1
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX

2
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX

3
00:00:11,136 --> 00:00:15,056
There's always been
this unique charisma to Harrison.

4
00:00:15,056 --> 00:00:16,099
No one's like him.

5
00:00:16,099 --> 00:00:17,225
I think you just can't bear

6
00:00:17,225 --> 00:00:19,310
to let a gorgeous guy like me
out of your sight.

7
00:00:19,310 --> 00:00:21,312
There's just something
about a rogue, isn't there?

8
00:00:21,312 --> 00:00:23,106
And he's, like,
the ultimate rogue.

9
00:00:23,106 --> 00:00:26,234
"I don't want a real job.
Maybe I could be an actor."

10
00:00:26,234 --> 00:00:27,610
I'm making this up as I go.

11
00:00:28,403 --> 00:00:31,573
He is his own man,
and he knows he's an action hero.

12
00:00:31,573 --> 00:00:34,242
Let me see how it looks.
Can we follow Harrison?

13
00:00:35,368 --> 00:00:41,041
He's down-to-earth and has
this very, kind of, wonderful, dry wit.

14
00:00:42,584 --> 00:00:43,585
Water?

15
00:00:43,585 --> 00:00:48,048
He is hilarious,
magnetic and sexy and funny.

16
00:00:48,048 --> 00:00:49,507
Go away!

17
00:00:49,507 --> 00:00:52,719
He's not too weird-looking,
and he's not too good-looking.

18
00:00:52,719 --> 00:00:54,262
Who's scruffy-lookin'?

19
00:00:54,262 --> 00:00:56,097
He hits that sweet spot.

20
00:00:56,097 --> 00:00:58,600
It's very bouncy, Steve. Very bouncy.

21
00:00:58,600 --> 00:01:00,185
George and Steven came into my life.

22
00:01:00,185 --> 00:01:02,228
- That's Indiana Jones.
- Things got better.

23
00:01:02,228 --> 00:01:03,688
- In the rain.
- It's raining.

24
00:01:03,688 --> 00:01:05,273
It's raining. It's very wet.

25
00:01:05,273 --> 00:01:06,691
Where's my man, my movie star?

26
00:01:06,691 --> 00:01:07,692
Hi, Mom.

27
00:01:07,692 --> 00:01:09,611
There any surprises in this film?

28
00:01:09,611 --> 00:01:10,528
Oh.

29
00:01:10,528 --> 00:01:14,115
I became very aware
of this movie star-in-waiting.

30
00:01:14,115 --> 00:01:16,284
- I'm in good hands.

31
00:01:17,952 --> 00:01:21,873
We had this great power.
We had great stories to tell.

32
00:01:21,873 --> 00:01:24,250
I don't think there's been any actor

33
00:01:24,250 --> 00:01:28,755
that's taken on
two incredibly iconic roles like this

34
00:01:28,755 --> 00:01:30,173
that have stood the test of time.

35
00:01:30,173 --> 00:01:34,552
The hat, jacket and the whip.
You're Indiana Jones.

36
00:01:34,552 --> 00:01:38,348
In my own mind, I cannot separate
Harrison from Indiana Jones.

37
00:01:39,265 --> 00:01:43,770
Not a lot of us know him as Harrison,
the private person, you know?

38
00:01:43,770 --> 00:01:47,816
There's still a mystery about him,
and this is his story.

39
00:02:00,161 --> 00:02:02,372
<i>This whole project
started about ten years ago</i>

40
00:02:02,372 --> 00:02:06,459
<i>when I had an idea to do a movie,
an action-adventure kind of serial.</i>

41
00:02:09,629 --> 00:02:11,464
{\an8}It was actually about the same time

42
00:02:11,464 --> 00:02:14,175
{\an8}that I came up
with the idea for <i>Star Wars</i>...

43
00:02:16,344 --> 00:02:20,890
but, uh, got more interested in <i>Star Wars</i>,
so I put this one on the shelf.

44
00:02:20,890 --> 00:02:22,559
Figured I'd get to it someday.

45
00:02:25,061 --> 00:02:26,855
George and I,
we were in Hawaii

46
00:02:26,855 --> 00:02:28,940
getting ready to celebrate
the opening of <i>Star Wars</i>.

47
00:02:31,401 --> 00:02:32,986
{\an8}We built our lucky sandcastle
on the beach.

48
00:02:32,986 --> 00:02:35,321
{\an8}The tide did not take it, a good sign.

49
00:02:35,321 --> 00:02:41,995
Then after the grosses started coming in,
George was just ebullient.

50
00:02:41,995 --> 00:02:45,623
The sense of relief that washed over him
that day when he found out he had a hit.

51
00:02:45,623 --> 00:02:48,710
He turned to me, and he said,
"So what are you gonna do next?"

52
00:02:48,710 --> 00:02:51,504
And I said, "Well, I've been trying
to get the Broccolis to hire me

53
00:02:51,504 --> 00:02:52,797
to direct a <i>James Bond</i> picture.

54
00:02:52,797 --> 00:02:54,132
They keep turning me down."

55
00:02:54,132 --> 00:02:55,884
And George says, "I got something better."

56
00:02:58,303 --> 00:03:01,765
I had actually started
working as a receptionist

57
00:03:01,765 --> 00:03:04,517
{\an8}for John Milius and for Steven.

58
00:03:04,517 --> 00:03:08,104
{\an8}So that was quite
the introduction to Hollywood,

59
00:03:08,104 --> 00:03:12,901
{\an8}because there was a steady stream
of who's who coming through the door.

60
00:03:13,860 --> 00:03:15,987
I had met Steven about five years before

61
00:03:15,987 --> 00:03:19,991
{\an8}on the set of <i>Daisy Miller</i> in Rome,
and he had noticed how I worked.

62
00:03:19,991 --> 00:03:22,744
So when George asked him,
"Who do you want to produce <i>Raiders</i>?"

63
00:03:22,744 --> 00:03:25,955
He said, "Let's see
if we can find that guy, Frank Marshall."

64
00:03:27,123 --> 00:03:29,459
I had been writing without success.

65
00:03:29,459 --> 00:03:32,962
And then I had written <i>Continental Divide</i>.

66
00:03:32,962 --> 00:03:36,716
{\an8}It sold in about two weeks,
and there was a bidding war for it.

67
00:03:36,716 --> 00:03:39,052
- Steven won the bidding.

68
00:03:39,052 --> 00:03:43,765
And Steven says, "You know,
I'm gonna do a movie with George Lucas.

69
00:03:44,349 --> 00:03:47,560
We both think you could be
the person to write this movie.

70
00:03:52,357 --> 00:03:55,026
They had only the basic ideas.

71
00:03:55,026 --> 00:03:59,114
{\an8}The one big idea was that when George
started talking to Phil Kaufman,

72
00:03:59,114 --> 00:04:01,533
{\an8}he said,
"Oh, I know what the MacGuffin should be."

73
00:04:01,533 --> 00:04:05,203
{\an8}His orthodontist had told him
when he was 11 years old

74
00:04:05,203 --> 00:04:07,664
about the lost Ark of the Covenant.

75
00:04:07,664 --> 00:04:11,626
<i>An army which carries
the Ark before it is invincible.</i>

76
00:04:12,293 --> 00:04:13,837
I said,
"That's fantastic. It's perfect.

77
00:04:13,837 --> 00:04:15,213
It's just what we're looking for."

78
00:04:15,213 --> 00:04:19,050
And, uh, "Fit that into it.
Flush the story out a little bit more."

79
00:04:19,050 --> 00:04:21,970
George said,
"The hero's named for my dog, Indiana."

80
00:04:22,929 --> 00:04:26,975
"He wears a Fedora,
and his weapon is a whip.

81
00:04:26,975 --> 00:04:28,393
{\an8}It's gonna be like the serials

82
00:04:28,393 --> 00:04:31,229
{\an8}where there's a cliffhanger
all the time, you know?"

83
00:04:31,229 --> 00:04:33,940
{\an8}So, that's about the whole conversation.

84
00:04:34,899 --> 00:04:37,027
{\an8}George and Larry Kasdan and myself,

85
00:04:37,027 --> 00:04:40,989
we pounded out all the beats
to the story in three or four days,

86
00:04:40,989 --> 00:04:43,908
and then Larry just went off
and wrote a brilliant script on his own.

87
00:04:45,410 --> 00:04:48,538
Steven said,
"Why don't you write it at my office?"

88
00:04:48,538 --> 00:04:51,875
'Cause I had no office.
He said, "You can write it at my desk."

89
00:04:51,875 --> 00:04:53,793
That's when I met Kathy Kennedy too.

90
00:04:54,753 --> 00:04:57,881
I had been asked by Steven
to come work as his assistant.

91
00:04:57,881 --> 00:05:01,301
So I was sitting in the office,
hadn't been in the business very long,

92
00:05:01,301 --> 00:05:03,595
and he put a script in front of me,
and he said,

93
00:05:03,595 --> 00:05:06,181
{\an8}"I'd really like you to read this
and tell me what you think."

94
00:05:06,181 --> 00:05:08,558
{\an8}It was one of the first scripts
I'd ever read.

95
00:05:08,558 --> 00:05:11,436
{\an8}It was just this incredible page-turner.

96
00:05:11,436 --> 00:05:13,396
But how are we gonna do this?

97
00:05:16,858 --> 00:05:19,903
{\an8} There had been movies
like this 50 years earlier,

98
00:05:19,903 --> 00:05:23,656
{\an8}but there had never been
anything like this in recent memory.

99
00:05:23,656 --> 00:05:28,453
And George and Steven had such
a clear image of what that would be.

100
00:05:28,453 --> 00:05:31,831
And you needed someone
you couldn't take your eyes off.

101
00:05:33,166 --> 00:05:35,877
George really believed
in doing concept art

102
00:05:35,877 --> 00:05:38,171
for the look of the movie
and the character.

103
00:05:38,171 --> 00:05:40,590
And so there were four or five paintings

104
00:05:40,590 --> 00:05:43,385
that were done
by this wonderful artist named Steranko.

105
00:05:43,385 --> 00:05:47,055
We always talk about it
as the silhouette of Indiana Jones.

106
00:05:47,055 --> 00:05:50,642
Steven and George knew
that they needed a character

107
00:05:50,642 --> 00:05:54,854
that would really have
that instant identification.

108
00:05:54,854 --> 00:05:58,608
We didn't have the intention to redefine

109
00:05:58,608 --> 00:06:01,444
what a hero is to global movie audiences.

110
00:06:01,444 --> 00:06:04,989
We didn't have any delusions of grandeur
about where this could go.

111
00:06:04,989 --> 00:06:07,909
I felt, personally,
this was a very risky project,

112
00:06:07,909 --> 00:06:09,744
{\an8}'cause nothing like this
had ever been done

113
00:06:09,744 --> 00:06:11,913
{\an8}since the old days
of the Republic serials.

114
00:06:18,128 --> 00:06:22,257
I was thinking about
how to insure all of us against failure

115
00:06:22,257 --> 00:06:25,176
by finding a very charismatic
Indiana Jones.

116
00:06:35,895 --> 00:06:38,481
I was a philosophy
and English major in college,

117
00:06:38,481 --> 00:06:40,066
and I was not a good student.

118
00:06:42,110 --> 00:06:44,946
I was a depressed student,
and I didn't fit in.

119
00:06:45,947 --> 00:06:49,826
And it was a small mid-Western
liberal arts college in Wisconsin.

120
00:06:49,826 --> 00:06:50,994
Very small school.

121
00:06:52,495 --> 00:06:54,914
I was the first one in our family
to go to college.

122
00:06:54,914 --> 00:06:56,791
My father and mother worked hard

123
00:06:56,791 --> 00:06:59,544
{\an8}to make the money, uh,
to send me to college.

124
00:07:00,295 --> 00:07:02,630
{\an8}And I didn't perform.

125
00:07:03,965 --> 00:07:06,593
I found no peers there, really.

126
00:07:07,177 --> 00:07:09,179
I felt, uh, isolated.

127
00:07:10,263 --> 00:07:13,600
And then my grade point average
got to the dangerous, uh, juncture

128
00:07:13,600 --> 00:07:17,520
where I went through the course catalog
to try and find something,

129
00:07:17,520 --> 00:07:20,607
like basket weaving,
that I couldn't fail at.

130
00:07:20,607 --> 00:07:22,734
I went through B's,
and there was no basket weaving,

131
00:07:22,734 --> 00:07:25,403
and I came to C, D. Drama.

132
00:07:25,403 --> 00:07:27,572
When I read the first line,

133
00:07:27,572 --> 00:07:31,326
"Read plays and discuss them
with your classmates."

134
00:07:32,660 --> 00:07:34,329
I didn't read the rest.

135
00:07:34,329 --> 00:07:37,832
The rest said,
"And you have to be in plays."

136
00:07:40,585 --> 00:07:44,214
Suddenly, I found myself on stage
with my knees knocking,

137
00:07:44,214 --> 00:07:46,049
and I was terrified.

138
00:07:46,049 --> 00:07:48,635
That was something
I had to learn to control.

139
00:07:49,386 --> 00:07:52,389
I learned how to do that,
how to not be terrified.

140
00:07:53,431 --> 00:07:57,435
And I did find that the people
that I was telling stories with

141
00:07:58,019 --> 00:07:59,437
were the people I was missing.

142
00:08:00,605 --> 00:08:06,152
I didn't see them until we were
telling stories together, and I fit in.

143
00:08:06,152 --> 00:08:07,987
I felt good there.

144
00:08:07,987 --> 00:08:10,615
And I was, for the first time,

145
00:08:10,615 --> 00:08:13,827
emotionally involved
in something I was doing.

146
00:08:15,120 --> 00:08:18,289
So, I said,
"Well, maybe I could be an actor."

147
00:08:18,289 --> 00:08:22,627
My father who had been
a radio actor himself early on.

148
00:08:23,294 --> 00:08:26,506
My grandfather, his father,
was a vaudevillian.

149
00:08:26,506 --> 00:08:29,884
So there's a bit of a tradition
in the family of this.

150
00:08:31,261 --> 00:08:35,223
Nobody thought I had a chance in hell
of making a living at it.

151
00:08:38,393 --> 00:08:41,563
All I knew about acting was you go
to the East Coast or the West Coast.

152
00:08:41,563 --> 00:08:45,233
So I flipped a coin. Came up West Coast.

153
00:08:45,233 --> 00:08:48,236
{\an8}So went to the West Coast
and after a period of years,

154
00:08:48,236 --> 00:08:51,406
{\an8}I began to get an edge up in Hollywood.

155
00:08:51,406 --> 00:08:53,450
{\an8}I see the whole thing.

156
00:08:53,450 --> 00:08:55,243
{\an8}She's marrying me to rebel against you.

157
00:08:55,243 --> 00:08:56,411
{\an8}- Who?
- Me?

158
00:08:56,411 --> 00:08:59,247
{\an8}No, you. And what she really wants is him.

159
00:08:59,247 --> 00:09:00,957
- Me?
- Yes, you!

160
00:09:00,957 --> 00:09:02,208
I was under contract,

161
00:09:02,208 --> 00:09:05,295
so they plugged me into tiny little parts
in television shows.

162
00:09:05,295 --> 00:09:07,088
{\an8} Is there good money
in being a contract player?

163
00:09:07,088 --> 00:09:08,256
{\an8}What do you gotta do to--

164
00:09:08,256 --> 00:09:10,508
{\an8}Oh, yeah. Not just money, but the respect.

165
00:09:10,508 --> 00:09:14,971
-  150 dollars a week, yeah.

166
00:09:14,971 --> 00:09:18,433
Anything then that they're doing,
you have to show up and be in, right?

167
00:09:18,433 --> 00:09:20,018
- That was the idea.
-  Yeah.

168
00:09:20,018 --> 00:09:22,437
Any memorable appearances come into mind?

169
00:09:22,437 --> 00:09:24,230
- No.

170
00:09:24,230 --> 00:09:28,610
When I got out of that contract,
I went under contract to, uh, Universal,

171
00:09:28,610 --> 00:09:32,030
and I did another
year and half at Universal.

172
00:09:32,030 --> 00:09:34,783
And then I started
doing episodic television.

173
00:09:34,783 --> 00:09:37,202
{\an8}The time has come to cut our losses.

174
00:09:37,202 --> 00:09:38,411
{\an8}What does that mean?

175
00:09:38,995 --> 00:09:42,582
The Board of Directors is considering
a different approach to the problem.

176
00:09:42,582 --> 00:09:45,710
But I also was remodeling a house
that we were able to buy

177
00:09:45,710 --> 00:09:48,838
with my then-wife's legacy
from her parents.

178
00:09:48,838 --> 00:09:51,716
Then I started to remodel it,
and I ran out of money

179
00:09:51,716 --> 00:09:53,635
'cause I bought tools and materials.

180
00:09:53,635 --> 00:09:58,431
{\an8}And a friend of mine suggested
that I take a job with Sérgio Mendes

181
00:09:58,431 --> 00:10:02,102
{\an8}to build a rehearsal room for him
on his Encino estate.

182
00:10:02,102 --> 00:10:05,897
{\an8}And he forgot to ask me
if I had ever done it before.

183
00:10:06,815 --> 00:10:08,400
And I forgot to tell him, frankly.

184
00:10:09,150 --> 00:10:12,987
{\an8}But it turned out to be
a 10-track professional recording studio

185
00:10:12,987 --> 00:10:14,322
{\an8}that I built in his backyard.

186
00:10:14,322 --> 00:10:17,200
{\an8}And I was never out of work again
as a carpenter.

187
00:10:17,200 --> 00:10:22,664
{\an8}Would you charge more to a celebrity
than you would to a regular civilian?

188
00:10:22,664 --> 00:10:24,541
{\an8}- Wouldn't you?
-  Yes.

189
00:10:27,460 --> 00:10:31,256
It allowed me to not have to take
every acting job that came along.

190
00:10:31,256 --> 00:10:35,260
{\an8}I wouldn't take another job unless
the next job was better than that one,

191
00:10:35,260 --> 00:10:38,680
{\an8}that is bigger part, better billing,

192
00:10:38,680 --> 00:10:41,141
more money.

193
00:10:46,271 --> 00:10:49,482
{\an8}Now, look.
Don't get involved in this, Mr. Caul.

194
00:10:50,525 --> 00:10:52,027
Those tapes are dangerous.

195
00:10:52,694 --> 00:10:56,448
So, for about 15 years,
I only worked five or six times.

196
00:10:56,448 --> 00:10:57,615
But when I worked,

197
00:10:57,615 --> 00:11:00,744
I worked in something
that I really wanted to do.

198
00:11:00,744 --> 00:11:03,788
And the first of those
was <i>American Graffiti</i>.

199
00:11:06,916 --> 00:11:10,128
{\an8}Hey, you see this Milner,
you tell him I'm lookin' for him, huh?

200
00:11:10,128 --> 00:11:13,465
{\an8}Tell him I aim to blow his ass
right off the road.

201
00:11:13,465 --> 00:11:15,258
When I was casting for <i>American Graffiti</i>,

202
00:11:15,258 --> 00:11:17,218
the casting director
was a good friend of Harrison's.

203
00:11:17,218 --> 00:11:19,804
{\an8}He wanted him maybe to play
John or something,

204
00:11:19,804 --> 00:11:22,807
{\an8}but he was in his 30s
and everybody else was in their 20s.

205
00:11:22,807 --> 00:11:24,100
He wasn't right for that part.

206
00:11:24,100 --> 00:11:25,268
So when we went on,

207
00:11:25,268 --> 00:11:28,605
and we started casting Bob Falfa,
the villain of the piece,

208
00:11:28,605 --> 00:11:30,273
I immediately thought of Harrison.

209
00:11:30,273 --> 00:11:32,484
Hey, you're supposed to be
the fastest thing in the valley, man.

210
00:11:32,484 --> 00:11:33,610
But that can't be your car.

211
00:11:33,610 --> 00:11:35,028
It must be your mama's car.

212
00:11:35,028 --> 00:11:37,781
We were shooting almost all nights.

213
00:11:37,781 --> 00:11:41,576
George was holed up in a corner
in a warm jacket and sometimes...

214
00:11:41,576 --> 00:11:44,662
He kept falling asleep.

215
00:11:44,662 --> 00:11:46,748
It was a very low-budget film.

216
00:11:47,332 --> 00:11:48,333
Fun to do.

217
00:11:48,333 --> 00:11:52,462
I was surprised that I was in something
that was popular.

218
00:11:54,381 --> 00:11:58,051
{\an8}Well, I'm not gonna take you
on an impossible chase across the galaxy.

219
00:11:58,051 --> 00:12:00,136
{\an8}I was paid to bring you here,
and now you're here.

220
00:12:00,136 --> 00:12:02,472
{\an8}Give me my other 5000,
and I'll be on my way.

221
00:12:02,472 --> 00:12:06,476
{\an8}You're on your own. I'm on my own.
I'll let you off on the nearest system.

222
00:12:06,476 --> 00:12:09,813
{\an8} When I was actually, uh,
doing the casting on <i>Star Wars</i>,

223
00:12:09,813 --> 00:12:11,690
we went through quite a few actors.

224
00:12:11,690 --> 00:12:13,566
We went through a lot of possibilities.

225
00:12:13,566 --> 00:12:15,819
{\an8}- Tell me, what was it about Harrison

226
00:12:15,819 --> 00:12:18,279
{\an8}that initially drew you to him
as an actor?

227
00:12:18,279 --> 00:12:21,950
{\an8}

228
00:12:21,950 --> 00:12:24,077
Later, I found out
it was the casting director that said,

229
00:12:24,077 --> 00:12:26,913
"Here. Sit out right out
in front of the office,

230
00:12:26,913 --> 00:12:29,082
and pretend like
you're building something."

231
00:12:29,082 --> 00:12:31,251
- Oh, rubbish.

232
00:12:31,251 --> 00:12:33,920
{\an8} We had tests with him
and Carrie and Mark,

233
00:12:33,920 --> 00:12:38,091
{\an8}and we went through the whole thing,
and that was where the best chemistry was.

234
00:12:38,091 --> 00:12:39,592
You know, he fit the part.

235
00:12:47,767 --> 00:12:49,811
I thought the film
was gonna be successful actually.

236
00:12:49,811 --> 00:12:53,398
And I didn't think that anybody
over the age of 15

237
00:12:53,398 --> 00:12:55,984
was gonna be interested in it necessarily.

238
00:12:55,984 --> 00:12:58,737
But I thought it would be successful
as a kind of fairy tale.

239
00:12:58,737 --> 00:12:59,696
{\an8}Yahoo!

240
00:13:02,323 --> 00:13:03,408
{\an8}

241
00:13:03,408 --> 00:13:06,411
{\an8} Everything about <i>Star Wars</i>
was a surprise to the world, really.

242
00:13:06,411 --> 00:13:09,456
I mean, no one was prepared
for what it was.

243
00:13:09,456 --> 00:13:13,960
And that cast
was just part of that surprise, I think.

244
00:13:13,960 --> 00:13:17,005
There was a callow youth, Mark.

245
00:13:17,005 --> 00:13:19,299
There's a beautiful princess, Carrie.

246
00:13:19,299 --> 00:13:21,634
There's a wise old warrior, Alec Guinness.

247
00:13:21,634 --> 00:13:23,762
And there was a smart-ass, which is...

248
00:13:24,804 --> 00:13:26,389
sort of a specialty.

249
00:13:26,389 --> 00:13:27,849
Everything's perfectly all right now.

250
00:13:27,849 --> 00:13:31,061
We're fine. We're all fine here now.
Thank you.

251
00:13:31,061 --> 00:13:32,228
How are you?

252
00:13:32,228 --> 00:13:34,856
Han, he sort of drew
everybody's attention,

253
00:13:34,856 --> 00:13:37,359
because he was the grown-up in the scene.

254
00:13:37,942 --> 00:13:40,320
Even though he was hot-tempered,

255
00:13:40,320 --> 00:13:44,032
and he had this running, kind of,
battle with, uh, Chewbacca.

256
00:13:44,032 --> 00:13:46,451
They were, kind of, you know,
the odd couple.

257
00:13:46,451 --> 00:13:49,537
- Get in there you big, furry oaf!

258
00:13:49,537 --> 00:13:51,164
I don't care what you smell!

259
00:13:51,164 --> 00:13:53,333
- Get in there and don't worry about it.

260
00:13:54,167 --> 00:13:56,836
He was kind of
a throwback to an era of guys

261
00:13:56,836 --> 00:13:59,839
who completely owned
how masculine they were,

262
00:13:59,839 --> 00:14:01,758
and were not apologetic about it.

263
00:14:01,758 --> 00:14:04,761
And, in fact, his voice seemed
ten years older than he did.

264
00:14:04,761 --> 00:14:07,514
{\an8}For a long time,
that speaking voice had this weight

265
00:14:07,514 --> 00:14:12,102
{\an8}that made you think, "Who is this kid
who sounds like a 50-year-old guy?"

266
00:14:12,102 --> 00:14:14,771
Look, your worshipfulness,
let's get one thing straight.

267
00:14:14,771 --> 00:14:17,440
I take orders from just one person. Me!

268
00:14:17,440 --> 00:14:21,820
That funny,
self-effacing, scoundrel, jokester,

269
00:14:21,820 --> 00:14:25,115
I think that permeates
who he is all the time.

270
00:14:26,408 --> 00:14:28,451
My theory of interstellar space travel:

271
00:14:28,451 --> 00:14:30,787
Make sure you get enough per diem,

272
00:14:30,787 --> 00:14:33,373
'cause you're gonna be out there
for a real long time.

273
00:14:33,373 --> 00:14:36,668
You just know, whether you're gonna go
sit down and have coffee with him,

274
00:14:36,668 --> 00:14:40,380
or have dinner, or watch him perform,
you're gonna be entertained.

275
00:14:40,380 --> 00:14:41,297
That's enough?

276
00:14:41,297 --> 00:14:42,966
No point in pursuing that further.

277
00:14:44,175 --> 00:14:46,386
{\an8} And as far as
<i>Raiders of the Lost Ark</i>, um...

278
00:14:47,470 --> 00:14:50,640
{\an8}- This was-- You were not his...

279
00:14:51,641 --> 00:14:53,643
You were, uh, now this--

280
00:14:53,643 --> 00:14:56,604
Does this make you feel odd that you were
not his first choice for that film either?

281
00:14:56,604 --> 00:14:57,689
- No.
-  Yeah.

282
00:14:57,689 --> 00:15:01,026
No, it wouldn't have occurred to me that--
I didn't even know about the project.

283
00:15:01,026 --> 00:15:02,277
I didn't know Spielberg.

284
00:15:02,986 --> 00:15:06,239
And it didn't occur to me
that I would have a chance of doing it.

285
00:15:08,783 --> 00:15:13,121
We spent so much time trying to figure out
how we were gonna cast Indiana Jones.

286
00:15:13,121 --> 00:15:15,081
I didn't know
who could play this guy.

287
00:15:15,081 --> 00:15:16,583
I really thought,

288
00:15:16,583 --> 00:15:18,793
"Well, the guy that should have
played Indiana Jones

289
00:15:18,793 --> 00:15:21,463
{\an8}is Humphrey Bogart 50 years ago."

290
00:15:22,130 --> 00:15:24,132
{\an8}But we don't have him around anymore.

291
00:15:25,050 --> 00:15:28,303
{\an8}So we started looking around
at young guys under 30

292
00:15:28,303 --> 00:15:29,763
{\an8}that could possibly play him.

293
00:15:29,763 --> 00:15:33,433
{\an8}And we did a number of tests.
Actors coming in and reading

294
00:15:33,433 --> 00:15:35,810
{\an8}on video for the part of Indiana Jones.

295
00:15:35,810 --> 00:15:37,562
And then Tom Selleck came in.

296
00:15:38,396 --> 00:15:39,397
{\an8}Hello, Marion.

297
00:15:44,110 --> 00:15:48,156
And we went very far down the road
to cast Tom Selleck as Indy.

298
00:15:48,156 --> 00:15:50,408
In fact, we made him an offer.

299
00:15:50,408 --> 00:15:52,494
But maybe it could do us both some good.

300
00:15:52,494 --> 00:15:54,996
-  Why start now?
- Just shut up!

301
00:15:54,996 --> 00:15:58,625
Shut up and listen to me.
Now I need that piece your father had.

302
00:15:58,625 --> 00:16:02,962
But he had a contract
with CBS for <i>Magnum</i>,

303
00:16:02,962 --> 00:16:04,547
and he couldn't get out of it.

304
00:16:04,547 --> 00:16:06,424
Suddenly, we didn't have an actor.

305
00:16:06,424 --> 00:16:09,135
I knew that
Tom Selleck had the job,

306
00:16:09,135 --> 00:16:12,138
but had to turn it down
because he had a prior commitment.

307
00:16:12,138 --> 00:16:15,475
So, uh, thank you again, Tom.

308
00:16:16,101 --> 00:16:19,437
{\an8}Tom Selleck had fallen out
by the time they cast me.

309
00:16:19,437 --> 00:16:21,981
And I auditioned with Tim Matheson.

310
00:16:21,981 --> 00:16:24,359
{\an8}I've learned to hate you
in these last ten years,

311
00:16:24,359 --> 00:16:27,195
{\an8}but no matter how much I hated you,
I always knew someday

312
00:16:27,195 --> 00:16:28,780
{\an8}you'd come through this door.

313
00:16:28,780 --> 00:16:30,448
I fell in love with Marion.

314
00:16:30,448 --> 00:16:34,119
She is everybody's kind of fantasy.

315
00:16:34,119 --> 00:16:38,957
I think of, you know, who--
who a woman should be.

316
00:16:38,957 --> 00:16:41,751
Nobody tells me what to do in my place.

317
00:16:42,752 --> 00:16:44,838
I remember my agent at the time saying,

318
00:16:44,838 --> 00:16:46,089
"Well, what do you think of it?"

319
00:16:46,089 --> 00:16:48,591
{\an8}I said,
"I've never read a script like this.

320
00:16:48,591 --> 00:16:50,677
It's just pages and pages of description."

321
00:16:50,677 --> 00:16:52,137
He said, "Well, do you want to do it?"

322
00:16:52,137 --> 00:16:54,014
And I said, "Of course I want to do it."

323
00:16:54,014 --> 00:16:57,726
This is either going to be
the biggest disaster of all time,

324
00:16:57,726 --> 00:17:00,562
or it might just set a new fashion
in filmmaking.

325
00:17:02,355 --> 00:17:06,276
So, I think I had been cast
for maybe a month or something

326
00:17:06,276 --> 00:17:08,278
when suddenly they told me

327
00:17:08,278 --> 00:17:12,240
that they had decided
who would take on the role.

328
00:17:16,870 --> 00:17:20,457
And then George had a screening
of <i>Empire Strikes Back</i>.

329
00:17:20,457 --> 00:17:23,585
{\an8}George showed me a cut
of <i>The Empire Strikes Back</i>.

330
00:17:23,585 --> 00:17:29,049
{\an8}I looked over at George and I said,
"There's our Indiana Jones. That guy."

331
00:17:29,049 --> 00:17:32,052
And George said, "Chewbacca?"

332
00:17:32,052 --> 00:17:33,887
- And...

333
00:17:34,721 --> 00:17:37,390
That's the guy. That's Indiana Jones.

334
00:17:37,390 --> 00:17:39,225
And George's first reaction was,

335
00:17:39,225 --> 00:17:43,563
"Well, you can't cast Han Solo
as Indiana Jones, 'cause he's Han Solo."

336
00:17:44,314 --> 00:17:47,734
And I said, "Yeah, but actors play
all these different parts all the time.

337
00:17:47,734 --> 00:17:50,487
Harrison can play Han Solo,
and he can play Indiana Jones."

338
00:17:50,487 --> 00:17:53,281
And George, I think,
immediately saw the value in that.

339
00:17:53,281 --> 00:17:54,699
I got a call from George saying,

340
00:17:54,699 --> 00:17:56,951
"I want you to read the script
this afternoon please.

341
00:17:56,951 --> 00:17:58,995
I'm sending it to your house."

342
00:17:58,995 --> 00:18:02,582
And I read the script. I said, "Ooh. Wow."

343
00:18:03,083 --> 00:18:06,419
He said, "Okay. Go over and talk
to Steven. He's waiting for you."

344
00:18:06,419 --> 00:18:08,213
And I went over and then about,

345
00:18:08,213 --> 00:18:10,215
I don't know, an hour later,
I had the part.

346
00:18:13,343 --> 00:18:15,845
I was excited to have the opportunity
to work with him.

347
00:18:15,845 --> 00:18:17,764
He was full of enthusiasm.

348
00:18:17,764 --> 00:18:22,769
He loves to make movies.
And he's damn good at it.

349
00:18:22,769 --> 00:18:24,771
It feels great to work with Harrison.

350
00:18:24,771 --> 00:18:26,523
When I do a close-up on Harrison,

351
00:18:26,523 --> 00:18:28,692
I suddenly feel like
a first unit director.

352
00:18:28,692 --> 00:18:32,946
Gee, I've made it. I'm out of the mire,
you know, and into the glory.

353
00:18:32,946 --> 00:18:35,073
I remember
that we got on the plane together,

354
00:18:35,073 --> 00:18:36,700
and when we were
sitting next to each other

355
00:18:36,700 --> 00:18:39,869
we went through the script,
literally for the first time.

356
00:18:39,869 --> 00:18:42,622
Both of us read a scene, talk about it.

357
00:18:42,622 --> 00:18:47,043
It's just, like, a dream collaboration
that I'd never enjoy more.

358
00:18:47,585 --> 00:18:48,920
- Suggestion?
- Yeah.

359
00:18:48,920 --> 00:18:51,423
I thought you were slithering. Are--

360
00:18:53,425 --> 00:18:55,135
-  No, so that's--
-  Or--

361
00:18:55,135 --> 00:18:58,138
Or you were slithering, or...

362
00:18:59,931 --> 00:19:01,683
- I think it makes sense. You should go--
- All right.

363
00:19:01,683 --> 00:19:03,268
I don't think
it's a problem of all places.

364
00:19:03,268 --> 00:19:06,354
I was always eager
for an opportunity

365
00:19:06,354 --> 00:19:09,357
to collaborate, rather than simply,

366
00:19:09,357 --> 00:19:12,861
"You stand there. You say that.
That. Okay?"

367
00:19:12,861 --> 00:19:16,114
Such as when I was sick
from eating local food,

368
00:19:16,114 --> 00:19:19,451
and enjoying it terrifically
on the way in,

369
00:19:19,451 --> 00:19:21,202
but not so much on the way out.

370
00:19:21,202 --> 00:19:22,996
Like, I couldn't
stay out of my dressing room

371
00:19:22,996 --> 00:19:24,622
for more than ten minutes.

372
00:19:25,248 --> 00:19:28,418
He said, "I gotta go back
to the hotel. What can you do in an hour?"

373
00:19:28,418 --> 00:19:30,837
I said, "We have a three-day
action scene to shoot!"

374
00:19:30,837 --> 00:19:33,048
He said, "Hey, pal.
It ain't gonna be today."

375
00:19:33,048 --> 00:19:36,134
I said, "Let's just shoot
this son of a bitch and go home."

376
00:19:36,134 --> 00:19:37,427
We both take credit for this.

377
00:19:37,427 --> 00:19:39,637
Either I said,
"Why don't you just shoot the guy?"

378
00:19:39,637 --> 00:19:43,141
Or Harrison said to me,
"Why don't I just shoot the guy?"

379
00:19:43,141 --> 00:19:45,852
But whoever said it,
that's exactly what we did.

380
00:19:45,852 --> 00:19:49,564
{\an8}Poor guy. I mean,
he'd been training for three months.

381
00:19:49,564 --> 00:19:51,983
{\an8}Because the two of you were supposed
to have a whip and sword fight.

382
00:19:51,983 --> 00:19:54,319
It was supposed
to go on for three days.

383
00:19:54,319 --> 00:19:55,737
To your right, Terry.

384
00:19:57,030 --> 00:19:58,740
And they told him, you know,

385
00:19:58,740 --> 00:20:01,368
"What we're gonna do is
we're just gonna shoot you."

386
00:20:03,328 --> 00:20:06,373
- He was really upset.

387
00:20:08,541 --> 00:20:09,834
The first time I shot him,

388
00:20:09,834 --> 00:20:12,629
it took him about a minute to lay down,

389
00:20:12,629 --> 00:20:15,340
'cause he wanted
to get something out of this.

390
00:20:15,340 --> 00:20:16,508
So...

391
00:20:17,384 --> 00:20:19,386
Oh, so torturous.

392
00:20:19,386 --> 00:20:22,889
So, the second time we did it,
I shot him before we slated.

393
00:20:22,889 --> 00:20:24,557
That's the one that's in the movie.

394
00:20:28,186 --> 00:20:32,607
So, I had my collaborative input
as we were making the film.

395
00:20:32,607 --> 00:20:36,444
It just made me feel much more comfortable
in the character.

396
00:20:37,070 --> 00:20:39,864
Harrison is incredibly inventive.

397
00:20:40,532 --> 00:20:43,284
And he's got a tremendous command

398
00:20:43,284 --> 00:20:47,455
of what the character not only should do
in an action scene,

399
00:20:47,455 --> 00:20:51,167
but what maybe the character can say
that we hadn't scripted.

400
00:20:51,167 --> 00:20:52,252
Like the great line...

401
00:20:52,252 --> 00:20:56,214
It's not the years, honey,
it's the mileage.

402
00:20:56,214 --> 00:20:57,757
Harrison came up with that line.

403
00:20:57,757 --> 00:21:00,677
That was his idea.
He had a lot of lines in the movie.

404
00:21:00,677 --> 00:21:03,722
And I think that was
Harrison's way of distinguishing

405
00:21:03,722 --> 00:21:05,765
the character of Indy
from the character of Han.

406
00:21:05,765 --> 00:21:08,143
It starts here
with the rocks chasing you.

407
00:21:08,143 --> 00:21:11,062
And it's just, literally,
you know, it's about...

408
00:21:12,564 --> 00:21:13,565
It's about that fast.

409
00:21:15,483 --> 00:21:17,861
I always said
that <i>Indiana Jones</i> was more about

410
00:21:17,861 --> 00:21:21,489
what you can do in a movie
for an audience.

411
00:21:21,489 --> 00:21:24,659
How you can take them on an adventure,

412
00:21:24,659 --> 00:21:29,497
surprise 'em, shock 'em, wring 'em out,
and leave 'em happy.

413
00:21:33,835 --> 00:21:35,211
We had real stunts.

414
00:21:35,211 --> 00:21:38,298
I mean, all we did in <i>Star Wars</i>
is run, jump and fall down.

415
00:21:38,298 --> 00:21:39,799
I wouldn't call that stunts.

416
00:21:41,885 --> 00:21:43,553
-  Okay. Cut.
-  Cut it.

417
00:21:44,637 --> 00:21:45,805
In <i>Indiana Jones</i>,

418
00:21:45,805 --> 00:21:49,309
we were able to arrange
some really close-up magic.

419
00:21:49,309 --> 00:21:51,061
And use me in it.

420
00:22:00,945 --> 00:22:02,989
I think I clipped him once or twice.

421
00:22:03,823 --> 00:22:06,910
I think I might have caught his chin
at least once.

422
00:22:08,995 --> 00:22:10,997
I learned to hate you
in the last ten years.

423
00:22:13,958 --> 00:22:17,337
My stunt guy
had done most of the action.

424
00:22:17,337 --> 00:22:20,965
And I came back
and had to plug myself into scenes.

425
00:22:20,965 --> 00:22:23,176
Pick your head up
just a little if you can. That's it.

426
00:22:23,176 --> 00:22:26,262
And we came up with some real stuff
that I could do

427
00:22:26,262 --> 00:22:30,058
that I think was some of the best
stunt stuff I had ever seen.

428
00:22:30,058 --> 00:22:31,476
I'm sure it's not dangerous.

429
00:22:31,476 --> 00:22:33,353
See, if it was dangerous,

430
00:22:33,353 --> 00:22:36,022
they would've waited
until we got more of the movie done.

431
00:22:36,022 --> 00:22:37,899
Hold it. That's good.

432
00:22:37,899 --> 00:22:39,317
I love <i>Raiders</i>.

433
00:22:39,317 --> 00:22:41,069
{\an8}He's an academic

434
00:22:41,069 --> 00:22:45,407
{\an8}who happens to somehow
get out of scrapes with incredible aplomb.

435
00:22:46,116 --> 00:22:48,910
And he's very lucky. Things break for him.

436
00:22:51,955 --> 00:22:53,248
Bad dates.

437
00:22:53,248 --> 00:22:56,001
He's kind of like
Bugs Bunny or the Road Runner,

438
00:22:56,001 --> 00:22:57,836
{\an8}or Buster Keaton, in that sense.

439
00:22:57,836 --> 00:23:01,506
{\an8}That building falls on them,
but they're standing where the window was.

440
00:23:01,506 --> 00:23:03,925
{\an8}Or the train turns just
as the cannon goes off,

441
00:23:03,925 --> 00:23:07,971
and then the cannonball hits
the bad guy's train instead of his own.

442
00:23:08,555 --> 00:23:10,890
We also identify that he has fears.

443
00:23:10,890 --> 00:23:13,768
I hate snakes, Jock! I hate 'em!

444
00:23:13,768 --> 00:23:17,605
All of Indiana Jones'
eccentricities and anxieties

445
00:23:17,605 --> 00:23:20,275
and neuroses are part of his appeal.

446
00:23:20,275 --> 00:23:21,860
It's scary to go in a cave.

447
00:23:21,860 --> 00:23:25,196
It's scary to get spiked with a spear.

448
00:23:25,196 --> 00:23:27,073
You know, frightened of snakes...

449
00:23:27,073 --> 00:23:28,616
Why did it have to be snakes?

450
00:23:30,118 --> 00:23:31,578
He basically rolls his eyes, "Snakes."

451
00:23:31,578 --> 00:23:33,038
It's not like he screams. He's like,

452
00:23:33,038 --> 00:23:35,623
"I can't believe I'm a grown man
who's afraid of snakes."

453
00:23:35,623 --> 00:23:38,376
There is this-- this need to press on

454
00:23:38,376 --> 00:23:42,422
that, to me, kind of felt quintessentially
American about that character.

455
00:23:42,422 --> 00:23:46,509
So, he may not have been invulnerable,
but he was indomitable.

456
00:23:49,346 --> 00:23:51,598
And Harrison's
not afraid of snakes either?

457
00:23:51,598 --> 00:23:55,185
Not at all. But he-- But he's an actor.

458
00:23:55,185 --> 00:23:57,771
I like snakes. They don't scare me at all.

459
00:24:02,484 --> 00:24:07,405
There was one really dangerous snake
behind a piece of plexiglass.

460
00:24:07,405 --> 00:24:08,823
Try to get him going.

461
00:24:10,158 --> 00:24:11,868
That was a cobra. King cobra.

462
00:24:11,868 --> 00:24:13,953
Let's put in five more,

463
00:24:14,537 --> 00:24:16,539
and then we'll get ready to roll,

464
00:24:16,539 --> 00:24:19,042
and we'll put in two more
as we turn the cameras over.

465
00:24:20,043 --> 00:24:21,753
Two more fresh ones, right?

466
00:24:21,753 --> 00:24:25,423
There were people standing by
with syringes of antivenom.

467
00:24:26,216 --> 00:24:28,218
- Now he likes you.

468
00:24:30,178 --> 00:24:32,514
But all the rest of the snakes
were harmless.

469
00:24:32,514 --> 00:24:37,560
They would bite you,
but the bites were not deadly.

470
00:24:37,560 --> 00:24:39,854
You traitor! You get your hands off of me!

471
00:24:41,856 --> 00:24:43,692
We were having so much fun.

472
00:24:43,692 --> 00:24:46,528
Never had a better time on a movie.
It was crazy.

473
00:24:47,696 --> 00:24:50,156
-  Whoops!

474
00:24:50,156 --> 00:24:51,991
-  I'm standing still.
-  Hey.

475
00:24:51,991 --> 00:24:54,160
-  Couldn't be my fault.

476
00:24:54,160 --> 00:24:57,414
No movie for a filmmaker
is an adventure.

477
00:24:57,414 --> 00:24:59,416
It's a lot of hard work.

478
00:24:59,416 --> 00:25:03,003
We were globe hopping as the character
of Indiana Jones was globe-trotting.

479
00:25:03,003 --> 00:25:04,587
That's not an adventure.

480
00:25:04,587 --> 00:25:07,799
That's a lot of long, boring
airplane rides. It's a lot of jet lag.

481
00:25:07,799 --> 00:25:10,969
That's a lot of moving
into new hotel or motel rooms.

482
00:25:10,969 --> 00:25:13,805
The only excitement for me happens
when I get to the set.

483
00:25:13,805 --> 00:25:17,350
- That's where the fun in it is for me.

484
00:25:17,350 --> 00:25:18,560
Let's start shooting.

485
00:25:18,560 --> 00:25:20,645
We got Harrison here.
He's all ready to go.

486
00:25:20,645 --> 00:25:23,606
He's got his hat on. Good.
He's got his little satchel.

487
00:25:23,606 --> 00:25:25,525
Whoa, whip him!

488
00:25:25,525 --> 00:25:26,693
And the whip.

489
00:25:26,693 --> 00:25:30,613
{\an8}We had a guy, Glenn Randall,
that taught me the basics of it.

490
00:25:31,573 --> 00:25:36,578
{\an8}But I would stand out
in my driveway and practice. Hours.

491
00:25:36,578 --> 00:25:41,916
When you first start, you'd take your ear
almost off with the lash as it goes past.

492
00:25:42,834 --> 00:25:44,044
That's it. That's it.

493
00:25:44,669 --> 00:25:45,754
It's very dangerous.

494
00:25:45,754 --> 00:25:48,256
It's hard to learn.
But, uh, it was fun.

495
00:25:49,507 --> 00:25:51,509
Is that how you
got your scar on your chin?

496
00:25:51,509 --> 00:25:54,846
No. It was a car crash.

497
00:25:54,846 --> 00:25:57,682
A fast car crash on the way to sell, uh,

498
00:25:57,682 --> 00:26:00,769
knickknacks and oil paintings
at the Bullock's department store.

499
00:26:01,686 --> 00:26:04,064
- It's a wrap!

500
00:26:04,064 --> 00:26:06,232
Oh! Thank you, Dickie.

501
00:26:06,232 --> 00:26:07,317
Thanks, baby.

502
00:26:07,317 --> 00:26:09,235
You're coming to Hawaii with me.
I'll thank you later.

503
00:26:09,861 --> 00:26:12,364
The last week of shooting,
we were in Kauai.

504
00:26:12,364 --> 00:26:14,449
And the last week of shooting

505
00:26:14,449 --> 00:26:16,618
was the entire opening
of <i>Raiders of the Lost Ark</i>

506
00:26:16,618 --> 00:26:18,286
where they're trekking through the jungle.

507
00:26:20,789 --> 00:26:24,042
We're very nearly done.
This is-- It feels good.

508
00:26:24,042 --> 00:26:26,002
We worked almost every day.

509
00:26:26,002 --> 00:26:29,673
Had about a day and a half off
on the whole movie.

510
00:26:31,216 --> 00:26:35,303
And, uh, been sore and bruised
most of the time.

511
00:26:37,931 --> 00:26:39,724
They're making a movie.

512
00:26:46,731 --> 00:26:47,816
That reveal,

513
00:26:47,816 --> 00:26:52,821
that close-up stepping in with
the perfect eye light out of the shadows.

514
00:26:52,821 --> 00:26:55,740
That's signature Steven.

515
00:26:55,740 --> 00:26:59,994
It's funny that's one of the shots
we did late in the schedule.

516
00:26:59,994 --> 00:27:05,583
And I think Harrison, at that point,
certainly knew who that character was.

517
00:27:05,583 --> 00:27:10,005
And he knew that look
that only Harrison can give.

518
00:27:10,755 --> 00:27:13,967
He just owns the picture
from the first frame to the last.

519
00:27:13,967 --> 00:27:18,638
And it feels like a movie
that was made for him to shine.

520
00:27:19,931 --> 00:27:21,224
Any questions?

521
00:27:21,224 --> 00:27:22,684
When I go into the editing room,

522
00:27:22,684 --> 00:27:26,312
and I start to see these shots
cut together into a sequence,

523
00:27:26,312 --> 00:27:29,524
that's where I had
my first rush of excitement.

524
00:27:30,150 --> 00:27:31,526
Whoops.

525
00:27:31,526 --> 00:27:33,737
And my first cautious rush of,

526
00:27:33,737 --> 00:27:36,322
"Oh, this could be something amazing."

527
00:27:36,322 --> 00:27:37,615
"This could work."

528
00:27:38,324 --> 00:27:41,411
Steven invited me to come
and see the first screening of it.

529
00:27:41,411 --> 00:27:43,121
I was astonished.

530
00:27:43,121 --> 00:27:47,459
I mean, you don't really put together
the pieces of someone's performance

531
00:27:47,459 --> 00:27:50,962
working with them in the scenes
that you're in with them.

532
00:27:53,256 --> 00:27:55,342
I didn't have a very clear sense...

533
00:27:55,342 --> 00:27:56,468
What did you say?

534
00:27:56,468 --> 00:27:59,846
...of Harrison as Indiana Jones
until I saw the film.

535
00:28:01,014 --> 00:28:02,849
I saw it on opening day, alone.

536
00:28:02,849 --> 00:28:05,810
I mean, I was such a huge fan
of everyone involved

537
00:28:05,810 --> 00:28:08,772
that I still haven't forgotten
where I sat and where I saw it, you know?

538
00:28:08,772 --> 00:28:10,273
{\an8}'Cause it was also the moment

539
00:28:10,273 --> 00:28:12,609
{\an8}when you're trying to figure out
what you're doing with your life.

540
00:28:12,609 --> 00:28:15,987
{\an8}And it was one of the reasons
I became a movie director.

541
00:28:15,987 --> 00:28:20,450
{\an8} <i>Indiana Jones</i> was
a pretty life-changing experience for me.

542
00:28:20,450 --> 00:28:23,536
My first sole producer credit.
My first nomination.

543
00:28:23,536 --> 00:28:26,664
The start of an incredible friendship

544
00:28:26,664 --> 00:28:30,585
with a whole lot of wonderful people
that I'm still friends with.

545
00:28:30,585 --> 00:28:33,171
Everything about the creation of the movie

546
00:28:33,171 --> 00:28:37,342
was going on with just that family,
that handful of people.

547
00:28:37,342 --> 00:28:39,511
We were all together all the time.

548
00:28:39,511 --> 00:28:40,929
Yeah.

549
00:28:40,929 --> 00:28:43,431
There's only two shots here that...

550
00:28:43,431 --> 00:28:45,308
And I met my wife.

551
00:28:45,850 --> 00:28:48,853
Yes. That's where I met my husband.

552
00:28:50,063 --> 00:28:52,607
You know, I was married
to the movies at that time.

553
00:28:52,607 --> 00:28:54,734
And I thought, "Okay, I'm gonna do this.

554
00:28:54,734 --> 00:28:58,655
I'm not gonna find somebody
who loves making movies as much as I do."

555
00:28:59,322 --> 00:29:02,659
And then I met Kathy.
And we became great friends.

556
00:29:02,659 --> 00:29:04,244
And I fell in love.

557
00:29:04,994 --> 00:29:10,000
And I think that's a key
to our relationship here, 37 years later,

558
00:29:10,000 --> 00:29:11,501
is that we're still great friends.

559
00:29:11,501 --> 00:29:13,920
We love working together,
and we love making movies.

560
00:29:18,174 --> 00:29:21,344
Hell, I'll be at this
for another couple of years, I'm sure.

561
00:29:21,344 --> 00:29:24,472
But I feel...

562
00:29:24,472 --> 00:29:26,975
...but at least I get
to go home for a while.

563
00:29:29,060 --> 00:29:32,147
I'm very grateful for
the opportunity to play that character.

564
00:29:33,023 --> 00:29:35,025
It's led to other opportunities.

565
00:29:35,608 --> 00:29:39,738
I had already become commercially viable,

566
00:29:39,738 --> 00:29:45,660
and now I was in a fantastically
successful second franchise.

567
00:29:46,411 --> 00:29:48,329
When he became Indiana Jones,

568
00:29:48,329 --> 00:29:50,832
and that was coupled with Han Solo,

569
00:29:50,832 --> 00:29:54,794
I don't think he ever had a night
where he could go to a restaurant,

570
00:29:54,794 --> 00:29:58,798
or step outside
without being pretty much mobbed.

571
00:30:00,550 --> 00:30:02,969
Harrison told me
something about stardom

572
00:30:02,969 --> 00:30:04,387
that I thought was very interesting.

573
00:30:04,387 --> 00:30:06,181
I hadn't thought about it, but he said,

574
00:30:06,181 --> 00:30:10,143
{\an8}"I feel for young people
who get tremendous attention very early."

575
00:30:10,143 --> 00:30:11,936
{\an8}He said, "I was fortunate, I think,"

576
00:30:11,936 --> 00:30:15,482
in that, um, before the huge spotlight
was shone on him,

577
00:30:15,482 --> 00:30:18,902
he'd been very successful
as not just a carpenter and so on,

578
00:30:18,902 --> 00:30:20,487
but restoring houses.

579
00:30:20,487 --> 00:30:23,448
People would seek him out for restoration.

580
00:30:23,448 --> 00:30:28,661
So, he had lived a life
before he became a movie star,

581
00:30:28,661 --> 00:30:31,748
when this great hurricane of fame hit him.

582
00:30:36,753 --> 00:30:39,964
Okay, Harrison.
Um, what I was asking you was,

583
00:30:39,964 --> 00:30:42,300
do you feel yourself typecast
at this stage

584
00:30:42,300 --> 00:30:46,638
as a high-action actor, macho adventurer,

585
00:30:46,638 --> 00:30:48,640
or are any other roles
that you'd like to play?

586
00:30:48,640 --> 00:30:52,686
Are you pretty happy with the type of
roles that you're getting at this stage?

587
00:30:52,686 --> 00:30:54,229
No, I--

588
00:30:54,229 --> 00:31:00,902
I think it's true
that I am somewhat typed in that area,

589
00:31:00,902 --> 00:31:06,449
but I've had the opportunity to do
a lot of things outside of that.

590
00:31:08,368 --> 00:31:11,538
I've always wanted
to work in different genres

591
00:31:11,538 --> 00:31:13,748
when I had the opportunity.

592
00:31:13,748 --> 00:31:16,710
I was now early 40s.

593
00:31:16,710 --> 00:31:21,881
{\an8}And I was, uh, suitable for casting
in some of the great feature films

594
00:31:21,881 --> 00:31:24,968
{\an8}that were being made at that time
by some of the great directors.

595
00:31:24,968 --> 00:31:29,431
It was, basically,
I'm gonna do one for them and one for me.

596
00:31:30,932 --> 00:31:34,144
And "them" were
the studios and the audience.

597
00:31:34,144 --> 00:31:36,980
And then there was
a film I just wanted to do,

598
00:31:36,980 --> 00:31:40,233
regardless of whether it would be
commercially successful or not.

599
00:31:42,819 --> 00:31:48,491
This was a very voluble
period of time in Hollywood history.

600
00:31:48,491 --> 00:31:51,745
All these guys that were young, upcoming,

601
00:31:51,745 --> 00:31:55,582
who were rebelling, really,
against the studio system.

602
00:31:55,582 --> 00:32:01,838
{\an8}I mean, there were a bunch of guys.
Steven, George, Coppola, Milius.

603
00:32:01,838 --> 00:32:04,507
{\an8}They wanted their vision.
They wanted their independence.

604
00:32:04,507 --> 00:32:06,718
They wanted to make
their movies their way.

605
00:32:07,510 --> 00:32:10,764
And very quickly they were.
They were successful.

606
00:32:10,764 --> 00:32:14,434
They were so successful
that it changed Hollywood forever.

607
00:32:14,434 --> 00:32:21,274
{\an8}And it precipitated one of the greatest
20, 30 years of really quality movies.

608
00:32:21,274 --> 00:32:27,697
{\an8}Both out of these guys, and out of Sydney
Pollack, Alan Pakula and Mike Nichols.

609
00:32:27,697 --> 00:32:31,159
{\an8}All the fantastic filmmakers
that I got a chance to work with,

610
00:32:31,159 --> 00:32:36,539
{\an8}because I had reached that age where
I could play some of these characters.

611
00:32:36,539 --> 00:32:39,959
{\an8}I never expected ever to be a leading man.

612
00:32:39,959 --> 00:32:41,294
I thought I was, you know,

613
00:32:41,294 --> 00:32:44,839
be lucky to get a regular part
on a television series or something.

614
00:32:44,839 --> 00:32:48,885
But I wanted to make a living as an actor.
That's what I wanted to do.

615
00:32:51,721 --> 00:32:54,724
{\an8}<i>Blade Runner</i> was a big movie.
It was a big-budget film.

616
00:32:54,724 --> 00:32:59,020
And it was a son of a bitch to make,
'cause it was all night and in the rain.

617
00:32:59,020 --> 00:33:02,732
<i>A new life awaits you
in the Off-world colonies.</i>

618
00:33:02,732 --> 00:33:04,317
It was a different kind of movie.

619
00:33:04,317 --> 00:33:05,902
But that was the kind of film

620
00:33:05,902 --> 00:33:09,864
that I was now in a position
to be able to be considered for.

621
00:33:09,864 --> 00:33:11,157
I liked him in <i>Blade Runner</i>.

622
00:33:11,157 --> 00:33:14,953
{\an8}I know he had problems with it.
But it was a good character.

623
00:33:14,953 --> 00:33:19,249
And, um, I liked him in <i>Witness</i>,
which was a smaller film.

624
00:33:19,249 --> 00:33:23,253
{\an8}Uh, how do I look?
I mean, do I look Amish?

625
00:33:24,087 --> 00:33:25,088
{\an8}You look plain.

626
00:33:26,798 --> 00:33:29,801
{\an8}The thing that I was
really impressed with with Harrison

627
00:33:29,801 --> 00:33:31,636
was when he did <i>Witness</i>.

628
00:33:32,470 --> 00:33:35,557
That was a fantastic experience.

629
00:33:35,557 --> 00:33:38,727
{\an8}Jeff Katzenberg was putting it together
at Paramount.

630
00:33:39,352 --> 00:33:42,105
{\an8}"Do you have any ideas
of who should direct it?"

631
00:33:43,940 --> 00:33:46,026
The first time I'd been asked.

632
00:33:46,026 --> 00:33:49,362
And I had just seen
<i>Years of Living Dangerously</i>.

633
00:33:50,071 --> 00:33:52,157
And I said, "How about Peter Weir?"

634
00:33:53,074 --> 00:33:54,993
They offered it to me,
and they said,

635
00:33:54,993 --> 00:33:58,079
"Come over. We'd like to meet you
and you meet Harrison."

636
00:33:58,079 --> 00:34:00,498
So, yeah, I was on a plane
before I thought much about it.

637
00:34:00,498 --> 00:34:02,959
Up into the mountains where he lived.

638
00:34:02,959 --> 00:34:05,795
And I got off the plane, you know,
a small regional airport.

639
00:34:05,795 --> 00:34:07,464
And there he was to meet me.

640
00:34:07,464 --> 00:34:09,090
And that surprised me.

641
00:34:09,090 --> 00:34:10,508
Harrison?

642
00:34:10,508 --> 00:34:12,635
He said, "Oh, we got to pick up
some stuff at the mini-mart

643
00:34:12,635 --> 00:34:15,180
on the way to the-- to my property."

644
00:34:15,180 --> 00:34:18,058
As I walked along the corridor
of the supermarket,

645
00:34:18,058 --> 00:34:22,645
I noticed on the cereal box was Han Solo.

646
00:34:22,645 --> 00:34:24,898
He was already a breakfast cereal.

647
00:34:24,898 --> 00:34:26,566
You know, and here I am meeting him.

648
00:34:26,566 --> 00:34:29,486
And I stayed at his place
working over the script,

649
00:34:29,486 --> 00:34:32,322
and talking about how we saw the film.

650
00:34:33,031 --> 00:34:36,451
I've always worn a Panama hat
from a very early age.

651
00:34:36,451 --> 00:34:39,329
One evening at the end of the day's
shooting, the sun just setting,

652
00:34:39,329 --> 00:34:41,414
Harrison and I walking back to the hotel.

653
00:34:41,414 --> 00:34:44,250
A fellow was coming toward me,
a young fellow, glaring at me.

654
00:34:44,250 --> 00:34:46,586
And I kind of looked away,
but, no, he's still coming.

655
00:34:46,586 --> 00:34:49,964
Passed close to me, too close,
and said into my ear,

656
00:34:49,964 --> 00:34:52,884
"There's only one, you know?"

657
00:34:52,884 --> 00:34:55,512
And went on past and
I said, "Harrison, did you hear that?

658
00:34:55,512 --> 00:34:58,640
He was thinking it was like
a hat like you wear in <i>Indiana Jones</i>."

659
00:34:58,640 --> 00:35:00,642
We had a laugh about it, you know? But...

660
00:35:00,642 --> 00:35:02,769
"There's only one you know." Yeah.

661
00:35:04,396 --> 00:35:06,272
Witness was really when I thought,

662
00:35:06,272 --> 00:35:08,817
"Wow, there's more to Harrison
than meets the eye."

663
00:35:08,817 --> 00:35:14,656
In <i>Indy</i>, there's not a lot of opportunity
for real depth of emotion.

664
00:35:14,656 --> 00:35:16,408
And I think, in <i>Witness</i>,

665
00:35:16,408 --> 00:35:21,788
he was able to access that
in a very believable and grounded way.

666
00:35:21,788 --> 00:35:25,166
Because he's been doing a certain kind
of archetypal role for so long,

667
00:35:25,166 --> 00:35:27,168
we can forget that he's an actor.

668
00:35:27,168 --> 00:35:30,213
The way he chose directors
and sought those directors out,

669
00:35:30,213 --> 00:35:32,007
that is not someone who's not a film buff.

670
00:35:32,007 --> 00:35:34,342
That's not somebody who doesn't understand
what filmmaking is.

671
00:35:34,342 --> 00:35:38,263
In this period where the world was open
to him, he was taking advantage of it.

672
00:35:38,263 --> 00:35:42,517
We could see his ambition
and being challenged by filmmakers.

673
00:35:42,517 --> 00:35:44,019
Don't put 'em in the peaches.

674
00:35:45,020 --> 00:35:48,440
I'd say, Harrison,
he created his own shadow, in a sense,

675
00:35:48,440 --> 00:35:51,109
with Han Solo and Indiana Jones.

676
00:35:51,109 --> 00:35:53,278
He didn't want to be defined by them.

677
00:35:53,278 --> 00:35:56,197
And that element of risk
that was involved for him,

678
00:35:56,197 --> 00:35:59,617
maybe it won't work,
maybe it'll hurt his image, is thrilling.

679
00:35:59,617 --> 00:36:01,953
When a star decides to take a risk,

680
00:36:01,953 --> 00:36:05,331
it's very exciting,
because it's like the beginning again.

681
00:36:05,331 --> 00:36:08,251
And I think we both enjoyed
that feeling on this film.

682
00:36:08,251 --> 00:36:10,545
If we don't get it right,
it could blow up in our faces,

683
00:36:10,545 --> 00:36:12,130
which is true of any film.

684
00:36:12,130 --> 00:36:15,633
There were moments
of real joyful collaboration

685
00:36:15,633 --> 00:36:19,054
between Peter and I,
and everybody else involved.

686
00:36:19,054 --> 00:36:21,848
And we-- we really had a good time.

687
00:36:21,848 --> 00:36:24,351
I love that movie. It's really good.

688
00:36:24,351 --> 00:36:27,562
{\an8}You didn't even go when
you were nominated for Best Actor, right?

689
00:36:27,562 --> 00:36:28,938
{\an8}- What?
-  Yeah.

690
00:36:28,938 --> 00:36:33,902
{\an8}You were nominated for <i>Witness</i> in 1986,
and you did not attend the Oscars.

691
00:36:33,902 --> 00:36:36,404
Well, I had-- I had a lot of homework.

692
00:36:38,698 --> 00:36:40,116
I love all his movies.

693
00:36:40,116 --> 00:36:42,077
I mean,
I've watched <i>The Fugitive</i> 30 times.

694
00:36:47,540 --> 00:36:49,334
I do remember <i>The Fugitive</i>

695
00:36:49,334 --> 00:36:51,169
being the most breathless introduction
to a character,

696
00:36:51,169 --> 00:36:55,048
and then that film was just iconic
when I was growing up.

697
00:36:55,048 --> 00:36:56,591
{\an8}And then I think it was <i>Working Girl.</i>

698
00:36:56,591 --> 00:36:59,636
{\an8}You know, maybe I just don't like you.

699
00:36:59,636 --> 00:37:02,472
{\an8}Me? Nah.

700
00:37:03,848 --> 00:37:07,560
I feel there's so many
different versions of Harrison the actor.

701
00:37:07,560 --> 00:37:10,230
So, I feel like I rediscovered him
so many times.

702
00:37:13,608 --> 00:37:17,070
{\an8} I love <i>Regarding Henry</i>
as a courageous choice for Harrison.

703
00:37:17,070 --> 00:37:20,657
{\an8}I'd never seen Harrison
do that on film before.

704
00:37:20,657 --> 00:37:23,910
{\an8}The other character I love
is Allie Fox in <i>Mosquito Coast</i>.

705
00:37:24,577 --> 00:37:27,080
{\an8}I also loved him playing
the President of the United States.

706
00:37:27,080 --> 00:37:28,873
I'm the President of the United States.

707
00:37:28,873 --> 00:37:31,710
{\an8}There's guilty pleasures.
There's <i>Air Force One.</i>

708
00:37:31,710 --> 00:37:33,670
{\an8}Get off my plane.

709
00:37:35,547 --> 00:37:38,967
{\an8} I'm so fascinated by all
the choices that he's made over the years.

710
00:37:38,967 --> 00:37:42,470
{\an8}I followed his career,
and he has this ability

711
00:37:42,470 --> 00:37:46,558
{\an8}to make you fall in love with him
within five minutes of screen time.

712
00:37:46,558 --> 00:37:49,936
Also this ability
to pull you into the story,

713
00:37:49,936 --> 00:37:53,690
and want you to be with him on
this journey that his character goes on.

714
00:37:56,192 --> 00:38:00,655
He pushes the envelope, man,
in terms of intensity, tempo...

715
00:38:02,365 --> 00:38:04,868
He's always pushing
at the leading man's cage,

716
00:38:04,868 --> 00:38:10,957
and trying to rattle the bars and see if
he can expand what a leading man can be.

717
00:38:11,750 --> 00:38:15,920
- Hi, Mom. We're in Sri Lanka.
-  Can you step out the shot now?

718
00:38:15,920 --> 00:38:17,547
- Sri Lanka.
- Let's put the actors on.

719
00:38:18,631 --> 00:38:23,470
Not bad. It's good. Nice.
People are great, friendly.

720
00:38:24,387 --> 00:38:25,805
Nice elephants.

721
00:38:25,805 --> 00:38:28,224
Here we are at our spontaneous best.

722
00:38:29,184 --> 00:38:30,769
Let's make a movie.

723
00:38:42,280 --> 00:38:44,866
George said,
"If you commit to this first movie,

724
00:38:44,866 --> 00:38:47,410
I need you to commit to three,
'cause I intend to make three of them."

725
00:38:47,410 --> 00:38:48,828
"Absolutely," I said.

726
00:38:48,828 --> 00:38:51,623
We shook hands on the beach
that day in 1977.

727
00:38:51,623 --> 00:38:53,124
-  Action!

728
00:38:53,833 --> 00:38:54,918
Cut. Lovely.

729
00:38:56,086 --> 00:38:58,213
Great version. That's all we gotta do.

730
00:38:58,213 --> 00:39:00,256
Oh, boy! And it was a good shot.

731
00:39:01,257 --> 00:39:03,677
For me, there was nothing
that was gonna beat <i>Raiders</i>,

732
00:39:03,677 --> 00:39:06,179
because it's the first time
you're plunged into that world.

733
00:39:06,179 --> 00:39:08,014
But all those movies are wonderful.

734
00:39:08,014 --> 00:39:11,851
And I looked forward to each one of them,
seeing these characters again,

735
00:39:11,851 --> 00:39:14,979
and seeing the filmmaker I so admire,

736
00:39:14,979 --> 00:39:18,483
Steven Spielberg, flexing
his own muscles trying different things.

737
00:39:18,483 --> 00:39:21,194
Mr. Spielberg,
how does it feel directing a musical?

738
00:39:21,194 --> 00:39:22,862
Well, it feels just-- just swell.

739
00:39:22,862 --> 00:39:25,448
- It was designed to set you up...
- Yeah.

740
00:39:26,241 --> 00:39:28,034
...to think you were in a different movie.

741
00:39:28,034 --> 00:39:30,537
My mother actually thought
that it was the wrong movie

742
00:39:30,537 --> 00:39:32,706
for a good five minutes.

743
00:39:32,706 --> 00:39:35,125
Each film, I wanted the audience

744
00:39:35,125 --> 00:39:38,753
to learn something new
about Indiana Jones.

745
00:39:40,714 --> 00:39:42,966
Didn't want us to repeat
the same thing over and over again.

746
00:39:42,966 --> 00:39:44,426
His name is Henry.

747
00:39:44,426 --> 00:39:46,011
He's your son.

748
00:39:46,011 --> 00:39:49,597
I wanted part of the process
of the storytelling to include

749
00:39:49,597 --> 00:39:52,851
a character that would lead us
into a greater knowledge,

750
00:39:52,851 --> 00:39:56,396
or a situation we hadn't
seen Indiana Jones in before.

751
00:39:56,396 --> 00:39:59,816
He put two holes in my dress from Paris.

752
00:40:01,317 --> 00:40:03,737
Kate was great. We had a ball.

753
00:40:03,737 --> 00:40:06,906
She brought joy to the part
and a lot of glamour.

754
00:40:06,906 --> 00:40:08,324
- Ooh!
-  Oh, God.

755
00:40:08,324 --> 00:40:09,576
My dress.

756
00:40:09,576 --> 00:40:13,329
I was really excited to be cast.

757
00:40:13,329 --> 00:40:16,249
{\an8}<i>Raiders of the Lost Ark</i>
took my breath away.

758
00:40:16,249 --> 00:40:19,502
Steven Spielberg,
what an amazing director.

759
00:40:19,502 --> 00:40:22,380
And Harrison, it was perfect casting.

760
00:40:22,380 --> 00:40:25,175
I met him on the plane.

761
00:40:25,967 --> 00:40:27,969
He's very quiet. He doesn't talk a lot.

762
00:40:27,969 --> 00:40:29,179
He's not chitchat.

763
00:40:29,179 --> 00:40:33,099
But he's very clever and very smart.

764
00:40:33,099 --> 00:40:34,809
When he talks, you listen.

765
00:40:38,688 --> 00:40:39,689
Indy!

766
00:40:39,689 --> 00:40:41,274
Don't even say Indy. Just...

767
00:40:41,983 --> 00:40:43,360
- Should be a screech.

768
00:40:43,360 --> 00:40:45,403
So the audience doesn't say,
"I know what's gonna happen."

769
00:40:45,403 --> 00:40:47,655
She's gonna put her hand into the hole
and his hand will come out.

770
00:40:47,655 --> 00:40:51,826
This was their second film.
So, I would be the new kid on the block.

771
00:40:52,369 --> 00:40:56,456
And they had a very easy rapport
with each other.

772
00:40:56,456 --> 00:40:58,208
They had their inside jokes.

773
00:40:58,208 --> 00:41:01,127
A little joke between the joke,
just burning up a lot of film.

774
00:41:01,127 --> 00:41:02,504
It's between actor and the director.

775
00:41:02,504 --> 00:41:06,174
I was thinking
about what a gentleman Harrison is.

776
00:41:06,174 --> 00:41:07,884
I felt very cared for.

777
00:41:09,469 --> 00:41:13,139
He knew that I was the newbie.
It was only my third film.

778
00:41:13,765 --> 00:41:15,850
And it was such a big production.

779
00:41:15,850 --> 00:41:19,938
So when he'd see me uncertain
and not knowing what to do,

780
00:41:19,938 --> 00:41:23,942
he became the host, you know,
of his movie, and I was the guest.

781
00:41:23,942 --> 00:41:26,361
Like, he brings what he needs to bring.

782
00:41:26,361 --> 00:41:27,404
Action.

783
00:41:27,404 --> 00:41:29,531
-  Lao.
- Lao.

784
00:41:30,198 --> 00:41:33,660
The scenes are fast.
They're furious. They're intense.

785
00:41:33,660 --> 00:41:34,911
Come on.

786
00:41:34,911 --> 00:41:37,664
You know,
the unspoken character is the action.

787
00:41:40,000 --> 00:41:42,877
It was hard work,
but I thought it was so exciting.

788
00:41:42,877 --> 00:41:44,295
I loved it. I loved it.

789
00:41:46,047 --> 00:41:46,965
Huh?

790
00:41:47,507 --> 00:41:50,719
Wow, holy smoke! Crash landing!

791
00:41:50,719 --> 00:41:52,470
- There's a kid driving the car!

792
00:41:52,470 --> 00:41:54,014
- Oh!

793
00:41:54,014 --> 00:41:57,767
And Ke. Ke Huy Quan.
Here's this little boy on the set.

794
00:41:57,767 --> 00:41:59,978
Harrison and he were best pals.

795
00:41:59,978 --> 00:42:01,062
We bow to the sha--

796
00:42:01,062 --> 00:42:03,523
I bow to the shaman
then you bow to the shaman.

797
00:42:03,523 --> 00:42:07,152
He was, I guess, about eight years old
when we did the movie.

798
00:42:07,152 --> 00:42:09,195
I was actually 12 years old.

799
00:42:10,280 --> 00:42:12,699
And he was fantastic in it.

800
00:42:12,699 --> 00:42:15,368
Great fun. Great fun to work with.

801
00:42:15,368 --> 00:42:17,912
This was a time
where I've never seen <i>Raiders</i>.

802
00:42:17,912 --> 00:42:23,585
So, I had no clue who Harrison Ford was,
or what even <i>Indiana Jones</i> is.

803
00:42:23,585 --> 00:42:28,340
I just remember him being,
you know, very friendly, very kind.

804
00:42:28,340 --> 00:42:31,843
They had
a tremendously rich relationship.

805
00:42:31,843 --> 00:42:33,720
Ke would crack Harrison up.

806
00:42:33,720 --> 00:42:35,430
If Harrison was in a bad mood,

807
00:42:35,430 --> 00:42:37,474
all I would do is stick Ke on him,

808
00:42:37,474 --> 00:42:40,477
and Ke would go over and Harrison
would snap out of that mood in a second.

809
00:42:41,061 --> 00:42:42,937
He just spread joy everywhere.

810
00:42:42,937 --> 00:42:44,022
Very funny!

811
00:42:44,022 --> 00:42:47,025
- Very-- Ha ha ha!
- Ha ha ha.

812
00:42:47,025 --> 00:42:49,778
We would constantly
make practical jokes on Steven.

813
00:42:49,778 --> 00:42:52,364
When we were shooting
the mine cart sequence,

814
00:42:52,364 --> 00:42:54,574
they were serving ice cream at that time.

815
00:42:54,574 --> 00:42:59,120
So, we would take these ice cream cones
and we would smear it all over our faces.

816
00:42:59,120 --> 00:43:02,374
We got in it,
and when we came by the camera,

817
00:43:02,374 --> 00:43:05,168
we popped up with our ice cream cones.

818
00:43:05,168 --> 00:43:09,255
We played on the set a lot.

819
00:43:09,255 --> 00:43:13,093
I remember Steven saying,
"Oh, that is so funny. Love it. Print it."

820
00:43:13,093 --> 00:43:15,053
- Come on! What you doing?

821
00:43:15,053 --> 00:43:17,639
That was like
a typical day on <i>Temple of Doom.</i>

822
00:43:17,639 --> 00:43:18,723
That's fun!

823
00:43:20,058 --> 00:43:23,895
{\an8}One of my favorite partnerships
on these movies was <i>Last Crusade</i>.

824
00:43:23,895 --> 00:43:26,439
{\an8}Well, Indiana Jones
is coming back to the screen.

825
00:43:26,439 --> 00:43:28,108
{\an8}The movie opens tomorrow.

826
00:43:28,108 --> 00:43:31,903
{\an8}This time, Indiana Jones
comes back with someone extra.

827
00:43:31,903 --> 00:43:34,280
{\an8}I talked about wanting to see my father,

828
00:43:34,280 --> 00:43:38,284
and Steven came up with the idea
and, of course, and the casting.

829
00:43:39,536 --> 00:43:40,578
Junior?

830
00:43:41,913 --> 00:43:42,914
Yes, sir.

831
00:43:43,915 --> 00:43:45,875
- Yes, sir. Oh.

832
00:43:45,875 --> 00:43:47,210
Come on. Get it right, boy.

833
00:43:47,752 --> 00:43:49,421
-  And action!
- Junior!

834
00:43:49,421 --> 00:43:50,880
Yes, sir!

835
00:43:50,880 --> 00:43:52,882
Seeing Sean Connery
and Harrison work together

836
00:43:52,882 --> 00:43:54,592
was just fabulous.

837
00:43:54,592 --> 00:43:59,014
I mean, these two, they were like
champion boxers going at each other.

838
00:43:59,014 --> 00:44:01,182
But it worked beautifully for the scene.

839
00:44:01,182 --> 00:44:04,144
Why are you sitting there resting for
when we're so near the end?

840
00:44:04,144 --> 00:44:05,311
Come on!

841
00:44:05,311 --> 00:44:09,149
Steven and Harrison and
myself really worked very well together.

842
00:44:12,068 --> 00:44:13,778
I think that in this one,

843
00:44:13,778 --> 00:44:20,118
the Indiana Jones character
gets more opportunity to be more human

844
00:44:20,118 --> 00:44:23,455
{\an8}because he had been very much a loner,

845
00:44:23,455 --> 00:44:28,710
{\an8}isolated, and never really establishes
any kind of relationship with anybody.

846
00:44:29,336 --> 00:44:32,255
The opportunity to express that

847
00:44:32,255 --> 00:44:36,509
was terrifically refreshing
to Harrison as an actor anyway.

848
00:44:36,509 --> 00:44:40,305
And it was a bit of a release
and a relief, as you think, for him too.

849
00:44:40,305 --> 00:44:42,724
They're gonna break a bit of new ground.

850
00:44:42,724 --> 00:44:44,934
I must say, it's been a lot of fun.

851
00:44:47,187 --> 00:44:48,396
Is that what it was?

852
00:44:48,396 --> 00:44:50,732
Brutal couple of years,
huh, Charlie?

853
00:44:50,732 --> 00:44:53,068
First Dad, then Marcus.

854
00:44:54,569 --> 00:44:58,239
Along the way, obviously,
we've lost some of our close friends.

855
00:44:58,239 --> 00:45:00,283
There's a lot of sadness.

856
00:45:01,034 --> 00:45:03,411
You know, when I think about River Phoenix

857
00:45:03,411 --> 00:45:06,581
and what he brought
to the character of Young Indy...

858
00:45:06,581 --> 00:45:08,416
Harrison had suggested River Phoenix

859
00:45:08,416 --> 00:45:11,294
{\an8}because he had just
worked with him on <i>Mosquito Coast</i>.

860
00:45:11,294 --> 00:45:13,380
{\an8}And he knew what a wonderful actor he was.

861
00:45:14,005 --> 00:45:18,009
{\an8}While doing <i>Mosquito Coast,</i>
I kept a close eye on Harrison,

862
00:45:18,009 --> 00:45:20,261
{\an8}and I noticed some of his traits,

863
00:45:20,261 --> 00:45:23,473
and I would, uh, sometimes mimic him
and get a few laughs.

864
00:45:24,683 --> 00:45:27,936
And it was fun.
I wanted to be a younger Indy.

865
00:45:27,936 --> 00:45:29,521
- Ready?
-  Yeah. Go.

866
00:45:30,605 --> 00:45:34,150
All right. And then the lion lunges,
and you go back right to there.

867
00:45:34,150 --> 00:45:35,235
No farther than that.

868
00:45:35,235 --> 00:45:37,904
I think the character
is a great character,

869
00:45:37,904 --> 00:45:39,447
and it's very well written.

870
00:45:39,447 --> 00:45:43,618
And then you bring Harrison in,
and he just-- He's so charming.

871
00:45:43,618 --> 00:45:44,661
He's got it down.

872
00:45:45,328 --> 00:45:47,372
He just guided me through stuff, um,

873
00:45:47,372 --> 00:45:49,708
gave me a little more insight
on the character.

874
00:45:49,708 --> 00:45:52,836
Gave me a feeling
for where it all comes from,

875
00:45:52,836 --> 00:45:54,629
the way he reacts to things, um...

876
00:45:54,629 --> 00:45:56,464
You know, what's going on in his head.

877
00:45:56,464 --> 00:45:58,967
And I just played that, but younger,

878
00:45:58,967 --> 00:46:02,929
and a little more innocence,
a little, uh, more amateur.

879
00:46:02,929 --> 00:46:05,390
Oh! Oh! Oh, no.

880
00:46:07,225 --> 00:46:11,354
The sort of generosity
that Harrison had with River,

881
00:46:11,354 --> 00:46:12,689
River ate that up.

882
00:46:12,689 --> 00:46:16,943
River was so thankful to Harrison
for giving him that knowledge.

883
00:46:17,527 --> 00:46:19,029
No, Dad. You listen to me.

884
00:46:19,029 --> 00:46:21,990
-  Junior!
- One, two, three, four...

885
00:46:21,990 --> 00:46:23,408
In Greek.

886
00:46:23,408 --> 00:46:25,326
If I have to compare all the movies,

887
00:46:25,326 --> 00:46:27,037
my favorite is <i>Raiders of the Lost Ark.</i>

888
00:46:27,037 --> 00:46:30,206
And my second favorite,
out of the four I made,

889
00:46:30,206 --> 00:46:33,209
is the one with Sean Connery
playing Indy's dad.

890
00:46:33,209 --> 00:46:36,421
But the <i>Temple of Doom</i>,
the second <i>Indiana Jones</i> movie,

891
00:46:36,421 --> 00:46:37,839
absolutely changed my life.

892
00:46:38,506 --> 00:46:42,677
And that is that the girl I cast to play
Willie Scott turned out to be my wife.

893
00:46:42,677 --> 00:46:48,099
So, in a sense, I owe more than
I can ever express to that experience

894
00:46:48,099 --> 00:46:50,310
for introducing me to Kate Capshaw.

895
00:46:50,310 --> 00:46:54,230
<i>Indiana Jones</i>
changed my life, absolutely.

896
00:46:54,230 --> 00:46:57,108
It flipped it, completely.

897
00:46:57,108 --> 00:46:59,611
-  It's-- Oh, sorry.

898
00:47:00,278 --> 00:47:03,448
Kathy, Frank, Harrison,
Steven and me,

899
00:47:03,448 --> 00:47:06,326
best friends, and it was so much fun.

900
00:47:12,332 --> 00:47:14,668
{\an8}Indiana Jones from Princeton, New Jersey.

901
00:47:15,669 --> 00:47:18,004
{\an8}What's happening in Europe?
Is the war over?

902
00:47:18,004 --> 00:47:20,006
Germans still hold most of Belgium.

903
00:47:20,006 --> 00:47:21,883
I was so invested
in <i>Indiana Jones</i>

904
00:47:21,883 --> 00:47:23,468
that when that finally came to TV,

905
00:47:23,468 --> 00:47:25,387
you just thought,
"What's this going to be?

906
00:47:25,387 --> 00:47:27,555
And how is it going to be realized?"

907
00:47:28,390 --> 00:47:30,642
It was actually a show that ends up
being as much about history,

908
00:47:30,642 --> 00:47:33,853
in fact, more so than the movies do
about real history.

909
00:47:33,853 --> 00:47:36,690
And how this character
interacts with history.

910
00:47:37,440 --> 00:47:41,361
Good lord. This is not
as you said it would be, Dr. Jones!

911
00:47:41,361 --> 00:47:43,988
And to see him turn up in it--
And you didn't know,

912
00:47:43,988 --> 00:47:46,032
{\an8}'cause in those days
we didn't get announcements.

913
00:47:46,032 --> 00:47:47,867
{\an8}We didn't have
what they now call the Internet.

914
00:47:47,867 --> 00:47:51,246
And so, it was nice to see him show up
as a surprise.

915
00:47:51,246 --> 00:47:54,207
{\an8}Harrison will then come up to here.
Saginaw will come up behind him.

916
00:47:54,207 --> 00:47:56,209
{\an8}Can we get both of them in
if he does that?

917
00:47:56,209 --> 00:47:58,545
{\an8} It was a lot of fun
doing this episode.

918
00:47:58,545 --> 00:48:02,632
Uh, Harrison did us a favor,
and it was a fun little weekend.

919
00:48:02,632 --> 00:48:06,720
And it's fun. It's like visiting a friend
and making a movie at the same time.

920
00:48:06,720 --> 00:48:07,887
Want a cookie?

921
00:48:07,887 --> 00:48:09,305
- No.

922
00:48:09,305 --> 00:48:11,558
He just reminded me of how much I owe him.

923
00:48:12,851 --> 00:48:15,520
No, I'm glad to do it. It's fun.

924
00:48:15,520 --> 00:48:18,231
And besides, I live here.

925
00:48:18,231 --> 00:48:20,650
First of all, it shows
his devotion to the character.

926
00:48:20,650 --> 00:48:22,485
And action.

927
00:48:22,485 --> 00:48:26,781
We felt his sense of approval
of what this show was trying to do.

928
00:48:26,781 --> 00:48:28,950
And, I think, in terms of ambition,

929
00:48:28,950 --> 00:48:31,953
it matched up with what he wanted
to see from that character.

930
00:48:39,669 --> 00:48:43,006
I think Harrison
always looked forward to playing Indy.

931
00:48:43,006 --> 00:48:46,676
He was so enthusiastic
to get back into character.

932
00:48:49,929 --> 00:48:53,183
Their treasure wasn't gold.
It was knowledge.

933
00:48:53,183 --> 00:48:54,684
Knowledge was their treasure.

934
00:48:55,310 --> 00:48:56,936
When we finished the fourth one,

935
00:48:56,936 --> 00:48:59,731
{\an8}I remember Steven, very enthusiastically,

936
00:48:59,731 --> 00:49:03,234
{\an8}Steven Spielberg,
talking about wanting to do a fifth one.

937
00:49:04,527 --> 00:49:07,822
There was this feeling
that there was more story to tell,

938
00:49:08,573 --> 00:49:13,370
and that as Indiana Jones
and Marion Ravenwood were getting married,

939
00:49:13,370 --> 00:49:16,790
it indicated, you know, more to come.

940
00:49:18,458 --> 00:49:22,170
I think that we all felt, you know,
another one would happen,

941
00:49:22,170 --> 00:49:24,673
and then a lot of time passed.

942
00:49:24,673 --> 00:49:28,551
And it-- it started
to feel less and less likely.

943
00:49:28,551 --> 00:49:32,722
Well, I think all of us wanted
to make one final <i>Indiana Jones</i> movie.

944
00:49:32,722 --> 00:49:36,476
And I sort of felt
that I had done four of them.

945
00:49:37,352 --> 00:49:39,104
And that was gonna be it for me.

946
00:49:40,146 --> 00:49:43,650
But I really was encouraging
this fifth film to be made.

947
00:49:44,651 --> 00:49:47,654
And so to sit here
and really ask ourselves,

948
00:49:47,654 --> 00:49:50,657
"Could you go make
another <i>Indiana Jones</i> movie

949
00:49:50,657 --> 00:49:53,827
with someone else playing Indiana Jones?"

950
00:49:53,827 --> 00:49:57,038
It is a very clear no.

951
00:49:58,498 --> 00:50:00,000
So the obvious challenge

952
00:50:00,000 --> 00:50:04,004
is that you're returning
to a genre without recasting.

953
00:50:05,380 --> 00:50:09,509
{\an8}You've got the same actor
who was playing this in his mid-30s

954
00:50:09,509 --> 00:50:11,344
{\an8}playing it in his late 70s.

955
00:50:11,344 --> 00:50:16,224
And I think that what had been perceived
perhaps as a disadvantage,

956
00:50:16,224 --> 00:50:22,814
i.e. this player is past, you know,
his sell-by date, was all the advantage.

957
00:50:27,027 --> 00:50:32,782
I always was ambitious
for seeing Indiana Jones at this age,

958
00:50:33,783 --> 00:50:37,120
because he was
so much about his physicality,

959
00:50:37,954 --> 00:50:39,706
so much about his passion,

960
00:50:39,706 --> 00:50:42,542
so much about being a young man.

961
00:50:44,127 --> 00:50:48,381
I wanted to see him in circumstances
we had not seen him in before.

962
00:50:48,381 --> 00:50:51,843
And I thought, obviously,
the hook for that is age.

963
00:50:54,137 --> 00:50:58,308
I wanted to make a movie about
Indiana Jones near the end of his life.

964
00:51:03,855 --> 00:51:09,444
{\an8}On paper, the idea of doing
another <i>Indiana Jones</i> movie was daunting.

965
00:51:10,945 --> 00:51:13,031
Not only because you're following

966
00:51:13,031 --> 00:51:16,659
one of the greatest filmmakers of all time
in Steven Spielberg.

967
00:51:19,371 --> 00:51:23,708
The reason I did it was honestly
more personal than pragmatic.

968
00:51:25,210 --> 00:51:29,881
I was thinking back to the noon show
on opening day in 1981.

969
00:51:34,761 --> 00:51:36,179
Very dangerous.

970
00:51:36,179 --> 00:51:37,681
You go first.

971
00:51:39,516 --> 00:51:43,603
And that all these people's names
were on that movie, and they're all here,

972
00:51:43,603 --> 00:51:47,023
somehow asking this kid
from upstate New York to make one.

973
00:51:47,023 --> 00:51:49,109
And that they'd work with me.

974
00:51:49,109 --> 00:51:51,820
Such a full circle journey in my own life.

975
00:51:55,532 --> 00:51:58,118
- And cut.

976
00:51:58,118 --> 00:51:59,536
I couldn't resist.

977
00:52:00,078 --> 00:52:05,083
Your father thought this thing
could predict fissures in time.

978
00:52:05,083 --> 00:52:08,545
I was thrilled
with the script that we had--

979
00:52:09,212 --> 00:52:12,882
the script that Jim Mangold developed
with the Butterworth brothers,

980
00:52:12,882 --> 00:52:15,677
English playwrights and screenwriters.

981
00:52:15,677 --> 00:52:17,721
And they came up with a wonderful concept.

982
00:52:18,722 --> 00:52:21,558
I knew the movie was about time.

983
00:52:22,100 --> 00:52:24,936
Opportunities missed, opportunities lost,

984
00:52:24,936 --> 00:52:27,689
choices made, irrevocable mistakes.

985
00:52:30,525 --> 00:52:33,278
Indy was a hero in 1944.

986
00:52:33,278 --> 00:52:36,281
Now Indy's 70, and these are our heroes.

987
00:52:36,281 --> 00:52:37,449
The astronauts.

988
00:52:37,449 --> 00:52:40,201
The world has, in a sense, moved on.

989
00:52:40,827 --> 00:52:44,205
It really is a lot
about watching him looking at himself,

990
00:52:44,205 --> 00:52:46,708
and taking the measure of himself.

991
00:52:46,708 --> 00:52:48,793
But not in a melancholy way.

992
00:52:48,793 --> 00:52:50,879
It's a character assessing himself.

993
00:52:51,463 --> 00:52:53,465
And there's some part of us that realizes

994
00:52:53,465 --> 00:52:57,761
that maybe it's also Harrison
assessing himself as a character,

995
00:52:57,761 --> 00:53:00,764
and what that character's
come to represent for all of us.

996
00:53:02,557 --> 00:53:07,896
I wanted to start Indy
as far as I could from being a hero again.

997
00:53:07,896 --> 00:53:10,565
Those days have come and gone.

998
00:53:11,483 --> 00:53:14,611
So we'd feel the elation
when he stepped back into those shoes.

999
00:53:20,533 --> 00:53:23,703
Ha! See you tomorrow, Indiana Jones.

1000
00:53:24,954 --> 00:53:28,291
There's always a character
who Indy has a past with

1001
00:53:28,291 --> 00:53:30,335
who drags him into the narrative,

1002
00:53:30,335 --> 00:53:32,253
or gets dragged
into the narrative with him.

1003
00:53:32,253 --> 00:53:35,340
What we were trying to do
was create something new

1004
00:53:35,340 --> 00:53:39,302
that did have a familial aspect,
or to have something to do with his past.

1005
00:53:40,679 --> 00:53:43,014
Phoebe and I
had done <i>Solo</i> together.

1006
00:53:43,014 --> 00:53:45,809
So we went and had dinner and I said,

1007
00:53:45,809 --> 00:53:50,814
"Hey, I'm just gonna ask you something
that I have no idea how you would respond.

1008
00:53:50,814 --> 00:53:54,150
But we would all love it
if you would consider

1009
00:53:54,150 --> 00:53:59,322
taking the role opposite Harrison
in the last <i>Indiana Jones</i> movie."

1010
00:53:59,322 --> 00:54:03,827
And she literally fell
into the-- into the booth.

1011
00:54:03,827 --> 00:54:06,621
I mean, it's the kind of line you hear,
and you think it's a joke,

1012
00:54:06,621 --> 00:54:08,456
'cause I remember
just being like...

1013
00:54:08,456 --> 00:54:10,583
Can we have
another bottle of wine, please?

1014
00:54:10,583 --> 00:54:12,669
And then she had a big like, "Yeah."

1015
00:54:12,669 --> 00:54:14,838
The bottle of wine came,
and I was like, "This is hilarious."

1016
00:54:14,838 --> 00:54:17,007
She's like, "I'm serious."

1017
00:54:17,007 --> 00:54:20,176
She was my first choice for the part.

1018
00:54:20,802 --> 00:54:23,680
She brings a special kind of energy.

1019
00:54:23,680 --> 00:54:25,640
It was clear
that we should cast her

1020
00:54:25,640 --> 00:54:28,143
even before we had started writing.

1021
00:54:28,143 --> 00:54:29,894
There was no one else we had in mind.

1022
00:54:29,894 --> 00:54:32,772
We were only writing it
thinking of her voice.

1023
00:54:32,772 --> 00:54:34,691
The biggest terrifying moment

1024
00:54:34,691 --> 00:54:37,277
was when we finally
gave the script to Phoebe to read

1025
00:54:37,277 --> 00:54:38,862
not knowing whether she would say yes,

1026
00:54:38,862 --> 00:54:41,531
and not having any idea
where we'd go if she said no.

1027
00:54:42,198 --> 00:54:44,951
Harrison, he actually phoned me first,

1028
00:54:44,951 --> 00:54:47,954
and I had a voicemail
that was just a really long pause.

1029
00:54:47,954 --> 00:54:52,250
And then...
..."Hey, this is, uh, Harrison Ford."

1030
00:54:52,250 --> 00:54:55,086
You know,
I was just like, "What?"

1031
00:54:56,254 --> 00:54:58,048
-  All right, let's go.
- I got you. Ready.

1032
00:54:58,048 --> 00:54:59,924
All right, here we go.
Background action.

1033
00:54:59,924 --> 00:55:01,509
And action!

1034
00:55:01,509 --> 00:55:03,803
We had a conversation about the film.

1035
00:55:03,803 --> 00:55:05,847
He was like,
"I'm excited about this movie."

1036
00:55:05,847 --> 00:55:07,349
And I was, "When you come over,

1037
00:55:07,349 --> 00:55:10,226
I'd love to have a meal with you,
a lunch, or a drink or something.

1038
00:55:10,226 --> 00:55:11,728
Maybe we should do that.
It'd be really fun."

1039
00:55:11,728 --> 00:55:14,147
He was like, "Oh, no. I don't think so."

1040
00:55:14,147 --> 00:55:16,441
Then I was like, "Oh."
Then he mentioned he played tennis.

1041
00:55:16,441 --> 00:55:18,026
I was like, "Maybe we should play tennis."

1042
00:55:18,026 --> 00:55:21,821
And he was like...
..."No, I'm good. Thanks."

1043
00:55:21,821 --> 00:55:24,324
I was like, "Okay.
Well, I'll see you first day on set."

1044
00:55:26,451 --> 00:55:28,787
The first day, I was really nervous.

1045
00:55:28,787 --> 00:55:32,374
But Harrison was just, like,
so warm and just open arms, and just like,

1046
00:55:32,374 --> 00:55:34,959
"Hey! Here we are.
We're making this thing happen."

1047
00:55:34,959 --> 00:55:38,296
I don't need morality lessons
from an aging grave robber!

1048
00:55:38,296 --> 00:55:41,591
I said to him, "At any
point you think I'm shit, please tell me.

1049
00:55:41,591 --> 00:55:43,385
And I'd rather you just say it.

1050
00:55:43,385 --> 00:55:45,887
Or help me out, 'cause no one
knows this craft better than you."

1051
00:55:45,887 --> 00:55:46,805
Whoo!

1052
00:55:46,805 --> 00:55:49,265
- He was like, "You're doing good, kid."
-  Cut!

1053
00:55:49,265 --> 00:55:51,101
That's all you really want, isn't it?

1054
00:55:51,101 --> 00:55:53,895
Harrison Ford to squeeze your shoulder
and say, "You're doing good, kid."

1055
00:55:55,063 --> 00:55:57,065
I could barely keep up with her,

1056
00:55:57,065 --> 00:56:00,527
which is probably
no surprise to anybody but me.

1057
00:56:00,527 --> 00:56:03,029
- No, she's fantastic. She's got--
- No, no.

1058
00:56:03,697 --> 00:56:07,033
- I'll do this. She's got long legs.

1059
00:56:07,033 --> 00:56:09,703
I'm blown away
by the stamina of this guy.

1060
00:56:09,703 --> 00:56:12,163
'Cause I'm knackered
after about four seconds of running.

1061
00:56:22,549 --> 00:56:28,763
Harrison inevitably will arrive to set
poking and prodding at what we're doing.

1062
00:56:28,763 --> 00:56:30,015
What?

1063
00:56:30,015 --> 00:56:36,730
And the thing he's most looking for
is ways to undermine the BS.

1064
00:56:36,730 --> 00:56:41,651
Harrison's interest is always
in how to get closer to reality,

1065
00:56:41,651 --> 00:56:43,445
and then how to extract the fun.

1066
00:56:43,445 --> 00:56:44,821
They make each other laugh,

1067
00:56:44,821 --> 00:56:46,948
and they take each other
incredibly seriously.

1068
00:56:46,948 --> 00:56:48,324
Indiana Jones wouldn't do that.

1069
00:56:49,617 --> 00:56:52,203
There is a sort of hurricane
that happens when they're together.

1070
00:56:52,203 --> 00:56:54,914
Jim would push Harrison,
and Harrison would push Jim.

1071
00:56:54,914 --> 00:56:56,624
I was really inspired by that to see that.

1072
00:56:56,624 --> 00:56:59,544
Even when they would disagree
on something, it would be like...

1073
00:56:59,544 --> 00:57:02,172
Then they would be, "I love you"...
...afterwards.

1074
00:57:02,172 --> 00:57:03,423
Yeah, baby!

1075
00:57:04,049 --> 00:57:05,633
I loved both of their energies.

1076
00:57:05,633 --> 00:57:09,971
{\an8}I mean, I loved the "Let's cut
the bullshit" part of both of them.

1077
00:57:09,971 --> 00:57:13,558
You know, "Let's do it again.
Uh, I wasn't happy."

1078
00:57:13,558 --> 00:57:15,101
"We'll do it again." I love it.

1079
00:57:15,101 --> 00:57:17,187
We don't have to chitchat
too much about this.

1080
00:57:17,187 --> 00:57:19,356
We know what we're doing.
Let's do it again.

1081
00:57:20,023 --> 00:57:21,775
- This is where I'm turning.
-  Yes.

1082
00:57:21,775 --> 00:57:23,777
If the director gets the cue right.

1083
00:57:23,777 --> 00:57:26,363
- Okay, you got it. I'll hit you there.
-  All right. Here we go.

1084
00:57:26,363 --> 00:57:31,326
We're a couple of pretty bodacious,
uninhibited kind of guys.

1085
00:57:31,326 --> 00:57:32,827
And we yell at each other.

1086
00:57:32,827 --> 00:57:35,705
And I tell him he's full of shit,
and he tells me I'm full of shit.

1087
00:57:36,456 --> 00:57:38,917
And we get along really well.

1088
00:57:38,917 --> 00:57:40,168
And we have fun.

1089
00:57:40,168 --> 00:57:42,796
- I just didn't know that you knew it.

1090
00:57:42,796 --> 00:57:45,548
-  I know it. I know it.

1091
00:57:45,548 --> 00:57:49,135
{\an8}There's this image of Harrison Ford
that's out there that you're grumpy.

1092
00:57:50,428 --> 00:57:53,682
{\an8}- That's horse

1093
00:57:54,391 --> 00:57:55,558
I think what irritates him

1094
00:57:55,558 --> 00:58:00,230
is somebody who's not a hundred percent
involved in what they're doing.

1095
00:58:00,230 --> 00:58:02,190
Somebody who doesn't have

1096
00:58:02,190 --> 00:58:06,611
that passion and enthusiasm
for making movies that we all have.

1097
00:58:06,611 --> 00:58:10,323
You've done whatever you've wanted
your entire life, Indiana Jones.

1098
00:58:10,323 --> 00:58:14,661
And then someone else comes along who
has their own opinion, and you get cranky.

1099
00:58:14,661 --> 00:58:16,579
Yeah, correct.

1100
00:58:16,579 --> 00:58:20,417
He doesn't put up with
people who kind of phone it in.

1101
00:58:20,417 --> 00:58:24,587
Oh, yeah. That's because being
in a bad movie scares the shit out of me.

1102
00:58:25,422 --> 00:58:29,217
What pisses Harrison off
is people not being prepared,

1103
00:58:29,217 --> 00:58:32,137
people not being
respectful of the job he's doing.

1104
00:58:32,137 --> 00:58:37,726
He likes there to be focus and attention
on the set. It's about the movie.

1105
00:58:37,726 --> 00:58:40,478
And I think he demands that.

1106
00:58:40,478 --> 00:58:45,108
Which is great because
it articulates expectation right up front.

1107
00:58:45,108 --> 00:58:47,485
-  Ready?
- Ready! Run around!

1108
00:58:47,485 --> 00:58:49,070
-  Here we go.
- Hurry up, you guys!

1109
00:58:49,070 --> 00:58:50,989
-  Right away.
- We're making a movie!

1110
00:58:51,531 --> 00:58:53,074
Thank you very much!

1111
00:58:53,700 --> 00:58:55,744
Excellent! Ready?

1112
00:58:55,744 --> 00:58:57,579
-  Okay. Here we go.
- Shut up.

1113
00:58:58,288 --> 00:59:00,123
He's always larger than life.

1114
00:59:01,541 --> 00:59:03,376
But he is so much fun,

1115
00:59:03,376 --> 00:59:06,880
and I think that that's always been
at the core of his performances,

1116
00:59:06,880 --> 00:59:08,715
and why he's so relatable.

1117
00:59:08,715 --> 00:59:12,218
{\an8}Everybody, this is my wife on the phone
that can't be here for my birthday.

1118
00:59:13,428 --> 00:59:14,929
{\an8}Hi, honey. I'll be home soon.

1119
00:59:14,929 --> 00:59:16,264
- Hey!

1120
00:59:16,264 --> 00:59:18,433
- Don't worry.
- Hey, don't-- That's the wrong guy!

1121
00:59:18,433 --> 00:59:20,435
- Can't wait to see you.
- Don't listen to him.

1122
00:59:20,435 --> 00:59:22,312
He's very funny.

1123
00:59:22,312 --> 00:59:25,607
{\an8}He has a very wicked sense of humor.

1124
00:59:26,232 --> 00:59:29,611
{\an8}It's potentially very dark,
but very funny.

1125
00:59:29,611 --> 00:59:30,945
{\an8}It's a contact sport

1126
00:59:30,945 --> 00:59:33,782
{\an8}when you come into contact
with a man like him.

1127
00:59:33,782 --> 00:59:35,617
{\an8}Luckily, he sorted me out.

1128
00:59:35,617 --> 00:59:39,871
Next time things get messy,
I've got that on.

1129
00:59:40,663 --> 00:59:43,333
So when I just need to do this,
I just get him out of there.

1130
00:59:44,209 --> 00:59:47,128
It's great to see people
who know what they're doing,

1131
00:59:47,128 --> 00:59:49,756
and enjoy their work, and work together.

1132
00:59:49,756 --> 00:59:51,966
It's a great crew. Hardworking people.

1133
00:59:51,966 --> 00:59:53,718
Very happy to be working with them.

1134
00:59:56,346 --> 00:59:58,223
The interesting thing with Harrison

1135
00:59:58,223 --> 01:00:00,600
is there is such an attention to detail.

1136
01:00:00,600 --> 01:00:03,645
He is a very, very meticulous person.

1137
01:00:03,645 --> 01:00:06,940
It's no surprise
that he was a finish carpenter.

1138
01:00:07,565 --> 01:00:12,112
And that attention to detail goes
into every single thing he does.

1139
01:00:12,112 --> 01:00:16,199
Carpentry depends
on a logical sequence of events.

1140
01:00:16,199 --> 01:00:18,243
You take rough material,
and you make it smooth.

1141
01:00:18,243 --> 01:00:19,327
You make it straight.

1142
01:00:19,327 --> 01:00:21,329
And then you decide how

1143
01:00:21,329 --> 01:00:24,666
the figure in the wood
will give the most pleasant appearance.

1144
01:00:25,417 --> 01:00:28,169
In the same way,
when you build a character or film role,

1145
01:00:28,169 --> 01:00:30,005
you want to proceed in the same way,

1146
01:00:30,005 --> 01:00:33,758
working from a foundation
up into the cosmetic aspects of them.

1147
01:00:34,426 --> 01:00:36,261
- Hello, Harrison.
- Hey, Mo.

1148
01:00:37,137 --> 01:00:40,015
Harrison said he was gonna pop
down, and he came down on his push-bike.

1149
01:00:40,015 --> 01:00:43,101
{\an8}He literally rode straight into the cage,
and just went through his bits.

1150
01:00:43,101 --> 01:00:47,188
{\an8}Took his time. Wasn't in a rush.
Gave every piece a good bit of thought.

1151
01:00:47,188 --> 01:00:51,776
Tried bits on. I think his words were,
"It's just a bit tatty."

1152
01:00:51,776 --> 01:00:53,778
So, fingers crossed.
We're gonna show him that later on,

1153
01:00:53,778 --> 01:00:55,363
once it's had a cleanup.

1154
01:00:55,363 --> 01:00:58,366
I have to pinch myself sometimes
that I'm actually doing this film.

1155
01:00:58,366 --> 01:01:01,286
It's funny, 'cause I showed Harrison
yesterday a picture of my dad

1156
01:01:01,286 --> 01:01:03,079
who worked on the original film.

1157
01:01:03,079 --> 01:01:05,999
I've actually got to get my dad
to autograph the photo

1158
01:01:05,999 --> 01:01:07,584
and give it back to Harrison.

1159
01:01:07,584 --> 01:01:09,753
He said that yesterday.

1160
01:01:09,753 --> 01:01:11,129
- Props!
-  Coming, sir.

1161
01:01:12,380 --> 01:01:14,674
- What took you so long?

1162
01:01:15,383 --> 01:01:17,844
It's basically
just getting the costume right

1163
01:01:17,844 --> 01:01:19,512
for the scene that we're shooting.

1164
01:01:19,512 --> 01:01:22,098
I mean, such an honor to dress him.

1165
01:01:22,098 --> 01:01:23,850
He likes to put the hat himself.

1166
01:01:23,850 --> 01:01:26,603
{\an8}I give the hat to him like that.

1167
01:01:26,603 --> 01:01:28,104
{\an8}I give it. "There you go, Harrison."

1168
01:01:28,104 --> 01:01:32,025
And he is the one that puts it on,
and he does it.

1169
01:01:32,025 --> 01:01:34,986
And he always does that... You know? Yeah.

1170
01:01:34,986 --> 01:01:37,572
That bit there.
It's slightly big for me anyway.

1171
01:01:39,908 --> 01:01:42,660
I mean, you put it on,
you're Indiana Jones.

1172
01:01:42,660 --> 01:01:45,413
That's all you need to have a character.

1173
01:01:46,706 --> 01:01:48,750
I think it was
about a month into filming

1174
01:01:48,750 --> 01:01:50,293
before I saw him in the outfit.

1175
01:01:50,293 --> 01:01:51,628
We were in Sicily.

1176
01:01:51,628 --> 01:01:54,297
I had to follow him up a path
and then into a cave.

1177
01:01:54,297 --> 01:01:56,383
And we had to be looking very serious.

1178
01:01:56,383 --> 01:01:59,052
And I kept getting Jim coming up to me
and being like,

1179
01:01:59,052 --> 01:02:01,137
"Phoebe, you have to stop smiling.

1180
01:02:01,137 --> 01:02:04,182
You're walking behind him,
and you're smiling."

1181
01:02:04,182 --> 01:02:07,977
I was like, "I'm not, I swear I'm not."
And he was showing me.

1182
01:02:07,977 --> 01:02:11,648
Because Harrison first came on
in the outfit and I was just...

1183
01:02:11,648 --> 01:02:15,568
And then in every scene after that,
I was just... [laughs] ...behind him.

1184
01:02:15,568 --> 01:02:17,696
And, eventually,
Jim was like, "You're scared.

1185
01:02:17,696 --> 01:02:20,240
This is high-stakes situation.
Stop giggling."

1186
01:02:23,493 --> 01:02:25,829
Renny! Renaldo!

1187
01:02:25,829 --> 01:02:26,830
Ah!

1188
01:02:26,830 --> 01:02:30,250
He knows the impact
that he produces in people

1189
01:02:30,250 --> 01:02:33,128
{\an8}when he's working dressed
as Indiana Jones.

1190
01:02:33,128 --> 01:02:37,841
So I'm very thankful to him because,
psychologically, he knows very well

1191
01:02:37,841 --> 01:02:42,554
how to play with you
in order to make you feel comfortable.

1192
01:02:42,554 --> 01:02:45,849
It made me feel
participant immediately of the scene.

1193
01:02:45,849 --> 01:02:47,600
"What do you think about that?
What are you--"

1194
01:02:47,600 --> 01:02:50,895
So you forget, actually,
as soon as possible,

1195
01:02:50,895 --> 01:02:53,898
that you are in front of Indiana Jones
and all that thing, you know?

1196
01:02:53,898 --> 01:02:56,234
So it's beautiful.

1197
01:02:56,234 --> 01:02:58,111
When I do it, do it again.

1198
01:02:58,111 --> 01:02:59,696
I'm gonna hit you
to give you that direction.

1199
01:02:59,696 --> 01:03:01,614
-  I'll go. Yeah, yeah.
-  Yeah.

1200
01:03:04,909 --> 01:03:06,369
Then over here a little bit more.

1201
01:03:07,328 --> 01:03:09,372
-  Set.
-  All right, here we go!

1202
01:03:09,372 --> 01:03:10,790
And background.

1203
01:03:10,790 --> 01:03:14,210
170, anyone? Anyone. Going! Going!

1204
01:03:14,210 --> 01:03:15,795
-  Gone.

1205
01:03:15,795 --> 01:03:17,130
What are you doing?

1206
01:03:17,130 --> 01:03:19,507
Harrison wants things to be real.

1207
01:03:19,507 --> 01:03:22,927
You know,
he is a bit of an adventurer himself.

1208
01:03:22,927 --> 01:03:24,596
He wants to work hard.

1209
01:03:24,596 --> 01:03:29,601
He wants to learn how to handle that whip
better than anybody can.

1210
01:03:32,020 --> 01:03:35,106
He wants to be the one
riding the actual horse.

1211
01:03:35,106 --> 01:03:38,693
He doesn't want to rely
on stunt people to do that.

1212
01:03:38,693 --> 01:03:40,862
And that was always
a big issue of contention.

1213
01:03:40,862 --> 01:03:43,490
Everybody was very reluctantly
having to say,

1214
01:03:43,490 --> 01:03:47,660
"Yeah, but, you know,
you're not a kid anymore."

1215
01:03:47,660 --> 01:03:49,204
And he didn't care.

1216
01:03:49,204 --> 01:03:52,540
He wanted to be the one
that was in there getting it done.

1217
01:03:54,125 --> 01:03:55,919
Anybody can ride a horse.

1218
01:03:55,919 --> 01:03:59,214
And there were a lot of concerns
about my safety,

1219
01:03:59,214 --> 01:04:02,509
all of which
both amused and infuriated me.

1220
01:04:03,301 --> 01:04:05,303
Should he do it? I don't know.

1221
01:04:05,303 --> 01:04:08,973
I mean, my wife always tells me
that I shouldn't have done that stunt.

1222
01:04:08,973 --> 01:04:10,517
"Why did you do it?"

1223
01:04:10,517 --> 01:04:12,727
So who am I to tell Harrison
that he shouldn't?

1224
01:04:12,727 --> 01:04:14,396
I understand exactly where it comes from.

1225
01:04:14,396 --> 01:04:15,647
He loves what he's doing.

1226
01:04:15,647 --> 01:04:20,151
And if he can do it, and he can do it
better than the other ones, let him do it.

1227
01:04:20,151 --> 01:04:25,615
Seeing Harrison Ford
at, what, now 79, do stunt stuff?

1228
01:04:25,615 --> 01:04:28,159
{\an8}Pray, God, that I have such longevity

1229
01:04:28,159 --> 01:04:30,787
that when I'm nearly 80,
that I'm able to throw a punch.

1230
01:04:30,787 --> 01:04:32,330
Like, that is incredible.

1231
01:04:33,915 --> 01:04:35,250
We gotta jump!

1232
01:04:35,250 --> 01:04:36,835
What about my dicky knee?

1233
01:04:40,505 --> 01:04:43,633
{\an8}I've understood something
about the nature of these films

1234
01:04:43,633 --> 01:04:46,302
that I hadn't fully
taken seriously before.

1235
01:04:46,302 --> 01:04:48,972
Within the movies,
it's very easy to hurt yourself.

1236
01:04:50,974 --> 01:04:54,019
I think of the life he's had
making these movies,

1237
01:04:54,019 --> 01:04:55,979
and the injuries he's sustained--

1238
01:04:55,979 --> 01:04:57,731
It seems absolutely incredible.

1239
01:04:57,731 --> 01:05:00,692
You know, Harrison punches
somebody in the jaw or something,

1240
01:05:00,692 --> 01:05:04,070
and he hurts his hand,
like most of us would.

1241
01:05:04,070 --> 01:05:05,905
I heard it was 'cause
he was punching a Nazi.

1242
01:05:07,907 --> 01:05:10,410
So, at least it was
kind of doing something good.

1243
01:05:11,119 --> 01:05:13,288
Three, two, one, action!

1244
01:05:18,084 --> 01:05:20,670
I wanted to play a physical character,

1245
01:05:20,670 --> 01:05:25,467
and do the same kind of physical acting
that I did when I was 40,

1246
01:05:25,467 --> 01:05:29,054
or 50, or 60, at 80.

1247
01:05:29,054 --> 01:05:31,973
So, it's like we start wide,
we show how high you are...

1248
01:05:31,973 --> 01:05:34,684
And I wanted it
to look rough and hard.

1249
01:05:34,684 --> 01:05:38,438
I wanted people to know
how that feels to Indiana Jones.

1250
01:05:38,438 --> 01:05:41,566
I'm thinking about
what the hell I'm doing up here,

1251
01:05:41,566 --> 01:05:44,778
40 feet in the air with crap shoulders,

1252
01:05:44,778 --> 01:05:46,946
crumbling vertebrae,

1253
01:05:46,946 --> 01:05:49,074
a plate in one leg, screws in the other.

1254
01:05:49,074 --> 01:05:51,159
Yeah, I get it. I get it.

1255
01:05:51,159 --> 01:05:52,619
No, you don't get it.

1256
01:05:53,286 --> 01:05:55,538
One of the things
you face as you get older

1257
01:05:55,538 --> 01:05:59,042
is knowing the value
of your remaining years on this Earth.

1258
01:05:59,042 --> 01:06:01,711
And wanting to do something useful.

1259
01:06:01,711 --> 01:06:02,796
This is it.

1260
01:06:02,796 --> 01:06:05,006
Does he have
one last adventure in him?

1261
01:06:05,006 --> 01:06:07,008
Does he have the courage to face it again?

1262
01:06:07,008 --> 01:06:08,468
Get in the pool!

1263
01:06:08,468 --> 01:06:14,849
And I think the answer that
I hope the movie offers audiences is yes.

1264
01:06:18,645 --> 01:06:20,605
{\an8} How do you explain
this guy's appeal?

1265
01:06:20,605 --> 01:06:22,857
{\an8}He's not standard hero.

1266
01:06:22,857 --> 01:06:25,568
{\an8}He's not standard leading man.

1267
01:06:25,568 --> 01:06:27,987
{\an8}- Good looking son of a bitch, isn't he?

1268
01:06:27,987 --> 01:06:31,658
{\an8}No. I mean, what do I know?
You got the wrong guy to ask.

1269
01:06:31,658 --> 01:06:34,327
{\an8}- The movies are very successful.
- You are the guy to ask.

1270
01:06:34,327 --> 01:06:37,956
{\an8}The movies, I'm not talking about
their financial success.

1271
01:06:37,956 --> 01:06:41,042
{\an8}I'm saying, as movies,
they are very successful movies.

1272
01:06:41,042 --> 01:06:45,422
{\an8}That's why. That's why we like them,
because they work as movies.

1273
01:06:45,422 --> 01:06:46,798
{\an8}And we like movies.

1274
01:06:49,300 --> 01:06:52,929
I think <i>Indiana Jones</i>
didn't just change my life.

1275
01:06:52,929 --> 01:06:55,265
{\an8}It actually changed the nature of film.

1276
01:06:55,265 --> 01:06:58,101
Give 'em hell, Indiana Jones!

1277
01:06:59,144 --> 01:07:03,648
Part of what is the DNA
of an <i>Indiana Jones</i> film

1278
01:07:03,648 --> 01:07:07,986
is it's a kind of optimal display
of all the crafts at their highest form.

1279
01:07:07,986 --> 01:07:11,614
This is a total art
that needs a lot of attention.

1280
01:07:11,614 --> 01:07:13,116
And especially a movie like this,

1281
01:07:13,116 --> 01:07:15,493
where the people is gonna be
with a magnifying glass,

1282
01:07:15,493 --> 01:07:16,995
looking to every detail.

1283
01:07:16,995 --> 01:07:18,621
And action!

1284
01:07:18,621 --> 01:07:20,999
It's everything. It's costumes.

1285
01:07:20,999 --> 01:07:23,501
The hat was good. Hat's good in this.

1286
01:07:23,501 --> 01:07:26,129
-  It's props.
-  Props! Whip!

1287
01:07:26,129 --> 01:07:27,464
It's sound.

1288
01:07:28,840 --> 01:07:32,260
It's the costumes. It's the actors.
It's the direction. It's the editing.

1289
01:07:33,720 --> 01:07:38,224
Big production values,
action, adventure, great music.

1290
01:07:41,936 --> 01:07:44,606
{\an8}

1291
01:07:48,109 --> 01:07:50,403
That damn music follows me everywhere.

1292
01:07:52,739 --> 01:07:56,951
It was playing in the operating room
when I went in for my colonoscopy.

1293
01:08:00,038 --> 01:08:02,957
"Raiders" is one
of John's greatest scores.

1294
01:08:02,957 --> 01:08:05,210
{\an8}Surely one of the greatest scores
of all time.

1295
01:08:06,836 --> 01:08:08,922
It's mystically good.

1296
01:08:10,006 --> 01:08:12,342
You guys are gonna be all over us now.

1297
01:08:13,677 --> 01:08:16,471
John Williams
bonded all of these films together,

1298
01:08:16,471 --> 01:08:20,475
and gave Harrison, as the character
of Indiana Jones, a musical identity.

1299
01:08:25,814 --> 01:08:28,566
He played the march for me
on the piano in his music room.

1300
01:08:28,566 --> 01:08:30,819
And I said,
"Every high school marching band

1301
01:08:30,819 --> 01:08:32,987
is gonna adopt this
and start playing this."

1302
01:08:32,987 --> 01:08:34,823
This is gonna outlive all of us,
that march.

1303
01:08:36,324 --> 01:08:40,495
<i>Indiana Jones</i> was wonderful
because it's never serious.

1304
01:08:40,495 --> 01:08:42,414
You know, Harrison Ford has this ability

1305
01:08:42,414 --> 01:08:46,001
to do the most dramatic scenes
with a slight tongue in his cheek,

1306
01:08:46,001 --> 01:08:47,836
or twinkle in his eye, you know?

1307
01:08:47,836 --> 01:08:50,922
- I can't do that.
- You wanna stop for a little lie-down?

1308
01:09:00,140 --> 01:09:02,517
Being in the room with a full orchestra

1309
01:09:02,517 --> 01:09:06,396
and watching his care and precision,
the way he works,

1310
01:09:06,396 --> 01:09:08,857
and the great enormous respect

1311
01:09:08,857 --> 01:09:12,777
that the players have for him,
and he for them.

1312
01:09:12,777 --> 01:09:15,280
It's just a wonderful experience.

1313
01:09:19,409 --> 01:09:21,161
Harrison, we love you, buddy.

1314
01:09:24,330 --> 01:09:26,207
We wouldn't be here without you.

1315
01:09:26,207 --> 01:09:27,667
- Yeah.

1316
01:09:38,136 --> 01:09:42,599
There hadn't been that many
American intergenerational stories

1317
01:09:42,599 --> 01:09:44,517
built around a single character.

1318
01:09:44,517 --> 01:09:47,812
To have that level of consistency
with <i>Indiana Jones,</i>

1319
01:09:47,812 --> 01:09:50,857
and also too,
to have the level of filmmaking,

1320
01:09:50,857 --> 01:09:52,525
we shouldn't forget that.

1321
01:09:52,525 --> 01:09:57,280
I can't think of another series that's had
that kind of mastery of craft,

1322
01:09:57,280 --> 01:10:01,534
where you can also feel the maturation
of the filmmaker and the star together.

1323
01:10:01,534 --> 01:10:06,956
And I think that becomes this thing
that people love sitting down with kids,

1324
01:10:06,956 --> 01:10:09,125
and parents and talking about it,

1325
01:10:09,125 --> 01:10:11,795
remembering where they were
when they saw these movies.

1326
01:10:11,795 --> 01:10:15,131
One of the things we wanted to do
is be able to pass these things along

1327
01:10:15,131 --> 01:10:16,841
that we love to people we love,

1328
01:10:16,841 --> 01:10:18,802
and have them understand
what that means to us.

1329
01:10:18,802 --> 01:10:21,888
{\an8}And you hope that they will carry
that excitement on to somebody else.

1330
01:10:23,223 --> 01:10:25,558
We all realized the big reason

1331
01:10:25,558 --> 01:10:29,270
that we're able to make
these movies again and again

1332
01:10:29,270 --> 01:10:32,857
is because of the audience,
because of the fans.

1333
01:10:32,857 --> 01:10:35,026
Harrison's incredibly gracious.

1334
01:10:35,026 --> 01:10:40,448
And he gives as much time
as they need to celebrate that.

1335
01:10:43,118 --> 01:10:47,122
{\an8} Cefalù was very interesting
because rumor and word spread quickly.

1336
01:10:47,122 --> 01:10:49,916
Harrison Ford was
not the only Indiana Jones in town.

1337
01:10:49,916 --> 01:10:54,754
{\an8}Various sightings of some doppelgängers
were spotted roaming the streets.

1338
01:10:54,754 --> 01:10:58,341
{\an8}We're just Italian fan of Indy
and, of course, of Harrison Ford.

1339
01:10:58,341 --> 01:11:00,927
So we are just here
and that we hope to meet Ford

1340
01:11:00,927 --> 01:11:05,265
because he should pass here,
and I hope we will be lucky.

1341
01:11:06,766 --> 01:11:08,560
-  Harrison!

1342
01:11:08,560 --> 01:11:10,353
Ciao!

1343
01:11:10,353 --> 01:11:12,439
Of course, Harrison made sure

1344
01:11:12,439 --> 01:11:15,775
that we were gonna detour
to meet these, uh, impersonators.

1345
01:11:15,775 --> 01:11:18,361
And we rocked up on the golf buggy,

1346
01:11:18,361 --> 01:11:21,865
jumped out,
and I think pretty much made their life.

1347
01:11:21,865 --> 01:11:24,451
-  Three, two, one.

1348
01:11:28,663 --> 01:11:31,833
You have a sense of responsibility
to your customers.

1349
01:11:31,833 --> 01:11:35,128
- And thank you very much.

1350
01:11:37,464 --> 01:11:39,341
I think of the people
that go to my movies

1351
01:11:39,341 --> 01:11:42,093
more as customers than I do as fans.

1352
01:11:42,093 --> 01:11:44,304
And I'm responsible to them

1353
01:11:44,304 --> 01:11:47,265
for the quality
of the service that I offer.

1354
01:11:47,265 --> 01:11:49,768
The shield is the second marker.

1355
01:11:49,768 --> 01:11:51,394
Just like your father.

1356
01:11:51,394 --> 01:11:52,896
- Giddy as a schoolboy.

1357
01:11:52,896 --> 01:11:54,814
The excitement that Harrison

1358
01:11:54,814 --> 01:11:58,234
brings to the character of Indy
inspires kids.

1359
01:11:58,234 --> 01:11:59,569
I mean, how great is that?

1360
01:11:59,569 --> 01:12:02,906
Some of them were inspired
not only to become filmmakers,

1361
01:12:02,906 --> 01:12:05,575
but to become teachers and archaeologists.

1362
01:12:05,575 --> 01:12:08,078
"Neo," meaning "new" and "lithic..."

1363
01:12:09,496 --> 01:12:11,915
- I-T-H... I-C.

1364
01:12:12,499 --> 01:12:14,834
{\an8}When <i>Raiders of the Lost Ark</i>
came out, it was like,

1365
01:12:14,834 --> 01:12:16,836
{\an8}"I could make a career out of doing this."

1366
01:12:16,836 --> 01:12:21,508
{\an8}It's not just a love of history.
I could actually be a teacher.

1367
01:12:21,508 --> 01:12:22,926
I could be a professor.

1368
01:12:22,926 --> 01:12:24,719
When I come back,
we'll discuss the difference

1369
01:12:24,719 --> 01:12:26,805
between migration and exodus.

1370
01:12:27,847 --> 01:12:29,808
It's always, kind of, been a running joke

1371
01:12:29,808 --> 01:12:31,226
that my name is Dr. Jones.

1372
01:12:31,226 --> 01:12:34,270
{\an8}When my friends found out
that I was gonna pursue archaeology,

1373
01:12:34,270 --> 01:12:36,606
{\an8}I had a number of people
running around saying,

1374
01:12:36,606 --> 01:12:38,316
{\an8}"Dr. Jones, Dr. Jones," all the time.

1375
01:12:38,316 --> 01:12:41,069
Okey dokey, Dr. Jones.
Hold on to your potatoes!

1376
01:12:41,069 --> 01:12:43,113
When I graduated, though,

1377
01:12:43,113 --> 01:12:47,117
one of my friends gave me the box set
of the <i>Indiana Jones</i> films,

1378
01:12:47,117 --> 01:12:48,368
as well as a whip.

1379
01:12:48,368 --> 01:12:50,537
- Give me the whip!
- <i>Adiós, señor.</i>

1380
01:12:51,204 --> 01:12:53,206
{\an8}The fact that we've lived so long

1381
01:12:53,206 --> 01:12:57,544
{\an8}with Harrison Ford as Indiana Jones
gives us a sense of feeling

1382
01:12:57,544 --> 01:12:59,337
that we're growing up with him.

1383
01:12:59,337 --> 01:13:01,881
I was a graduate teacher

1384
01:13:01,881 --> 01:13:06,469
with Intro to Archaeology in 1989
when the third film came out...

1385
01:13:06,469 --> 01:13:09,180
- You call this archaeology?
- Get out of there, Dad.

1386
01:13:09,180 --> 01:13:12,600
...and my class enrollment of ten

1387
01:13:12,600 --> 01:13:15,729
ballooned to 100 because of the film.

1388
01:13:15,729 --> 01:13:19,899
And I'll see
each and every one of them in turn.

1389
01:13:20,734 --> 01:13:22,986
The number of people
who went into archaeology

1390
01:13:22,986 --> 01:13:25,739
because those movies
made it seem like a living thing.

1391
01:13:25,739 --> 01:13:29,576
It made history seem
like a continuum of adventure stories,

1392
01:13:29,576 --> 01:13:32,704
which, if you go back to
the <i>Old Testament</i>, they kind of are.

1393
01:13:32,704 --> 01:13:34,914
And that same sense of jeopardy.

1394
01:13:34,914 --> 01:13:36,666
Kneels before God.

1395
01:13:36,666 --> 01:13:38,835
- Kneel!

1396
01:13:39,669 --> 01:13:41,671
You feel like by being an archaeologist,

1397
01:13:41,671 --> 01:13:43,590
{\an8}you're going to have
those sorts of adventures. Sure.

1398
01:13:43,590 --> 01:13:45,133
{\an8}Also, he was incredibly sexy,

1399
01:13:45,133 --> 01:13:48,595
so that's going to be, obviously,
aspirational for many.

1400
01:13:48,595 --> 01:13:51,848
{\an8}But, I think, also there was something
so amazing about that character

1401
01:13:51,848 --> 01:13:55,185
{\an8}in the fact that he cared about history
and that he was so intelligent,

1402
01:13:55,185 --> 01:13:56,644
and him going on these huge adventures,

1403
01:13:56,644 --> 01:13:59,773
but always in the pursuit
of protecting something precious.

1404
01:13:59,773 --> 01:14:02,359
- If you want to be a good archaeologist,

1405
01:14:02,359 --> 01:14:04,444
you got to get out of the library!

1406
01:14:04,444 --> 01:14:06,863
That duality of personality

1407
01:14:06,863 --> 01:14:10,825
is actually not that different
from being an archaeologist,

1408
01:14:10,825 --> 01:14:15,455
because you can be on campus
on the university, go to class,

1409
01:14:15,455 --> 01:14:21,169
but you really want to take off
these street clothes, get on an airplane,

1410
01:14:21,169 --> 01:14:26,341
and go someplace like Egypt or to Arabia
and actually find history.

1411
01:14:26,341 --> 01:14:31,096
There are people still
doing explorations of little-known areas.

1412
01:14:31,096 --> 01:14:33,807
There are archaeologists
going into places like that.

1413
01:14:33,807 --> 01:14:36,393
Uh, few of them, I think, carry bullwhips.

1414
01:14:36,393 --> 01:14:39,479
Bullwhips. I haven't quite figured out
how that would really fit

1415
01:14:39,479 --> 01:14:41,606
into my archaeological tool kit yet.

1416
01:14:41,606 --> 01:14:43,483
The Ark of the Covenant.

1417
01:14:44,192 --> 01:14:46,236
Nothing else has come close.

1418
01:14:46,236 --> 01:14:49,781
That thing represents everything we got
into archaeology for in the first place.

1419
01:14:50,448 --> 01:14:54,536
I'm thrilled when people come up and say,
"Oh, I'm an archaeologist." You know?

1420
01:14:54,536 --> 01:14:57,330
"And never thought about it
until I saw <i>Indiana Jones</i>."

1421
01:14:57,330 --> 01:14:59,082
I think the more exposure

1422
01:14:59,082 --> 01:15:01,668
that archaeology gets
through popular media,

1423
01:15:01,668 --> 01:15:03,586
through films like <i>Indiana Jones</i>,

1424
01:15:03,586 --> 01:15:06,715
it does inspire new generations of people
to come to us.

1425
01:15:06,715 --> 01:15:09,843
It used to be predominantly
white male men.

1426
01:15:09,843 --> 01:15:14,848
Now what we see is a huge increase
of women within the field.

1427
01:15:14,848 --> 01:15:20,186
And now we're starting to see more
minorities in the field than ever before.

1428
01:15:20,186 --> 01:15:21,604
You're a teacher?

1429
01:15:24,733 --> 01:15:25,942
Part-time.

1430
01:15:27,485 --> 01:15:30,905
In 2007, my partner
in all things Indy, Wes Dodgens,

1431
01:15:30,905 --> 01:15:33,700
and I created
Adventures in Learning with Indiana Jones.

1432
01:15:33,700 --> 01:15:37,912
And it was a platform
for teachers to come get inspired,

1433
01:15:37,912 --> 01:15:42,459
{\an8}and find resources for teaching
with Indy from all of his adventures.

1434
01:15:42,459 --> 01:15:45,920
There's so many lessons to
be learned from his character.

1435
01:15:45,920 --> 01:15:47,172
One of them would be

1436
01:15:47,172 --> 01:15:49,674
the greatest treasures
are the ones that you gain,

1437
01:15:50,216 --> 01:15:51,676
and you give away freely to others.

1438
01:15:51,676 --> 01:15:55,805
And it's not treasures that can be
confined to the walls of a museum.

1439
01:15:56,431 --> 01:16:01,811
It's treasures that are developed in
relationship between friends and family.

1440
01:16:01,811 --> 01:16:03,813
I thought I'd lost you, boy!

1441
01:16:03,813 --> 01:16:07,108
When I think about
all the films about Indiana Jones,

1442
01:16:07,108 --> 01:16:09,152
you can learn a lot watching those films,

1443
01:16:09,152 --> 01:16:15,658
but I think you can learn a whole lot
about a lot of things with Harrison Ford.

1444
01:16:15,658 --> 01:16:17,660
He can make fun of himself,

1445
01:16:17,660 --> 01:16:20,080
and while he's shooting the film,

1446
01:16:20,080 --> 01:16:24,000
he's able to see outside the scene
and make comments.

1447
01:16:24,000 --> 01:16:27,545
He reminded me once,
we were floating in the boat, and he said,

1448
01:16:27,545 --> 01:16:30,423
"Look, it's just a B-movie.

1449
01:16:30,423 --> 01:16:32,384
Don't sweat."

1450
01:16:32,384 --> 01:16:35,303
But he takes his role very seriously.

1451
01:16:35,303 --> 01:16:38,473
He has a lot of responsibility
being Indiana Jones.

1452
01:16:40,392 --> 01:16:41,935
I learned so much from him,

1453
01:16:41,935 --> 01:16:44,062
from a, kind of, craft point of view.

1454
01:16:44,062 --> 01:16:47,065
Working with someone like that,
you trust everything,

1455
01:16:47,065 --> 01:16:50,568
and you trust his process so much
'cause his standards are high,

1456
01:16:50,568 --> 01:16:52,112
and he wants it to feel real.

1457
01:16:52,112 --> 01:16:54,072
And I think his pursuit
of things feeling real,

1458
01:16:54,072 --> 01:16:56,324
no matter how fantastical they are,

1459
01:16:56,324 --> 01:16:58,827
is what gives him
that amazing grounded quality.

1460
01:16:59,452 --> 01:17:01,496
-  Ready and action!

1461
01:17:05,458 --> 01:17:07,544
I love that he doesn't let up.

1462
01:17:07,544 --> 01:17:11,548
I will be driving my car to lunch
and my phone will ring,

1463
01:17:11,548 --> 01:17:14,342
"Did you see the last three TV spots?"

1464
01:17:14,342 --> 01:17:16,219
Oh, my God.

1465
01:17:16,219 --> 01:17:20,473
He's actually looking
at all the marketing material.

1466
01:17:20,473 --> 01:17:25,103
So, whether it's the early stages
of development,

1467
01:17:25,103 --> 01:17:28,857
or you're at the tail end,
he never lets up.

1468
01:17:29,441 --> 01:17:33,403
Sometimes it can make people crazy,
but I think he's a hundred percent right.

1469
01:17:34,446 --> 01:17:39,200
{\an8}I learned with Harrison that,
on set, everyone is the same.

1470
01:17:42,495 --> 01:17:43,705
Oh, okay.

1471
01:17:43,705 --> 01:17:47,876
Actors are the same than directors,
than technicians. We're all the same.

1472
01:17:47,876 --> 01:17:50,337
Harrison is friends with everyone on set.

1473
01:17:50,337 --> 01:17:53,506
There is no hierarchy.
We're like a family.

1474
01:17:54,799 --> 01:17:57,052
Harrison Ford taught me how to swim.

1475
01:17:57,052 --> 01:18:00,847
{\an8}I would always be by the pool
and watch Harrison.

1476
01:18:00,847 --> 01:18:03,975
And he says,
"Ke, come in the pool and have fun."

1477
01:18:03,975 --> 01:18:06,227
And I go,
"Harrison, I don't know how to swim.

1478
01:18:06,227 --> 01:18:08,605
I-- I-- I can't. I don't want--
I'm afraid of water."

1479
01:18:08,605 --> 01:18:11,066
And he said, "Oh, what?
Come here, get-- Come in here."

1480
01:18:11,066 --> 01:18:14,152
And he taught me how to swim.
He's my role model.

1481
01:18:14,944 --> 01:18:18,573
{\an8}It's incredible to be here at D23
and look out at all these fans.

1482
01:18:18,573 --> 01:18:21,659
{\an8} We were at D23
when Ke Huy Quan and Harrison

1483
01:18:21,659 --> 01:18:23,244
saw each other for the first time.

1484
01:18:23,244 --> 01:18:24,537
All of us actually.

1485
01:18:24,537 --> 01:18:27,665
It's been well over 35 years
since we saw Ke.

1486
01:18:27,665 --> 01:18:30,710
It's pretty wild
to see Ke now doing so well,

1487
01:18:30,710 --> 01:18:34,464
and just seeing how he grew as an actor.

1488
01:18:34,464 --> 01:18:37,342
It's pretty great to realize
that that started with <i>Temple of Doom</i>

1489
01:18:37,342 --> 01:18:38,718
and with Harrison.

1490
01:18:39,344 --> 01:18:42,722
The last time I saw him
was when our movie premiered.

1491
01:18:42,722 --> 01:18:44,015
It's been 38 years.

1492
01:18:44,015 --> 01:18:49,145
It made our reunion
at Disney's D23 so much better.

1493
01:18:50,647 --> 01:18:55,527
He's the same irrepressible
and enthusiastic guy that he ever was,

1494
01:18:55,527 --> 01:18:57,195
and that was great to see him.

1495
01:18:57,904 --> 01:18:59,114
Much taller now.

1496
01:18:59,656 --> 01:19:02,617
He's not Short Round.
He's Regular Round now.

1497
01:19:02,617 --> 01:19:06,496
I'm delighted for his success,
and I'm very happy for him.

1498
01:19:06,496 --> 01:19:09,249
Thank you so much for welcoming me back!

1499
01:19:09,249 --> 01:19:11,459
I love you.
Thank you. Thank you. Thank you!

1500
01:19:12,377 --> 01:19:17,799
To reunite with him in the same year
that I made my return to acting

1501
01:19:18,508 --> 01:19:19,968
made it even more special.

1502
01:19:19,968 --> 01:19:22,429
- Especially when he presented...
- And the Oscar goes to...

1503
01:19:22,429 --> 01:19:24,305
...the Oscar for Best Picture.

1504
01:19:24,305 --> 01:19:28,059
- ...<i>Everything Everywhere All at Once</i>.

1505
01:19:28,852 --> 01:19:32,689
I could not have asked
for a better night with Harrison there.

1506
01:19:32,689 --> 01:19:34,983
It was a full circle moment for me.

1507
01:19:39,779 --> 01:19:40,864
{\an8}I'm not done working,

1508
01:19:41,906 --> 01:19:43,992
{\an8}but I am done with Indiana Jones.

1509
01:19:45,076 --> 01:19:47,996
Harrison, as we see
in the last Indy film, he's still running.

1510
01:19:47,996 --> 01:19:49,622
He never stops running.

1511
01:19:49,622 --> 01:19:51,958
{\an8}They run their sheep on my ground,

1512
01:19:51,958 --> 01:19:55,128
{\an8}and then they attacked us
when we came up on 'em.

1513
01:19:55,128 --> 01:19:56,963
{\an8}Range war's already begun.

1514
01:19:56,963 --> 01:19:58,798
{\an8}I love now, too, that in <i>Shrinking</i>

1515
01:19:58,798 --> 01:20:01,426
{\an8}people get to see you
be so hilariously funny.

1516
01:20:03,511 --> 01:20:04,596
{\an8}What are you laugh--

1517
01:20:04,596 --> 01:20:09,642
{\an8}Seeing him in <i>Shrinking</i>,
he still can use that dryness of delivery.

1518
01:20:09,642 --> 01:20:13,480
It's now become so spare,
it's almost austere.

1519
01:20:13,480 --> 01:20:15,023
I am so parched.

1520
01:20:15,023 --> 01:20:16,524
What can we get you to drink?

1521
01:20:16,524 --> 01:20:17,692
A Popsicle?

1522
01:20:17,692 --> 01:20:19,694
And again, for me, it's the voice,

1523
01:20:19,694 --> 01:20:23,323
because for so long,
that voice was older than he was.

1524
01:20:23,323 --> 01:20:25,575
And now it's finally caught up with him.

1525
01:20:25,575 --> 01:20:27,202
It's like he's sort of grown up enough

1526
01:20:27,202 --> 01:20:30,205
that that voice belongs
in Harrison Ford's chest.

1527
01:20:30,705 --> 01:20:33,792
{\an8}You told me I had to tell Meg
that I had Parkinson's.

1528
01:20:33,792 --> 01:20:36,294
{\an8}And now she's flying down here tomorrow

1529
01:20:36,294 --> 01:20:39,047
{\an8}to take charge of my care.

1530
01:20:39,047 --> 01:20:40,340
{\an8} Harrison was cool.

1531
01:20:40,340 --> 01:20:43,718
{\an8}I always thought he would come on set
and be like, "I'm Harrison."

1532
01:20:43,718 --> 01:20:46,179
{\an8}Then everybody would be like, "Yeah."
But no. It was a good time.

1533
01:20:46,179 --> 01:20:49,516
{\an8}It was him creating this character
from the ground up,

1534
01:20:49,516 --> 01:20:51,226
{\an8}so that he would be different

1535
01:20:51,226 --> 01:20:53,728
{\an8}than the rest of those characters
and fit in this world,

1536
01:20:53,728 --> 01:20:56,648
instead of fitting in every other world
he, as an actor, has been in.

1537
01:20:56,648 --> 01:20:58,608
So that stuff was really unique.

1538
01:20:58,608 --> 01:21:00,860
I couldn't put a price on that lesson.

1539
01:21:01,695 --> 01:21:05,615
Harrison is still working.
I love to see him being given space,

1540
01:21:05,615 --> 01:21:08,410
taking advantage
of all these things at his age,

1541
01:21:08,410 --> 01:21:09,994
and just seeing him run with it.

1542
01:21:09,994 --> 01:21:12,247
It's maybe one of
the most wonderful things ever.

1543
01:21:22,173 --> 01:21:24,509
{\an8} Karen,
this is your last day over here.

1544
01:21:24,509 --> 01:21:28,054
Tell us a little bit-- What's going on
on set with it being your last day?

1545
01:21:28,054 --> 01:21:30,140
I'm not convinced that it is.

1546
01:21:30,140 --> 01:21:33,226
So, I don't-- I'm not--
As long as I'm not convinced that it is,

1547
01:21:33,226 --> 01:21:34,728
I don't have to, um...

1548
01:21:36,396 --> 01:21:39,399
I don't have to go through all that today.

1549
01:21:41,443 --> 01:21:42,861
<i>Indiana Jones.</i>

1550
01:21:45,280 --> 01:21:48,491
If this is going to be
the last <i>Indiana Jones</i> movie ever made,

1551
01:21:49,492 --> 01:21:54,330
if it in fact is, then you can't do it
without bringing back Marion Ravenwood.

1552
01:21:57,834 --> 01:22:01,171
I always knew someday
you'd come through my door.

1553
01:22:02,547 --> 01:22:07,469
It's a story that both Harrison and I
have been involved in for 40 years.

1554
01:22:08,345 --> 01:22:09,429
Wait a minute.

1555
01:22:10,263 --> 01:22:11,639
Come here.

1556
01:22:12,557 --> 01:22:14,392
A little bossy, aren't you?

1557
01:22:14,392 --> 01:22:17,520
We both have a real sense
of who these people are,

1558
01:22:17,520 --> 01:22:21,274
and we really like continuing
to explore these characters together.

1559
01:22:22,025 --> 01:22:23,360
Indiana Jones.

1560
01:22:24,152 --> 01:22:26,988
I feel happy that we're having
the opportunity to do that.

1561
01:22:27,697 --> 01:22:29,491
About time you showed up.

1562
01:22:29,491 --> 01:22:30,408
Mom!

1563
01:22:30,408 --> 01:22:35,205
She is the heat
that has tempered his personality.

1564
01:22:35,205 --> 01:22:36,915
You still leaving
a trail of human wreckage?

1565
01:22:36,915 --> 01:22:38,166
You looking for a date?

1566
01:22:39,167 --> 01:22:43,088
And to have her back
is such an emotional opportunity,

1567
01:22:43,088 --> 01:22:46,424
I think, for the character
and for the audience.

1568
01:22:52,514 --> 01:22:54,099
- How are you?
- Very good. How are you?

1569
01:22:54,099 --> 01:22:58,186
Of course, it's odd to take
an actress that capable and that awesome,

1570
01:22:58,186 --> 01:23:01,272
and hold her back until
the final five minutes of the picture.

1571
01:23:01,898 --> 01:23:04,484
And I'm sure weirder for her
stepping into a movie

1572
01:23:04,484 --> 01:23:06,152
where we've all been working for months

1573
01:23:06,152 --> 01:23:08,071
and been shooting
millions of feet of film.

1574
01:23:08,697 --> 01:23:11,533
I was very much
looking forward to coming here.

1575
01:23:11,533 --> 01:23:13,618
I came a few days on set,

1576
01:23:13,618 --> 01:23:16,454
and went up
and just watched some rehearsals.

1577
01:23:16,454 --> 01:23:20,125
And I have to say,
I was not for a moment disappointed.

1578
01:23:20,125 --> 01:23:21,584
Is he still the same?

1579
01:23:21,584 --> 01:23:24,212
Yes, of course.

1580
01:23:24,212 --> 01:23:27,632
I love the way he developed the character.

1581
01:23:27,632 --> 01:23:31,094
There is a, kind of,
wonderful weathering to Indiana Jones.

1582
01:23:31,094 --> 01:23:33,471
It's not the years,
it's the mileage, you know?

1583
01:23:33,471 --> 01:23:35,515
There's a lot more mileage on him.

1584
01:23:37,308 --> 01:23:40,395
Any excuse
to get back together with the two of them

1585
01:23:40,395 --> 01:23:42,188
could not be avoided.

1586
01:23:42,188 --> 01:23:43,231
Indy.

1587
01:23:43,231 --> 01:23:47,902
One of the joys of one's life
is watching a young actor, Harrison,

1588
01:23:47,902 --> 01:23:50,947
grow and establish himself

1589
01:23:50,947 --> 01:23:54,784
and just become stronger
and better over the years.

1590
01:23:54,784 --> 01:23:58,997
He's turned himself
into a real, great giant of the cinema.

1591
01:23:59,497 --> 01:24:01,833
That's been wonderful to behold.

1592
01:24:02,459 --> 01:24:04,127
Are you back, Indy?

1593
01:24:05,962 --> 01:24:08,715
They're wounded.
They're two wounded people,

1594
01:24:08,715 --> 01:24:11,509
and people grieve differently.

1595
01:24:12,344 --> 01:24:16,681
And they seem to have
found their way back to each other.

1596
01:24:18,224 --> 01:24:20,560
It was incredibly moving to watch.

1597
01:24:20,560 --> 01:24:22,979
Harrison has so much gravitas.

1598
01:24:22,979 --> 01:24:24,856
And especially after this huge adventure,

1599
01:24:24,856 --> 01:24:26,733
and, suddenly,
we're just in his living room,

1600
01:24:26,733 --> 01:24:28,902
and he's basically in his pajamas.

1601
01:24:28,902 --> 01:24:30,862
And you just see the man,

1602
01:24:30,862 --> 01:24:35,283
and watching Harrison
play the rawest version of that character

1603
01:24:35,283 --> 01:24:36,618
was really extraordinary.

1604
01:24:37,202 --> 01:24:38,370
Everything hurts.

1605
01:24:38,995 --> 01:24:40,663
We all knew we didn't want him to die.

1606
01:24:40,663 --> 01:24:43,416
-  You can't stay here.
- Yes, I can.

1607
01:24:44,417 --> 01:24:47,253
To me, it was much more about

1608
01:24:47,253 --> 01:24:51,257
him feeling out of step with the times,
or marginalized,

1609
01:24:51,883 --> 01:24:53,551
and then feeling important again.

1610
01:24:54,135 --> 01:24:59,557
Understanding he's important again,
that we all need heroes like him.

1611
01:25:01,101 --> 01:25:04,020
-  The amazing, legendary,

1612
01:25:04,020 --> 01:25:08,858
dear friend, and forever Indiana Jones,
Mr. Harrison Ford.

1613
01:25:11,403 --> 01:25:14,406
This journey
of getting this final movie made,

1614
01:25:14,406 --> 01:25:15,949
it's been a process of letting go

1615
01:25:15,949 --> 01:25:18,868
that I think
he didn't really quite realize

1616
01:25:18,868 --> 01:25:21,621
was gonna affect him as deeply as it has.

1617
01:25:22,122 --> 01:25:24,457
This is a great, great crew.

1618
01:25:24,958 --> 01:25:28,044
And I'm almost
twice as old as everybody.

1619
01:25:30,922 --> 01:25:35,468
{\an8}Once every generation,
somebody emerges who, sort of,

1620
01:25:35,468 --> 01:25:38,680
{\an8}takes the mantle
of being a real movie star.

1621
01:25:38,680 --> 01:25:40,640
{\an8}And I think Harrison was one of those.

1622
01:25:40,640 --> 01:25:43,768
{\an8}I think that's why
he stood the test of time.

1623
01:25:43,768 --> 01:25:45,645
Hardest thing is to keep your hat on.

1624
01:25:47,188 --> 01:25:48,398
That should do it.

1625
01:25:48,398 --> 01:25:49,649
I love Harrison.

1626
01:25:49,649 --> 01:25:53,069
He's not only
a wonderful collaborator and artist,

1627
01:25:53,069 --> 01:25:54,487
but a dear friend.

1628
01:25:54,487 --> 01:25:58,867
And the reverence and genius
with which he looks at his job

1629
01:25:58,867 --> 01:26:01,536
should be so inspiring to all actors.

1630
01:26:01,536 --> 01:26:02,871
Right there, guys.

1631
01:26:03,413 --> 01:26:06,124
Well, I certainly grew
as a filmmaker through these films,

1632
01:26:06,124 --> 01:26:09,502
and watching Harrison work
was like a film course

1633
01:26:09,502 --> 01:26:12,380
that you could never get anywhere else
but being there.

1634
01:26:12,380 --> 01:26:13,757
Excuse me. How old are you?

1635
01:26:15,592 --> 01:26:17,385
I'm a lot younger than Harrison Ford.

1636
01:26:18,678 --> 01:26:21,598
The secret of being
an iconic actor is they'll refer to him

1637
01:26:21,598 --> 01:26:23,892
when they're referring
to a particular kind of actor.

1638
01:26:23,892 --> 01:26:27,729
So when they say, "Harrison Ford type,"
I guess that you've become an icon.

1639
01:26:27,729 --> 01:26:29,314
- Forty.

1640
01:26:29,314 --> 01:26:31,066
I'm only 38.

1641
01:26:32,525 --> 01:26:36,863
Indiana Jones would not exist
in people's hearts and imaginations

1642
01:26:36,863 --> 01:26:38,490
{\an8}without Harrison Ford playing him.

1643
01:26:38,490 --> 01:26:44,371
{\an8}Impossible. He's not interchangeable.
Other actors cannot fill those shoes.

1644
01:26:44,371 --> 01:26:47,457
And when Harrison stops making
<i>Indiana Jones</i> movies,

1645
01:26:48,166 --> 01:26:49,626
they need to retire the number.

1646
01:26:55,298 --> 01:26:56,841
This job is really fun.

1647
01:26:56,841 --> 01:26:59,094
- You just got me killed!

1648
01:27:06,851 --> 01:27:07,852
Wait a second.

1649
01:27:08,478 --> 01:27:10,480
- It's back.

1650
01:27:10,480 --> 01:27:15,193
It's been an incredible finish.
You are all much valued.

1651
01:27:15,193 --> 01:27:16,611
Thank you.

1652
01:27:16,611 --> 01:27:19,406
- Thank you.

1653
01:27:19,406 --> 01:27:21,783
- Let's drink!

1654
01:27:21,783 --> 01:27:23,243
Cheers!

1655
01:27:23,993 --> 01:27:26,579
I have enjoyed
all of the different kinds of people,

1656
01:27:26,579 --> 01:27:28,832
and different opportunities that I've had.

1657
01:27:29,874 --> 01:27:34,212
And certainly amongst
the most enjoyable are these films...

1658
01:27:37,132 --> 01:27:38,717
which are really hard to make,

1659
01:27:39,217 --> 01:27:41,636
but a whole lot of fun to finish.

1660
01:27:43,722 --> 01:27:45,348
Only Harrison can play Indiana Jones.

1661
01:27:45,348 --> 01:27:48,560
There is no one else on this planet
that could come anywhere close,

1662
01:27:48,560 --> 01:27:52,313
and I think it's because...
...he is Indiana Jones.

1663
01:27:59,821 --> 01:28:01,114
-  Hello.
- Hello.

1664
01:28:01,114 --> 01:28:02,407
- Hello.
- How are you?

1665
01:28:02,407 --> 01:28:04,367
I'm fine. How are you? Want some water?

1666
01:28:04,367 --> 01:28:05,452
Yeah, sure!

1667
01:28:11,750 --> 01:28:14,085
We should do this
about five times a day.

1668
01:28:14,085 --> 01:28:15,754
Give everybody squirt guns!

1669
01:28:21,051 --> 01:28:23,053
Hello.

1670
01:28:23,053 --> 01:28:25,013
Just resting.

1671
01:28:33,980 --> 01:28:37,067
They make me do the most awful things.

1672
01:28:39,110 --> 01:28:40,862
"Don't bug me,"
you're supposed to say.

1673
01:28:40,862 --> 01:28:42,364
- Don't bug me.
- Don't bug me.

1674
01:28:42,364 --> 01:28:44,366
- Did you put it on me? Get it away!

1675
01:28:45,367 --> 01:28:47,369
And lock--

1676
01:28:47,369 --> 01:28:48,536
Locked up!

1677
01:28:49,287 --> 01:28:50,705
-  And...
- What?

1678
01:28:50,705 --> 01:28:53,750
What did he say?
Did you say something about me?

1679
01:28:53,750 --> 01:28:55,377
- Nah, you're fine.

1680
01:28:56,628 --> 01:28:58,380
<i>How is Steven as a director?</i>

1681
01:28:58,380 --> 01:29:02,050
Very funny. He's a generous man
and a noble director.

1682
01:29:02,634 --> 01:29:03,968
And he's very handsome too.

1683
01:29:09,766 --> 01:29:12,018
- Larry, Moe and Curly.
- Whoo! Whoo!

1684
01:29:17,273 --> 01:29:20,610
Okay, this is where
we make a hard turn left, to right.

1685
01:29:21,277 --> 01:29:23,113
This way. This way. Okay?

1686
01:29:24,614 --> 01:29:25,615
Good.

1687
01:29:28,034 --> 01:29:30,370
Popping him in there.
All right, that okay?

1688
01:29:30,370 --> 01:29:31,496
Yeah.

1689
01:29:31,496 --> 01:29:33,248
I was just-- That's acting.

1690
01:29:35,375 --> 01:29:38,461
Oh, this is the way I make my living.
This is what I do for a living.

1691
01:30:11,036 --> 01:30:13,288
- Anyway.

1692
01:30:13,288 --> 01:30:14,789
We'll see you around campus.

1693
01:30:15,373 --> 01:30:16,374
Thank you.



