisions today, right?

1045
00:55:35,875 --> 00:55:37,418
We're just sort of
three collaborators.

1046
00:55:37,501 --> 00:55:39,587
This is more than
just about your movie.

1047
00:55:39,670 --> 00:55:41,672
This is about
your life's purpose.

1048
00:55:41,756 --> 00:55:43,424
If you can't face the mirror,

1049
00:55:44,842 --> 00:55:46,886
I'm not sure you can
ever really be an artist.

1050
00:55:49,638 --> 00:55:52,433
[sniffing]

1051
00:55:52,892 --> 00:55:54,685
Why can't you do your own coke?

1052
00:55:54,769 --> 00:55:55,853
Excuse me?

1053
00:55:55,936 --> 00:55:57,480
Why do you need her
to feed it to you?

1054
00:55:57,563 --> 00:55:58,814
Do we have a problem here?

1055
00:55:58,898 --> 00:56:00,357
[chuckling]

1056
00:56:01,776 --> 00:56:03,402
Oh...
[clearing throat]

1057
00:56:03,486 --> 00:56:06,238
Now, you'll have to excuse me.

1058
00:56:07,281 --> 00:56:08,908
I have to take a shit.

1059
00:56:12,578 --> 00:56:14,288
What the fuck?

1060
00:56:14,371 --> 00:56:16,165
Where else are we going to get
some fucking money like this?

1061
00:56:16,248 --> 00:56:17,500
Just look at this place.
Are you kidding me?

1062
00:56:20,419 --> 00:56:22,421
[sighing]

1063
00:56:22,505 --> 00:56:24,215
Good job, Yamil.

1064
00:56:24,298 --> 00:56:25,674
You lined up a meeting

1065
00:56:25,758 --> 00:56:27,134
with the biggest
misogynist asshole.

1066
00:56:27,218 --> 00:56:28,511
I didn't think it was that bad.

1067
00:56:28,594 --> 00:56:29,970
Now, let's be real, Maja,

1068
00:56:30,054 --> 00:56:31,555
what have you done
for the movie?

1069
00:56:31,639 --> 00:56:33,974
Excuse me?
Are you fucking kidding me?

1070
00:56:34,058 --> 00:56:36,018
I went to Asia
and met the punks.

1071
00:56:36,102 --> 00:56:38,395
[laughing] Yeah.

1072
00:56:38,479 --> 00:56:41,107
So you can have your, like,
punk boy, cybersex thing,

1073
00:56:41,190 --> 00:56:42,858
but that's not making a movie.

1074
00:56:42,942 --> 00:56:44,652
What the fuck do you know
about making movies

1075
00:56:44,735 --> 00:56:45,820
in the first place?

1076
00:56:45,903 --> 00:56:47,488
I'm making one right now.

1077
00:56:48,656 --> 00:56:51,117
{\an8}- [chuckling]
<i>- Like those guys? Really?</i>

1078
00:56:51,200 --> 00:56:52,743
Well, good luck,

1079
00:56:52,827 --> 00:56:53,869
'cause I quit.

1080
00:56:55,329 --> 00:56:57,414
[Yamil chuckles]

1081
00:57:00,876 --> 00:57:05,631
[slow building dissonant music]

1082
00:57:05,714 --> 00:57:10,261
[street din]

1083
00:57:21,772 --> 00:57:27,862
♪

1084
00:57:41,417 --> 00:57:43,961
[music stops]

1085
00:58:03,856 --> 00:58:11,197
[conversation in Spanish]

1086
00:58:22,499 --> 00:58:24,293
[sighs]

1087
00:58:27,713 --> 00:58:32,176
[engine turning over]

1088
00:58:33,344 --> 00:58:36,889
[engine turning over]

1089
00:58:38,641 --> 00:58:41,560
[somber guitar music]

1090
00:58:42,895 --> 00:58:46,774
[lyrics unclear]

1091
00:58:46,857 --> 00:58:52,821
♪

1092
00:58:52,905 --> 00:58:58,869
♪

1093
00:58:58,953 --> 00:59:04,917
♪

1094
00:59:05,000 --> 00:59:11,048
♪

1095
00:59:14,301 --> 00:59:16,553
Hey! Hey.

1096
00:59:17,763 --> 00:59:20,474
Oh, I'd hug you,
but you look a little wet.

1097
00:59:21,058 --> 00:59:22,810
What are you doing here?

1098
00:59:22,893 --> 00:59:26,021
Well, I tried to call,
but your phone was dead, so I...

1099
00:59:26,105 --> 00:59:28,399
Well, anyway,
I figured we haven't hung out

1100
00:59:28,482 --> 00:59:31,568
in a while and I could, you
know, take you out to dinner.

1101
00:59:32,361 --> 00:59:33,988
I don't know about that.

1102
00:59:36,156 --> 00:59:37,491
What are you...

1103
00:59:39,451 --> 00:59:41,203
Come on, Maja.

1104
00:59:41,287 --> 00:59:42,496
Come on.

1105
00:59:43,539 --> 00:59:45,499
[chucking]

1106
00:59:45,582 --> 00:59:47,418
You know,
I just started getting paranoid

1107
00:59:47,501 --> 00:59:48,836
that everyone around me
is an actor.

1108
00:59:50,004 --> 00:59:52,298
Like some kind of nightmare.

1109
00:59:52,923 --> 00:59:56,093
It's just like,
oh, my God, is this water real?

1110
00:59:56,176 --> 00:59:57,761
[Chuckling]

1111
00:59:57,845 --> 00:59:59,680
What about this cheese?
[chuckling]

1112
01:00:01,557 --> 01:00:03,017
What about the wine?

1113
01:00:03,100 --> 01:00:04,560
I think
you should check the wine.

1114
01:00:04,643 --> 01:00:05,853
- I should?
- You should.

1115
01:00:05,936 --> 01:00:06,979
You should make sure.

1116
01:00:08,314 --> 01:00:09,690
Yeah, the wine's real.

1117
01:00:10,858 --> 01:00:14,194
But yeah, fuck this shit,
I'm telling you.

1118
01:00:14,278 --> 01:00:16,864
All right.
It's a big mess.

1119
01:00:16,947 --> 01:00:18,198
Mm-hmm.

1120
01:00:18,282 --> 01:00:20,784
But the entire time we dated,

1121
01:00:20,868 --> 01:00:25,164
I struggled to find

1122
01:00:25,247 --> 01:00:28,208
the real you
on camera.

1123
01:00:28,292 --> 01:00:30,794
- Like the essence.
- [scoffing]

1124
01:00:30,878 --> 01:00:33,172
- Oh, come on!
- Are you fucking kidding me?

1125
01:00:33,255 --> 01:00:34,840
The essence of me?

1126
01:00:34,923 --> 01:00:37,259
- Did you just really say that?
- I did.

1127
01:00:37,343 --> 01:00:39,595
You remember that movie
that we did with the bats

1128
01:00:39,678 --> 01:00:45,267
and the bathrobe where we were
under that bridge and you fell?

1129
01:00:45,351 --> 01:00:48,479
[chuckling]

1130
01:00:48,562 --> 01:00:49,897
Oh, my God.

1131
01:00:49,980 --> 01:00:52,566
It was horrible,
but it was great.

1132
01:00:54,985 --> 01:00:56,945
But hear me out.

1133
01:00:57,029 --> 01:01:00,074
Maybe Yamil has succeeded

1134
01:01:00,157 --> 01:01:03,869
in showing a side of you
that even I haven't seen.

1135
01:01:04,912 --> 01:01:08,123
You know,
your drive, your passion.

1136
01:01:08,207 --> 01:01:09,875
You're taking big risks.

1137
01:01:09,958 --> 01:01:11,418
You quit your job.

1138
01:01:11,502 --> 01:01:15,339
This is a real journey
as an artist,

1139
01:01:15,422 --> 01:01:19,134
and it's compelling
and it's intriguing.

1140
01:01:19,218 --> 01:01:22,679
And it could be
a true feminist movie.

1141
01:01:22,763 --> 01:01:25,099
You fucking talked to him?

1142
01:01:25,182 --> 01:01:26,600
No, we didn't...

1143
01:01:27,643 --> 01:01:29,603
He might have run into me
last week,

1144
01:01:29,686 --> 01:01:31,313
and we might have, like,
he might have showed me

1145
01:01:31,397 --> 01:01:33,774
some-- some--
some clips, but...

1146
01:01:33,857 --> 01:01:35,818
Dude, what is going on?

1147
01:01:38,404 --> 01:01:39,863
I can't do this anymore.

1148
01:01:39,947 --> 01:01:41,407
I'm so sorry.

1149
01:01:43,200 --> 01:01:45,202
I... This was not my idea.

1150
01:01:45,285 --> 01:01:48,288
I-- I did not...
It was not-- [stammering]

1151
01:01:48,372 --> 01:01:49,790
Shut up.

1152
01:01:54,878 --> 01:01:56,171
Maja.

1153
01:01:56,755 --> 01:01:57,798
I'm sorry.

1154
01:01:58,549 --> 01:02:00,426
I didn't want this
to play out this way.

1155
01:02:00,509 --> 01:02:02,845
And I really care about you.
You know that, right?

1156
01:02:02,928 --> 01:02:04,680
Like, I really do.

1157
01:02:04,763 --> 01:02:06,723
You're my friend.

1158
01:02:06,807 --> 01:02:08,642
<i>And we can still make</i>
<i>something beautiful together.</i>

1159
01:02:08,725 --> 01:02:10,394
<i>I'm sorry. I really am.</i>

1160
01:02:12,104 --> 01:02:15,732
[camera clattering, smashing]

1161
01:02:17,025 --> 01:02:18,068
Fuck.

1162
01:02:23,991 --> 01:02:27,119
[Maja sobbing quietly]

1163
01:02:27,202 --> 01:02:28,245
Sit up.

1164
01:02:31,081 --> 01:02:32,124
Babe.

1165
01:02:34,626 --> 01:02:38,714
[somber music
plays in background]

1166
01:02:43,510 --> 01:02:44,887
Take some deep breaths.

1167
01:02:49,099 --> 01:02:51,268
Do you think I'm a failure?

1168
01:02:51,351 --> 01:02:53,770
[scoffing]
Of course not.

1169
01:02:57,065 --> 01:02:58,275
It's Yamil.

1170
01:02:59,401 --> 01:03:00,444
He's...

1171
01:03:02,821 --> 01:03:06,366
He flits around like a butterfly
from flower to flower,

1172
01:03:06,450 --> 01:03:09,578
and he never follows through
on anything,

1173
01:03:09,661 --> 01:03:11,705
and you don't
have time for that bullshit.

1174
01:03:11,788 --> 01:03:13,665
Right?
You have a movie to finish.

1175
01:03:14,291 --> 01:03:15,959
Or... To start.

1176
01:03:27,054 --> 01:03:28,263
[yawning]

1177
01:03:29,348 --> 01:03:30,766
Hey.

1178
01:03:30,849 --> 01:03:32,059
The matcha's
making me more sleepy.

1179
01:03:32,142 --> 01:03:33,185
Oh.

1180
01:03:33,685 --> 01:03:34,770
Well, this is...

1181
01:03:35,771 --> 01:03:37,773
I gotta finish it
before tomorrow.

1182
01:03:37,856 --> 01:03:40,150
It's too much.
I got an idea.

1183
01:03:40,859 --> 01:03:43,320
And you will.
You will finish, but here.

1184
01:03:43,403 --> 01:03:44,947
Come sit here.
Sit with me.

1185
01:03:45,614 --> 01:03:47,157
Okay.

1186
01:03:49,826 --> 01:03:50,953
[laughing]

1187
01:03:51,495 --> 01:03:52,538
That's not the exercise.

1188
01:03:52,621 --> 01:03:53,664
Here's the exercise.

1189
01:03:53,747 --> 01:03:54,790
Take a deep breath in.

1190
01:03:54,873 --> 01:03:57,459
[long inhale]

1191
01:03:57,543 --> 01:04:01,004
[loud vocalizing]

1192
01:04:01,088 --> 01:04:03,298
Or something
along those lines, okay?

1193
01:04:03,382 --> 01:04:04,550
You take a deep breath,

1194
01:04:04,633 --> 01:04:06,301
you let the sound out,
and put some movement with it.

1195
01:04:06,385 --> 01:04:07,678
Ready? Deep breath.

1196
01:04:07,761 --> 01:04:09,179
[long inhale]

1197
01:04:09,263 --> 01:04:14,226
[loud vocalizing]

1198
01:04:16,562 --> 01:04:19,398
[both croaking]

1199
01:04:19,481 --> 01:04:22,025
- Another one. Deep breath.
- [long inhale]

1200
01:04:22,109 --> 01:04:26,572
[high-pitched vocalizing]

1201
01:04:26,655 --> 01:04:29,700
Yeah, yeah.
I'm the captain of my own ship.

1202
01:04:29,783 --> 01:04:30,909
Say that.

1203
01:04:30,993 --> 01:04:32,828
I'm the captain of my own ship.

1204
01:04:33,579 --> 01:04:35,414
Yeah, say it again,
like you mean it.

1205
01:04:35,497 --> 01:04:36,999
I'm the captain of my own ship.

1206
01:04:37,082 --> 01:04:38,667
I'm the captain
of my own ship.

1207
01:04:38,750 --> 01:04:42,004
I'm the fucking captain
of my own fucking ship.

1208
01:04:42,087 --> 01:04:43,505
I'm the own...

1209
01:04:43,589 --> 01:04:45,090
- I'm the...
- Yeah!

1210
01:04:45,173 --> 01:04:47,467
I'm the owner
of the fucking ship.

1211
01:04:47,551 --> 01:04:50,012
I'm the fucking owner
of my own ship.

1212
01:04:50,095 --> 01:04:51,680
Yeah, that's right.

1213
01:04:51,763 --> 01:04:54,766
I'm the captain of my own ship,
motherfucker.

1214
01:04:54,850 --> 01:04:57,936
I-- [chuckling]
I'm the own...

1215
01:04:58,020 --> 01:05:00,022
- I'm the--
- I'm the owner of the boat.

1216
01:05:00,105 --> 01:05:02,107
[laughing] Okay.

1217
01:05:02,190 --> 01:05:03,900
I'm the owner of the ship.

1218
01:05:03,984 --> 01:05:07,821
- Fuck you, motherfucker.
- Fuck you too, "cap'n."

1219
01:05:07,904 --> 01:05:09,197
Damn. Sit down.

1220
01:05:09,281 --> 01:05:10,324
Sit down here.

1221
01:05:11,408 --> 01:05:13,201
Yeah. Okay.

1222
01:05:13,869 --> 01:05:15,537
Now, take a deep breath.

1223
01:05:15,621 --> 01:05:17,664
[inhaling]

1224
01:05:17,748 --> 01:05:19,333
And let it out.

1225
01:05:19,416 --> 01:05:21,084
Let your eyes close.

1226
01:05:22,377 --> 01:05:23,420
And...

1227
01:05:24,880 --> 01:05:25,922
what do you see?

1228
01:05:27,883 --> 01:05:30,719
What is the first
thing that you see?

1229
01:05:30,802 --> 01:05:33,764
[bells softly clanging]

1230
01:05:33,847 --> 01:05:37,017
[birds squawking]

1231
01:05:43,690 --> 01:05:47,694
♪

1232
01:05:47,778 --> 01:05:51,323
[waves splashing]

1233
01:05:54,951 --> 01:05:58,080
[soft percussion joins]

1234
01:05:58,163 --> 01:06:01,625
♪

1235
01:06:01,708 --> 01:06:04,711
These photos are really cool.

1236
01:06:06,463 --> 01:06:09,257
Yeah. I'm sure there's
a story in there.

1237
01:06:09,341 --> 01:06:13,428
Maybe. Let's talk about you.

1238
01:06:13,512 --> 01:06:15,347
Your accent--
don't tell me.

1239
01:06:15,430 --> 01:06:17,307
My ex is from there.

1240
01:06:17,391 --> 01:06:19,601
Ukraine.
Poland.

1241
01:06:19,685 --> 01:06:20,811
Poland.

1242
01:06:23,230 --> 01:06:26,650
I've been to Poland a few times
for the American Film Festival.

1243
01:06:26,733 --> 01:06:29,820
It's in, uh...
God, just one sec.

1244
01:06:29,903 --> 01:06:31,196
Wroclaw.

1245
01:06:31,279 --> 01:06:32,322
- [phone ringing]
- Oh.

1246
01:06:32,406 --> 01:06:34,449
I need to take this.

1247
01:06:36,493 --> 01:06:37,911
That's it.

1248
01:06:37,994 --> 01:06:39,371
I know.

1249
01:06:41,623 --> 01:06:43,709
I took her to this bar.
I brought her here.

1250
01:06:43,792 --> 01:06:45,544
She knows that this is our spot.

1251
01:06:45,627 --> 01:06:47,212
She knows this is where
all the homies hang out.

1252
01:06:47,295 --> 01:06:48,547
And of course
she's gonna come here

1253
01:06:48,630 --> 01:06:50,132
and hit on some other woman.

1254
01:06:50,215 --> 01:06:51,925
I bet she's with another woman.

1255
01:06:52,008 --> 01:06:53,385
I don't care if you're here
as loyal or jealous

1256
01:06:53,468 --> 01:06:54,886
because I am
and you're here for it.

1257
01:06:54,970 --> 01:06:56,513
And that's okay.

1258
01:06:56,596 --> 01:06:58,348
Everyone is looking up
at everybody else

1259
01:06:58,432 --> 01:06:59,725
and, like, looking for
somebody else in this town.

1260
01:06:59,808 --> 01:07:00,934
And it's like...

1261
01:07:30,005 --> 01:07:34,176
[paper rustling]

1262
01:07:51,735 --> 01:07:54,488
[door creaks]

1263
01:08:03,872 --> 01:08:07,667
[vibrant jazz music]

1264
01:08:30,190 --> 01:08:33,443
[dramatic jazz music]

1265
01:08:33,527 --> 01:08:39,908
♪

1266
01:08:43,453 --> 01:08:48,834
[funky pop music]

1267
01:08:48,917 --> 01:08:54,506
♪

1268
01:08:54,589 --> 01:09:00,220
♪

1269
01:09:00,303 --> 01:09:05,892
♪

1270
01:09:05,976 --> 01:09:11,439
♪

1271
01:09:11,523 --> 01:09:17,112
♪

1272
01:09:17,195 --> 01:09:22,868
♪

1273
01:09:22,951 --> 01:09:27,581
[eerie tones]

1274
01:09:27,664 --> 01:09:33,879
♪

1275
01:09:43,096 --> 01:09:49,311
♪

1276
01:10:00,739 --> 01:10:02,490
Do you think I should go?

1277
01:10:03,575 --> 01:10:08,496
[small motor whirring]

1278
01:10:11,082 --> 01:10:16,796
♪

1279
01:10:26,014 --> 01:10:32,979
[rocket jets roaring]

1280
01:10:37,859 --> 01:10:41,071
[soft rumbling]

1281
01:11:02,884 --> 01:11:07,681
[street din]

1282
01:11:11,226 --> 01:11:13,395
[crowd din]

1283
01:11:19,234 --> 01:11:22,529
[motorcycle rumbling]

1284
01:11:29,911 --> 01:11:32,580
[cutlery clattering]

1285
01:11:35,583 --> 01:11:38,503
[restaurant din]

1286
01:11:43,758 --> 01:11:46,553
[street din]

1287
01:12:02,277 --> 01:12:07,574
[dissonant music]

1288
01:12:07,657 --> 01:12:13,079
♪

1289
01:12:13,163 --> 01:12:18,543
♪

1290
01:12:18,626 --> 01:12:24,007
♪

1291
01:12:24,090 --> 01:12:29,471
♪

1292
01:12:29,554 --> 01:12:35,018
♪

1293
01:12:35,101 --> 01:12:39,314
♪

1294
01:12:45,361 --> 01:12:53,286
♪

1295
01:13:02,003 --> 01:13:04,798
[music fades]

1296
01:13:04,881 --> 01:13:07,675
[conversation in other language]

1297
01:13:11,262 --> 01:13:13,848
[speaking other language]

1298
01:13:15,850 --> 01:13:19,354
[speaking other language]

1299
01:13:26,569 --> 01:13:30,073
[speaking other language]

1300
01:13:37,872 --> 01:13:41,918
[phone ringing]

1301
01:13:54,639 --> 01:13:55,682
{\an8}[Maja] Yeah?

1302
01:14:01,437 --> 01:14:04,732
{\an8}I would love for you
to be able to do that.

1303
01:14:14,159 --> 01:14:15,201
{\an8}I know.

1304
01:14:19,747 --> 01:14:22,333
{\an8}But we get to stay in touch.

1305
01:14:22,417 --> 01:14:24,002
{\an8}<i>- Yeah.</i>
- Get to still connect.

1306
01:14:27,547 --> 01:14:28,590
{\an8}Yeah.

1307
01:14:29,799 --> 01:14:30,842
{\an8}Wow.

1308
01:14:32,260 --> 01:14:34,095
{\an8}I love you very much.

1309
01:14:38,266 --> 01:14:39,767
{\an8}And I can't wait to see you.

1310
01:14:46,107 --> 01:14:47,150
{\an8}We will.

1311
01:14:51,821 --> 01:14:53,031
{\an8}[Maja chuckles]

1312
01:14:55,992 --> 01:14:57,577
{\an8}I do.

1313
01:15:47,168 --> 01:15:49,963
{\an8}But you decided
to stay in Myanmar.

1314
01:16:33,006 --> 01:16:34,048
{\an8}Yes.

1315
01:18:07,058 --> 01:18:11,813
[driving punk rock music]

1316
01:18:11,896 --> 01:18:17,819
♪♪

1317
01:18:21,948 --> 01:18:27,203
[lyrics in another language]

1318
01:18:27,286 --> 01:18:31,040
♪

1319
01:18:31,124 --> 01:18:34,919
♪

1320
01:18:35,002 --> 01:18:38,798
♪

1321
01:18:38,881 --> 01:18:42,677
♪

1322
01:18:42,760 --> 01:18:46,639
♪

1323
01:18:46,722 --> 01:18:48,766
[music fades]

1324
01:18:50,435 --> 01:18:54,355
[steady low rock music]

1325
01:18:54,439 --> 01:19:01,195
♪

1326
01:19:01,279 --> 01:19:08,077
♪

1327
01:19:08,161 --> 01:19:14,959
♪

1328
01:19:15,042 --> 01:19:21,799
♪

1329
01:19:21,883 --> 01:19:28,639
♪

1330
01:19:28,723 --> 01:19:35,521
♪

1331
01:19:35,605 --> 01:19:42,403
♪

1332
01:19:42,487 --> 01:19:49,285
♪

1333
01:19:49,368 --> 01:19:56,167
♪

1334
01:19:56,250 --> 01:20:03,049
♪

1335
01:20:03,132 --> 01:20:09,931
♪

1336
01:20:10,014 --> 01:20:16,812
♪

1337
01:20:16,896 --> 01:20:23,694
♪

1338
01:20:23,778 --> 01:20:30,576
♪

1339
01:20:30,660 --> 01:20:37,458
♪

1340
01:20:37,542 --> 01:20:44,340
♪

1341
01:20:44,423 --> 01:20:51,222
♪

1342
01:20:51,305 --> 01:20:58,104
♪

1343
01:20:58,187 --> 01:21:04,986
♪

1344
01:21:05,069 --> 01:21:11,867
♪

1345
01:21:11,951 --> 01:21:18,749
♪

1346
01:21:18,833 --> 01:21:25,631
♪

1347
01:21:25,715 --> 01:21:32,513
♪

1348
01:21:32,597 --> 01:21:39,395
♪

1349
01:21:39,478 --> 01:21:46,277
♪

1350
01:21:46,360 --> 01:21:53,159
♪

1351
01:21:53,242 --> 01:22:00,041
♪

1352
01:22:00,124 --> 01:22:07,006
♪



