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Downloaded from
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Official YIFY movies site:
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{\an8}[seagull squawks]
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[Irish folk music playing]
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{\an8}A very good evening to you all.
You're listening to Clare FM
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{\an8}and it's Friday night's
West Wind.
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{\an8}I'm Eoin O'Neill with you
for the next two hours.
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{\an8}Start off with lively music
and happy music.
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{\an8}[Irish folk music playing
at the bar]
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{\an8}[crowd chattering]
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The magic of the west
of Ireland is the time.
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[Irish folk music continues]
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{\an8}[Luka] It is the time
that you've spent with yourself
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{\an8}sitting down at the pier,
watching the day go by,
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00:01:59,870 --> 00:02:02,957
{\an8}watching the boats go out,
taking the time
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00:02:02,998 --> 00:02:07,461
{\an8}to come back in and sit
and wait for the music to begin.
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{\an8}[Irish folk music continues]
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{\an8}[crowd cheers, claps]
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{\an8}[Christy]
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[Irish folk music playing]
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[Irish folk music continues]
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[Katie] Before Instagram
and telephones,
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the traveling Pipers
used to travel around
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the country and that's
how people learn new tunes.
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00:05:05,514 --> 00:05:08,058
They would wait for them to
come and then they would be like
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00:05:08,100 --> 00:05:09,852
delighted to see them
coming up the road
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00:05:10,436 --> 00:05:11,895
and they'd camp out the road
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and they'd play tunes
on the street.
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{\an8}["Spancil Hill"]
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{\an8} ♪ Last night as
I lay dreamin' ♪
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{\an8} ♪ Of pleasant days gone by ♪
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{\an8} ♪ Me mind bein' bent
on rambling ♪
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{\an8} ♪ To Ireland I did fly ♪
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There's always to keep
your two feet on the ground
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and remember where
your music came from.
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'Cause we're only
carrying the music.
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It's not ours.
It doesn't belong to us.
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It belongs to,
it belongs to everybody.
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♪ I came to anchor at ♪
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♪ The cross at Spancil Hill ♪
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{\an8}[indistinct lyrics]
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♪
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{\an8}[Christy Mc Namara] When we were
conquered by the English,
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{\an8}we lost our language,
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{\an8}but we never lost our music.
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I think it's the one thing
in Irish culture
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that links us directly
to our ancestors.
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00:07:08,679 --> 00:07:12,099
Immigration has been
a big factor in the lives
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00:07:12,141 --> 00:07:17,187
of Irish people,
really from the 1840s
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00:07:17,229 --> 00:07:19,273
with what they called
the great famine.
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There was a huge
exodus of people.
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When people had nothing,
they carried it in their head.
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Even if they hadn't instruments,
they had the music.
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♪ But the cock,
he crew in the morning ♪
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♪ He crew both loud and shrill ♪
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♪ And I awoke in California ♪
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♪ Many miles
from Spancil Hill ♪
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[crowd cheers, claps]
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{\an8}This ancient music
that was created
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{\an8}in this area is still alive
in the lives of these people
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{\an8}who are still sharing it
within the community.
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And they're the sad songs
that tell the sad stories
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of the people who left,
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who fled the wars
and fled the famines.
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00:08:16,747 --> 00:08:19,875
And then there are these
beautiful, exciting tunes
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that bring people
together to dance
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and to flirt with each other
and connect with each other
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and have fun together
and forget the hard times.
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{\an8}[Irish folk music playing]
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[Irish folk music continues]
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[Luka] The songs that come
from the ancestors had
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to be created by somebody.
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00:09:21,436 --> 00:09:23,230
So somebody was doing
exactly what I was doing
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two or three or 400 years ago.
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By the way, at a time
when our nearest neighbors
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regarded Ireland
as an illiterate country,
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there were Bards
wandering the country,
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singing songs that had
300 and 400 verses.
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- [music stops]
- [laughing]
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[Christy Mc Namara]
Biddy can't stop dancing.
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00:09:43,041 --> 00:09:45,460
[Eoin] That's lovely music there
from county Claire.
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And as usual, our friends
from all over the world
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are listening to Claire FM
online and enjoying the music.
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And Jennifer's in the States,
which is in the States.
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Veronica is over in Germany,
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and Bridget is in Belgium,
Deirdre-May from the States
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all listening,
and are very welcome to listen
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and are loving the music
the same as we love the music.
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00:10:01,727 --> 00:10:04,855
Going-- gonna take a break.
I'm gonna come back with a song.
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00:10:05,105 --> 00:10:06,773
I have no idea
what it's gonna be though.
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00:10:06,815 --> 00:10:08,817
I better start thinking
about it real fast
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'cause I got two minutes
and 29 seconds to do that.
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[announcer on radio]
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Sometimes I start a sentence
and I can't finish it.
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[laughing]
But people don't mind.
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Perfection is boring.
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I don't want to know
what I'm gonna play next.
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So whatever song's on.
It's like a session.
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You don't know what tune
comes after another one.
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{\an8}[Adam] The session at its core
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{\an8}is about
being with other people.
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It's not in
a structured setting.
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It's just about ten people
having fun together,
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sat around the tables,
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00:10:41,767 --> 00:10:43,852
and you can play with anyone
at any time,
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even if you've never met them.
It's inclusive.
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00:10:45,937 --> 00:10:48,440
Always try and get everyone in
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because that's
what I liked about
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the music in the first place.
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The fact that it is open
to anyone.
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Anyone can bring something
good to a group or a session.
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It can be the worst
playing you've ever heard,
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but it could be
at the right time
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00:11:01,411 --> 00:11:02,954
and it can be
in the right mood
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00:11:02,996 --> 00:11:04,664
and it can
just make everyone smile.
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00:11:24,309 --> 00:11:26,895
I first came to Doolin in 1974
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on a August
bank holiday weekend,
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and it changed my life.
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My birth name is Barry Moore.
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I was born
in Newbridge County, Kildare.
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At the age of 32, I created
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the, uh, stage name
of Luka Bloom,
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which I've been working
under for the last 30 years.
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In 1974, I'd been hearing about
this village called Doolin.
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All five of us
packed into my mother's car,
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she gave us a loan
of the car for the weekend
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on condition
that I wasn't driving.
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00:12:00,095 --> 00:12:02,305
And we were allowed
to pitch a tent
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00:12:02,347 --> 00:12:04,808
in the field
behind O'Connor's Pub.
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00:12:05,809 --> 00:12:08,395
I had been living up in Kildare
and music and songs
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had already become the most
important thing in my life.
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But I wasn't aware
of a community
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where it was like that
for the community.
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00:12:19,948 --> 00:12:24,995
As a 19-year-old boy,
it was mind-blowing.
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Seeing Micho, Gussie, and
Packie Russell sitting around
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00:12:30,459 --> 00:12:33,879
the fireplace in O'Connor's
playing their ancient music.
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And it quickly became
clear to me
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that this is something
that they did every day.
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00:12:38,800 --> 00:12:42,512
Well, Micho Russell here
is a man
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who has his own style
of playing Irish music.
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He comes from the west coast of
county Clare up near the north.
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Micho, would you like to play us
a tune maybe on the tin whistle?
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- I will, Tony. I will.
- On this nice day. [laughing]
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00:12:55,984 --> 00:12:58,528
There's a tradition
of music here in this village.
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00:12:59,196 --> 00:13:02,657
I suppose it came to the fore
through the Russell Brothers,
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00:13:02,699 --> 00:13:05,243
Micho, Gussie,
and Packie Russell.
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[tin whistle music playing]
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[Christy McNamara]
They're all dead and gone now
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00:13:46,535 --> 00:13:48,578
but Micho
was probably the best known one.
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[tin whistle music playing]
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- Lovely Micho great. Great.
- [applauding]
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I did, um, a tour with him in--
in Germany in 1976.
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00:14:02,634 --> 00:14:06,638
And I was 21.
And it was an amazing education.
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00:14:06,680 --> 00:14:09,766
And the person I watched
most of all was Micho.
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He'd do this funny thing
where he'd walk on stage
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and he'd blow
into the microphone.
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And you know,
when you blow into a microphone,
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it makes a huge sound.
And it was like a gun going off.
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00:14:23,655 --> 00:14:25,782
And audiences
absolutely adored him.
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Whereas at that time, I would've
been so self-conscious.
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I'd be kinda like
before going on stage.
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I'd be, you know, [indistinct]
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a little bit
of this going on, you know.
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But Micho was just busy
being Micho.
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00:14:40,255 --> 00:14:43,216
And when the tour was over,
he came back and he continued
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to do exactly what he'd be
doing before that tour happened.
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00:14:57,272 --> 00:14:59,357
{\an8}[Christy Mc Namara] I did a lot
of work on music photography.
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00:15:05,947 --> 00:15:08,658
Besides that-- that--
that my pictures are hanging
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00:15:08,700 --> 00:15:09,826
in places where they were made.
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00:15:11,703 --> 00:15:13,955
And this is another one there.
This is Tommy Peoples.
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00:15:14,748 --> 00:15:16,416
I played with Tommy
for a number of years
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00:15:16,458 --> 00:15:19,252
and Tommy is a legendary
fiddle player.
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County Clare as a whole,
he's very rich.
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Not alone with musicians,
but with,
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uh, the people who come
and listen that know every tune.
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It's interwoven into daily life.
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[crowd chattering]
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00:16:13,598 --> 00:16:16,726
My dad was a fiddle player.
Paul Theasby when I was small,
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00:16:16,768 --> 00:16:19,104
he moved over here and I stayed
in London with my mother.
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So I kinda had the best
of both worlds, really.
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My name's Katie Theasby
and I am originally from London.
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00:16:27,570 --> 00:16:30,824
And I grew up around
the London Irish scene.
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00:16:30,865 --> 00:16:32,617
I think I asked
my dad for a bowron
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00:16:32,659 --> 00:16:35,370
at a [indistinct]
and he just said, no.
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00:16:35,412 --> 00:16:37,163
He says, "Here's a whistle,
and here's a book."
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So I taught myself basically.
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And then when I had about
a tune and a half,
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I started going to sessions
when I was over in London
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and there was a great fella
by the name of, uh, John Curtin.
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00:16:51,219 --> 00:16:54,055
And his advice to me was,
even if you only know two bars
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00:16:54,097 --> 00:16:56,516
of a tune, when you hear
the tune being played,
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00:16:56,558 --> 00:16:58,393
play the two bars you know,
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00:16:58,435 --> 00:17:00,228
and then the tunes
would build up.
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00:17:00,270 --> 00:17:04,149
[Celtic music playing]
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00:17:04,190 --> 00:17:06,151
I was always
singing around the house,
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00:17:06,192 --> 00:17:07,736
but never
would've thought of singing
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00:17:07,777 --> 00:17:08,903
in front of anybody really.
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00:17:10,071 --> 00:17:12,574
I was encouraged
to go singing one night.
200
00:17:12,615 --> 00:17:14,367
I got [indistinct] out of it.
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00:17:14,409 --> 00:17:16,327
I was like, I have
to do this again. It's great.
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00:17:16,369 --> 00:17:20,707
[Celtic music continues]
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00:17:26,755 --> 00:17:30,008
[Katie] I was told when
I was about 26, by PJ Curtis,
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00:17:30,049 --> 00:17:31,760
uh, he-- he said to me,
205
00:17:32,427 --> 00:17:37,390
"You would-- have an amazing
voice and you really need to be
206
00:17:37,432 --> 00:17:39,225
thinking about
putting it out there."
207
00:17:39,267 --> 00:17:41,561
And I had zero confidence
in myself.
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00:17:46,399 --> 00:17:49,277
[music stops]
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00:18:04,083 --> 00:18:06,961
{\an8}[Irish folk music playing]
210
00:18:33,780 --> 00:18:36,324
{\an8}[guitar strumming]
211
00:18:52,465 --> 00:18:57,846
♪ The sky it turned
from red to blue ♪
212
00:18:59,889 --> 00:19:05,311
♪ And my thoughts
did turn to you ♪
213
00:19:14,737 --> 00:19:20,493
♪ Tonight I will be alone
in blue ♪
214
00:19:23,329 --> 00:19:28,835
♪ With empty arms
that long for you ♪
215
00:19:31,588 --> 00:19:36,676
♪ I only hear
the lonesome sound ♪
216
00:19:39,012 --> 00:19:43,266
♪ Since you left
our little town ♪
217
00:20:26,851 --> 00:20:28,353
[Kieran]
Only thing I'm consistent at
218
00:20:28,394 --> 00:20:29,938
is being inconsistent.
219
00:20:30,688 --> 00:20:32,190
Music was the only thing
220
00:20:32,231 --> 00:20:34,525
that I was consistently
interested in.
221
00:20:34,567 --> 00:20:37,111
I used to write lyrics
like always.
222
00:20:37,153 --> 00:20:39,155
I was always writing.
It was like a like, um,
223
00:20:39,197 --> 00:20:41,950
like a therapy kind of,
you know?
224
00:20:42,700 --> 00:20:45,286
And once I had a couple
of chords to put some chords
225
00:20:45,328 --> 00:20:47,121
to the words that
I had written
226
00:20:47,163 --> 00:20:49,248
that was the best feeling
in the world.
227
00:20:49,290 --> 00:20:52,877
[indistinct chatter]
228
00:20:58,549 --> 00:21:01,803
When I was traveling,
I had-- I was in this hostel,
229
00:21:01,844 --> 00:21:04,597
there was a Canadian girl there,
she was just sitting near me
230
00:21:04,639 --> 00:21:07,475
or whatever and I took the
guitar and taking-- I borrowed--
231
00:21:07,517 --> 00:21:10,311
borrowed for the day and I was
just teaching myself chords.
232
00:21:10,353 --> 00:21:11,604
And, uh, that was it.
233
00:21:12,355 --> 00:21:15,108
She came back that evening and
said, "I-I want my guitar back."
234
00:21:16,067 --> 00:21:18,695
[laughing] And, uh,
I had to give her guitar back
235
00:21:19,487 --> 00:21:22,198
and I was like, "Man,
I need to buy myself a guitar."
236
00:21:22,782 --> 00:21:25,076
I spent all my savings
on this car.
237
00:21:25,118 --> 00:21:26,327
It broke down.
238
00:21:27,245 --> 00:21:29,956
So I was stranded in
this hostel in Australia
239
00:21:29,998 --> 00:21:33,001
and I spent my last $200,
which was left
240
00:21:33,042 --> 00:21:37,255
in my Irish account for
emergencies on my first guitar.
241
00:21:37,296 --> 00:21:40,091
There was probably about
ten days where I had no job
242
00:21:40,675 --> 00:21:42,969
and I was just sitting
in the room in the hostel
243
00:21:43,011 --> 00:21:45,388
every single day
just teaching myself chords.
244
00:21:46,264 --> 00:21:47,765
And that was the start of it.
245
00:21:49,934 --> 00:21:52,228
[Eoin] Yeah, it's
Claire FM West Wind, and, uh,
246
00:21:52,270 --> 00:21:54,814
the text are flying in and
I appreciate all the contact.
247
00:22:00,445 --> 00:22:02,238
Lehman, West Limerick
is enjoying the show.
248
00:22:02,280 --> 00:22:04,449
Good stuff. Good to all
listening in West Limerick.
249
00:22:05,199 --> 00:22:08,411
And Ella is listening. Hi Ella,
lovely to hear from you.
250
00:22:08,453 --> 00:22:11,497
Anyway, 086 1800 964.
251
00:22:11,873 --> 00:22:13,624
Let's listen to another track.
252
00:22:13,666 --> 00:22:18,755
[tin whistle playing]
253
00:22:22,383 --> 00:22:24,969
[Luka] How can you explain
how somebody hears a song
254
00:22:25,011 --> 00:22:27,138
and that person has moved
to tears even though
255
00:22:27,180 --> 00:22:28,890
they're hearing the song
for the first time.
256
00:22:29,724 --> 00:22:31,726
But there's something
in the song or something
257
00:22:31,768 --> 00:22:34,395
in the emotion behind the song
that makes a person go, "Oh."
258
00:22:34,437 --> 00:22:38,816
[tin whistle playing]
259
00:22:40,109 --> 00:22:42,862
[Luka] You're arriving in to
Doolin and you're hearing a song
260
00:22:42,904 --> 00:22:46,032
that someone is singing
and it's about immigration.
261
00:22:46,783 --> 00:22:48,951
And you're probably sitting
in O'Connor's in Doolin,
262
00:22:48,993 --> 00:22:51,120
and there's maybe
a hundred other people,
263
00:22:51,162 --> 00:22:55,124
but at least four or five or six
of them are listening to a song
264
00:22:55,166 --> 00:22:58,711
that's describing the experience
that your great-grandmother had.
265
00:22:59,670 --> 00:23:02,882
And they're closing
their eyes and they're totally
266
00:23:02,924 --> 00:23:05,968
connecting with the song
and they're actually reliving.
267
00:23:06,010 --> 00:23:09,806
[tin whistle playing]
268
00:23:17,522 --> 00:23:19,440
It's what I call
the Job of Songs.
269
00:23:20,775 --> 00:23:25,613
The Job of Songs can sometimes
be to entertain, but it's this--
270
00:23:25,655 --> 00:23:31,828
it's this thing of giving people
who don't have songs permission
271
00:23:31,869 --> 00:23:36,332
to feel things that are
really deeply ingrained in them
272
00:23:36,374 --> 00:23:39,043
that they don't necessarily
intellectually understand.
273
00:23:39,085 --> 00:23:41,587
[tin whistle playing]
274
00:24:53,868 --> 00:24:56,954
[wind whistling]
275
00:25:07,215 --> 00:25:10,676
[indistinct chatter]
276
00:25:10,718 --> 00:25:14,805
[Ireland folk music playing]
277
00:25:37,119 --> 00:25:41,540
You can't really come here, take
a photograph on your iPhone,
278
00:25:42,333 --> 00:25:45,544
and drive back to Dublin or
wherever it's you've come from
279
00:25:45,586 --> 00:25:47,713
and think that you've done
the West of Ireland.
280
00:25:49,006 --> 00:25:50,549
I mean, of course,
you can do that.
281
00:25:50,591 --> 00:25:52,677
And it is now
logistically possible
282
00:25:52,718 --> 00:25:55,596
to leave your hotel room
at 7:00 a.m. in Dublin,
283
00:25:56,305 --> 00:25:58,766
drive across the river Shannon,
284
00:25:58,808 --> 00:26:02,353
arrive at the Cliffs
of Moher take a photograph,
285
00:26:02,395 --> 00:26:05,356
come to Doolin,
have a bowl of stew or soup,
286
00:26:05,398 --> 00:26:08,776
and get back on your bus
and be back in Dublin in time
287
00:26:08,818 --> 00:26:12,113
for tea at 7:00 p.m.
and declare to your family
288
00:26:12,154 --> 00:26:13,948
back home that you've done
the west of Ireland.
289
00:26:13,990 --> 00:26:17,326
[Ireland folk music playing]
290
00:26:17,368 --> 00:26:19,453
[indistinct chatter]
291
00:26:23,499 --> 00:26:27,128
I'm not sure that it's good
for the areas and I'm not even
292
00:26:27,169 --> 00:26:29,130
entirely sure it's good
for the people who are doing it.
293
00:26:30,715 --> 00:26:32,800
{\an8}[Anne] They probably wouldn't
even meet an Irish person
294
00:26:32,842 --> 00:26:34,051
{\an8}doing it that way.
295
00:26:48,774 --> 00:26:50,484
[Anne]
They're missing the people.
296
00:26:50,526 --> 00:26:52,737
The most important thing
in Ireland is the people.
297
00:26:52,778 --> 00:26:54,196
I mean, we've beautiful scenery,
298
00:26:54,238 --> 00:26:55,865
we beautiful this,
beautiful that.
299
00:26:55,906 --> 00:26:58,242
But we have amazing
people in this country.
300
00:26:58,909 --> 00:27:01,162
It's such a pity 'cause
we have an awful lot to offer
301
00:27:01,203 --> 00:27:02,663
if people could
just take their time.
302
00:27:07,918 --> 00:27:12,506
[Luka] For me, part of
the beauty of life is waiting.
303
00:27:12,548 --> 00:27:15,968
[indistinct chatter]
304
00:27:17,511 --> 00:27:21,307
{\an8}[instrumental playing]
305
00:27:53,589 --> 00:28:00,388
I think that one of the--
one of the sadness’s about
306
00:28:01,305 --> 00:28:04,642
life today is there's
an absence of waiting.
307
00:28:04,683 --> 00:28:07,186
[crowd cheers, claps]
308
00:28:07,228 --> 00:28:08,979
'Cause the inability
to wait is absolutely
309
00:28:09,021 --> 00:28:10,648
detrimental to growth.
310
00:28:11,482 --> 00:28:13,317
The inability
to just sit and be.
311
00:28:19,824 --> 00:28:22,827
We're so busy experiencing
all the time
312
00:28:22,868 --> 00:28:25,037
and challenging ourselves
and achieving
313
00:28:25,871 --> 00:28:29,250
that I think we--
we miss out on sunsets.
314
00:28:29,291 --> 00:28:32,545
We miss out on a bird
that just happens to be there.
315
00:28:32,586 --> 00:28:35,131
We miss out on the heron
that's sitting over there.
316
00:28:35,172 --> 00:28:38,008
That if you just waited another
ten seconds before you check
317
00:28:38,050 --> 00:28:39,468
your emails or your--
318
00:28:40,761 --> 00:28:47,435
we're complicit
in this race to what?
319
00:28:47,977 --> 00:28:50,312
For what goal?
For what achievement?
320
00:28:50,354 --> 00:28:54,233
[Ireland folk music playing]
321
00:29:41,363 --> 00:29:45,117
[Irish traditional
music playing]
322
00:30:22,071 --> 00:30:23,781
[Katie]
Would've been the sixties.
323
00:30:23,822 --> 00:30:25,741
We moved away from
the houses and into the pubs
324
00:30:25,783 --> 00:30:27,743
because there was some kind of,
I dunno what to do with
325
00:30:27,785 --> 00:30:30,037
the church or whatever,
but there was some kind of a,
326
00:30:31,163 --> 00:30:33,249
you can't have men and
women mating up and dancing
327
00:30:33,290 --> 00:30:35,042
around the kitchen table.
328
00:30:35,084 --> 00:30:38,712
And a lot of the time
the females don't get the chance
329
00:30:38,754 --> 00:30:40,881
to go out that often and play
their tunes 'cause they're--
330
00:30:40,923 --> 00:30:42,841
[chuckling]
It sounds really sexist to say,
331
00:30:42,883 --> 00:30:44,760
but a lot of the time, you know,
especially if they're mothers,
332
00:30:44,802 --> 00:30:46,387
they're at home and
they're minding the kids.
333
00:30:46,428 --> 00:30:49,181
{\an8}And a man can just pick up
his accordion box
334
00:30:49,223 --> 00:30:51,392
{\an8}or his guitar box and go,
"Good luck. I'm out the door."
335
00:30:51,433 --> 00:30:53,185
And he's gone. You know?
And she's gotta make,
336
00:30:54,186 --> 00:30:57,815
uh, arrangements and to do--
to do her thing.
337
00:30:58,816 --> 00:31:01,318
{\an8}[Anne] As a child, I was,
uh, taught the piano.
338
00:31:01,360 --> 00:31:05,948
{\an8}I did grades, I did up to
about grade six or grade seven.
339
00:31:06,615 --> 00:31:10,119
And then of course, as per usual
with me, I kind of dropped out.
340
00:31:10,160 --> 00:31:14,039
I dropped outta school
when I was 15 and I met Davoc.
341
00:31:17,084 --> 00:31:20,337
[laughing]
And I didn't play or sing music.
342
00:31:20,379 --> 00:31:22,298
I didn't do anything
around music.
343
00:31:22,339 --> 00:31:24,883
But I love,
love listening to music.
344
00:31:24,925 --> 00:31:28,095
[guitar strumming]
345
00:31:30,764 --> 00:31:32,850
{\an8}[Luka] My family were very
happy that I was into
346
00:31:32,891 --> 00:31:35,561
{\an8}music and into sounds,
but I think they were slightly
347
00:31:35,603 --> 00:31:38,063
{\an8}concerned about the--
the extent of the pull of it.
348
00:31:39,106 --> 00:31:41,317
You know, because you really
should go to university.
349
00:31:41,358 --> 00:31:43,485
You really should do blah,
blah, blah, blah, blah.
350
00:31:59,585 --> 00:32:01,378
My mother became a widow at 33.
351
00:32:02,212 --> 00:32:03,422
She was about survival.
352
00:32:03,922 --> 00:32:07,134
The idea of a--
14-year-old kid
353
00:32:07,176 --> 00:32:08,844
who's spending way too much time
354
00:32:08,886 --> 00:32:11,263
in his bedroom with a guitar,
writing songs.
355
00:32:11,305 --> 00:32:13,265
The idea that he was
ever going to make a living
356
00:32:13,307 --> 00:32:17,603
from doing that was so alien
to her, was alien to me.
357
00:32:17,645 --> 00:32:19,730
But it was doubly alien to her.
358
00:32:19,772 --> 00:32:22,107
And so it came from
that just concern,
359
00:32:22,149 --> 00:32:23,942
how is this kid
going to survive?
360
00:32:23,984 --> 00:32:27,112
And for the next 15 years,
I kinda pretty much proved
361
00:32:27,154 --> 00:32:29,114
that she was right
to think like that.
362
00:32:29,156 --> 00:32:31,909
'Cause, you know, coming into my
thirties, I was still sleeping
363
00:32:31,950 --> 00:32:35,287
on people's sofas,
but I didn't have a choice.
364
00:32:36,205 --> 00:32:38,290
I-I did have a choice,
but to me, I didn't.
365
00:33:02,398 --> 00:33:06,485
I could never have imagined
in a-a million years,
366
00:33:07,778 --> 00:33:10,906
44 years ago,
August Bank holiday weekend,
367
00:33:12,199 --> 00:33:15,202
sitting in O'Connor's
watching Micho, Gussie,
368
00:33:15,244 --> 00:33:18,747
and Packie Russell playing
their music that 44 years later
369
00:33:18,789 --> 00:33:21,542
I'd be back in
this beautiful building.
370
00:33:22,251 --> 00:33:23,752
What an amazing thing.
371
00:33:24,420 --> 00:33:27,673
- Just so incredible.
- [crowd applauding]
372
00:33:27,715 --> 00:33:29,383
So I wanna sing this song.
373
00:33:29,425 --> 00:33:31,885
It's a song called
Thank You For Bringing Me Here.
374
00:33:31,927 --> 00:33:34,388
["Thank You For Bringing
Me Here" by Luka Bloom]
375
00:33:54,450 --> 00:33:59,413
♪ Where the limestone
slopes down to the sea ♪
376
00:34:02,166 --> 00:34:07,129
♪ Where my father walks tall,
proud, and free ♪
377
00:34:09,673 --> 00:34:14,636
♪ Where the birdsong is
music to my ear ♪
378
00:34:17,848 --> 00:34:22,478
♪ I thank you
for bringing me here ♪
379
00:34:25,105 --> 00:34:30,778
♪ I thank you
for bringing me here ♪
380
00:34:32,571 --> 00:34:34,907
[crowd applauding]
381
00:34:34,948 --> 00:34:37,117
{\an8}I had this conversation
with Luka Barry
382
00:34:37,159 --> 00:34:40,204
{\an8}my brother, Barry Luka,
also known as Luka Bloom.
383
00:34:40,245 --> 00:34:43,415
{\an8}And he said to me, "What is
it with you singing song then?
384
00:34:43,999 --> 00:34:45,918
Why don't you sing?
You have a great voice."
385
00:34:45,959 --> 00:34:48,587
And I said, "I don't really
know, Barry." And I-I didn't.
386
00:34:48,629 --> 00:34:50,881
And I suppose I got into
the habit of not singing.
387
00:34:51,673 --> 00:34:54,051
So, um, he says, "You know,
you have a great voice
388
00:34:54,092 --> 00:34:55,844
and you really
should be singing.
389
00:34:55,886 --> 00:34:58,388
And you must remember
that when you're singing a song,
390
00:34:59,139 --> 00:35:00,766
you're delivering a message."
391
00:35:02,518 --> 00:35:05,896
And that just flipped
my world around. Oh my God.
392
00:35:06,355 --> 00:35:08,357
A couple of days later,
he came into the house carrying
393
00:35:08,398 --> 00:35:11,318
the guitar and said to me,
"I'm not giving you this.
394
00:35:11,360 --> 00:35:14,530
I'm loaning you this
for 50 years on conditioned
395
00:35:14,571 --> 00:35:16,532
that you play it every day."
And I do.
396
00:35:16,573 --> 00:35:18,200
So now you can't shut me up.
397
00:35:18,242 --> 00:35:20,494
At the moment,
I'm trying to get the F chord.
398
00:35:21,453 --> 00:35:23,914
Oh my God. It is impossible,
but I'll get it.
399
00:35:23,956 --> 00:35:26,708
I'll get it. [laughing]
400
00:35:28,252 --> 00:35:29,711
I was kinda getting old.
401
00:35:30,254 --> 00:35:33,340
I don't even know that word
into my mind anymore.
402
00:35:33,382 --> 00:35:35,384
I certainly don't feel
like I'm 70.
403
00:35:35,425 --> 00:35:37,594
I feel like I'm about 26.
404
00:35:37,636 --> 00:35:39,388
And so I got mi hair dyed
and everything.
405
00:35:39,429 --> 00:35:43,892
Sure, for God's sake.
My kids, they think I'm bonkers.
406
00:35:43,934 --> 00:35:47,437
Anne Rynne started playing
the guitar when she was
407
00:35:47,479 --> 00:35:51,316
in her early 60's
and started writing songs.
408
00:35:51,358 --> 00:35:54,945
It's really about seeing
people almost finding a voice.
409
00:35:54,987 --> 00:35:58,240
Sometimes here the-- you know
what we'd have people in and--
410
00:35:58,282 --> 00:36:00,701
and the conversation would be
getting very hot and heavy.
411
00:36:00,742 --> 00:36:02,411
And I'd say, "Oh, lads,
for heaven's sake."
412
00:36:02,452 --> 00:36:04,288
And I'd pick up the guitar
and I'd sing a song.
413
00:36:04,329 --> 00:36:05,914
'Cause you see,
you can say things in songs that
414
00:36:05,956 --> 00:36:07,291
you can't say in conversation.
415
00:36:07,958 --> 00:36:10,168
And you can be more
truthful almost.
416
00:36:10,210 --> 00:36:11,628
You can tell the truth.
417
00:36:12,379 --> 00:36:15,716
Uh, we have a system in this
country called Direct Provision.
418
00:36:15,757 --> 00:36:18,760
People who come looking
for refuge they're put into
419
00:36:18,802 --> 00:36:21,513
direct provision when they
come into the country while
420
00:36:21,555 --> 00:36:23,390
their papers are being sorted.
421
00:36:23,432 --> 00:36:25,851
Some of them are in direct
provision like five years later,
422
00:36:25,893 --> 00:36:27,185
six years, they're still there.
423
00:36:28,478 --> 00:36:31,148
And another friend of mine has
written a song about that.
424
00:36:31,189 --> 00:36:33,817
She heard a woman from
Somalia speaking
425
00:36:33,859 --> 00:36:36,862
at a meeting in Limerick
and she used her words.
426
00:36:36,904 --> 00:36:39,072
It's called "Release Me."
427
00:36:39,114 --> 00:36:40,324
["Release Me"]
428
00:36:40,365 --> 00:36:43,368
♪ There is a fine line ♪
429
00:36:43,410 --> 00:36:46,622
♪ Between this and prison ♪
430
00:36:47,915 --> 00:36:53,211
♪ Yet I have done no wrong ♪
431
00:36:55,881 --> 00:37:01,929
♪ I came for refuge,
I got direct provision ♪
432
00:37:03,096 --> 00:37:07,768
♪ And I'm still waiting ♪
433
00:37:07,809 --> 00:37:11,772
♪ Five years on ♪
434
00:37:13,065 --> 00:37:17,861
♪ I have no privacy ♪
♪ I have no dignity ♪
435
00:37:17,903 --> 00:37:23,951
♪ The system is
killing me slowly ♪
436
00:37:25,953 --> 00:37:28,038
♪ Release me from provision ♪
437
00:37:28,080 --> 00:37:30,082
♪ Let me realize my vision ♪
438
00:37:30,123 --> 00:37:34,461
♪ Give me some hope
to carry on ♪
439
00:37:36,546 --> 00:37:38,882
♪ Release me from provision ♪
440
00:37:38,924 --> 00:37:41,259
♪ Let realize my vision ♪
441
00:37:41,301 --> 00:37:46,932
♪ Let me join in
your Freedom Song ♪
442
00:37:50,686 --> 00:37:52,646
Anne Rynne, fantastic stuff.
443
00:37:55,190 --> 00:37:56,775
I never learned music.
I never learned.
444
00:37:56,817 --> 00:37:58,610
I wouldn't even know a note.
Another note.
445
00:37:59,152 --> 00:38:01,405
Uh, I just learned.
I went Boston.
446
00:38:02,239 --> 00:38:05,742
When I was 17 I went in--
over to Europe in Boston,
447
00:38:05,784 --> 00:38:08,620
then I arrived
in Doolin somehow and never--
448
00:38:08,662 --> 00:38:14,126
never left Claire since people
that love music come here.
449
00:38:14,167 --> 00:38:16,753
[guitar strumming]
450
00:38:54,791 --> 00:38:57,711
I can't relate to normal people
451
00:38:57,753 --> 00:39:00,589
because I can't imagine
life without music.
452
00:39:00,630 --> 00:39:02,424
It's everything for me.
453
00:39:02,466 --> 00:39:08,096
Like it's my therapy,
it's my, uh, release of emotion.
454
00:39:08,138 --> 00:39:12,934
Um, it's kind of, yeah,
it's-- it's my social life.
455
00:39:14,144 --> 00:39:16,313
[Eoin] I'm just happy to be part
of the community the same as
456
00:39:16,354 --> 00:39:19,107
a electrician or a plumber
or a school teacher or whatever.
457
00:39:19,149 --> 00:39:20,901
I'd be the music person.
458
00:39:20,942 --> 00:39:23,779
So once I can make a living
the same as anybody else,
459
00:39:23,820 --> 00:39:25,697
I'm-- I'm real happy.
So I play like about
460
00:39:25,739 --> 00:39:27,532
as many gigs a week as possible.
461
00:39:28,533 --> 00:39:30,368
I do make a living
and I'm very happy about that.
462
00:39:31,495 --> 00:39:34,206
[on the radio]
Clare FM at the heart of it.
463
00:39:35,791 --> 00:39:38,168
Good evening. All great
and powerful music this evening
464
00:39:38,210 --> 00:39:39,753
especially the songs
from Anne Rynne,
465
00:39:39,795 --> 00:39:40,879
Christine in Germany.
466
00:39:57,521 --> 00:40:01,233
{\an8}My name is Terrence Mc Cormac
or Ted for short.
467
00:40:02,067 --> 00:40:04,111
{\an8}And that's it.
I'm from Dublin originally,
468
00:40:04,152 --> 00:40:06,029
{\an8}but I came here
30-odd years ago.
469
00:40:06,071 --> 00:40:09,157
{\an8}Ran away from home
and I never went back.
470
00:40:34,516 --> 00:40:36,726
["From Clare to Here"]
471
00:40:36,768 --> 00:40:39,604
♪ Where there's four
of us who shared this room ♪
472
00:40:39,646 --> 00:40:42,190
♪ And we were caught up
in the brass ♪
473
00:40:42,232 --> 00:40:47,821
♪ And getting up late on Sundays
and we'll never get to Mass ♪
474
00:40:47,863 --> 00:40:52,742
♪ It's a long,
long way from Clare to here ♪
475
00:40:52,784 --> 00:40:57,581
♪ It's a long,
long way from Clare to here ♪
476
00:40:57,622 --> 00:41:00,417
♪ Oh, it's a long, long way ♪
477
00:41:00,458 --> 00:41:03,670
♪ It get's further day
by day ♪
478
00:41:03,712 --> 00:41:07,424
♪ It's a long,
long way from Clare to here ♪
479
00:41:07,465 --> 00:41:09,885
♪ And it always breaks
my heart... ♪
480
00:41:09,926 --> 00:41:11,720
[Eoin] You know, there is
nothing wrong with having lots
481
00:41:11,761 --> 00:41:13,722
of restaurants and lots
of coffee shops and a new hotel.
482
00:41:14,431 --> 00:41:15,807
There's still music in
all the pubs.
483
00:41:15,849 --> 00:41:16,975
Like, it's fantastic.
484
00:41:18,560 --> 00:41:20,478
They're bringing people in
so I can play.
485
00:41:21,188 --> 00:41:23,148
I don't-- no, no.
486
00:41:23,190 --> 00:41:25,400
I mean, everywhere
has changed in 40 years.
487
00:41:25,442 --> 00:41:27,068
Everywhere has changed.
488
00:41:27,110 --> 00:41:28,612
I don't see any reason
why Doolin shouldn't.
489
00:41:29,487 --> 00:41:31,448
You know, you can live in the
past where it's really boring
490
00:41:31,489 --> 00:41:33,658
and absolutely useless.
491
00:41:33,700 --> 00:41:38,330
♪ It's a long,
long way from Clare to here ♪
492
00:41:38,371 --> 00:41:44,085
♪ Yes it's a long,
long way from Clare to here ♪
493
00:41:45,420 --> 00:41:49,925
[crowd cheering
and applauding]
494
00:41:49,966 --> 00:41:54,512
I have so much respect
for musicians who decide
495
00:41:54,554 --> 00:41:58,058
to go full-time and to make
that their sole way of living.
496
00:41:59,726 --> 00:42:02,896
I'm kinda jealous as well 'cause
I'd love to do it full-time.
497
00:42:03,563 --> 00:42:05,774
'Cause I just love--
I love playing.
498
00:42:05,815 --> 00:42:09,110
I love the social interactions.
I love everything about it.
499
00:42:09,152 --> 00:42:10,862
But I have massive respect
for people who just say,
500
00:42:10,904 --> 00:42:14,532
I'm gonna go
and do that full-time.
501
00:42:14,574 --> 00:42:16,910
I'm a single mom and
I'm rearing my daughter here.
502
00:42:16,952 --> 00:42:19,746
And I-I have to have
that security otherwise
503
00:42:19,788 --> 00:42:21,581
the mortgage doesn't get paid.
504
00:42:21,623 --> 00:42:23,833
And, you know,
it's not feasible for me
505
00:42:23,875 --> 00:42:27,087
to go out four or five nights
a week 'cause I have her.
506
00:42:29,506 --> 00:42:32,050
Sorry, my daughter's
making faces at me.
507
00:42:32,092 --> 00:42:37,764
[laughing]
We'll just give her a minute.
508
00:42:40,642 --> 00:42:42,852
{\an8}Would you like slice
of lemon with that?
509
00:42:46,314 --> 00:42:50,485
[laughing] I'd hate to just
another ten years,
510
00:42:50,527 --> 00:42:52,487
12 years down the line
look back and go,
511
00:42:53,196 --> 00:42:55,365
"Why didn't you just
take more time out for yourself?
512
00:42:55,407 --> 00:42:59,411
Or why didn't you, you know,
why weren't you less tired
513
00:42:59,452 --> 00:43:01,371
when you were rearing
your daughter?"
514
00:43:01,413 --> 00:43:06,251
[Christy singing] Okay,
I'm going to try it again now.
515
00:43:07,460 --> 00:43:11,464
[accordion playing]
516
00:43:17,178 --> 00:43:19,597
- No. No.
- Wrong?
517
00:43:19,639 --> 00:43:21,474
- Am I getting it wrong?
- All wrong.
518
00:43:22,100 --> 00:43:23,977
- All wrong?
- All wrong.
519
00:43:24,019 --> 00:43:26,187
Okay, I'm going to--
I'm gonna have a go again.
520
00:43:26,229 --> 00:43:27,814
- [accordion playing]
- Yeah.
521
00:43:32,861 --> 00:43:35,697
No, you know the tune.
522
00:43:35,739 --> 00:43:37,073
Will you give it a go?
523
00:43:37,699 --> 00:43:40,327
All right.
[whispers] After you.
524
00:43:41,411 --> 00:43:45,999
[tin whistle playing]
525
00:44:14,110 --> 00:44:15,403
[Biddy] Isn't that lovely?
526
00:44:16,654 --> 00:44:18,031
[Christy]
Put it there, my friend.
527
00:44:18,073 --> 00:44:19,324
[laughing]
528
00:44:19,366 --> 00:44:21,117
[Christy] Fantastic.
529
00:44:22,786 --> 00:44:24,954
[Katie] I think I have one
CD in me and I'm--
530
00:44:24,996 --> 00:44:26,664
I'm going to get it out there.
531
00:44:27,499 --> 00:44:29,501
Because it's mad I'm trying
to fit it in between
532
00:44:30,126 --> 00:44:33,963
working and rearing my daughter
and like stealing a day
533
00:44:34,005 --> 00:44:35,882
here and there and going up
to Dublin on the bus
534
00:44:36,549 --> 00:44:39,594
and recording it and coming--
Oh, it's just, you know,
535
00:44:39,636 --> 00:44:41,429
it's like something is
unfinished.
536
00:44:42,180 --> 00:44:44,808
If you feel it, you have that in
you and you want to just do it
537
00:44:44,849 --> 00:44:47,644
just to say that's, you know,
that's something I've achieved.
538
00:44:47,685 --> 00:44:52,232
And it's-- it's out there and
it'll be there for-- forever.
539
00:44:52,273 --> 00:44:55,402
You know, for my daughter,
and her children, grandchildren,
540
00:44:55,443 --> 00:44:57,487
to listen to down the line
when I'm gone, it's there.
541
00:44:57,529 --> 00:44:58,947
You know, it's-- it's a--
542
00:44:59,823 --> 00:45:02,617
it's a kind of way of saying,
you know, I was here.
543
00:45:02,659 --> 00:45:06,287
["City of Chicago"
by Luka Bloom]
544
00:45:08,373 --> 00:45:13,128
[Luka] So in 1984, I'm sitting
in my then apartment in Dublin.
545
00:45:13,169 --> 00:45:18,341
My brother, uh, Andy
comes with his wife Sandra
546
00:45:19,384 --> 00:45:22,846
and their two kids,
Gavin, uh, and Killian.
547
00:45:22,887 --> 00:45:25,765
And they're passing through
on their way to Dublin airport
548
00:45:26,516 --> 00:45:27,934
because they're
going to America.
549
00:45:27,976 --> 00:45:31,396
And they weren't going
on holidays.
550
00:45:31,438 --> 00:45:32,772
They were going away.
551
00:45:37,110 --> 00:45:39,904
♪ In the city of Chicago ♪
552
00:45:42,740 --> 00:45:45,660
♪ As the evening
shadows fall ♪
553
00:45:47,871 --> 00:45:50,999
♪ There are people dreaming ♪
554
00:45:53,334 --> 00:45:56,087
♪ Of the hills of Donegal ♪
555
00:46:00,800 --> 00:46:02,510
And I remember
when they left the house,
556
00:46:02,552 --> 00:46:05,972
I-I just--
I was absolutely devastated.
557
00:46:06,806 --> 00:46:11,060
I just-- I couldn't believe how,
um, upset I was.
558
00:46:11,102 --> 00:46:12,729
I didn't realize it at the time.
559
00:46:12,770 --> 00:46:14,397
I think I tapped into a feeling
560
00:46:15,190 --> 00:46:17,817
that generations of Irish people
had saying goodbye.
561
00:46:17,859 --> 00:46:20,361
So when you wave
goodbye to someone
562
00:46:20,403 --> 00:46:22,280
a hundred years ago,
you were saying goodbye
563
00:46:22,322 --> 00:46:24,115
to someone you were never
gonna see again.
564
00:46:24,157 --> 00:46:26,618
Even though I didn't
really think that at that time,
565
00:46:27,327 --> 00:46:29,329
in 1984, I felt that.
566
00:46:31,164 --> 00:46:32,707
And, uh, so I wrote this song.
567
00:46:33,416 --> 00:46:35,543
♪ Eighteen forty-seven ♪
568
00:46:35,585 --> 00:46:37,712
♪ Was the year it all began ♪
569
00:46:38,630 --> 00:46:40,632
♪ Deadly pains of hunger ♪
570
00:46:40,673 --> 00:46:43,009
♪ Drove a million
from this land ♪
571
00:46:45,053 --> 00:46:47,514
♪ They journeyed not
for glory ♪
572
00:46:47,555 --> 00:46:50,016
♪ Their motive wasn't greed ♪
573
00:46:50,642 --> 00:46:52,477
♪ A voyage of survival ♪
574
00:46:52,519 --> 00:46:55,813
♪ Far across the stormy seas ♪
575
00:46:58,399 --> 00:47:00,944
♪ To the City of Chicago ♪
576
00:47:03,196 --> 00:47:06,491
♪ As the evening shadows fall ♪
577
00:47:08,409 --> 00:47:12,956
♪ There are people dreaming ♪
578
00:47:13,831 --> 00:47:16,668
♪ Of the hills of Donegal ♪
579
00:47:36,271 --> 00:47:39,691
[music stops]
580
00:47:47,198 --> 00:47:49,784
{\an8} ♪ To the City of Chicago ♪
581
00:47:50,910 --> 00:47:53,621
♪ As the evening shadows fall ♪
582
00:47:55,790 --> 00:47:59,836
♪ There are people dreaming ♪
583
00:47:59,877 --> 00:48:02,463
It's amazing. I remember after
one rehearsal with Luka,
584
00:48:02,964 --> 00:48:04,716
I was at home and I was
thinking, wow, like,
585
00:48:04,757 --> 00:48:06,718
when I was younger,
586
00:48:06,759 --> 00:48:09,554
one of my favorite songs was
"City of Chicago."
587
00:48:09,596 --> 00:48:11,848
And we had been practicing it
at his house.
588
00:48:11,889 --> 00:48:14,517
Suddenly realized like,
Jesus, man,
589
00:48:15,268 --> 00:48:18,771
one of my favorite songs
when I was a kid was that song.
590
00:48:18,813 --> 00:48:20,940
And now I'm sitting in
the guy's kitchen singing it
591
00:48:20,982 --> 00:48:22,859
with the guy who wrote it.
592
00:48:24,152 --> 00:48:27,238
Wouldn't it be great to
write something that's gonna be
593
00:48:27,280 --> 00:48:32,577
around for the next 400,
500 years, like, forever?
594
00:49:12,075 --> 00:49:16,537
[indistinct chatter]
595
00:49:25,546 --> 00:49:29,342
["Hector the Hero"]
596
00:49:34,722 --> 00:49:37,183
[Eoin] I think people all over
the world of Irish music
597
00:49:37,225 --> 00:49:38,643
have been plain tunes
for the last few days
598
00:49:38,685 --> 00:49:39,852
in memory of Tommy Peoples.
599
00:49:41,771 --> 00:49:44,941
And, uh, they're like prayers,
most beautiful tunes.
600
00:49:44,982 --> 00:49:47,527
I think, uh,
Tommy People's music will be
601
00:49:47,985 --> 00:49:49,612
more important as time goes by.
602
00:49:49,654 --> 00:49:52,323
[music continues]
603
00:50:05,586 --> 00:50:06,713
Oh, yeah.
604
00:50:11,384 --> 00:50:13,511
Cheers. Mind yourself.
605
00:50:20,101 --> 00:50:22,603
Musicians are
very sensitive creatures.
606
00:50:24,105 --> 00:50:25,940
Like, I'm kinda new
to the whole--
607
00:50:25,982 --> 00:50:27,316
that whole world, you know.
608
00:50:28,693 --> 00:50:31,529
And they're extremely sensitive,
including myself.
609
00:50:31,571 --> 00:50:37,952
Like it's a-- it's a funny
kind of a-- kind of a monster.
610
00:50:42,582 --> 00:50:44,667
When I first went down
to college,
611
00:50:45,960 --> 00:50:47,920
one of our modules was
songwriting.
612
00:50:48,921 --> 00:50:53,092
The first assignment that we had
was to write a blues song.
613
00:50:54,260 --> 00:50:57,180
And, uh,
I guess I didn't really know
614
00:50:57,221 --> 00:51:01,476
anybody else in the class
and so I wrote like a joke song.
615
00:51:02,393 --> 00:51:07,523
So it was-- it was blues
and it was sort of sad,
616
00:51:08,191 --> 00:51:12,445
but it was also done
in a kind of a humorous way.
617
00:51:12,487 --> 00:51:15,823
Like, that was just my way of
just kind of hiding.
618
00:51:26,167 --> 00:51:28,377
But artists are always
hiding something, ain't they?
619
00:51:30,546 --> 00:51:32,965
{\an8}- Say that again?
- The motor CDs.
620
00:51:33,007 --> 00:51:34,550
{\an8}Oh, yeah. [laughing]
621
00:51:44,769 --> 00:51:48,981
[Ireland folk music playing
at the bar]
622
00:52:17,844 --> 00:52:20,888
[Ted] Oh, I have somebody coming
in twice a week, you know.
623
00:52:20,930 --> 00:52:23,015
I do my own laundry,
of course, you know what I mean?
624
00:52:23,057 --> 00:52:24,851
And-- and-- but she comes in
625
00:52:24,892 --> 00:52:26,519
and she'll tidy up just
the basic, you know.
626
00:52:27,311 --> 00:52:29,939
It's supplied by the government
an hour and a half,
627
00:52:29,981 --> 00:52:31,399
twice a week.
628
00:52:31,440 --> 00:52:33,150
And my kids,
who live away from me,
629
00:52:33,192 --> 00:52:35,111
they're happy that she comes
in because at least
630
00:52:35,152 --> 00:52:37,321
I'll be only three days dead
when they find me.
631
00:52:37,363 --> 00:52:40,366
Like, at the most. [laughing]
632
00:52:42,869 --> 00:52:45,079
I'll still be fairly fresh
after three days, you know.
633
00:52:45,121 --> 00:52:47,206
[laughing]
634
00:52:47,248 --> 00:52:48,791
You know,
you've heard of these stories
635
00:52:48,833 --> 00:52:51,335
about people being found
dead weeks in the house,
636
00:52:51,377 --> 00:52:53,671
lonely people, like,
you know what I mean?
637
00:52:54,255 --> 00:52:56,382
And, uh, if they haven't
got the wherewithal to--
638
00:52:56,424 --> 00:52:58,426
to force themselves out.
639
00:52:58,467 --> 00:53:01,721
Great song that I used to sing
about a guy called Matty.
640
00:54:12,249 --> 00:54:15,920
[Irish folk music playing]
641
00:54:17,922 --> 00:54:20,383
[indistinct chatter]
642
00:54:51,497 --> 00:54:54,458
I couldn't sing a song
without having a pint.
643
00:54:54,500 --> 00:54:56,460
I couldn't.
If you said, "Sing a song."
644
00:54:56,502 --> 00:54:59,088
I'd go,
"Gimme two or three more of
645
00:54:59,130 --> 00:55:00,589
these now and I'd sing,"
you know.
646
00:55:01,674 --> 00:55:03,926
You know, going in--
going into a session,
647
00:55:03,968 --> 00:55:07,096
getting paid for your session
and putting it behind
648
00:55:07,138 --> 00:55:09,724
the counter number one,
like your-- your music
649
00:55:09,765 --> 00:55:12,018
has basically paid
for your drink for the night.
650
00:55:12,059 --> 00:55:14,395
Do you know it's exhausting.
651
00:55:15,229 --> 00:55:17,314
I'd know a lot of musicians
who kinda battle
652
00:55:17,356 --> 00:55:19,191
with depression as well,
do you know?
653
00:55:19,233 --> 00:55:25,197
And you just know that
it's a source of-- of comfort.
654
00:55:25,698 --> 00:55:29,785
But at the same time,
it can be part of the problem.
655
00:55:31,871 --> 00:55:33,414
Like drinking music,
656
00:55:33,456 --> 00:55:35,541
like hand in hand
there's no doubt about it.
657
00:55:38,252 --> 00:55:41,714
I had depression anyway and
it wasn't making it any better.
658
00:55:41,756 --> 00:55:45,051
And, you know,
I'd go out and I'd be the life
659
00:55:45,092 --> 00:55:49,638
and soul of the party and I'd
have a great night and you know,
660
00:55:49,680 --> 00:55:52,433
in the end, like I'd-- I'd go
home and it would just be quiet.
661
00:55:52,475 --> 00:55:55,311
And we were like,
"Was that real?
662
00:55:55,352 --> 00:55:57,396
Is that genuine?
Is it--" you know,
663
00:55:57,438 --> 00:56:01,192
and then like, feeling like crap
for two or three days,
664
00:56:01,233 --> 00:56:03,527
waiting for the weekend
to come along.
665
00:56:03,569 --> 00:56:06,238
I'd love to be that girl
that could drink her ten pints
666
00:56:06,280 --> 00:56:09,700
and it'd have no effect and have
great crack and not get down.
667
00:56:09,742 --> 00:56:12,119
And I'd only love
to be able to do it.
668
00:56:12,161 --> 00:56:15,498
But I-I wasn't any more
for a finish. Do you know?
669
00:56:15,539 --> 00:56:18,375
I was often ended up crying
at the end of the night.
670
00:56:18,417 --> 00:56:20,961
"No one will give me a gig.
I'm no good on the whistle.
671
00:56:21,003 --> 00:56:22,379
I'm blah--" you know.
672
00:56:23,255 --> 00:56:25,382
And one night I heard
myself and I was like,
673
00:56:25,424 --> 00:56:28,594
"Oh, God,
I wouldn't give me a gig."
674
00:56:28,636 --> 00:56:30,679
[laughing] Do you know?
675
00:56:35,309 --> 00:56:36,811
I was in counseling again.
676
00:56:36,852 --> 00:56:38,437
You would be there quite a bit.
677
00:56:38,479 --> 00:56:40,397
And she kinda said,
"Now, do you drink much?"
678
00:56:42,149 --> 00:56:46,654
I says, "Eh, not really.
I don't drink during the week.
679
00:56:46,695 --> 00:56:48,405
Like, I don't drink at home,
but I go out
680
00:56:48,447 --> 00:56:50,407
and I'll have a few scoops,
uh, at the weekend."
681
00:56:50,449 --> 00:56:52,201
And she says,
"How many scoops is a few?"
682
00:56:52,243 --> 00:56:57,373
And I was like, "Eh, so,
we have about ten pints,
683
00:56:57,414 --> 00:56:59,083
uh, Friday night.
684
00:56:59,125 --> 00:57:02,753
And sure then if we'd go out
during Saturday,
685
00:57:03,587 --> 00:57:06,173
we'd probably have-- nearly
have 15, 20 pints that day."
686
00:57:06,215 --> 00:57:07,883
Is when she was like--
687
00:57:08,968 --> 00:57:13,222
[Kieran] It stems from culture
steeped in kinda drug abuse.
688
00:57:13,264 --> 00:57:15,015
Like, you know.
689
00:57:15,057 --> 00:57:17,810
And I'm talking mostly
about alcohol, like,
690
00:57:18,602 --> 00:57:22,731
and it being totally okay
to be a fully-fledged alcoholic.
691
00:57:22,773 --> 00:57:25,192
People they don't know,
including myself,
692
00:57:25,234 --> 00:57:27,778
how do you deal with
sort of mental health issues.
693
00:57:27,820 --> 00:57:29,697
Like, if somebody's
physically sick,
694
00:57:29,738 --> 00:57:31,949
you can help 'em out,
comfort 'em,
695
00:57:31,991 --> 00:57:35,703
or give them a glass
of water or something, you know?
696
00:57:35,744 --> 00:57:39,165
But, uh,
it comes to mental illness,
697
00:57:39,206 --> 00:57:44,295
it's-- it's a tough one
because most of the time here
698
00:57:44,336 --> 00:57:46,005
people avoid it like the plague.
699
00:57:46,797 --> 00:57:48,883
The generation before me,
you would never,
700
00:57:48,924 --> 00:57:50,426
ever talk about it.
701
00:57:50,467 --> 00:57:52,386
You just have to live with it.
702
00:57:52,428 --> 00:57:55,931
Like, uh, it was just like,
the attitude towards a lot of
703
00:57:55,973 --> 00:57:59,560
things is you just
don't talk about it, you know?
704
00:58:34,094 --> 00:58:37,223
[Anne] For the last ten years
or so since the crash, really,
705
00:58:37,264 --> 00:58:40,267
we've had an awful lot
of suicides in this area and,
706
00:58:40,309 --> 00:58:44,146
uh, it's, uh, deeply
disturbing and deeply troubling.
707
00:58:44,939 --> 00:58:47,691
And, um,
I was at such a funeral one day
708
00:58:47,733 --> 00:58:49,777
and sitting beside
a woman who's had suicide.
709
00:58:49,818 --> 00:58:52,529
And then as people are
going up and down to communion,
710
00:58:52,571 --> 00:58:55,366
I counted about ten women
that I recognized
711
00:58:55,407 --> 00:58:57,868
who'd had suicides
in their family, I mean.
712
00:58:57,910 --> 00:58:59,912
{\an8}[nostalgic music playing]
713
00:59:18,889 --> 00:59:20,557
It's a very lonely place.
714
00:59:21,100 --> 00:59:25,020
I know a lot of musicians
are very empathic people.
715
00:59:28,232 --> 00:59:30,192
I just think we need to just go,
do you know what,
716
00:59:30,234 --> 00:59:32,111
if you have depression,
there's nothing wrong with you.
717
00:59:32,152 --> 00:59:33,779
It's all right that
you feel like that.
718
00:59:35,030 --> 00:59:39,535
Because there's plenty others
that are in a similar situation.
719
00:59:39,576 --> 00:59:41,662
Like, I could take to the bed
for two or three days
720
00:59:41,704 --> 00:59:47,751
and I'd be-- I wouldn't be
into talking to anyone.
721
00:59:47,793 --> 00:59:49,503
Or when you're there, you just--
722
00:59:49,545 --> 00:59:51,463
but you just have to ride it
out, you know?
723
00:59:52,298 --> 00:59:55,175
I know from experience now it's
not going to last, you know.
724
00:59:55,217 --> 00:59:56,844
In fact,
things are a lot better since
725
00:59:56,885 --> 00:59:58,595
I give up to drink,
but that's my own stuff.
726
01:00:01,181 --> 01:00:04,101
When somebody is sick or when
they're dying, then you realize
727
01:00:04,143 --> 01:00:06,228
that it is actually a family,
community, family kind of thing.
728
01:00:06,645 --> 01:00:08,480
You don't think about it
if something happens
729
01:00:08,522 --> 01:00:10,024
and you realize we're part of
something, all right.
730
01:00:10,566 --> 01:00:13,736
Which is great,
even though we're all loners.
731
01:00:13,777 --> 01:00:16,947
[announcer on radio]
732
01:00:16,989 --> 01:00:18,699
It's funny that how [indistinct]
can be a community.
733
01:00:20,868 --> 01:00:22,411
Nice.
734
01:00:22,453 --> 01:00:23,787
Woo-hoo. We're back.
735
01:00:31,670 --> 01:00:33,922
And we're back
and the text flying in.
736
01:00:33,964 --> 01:00:37,634
086 1800 964 if you so wish.
737
01:00:37,676 --> 01:00:39,345
Hi, both tuned in.
738
01:00:39,386 --> 01:00:41,180
Just learned my first reel,
the knotted card.
739
01:00:41,221 --> 01:00:42,723
That's from Chris and Maria.
740
01:00:42,765 --> 01:00:45,225
Here's another track
from [indistinct].
741
01:00:45,267 --> 01:00:48,812
[Irish folk music playing]
742
01:01:25,682 --> 01:01:29,269
[wind whistling]
743
01:01:34,233 --> 01:01:35,818
[Katie] Music has brought me
through kind of probably
744
01:01:35,859 --> 01:01:38,821
the worst stages of my life,
to be honest.
745
01:01:38,862 --> 01:01:41,365
Whether it be listening to it or
playing it or singing it out.
746
01:01:41,990 --> 01:01:45,244
Um, without it,
I don't think
747
01:01:45,285 --> 01:01:47,121
I'd be here
to be honest with you.
748
01:01:47,162 --> 01:01:50,624
["Week After Easter"]
749
01:03:30,807 --> 01:03:35,395
[music continues]
750
01:03:43,487 --> 01:03:45,447
[indistinct] about
two years ago.
751
01:03:45,489 --> 01:03:48,033
And the nerves were there again.
752
01:03:48,075 --> 01:03:49,952
Once I gave up drinking,
I was thinking,
753
01:03:49,993 --> 01:03:52,162
"I'll go to these little
quiet sessions and I'll just do
754
01:03:52,204 --> 01:03:54,039
my own thing and I'll go
away home again," you know?
755
01:03:54,081 --> 01:03:56,625
But I got a new whistle and,
uh, I fell in love with
756
01:03:56,667 --> 01:03:58,502
this whistle and I was like,
"Well, I have to drive--
757
01:03:58,544 --> 01:04:00,796
I have to test drive this
whistle." So I was like, right.
758
01:04:01,672 --> 01:04:06,802
Deep breath and sat there
and played for 14 hours.
759
01:04:06,843 --> 01:04:08,637
And I left that night.
760
01:04:08,679 --> 01:04:11,431
I didn't even think about
drink and it was such a buzz.
761
01:04:11,473 --> 01:04:13,892
And I got into the car
and I drove out of Milltown
762
01:04:13,934 --> 01:04:15,769
with such a massive smile.
I was like,
763
01:04:15,811 --> 01:04:18,897
"It's all right.
I can actually do this."
764
01:04:22,276 --> 01:04:25,070
[Eoin] So many of us have been
waiting for-- for so long
765
01:04:25,112 --> 01:04:29,074
and we're delighted that
Katie Theasby, her new album
766
01:04:29,116 --> 01:04:35,038
I Remember You Singing is
released, out, available.
767
01:04:35,080 --> 01:04:36,957
[Eoin on the radio] And I'm
delighted that she's here
768
01:04:36,999 --> 01:04:39,334
in the studio here with me.
How are you, Katie?
769
01:04:39,376 --> 01:04:41,336
[Katie on the radio]
Pure, delighted. Yeah.
770
01:04:41,378 --> 01:04:43,380
[Eoin] After-- because it's
been a few years in the process.
771
01:04:43,422 --> 01:04:45,924
[Katie] It has-- it is such
a relief to have it done.
772
01:04:45,966 --> 01:04:47,634
[Eoin] You're putting your heart
and soul into these songs.
773
01:04:47,676 --> 01:04:49,553
It-- it-- that can be hard.
774
01:04:49,595 --> 01:04:52,222
[Katie] When my dad died,
I was actually in counseling
775
01:04:52,264 --> 01:04:54,600
at the time because I found
I wasn't crying and I wasn't--
776
01:04:54,641 --> 01:04:57,352
I was just putting up a wall,
you know?
777
01:04:57,394 --> 01:04:59,646
And she said, "You know,
just to mind yourself
778
01:04:59,688 --> 01:05:02,107
because it might hit you
like a train one day."
779
01:05:02,149 --> 01:05:05,319
And she says,
"Do-- do a few things that you--
780
01:05:05,861 --> 01:05:08,655
that you feel might,
you know, help you kinda grieve
781
01:05:08,697 --> 01:05:11,617
a little bit and start
that part of the process going."
782
01:05:11,658 --> 01:05:13,619
And so I'd say for a few months,
783
01:05:13,660 --> 01:05:15,996
I used to go out at lunchtime
when I used to sit in the car.
784
01:05:16,622 --> 01:05:20,292
You know, Paddy Keenan
and The Piper he has a slow air.
785
01:05:20,334 --> 01:05:23,920
It's called Johnny's--
"Johnny's Tune, For The Avalon."
786
01:05:23,962 --> 01:05:26,798
And it is amazing.
787
01:05:27,424 --> 01:05:30,761
It starts off-- it starts
off on the low D whistle
788
01:05:31,219 --> 01:05:34,389
and it's just really
haunting and beautiful
789
01:05:34,431 --> 01:05:36,933
and let's just think
this is something else.
790
01:05:36,975 --> 01:05:39,853
And then just when you think
it can't get any better,
791
01:05:39,895 --> 01:05:42,481
the pipes kick in and they just
like flour you.
792
01:05:42,522 --> 01:05:45,901
You know, that's when
the tears come and do you know--
793
01:05:45,942 --> 01:05:47,861
["I Remember You Singing
This Song" by Katie Theasby]
794
01:05:47,903 --> 01:05:49,696
It is Katie Theasby.
795
01:05:49,738 --> 01:05:54,826
♪ I remember you singing
this song Ma ♪
796
01:05:55,661 --> 01:06:00,666
♪ I remember how you blushed
when you smiled ♪
797
01:06:04,002 --> 01:06:10,467
♪ Love has a way of
never letting go ♪
798
01:06:12,803 --> 01:06:19,101
♪ Silly teardrops,
they're filling my eyes ♪
799
01:06:20,769 --> 01:06:28,026
♪ I remember the day
my mother passed on ♪
800
01:06:28,068 --> 01:06:34,074
♪ My father had gone
just a while ♪
801
01:06:35,617 --> 01:06:41,915
♪ I sat in the church
and I listened to one ♪
802
01:06:45,293 --> 01:06:51,883
♪ From a distance
I heard this old song ♪
803
01:06:53,343 --> 01:06:59,933
♪ I wonder
if he's teasing you now Ma ♪
804
01:07:01,017 --> 01:07:04,229
♪ I wonder
if he's holding... ♪
805
01:07:04,271 --> 01:07:06,189
[Eoin] Our favorite songs are
the sad songs.
806
01:07:06,231 --> 01:07:08,775
It's in our, um, DNA.
807
01:07:09,609 --> 01:07:12,195
We don't know why,
but the sad music works for us.
808
01:07:14,030 --> 01:07:16,533
People have-- people
kinda study that stuff,
809
01:07:16,575 --> 01:07:18,994
you know, the famine.
It's only 150 years ago.
810
01:07:19,035 --> 01:07:20,662
Like, you know, so.
811
01:07:20,704 --> 01:07:22,873
Like, we don't even know
why we're sad. [laughing]
812
01:07:25,459 --> 01:07:33,049
♪ Sure I know,
you're together somehow ♪
813
01:07:36,261 --> 01:07:38,555
The wonderful Katie Theasby
and that song
814
01:07:38,597 --> 01:07:40,974
that I haven't stopped playing
since it came out.
815
01:07:41,016 --> 01:07:43,351
At the end of the day,
music is what's it's
816
01:07:43,393 --> 01:07:45,854
inside ya' and you want
to put it out there.
817
01:07:45,896 --> 01:07:47,773
And if it comforts
somebody in some way,
818
01:07:47,814 --> 01:07:49,316
that's what it's about.
819
01:07:50,817 --> 01:07:52,486
[door creaks]
820
01:07:52,527 --> 01:07:54,738
[clears throat]
821
01:08:03,663 --> 01:08:04,873
[exhales]
822
01:08:16,927 --> 01:08:20,514
[indistinct chatter]
823
01:08:41,660 --> 01:08:44,329
{\an8}["The Call and the Answer"
by The Dubliners]
824
01:08:44,371 --> 01:08:48,583
{\an8} ♪ You will call and I ran ♪
825
01:08:48,625 --> 01:08:53,797
{\an8} ♪ Wild as the wind which
rows across the moor ♪
826
01:08:53,839 --> 01:08:59,261
{\an8} ♪ All we need is each other ♪
827
01:08:59,302 --> 01:09:03,723
{\an8} ♪ With the eagles
we will soar ♪
828
01:09:03,765 --> 01:09:09,479
{\an8} ♪ You are the call
I'm the answer ♪
829
01:09:09,521 --> 01:09:13,358
{\an8} ♪ You are the wish
and I am the way ♪
830
01:09:13,400 --> 01:09:18,989
{\an8} ♪ You're the music,
I the dancer ♪
831
01:09:19,030 --> 01:09:23,243
{\an8} ♪ You are the night
and I am the day ♪
832
01:09:23,285 --> 01:09:27,455
{\an8} ♪ You are the night
and I am the day ♪
833
01:09:27,497 --> 01:09:33,211
{\an8} ♪ You will call and I ran ♪
834
01:09:33,253 --> 01:09:38,592
{\an8} ♪ Wild as the wind which
rows across the moor ♪
835
01:09:38,633 --> 01:09:43,013
{\an8} ♪ All we need is each other ♪
836
01:09:43,054 --> 01:09:48,476
{\an8} ♪ With the eagles
we will soar ♪
837
01:09:48,518 --> 01:09:54,065
{\an8} ♪ You are the call
I'm the answer ♪
838
01:09:54,107 --> 01:09:58,028
{\an8} ♪ You are the wish
and I am the way ♪
839
01:09:58,069 --> 01:10:02,324
{\an8} ♪ You're the music,
I the dancer ♪
840
01:10:02,365 --> 01:10:07,704
{\an8} ♪ You are the night
and I am the day ♪
841
01:10:07,746 --> 01:10:11,833
{\an8} ♪ You are the night
and I am the day ♪
842
01:10:13,001 --> 01:10:14,419
[indistinct]
843
01:10:14,461 --> 01:10:17,756
[crowd applauding, cheering]
844
01:10:26,306 --> 01:10:30,644
[indistinct chatter]
845
01:10:58,046 --> 01:11:01,841
[Irish folk music playing]
846
01:12:15,623 --> 01:12:21,463
[crowd applauding, cheering]
847
01:12:23,590 --> 01:12:26,342
[Eoin] Yeah. It's time
for me to head for the hills.
848
01:12:26,384 --> 01:12:28,887
[Irish Celtic fiddle
music playing]
849
01:12:28,928 --> 01:12:30,305
Here's Adam Shapiro
on the Fiddle.
850
01:12:31,097 --> 01:12:33,183
He'll be playing tomorrow
night with the rest of us.
851
01:12:36,853 --> 01:12:38,563
Might see some of you there.
852
01:12:38,605 --> 01:12:40,899
[indistinct] enjoy
the show tonight. Bye-bye.
853
01:12:42,776 --> 01:12:44,360
Oh, yeah.
See you on Sunday morning
854
01:12:44,402 --> 01:12:46,112
between eight
and ten, early.
855
01:12:47,072 --> 01:12:48,782
We'll be playing Katie's
weekend anyway.
856
01:12:48,823 --> 01:12:53,161
[music continues]
857
01:13:43,253 --> 01:13:46,631
[music stops]