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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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(eerie music)

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(eerie music continues)

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- [Thief] It gleams every night,

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crime scene tape, phosphorescent
in the dark woods.

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It guards between human intellect

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and the sentience of nature.

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(eerie music continues)

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(eerie music continues)

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Consider your feelings for a
lone hawk soaring in the sky.

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Now consider it mantling
over a little rabbit

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and the squawk, squawk,
squawk of dying life.

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The crime scene tape flaps
between these two images,

15
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between the religious
feeling of the soaring hawk

16
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and the frozen moment when
we see what's on its talons.

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Consider the fern that covers
the surface of the water,

18
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spreading to make a feast of the light

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and everything below is held
in darkness, starving slow.

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Between the survival of the fern

21
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and the deaths of the
darkened plants and fish,

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that is where we put a barrier
to mark evidence of a crime.

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This tape we put up,
it's a strange legality,

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a symbol of our
exclusively human concerns.

25
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Cut through it.

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Come into an extra-human reality.

27
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(eerie music continues)

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(creepy music)

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(creepy music continues)

30
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- What's the first macabre
thing you remember?

31
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- I remember being a
kid, four, maybe five,

32
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waking up to discover a streak
of dried blood on my pillow

33
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and wondering, from my ears,
from my nose, from my eyes?

34
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- Blood from the eyes. That's rich.

35
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Like a detail from one of your stories.

36
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I don't remember that, you're
coming awake, bleeding.

37
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- Probably, it was a dream.

38
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Crows attacking fairies,
tumbling bloody in the sky.

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I used to to dream like that all the time.

40
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So vivid there'd be
remnant outside my head,

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a stain upon my pillow.

42
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(eerie music)

43
00:03:27,221 --> 00:03:30,554
(eerie music continues)

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(eerie music continues)

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(insects chirring)

46
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(eerie music)

47
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(eerie music continues)

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(birds chirping)

49
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- I've been teaching my course

50
00:04:07,962 --> 00:04:10,632
on the contemporary novel for years.

51
00:04:10,632 --> 00:04:12,642
Then two years ago, I
started a night class

52
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on romantic poetry, emphasis
on the metaphysical.

53
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Coleridge, Baudelaire, Poe.

54
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- Are you still religious?

55
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- Not like we were before.

56
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- Of course not.

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- We should go in. It'll be dark soon.

58
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- You worried about snakes?

59
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- You are too. Don't lie.

60
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- There's some DVD's in
the cabin Horror movies.

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- Any bad ones?
- We can hope. (chuckles)

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(insects chirring)

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(eerie music)

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(eerie music continues)

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(eerie music continues)

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(insects chirring)

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- All horror movies are about
prying into private places

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and the discoveries are like
long falls through the dark.

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You have a story, your character Lizzie,

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searching through a family
member's private things.

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- Yes, Lizzie.

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She pays a secret visit to
her stepbrother's closet

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and falls through a trap door.

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- The fall of Lizzie, is it far?

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- A long tumble through the dark.

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- Into a basement?

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- More like a realm beneath the house.

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- Oh, I like that.

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- There's a troll down there

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and Lizzie's hurt her ankle from the fall.

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- She's defenseless, therefore prey.

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- The troll tells her
there are special laws.

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If she obeys these laws,
her ankle will heal

84
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and the puddle of blood
at her feet will rise

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into a ladder, which rung over rung

86
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she can climb all the
way up to the trap door.

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- What are the special laws?

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- The most special law
is this, no snooping,

89
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but of course, the troll lays it out

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in a biblically formal way.

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"Thou shall not cast
eyes in unwelcome places.

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Neither shall you open cabinetry

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or peek through curtains."

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That sort of thing.

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- But our Lizzie can't
resist a secret visit

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to a closet or quick peek into cabinetry.

97
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- No, she can't.

98
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- I'm trying to imagine a mind

99
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that rejoices in these stories.

100
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- I don't rejoice in them.

101
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- Do you all always write anonymously?

102
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- I really don't want the attention.

103
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Not for this kind of work.

104
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- What does body horror mean?

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- Blood spray.

106
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- Do all your stories spray blood?

107
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- Like a car wash.

108
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- Is it ritualistic, for revenge?

109
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- These aren't literary stories.

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The draw is mutilation.

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- You must know why that is,

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otherwise you wouldn't
be so successful at it.

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- Mutilation is like a search.

114
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It turns the characters
insides into outsides.

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Hidden things now seen, roughly exposed.

116
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- The reader's desire
to see private parts.

117
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- And knowing that it's
not all right to want that.

118
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- An appealing sense of shame.

119
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Like something from the
dark recesses of Puritanism.

120
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Shame and rage.

121
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- A reliable business model.

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(insects chirring)

123
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(Lizzie screaming)

124
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(boat engine rumbling)

125
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(tense music)

126
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(tense music continues)

127
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(tense music continues)

128
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(tense music continues)

129
00:08:43,931 --> 00:08:47,264
(tense music continues)

130
00:08:53,916 --> 00:08:57,249
(tense music continues)

131
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(tense music continues)

132
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Jorie, I called to you

133
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to make sense of what happened.

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You didn't answer.

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- [Jorie] It's taken me a long time.

136
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I'm sorry, but now I have a plan.

137
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A way for us to move past our troubles,

138
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into a future tense of joy.

139
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(soft dramatic music)

140
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(soft dramatic music continues)

141
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(insects chirring)
(crows cawing)

142
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- You bring me all the way
out here to a place that seems

143
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prehistoric to tell me about future joy?

144
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- I'll reveal everything soon,

145
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but first, let me catch up with you.

146
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I didn't realize how much
I had ached to see you.

147
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(soft dramatic music)

148
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(crows cawing)

149
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(eerie music)

150
00:10:40,421 --> 00:10:43,754
(eerie music continues)

151
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(soft dramatic music)

152
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(soft dramatic music)

153
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Not the intent of suicide.

154
00:11:17,442 --> 00:11:22,095
An image of floating just
below the surface of the water.

155
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Pale as stone, empty,

156
00:11:28,152 --> 00:11:31,185
trailed by fish and birds.

157
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No, the ideation of suicide.

158
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To imagine the migraine of
consciousness over and done.

159
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What can water really do?

160
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- [Kaidon] I remember a dark time.

161
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We were children under pressure.

162
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Sworn to stay quiet.

163
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We disappeared all evidence
of the thing we did,

164
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but the secret, the
secret hollowed us out.

165
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(insects chirring)

166
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- Hey.

167
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(insects chirring)

168
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(truck door opens)

169
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(blanket rustling)

170
00:12:47,555 --> 00:12:50,055
(eerie music)

171
00:12:56,866 --> 00:13:00,199
(eerie music continues)

172
00:13:01,206 --> 00:13:03,373
(tapping)

173
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(insects chirring)

174
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- We were sold.

175
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- Not sold.

176
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- Whatever ceremonial
name you wanna put to it,

177
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we were sold.

178
00:13:30,042 --> 00:13:31,842
And him that bought us is an old halfwit

179
00:13:31,842 --> 00:13:34,442
in the mistaken light between
competence and desire.

180
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An inheritance of goat-gnawed automobiles

181
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he can't put to profit.

182
00:13:42,222 --> 00:13:44,292
The light at the ceremony,

183
00:13:44,292 --> 00:13:46,042
the light they say binds us to him,

184
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it's a light of absence.

185
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The light of isolation, our toil.

186
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- Binding light.

187
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- Bright light. Indentured light

188
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- Light upon sweat, light upon blood.

189
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- Light of a raw life.

190
00:14:12,252 --> 00:14:14,892
- The light of the belt around our necks.

191
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- Light decaying into light.

192
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- In the light of our
own darkness, receeding.

193
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(eerie music)

194
00:14:30,997 --> 00:14:33,497
(tense music)

195
00:14:39,708 --> 00:14:42,075
(tense music continues)

196
00:14:42,075 --> 00:14:44,742
(door creaking)

197
00:14:46,801 --> 00:14:50,218
(door creaks and closes)

198
00:14:56,021 --> 00:14:59,354
(tense music continues)

199
00:15:04,161 --> 00:15:06,744
(bed creaking)

200
00:15:13,757 --> 00:15:17,090
(tense music continues)

201
00:15:22,994 --> 00:15:26,327
(tense music continues)

202
00:15:32,325 --> 00:15:36,222
- A fall on an ax will
create a specific wound.

203
00:15:36,222 --> 00:15:38,292
We have to mimic that wound.

204
00:15:38,292 --> 00:15:41,772
- You said we'd hide the
body, hide it perfectly.

205
00:15:41,772 --> 00:15:43,935
- Anything hidden can
one day appear again.

206
00:15:44,832 --> 00:15:46,332
We'll be ready no matter what.

207
00:15:48,912 --> 00:15:50,362
Come on. Let's give it a try.

208
00:15:52,283 --> 00:15:54,012
(Kaidon inhales)

209
00:15:54,012 --> 00:15:54,845
- No.

210
00:15:57,222 --> 00:16:02,222
Slowly, to practice precision. Like this:

211
00:16:03,972 --> 00:16:08,145
Chop, chop, chop.

212
00:16:10,542 --> 00:16:14,055
- [Both] Chop, chop, chop,

213
00:16:15,552 --> 00:16:19,005
chop, chop, chop.

214
00:16:21,599 --> 00:16:26,599
(horn honking)
(intense music)

215
00:16:27,098 --> 00:16:28,491
- Hey!

216
00:16:28,491 --> 00:16:30,369
- Drop my fucking bag!

217
00:16:30,369 --> 00:16:31,286
- Hey, you!

218
00:16:34,248 --> 00:16:36,792
(horn blaring)

219
00:16:36,792 --> 00:16:37,625
- Oh!

220
00:16:39,275 --> 00:16:43,108
No! (sighs)

221
00:16:44,381 --> 00:16:47,142
Uh!
(foot thuds)

222
00:16:47,142 --> 00:16:48,512
- Must you?

223
00:16:48,512 --> 00:16:50,874
(foot thudding)
(Thief laughing)

224
00:16:50,874 --> 00:16:53,374
(tense music)

225
00:16:57,431 --> 00:17:00,732
(Thief grunting)

226
00:17:00,732 --> 00:17:04,245
- Quit throwing rocks
at my head! God, y'all!

227
00:17:09,787 --> 00:17:13,212
(laughs) Back the fuck off,

228
00:17:13,212 --> 00:17:15,912
or I swear I'll kill your
husband and your daughter!

229
00:17:15,912 --> 00:17:18,487
I'll slit both their throats to rags!

230
00:17:18,487 --> 00:17:23,487
(tense music)
(insects chirring)

231
00:17:28,004 --> 00:17:32,085
Remember, my knife knows
the way home, bitches.

232
00:17:37,148 --> 00:17:40,481
(tense music continues)

233
00:17:43,824 --> 00:17:45,332
(birds chirping)

234
00:17:45,402 --> 00:17:46,444
- Yes.

235
00:17:50,022 --> 00:17:51,225
Oh, yes. Me too.

236
00:17:52,794 --> 00:17:55,377
(door closes)

237
00:17:58,482 --> 00:17:59,724
I miss you both.

238
00:18:02,232 --> 00:18:03,274
I love you.

239
00:18:05,562 --> 00:18:08,355
I will. Goodbye.

240
00:18:10,826 --> 00:18:12,432
(Jorie sighs)
- They're fine?

241
00:18:12,432 --> 00:18:13,432
- Yes, they're fine.

242
00:18:15,032 --> 00:18:18,642
- The odds of that crazy
girl coming back after we...

243
00:18:18,642 --> 00:18:19,872
- I know. (chuckles)

244
00:18:19,872 --> 00:18:21,282
- Does she even have the
sense to find her way

245
00:18:21,282 --> 00:18:22,802
out of those woods is...

246
00:18:23,652 --> 00:18:25,395
- I know. I'm all good.

247
00:18:27,462 --> 00:18:29,312
- How much did you tell your husband?

248
00:18:32,508 --> 00:18:35,175
(crows cawing)

249
00:18:38,142 --> 00:18:40,812
- Who robs a house looking like a wolf?

250
00:18:40,812 --> 00:18:42,618
It's so odd.

251
00:18:42,618 --> 00:18:44,862
- (chuckles) What about
the person in the truck?

252
00:18:44,862 --> 00:18:47,712
- Clearly not very brave.
(both laugh)

253
00:18:47,712 --> 00:18:50,772
Listen, I was thinking,
I think we should stay

254
00:18:50,772 --> 00:18:52,662
and finish our vacation.

255
00:18:52,662 --> 00:18:54,112
I don't think she'll be back.

256
00:18:55,902 --> 00:18:56,944
What's wrong?

257
00:19:00,282 --> 00:19:02,562
- You mentioned an
event that would move us

258
00:19:02,562 --> 00:19:05,742
past our troubles so that we can focus

259
00:19:05,742 --> 00:19:07,840
on a future tense of joy.

260
00:19:07,840 --> 00:19:10,417
(birds chirping)

261
00:19:10,417 --> 00:19:13,002
(crows cawing)

262
00:19:13,002 --> 00:19:15,752
- You don't think I orchestrated
that break in, do you?

263
00:19:21,635 --> 00:19:24,372
(insects chirring)

264
00:19:24,372 --> 00:19:27,322
- Maybe it's too late for us
to be normal with one another.

265
00:19:29,322 --> 00:19:30,364
- Don't say that.

266
00:19:31,692 --> 00:19:33,423
I've waited for so long.

267
00:19:33,666 --> 00:19:34,905
Let's try, please.

268
00:19:35,760 --> 00:19:39,192
(vehicle approaching)

269
00:19:39,192 --> 00:19:41,445
- Someone's here.
- The park rangers?

270
00:19:42,904 --> 00:19:43,946
- We hope.

271
00:19:47,408 --> 00:19:50,802
(tense music)
(insects chirring)

272
00:19:50,802 --> 00:19:53,402
- We searched the woods
where she fled, but no luck.

273
00:19:54,612 --> 00:19:56,903
She probably made her way to the fringe.

274
00:19:56,903 --> 00:19:58,752
- The fringe?
- Yeah.

275
00:19:58,752 --> 00:20:00,522
It's what we call a
little ad hoc community

276
00:20:00,522 --> 00:20:02,442
between here and town.

277
00:20:02,442 --> 00:20:04,942
Camp of young adults found
themselves outta place,

278
00:20:06,012 --> 00:20:07,712
now living in the woods by choice.

279
00:20:08,562 --> 00:20:11,202
- Are they violent?
- Not normally,

280
00:20:11,202 --> 00:20:12,852
but sometimes there are drifters.

281
00:20:14,472 --> 00:20:17,172
- You're going to thoroughly
check this place out, yes?

282
00:20:17,172 --> 00:20:18,612
Now that you have the description

283
00:20:18,612 --> 00:20:20,532
of the one who attacked us.

284
00:20:20,532 --> 00:20:23,292
- I'm on my way there now
with the park rangers.

285
00:20:23,292 --> 00:20:24,822
I just stopped by to
tell you that the woods

286
00:20:24,822 --> 00:20:26,532
near your cabin are clear.

287
00:20:26,532 --> 00:20:29,265
- You're not a park ranger?
- I'm a volunteer.

288
00:20:30,492 --> 00:20:31,572
- That's rich.

289
00:20:31,572 --> 00:20:35,082
You look like a ranger out of
central casting. (chuckles)

290
00:20:35,082 --> 00:20:37,452
- I know these woods pretty well, I guess.

291
00:20:37,452 --> 00:20:38,494
- What do you do?

292
00:20:39,402 --> 00:20:42,105
- I'm a pastor at a
Congregationalist church in town.

293
00:20:43,470 --> 00:20:45,132
- No fooling?

294
00:20:45,132 --> 00:20:46,174
- No fooling.

295
00:20:46,902 --> 00:20:48,502
- I never would've figured that.

296
00:20:49,902 --> 00:20:51,822
- Well thanks. Maybe.

297
00:20:51,822 --> 00:20:54,192
- How is it that this fringe community

298
00:20:54,192 --> 00:20:56,235
is tolerated by the parks department?

299
00:20:57,252 --> 00:20:58,815
- Not tolerated, exactly.

300
00:20:59,742 --> 00:21:01,455
I sort of liaison between the two.

301
00:21:02,652 --> 00:21:04,422
- Do you have a card or something?

302
00:21:04,422 --> 00:21:05,802
I don't mean to be impolite,

303
00:21:05,802 --> 00:21:07,332
but if you're not a park ranger,

304
00:21:07,332 --> 00:21:08,592
then we oughta have some record

305
00:21:08,592 --> 00:21:11,322
of who we're speaking to about our case.

306
00:21:11,322 --> 00:21:14,112
- Case? We weren't robbed exactly.

307
00:21:14,112 --> 00:21:15,815
- But you clearly saw the knife.

308
00:21:16,782 --> 00:21:19,002
- I don't have a card. I'm sorry.

309
00:21:19,002 --> 00:21:21,072
My name is Jack Weems.

310
00:21:21,072 --> 00:21:24,492
I'm known around the lake.
It's easy to check up on me.

311
00:21:24,492 --> 00:21:26,682
- Parson Weems?
(Jorie laughs)

312
00:21:26,682 --> 00:21:28,572
- Sorry.
- It's fine.

313
00:21:28,572 --> 00:21:30,132
I've heard 'em all.

314
00:21:30,132 --> 00:21:33,402
Believe me, "I cannot tell a lie."

315
00:21:33,402 --> 00:21:35,352
- Can we go with you to see the fringe?

316
00:21:37,062 --> 00:21:40,512
- Not a good idea, but I can circle back

317
00:21:40,512 --> 00:21:42,462
after my look around if you want me to.

318
00:21:43,497 --> 00:21:45,573
- That'd be nice. Thank you.

319
00:21:45,573 --> 00:21:48,490
(insects chirring)

320
00:21:50,751 --> 00:21:53,251
(eerie music)

321
00:22:00,759 --> 00:22:04,092
(eerie music continues)

322
00:22:10,349 --> 00:22:13,682
(eerie music continues)

323
00:22:15,127 --> 00:22:18,044
(insects chirring)

324
00:22:22,001 --> 00:22:27,001
(fan whirring)
(tense music)

325
00:22:31,332 --> 00:22:34,665
(tense music continues)

326
00:22:40,609 --> 00:22:43,942
(tense music continues)

327
00:22:47,711 --> 00:22:50,628
(insects chirring)

328
00:22:56,848 --> 00:23:00,181
(tense music continues)

329
00:23:04,767 --> 00:23:09,767
(eerie music)
(insects chirring)

330
00:23:14,021 --> 00:23:17,354
(eerie music continues)

331
00:23:24,421 --> 00:23:27,754
(eerie music continues)

332
00:23:34,058 --> 00:23:37,391
(eerie music continues)

333
00:23:40,163 --> 00:23:45,163
♪ Priestly, prissy, Pastor Jack ♪

334
00:23:46,877 --> 00:23:51,877
♪ Puts the girls of the
orphanage on their back ♪

335
00:23:52,453 --> 00:23:55,120
(intense music)

336
00:24:00,185 --> 00:24:02,073
♪ Mandibles of the sun ♪

337
00:24:02,073 --> 00:24:04,548
♪ Will tear the world undone ♪

338
00:24:04,548 --> 00:24:08,906
♪ Light on the horizon gleas with blood ♪

339
00:24:08,906 --> 00:24:10,854
♪ Serpent sets its gaze ♪

340
00:24:10,854 --> 00:24:13,046
♪ You're frozen and amazed ♪

341
00:24:13,046 --> 00:24:17,414
♪ You lose your life
and all you understood ♪

342
00:24:17,414 --> 00:24:19,536
♪ The game is fixed to rot ♪

343
00:24:19,536 --> 00:24:21,751
♪ You're here and then you're not ♪

344
00:24:21,751 --> 00:24:26,337
♪ The only thing worth
living is a thought ♪

345
00:24:26,337 --> 00:24:30,624
♪ Rapture, rupture ♪

346
00:24:30,624 --> 00:24:34,810
♪ Rapture, rupture. ♪

347
00:24:34,810 --> 00:24:38,783
♪ The only thing worth
living is a thought ♪

348
00:24:38,783 --> 00:24:42,283
(intense music continues)

349
00:24:55,178 --> 00:24:57,241
(Kaidon gasping)
(tense music)

350
00:24:57,241 --> 00:25:00,324
(muffled chattering)

351
00:25:07,899 --> 00:25:11,232
(tense music continues)

352
00:25:13,048 --> 00:25:14,497
- [Jorie] That's not true.

353
00:25:14,497 --> 00:25:16,540
(chattering continues)

354
00:25:16,540 --> 00:25:18,790
Did you talk to the locals?

355
00:25:19,619 --> 00:25:22,696
(chattering continues)

356
00:25:22,721 --> 00:25:23,763
Out back?

357
00:25:25,470 --> 00:25:28,720
(chattering continues)

358
00:25:31,238 --> 00:25:36,238
(floor creaking)
(insects chirring)

359
00:25:44,587 --> 00:25:47,170
(eerie music)

360
00:25:53,442 --> 00:25:54,705
- Giant salvinia.

361
00:25:55,632 --> 00:25:58,362
The ferns you see here
are choking the lake.

362
00:25:58,362 --> 00:26:01,752
Biological control through
the use of salvinia weevils

363
00:26:01,752 --> 00:26:03,252
is the best management option.

364
00:26:04,572 --> 00:26:07,072
The weevils devour that
the lake may become clear.

365
00:26:08,262 --> 00:26:09,562
Looks chaotic, doesn't it?

366
00:26:11,382 --> 00:26:13,106
- Looks like renewal.

367
00:26:13,106 --> 00:26:16,356
(soft dramatic music)

368
00:26:24,132 --> 00:26:25,545
This place is magical.

369
00:26:26,832 --> 00:26:27,874
- [Jack] Yes.

370
00:26:28,932 --> 00:26:31,632
- [Jorie] It's as though
there's a separation.

371
00:26:31,632 --> 00:26:34,635
This natural place and
the place of ambition,

372
00:26:35,772 --> 00:26:38,202
a place of concrete skin.

373
00:26:38,202 --> 00:26:41,685
- There's encroachment.
This place needs preserving.

374
00:26:43,932 --> 00:26:47,142
- [Jorie] At your church,
do you say God's plan?

375
00:26:47,142 --> 00:26:49,872
- Yes.
- Is that accurate?

376
00:26:49,872 --> 00:26:50,972
- [Jack] It's helpful.

377
00:26:52,571 --> 00:26:55,485
Saying "plan" presents a sense
of authority in the unknown.

378
00:26:56,592 --> 00:26:58,752
What word would you use?

379
00:26:58,752 --> 00:27:01,995
- Spectacle. God's spectacle.

380
00:27:03,432 --> 00:27:07,155
God's spectacle which
includes individual damage.

381
00:27:09,312 --> 00:27:10,815
- [Jack] And individual grace?

382
00:27:13,722 --> 00:27:15,972
- [Jorie] Can it be included in this talk

383
00:27:15,972 --> 00:27:17,952
of spectacle and grace,

384
00:27:17,952 --> 00:27:22,185
the prospect of a double,
that each of us has a double.

385
00:27:23,892 --> 00:27:26,385
A double that prepares us for survival?

386
00:27:27,702 --> 00:27:29,652
- [Jack] A representation of ourselves?

387
00:27:30,732 --> 00:27:32,382
- [Jack] Imagine I have a double.

388
00:27:33,312 --> 00:27:36,372
Someone who struggles,
but also sets the stage

389
00:27:36,372 --> 00:27:37,965
for me to live more wisely.

390
00:27:41,382 --> 00:27:42,932
- Are you talking about Kaidon?

391
00:27:44,622 --> 00:27:47,652
- [Jorie] We've been
separated for a long time.

392
00:27:47,652 --> 00:27:49,035
The lake is our reunion.

393
00:27:49,962 --> 00:27:51,942
Although it sounds magical,

394
00:27:51,942 --> 00:27:54,345
I believe I have a way forward for us.

395
00:27:56,832 --> 00:27:58,835
- [Jack] A path you
didn't know about before.

396
00:28:00,432 --> 00:28:01,752
- [Jorie] Take the idea of heaven

397
00:28:01,752 --> 00:28:03,915
and God's plan for destination.

398
00:28:04,782 --> 00:28:07,692
Imagine not a plan but a spectacle.

399
00:28:07,692 --> 00:28:10,185
Everything happening simultaneously.

400
00:28:11,112 --> 00:28:13,662
Instead of toil and reward being one thing

401
00:28:13,662 --> 00:28:17,802
followed by another, life and life after,

402
00:28:17,802 --> 00:28:20,532
imagine toil and reward at once.

403
00:28:20,532 --> 00:28:22,755
Experience between doubles.

404
00:28:24,042 --> 00:28:26,925
One struggle prepares
the other's survival.

405
00:28:27,852 --> 00:28:29,625
They're at the same pace.

406
00:28:33,762 --> 00:28:35,439
- [Jack] It's interesting

407
00:28:35,439 --> 00:28:38,689
(soft dramatic music)

408
00:28:39,912 --> 00:28:44,295
- [Jorie] So no, not a pathway, an event.

409
00:28:46,002 --> 00:28:50,457
An event of grace where the
doubles meet and are made equal.

410
00:28:50,457 --> 00:28:54,540
(soft dramatic music continues)

411
00:28:58,752 --> 00:29:01,002
- [Jack] What type of event is that?

412
00:29:01,002 --> 00:29:02,995
- [Jorie] Something extreme.

413
00:29:02,995 --> 00:29:05,495
(eerie music)

414
00:29:11,935 --> 00:29:15,268
(eerie music continues)

415
00:29:20,847 --> 00:29:24,180
(eerie music continues)

416
00:29:26,603 --> 00:29:29,686
(suspenseful music)

417
00:29:36,201 --> 00:29:40,034
(suspenseful music continues)

418
00:29:41,148 --> 00:29:41,981
It's you.

419
00:29:45,766 --> 00:29:48,433
Like it or not, you can hear me.

420
00:29:49,920 --> 00:29:52,420
(eerie music)

421
00:29:58,974 --> 00:30:02,391
(eerie music continues)

422
00:30:08,883 --> 00:30:12,466
We are a closed community
dedicated to God.

423
00:30:13,962 --> 00:30:16,995
Silence and obedience are expected.

424
00:30:18,012 --> 00:30:21,552
Husband guards us and guides us.

425
00:30:21,552 --> 00:30:24,267
His eyes and punishment are swift.

426
00:30:24,267 --> 00:30:27,684
(eerie music continues)

427
00:30:31,697 --> 00:30:35,197
Ours too, Kaidon. Our punishment is swift.

428
00:30:40,417 --> 00:30:43,750
(eerie music continues)

429
00:30:50,634 --> 00:30:53,967
(eerie music continues)

430
00:31:01,242 --> 00:31:03,342
- [Kaidon] Lizzie was alone in the forest.

431
00:31:04,272 --> 00:31:06,585
A sour spell had taken over her.

432
00:31:08,052 --> 00:31:11,052
She struggled up a hill
the way a newborn calf

433
00:31:11,052 --> 00:31:12,801
struggles to his feet.

434
00:31:12,801 --> 00:31:16,218
(eerie music continues)

435
00:31:21,102 --> 00:31:24,072
She wobbled in and out
of the black shadows

436
00:31:24,072 --> 00:31:25,815
cast by the cypresses.

437
00:31:26,952 --> 00:31:28,185
Were there crows?

438
00:31:29,352 --> 00:31:32,385
Yes. Shiny and loud.

439
00:31:34,182 --> 00:31:37,512
Lizzie was on the lookout
for a circle of stones,

440
00:31:37,512 --> 00:31:39,852
a healing place that was
assembled on the hill

441
00:31:39,852 --> 00:31:41,025
hundreds of years ago.

442
00:31:42,762 --> 00:31:47,119
The spell made her ears
hurt and her stomach turn.

443
00:31:47,119 --> 00:31:50,536
(eerie music continues)

444
00:31:52,842 --> 00:31:56,562
She looked forward to laying
down in the circle of stones,

445
00:31:56,562 --> 00:31:59,385
covering herself over with ferns and dirt.

446
00:32:00,462 --> 00:32:04,965
The stones would dissipate
the spell or so she hoped.

447
00:32:07,752 --> 00:32:10,452
Lizzie moved from tree to tree,

448
00:32:10,452 --> 00:32:12,405
handling each one for support.

449
00:32:13,332 --> 00:32:15,255
She was losing all her strength.

450
00:32:16,722 --> 00:32:19,755
All at once, the insects all went dumb.

451
00:32:20,592 --> 00:32:23,115
The crows were high up in the quiet.

452
00:32:24,372 --> 00:32:26,265
Lizzie felt herself watched.

453
00:32:27,552 --> 00:32:29,205
Did a black cat walk by?

454
00:32:30,462 --> 00:32:33,615
Yes. Delicate and precise.

455
00:32:35,592 --> 00:32:38,382
Lizzie felt thoroughly searched.

456
00:32:38,382 --> 00:32:40,272
And then she saw hunter standing

457
00:32:40,272 --> 00:32:43,305
on the side of the hill watching her.

458
00:32:44,682 --> 00:32:47,292
The hunter was a woman
with a striking face

459
00:32:47,292 --> 00:32:49,632
and powerful eyes.

460
00:32:49,632 --> 00:32:52,632
Lizzie thought she was probably a goddess

461
00:32:52,632 --> 00:32:55,665
there to guide her or else murder her.

462
00:32:56,772 --> 00:32:57,972
Possibly do both.

463
00:33:01,630 --> 00:33:04,630
(insects chirring)

464
00:33:13,332 --> 00:33:14,535
- Why are you here?

465
00:33:15,942 --> 00:33:17,265
- I wanna change my life.

466
00:33:19,362 --> 00:33:20,562
- What is wrong with it?

467
00:33:22,179 --> 00:33:23,955
- I've been a terrible person.

468
00:33:27,342 --> 00:33:28,725
I'm in so much pain.

469
00:33:32,292 --> 00:33:35,775
I need to think about my life
and find a new way to be.

470
00:33:38,892 --> 00:33:40,592
- And what if the change is death?

471
00:33:42,372 --> 00:33:45,675
Don't you think it's possible
that you deserve to die?

472
00:33:47,952 --> 00:33:49,065
- I prefer to live.

473
00:33:52,155 --> 00:33:55,595
If there's a way to live
and be changed, I want that.

474
00:33:57,582 --> 00:33:58,555
- What will you do?

475
00:34:01,241 --> 00:34:02,325
- Anything.

476
00:34:10,403 --> 00:34:13,486
Do you have the authority to help me?

477
00:34:16,452 --> 00:34:17,494
- Yes.

478
00:34:19,662 --> 00:34:21,855
An exchange is necessary.

479
00:34:23,562 --> 00:34:25,395
You must bring me two.

480
00:34:27,942 --> 00:34:31,012
Then you will have the
opportunity to reform

481
00:34:33,042 --> 00:34:34,174
- Two?

482
00:34:34,174 --> 00:34:36,757
(eerie music)

483
00:34:42,642 --> 00:34:43,684
All right.

484
00:34:45,402 --> 00:34:46,899
I'll bring you two.

485
00:34:46,899 --> 00:34:49,381
(eerie music continues)

486
00:34:49,381 --> 00:34:52,298
(insects chirring)

487
00:34:58,668 --> 00:35:02,001
(eerie music continues)

488
00:35:06,421 --> 00:35:09,338
(insects chirring)

489
00:35:16,670 --> 00:35:20,003
(eerie music continues)

490
00:35:26,029 --> 00:35:29,362
(eerie music continues)

491
00:35:34,725 --> 00:35:37,642
(insects chirring)

492
00:35:43,839 --> 00:35:47,172
(eerie music continues)

493
00:35:53,092 --> 00:35:56,009
(insects chirring)

494
00:36:02,206 --> 00:36:05,539
(eerie music continues)

495
00:36:11,935 --> 00:36:15,268
(eerie music continues)

496
00:36:21,186 --> 00:36:25,032
(eerie music continues)

497
00:36:25,032 --> 00:36:27,435
- [Jorie] I had a moment of recognition,

498
00:36:28,482 --> 00:36:31,635
like a face that appears
suddenly at the window.

499
00:36:32,862 --> 00:36:37,275
First, it's a surprise. Then you know.

500
00:36:39,852 --> 00:36:41,789
- [Jack] Sounds profound.

501
00:36:41,789 --> 00:36:45,206
(eerie music continues)

502
00:36:52,872 --> 00:36:54,612
- [Jorie] I found a way for Kaidon and me

503
00:36:54,612 --> 00:36:58,215
to let the pain of her
past stay in the past.

504
00:37:02,142 --> 00:37:03,495
Not a denial.

505
00:37:04,512 --> 00:37:07,812
We understand we can't
possibly make each other feel

506
00:37:07,812 --> 00:37:11,412
what the gap of years
was like for each other.

507
00:37:11,412 --> 00:37:14,502
Her time staying solitary and me trying

508
00:37:14,502 --> 00:37:16,215
to make a life for myself.

509
00:37:18,012 --> 00:37:21,282
Right now, there is a void between us,

510
00:37:21,282 --> 00:37:25,722
a history of absence
and the pain of absence.

511
00:37:25,722 --> 00:37:28,395
What might help is the shock of the new.

512
00:37:32,682 --> 00:37:33,982
- [Jack] Shock of the new?

513
00:37:34,992 --> 00:37:37,932
- [Jorie] The idea is to
create a new beginning.

514
00:37:37,932 --> 00:37:40,845
It must be a profound experience.

515
00:37:42,552 --> 00:37:45,792
Something that regenerates
our relationship,

516
00:37:45,792 --> 00:37:49,155
allows us to reshape our
understanding of one another.

517
00:37:52,422 --> 00:37:54,812
- [Jack] What is this shocking experience?

518
00:37:56,141 --> 00:37:59,041
- [Jorie] It has to do with that thief.

519
00:37:59,041 --> 00:38:02,374
(eerie music continues)

520
00:38:09,009 --> 00:38:12,342
(eerie music continues)

521
00:38:17,919 --> 00:38:21,496
(eerie music continues)

522
00:38:21,496 --> 00:38:23,421
(Kaidon gasping)

523
00:38:23,421 --> 00:38:26,171
(ominous music)

524
00:38:32,883 --> 00:38:36,383
(ominous music continues)

525
00:38:42,043 --> 00:38:45,543
(ominous music continues)

526
00:38:48,916 --> 00:38:51,537
(blankets rustling)

527
00:38:51,537 --> 00:38:54,204
(bed creaking)

528
00:39:00,952 --> 00:39:04,452
(ominous music continues)

529
00:39:09,526 --> 00:39:12,109
(bed creaking)

530
00:39:13,364 --> 00:39:15,864
(mask clinks)

531
00:39:18,079 --> 00:39:20,662
(bed creaking)

532
00:39:28,452 --> 00:39:30,295
(bed creaking)

533
00:39:30,295 --> 00:39:33,795
(ominous music continues)

534
00:39:40,572 --> 00:39:43,155
(bed creaking)

535
00:39:46,686 --> 00:39:49,686
(insects chirring)

536
00:39:53,632 --> 00:39:56,215
(eerie music)

537
00:40:03,198 --> 00:40:05,615
(crackling)

538
00:40:12,822 --> 00:40:16,155
(eerie music continues)

539
00:40:21,982 --> 00:40:25,315
(eerie music continues)

540
00:40:29,684 --> 00:40:32,434
(intense music)

541
00:40:39,314 --> 00:40:42,814
(intense music continues)

542
00:40:49,786 --> 00:40:53,286
(intense music continues)

543
00:40:56,994 --> 00:40:59,744
(tools clinking)

544
00:41:05,822 --> 00:41:09,322
(intense music continues)

545
00:41:15,099 --> 00:41:18,599
(intense music continues)

546
00:41:23,128 --> 00:41:26,045
(ax blades clink)

547
00:41:32,126 --> 00:41:35,626
(intense music continues)

548
00:41:41,832 --> 00:41:45,332
(intense music continues)

549
00:41:50,655 --> 00:41:53,150
(intense music continues)

550
00:41:53,150 --> 00:41:55,640
(axes hacking)
(Jorie and Kaidon grunting)

551
00:41:55,640 --> 00:41:58,741
(Karl groaning)
(blood spurting)

552
00:41:58,741 --> 00:42:03,741
(axes hacking)
(Karl gasping)

553
00:42:07,236 --> 00:42:12,236
(boat motor rumbling)
(eerie music)

554
00:42:17,053 --> 00:42:20,386
(eerie music continues)

555
00:42:24,874 --> 00:42:27,874
(shutter clicking)

556
00:42:34,092 --> 00:42:37,425
(eerie music continues)

557
00:42:47,253 --> 00:42:50,170
(shutter clicking)

558
00:42:56,639 --> 00:42:59,972
(eerie music continues)

559
00:43:06,043 --> 00:43:08,338
(eerie music continues)

560
00:43:08,338 --> 00:43:12,088
(motor boat engine rumbling)

561
00:43:18,044 --> 00:43:21,377
(eerie music continues)

562
00:43:27,949 --> 00:43:31,282
(eerie music continues)

563
00:43:37,769 --> 00:43:41,102
(eerie music continues)

564
00:43:44,312 --> 00:43:47,229
(shutter clicking)

565
00:43:51,707 --> 00:43:54,624
(shutter clicking)

566
00:43:57,746 --> 00:44:00,663
(shutter clicking)

567
00:44:05,731 --> 00:44:08,648
(shutter clicking)

568
00:44:12,906 --> 00:44:15,656
(intense music)

569
00:44:21,951 --> 00:44:25,451
(intense music continues)

570
00:44:32,875 --> 00:44:36,375
(intense music continues)

571
00:44:41,557 --> 00:44:45,057
(intense music continues)

572
00:44:51,088 --> 00:44:54,588
(intense music continues)

573
00:45:01,211 --> 00:45:04,711
(intense music continues)

574
00:45:11,686 --> 00:45:15,186
(intense music continues)

575
00:45:22,033 --> 00:45:25,533
(intense music continues)

576
00:45:32,123 --> 00:45:35,623
(intense music continues)

577
00:45:42,171 --> 00:45:45,671
(intense music continues)

578
00:45:51,985 --> 00:45:55,485
(intense music continues)

579
00:46:01,137 --> 00:46:04,720
(intense music continues)

580
00:46:09,670 --> 00:46:13,170
(intense music continues)

581
00:46:21,382 --> 00:46:24,882
(intense music continues)

582
00:46:27,344 --> 00:46:30,759
(insects chirring)
(birds chirping)

583
00:46:30,759 --> 00:46:33,259
(eerie music)

584
00:46:40,221 --> 00:46:43,554
(eerie music continues)

585
00:46:49,957 --> 00:46:53,290
(eerie music continues)

586
00:46:58,886 --> 00:47:01,886
(insects chirring)

587
00:47:07,880 --> 00:47:10,797
(insects chirring)

588
00:47:17,466 --> 00:47:20,716
(soft dramatic music)

589
00:47:26,963 --> 00:47:30,963
(soft dramatic music continues)

590
00:47:32,592 --> 00:47:34,089
- [Hunter] There is an
old story about snakes

591
00:47:34,089 --> 00:47:36,435
saving their hearts in humans.

592
00:47:38,112 --> 00:47:40,152
Cold-blooded snakes can live for a time

593
00:47:40,152 --> 00:47:44,952
without their hearts, gaining warmth

594
00:47:44,952 --> 00:47:47,622
instead by gliding their bodies

595
00:47:47,622 --> 00:47:49,956
across sunlit grass and stone.

596
00:47:49,956 --> 00:47:53,956
(soft dramatic music continues)

597
00:48:00,132 --> 00:48:03,432
To protect their hearts
from trample or combat,

598
00:48:03,432 --> 00:48:07,635
snakes often hide their
hearts in stronger vessels.

599
00:48:11,922 --> 00:48:15,762
There are people so cut off
from their own memories,

600
00:48:15,762 --> 00:48:17,385
their hearts grow cold.

601
00:48:19,032 --> 00:48:21,942
No disguise can truly hide them.

602
00:48:21,942 --> 00:48:23,442
No matter their appointments

603
00:48:23,442 --> 00:48:26,172
or how they surround themselves,

604
00:48:26,172 --> 00:48:27,465
they are deeply alone.

605
00:48:31,332 --> 00:48:35,865
Snakes seek out such people
to hide their hearts in.

606
00:48:39,162 --> 00:48:43,182
People who don't know their
own heart won't notice,

607
00:48:43,182 --> 00:48:45,452
they also carry a snake heart.

608
00:48:45,452 --> 00:48:49,842
(soft dramatic music continues)

609
00:48:49,842 --> 00:48:51,972
There are stories of people that died

610
00:48:51,972 --> 00:48:53,745
from terrible loneliness.

611
00:48:54,942 --> 00:48:57,942
As many as 20 snake hearts have been found

612
00:48:57,942 --> 00:48:59,895
in a lonely person that died.

613
00:49:01,452 --> 00:49:04,062
And sometimes, people die

614
00:49:04,062 --> 00:49:06,285
when snakes come to retrieve their heart.

615
00:49:08,202 --> 00:49:10,302
They see snakes approaching

616
00:49:10,302 --> 00:49:12,315
and misunderstand the situation.

617
00:49:14,292 --> 00:49:17,952
If the snake is cut in
two by a worried host,

618
00:49:17,952 --> 00:49:22,275
there is a heart within
that person that dies.

619
00:49:25,272 --> 00:49:27,792
If the snake strikes a person,

620
00:49:27,792 --> 00:49:30,072
the poison that goes in the veins

621
00:49:30,072 --> 00:49:32,055
will affect the hidden heart.

622
00:49:34,542 --> 00:49:38,082
I'll tell you about axes and dirt.

623
00:49:38,082 --> 00:49:42,795
There are people that bury their
axes but never forget them.

624
00:49:43,932 --> 00:49:47,082
There are people who bury their axes

625
00:49:47,082 --> 00:49:52,005
and uncover them every night
just to hold them in secret.

626
00:49:53,292 --> 00:49:56,442
There are people who bury axes

627
00:49:56,442 --> 00:49:58,002
who will tell you to your face,

628
00:49:58,002 --> 00:50:01,592
they never carried an
ax in all their life.

629
00:50:01,592 --> 00:50:04,842
(soft dramatic music)

630
00:50:07,182 --> 00:50:11,382
Snakes are careful of
their bellies in dirt

631
00:50:11,382 --> 00:50:12,915
where axes are hidden.

632
00:50:13,842 --> 00:50:17,055
They know they have to put
their hearts somewhere safe.

633
00:50:19,062 --> 00:50:23,922
They can sense those people cut
off from their own memories,

634
00:50:23,922 --> 00:50:26,265
people with buried hearts.

635
00:50:27,312 --> 00:50:32,166
Such obstinate sadness is
the perfect hiding place.

636
00:50:32,166 --> 00:50:36,249
(soft dramatic music continues)

637
00:50:38,022 --> 00:50:42,372
Word travels fast when
there is a suitable host

638
00:50:42,372 --> 00:50:45,075
for the snakes to save their hearts.

639
00:50:49,272 --> 00:50:50,865
But there is always a risk.

640
00:50:51,852 --> 00:50:54,912
A person burdened by too many snake hearts

641
00:50:54,912 --> 00:50:58,032
will find oneself standing
at the edge of a cliff

642
00:50:58,032 --> 00:51:01,182
or deep water and look into it,

643
00:51:01,182 --> 00:51:04,935
search it with the
bloody weight of desire,

644
00:51:06,132 --> 00:51:09,495
desire that drenches the
world in a cold chill.

645
00:51:11,382 --> 00:51:12,975
We watch out for such people.

646
00:51:22,936 --> 00:51:25,436
(eerie music)

647
00:51:31,955 --> 00:51:35,288
(eerie music continues)

648
00:51:41,021 --> 00:51:44,354
(eerie music continues)

649
00:51:50,997 --> 00:51:53,748
(eerie music continues)

650
00:51:53,748 --> 00:51:58,748
♪ Priestly, prissy, Pastor Jack ♪

651
00:52:00,465 --> 00:52:05,465
♪ Puts the girls of the
orphanage on their back ♪

652
00:52:06,291 --> 00:52:09,624
(eerie music continues)

653
00:52:15,706 --> 00:52:19,039
(eerie music continues)

654
00:52:25,888 --> 00:52:29,221
(eerie music continues)

655
00:52:35,083 --> 00:52:38,416
(eerie music continues)

656
00:52:45,091 --> 00:52:48,424
(eerie music continues)

657
00:52:55,145 --> 00:52:58,478
(eerie music continues)

658
00:53:04,585 --> 00:53:07,918
(eerie music continues)

659
00:53:18,165 --> 00:53:21,654
(creepy music)
(insects chirring)

660
00:53:21,654 --> 00:53:24,821
(static white noise)

661
00:53:25,885 --> 00:53:27,382
- I believe there are doubles

662
00:53:28,272 --> 00:53:29,865
and we are each other's double.

663
00:53:32,202 --> 00:53:33,795
Not an exact likeness.

664
00:53:35,322 --> 00:53:38,055
Doubling is one of nature's
irregular patterns.

665
00:53:39,852 --> 00:53:42,742
It's a way of expressing
personal satisfaction

666
00:53:43,782 --> 00:53:45,315
and personal crisis.

667
00:53:48,462 --> 00:53:51,465
Perhaps one struggle sets the
stage to live more wisely.

668
00:53:52,932 --> 00:53:54,255
Even Prosperously.

669
00:53:55,692 --> 00:53:57,692
I think that's the case with you and me.

670
00:54:00,162 --> 00:54:03,525
You are alone working anonymously.

671
00:54:05,922 --> 00:54:07,935
I have my students and my family.

672
00:54:09,642 --> 00:54:11,749
I think what happened to you with old Karl

673
00:54:13,283 --> 00:54:15,450
and how we fixed old Karl,

674
00:54:17,450 --> 00:54:21,070
I think it resulted in an imbalance.

675
00:54:21,070 --> 00:54:23,737
(intense music)

676
00:54:32,154 --> 00:54:35,321
(soft dramatic music)

677
00:54:40,205 --> 00:54:43,205
(insects chirring)

678
00:54:50,061 --> 00:54:54,144
(soft dramatic music continues)

679
00:54:58,734 --> 00:55:00,401
- [Thief] It's you.

680
00:55:01,962 --> 00:55:04,650
You can hear me, like it or not.

681
00:55:04,650 --> 00:55:08,650
(soft dramatic music continues)

682
00:55:14,141 --> 00:55:18,141
(soft dramatic music continues)

683
00:55:19,748 --> 00:55:22,748
(insects chirring)

684
00:55:25,312 --> 00:55:28,005
I ate a concoction of grass and flowers.

685
00:55:32,532 --> 00:55:37,532
It didn't make me whole, but
maybe it'll strike your fancy.

686
00:55:41,472 --> 00:55:43,395
I'm not as wretched as you think.

687
00:55:45,762 --> 00:55:47,625
I have human qualities.

688
00:55:51,132 --> 00:55:54,732
When I was little, I drew
little forest creatures

689
00:55:54,732 --> 00:55:59,732
wearing human clothes, Victorian
dresses and waist coats,

690
00:56:00,012 --> 00:56:02,145
moist eyes looking out at you.

691
00:56:03,612 --> 00:56:06,612
They weren't very good
and I think most of them

692
00:56:06,612 --> 00:56:08,265
I traced out of some book,

693
00:56:11,742 --> 00:56:14,262
but I could sort of see in them

694
00:56:14,262 --> 00:56:16,821
what my mind intended them to be.

695
00:56:16,821 --> 00:56:20,502
(insects chirring)

696
00:56:20,502 --> 00:56:24,825
Portrait after portrait,
adding up to a little society.

697
00:56:25,872 --> 00:56:28,737
I'd spread them out and feel fellowship.

698
00:56:28,737 --> 00:56:31,237
(eerie music)

699
00:56:38,696 --> 00:56:41,363
(intense music)

700
00:56:45,993 --> 00:56:48,493
(eerie music)

701
00:56:50,740 --> 00:56:53,740
(insects chirring)

702
00:56:54,629 --> 00:56:57,462
- Heaven allows individual damage.

703
00:56:59,596 --> 00:57:02,312
A double can absorb some of that damage.

704
00:57:02,312 --> 00:57:05,645
(eerie music continues)

705
00:57:11,217 --> 00:57:14,634
(eerie music continues)

706
00:57:20,979 --> 00:57:24,953
(eerie music continues)

707
00:57:24,953 --> 00:57:27,953
(insects chirring)

708
00:57:33,882 --> 00:57:37,215
(eerie music continues)

709
00:57:42,380 --> 00:57:45,380
(insects chirring)

710
00:57:51,709 --> 00:57:55,042
(eerie music continues)

711
00:58:01,826 --> 00:58:04,030
(eerie music continues)

712
00:58:04,030 --> 00:58:06,467
- [Thief] You feel her.

713
00:58:06,467 --> 00:58:08,355
- Who?
- The hunter.

714
00:58:14,052 --> 00:58:15,135
She's close.

715
00:58:17,467 --> 00:58:18,884
- [Kaidon] Where?

716
00:58:22,193 --> 00:58:27,193
- [Thief] Behind those
trees chewing on a dead doe.

717
00:58:27,342 --> 00:58:29,492
She wouldn't want you
to see her like this.

718
00:58:30,432 --> 00:58:32,862
Wait till after she's fed.

719
00:58:32,862 --> 00:58:35,005
She's better after having blood.

720
00:58:35,005 --> 00:58:38,338
(eerie music continues)

721
00:58:43,477 --> 00:58:45,702
(insects chittering)

722
00:58:45,702 --> 00:58:48,012
- I thought we'd find a
leveling experience out here

723
00:58:48,012 --> 00:58:49,155
by this remote lake.

724
00:58:51,882 --> 00:58:54,822
I knew about that fringe
group that lives in the woods

725
00:58:54,822 --> 00:58:57,675
and how they've taken liberties
with the rental cabins.

726
00:59:02,412 --> 00:59:06,342
The darkness that marks us is self-similar

727
00:59:06,342 --> 00:59:08,235
to the darkness that marked the thief.

728
00:59:09,822 --> 00:59:11,292
She stands before a mirror

729
00:59:11,292 --> 00:59:13,527
and sees an image that's evolving.

730
00:59:13,527 --> 00:59:16,812
(insects chirring)

731
00:59:16,812 --> 00:59:18,622
The image supersedes the host

732
00:59:20,952 --> 00:59:21,994
and soon

733
00:59:23,742 --> 00:59:24,952
she'll be brand new

734
00:59:26,622 --> 00:59:28,965
like a snake shedding its skin.

735
00:59:32,622 --> 00:59:33,525
We're drawn back,

736
00:59:35,802 --> 00:59:40,149
forever back into our
sin against old Karl.

737
00:59:40,149 --> 00:59:43,452
(eerie music continues)

738
00:59:43,452 --> 00:59:45,592
Chop, chop

739
00:59:47,364 --> 00:59:49,580
Chop.

740
00:59:49,580 --> 00:59:52,497
(insects chirring)

741
00:59:58,624 --> 01:00:01,957
(eerie music continues)

742
01:00:07,692 --> 01:00:10,442
- [Thief] It is the absence
of meaning in what you live

743
01:00:11,382 --> 01:00:14,262
at the moment you are living it

744
01:00:14,262 --> 01:00:17,837
which multiplies the
possibilities of your imagination.

745
01:00:17,837 --> 01:00:21,254
(eerie music continues)

746
01:00:28,302 --> 01:00:30,085
- [Kaidon] I grew up in the country.

747
01:00:31,512 --> 01:00:32,611
- [Thief] I grew up in the city.

748
01:00:33,917 --> 01:00:36,532
Probably the things I had were
nicer than the things you had.

749
01:00:38,082 --> 01:00:39,344
- [Kaidon] Probably.

750
01:00:40,962 --> 01:00:42,046
- [Thief] Were you happy?

751
01:00:43,842 --> 01:00:47,025
- I had thought life isn't worth living,

752
01:00:48,583 --> 01:00:50,705
but it is worth thinking about.

753
01:00:50,705 --> 01:00:52,883
(eerie music continues)

754
01:00:52,883 --> 01:00:55,966
(insects chittering)

755
01:01:01,625 --> 01:01:05,036
(eerie music continues)

756
01:01:05,036 --> 01:01:08,203
(insects chittering)

757
01:01:15,193 --> 01:01:19,182
- [Thief] I remember when I was small,

758
01:01:19,182 --> 01:01:21,915
I was once held down
by several older boys.

759
01:01:23,472 --> 01:01:25,515
That set me off to a bad start.

760
01:01:27,012 --> 01:01:28,362
- [Kaidon] That's horrible.

761
01:01:33,312 --> 01:01:35,742
- [Thief] I'd like you to
consider how you might go on

762
01:01:35,742 --> 01:01:40,742
thinking about your life even
after you lose your life.

763
01:01:45,864 --> 01:01:49,553
Think about what everlasting means.

764
01:01:49,553 --> 01:01:54,553
(eerie music continues)
(insects chittering)

765
01:01:59,872 --> 01:02:03,205
(eerie music continues)

766
01:02:08,927 --> 01:02:12,094
(eerie music continues)

767
01:02:12,094 --> 01:02:15,261
(insects chittering)

768
01:02:21,939 --> 01:02:25,272
(eerie music continues)

769
01:02:31,123 --> 01:02:33,706
(creepy music)

770
01:02:38,636 --> 01:02:41,803
(insects chittering)

771
01:02:47,715 --> 01:02:51,132
(creepy music continues)

772
01:02:56,919 --> 01:03:00,827
(creepy music continues)

773
01:03:00,827 --> 01:03:04,752
- I was daydreaming.
Where did you take me?

774
01:03:04,752 --> 01:03:08,043
- To see the hunter.
She's ready for us now.

775
01:03:08,043 --> 01:03:10,626
(eerie music)

776
01:03:13,604 --> 01:03:15,642
Where are you going?

777
01:03:15,642 --> 01:03:16,792
- [Kaidon] I'm leaving.

778
01:03:18,372 --> 01:03:21,402
- No. There's momentum for us now.

779
01:03:21,402 --> 01:03:24,192
- [Kaidon] I don't want you
coming around the cabin.

780
01:03:24,192 --> 01:03:26,022
Leave us alone.

781
01:03:26,022 --> 01:03:28,772
- [Thief] I don't need to go
to your cabin to find you.

782
01:03:29,742 --> 01:03:31,442
- [Kaidon] I'll alert the rangers.

783
01:03:32,292 --> 01:03:33,982
- [Thief] We are tethered now

784
01:03:34,992 --> 01:03:37,032
and you don't need to be afraid.

785
01:03:37,032 --> 01:03:38,915
Let events run their course.

786
01:03:38,915 --> 01:03:42,248
(eerie music continues)

787
01:03:47,968 --> 01:03:51,301
(eerie music continues)

788
01:03:56,873 --> 01:04:00,206
(eerie music continues)

789
01:04:01,149 --> 01:04:06,149
(intense music)
(Lizzie screaming)

790
01:04:11,042 --> 01:04:14,542
(intense music continues)

791
01:04:21,003 --> 01:04:24,503
(intense music continues)

792
01:04:31,023 --> 01:04:34,523
(intense music continues)

793
01:04:40,891 --> 01:04:44,339
(intense music continues)

794
01:04:44,339 --> 01:04:46,656
(Kaidon breathes heavily)

795
01:04:46,656 --> 01:04:49,573
(insects chirring)

796
01:04:54,229 --> 01:04:56,395
- Chop. (breathes uneasily)

797
01:04:56,395 --> 01:04:57,437
Chop.

798
01:04:59,322 --> 01:05:00,505
Chop.

799
01:05:00,505 --> 01:05:03,422
(insects chirring)

800
01:05:06,170 --> 01:05:09,253
(suspenseful music)

801
01:05:11,142 --> 01:05:13,275
- [Jorie] Heaven allows individual damage.

802
01:05:14,322 --> 01:05:16,949
A double can absorb some of that damage.

803
01:05:17,862 --> 01:05:20,235
A double prepares us for survival.

804
01:05:21,972 --> 01:05:24,855
I thought a thief might provide
us the shock of the new.

805
01:05:25,842 --> 01:05:27,915
We'd have a new challenge to unite us.

806
01:05:29,082 --> 01:05:32,235
A shared experience that
would allow us to begin again.

807
01:05:33,619 --> 01:05:34,703
- Hey you!

808
01:05:36,732 --> 01:05:38,532
- [Jorie] Moving forward, that would be

809
01:05:38,532 --> 01:05:39,915
the story we would tell,

810
01:05:43,302 --> 01:05:46,335
how we chased a thief that
trespassed against us,

811
01:05:47,412 --> 01:05:49,605
ran her deep into the forest and gone.

812
01:05:51,162 --> 01:05:53,985
This story would supplant
the story of old Karl.

813
01:05:57,792 --> 01:06:00,132
Narrative is everything.

814
01:06:00,132 --> 01:06:03,162
Story puts all our
experiences and all our dreams

815
01:06:03,162 --> 01:06:07,239
into balance, but our doubling
now involves uncertainty.

816
01:06:07,239 --> 01:06:11,292
(suspenseful music continues)

817
01:06:11,292 --> 01:06:13,125
Someone messed up the narrative.

818
01:06:15,042 --> 01:06:16,935
A player has gone rogue.

819
01:06:18,222 --> 01:06:19,965
She's using us as her double,

820
01:06:20,862 --> 01:06:23,805
preparing her own survival at our expense.

821
01:06:24,972 --> 01:06:27,165
An elaborate double-cross.

822
01:06:28,302 --> 01:06:31,099
Something in the woods gets
her power to pull it off.

823
01:06:34,162 --> 01:06:36,829
(intense music)

824
01:06:45,889 --> 01:06:49,389
(intense music continues)

825
01:06:54,150 --> 01:06:57,650
(intense music continues)

826
01:07:03,878 --> 01:07:07,378
(intense music continues)

827
01:07:13,969 --> 01:07:17,469
(intense music continues)

828
01:07:23,947 --> 01:07:27,447
(intense music continues)

829
01:07:32,898 --> 01:07:36,398
(intense music continues)

830
01:07:42,032 --> 01:07:45,532
(intense music continues)

831
01:07:51,931 --> 01:07:55,431
(intense music continues)

832
01:08:02,299 --> 01:08:05,799
(intense music continues)

833
01:08:08,454 --> 01:08:13,454
(eerie music)
(insects chirring)

834
01:08:17,901 --> 01:08:20,568
(intense music)

835
01:08:26,972 --> 01:08:30,472
(intense music continues)

836
01:08:36,785 --> 01:08:40,285
(intense music continues)

837
01:08:46,043 --> 01:08:49,543
(intense music continues)

838
01:08:56,091 --> 01:08:59,591
(intense music continues)

839
01:09:05,947 --> 01:09:09,447
(intense music continues)

840
01:09:15,953 --> 01:09:19,453
(intense music continues)

841
01:09:26,043 --> 01:09:29,543
(intense music continues)

842
01:09:33,167 --> 01:09:36,084
(insects chirring)

843
01:09:37,672 --> 01:09:40,172
(eerie music)

844
01:09:47,993 --> 01:09:51,326
(eerie music continues)

845
01:10:02,787 --> 01:10:06,342
(soft dramatic music)

846
01:10:06,342 --> 01:10:08,742
- [Hunter] A person cannot
know whether the next moment

847
01:10:08,742 --> 01:10:11,622
will be not like any other moment,

848
01:10:11,622 --> 01:10:16,622
but one that will change
their life or end their life.

849
01:10:18,702 --> 01:10:21,372
A deer in the woods
goes about its business

850
01:10:21,372 --> 01:10:24,345
knowing only by instinct
what sort of creature it is.

851
01:10:25,182 --> 01:10:28,002
The one who draws her bow, that is the one

852
01:10:28,002 --> 01:10:30,015
who knows what the next moment will be.

853
01:10:31,032 --> 01:10:34,182
She will line up her arrow and change time

854
01:10:34,182 --> 01:10:36,165
for what is standing in her sight.

855
01:10:37,932 --> 01:10:39,465
Do you understand?

856
01:10:42,552 --> 01:10:43,635
Who am I to you?

857
01:10:46,512 --> 01:10:48,225
- [Thief] You are the hunter.

858
01:10:50,382 --> 01:10:52,932
- [Hunter] Do I have the
power to change your life?

859
01:10:54,762 --> 01:10:55,846
- [Thief] Oh yes.

860
01:10:57,644 --> 01:11:01,061
(eerie music continues)

861
01:11:04,002 --> 01:11:06,352
- [Hunter] Do you see
before you a better life?

862
01:11:07,602 --> 01:11:08,686
- [Thief] I do.

863
01:11:10,062 --> 01:11:11,622
- [Hunter] Do you take it upon yourself

864
01:11:11,622 --> 01:11:13,395
to afford that better life?

865
01:11:14,442 --> 01:11:15,526
- [Thief] I do.

866
01:11:17,352 --> 01:11:21,525
- [Hunter] One world falls
away, another is taking shape.

867
01:11:26,499 --> 01:11:29,166
(intense music)

868
01:11:35,936 --> 01:11:39,436
(intense music continues)

869
01:11:44,901 --> 01:11:48,401
(intense music continues)

870
01:11:54,212 --> 01:11:57,712
(intense music continues)

871
01:12:03,500 --> 01:12:07,000
(intense music continues)

872
01:12:10,831 --> 01:12:13,831
(suspenseful music)

873
01:12:21,275 --> 01:12:24,025
(door creaking)

874
01:12:31,106 --> 01:12:34,939
(suspenseful music continues)

875
01:12:41,009 --> 01:12:44,842
(suspenseful music continues)

876
01:12:50,249 --> 01:12:54,879
(suspenseful music continues)

877
01:12:54,879 --> 01:12:57,712
(gun clattering)

878
01:13:03,935 --> 01:13:06,816
(suspenseful music continues)

879
01:13:06,816 --> 01:13:09,899
(creature snarling)

880
01:13:16,089 --> 01:13:19,922
(suspenseful music continues)

881
01:13:26,143 --> 01:13:30,152
(suspenseful music continues)

882
01:13:30,152 --> 01:13:33,188
(Kaidon screaming)
(gun firing)

883
01:13:33,188 --> 01:13:37,021
(suspenseful music continues)

884
01:13:39,295 --> 01:13:42,212
(insects chirring)

885
01:13:49,044 --> 01:13:51,961
(insects chirring)

886
01:13:59,067 --> 01:14:01,984
(insects chirring)

887
01:14:11,466 --> 01:14:14,611
(gun fires)
(insects chirring)

888
01:14:14,611 --> 01:14:17,361
(intense music)

889
01:14:24,966 --> 01:14:28,466
(intense music continues)

890
01:14:34,498 --> 01:14:37,998
(intense music continues)

891
01:14:44,030 --> 01:14:47,530
(intense music continues)

892
01:14:53,690 --> 01:14:56,384
(intense music continues)

893
01:14:56,384 --> 01:15:00,612
- [Kaidon] When the
ordeal ends, who's there?

894
01:15:00,612 --> 01:15:01,755
Nobody's there.

895
01:15:02,922 --> 01:15:04,485
That's what Lizzie believed.

896
01:15:05,952 --> 01:15:09,975
She began walking in the
direction of never coming back.

897
01:15:11,442 --> 01:15:14,025
What was the meaning of
the thing that happened?

898
01:15:15,042 --> 01:15:17,955
The thing that had been
like a tornado in her life.

899
01:15:19,782 --> 01:15:21,982
It's something that will always follow

900
01:15:23,052 --> 01:15:25,632
and the howling of its anger behind her

901
01:15:25,632 --> 01:15:28,905
is something she will have to
relish as she moves forward.

902
01:15:30,132 --> 01:15:35,132
Aiming so earnestly for
a future tense of joy.

903
01:15:35,171 --> 01:15:38,338
(soft dramatic music)

904
01:15:42,327 --> 01:15:45,244
(insects chirring)

905
01:15:48,987 --> 01:15:51,487
(eerie music)

906
01:15:57,955 --> 01:16:01,372
(eerie music continues)

907
01:16:03,042 --> 01:16:05,342
- [Man] Nice work getting
your degree, Angela.

908
01:16:08,472 --> 01:16:10,672
I'm surprised you stayed
around here though.

909
01:16:18,432 --> 01:16:21,014
- I'm exactly where I need to be.

910
01:16:21,014 --> 01:16:23,931
(insects chirring)

911
01:16:28,639 --> 01:16:31,139
(eerie music)

912
01:16:38,385 --> 01:16:41,718
(eerie music continues)

913
01:16:48,177 --> 01:16:51,510
(eerie music continues)

914
01:16:57,969 --> 01:17:01,302
(eerie music continues)

915
01:17:06,932 --> 01:17:11,932
(insects chirring)
(intense music)

916
01:17:15,995 --> 01:17:19,495
(intense music continues)

917
01:17:24,913 --> 01:17:28,413
(intense music continues)

918
01:17:34,769 --> 01:17:38,269
(intense music continues)

919
01:17:44,113 --> 01:17:47,613
(intense music continues)

920
01:17:52,667 --> 01:17:56,167
(intense music continues)

921
01:18:01,926 --> 01:18:05,426
(intense music continues)

922
01:18:10,694 --> 01:18:14,194
(intense music continues)

923
01:18:20,977 --> 01:18:24,477
(intense music continues)

924
01:18:31,600 --> 01:18:36,600
(eerie music)
(insects chirring)