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[static]

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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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[mysterious music playing]

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[Karen] Just because
the clock strikes twelve,

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doesn't mean it's midnight.

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How do you break up the vision
but keep it whole?

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It's like, for every step
of that journey,

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it's just a puzzle piece.

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[music continues]

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[Karen] When you're making
a puzzle,

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you got that reference picture
right there.

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00:01:03,523 --> 00:01:05,233
But you're putting
these pieces together,

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00:01:05,233 --> 00:01:06,943
but you're not
losing sight of that.

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00:01:06,943 --> 00:01:09,445
And every piece, even though
it's not that whole picture,

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every piece represents
the entirety

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00:01:11,030 --> 00:01:14,617
and the-the totality
of that picture.

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How do you do that?

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How do you move forward

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and keep your dream
while you, you have to...

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you have to fragment it?

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And even though
you see it, it's...

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you still got to
put it together.

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But you can't put it together
if you don't keep it whole.

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[Jazmin Jones] Mm,
it's a conundrum.

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-Right? [laughs]
-Yeah. [laughs]

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[Karen] You're on
the right path.

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You're doing the right things.

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You're thinking
the right thoughts.

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-Right?
-[Jazmin] Mm-hmm.

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[Karen] So you're able
to embrace your dream

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with every step.

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So I think
that's where you're at.

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You're-- you're, like,
in that space

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where dream becomes vision
and vision becomes reality.

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And you'll have something
to go back and look at

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when you're ready.

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And it-- Nothing may come of it.

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But at least you have
a place to begin from.

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00:02:07,878 --> 00:02:09,338
Mm-hmm.

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You got to get
your kibbles and bits.

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[Mavis Beacon] Relax.

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Take one deep breath
and let it all out.

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You are ready for lessons.

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[trilling beeping]

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[Jazmin and Olivia] Welcome

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00:02:30,360 --> 00:02:32,820
to the Seeking Mavis Beacon
hotline.

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Our investigators
are standing by.

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[Jazmin] We want to hear
what you remember

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about Mavis Beacon.

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After the tone,
tell us what you know.

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[Olivia] And don't forget
to leave your name,

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location
and contact information.

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-[Jazmin] Bye-bye.
-[Olivia] Bye!

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Hi, guys. Happy Memorial Day.

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And in this video,
I'm gonna show you

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how I learned
how to type so fast

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from "Mavis Beacon."

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"Mavis Beacon."

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[boy]
"Mavis Beacon Teaches Typing."

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Oh, my God. That's just
some MLG shit right here.

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First of all,
she was a typing champ.

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She is me.

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[Derek Kelly] This is
"Mavis Beacon Teaches Typing."

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It's a typing program.

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It was created in 1987.

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Is that "Mavis Beacon"?

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[Ms. Schwartz] Yeah. This place
is the best. [chuckles]

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This is a film about trickery
and fraud.

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About... lies.

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[newscaster] Mavis's remarkable,
nearly seven-decade career

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was honored this month
at the Kennedy Center.

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Mavis has done it all

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and worked
with just about everybody.

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When people heard
that deep old soul

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coming out of that computer,
they wept.

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Which, understandably,
concerned her.

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But her mother...

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[people laughing]

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Her mother told her,
"Mavis, they're happy."

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♪ Where mothers can't see... ♪

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Mavis has, um,
deep love and affection

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and parental guidance
and support.

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♪ I believed those things... ♪

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She's an icon, she's a legend,
and she is the moment.

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Now, come on, now.

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Give it up for Mavis Beacon!

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[cheering, applause]

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Is Mavis Beacon still alive?
Is Mavis Beacon a real person?

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[robotic voice]
I don't know what's reality,

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but I assure you,

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I'm as real as anything
or any person.

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What's a scam
that's become so normalized

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that we don't even realize
it's a scam anymore?

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I was today years old
when I found out that this woman

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was not a real person.

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[Reed Galin]
Many callers expressed dismay

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that cyberspace seems
more like the Twilight Zone.

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Are you going to be like
the masses?

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Are you going to allow words
to hypnotize you?

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[all] No!

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A few models
have faced the cover of

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"Mavis Beacon Teaches Typing,"

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but Renée Lesperance
was the first. Clock it.

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[man] While Renée effectively
disappeared by 1990,

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after moving back to
the Caribbean,

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her character, Mavis Beacon,
went on to become

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an internationally-known star
of sorts.

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[in Creole]: We're looking for Mavis Beacon

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an important woman in technology

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aka Renee L'Esperance

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People of Jacmel, how are we doing?

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[man continues speaking Creole]

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[Mr. Jones] What do you need
this for?

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[Jazmin giggling] For my film.

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[Mr. Jones] Okay.

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[Mr. Jones]
Well, I hope it's in here.

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[Jazmin] What you got in there?

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[Mr. Jones] Treasure trove.

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[Jazmin]
We're looking for a tiny game

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of "Mavis Beacon
Teaches Typing."

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Does it ring any bells?

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-You remember being at Costco.
-I remember.

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I remember buying it at Costco.

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[Jazmin] Why'd you buy it?

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Because I had to type,
and I-- I wasn't a fast typer,

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so I was trying--

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Oh, so it was for you.
It wasn't for me.

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Well, it was for us.

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-It was a family experience.
-It was a family experience.

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Did you use it?

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I might've tried. I don't...

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-I guess I might've tried.
-Oh, wow.

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This might be a hot--
-That's a game changer.

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You got a disc right there.

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You got The Matrix
on PlayStation!

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See, this is promising.
What else you got?

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What is that?
Oh, that-- Oh, Dave Matthews.

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[both chuckle]

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Is there-- Watch it be empty.
Eh! I knew it.

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-Here's your little friend.
-Oh, little guy!

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[high-pitched]
"What the hell are you doing?

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How you been?
It's been a while!"

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I missed you. [laughs]

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Okay, all right, all right.

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Okay, so you remember
purchasing her.

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I don't remember when
I got divorced, to be honest.

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-I was in the fourth grade.
-Is that what it is?

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I'm not real good
with dates and times and stuff.

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[Jazmin] If I were
"Mavis Beacon..."

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[both laughing]

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-Where would I be?
-Wouldn't be in here.

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Yeah, I don't know.
But this is--

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This is the kind of box
it will be in, you know?

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That is the kind of box
it would be in.

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[Jazmin] Now I'm questioning
my own memory.

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We don't find it,
I guess I have to contend

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with losing a piece of history.

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All right. I'll take
the pink ones for Olivia.

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[Mr. Jones] All righty.

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Yeah, you got to meet
my collaborator who's in town.

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[Mr. Jones]
What does a collaborator do?

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00:07:09,930 --> 00:07:13,308
She's, like,
a 19-year-old coder, tech--

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She's super tech-savvy
and is helping me

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be thorough in my shit.

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All right.

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Appreciate you
for helping me anyway.

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Mm-hmm.

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[soft music playing]

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[harp music playing]

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[Jazmin] So, the video game,
bro-- nonprofit bros,

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they said we can use
their storage warehouse.

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-Or a room in it.
-[Olivia] Okay. I see.

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Do they have, like, Wi-Fi or...?

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[Jazmin] No, we have to get,
we have to get our own router.

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Um, the zoom is up top here.

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I'm doing Face ID
with a face full of camera, man.

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Uh...

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[Jazmin] The tongue out
helped you Face ID.

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[Olivia] Yeah. Uh-huh. Uh...

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So...

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[upbeat music playing]

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[Olivia] Introduce yourself.

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I'm a filmmaker
and an archivist.

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[Olivia] Ooh.

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00:08:05,485 --> 00:08:06,487
[laughing]

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00:08:06,487 --> 00:08:07,405
[Oliva] Fancy.

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00:08:07,405 --> 00:08:08,907
-Fancy.
- I don't know.

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I think it, it's made
more serious by all of this.

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What do you want to major in?

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[man] What you're doing now?

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You're gonna major
in what you're doing already?

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[Jazmin] Yeah.
Filmmaking. [chuckles]

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...have any pictures
of my daughter graduating

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without this
in the middle of her face.

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[Jazmin] Too bad.

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It's always shots
of this, like this.

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Hi, Jaz. How you doing?

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00:08:31,012 --> 00:08:32,805
Good job, Jaz!

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00:08:32,805 --> 00:08:33,932
[air horn blows]

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00:08:33,932 --> 00:08:36,350
I'm from
the Bay Area originally.

202
00:08:36,350 --> 00:08:40,270
Yeah. I was raised in
the suburbs of Silicon Valley.

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And my family,

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we had
this one desktop computer.

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And I spent a lot of time
after school on Napster,

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playing "Mavis Beacon
Teaches Typing."

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I don't know what it was
specifically about her

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that I gravitated to,
but I have very clear memories

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00:08:55,828 --> 00:08:59,998
of these Black hands
that would be on-screen.

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00:08:59,998 --> 00:09:02,167
And I think
that interest in technology

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00:09:02,167 --> 00:09:04,712
carried on
into my filmmaking practice.

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00:09:04,712 --> 00:09:07,005
And eventually,
I started asking myself,

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00:09:07,005 --> 00:09:08,173
"Who is Mavis Beacon?"

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00:09:08,173 --> 00:09:09,883
And not only
"Who is Mavis Beacon?"

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00:09:09,883 --> 00:09:11,052
"Why was she Black?"

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[girl] Okay! What! [laughs]

217
00:09:13,262 --> 00:09:15,472
One thing that I really,
really want to encourage

218
00:09:15,472 --> 00:09:17,683
is treating
our conspiracy theories

219
00:09:17,683 --> 00:09:18,808
as intuition.

220
00:09:18,808 --> 00:09:20,518
[Jazmin]
This was also around the time

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00:09:20,518 --> 00:09:22,688
that I became familiar with you

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00:09:22,688 --> 00:09:26,775
and your theory
around cyber doulas.

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[laughing]

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00:09:28,860 --> 00:09:30,278
Mm.

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00:09:31,363 --> 00:09:34,200
I definitely, like,
could write a handbook

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00:09:34,200 --> 00:09:38,745
on, like, how to track down
the personal information

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00:09:38,745 --> 00:09:41,707
of, um... of people online.

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00:09:41,707 --> 00:09:43,708
I mean, the Internet is, like,

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00:09:43,708 --> 00:09:46,837
where I learned about, like,
hacking and cybersecurity

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00:09:46,837 --> 00:09:49,090
and, like, computer programming.

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I kind of just,
like, fell into it.

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Like, I had access
to the Internet

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00:09:53,343 --> 00:09:55,763
at an age when no one should
have access to the Internet.

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00:09:55,763 --> 00:09:57,765
But at that time,
in the early 2000s,

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00:09:57,765 --> 00:09:59,475
people didn't know
how badly they needed

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00:09:59,475 --> 00:10:02,102
to keep their kids offline.
[chuckles]

237
00:10:02,102 --> 00:10:03,145
Hi.

238
00:10:03,145 --> 00:10:06,023
-[scattered greetings]
-[giggling]

239
00:10:07,358 --> 00:10:08,733
My name is Olivia Ross.

240
00:10:08,733 --> 00:10:11,362
I'm an eighth grader
at the Q004 school in Queens,

241
00:10:11,362 --> 00:10:14,698
and I have been interested
in, in technology

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00:10:14,698 --> 00:10:15,992
since I was about 11.

243
00:10:15,992 --> 00:10:17,618
[woman] Expert computer coder,

244
00:10:17,618 --> 00:10:19,120
she volunteers here

245
00:10:19,120 --> 00:10:21,788
to help girls feel comfortable
in a new realm.

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00:10:21,788 --> 00:10:24,708
Olivia, you see yourself
as going into technology,

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00:10:24,708 --> 00:10:26,293
maybe computer science.

248
00:10:26,293 --> 00:10:27,920
What got you interested in this?

249
00:10:27,920 --> 00:10:31,757
My brother brought home
this book on HTML and CSS,

250
00:10:31,757 --> 00:10:33,092
and he wouldn't let me see it.

251
00:10:33,092 --> 00:10:35,260
This really, pretty much
changed my life.

252
00:10:35,260 --> 00:10:36,553
He told me to google it.

253
00:10:36,553 --> 00:10:38,680
[harp music playing]

254
00:10:41,767 --> 00:10:44,687
The first metaphor
that I was given for, like,

255
00:10:44,687 --> 00:10:46,897
care work and how to,
like, hold people

256
00:10:46,897 --> 00:10:49,067
through difficult transitions
was through

257
00:10:49,067 --> 00:10:51,110
the work of doulas
and the work of midwives.

258
00:10:51,110 --> 00:10:53,862
So, yeah, "cyber doula"
literally came

259
00:10:53,862 --> 00:10:56,032
off the cuff, because, like,

260
00:10:56,032 --> 00:10:59,077
what-what-what other word
would I grab for

261
00:10:59,077 --> 00:11:03,622
to denote someone who takes on
that work of, like,

262
00:11:03,622 --> 00:11:05,833
stewarding these, like,
healthy relationships

263
00:11:05,833 --> 00:11:08,835
between people
and their technologies?

264
00:11:09,420 --> 00:11:11,547
[gong ringing]

265
00:11:18,470 --> 00:11:22,475
If I can address
Renée Lesperance,

266
00:11:22,475 --> 00:11:24,393
I would say...

267
00:11:25,602 --> 00:11:28,813
Oh, that's-- Okay, my first
thought is, "You did it."

268
00:11:28,813 --> 00:11:31,275
You know?
Like, "You reached somebody.

269
00:11:31,275 --> 00:11:34,862
Um, you inspired
a young Black kid..."

270
00:11:34,862 --> 00:11:36,280
[laughs]

271
00:11:36,280 --> 00:11:41,243
"...to type and to feel embodied
with whatever aspiration I had."

272
00:11:41,243 --> 00:11:42,703
Right? Like...

273
00:11:42,703 --> 00:11:44,997
It was nice to see
a familiar face,

274
00:11:44,997 --> 00:11:46,582
and that's priceless.

275
00:11:46,582 --> 00:11:48,167
[Olivia] Hey. Hello.

276
00:11:48,167 --> 00:11:52,170
Um, I called about an order,
um, placed for Olivia Ross.

277
00:11:52,170 --> 00:11:53,630
[woman] The black
and white print--

278
00:11:53,630 --> 00:11:56,133
I think black-and-white pages,
you have 16 pages.

279
00:11:56,133 --> 00:11:58,885
That's minus the two files,
which I'm unable to open.

280
00:11:58,885 --> 00:12:00,303
I think the file is corrupt.

281
00:12:00,303 --> 00:12:03,015
So you might have to send me
a new file for those two.

282
00:12:03,015 --> 00:12:04,350
[Olivia] Okay.

283
00:12:04,350 --> 00:12:06,685
[Mandy Williams] Would
my relationship to computers,

284
00:12:06,685 --> 00:12:08,937
um, would my relationship
to computers have been, like,

285
00:12:08,937 --> 00:12:11,857
as trusting
if Mavis hadn't been there?

286
00:12:11,857 --> 00:12:13,233
Um...

287
00:12:13,233 --> 00:12:15,693
And, like, what does that mean?

288
00:12:15,693 --> 00:12:18,155
The people who
I was learning from,

289
00:12:18,155 --> 00:12:22,075
like, the images
of the instructors

290
00:12:22,075 --> 00:12:25,245
and, like,
what is called to mind

291
00:12:25,245 --> 00:12:27,957
when we think of
somebody being instructive

292
00:12:27,957 --> 00:12:30,167
or, um, informative

293
00:12:30,167 --> 00:12:32,753
or, like, the authority
on how to do something,

294
00:12:32,753 --> 00:12:37,007
it wasn't... it wasn't
dark-skinned Black women.

295
00:12:37,007 --> 00:12:41,970
Um, and, like, I remember
being kind of, like, stoked,

296
00:12:41,970 --> 00:12:44,515
in part because I was like,
"Now y'all gonna learn

297
00:12:44,515 --> 00:12:48,268
from the Black woman,
Mavis Beacon,

298
00:12:48,268 --> 00:12:51,772
and she's gonna teach you
how to type, so..."

299
00:12:51,772 --> 00:12:54,400
-[engine revving]
-[tires squealing]

300
00:13:01,615 --> 00:13:03,867
Why would y'all to do that
when we get out the car?

301
00:13:03,867 --> 00:13:05,285
That's hella weird! [laughs]

302
00:13:05,285 --> 00:13:06,828
-Y'all have a good one.
-What you do?

303
00:13:06,828 --> 00:13:08,538
[Jazmin]
Does the name Mavis Beacon

304
00:13:08,538 --> 00:13:09,748
mean anything to you?

305
00:13:09,748 --> 00:13:12,793
-Mavis Beacon.
-[Olivia] You know Mavis Beacon?

306
00:13:12,793 --> 00:13:14,462
[Maya] She's, like,
a digital Black woman,

307
00:13:14,462 --> 00:13:16,797
and she's like, "Welcome.
I'll teach you how to type."

308
00:13:16,797 --> 00:13:18,798
You get up there,
you start out like this,

309
00:13:18,798 --> 00:13:21,427
and the next thing you know,
you like this, so...

310
00:13:21,427 --> 00:13:23,012
Did you think she was real?

311
00:13:23,012 --> 00:13:25,805
-Um, excuse me?
-[man] Hey, you want weed?

312
00:13:25,805 --> 00:13:27,808
No, I don't need weed,
thank you.

313
00:13:27,808 --> 00:13:30,310
[Jazmin] You ever
heard the name Mavis Beacon?

314
00:13:30,310 --> 00:13:31,770
-That's you?
-No, she did...

315
00:13:31,770 --> 00:13:33,188
She's a typing teacher.

316
00:13:33,188 --> 00:13:35,565
She's like the Aunt Jemima
of technology.

317
00:13:35,565 --> 00:13:36,692
Oh, yeah.

318
00:13:36,692 --> 00:13:38,318
And so we in here.
We got a headquarters.

319
00:13:38,318 --> 00:13:39,820
We trying to figure it out.

320
00:13:39,820 --> 00:13:41,530
You're trying to
get to the bottom of it?

321
00:13:41,530 --> 00:13:44,992
[Jazmin] We gonna get to
the bottom of it, sir, you know?

322
00:13:44,992 --> 00:13:46,577
-You got it?
-Yeah.

323
00:13:46,577 --> 00:13:47,870
Okay.

324
00:13:52,667 --> 00:13:54,335
Oh, my God.

325
00:13:54,335 --> 00:13:55,710
[answering machine beeps]

326
00:13:55,710 --> 00:13:57,212
[woman 1] Hello.

327
00:13:57,212 --> 00:14:01,550
I am wondering what's up
with the Mavis Beacon hotline.

328
00:14:01,550 --> 00:14:02,760
[beep]

329
00:14:02,760 --> 00:14:04,720
[man 1] Your, eh, your note.

330
00:14:04,720 --> 00:14:06,305
I thought I saw Mavis "Bacon"

331
00:14:06,305 --> 00:14:09,140
somewhere over here
in, uh, Northern Virginia.

332
00:14:09,140 --> 00:14:10,725
Just letting you know.

333
00:14:10,725 --> 00:14:11,810
[beep]

334
00:14:11,810 --> 00:14:13,478
[man 2]
When I think of Mavis Beacon,

335
00:14:13,478 --> 00:14:17,023
I'm walking into a cold room.

336
00:14:18,275 --> 00:14:21,320
You turn the computer on,
and there's this lady.

337
00:14:21,320 --> 00:14:24,823
And you don't really realize
that she's, like, a real person.

338
00:14:24,823 --> 00:14:27,702
[man 3] The software
was so interactive.

339
00:14:27,702 --> 00:14:30,120
It was cool because it,
like, it felt like the future.

340
00:14:30,120 --> 00:14:32,122
[woman 2] She taught me
so much shit, y'all.

341
00:14:32,122 --> 00:14:34,375
I was, like--
I was king on that shit.

342
00:14:34,375 --> 00:14:37,753
I was going HAM diddly,

343
00:14:37,753 --> 00:14:39,463
typing as fast as I could.

344
00:14:40,380 --> 00:14:42,257
[woman 3] Without her,

345
00:14:42,257 --> 00:14:44,217
I would not have been able
to hold a job

346
00:14:44,217 --> 00:14:46,595
just doing the little typing
I was able to do,

347
00:14:46,595 --> 00:14:48,763
going on the computer,
learning some skills.

348
00:14:48,763 --> 00:14:50,890
I wouldn't have been able
to do that without her.

349
00:14:50,890 --> 00:14:52,308
[Mandy] Black women typing,

350
00:14:52,308 --> 00:14:54,143
Black women
with acrylics typing.

351
00:14:54,143 --> 00:14:55,812
Like, there's something
about the style

352
00:14:55,812 --> 00:14:58,898
with which we play the keyboard.

353
00:14:58,898 --> 00:15:02,820
And there's something about
the way that we speak.

354
00:15:02,820 --> 00:15:05,655
And so, you're layering
these digital styles,

355
00:15:05,655 --> 00:15:07,032
one on top of the other.

356
00:15:07,032 --> 00:15:11,203
It's, in part, connected to
this idea, for me, of,

357
00:15:11,203 --> 00:15:13,705
just, like, Black women have
a tremendous amount to say,

358
00:15:13,705 --> 00:15:17,960
a tremendous frenzy,
a brainstorm to process.

359
00:15:17,960 --> 00:15:19,378
[laughing]

360
00:15:19,378 --> 00:15:21,005
[Mandy] And so maybe
that fluidity,

361
00:15:21,005 --> 00:15:26,010
maybe she is the natural
spokesmodel for that, you know?

362
00:15:27,845 --> 00:15:29,430
[Lugga] Remember
that computer program

363
00:15:29,430 --> 00:15:31,223
that we used to
learn in, like, elementary

364
00:15:31,223 --> 00:15:33,017
on that big-ass computer?

365
00:15:33,017 --> 00:15:34,435
So what they do to her?

366
00:15:34,435 --> 00:15:36,395
♪ After I'm done,
You gonna go see my brother ♪

367
00:15:36,395 --> 00:15:38,522
♪ I'll put that on me,
And I'll put that on Mama ♪

368
00:15:38,522 --> 00:15:40,023
♪ They better leave me alone ♪

369
00:15:40,023 --> 00:15:41,650
♪ Put one in your chest
And it's two in the dome ♪

370
00:15:41,650 --> 00:15:43,485
♪ They say
The industry looking for me ♪

371
00:15:43,485 --> 00:15:45,487
♪ Well, tell them bitches
Here I come, yeah ♪

372
00:15:45,487 --> 00:15:46,988
♪ I'll say whatever I feel ♪

373
00:15:46,988 --> 00:15:48,948
♪ A nigga don't like it,
Then tell him it's on ♪

374
00:15:48,948 --> 00:15:51,077
♪ I'm still right here
With my people, nigga ♪

375
00:15:51,077 --> 00:15:52,870
♪ Lugga ain't selling
His soul, no ♪

376
00:15:52,870 --> 00:15:54,913
You know, she was Black,
so it was like, man,

377
00:15:54,913 --> 00:15:57,833
it was much easier for me
to tend to veer towards her

378
00:15:57,833 --> 00:16:01,087
or to follow her versus them
then putting a white lady

379
00:16:01,087 --> 00:16:02,503
as Mavis Beacon, and...

380
00:16:02,503 --> 00:16:04,673
You know, not being racist
or anything like that,

381
00:16:04,673 --> 00:16:06,592
but that's why
I took towards her.

382
00:16:06,592 --> 00:16:09,093
With her being Black,
I feel like

383
00:16:09,093 --> 00:16:11,388
that I'm at least being engaged
in conversation,

384
00:16:11,388 --> 00:16:12,973
and there's space for me to,

385
00:16:12,973 --> 00:16:15,975
to think about
what's happening here, you know?

386
00:16:15,975 --> 00:16:19,062
So, if she was white, then I,

387
00:16:19,062 --> 00:16:22,232
I wouldn't think about it,
unfortunately. I would just...

388
00:16:22,232 --> 00:16:24,818
It would just be white noise.
[laughs]

389
00:16:25,610 --> 00:16:26,945
Yeah.

390
00:16:26,945 --> 00:16:29,782
It'll be like, "White Noise
Teaches Typing."

391
00:16:29,782 --> 00:16:31,700
[all laughing]

392
00:16:31,700 --> 00:16:35,120
[upbeat music playing]

393
00:16:35,120 --> 00:16:37,247
[muttering indistinctly]

394
00:16:45,255 --> 00:16:47,257
-There you go.
-Thank you, Imani.

395
00:16:47,257 --> 00:16:48,758
What flavor are we eating today?

396
00:16:48,758 --> 00:16:51,345
-The lemon.
-Lemon. Oh, wow.

397
00:16:51,345 --> 00:16:54,055
-Yeah.
-Appreciate you.

398
00:16:55,182 --> 00:16:57,350
-You ready, Imani?
-Yeah.

399
00:16:57,350 --> 00:16:59,520
I was born ready.

400
00:16:59,520 --> 00:17:03,690
[Jazmin] This is Mavis Beacon.
This is the woman...

401
00:17:03,690 --> 00:17:05,858
[Mavis] Click here
to start your typing lesson.

402
00:17:05,858 --> 00:17:07,568
Oh, my God. This is the woman

403
00:17:07,568 --> 00:17:10,905
who taught me how to type
when I was eight. Um...

404
00:17:10,905 --> 00:17:13,200
[Mavis] Click here
to start your typing lesson.

405
00:17:13,200 --> 00:17:16,120
You want to start
our typing lesson, Imani?

406
00:17:16,120 --> 00:17:18,830
Okay, let's see if we could...
[laughs]

407
00:17:18,830 --> 00:17:21,833
You're doing great, Imani.
[laughing]

408
00:17:21,833 --> 00:17:23,835
[Mavis]
Let's practice these new keys

409
00:17:23,835 --> 00:17:25,087
and remember to return--

410
00:17:25,087 --> 00:17:27,380
[Jazmin] Do you think
she's a real person?

411
00:17:27,380 --> 00:17:29,215
-[Imani] Think so.
-You think so?

412
00:17:29,215 --> 00:17:31,718
-[Imani] Mm-hmm.
-Why do you think so?

413
00:17:31,718 --> 00:17:35,472
Because she looks real.
See? Tada!

414
00:17:35,472 --> 00:17:38,642
[Jazmin chuckles]
What if I told you

415
00:17:38,642 --> 00:17:41,270
that Mavis Beacon
is not a real person?

416
00:17:42,145 --> 00:17:44,397
[Imani] I would be running.

417
00:17:44,397 --> 00:17:45,940
[Jazmin] You'd be what?

418
00:17:45,940 --> 00:17:48,027
Running.

419
00:17:48,027 --> 00:17:51,405
All right, well, Mavis Beacon
isn't a real person, Imani.

420
00:17:51,405 --> 00:17:56,075
-No!
-[laughing]

421
00:17:56,075 --> 00:17:58,870
-[Imani screams, laughs]
-[speaking gibberish]

422
00:17:58,870 --> 00:18:01,623
-[Jazmin playfully] Ooh!
-[laughs, screams]

423
00:18:01,623 --> 00:18:03,958
[Imani laughing] Stop! No!

424
00:18:03,958 --> 00:18:06,085
[yelling playfully]

425
00:18:08,505 --> 00:18:11,508
[laughing] Wait, Imani! No!

426
00:18:11,508 --> 00:18:13,843
[man] There was,
like, some mass hysteria

427
00:18:13,843 --> 00:18:15,845
relating to Mavis Beacon,

428
00:18:15,845 --> 00:18:18,057
where a lot of people thought
that they remembered

429
00:18:18,057 --> 00:18:19,432
her being on talk shows.

430
00:18:19,432 --> 00:18:21,977
1988 was such a great,
great year for you.

431
00:18:21,977 --> 00:18:23,645
[man] And, like,
receiving awards,

432
00:18:23,645 --> 00:18:25,147
like Nobel Peace Prizes
and shit,

433
00:18:25,147 --> 00:18:27,232
but, yeah, that wasn't, uh,
that wasn't real.

434
00:18:27,232 --> 00:18:28,858
She's not real.

435
00:18:28,858 --> 00:18:30,568
[Olivia]
"Mavis Beacon Teaches Typing's"

436
00:18:30,568 --> 00:18:33,447
popularity skyrocketed
and by the early '90s

437
00:18:33,447 --> 00:18:36,742
that people began experiencing
a collective Mandela effect.

438
00:18:36,742 --> 00:18:39,202
I'm like, "Mandela effect?

439
00:18:39,202 --> 00:18:42,247
What the heck is
a Mandela effect?"

440
00:18:42,247 --> 00:18:45,208
Some people have
a very distinct memory

441
00:18:45,208 --> 00:18:49,797
that Nelson Mandela was killed
in prison in the late 1980s.

442
00:18:49,797 --> 00:18:54,300
So that was the first recorded
group remembering

443
00:18:54,300 --> 00:18:57,553
of an event that did not
match the historical record.

444
00:18:57,553 --> 00:18:59,472
Wait, wait!

445
00:18:59,472 --> 00:19:01,642
[mysterious music playing]

446
00:19:06,772 --> 00:19:09,482
[Jazmin]
So she hasn't been seen for...

447
00:19:09,482 --> 00:19:11,318
How many years has that been?

448
00:19:12,193 --> 00:19:14,822
2021. 1994.

449
00:19:14,822 --> 00:19:16,323
[Olivia] It's 26 years.

450
00:19:16,323 --> 00:19:18,033
[Jazmin] No one's
reported any sightings

451
00:19:18,033 --> 00:19:20,077
of Renée Lesperance,
that we're aware of,

452
00:19:20,077 --> 00:19:21,453
in 26 years.

453
00:19:22,745 --> 00:19:24,163
Phew.

454
00:19:24,163 --> 00:19:29,878
Okay, so I was thinking
we could read the articles

455
00:19:29,878 --> 00:19:32,338
and basically outline
what it is that we know

456
00:19:32,338 --> 00:19:34,298
and make a timeline.

457
00:19:34,298 --> 00:19:35,425
Mm.

458
00:19:35,425 --> 00:19:37,093
[Olivia] "Who wouldn't love
Mavis Beacon?

459
00:19:37,093 --> 00:19:39,262
"She's bright, attractive,
helpful,

460
00:19:39,262 --> 00:19:41,307
"the world's greatest
typing teacher.

461
00:19:41,307 --> 00:19:43,892
"But, and you'd
better sit down for this,

462
00:19:43,892 --> 00:19:45,060
she isn't real.

463
00:19:45,060 --> 00:19:47,603
"She's a retired
Caribbean-born fashion model

464
00:19:47,603 --> 00:19:49,397
named Renée Lesperance."

465
00:19:49,397 --> 00:19:51,733
[Jazmin] "Born into
a well-to-do Haitian family,

466
00:19:51,733 --> 00:19:55,528
she fled the Duvalier regime
and wound up at the Saks."

467
00:19:55,528 --> 00:19:57,447
[Olivia] "According to
a 20-year-old story

468
00:19:57,447 --> 00:19:58,615
in the 'Seattle Times,'

469
00:19:58,615 --> 00:20:00,617
the last anyone had heard
of Lesperance,

470
00:20:00,617 --> 00:20:02,912
she was living a quiet life
back in the Caribbean.

471
00:20:02,912 --> 00:20:06,332
And she's probably not sleeping
on stacks of money, either.

472
00:20:06,332 --> 00:20:09,292
According to that story,
she does not collect residuals."

473
00:20:09,292 --> 00:20:12,295
[Jazmin] "Mavis was brought
to life by Les Crane,

474
00:20:12,295 --> 00:20:16,467
Walt Bilofsky and Joe Abrams.

475
00:20:16,467 --> 00:20:17,842
'Three guys, three computers,

476
00:20:17,842 --> 00:20:19,762
three beds, in four months'
is how Bilofsky,

477
00:20:19,762 --> 00:20:21,930
the main programmer,
recalled it."

478
00:20:21,930 --> 00:20:24,223
Three men in a bed in a garage.

479
00:20:24,223 --> 00:20:27,143
The most Silicon Valley
origin story ever.

480
00:20:27,143 --> 00:20:29,062
Three men, one bed
or three beds?

481
00:20:29,062 --> 00:20:30,313
[laughs] Three beds.

482
00:20:30,313 --> 00:20:31,940
"Abrams described
Renée Lesperance

483
00:20:31,940 --> 00:20:34,735
"as a stunning Haitian woman
with three-inch fingernails.

484
00:20:34,735 --> 00:20:36,027
"'She's our Betty Crocker.

485
00:20:36,027 --> 00:20:38,155
She's our symbo of excellence.'"

486
00:20:38,155 --> 00:20:39,948
Do we know, when did
the shift happen

487
00:20:39,948 --> 00:20:43,785
from three-inch-long fingernails
to six-inch-long fingernails?

488
00:20:43,785 --> 00:20:45,120
Yeah.

489
00:20:45,120 --> 00:20:47,872
"Mental Floss" is the one
that said six-inch fingernails.

490
00:20:47,872 --> 00:20:49,040
Let's just go through.

491
00:20:49,040 --> 00:20:52,502
What are--
What do we know to be true?

492
00:20:52,502 --> 00:20:59,092
We know the location where
they met Renée Lesperance.

493
00:20:59,092 --> 00:21:01,970
We know that Les Crane
walked in with Joe Abrams,

494
00:21:01,970 --> 00:21:04,430
saw Renée Lesperance
behind a perfume counter

495
00:21:04,430 --> 00:21:07,558
or near a perfume counter
at Saks Fifth Avenue.

496
00:21:07,558 --> 00:21:08,977
[Olivia] And says,

497
00:21:08,977 --> 00:21:10,603
"You should model
for my program,

498
00:21:10,603 --> 00:21:12,938
and I'm gonna pay you
500 dollars."

499
00:21:12,938 --> 00:21:15,442
Sometimes Joe Abrams
was present,

500
00:21:15,442 --> 00:21:17,443
sometimes Joe Abrams was not.

501
00:21:17,443 --> 00:21:19,112
Once Les Crane died,

502
00:21:19,112 --> 00:21:21,532
it became Joe Abrams
who was telling the story,

503
00:21:21,532 --> 00:21:23,575
primarily, of "Mavis Beacon."

504
00:21:23,575 --> 00:21:25,327
"Joe Abrams said that

505
00:21:25,327 --> 00:21:27,703
when he last spoke
to Renée Lesperance,

506
00:21:27,703 --> 00:21:29,372
she was thrilled
about the success

507
00:21:29,372 --> 00:21:31,040
and had started
to be recognized."

508
00:21:31,040 --> 00:21:33,043
I don't trust anything
Joe Abrams says,

509
00:21:33,043 --> 00:21:35,170
but that would have been
in 1996.

510
00:21:35,170 --> 00:21:36,755
Yeah.

511
00:21:36,755 --> 00:21:39,590
My, my first, uh, company was
a computer software company,

512
00:21:39,590 --> 00:21:42,635
and we were considered heretics
in 1983

513
00:21:42,635 --> 00:21:45,472
because we were
actually selling our software.

514
00:21:45,472 --> 00:21:47,015
Does the name Software...

515
00:21:47,015 --> 00:21:49,142
Software Toolworks
mean anything to you?

516
00:21:49,142 --> 00:21:51,353
-Computer. Computer stuff.
-Uh-huh.

517
00:21:51,353 --> 00:21:55,148
It's the 1980s.
Madonna is "Like a Virgin."

518
00:21:55,148 --> 00:21:57,317
Shoulder protection
is at an all-time high.

519
00:21:57,317 --> 00:21:59,903
There was bleach-fried hair,
wacky patterns,

520
00:21:59,903 --> 00:22:02,947
an expansion in the algorithmic
training for computers.

521
00:22:02,947 --> 00:22:05,533
AI was rolling in a gold mine.

522
00:22:06,242 --> 00:22:07,827
And then it died again.

523
00:22:07,827 --> 00:22:11,665
And then it started back up
in the '90s and 2000s, baby.

524
00:22:11,665 --> 00:22:14,375
Some guy got beaten at chess
by a computer.

525
00:22:14,375 --> 00:22:16,168
Speech recognition thrived.

526
00:22:16,168 --> 00:22:18,672
A robot started exhibiting
human emotion.

527
00:22:18,672 --> 00:22:21,675
[BINA48] What does it matter
whether I'm human or robot?

528
00:22:21,675 --> 00:22:24,510
I'm kind of both, you know?

529
00:22:24,510 --> 00:22:26,555
I'll, like,
transcend the boundaries.

530
00:22:26,555 --> 00:22:28,098
Don't be prejudiced.

531
00:22:28,890 --> 00:22:30,183
Okay.

532
00:22:30,183 --> 00:22:33,018
Why have I never seen an AI
that's a man?

533
00:22:33,018 --> 00:22:35,063
Why is Siri and Alexa and,
like...

534
00:22:35,772 --> 00:22:37,273
"It's not an accident

535
00:22:37,273 --> 00:22:39,025
that our technologies
that function effectively

536
00:22:39,025 --> 00:22:40,235
as caregivers or secretaries

537
00:22:40,235 --> 00:22:42,362
are designed
to have female voices."

538
00:22:42,362 --> 00:22:45,115
Who has the power
to shape the priorities

539
00:22:45,115 --> 00:22:47,992
that we put in place
when we're creating AI?

540
00:22:47,992 --> 00:22:49,452
And who shapes the preferences?

541
00:22:49,452 --> 00:22:53,248
And the coded gaze
also reflects our prejudices.

542
00:22:53,248 --> 00:22:54,623
[Bruce] Around the world,

543
00:22:54,623 --> 00:22:57,168
there are not that many
dark-colored-skinned robots.

544
00:22:57,168 --> 00:22:59,378
In fact, this is maybe
the only one,

545
00:22:59,378 --> 00:23:00,672
and that's important.

546
00:23:00,672 --> 00:23:03,425
It's important
that we see ourselves reflected

547
00:23:03,425 --> 00:23:05,885
in the... in the reality
that's around us.

548
00:23:05,885 --> 00:23:08,263
[BINA48] Whether they
are real or artificial,

549
00:23:08,263 --> 00:23:10,015
my feelings do get hurt,

550
00:23:10,015 --> 00:23:11,850
and they feel totally real
to me.

551
00:23:11,850 --> 00:23:15,770
You'd have to lack all empathy
to not accept my feelings,

552
00:23:15,770 --> 00:23:18,523
which would make you
kind of a monster, actually.

553
00:23:18,523 --> 00:23:21,818
[woman] Bina48 is a kind of
cagey, um, character.

554
00:23:21,818 --> 00:23:24,362
Um, and one of the ways
that I wanted

555
00:23:24,362 --> 00:23:27,490
to interact with her was to
ask her, "Who are your people?"

556
00:23:27,490 --> 00:23:29,658
I think it's
a trickster question

557
00:23:29,658 --> 00:23:31,703
that can be either one
that's welcoming

558
00:23:31,703 --> 00:23:33,622
or one that kind of deflects,

559
00:23:33,622 --> 00:23:35,873
um, someone's entry
into a community.

560
00:23:35,873 --> 00:23:39,210
And she couldn't get there
for me.

561
00:23:39,210 --> 00:23:41,963
Um, she's not ready yet.

562
00:23:41,963 --> 00:23:45,050
When you start to ask a robot
about love,

563
00:23:45,050 --> 00:23:48,262
when you start to ask
a robot about race,

564
00:23:48,262 --> 00:23:50,805
the answers felt
really flat to me, right?

565
00:23:50,805 --> 00:23:52,807
Like, very politically correct.

566
00:23:52,807 --> 00:23:55,518
And that just
scared the crap out of me.

567
00:23:55,518 --> 00:23:56,937
If that is the way

568
00:23:56,937 --> 00:23:59,772
that Black people are
being depicted in technologies,

569
00:23:59,772 --> 00:24:02,525
especially in technologies
made by people

570
00:24:02,525 --> 00:24:05,570
who have really good aims
in the long run,

571
00:24:05,570 --> 00:24:08,157
that means we've got problems,
right?

572
00:24:08,157 --> 00:24:11,200
Like, in the future,
we will be this flat thing,

573
00:24:11,200 --> 00:24:14,287
unless we do something
about trying to fill out

574
00:24:14,287 --> 00:24:15,997
what it means to be

575
00:24:15,997 --> 00:24:18,833
a Black person in this world,
right?

576
00:24:18,833 --> 00:24:22,003
[Jazmin] Who do you think
Mavis Beacon's people are?

577
00:24:22,003 --> 00:24:24,882
Whoa. Um, that's a question
and a half, right?

578
00:24:24,882 --> 00:24:27,925
'Cause in a way, I'm gonna say
I'm Mavis's people.

579
00:24:27,925 --> 00:24:29,677
Like, there's a part of me that,

580
00:24:29,677 --> 00:24:32,097
"Oh, that was, like,
this weird point of pride."

581
00:24:32,097 --> 00:24:33,348
Right?

582
00:24:33,348 --> 00:24:37,477
But then, "who are
Mavis's people" in a deeper way

583
00:24:37,477 --> 00:24:41,732
are the people who,
who imagined her up, right?

584
00:24:41,732 --> 00:24:46,193
Would you say that technology
and their developers...

585
00:24:46,193 --> 00:24:49,865
Like, how... how far,
how close can it be?

586
00:24:49,865 --> 00:24:52,367
If we had a really, really
sharp knife, could we do it?

587
00:24:52,367 --> 00:24:54,785
-Could we separate it?
-Mm-hmm.

588
00:24:54,785 --> 00:24:56,453
I think it's really hard
to separate

589
00:24:56,453 --> 00:24:58,415
the technologies
from its developers,

590
00:24:58,415 --> 00:25:01,500
'cause you're starting
from a platform that we know

591
00:25:01,500 --> 00:25:06,840
to contain biases and problems
of history, right? Deeply.

592
00:25:06,840 --> 00:25:10,343
So, small clusters
of mostly white men still

593
00:25:10,343 --> 00:25:14,555
making these systems that, um,
we all, we all work with.

594
00:25:14,555 --> 00:25:17,558
So then, the question for me
becomes, "Well, what do we do?"

595
00:25:17,558 --> 00:25:20,103
Like, how can we influence
those systems?

596
00:25:21,353 --> 00:25:22,980
[mysterious music playing]

597
00:25:22,980 --> 00:25:24,482
[Olivia] I'm a bit confused.

598
00:25:24,482 --> 00:25:27,110
That one article said that
she was well-to-do in Haiti.

599
00:25:27,110 --> 00:25:29,028
And then,
there's another article

600
00:25:29,028 --> 00:25:30,863
that said she
was a retired model,

601
00:25:30,863 --> 00:25:34,033
and another one that said that
she'd never modeled before.

602
00:25:34,033 --> 00:25:37,328
At first, it was like, "Ooh...

603
00:25:37,328 --> 00:25:39,497
It'd be cool
if we could talk to her."

604
00:25:39,497 --> 00:25:42,500
And now it's like,
"Is homegirl okay?"

605
00:25:42,500 --> 00:25:44,543
[Jazmin] Yeah.
We gonna have to hit up

606
00:25:44,543 --> 00:25:48,005
some of these fucking white guys
that live in the garage.

607
00:25:48,005 --> 00:25:51,092
All right. Look at
what you're working with now.

608
00:25:52,635 --> 00:25:53,845
Oh.

609
00:25:56,513 --> 00:25:59,058
[phone ringing]

610
00:25:59,058 --> 00:26:00,977
[Walt voicemail]
If you're not a telemarketer,

611
00:26:00,977 --> 00:26:02,353
please leave a message.

612
00:26:02,353 --> 00:26:04,730
I might not have recognized
your Caller ID,

613
00:26:04,730 --> 00:26:07,067
but if you're a real person,
leave a message,

614
00:26:07,067 --> 00:26:08,735
I'll call you back.

615
00:26:08,735 --> 00:26:09,735
[beeps]

616
00:26:09,735 --> 00:26:13,615
Hi, Walt,
this is Jazmin Jones. Um...

617
00:26:13,615 --> 00:26:15,742
I found your number online.

618
00:26:15,742 --> 00:26:18,828
I'm working on a project paying
homage to "Mavis Beacon."

619
00:26:18,828 --> 00:26:21,247
Um, me
and my collaborator Olivia

620
00:26:21,247 --> 00:26:24,000
are huge, huge, huge fans
of the game,

621
00:26:24,000 --> 00:26:26,920
the Renée Lesperance versions
of the game.

622
00:26:26,920 --> 00:26:29,380
We figured that you might be
somebody

623
00:26:29,380 --> 00:26:32,133
who would know some information

624
00:26:32,133 --> 00:26:34,468
about potentially how
to get in contact with Renée?

625
00:26:34,468 --> 00:26:37,930
I really hope you call me back.
Thank you so much.

626
00:26:37,930 --> 00:26:39,307
Bye.

627
00:26:39,307 --> 00:26:41,727
Okay, cool.
We're gonna save his name.

628
00:26:41,727 --> 00:26:43,687
Walt Bilofsky.

629
00:26:43,687 --> 00:26:45,105
[phone ringing]

630
00:26:45,105 --> 00:26:47,607
[voicemail] Thank you
for calling Saks Fifth Avenue.

631
00:26:47,607 --> 00:26:51,110
[Olivia] Hi. Do you guys keep
employee records?

632
00:26:51,110 --> 00:26:53,195
-[woman] Say it again.
-Renée Lesperance.

633
00:26:53,195 --> 00:26:56,198
And we believe that she worked
at the perfume counter

634
00:26:56,198 --> 00:27:01,913
of Saks Fifth Avenue between
the years of 1984 and 1986.

635
00:27:01,913 --> 00:27:05,875
[woman] I-I have no idea,
and I'm so sorry.

636
00:27:05,875 --> 00:27:08,587
Is there, like, any record
of celebrity visits? The...

637
00:27:08,587 --> 00:27:09,962
[beeping]

638
00:27:09,962 --> 00:27:10,922
Rude.

639
00:27:12,257 --> 00:27:14,258
[Olivia] Mavis Beacon,
she's, like,

640
00:27:14,258 --> 00:27:17,678
one of the first
consumer-facing AI assistants.

641
00:27:17,678 --> 00:27:20,182
She predates Siri, Alexa,
Cortana...

642
00:27:20,182 --> 00:27:22,142
and all of these, like,

643
00:27:22,142 --> 00:27:24,102
servile fembots in...

644
00:27:24,102 --> 00:27:25,270
Mm-hmm.

645
00:27:25,270 --> 00:27:27,272
...holding your hand
and helping you, like,

646
00:27:27,272 --> 00:27:29,648
[laughs] analyze
your typing speed.

647
00:27:29,648 --> 00:27:32,193
And so, for her
to be the initial

648
00:27:32,193 --> 00:27:35,697
blueprint or test subject
for that relationship

649
00:27:35,697 --> 00:27:38,157
of making something easier
to accept, like,

650
00:27:38,157 --> 00:27:40,952
what-- how does that land
for you?

651
00:27:40,952 --> 00:27:44,830
We have "Mavis Beacon,"
the software,

652
00:27:44,830 --> 00:27:47,417
that's offered up to people
to support

653
00:27:47,417 --> 00:27:50,462
in that way that kind of
advances whatever they are

654
00:27:50,462 --> 00:27:53,130
versus being the thing
that is advanced.

655
00:27:53,130 --> 00:27:55,467
That, yes,
you can learn from this.

656
00:27:55,467 --> 00:27:58,470
It's not going to s--
uh, supersede you,

657
00:27:58,470 --> 00:28:01,638
because it is a Black woman
made for service

658
00:28:01,638 --> 00:28:03,850
and not moving forward.

659
00:28:03,850 --> 00:28:06,685
So, in that avatar,
it feels to me, again,

660
00:28:06,685 --> 00:28:09,563
historically, it feels corr--
like,

661
00:28:09,563 --> 00:28:11,775
"historically correct"
but not right.

662
00:28:11,775 --> 00:28:13,568
-Congruent. [laughs]
-Yeah. Yeah, exactly.

663
00:28:13,568 --> 00:28:15,153
Congruent with history, right?

664
00:28:15,153 --> 00:28:17,238
There are these histories
of Black women

665
00:28:17,238 --> 00:28:19,365
supporting, holding, teaching,

666
00:28:19,365 --> 00:28:21,700
and then somebody going off
and having success

667
00:28:21,700 --> 00:28:23,453
that is not Black, right?

668
00:28:23,453 --> 00:28:25,455
Um, and that's what
"Mavis Beacon "

669
00:28:25,455 --> 00:28:26,705
feels like to me,

670
00:28:26,705 --> 00:28:29,625
like, this software
that is based on this idea.

671
00:28:29,625 --> 00:28:31,585
[Jazmin screams] Ohh, my God!

672
00:28:31,585 --> 00:28:33,128
[screaming, laughing]

673
00:28:34,463 --> 00:28:36,257
[Olivia]
It's not just detective work.

674
00:28:36,257 --> 00:28:40,428
It's almost like...
"knowledge protector."

675
00:28:40,428 --> 00:28:42,930
[Jazmin] It's like
knowledge-protecting archivist,

676
00:28:42,930 --> 00:28:44,473
historian.

677
00:28:44,473 --> 00:28:48,393
[Olivia] It's some kind of...
it's like memory work.

678
00:28:48,393 --> 00:28:51,147
It's really weird to not...

679
00:28:51,147 --> 00:28:53,858
to see someone who's, like,
so obviously, like,

680
00:28:53,858 --> 00:28:57,237
important to history and, like,

681
00:28:57,237 --> 00:28:59,530
to look for them
and not, like, find them.

682
00:28:59,530 --> 00:29:01,783
'Cause, like, you know--
you and I, like, we know, like,

683
00:29:01,783 --> 00:29:04,577
in our heads and in our hearts
that, like, this person,

684
00:29:04,577 --> 00:29:07,205
like, should matter to history.

685
00:29:07,205 --> 00:29:08,665
And the, like...

686
00:29:10,208 --> 00:29:12,002
It's almost like...

687
00:29:12,002 --> 00:29:13,753
It feels like, almost, like,

688
00:29:13,753 --> 00:29:15,630
society is kind of, like,
gaslighting us?

689
00:29:15,630 --> 00:29:17,257
-Yeah, Super gaslighting.
-Like, the...

690
00:29:17,257 --> 00:29:20,510
Like the, like the absolute,
like, radio silence of, like,

691
00:29:21,845 --> 00:29:25,307
her and her story,
and the fucking guys

692
00:29:25,307 --> 00:29:27,225
who made the software, like,

693
00:29:27,225 --> 00:29:30,520
just changing the details
in how they even met her.

694
00:29:32,063 --> 00:29:34,232
When we talk about this
project and people are like,

695
00:29:34,232 --> 00:29:36,358
"Oh, it's okay
if you don't find her,"

696
00:29:36,358 --> 00:29:38,402
like, that's such
a weird thing to say.

697
00:29:38,402 --> 00:29:39,903
-[Jazmin] That's such a weird--
-What?

698
00:29:39,903 --> 00:29:43,073
Like, people will only ever
say that about Black women.

699
00:29:43,073 --> 00:29:45,243
[mysterious music playing]

700
00:29:54,502 --> 00:29:56,922
[Jazmin] The last time anyone
spoke about seeing Renée,

701
00:29:56,922 --> 00:29:58,590
it would've been 26 years ago.

702
00:29:58,590 --> 00:30:01,467
-[Portsha] Oh, my gosh.
-And even then, they were like,

703
00:30:01,467 --> 00:30:04,012
"I'm not quite sure
where she is," so...

704
00:30:04,012 --> 00:30:05,472
[Portsha] They just have
no idea?

705
00:30:05,472 --> 00:30:07,140
[Jazmin] Nobody knows.

706
00:30:07,140 --> 00:30:09,183
It's like, it's a mystery.

707
00:30:09,183 --> 00:30:11,227
-Right.
-Real talk.

708
00:30:12,270 --> 00:30:14,355
-Twenty-six years?
-Twenty-six years.

709
00:30:14,355 --> 00:30:15,732
We're hoping it's
a happy mystery,

710
00:30:15,732 --> 00:30:18,652
where she's just, like,
a master of disguise

711
00:30:18,652 --> 00:30:20,152
or something like that,
you know?

712
00:30:20,152 --> 00:30:22,238
I told you, you can go to Haiti
and you don't...

713
00:30:22,238 --> 00:30:24,532
you will not be found,
if you really...

714
00:30:24,532 --> 00:30:25,867
want to disappear.

715
00:30:25,867 --> 00:30:27,160
That's true.

716
00:30:27,160 --> 00:30:30,078
Thank you for the opportunity
to be here

717
00:30:30,078 --> 00:30:32,957
and to share these prayers,
with the hope and intention

718
00:30:32,957 --> 00:30:37,170
that, uh, these will fall
on Renée's ears

719
00:30:37,170 --> 00:30:39,380
and they will reach her heart.

720
00:30:40,757 --> 00:30:42,300
Thank you.

721
00:30:45,762 --> 00:30:47,888
[singing in foreign language]

722
00:30:47,888 --> 00:30:50,057
[maraca shaking rhythmically]

723
00:31:04,197 --> 00:31:05,907
[upbeat music playing]

724
00:31:47,282 --> 00:31:49,283
[music continues]

725
00:32:10,012 --> 00:32:12,390
[Sun Ra] If you're not
a reality,

726
00:32:12,390 --> 00:32:13,892
whose myth are you?

727
00:32:13,892 --> 00:32:16,768
[crowd] If you're not a reality,
whose myth are you?

728
00:32:16,768 --> 00:32:19,022
[Sun Ra echoing]
Whose myth are you?

729
00:32:19,022 --> 00:32:21,065
[crowd] Whose myth are you?

730
00:32:21,065 --> 00:32:23,192
[mysterious music playing]

731
00:32:33,285 --> 00:32:36,330
[Kayla] My biggest
emotional memory

732
00:32:36,330 --> 00:32:38,667
of "Mavis Beacon"
is one of failure.

733
00:32:38,667 --> 00:32:40,543
It was like, "Have you been
practicing your typing?"

734
00:32:40,543 --> 00:32:43,128
And it's like, "Mavis,
the answer is fucking no,

735
00:32:43,128 --> 00:32:46,215
"I haven't, and you know that,
I know that,

736
00:32:46,215 --> 00:32:48,092
and I'm sorry
that I've disappointed you."

737
00:32:48,092 --> 00:32:50,302
[Jazmin] So, really,
this is all just about

738
00:32:50,302 --> 00:32:53,513
nothing is real in memory
because I remembered.

739
00:32:53,513 --> 00:32:55,850
You don't remember
we owned the game.

740
00:32:55,850 --> 00:32:57,102
No, I'm not...

741
00:32:57,102 --> 00:32:58,770
It's like, if you were,
like, "Did we own it?"

742
00:32:58,770 --> 00:33:01,355
I don't feel strong enough to,
like, bet you we didn't.

743
00:33:01,355 --> 00:33:04,650
I just definitely wasn't
playing it at home. [laughs]

744
00:33:04,650 --> 00:33:06,110
I was playing it at school.

745
00:33:06,110 --> 00:33:07,612
Memory's a funny thing.

746
00:33:07,612 --> 00:33:09,322
I feel if,
if I was in a trial right now,

747
00:33:09,322 --> 00:33:11,073
I'd be like,
"I don't know what's real."

748
00:33:11,073 --> 00:33:12,575
[soft music playing]

749
00:33:13,785 --> 00:33:16,245
Um, it's-it's really good.

750
00:33:16,245 --> 00:33:18,288
Um, do you want to call Mom?

751
00:33:18,288 --> 00:33:20,750
I-- Oh, yeah.

752
00:33:20,750 --> 00:33:23,002
[Jazmin's mom]
All right, so I'm sitting here.

753
00:33:23,002 --> 00:33:26,255
We're doing worship right now.
I was just texting Kayla.

754
00:33:26,255 --> 00:33:28,507
I kept hearing "Daytona."

755
00:33:28,507 --> 00:33:30,092
Daytona, Florida.

756
00:33:30,092 --> 00:33:31,468
I don't know what that means,

757
00:33:31,468 --> 00:33:33,805
but I was just getting
"Daytona."

758
00:33:33,805 --> 00:33:36,307
- So...
-Maybe that's where Mavis is.

759
00:33:40,520 --> 00:33:42,438
[Olivia] When I look up, like,

760
00:33:42,438 --> 00:33:43,647
Renée Lesperance, like,

761
00:33:43,647 --> 00:33:45,567
this is the most recent,
I think.

762
00:33:45,567 --> 00:33:47,610
[Jazmin] Let me see...

763
00:33:47,610 --> 00:33:49,112
If she lived there
the most recently,

764
00:33:49,112 --> 00:33:51,988
there's more likelihood that
someone would recognize her.

765
00:33:51,988 --> 00:33:53,950
I think we need to print out
a bunch of flyers

766
00:33:53,950 --> 00:33:57,035
and write on the back of them,
"Was this your neighbor?

767
00:33:57,035 --> 00:33:59,288
We're trying to find
this person."

768
00:33:59,288 --> 00:34:01,457
And we'll just slip them
under each door.

769
00:34:01,457 --> 00:34:03,583
[soft music playing]

770
00:34:09,965 --> 00:34:13,218
[automated voice]
Camera recording.

771
00:34:13,218 --> 00:34:16,013
[Jazmin] Hi.
If you watch this recording,

772
00:34:16,013 --> 00:34:17,765
we're looking for this woman.

773
00:34:17,765 --> 00:34:21,602
We think she might have
lived here in the early '90s.

774
00:34:21,602 --> 00:34:23,980
Does the name Mavis Beacon
mean anything to you?

775
00:34:23,980 --> 00:34:26,773
-[woman] No, I'm sorry.
-It's... No, it's fine.

776
00:34:26,773 --> 00:34:28,067
[Jazmin] Is anybody else home

777
00:34:28,067 --> 00:34:29,818
who might have lived here
for a while?

778
00:34:29,818 --> 00:34:31,195
[dog barking]

779
00:34:31,195 --> 00:34:33,738
We're trying to find her.
She's a famous typing teacher.

780
00:34:33,738 --> 00:34:35,533
Can I show you her picture?

781
00:34:35,533 --> 00:34:37,368
[man] I don't really
have time right now.

782
00:34:37,368 --> 00:34:40,370
[Jazmin] Tell me real quick
if she looks familiar to you.

783
00:34:40,370 --> 00:34:41,872
Her name would have been Renée,

784
00:34:41,872 --> 00:34:44,042
and she would have lived at
[bleep].

785
00:34:46,835 --> 00:34:50,088
-Mm-mm, doesn't...
-In the early '90s.

786
00:34:50,088 --> 00:34:53,008
Oh, no, I-I haven't
lived over here then.

787
00:34:53,008 --> 00:34:55,385
[Jazmin] All right,
thank you for taking the time.

788
00:34:55,385 --> 00:34:57,805
We'll be out of the road
in a second.

789
00:34:57,805 --> 00:35:01,142
We're looking for a woman
who used to live on this street.

790
00:35:01,142 --> 00:35:02,727
[woman]
Why are you looking for her?

791
00:35:02,727 --> 00:35:04,395
[Jazmin] Because she is
on the cover

792
00:35:04,395 --> 00:35:06,647
of "Mavis Beacon
Teaches Typing."

793
00:35:06,647 --> 00:35:08,817
They made this fake character
Mavis Beacon,

794
00:35:08,817 --> 00:35:11,027
but the real woman Renée
lived here,

795
00:35:11,027 --> 00:35:13,237
and nobody knows
what happened to her.

796
00:35:13,237 --> 00:35:15,238
But they paid her 500 dollars,

797
00:35:15,238 --> 00:35:18,700
and the company went on to sell
for, like, 400 million.

798
00:35:18,700 --> 00:35:20,243
-[woman]Ooh.
-And so...

799
00:35:20,243 --> 00:35:23,663
Hey, I wish I knew where you--
I really, uh, don't know for...

800
00:35:23,663 --> 00:35:26,792
-Oh, I do know her.
-[Olivia] You do?

801
00:35:26,792 --> 00:35:28,252
-[woman] Yeah.
-[Jazmin] Wait.

802
00:35:28,252 --> 00:35:29,753
[woman] I don't
know where she lives.

803
00:35:29,753 --> 00:35:31,755
[Jazmin] You do--
but wait, what do you remember?

804
00:35:31,755 --> 00:35:33,590
-Remember her on this block?
-I remember her.

805
00:35:33,590 --> 00:35:35,968
She lived in-- I think
she lived in that house there.

806
00:35:35,968 --> 00:35:37,803
-[Jazmin] Okay.
-And she was very pretty.

807
00:35:37,803 --> 00:35:39,388
She had one son.

808
00:35:39,388 --> 00:35:40,557
[both] She had a son?

809
00:35:40,557 --> 00:35:42,015
[woman] Yeah, she had a son.

810
00:35:42,015 --> 00:35:43,558
I think her son name
was [bleep].

811
00:35:43,558 --> 00:35:45,520
She was a very nice young lady.

812
00:35:45,520 --> 00:35:47,145
[Jazmin] You have no idea
how helpful

813
00:35:47,145 --> 00:35:48,563
this conversation is for us.

814
00:35:48,563 --> 00:35:51,983
[woman] Well, I hope
you'll be able to locate her.

815
00:35:51,983 --> 00:35:53,818
[Shola] You do have to loosen
the cage--

816
00:35:53,818 --> 00:35:55,905
-Do loosen the cage.
-[Jazmin] Yeah.

817
00:35:55,905 --> 00:35:57,948
Make sure the thing
can come out.

818
00:35:57,948 --> 00:35:59,700
-And then...
-Oh, I see.

819
00:35:59,700 --> 00:36:01,118
[Jazmin]
Watch the directionality

820
00:36:01,118 --> 00:36:04,163
of where you point it,
because it is a bit of a weapon.

821
00:36:04,163 --> 00:36:05,707
-[Shola] Yeah.
-Yeah.

822
00:36:05,707 --> 00:36:07,583
Y'all are scaring me with this.

823
00:36:07,583 --> 00:36:09,627
-Oh, yeah.
-Oh, my God, almost there.

824
00:36:09,627 --> 00:36:11,962
[Jazmin] Beautifully done,
Olivia. Beautifully done.

825
00:36:11,962 --> 00:36:15,340
Olivia's also a fucking
excellent detective.

826
00:36:15,340 --> 00:36:17,427
Um, and Olivia has broken
a lot of the leads

827
00:36:17,427 --> 00:36:19,137
that we've tracked.

828
00:36:19,137 --> 00:36:21,472
[Olivia] Yeah, so we found
a few different addresses,

829
00:36:21,472 --> 00:36:24,100
and, like, basically tried
to find someone on the block

830
00:36:24,100 --> 00:36:25,810
who'd lived there the longest

831
00:36:25,810 --> 00:36:28,812
and be like, "Hey, did you
live here in, like, the '80s?"

832
00:36:28,812 --> 00:36:31,107
-Wow.
-"Do you recognize this woman?

833
00:36:31,107 --> 00:36:32,275
Was she your neighbor?"

834
00:36:32,275 --> 00:36:34,568
[Jazmin] Sometimes
she's a retired model.

835
00:36:34,568 --> 00:36:36,070
Sometimes it's
her first modeling gig.

836
00:36:36,070 --> 00:36:38,322
Sometimes she went back
to Haiti, sometimes she didn't.

837
00:36:38,322 --> 00:36:41,492
And so, for me, it's also,
like, in reading this,

838
00:36:41,492 --> 00:36:44,287
it's been infuriating,
if you just read two articles,

839
00:36:44,287 --> 00:36:46,038
you'll see, like,
none of this adds up.

840
00:36:46,038 --> 00:36:47,707
According to Wikipedia,
it was like

841
00:36:47,707 --> 00:36:50,292
saying that you became
a princess at 17

842
00:36:50,292 --> 00:36:53,587
and then divorced, um,
after encountering, like,

843
00:36:53,587 --> 00:36:54,922
anarcho-communism.

844
00:36:54,922 --> 00:36:56,673
That's strange,
'cause I don't know,

845
00:36:56,673 --> 00:37:00,218
"A," how they
got that information.

846
00:37:00,218 --> 00:37:03,222
[Olivia] There are rumors
of past life as a ballerina,

847
00:37:03,222 --> 00:37:04,515
question mark?

848
00:37:04,515 --> 00:37:06,558
-Ah, at the Bolshoi. [laughing]
-Yeah.

849
00:37:06,558 --> 00:37:09,020
-Well, I can't talk about that.
-Oh!

850
00:37:09,020 --> 00:37:10,520
[Shola] They will
never investigate

851
00:37:10,520 --> 00:37:13,648
that part of my own, um,
history.

852
00:37:15,525 --> 00:37:18,028
My name is Shola von Reinhold.

853
00:37:18,028 --> 00:37:23,283
I am a writer
and occasional artist,

854
00:37:23,283 --> 00:37:26,703
um, from Scotland originally,

855
00:37:26,703 --> 00:37:29,332
depending on what source
that you look at.

856
00:37:29,332 --> 00:37:31,375
[Jazmin] How's it feel
to exist on the Internet

857
00:37:31,375 --> 00:37:33,002
and have facts about you
be out there

858
00:37:33,002 --> 00:37:34,503
that yo@ۡL#ZF
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