1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:02:56,896 --> 00:02:59,793 FROM "DAYS OF OUR LIVES," DRAKE HOGESTYN. 4 00:02:59,827 --> 00:03:02,758 YOU BROUGHT EVERYBODY FROM SALEM WITH YOU. 5 00:03:05,482 --> 00:03:11,862 I WANT TO SAY TO EVERYONE, WELCOME TO THE 50TH ANNUAL 6 00:03:11,896 --> 00:03:16,206 DAYTIME EMMYS AWARDS. THEY INTRODUCED US BUT WE'LL DO 7 00:03:16,241 --> 00:03:18,758 IT AGAIN. I'M NISCHELLE TURNER. 8 00:03:18,793 --> 00:03:21,758 AND I'M KEVIN FRAZIER. IT'S GOOD TO BE BACK AND SEE 9 00:03:21,793 --> 00:03:24,310 EVERYBODY. 50 YEARS OF CELEBRATING DAYTIME 10 00:03:24,344 --> 00:03:27,000 TELEVISION. ALL THE EXCELLENCE, IT'S BEEN 11 00:03:27,034 --> 00:03:28,448 INCREDIBLE. >> Nischelle: IT HAS BEEN WHEN 12 00:03:28,482 --> 00:03:31,793 YOU CONSIDER HOW MUCH HAS CHANGED IN THE PAST 50 YEARS AND 13 00:03:31,827 --> 00:03:36,689 NOT JUST TV. >> Kevin: 50 YEARS AGO I WAS 14 00:03:36,724 --> 00:03:40,379 SITTING IN MY MOM'S LAP IN THE FRONT SEAT OF THE CAR WITHOUT A 15 00:03:40,413 --> 00:03:45,689 SEAT BELT. NOW MY CARD IS AN EVEN START. 16 00:03:45,724 --> 00:03:48,379 >> Nischelle: TO NOTE THE TOP HAIRSTYLE WAS? 17 00:03:48,413 --> 00:03:52,103 IT WAS THE SHAG. I KNOW A BUNCH OF PEOPLE HAVE 18 00:03:52,137 --> 00:04:01,344 ONE. EVERYBODY HAVE THE SHAG. 19 00:04:01,379 --> 00:04:06,517 >> Kevin: IF I COULD HAVE KEPT IT I WOULD HAVE. 20 00:04:06,551 --> 00:04:09,275 TONIGHT WE ARE ALL ABOUT 50 YEARS OF DAYTIME EMMYS HISTORY 21 00:04:09,310 --> 00:04:12,586 AND WE ARE KICKING THINGS OFF WITH A VERY NICE TASTE OF THAT 22 00:04:12,620 --> 00:04:15,655 HISTORY. >> Nischelle: INDEED WE ARE. 23 00:04:15,689 --> 00:04:17,137 THIS YEAR, WE HAVE A REALLY SPECIAL TREAT. 24 00:04:17,172 --> 00:04:18,620 EACH ACTING CATEGORY WILL BE PRESENTED BY ONE OF LAST YEAR'S 25 00:04:18,654 --> 00:04:21,067 ACTING WINNERS, ALONG WITH A LEGACY WINNER. 26 00:04:21,103 --> 00:04:24,137 WE'RE CONNECTING THE DAYTIME EMMYS WITH ITS STORIED PAST, 27 00:04:24,172 --> 00:04:30,758 ITS WONDERFUL PRESENT, AND ITS BRIGHT FUTURE. 28 00:04:30,793 --> 00:04:32,655 PRESENTING OUR FIRST AWARD FOR OUTSTANDING SUPPORTING 29 00:04:32,689 --> 00:04:36,068 ACTRESS, 2022'S OUTSTANDING SUPPORTING ACTOR WINNER, 30 00:04:36,103 --> 00:04:37,034 JEFF KOBER. >> Kevin: AND 2005'S OUTSTANDING 31 00:04:37,068 --> 00:04:49,034 SUPPORTING ACTOR WINNER, GREG RIKAART. 32 00:04:49,068 --> 00:04:54,655 [APPLAUSE] >> AS LAST YEAR'S OUTSTANDING 33 00:04:54,689 --> 00:04:56,551 SUPPORTING ACTOR WINNER -- >> AND AS 2005'S OUTSTANDING 34 00:04:56,586 --> 00:04:59,137 SUPPORTING ACTOR WINNER -- >> WE BOTH KNOW EXACTLY WHAT 35 00:04:59,172 --> 00:05:01,931 ALL THE NOMINEES ARE FEELING RIGHT NOW. 36 00:05:01,965 --> 00:05:04,551 INCREDIBLE ELATION AT BEING NOMINATED. 37 00:05:04,586 --> 00:05:07,655 >> THE SOARING HOPE OF PERHAPS WINNING AND TAKING HOME 38 00:05:07,689 --> 00:05:09,793 THE GOLD. >> AND THE TERROR THAT IF YOU 39 00:05:09,827 --> 00:05:13,724 DO WIN, YOU MIGHT LEAVE SOMEONE OFF YOUR ACCEPTANCE SPEECH, 40 00:05:13,758 --> 00:05:16,206 LIKE I DID LAST YEAR WHEN I DIDN'T MENTION MY MAKEUP ARTIST 41 00:05:16,241 --> 00:05:26,034 ALLIE FLECK. [APPLAUSE] 42 00:05:26,068 --> 00:05:30,482 >> Nischelle: I FORGOT TO MENTION MY EX. 43 00:05:30,517 --> 00:05:37,482 [LAUGHTER] I THINK THAT'S WHY HE'S MY EX. 44 00:05:37,517 --> 00:05:40,103 >> BUT WHEN YOU HEAR YOUR NAME CALLED... 45 00:05:40,137 --> 00:05:45,344 >> THE ONLY EMOTION YOU FEEL IN THAT MOMENT IS ABSOLUTE JOY. 46 00:05:45,379 --> 00:05:46,689 >> THE NOMINEES FOR OUTSTANDING SUPPORTING PERFORMANCE 47 00:05:46,724 --> 00:05:49,448 IN A DAYTIME DRAMA SERIES ACTRESS ARE... 48 00:05:49,482 --> 00:05:53,310 >> KRISTA ALLEN, SONYA EDDY, 49 00:05:53,344 --> 00:05:57,551 STACY HAIDUK, BROOK KERR, 50 00:05:57,586 --> 00:06:11,413 KELLY THIEBAUD, >> AND THE EMMY GOES TO... 51 00:06:11,448 --> 00:06:18,758 SONYA EDDY. AS EPIPHANY JOHNSON, 52 00:06:18,793 --> 00:06:33,724 "GENERAL HOSPITAL." [APPLAUSE] 53 00:06:33,724 --> 00:06:38,206 "GENERAL HOSPITAL." [APPLAUSE] 54 00:06:38,241 --> 00:06:41,655 >> SONYA EDDY. 55 00:06:41,689 --> 00:06:45,448 JOINS A RARE GROUP OF PERFO PERFORMERS. 56 00:06:45,482 --> 00:06:52,103 >> ACCEPTING THIS IS BITTER BITTERSWEET. 57 00:06:52,137 --> 00:06:58,103 I WANT TO THANK FRANK MORE THAN ANYTHING FOR BEING A FAITHFUL 58 00:06:58,137 --> 00:07:02,103 FRIEND. DISNEY ABC AND THE CAST AND CREW 59 00:07:02,137 --> 00:07:05,689 OF "GENERAL HOSPITAL" FOR EMBRACING HER FOR 16 YEARS. 60 00:07:05,724 --> 00:07:10,172 AND I WANT TO THANK THE ACADEMY FOR ACKNOWLEDGING HER 61 00:07:10,206 --> 00:07:14,517 CONTRIBUTION AND CRAFT. SONYA NEVER ASPIRED TO BE AN 62 00:07:14,551 --> 00:07:18,310 ACTOR AND WHILE HER TALENT WAS UNDENIABLE, I'M SURE THAT SHE'S 63 00:07:18,344 --> 00:07:21,310 MORE OVERJOYED BY BEING REMEMBERED FOR HOW SHE MADE 64 00:07:21,344 --> 00:07:27,448 PEOPLE FEEL ON THE SCREEN END. THANK YOU. 65 00:07:27,482 --> 00:07:33,793 >> Announcer: PLEASE WELCOME 2022'S DAYTIME EMMY WINNER FOR 66 00:07:33,827 --> 00:07:35,275 OUTSTANDING SUPPORTING ACTRESS FOR HER ROLE AS 67 00:07:35,310 --> 00:07:37,275 "GENERAL HOSPITAL'S" DR. BRITT WESTBOURNE, 68 00:07:37,310 --> 00:07:40,551 KELLY THIEBAUD. AND DIRECTOR, PRODUCER, 69 00:07:40,586 --> 00:07:43,344 AND WINNER OF THE 1980 DAYTIME EMMY FOR OUTSTANDING 70 00:07:43,379 --> 00:07:48,068 SUPPORTING ACTRESS, FRANCESCA JAMES. 71 00:07:48,103 --> 00:07:57,655 [CHEERS AND APPLAUSE] >> HI, EVERYONE. 72 00:07:57,689 --> 00:08:00,965 I LOVE HOW THEY'RE HAVING LAST YEAR'S WINNER, ME, 73 00:08:01,000 --> 00:08:03,896 PRESENT WITH FRANCESCA, A LEGACY WINNER FROM 1980. 74 00:08:03,931 --> 00:08:06,137 IT MAKES IT REALLY SPECIAL FOR ME. 75 00:08:06,172 --> 00:08:11,517 >> THANK YOU, KELLY. WHEN I HEARD WE WERE DOING IT 76 00:08:11,551 --> 00:08:15,689 TOGETHER, I THOUGHT THAT WAS AN EXCELLENT IDEA. 77 00:08:15,724 --> 00:08:19,413 REALLY LOVELY, LOVELY IDEA. >> WELL, WHAT'S LOVELY IS YOUR 78 00:08:19,448 --> 00:08:20,655 CONNECTION TO DAYTIME EMMY HISTORY. 79 00:08:20,689 --> 00:08:22,448 DID YOU GUYS KNOW FRANCESCA IS A FIVE-TIME EMMY WINNER AND 80 00:08:22,482 --> 00:08:28,137 WAS THE SECOND EVER WINNER OF THE SUPPORTING ACTRESS AWARD? 81 00:08:28,172 --> 00:08:33,241 I'M STANDING NEXT TO DAYTIME EMMY ROYALTY, PEOPLE. 82 00:08:33,275 --> 00:08:34,482 I COULD RAVE ABOUT YOU ALL DAY. 83 00:08:34,517 --> 00:08:42,379 >> WELL, I APPRECIATE THAT COMING FROM YOU, BECAUSE YOU'RE 84 00:08:42,413 --> 00:08:48,448 BEAUTIFUL AND ENVIABLY TALL. YOU'RE REMARKABLE YOURSELF, 85 00:08:48,482 --> 00:08:51,724 SHOULD WE DO WHAT WE'VE BEEN ASKED TO DO AND MAKE THIS 86 00:08:51,758 --> 00:08:54,172 PRESENTATION? >> YES. 87 00:08:54,206 --> 00:08:55,793 THE NOMINEES FOR OUTSTANDING SUPPORTING PERFORMANCE 88 00:08:55,827 --> 00:08:57,275 IN A DAYTIME DRAMA SERIES ACTOR ARE... 89 00:08:57,310 --> 00:09:03,310 >> NICHOLAS CHAVEZ, CHAD DUELL, 90 00:09:03,344 --> 00:09:05,896 DAN FEUERRIEGEL, ROBERT GOSSETT, 91 00:09:05,931 --> 00:09:20,862 JON LINDSTROM. >> AND THE EMMY GOES TO... 92 00:09:20,862 --> 00:09:21,758 JON LINDSTROM. >> AND THE EMMY GOES TO... 93 00:09:21,793 --> 00:09:26,931 ROBERT GOSSETT, FROM "GENERAL HOSPITAL." 94 00:09:26,965 --> 00:09:31,517 >> ROBERT GOSSETT WON LAST YEAR'S GUEST PERFORMER DAYTIME 95 00:09:31,551 --> 00:09:35,655 EMMYS FOR THE SAME ROLE AS MARSHALL ASHFORD ON 96 00:09:35,689 --> 00:09:39,068 "GENERAL HOSPITAL." >> YOU'VE BEEN UP SINCE THE 97 00:09:39,103 --> 00:09:42,103 CRACK OF DAWN STUDYING. YOU'VE GOT THIS. 98 00:09:42,137 --> 00:09:44,275 >> THANK YOU FOR THE ENCOURAGEMENT. 99 00:09:44,310 --> 00:09:48,724 >> I'M JUST STATING FACTS. >> WON A FINAL PASS? 100 00:09:48,758 --> 00:09:51,931 >> SO WHAT. SO WHAT. 101 00:09:51,965 --> 00:09:56,689 A VALIANT EFFORT IS NOT A FAILURE. 102 00:09:56,724 --> 00:09:57,931 FAR FROM IT. IT'S BRAVE. 103 00:09:57,965 --> 00:10:09,965 EPIPHANY, ITS CREATORS. IT'S COURAGEOUS. 104 00:10:10,000 --> 00:10:16,068 >> FRANK VALENTINI. THANK YOU. 105 00:10:16,103 --> 00:10:20,068 FRANK VALENTINI. THANK YOU. 106 00:10:20,103 --> 00:10:28,827 WE ARE, AS YOU KNOW, WE'VE HAD LOSS IN OUR FAMILY AT "GH." 107 00:10:28,862 --> 00:10:40,034 WE LOST MY LEADING LADY, SONYA EDDY AND OUR BELOVED PRODUCER. 108 00:10:40,068 --> 00:10:49,379 I LOST MY SON, MY SON. I KNOW HE'S UP THERE WATCHING. 109 00:10:49,413 --> 00:10:51,517 I MISS YOU. I MISS YOU EVERY DAY. 110 00:10:51,551 --> 00:10:56,172 BUT I HAVE MY OTHER SON HERE, CALEB. 111 00:10:56,206 --> 00:11:05,275 I LOVE YOU, SON. THERE'S SO MANY PEOPLE TO THANK. 112 00:11:05,310 --> 00:11:09,034 PRISCILLA, MAKE UP. I DON'T WANT TO FORGET THAT, 113 00:11:09,068 --> 00:11:15,379 RIGHT? ALL THE DIRECTORS. 114 00:11:15,413 --> 00:11:18,655 ROBERT AND GARY AND ALLISON AND WARDROBE. 115 00:11:18,689 --> 00:11:21,068 YOU KNOW, WE DO THIS. YOU KNOW WE DO THIS. 116 00:11:21,103 --> 00:11:28,068 WE ARE NOT HERE BY OURSELVES. I STAND ON SO MANY OTHER 117 00:11:28,103 --> 00:11:33,000 SHOULDERS. MY CHILDREN, CALEB, HALEY, 118 00:11:33,034 --> 00:11:39,379 DANIELLE, MICHELLE, CARMEN. SO MANY, SO MANY PEOPLE. 119 00:11:39,413 --> 00:11:46,034 THERE WAS A PLAY I DID MANY YEARS AGO. 120 00:11:46,068 --> 00:11:55,517 IT GOES "I'M SOMEBODY BECAUSE YOU AND YOU AND YOU MAKE ME 121 00:11:55,551 --> 00:11:58,724 SOMEBODY. BECAUSE YOU AND YOU AND YOU ARE 122 00:11:58,758 --> 00:12:04,931 A PART OF ME." SO THIS IS NICE, AND I'M SO 123 00:12:04,965 --> 00:12:12,310 HAPPY. [CHEERS AND APPLAUSE] 124 00:12:12,344 --> 00:12:15,655 >> Announcer: THIS ACTRESS, BEST KNOWN FOR PLAYING NIKKI NEWMAN, 125 00:12:15,689 --> 00:12:17,275 IS THE LONGEST TENURED PERFORMER IN THE HISTORY OF "THE YOUNG 126 00:12:17,310 --> 00:12:28,068 AND THE RESTLESS," MELODY THOMAS SCOTT. 127 00:12:28,103 --> 00:12:38,068 [APPLAUSE] >> THERE IT IS. 128 00:12:38,103 --> 00:12:41,034 WILLIAM J. BELL AND LEE PHILLIP BELL MADE THEIR 129 00:12:41,068 --> 00:12:44,206 MARK ON THE DAYTIME DRAMA LANDSCAPE WHEN THEY CREATED 130 00:12:44,241 --> 00:12:48,827 "THE YOUNG AND THE RESTLESS" 50 YEARS AGO, THANKS TO THEIR 131 00:12:48,862 --> 00:12:52,586 RICH STORYTELLING OF FAMILY DRAMA, EPIC ROMANCES, 132 00:12:52,620 --> 00:12:57,000 AND THEIR ASTUTE FOCUS ON SOCIAL ISSUES, ALL BROUGHT TO LIFE 133 00:12:57,034 --> 00:13:01,000 BY COMPELLING CHARACTERS, MANY OF WHOM CONTINUE TO 134 00:13:01,034 --> 00:13:04,758 ENTERTAIN THE Y&R VIEWERS TO THIS DAY. 135 00:13:04,793 --> 00:13:09,517 AND WE CAN'T HONOR Y&R'S 50TH ANNIVERSARY WITHOUT THANKING 136 00:13:09,551 --> 00:13:17,793 OUR FANS FOR FIVE DECADES OF LOYALTY AND SUPPORT. 137 00:13:17,827 --> 00:13:21,034 [APPLAUSE] HERE'S TO MANY MORE YEARS 138 00:13:21,068 --> 00:13:29,758 TOGETHER IN GENOA CITY. ♪ THE MEMORIES 139 00:13:29,793 --> 00:13:31,689 ♪ WILL REMAIN ♪ WHEN YOUR HEART 140 00:13:31,724 --> 00:13:38,827 ♪ IS FEELING BLUE ♪ ONE THING IN LIFE 141 00:13:38,862 --> 00:13:44,000 ♪ THAT DOESN'T CHANGE ♪ THERE'S ALWAYS LOVE 142 00:13:44,034 --> 00:13:50,758 ♪ SOMEWHERE ♪ WAITING FOR YOU 143 00:13:50,793 --> 00:13:56,896 ♪ I'VE KNOWN FRIENDSHIP ♪ THAT NEVER FAILED 144 00:13:56,931 --> 00:14:04,275 ♪ FELT THE PAIN THAT COMES ♪ WITH BETRAYAL 145 00:14:04,310 --> 00:14:09,620 ♪ BUT I CAN'T DENY ♪ I LIVE LIFE WELL 146 00:14:09,655 --> 00:14:16,137 ♪ AND I'M GRATEFUL >> GOOD NIGHT. 147 00:14:16,172 --> 00:14:31,103 >> GOOD NIGHT. ♪ FOR IT ALL 148 00:14:31,103 --> 00:14:32,034 >> GOOD NIGHT. ♪ FOR IT ALL 149 00:14:32,068 --> 00:14:45,517 [APPLAUSE] >> Announcer: WHEN WE RETURN, 150 00:14:45,551 --> 00:14:47,965 THE 50TH ANNUAL DAYTIME EMMY AWARDS CONTINUE, FEATURING 151 00:14:48,000 --> 00:14:50,344 AWARDS FOR OUTSTANDING DAYTIME TALK SERIES AND 152 00:14:50,379 --> 00:14:57,000 OUTSTANDING ENTERTAINMENT NEWS SERIES. 153 00:14:57,034 --> 00:14:59,413 THAT AND MUCH MORE. THIS IS CBS. 154 00:15:10,068 --> 00:15:11,551 >> Announcer: FROM "GENERAL HOSPITAL," 155 00:15:11,586 --> 00:15:16,586 WELCOME DONNELL TURNER AND EMMY WINNER LAURA WRIGHT. 156 00:15:26,379 --> 00:15:29,758 [APPLAUSE] >> WHAT A PLEASURE TO BE A PART 157 00:15:29,793 --> 00:15:34,068 OF SUCH A HISTORIC SHOW. I MEAN, 50 YEARS OF HONORING 158 00:15:34,103 --> 00:15:35,172 DAYTIME TV, A SUBJECT WE BOTH KNOW A LITTLE SOMETHING 159 00:15:35,206 --> 00:15:37,827 ABOUT. >> HEAR, HEAR! 160 00:15:37,862 --> 00:15:43,034 >> TALK ABOUT CONSISTENCY. >> LET'S TALK ABOUT CONSISTENCY. 161 00:15:43,068 --> 00:15:47,827 THE SHOWS NOMINATED IN THIS NEXT CATEGORY NOT ONLY HAVE BECOME 162 00:15:47,862 --> 00:15:50,172 A BIG PART OF THE FABRIC OF DAYTIME TV, THEY'VE ALSO 163 00:15:50,206 --> 00:15:53,586 PROVIDED AUDIENCES WITH CONSISTENTLY ENJOYABLE MOMENTS, 164 00:15:53,620 --> 00:15:58,034 DAY IN AND DAY OUT. >> WHICH IS PROBABLY WHY THEY'RE 165 00:15:58,068 --> 00:16:03,448 NOMINATED IN THE FIRST PLACE. >> YOU'RE NOT WRONG, 166 00:16:03,482 --> 00:16:06,275 LAURA WRIGHT. SEE WHAT I DID? 167 00:16:06,310 --> 00:16:09,482 I WENT FOR IT. THE NOMINEES FOR OUTSTANDING 168 00:16:09,517 --> 00:16:12,034 DAYTIME TALK SERIES ARE... >> "THE DREW BARRYMORE SHOW." 169 00:16:12,068 --> 00:16:18,206 "THE JENNIFER HUDSON SHOW." "THE KELLY CLARKSON SHOW." 170 00:16:18,241 --> 00:16:30,103 "LIVE WITH KELLY AND RYAN." "TODAY WITH HODA AND JENNA." 171 00:16:30,137 --> 00:16:33,758 >> AND THE EMMY GOES TO... 172 00:16:33,793 --> 00:16:42,482 "THE KELLY CLARKSON SHOW." >> ACCEPTING, THE 173 00:16:42,517 --> 00:16:47,517 EXECUTIVE PRODUCER. ALEX DUDA. 174 00:16:57,172 --> 00:17:04,137 >> WOW, THANK YOU SO, SO MUCH. TO THE ACADEMY, TO NBC 175 00:17:04,172 --> 00:17:08,758 UNIVERSAL, TRACY WILSON, OUR FEARLESS LEADER, OUR FELLOW 176 00:17:08,792 --> 00:17:12,931 NOMINEES AND OUR AFFILIATES. WE ARE SO HONORED FOR THIS 177 00:17:12,964 --> 00:17:16,068 AWARD. IT'S BEEN QUITE A YEAR. 178 00:17:16,103 --> 00:17:19,241 KELLY COULDN'T BE HERE TONIGHT BUT I CAN SPEAK FOR EVERYONE ON 179 00:17:19,275 --> 00:17:23,034 THIS STAFF IN ON THIS SHOW AND SAY IT'S A PLEASURE TO WORK WITH 180 00:17:23,068 --> 00:17:25,517 HER. SHE MAKES IT FUN. 181 00:17:25,550 --> 00:17:28,103 SHE'S ENJOY EVERY DAY. THAT MAKES IT A LITTLE EASIER. 182 00:17:28,137 --> 00:17:32,068 YOU WANT ME TO THANK ALL OF OUR VIEWERS FOR STICKING WITH US IN 183 00:17:32,103 --> 00:17:35,551 THIS MIGRATION AS WE MOVE FROM LOS ANGELES TO NEW YORK. 184 00:17:35,586 --> 00:17:41,000 MOSTLY WANT TO THANK THE STAFF. THOSE PEOPLE WHO BUILT US 185 00:17:41,034 --> 00:17:43,000 ONSTAGE 1 HERE IN LOS ANGELES. FOR THOSE PEOPLE WHO MOVED THEIR 186 00:17:43,034 --> 00:17:46,000 LIVES ACROSS THE COUNTRY BECAUSE THEY BELIEVED IN WHAT WE WERE 187 00:17:46,034 --> 00:17:48,241 DOING. FOR THOSE PEOPLE WHO LEARNED HOW 188 00:17:48,275 --> 00:17:52,620 TO WORK REMOTE EVEN THOUGH THERE'S CHALLENGES WITH THE TIME 189 00:17:52,655 --> 00:17:54,379 ZONES. AND FOR OUR NEW TEAM MEMBERS IN 190 00:17:54,413 --> 00:17:57,413 NEW YORK AND ARE AGREEABLE PARTNERS AT 30 ROCK. 191 00:17:57,448 --> 00:18:00,000 YOU BRING NEW MAGIC TO OUR MIX. THANK YOU. 192 00:18:00,034 --> 00:18:04,379 THIS IS FOR YOU AND BECAUSE OF YOU. 193 00:18:04,413 --> 00:18:15,551 THANKS. [APPLAUSE] 194 00:18:15,586 --> 00:18:17,068 >> Announcer: PLEASE WELCOME EMMY-NOMINATED COMEDIAN, 195 00:18:17,103 --> 00:18:18,034 ACTRESS KYM WHITLEY AND DAYTIME EMMY WINNER 196 00:18:18,068 --> 00:18:32,172 A. MARTINEZ. [APPLAUSE] 197 00:18:32,206 --> 00:18:37,793 >> MY GOODNESS. I ALMOST LOST MY WIG ON THAT 198 00:18:37,827 --> 00:18:40,931 SECOND STEP. >> YOU'RE LOOKING BEAUTIFUL. 199 00:18:40,965 --> 00:18:42,344 >> ENTERTAINMENT NEWS SHOWS. WHO DOESN'T LOVE 'EM? 200 00:18:42,379 --> 00:18:44,482 >> RIGHT? TALK ABOUT BINGE-WORTHY TV. 201 00:18:44,517 --> 00:18:45,551 GIVEN THE CHANCE, SOME OF US WOULD PROBABLY WATCH OUR 202 00:18:45,586 --> 00:18:47,758 FAVORITE ENTERTAINMENT NEWS SHOW ALL DAY LONG. 203 00:18:47,793 --> 00:18:50,172 >> OH, TRUST ME, I HAVE! AND WHY NOT? 204 00:18:50,206 --> 00:18:54,034 A BUNCH OF FUN, INFORMATIVE, AND SMART PEOPLE GIVING US 205 00:18:54,068 --> 00:18:58,482 THE 411 ON "THE BIZ." THAT'S MY KINDA SHOW. 206 00:18:58,517 --> 00:19:04,793 >> THERE YOU GO. I THINK YOU MEAN "THE TEA." 207 00:19:04,827 --> 00:19:12,034 >> EXCUSE ME? >> GIVING US THE TEA. 208 00:19:12,068 --> 00:19:19,827 YOU CAN'T SAY FOR 11 ANYMORE. YOU'VE GOT TO SAY THE TEA. 209 00:19:19,862 --> 00:19:22,103 >>> I I SEE YOU ALL HIT ON THE JARGON. 210 00:19:22,137 --> 00:19:24,172 I THINK I LOVE YOU EVEN MORE NOW. 211 00:19:24,206 --> 00:19:28,000 LET'S GET DOWN TO BUSINESS. THE NOMINEES FOR OUTSTANDING 212 00:19:28,034 --> 00:19:31,172 ENTERTAINMENT NEWS SERIES ARE... >> "ACCESS HOLLYWOOD." 213 00:19:31,206 --> 00:19:35,482 "E! NEWS." "ENTERTAINMENT TONIGHT." 214 00:19:35,517 --> 00:19:45,758 "EXTRA." "INSIDE EDITION." 215 00:19:45,793 --> 00:19:53,206 [APPLAUSE] >> AND THE EMMY GOES TO... 216 00:19:53,241 --> 00:20:04,448 THIS IS EXCITING. "ENTERTAINMENT TONIGHT." 217 00:20:04,482 --> 00:20:09,034 >> ACCEPTING THE EMMY ARE OUR HOSTS KEVIN FRAZIER AND 218 00:20:09,068 --> 00:20:24,000 NISCHELLE TURNER. [APPLAUSE] 219 00:20:24,000 --> 00:20:33,103 NISCHELLE TURNER. [APPLAUSE] 220 00:20:33,137 --> 00:20:38,482 >> CONGRATULATIONS. 221 00:20:38,517 --> 00:20:41,793 >> Nischelle: OH, BOY. KEVIN, I REALLY JUST GOING TO 222 00:20:41,827 --> 00:20:45,620 MAKE ME DO THIS? FIRST OF ALL, THIS IS JUST 223 00:20:45,655 --> 00:20:50,689 REALLY, REALLY AN HONOR. I GREW UP ON A FARM IN MISSOURI. 224 00:20:50,724 --> 00:20:54,965 THIS IS WILD TO BE STANDING UP HERE GETTING AN ENEMY. 225 00:20:55,000 --> 00:20:58,551 WE WORK WITH THE MOST INCREDIBLE PEOPLE EVERY SINGLE DAY, WE HAVE 226 00:20:58,586 --> 00:21:03,344 THE MOST INCREDIBLE TEAM. OUR TEAM IS LED BY A GROUP OF 227 00:21:03,379 --> 00:21:06,068 FANTASTIC, SMART, ACCOMPLISHED WOMEN THAT I LOVE GOING TO WORK 228 00:21:06,103 --> 00:21:11,344 WITH EVERY SINGLE DAY. THEY'RE HERE TONIGHT. 229 00:21:11,379 --> 00:21:14,172 THANK YOU SO, SO MUCH. >> Kevin: WE WANT TO SAY FIRST 230 00:21:14,206 --> 00:21:17,137 OF ALL CONGRATULATIONS TO EVERYONE WHO WAS NOMINATED IN 231 00:21:17,172 --> 00:21:19,103 THE CATEGORY. WE ARE ALL FRIENDS AND WE ALL 232 00:21:19,137 --> 00:21:22,517 WORK TOGETHER OUT IN THE FIELD. ALSO THE REST OF OUR TEAM AND 233 00:21:22,551 --> 00:21:25,896 THE FOLKS AT HOME WATCHING THIS AND OUR SPOUSES AND OUR PARTNERS 234 00:21:25,931 --> 00:21:28,655 WHO PUT UP WITH THESE INSANE SCHEDULES. 235 00:21:28,689 --> 00:21:31,103 MOST IMPORTANTLY YOU IN HOLLYWOOD WHO OPENED OUR DOORS 236 00:21:31,137 --> 00:21:33,482 TO US AND ALLOW US TO COME IN AND TELL YOUR STORIES. 237 00:21:33,517 --> 00:21:36,275 WE APPRECIATE YOU SO MUCH. THANK YOU SO MUCH. 238 00:21:36,310 --> 00:21:40,310 WE'VE BEEN ON THE SET WITH THE MOST ALL OF YOU. 239 00:21:40,344 --> 00:21:41,413 THANK YOU. >> Nischelle: THANK YOU SO 240 00:21:41,448 --> 00:21:45,689 MUCH. THANK YOU, GUYS. 241 00:21:45,724 --> 00:21:48,551 KEVIN, DON'T GO AWAY. >> Kevin: THAT'S RIGHT. 242 00:21:48,586 --> 00:21:51,965 WE ARE HOSTING THE SHOW. I JUST REALIZED WE HAVE TO STAY 243 00:21:52,000 --> 00:21:53,241 OUT HERE. >> Nischelle: WE DO. 244 00:21:53,275 --> 00:21:57,206 WE HAVE TO STAY RIGHT HERE. WE HAVE TO FOCUS AND WE HAVE TO 245 00:21:57,241 --> 00:22:00,655 KEEP THIS THING GOING. HERE WE GO. 246 00:22:00,689 --> 00:22:03,586 SPEAK TO YOU TALK. >> Nischelle: KEVIN AND I, 247 00:22:03,620 --> 00:22:06,344 WITH ALL THE THANK YOUS WE HAVE A STRONG DESIRE TO EXPRESS THE 248 00:22:06,379 --> 00:22:11,034 RELEVANCE, THE IMPORTANCE, AND REALLY THE GRAVITAS OF THE 50TH 249 00:22:11,068 --> 00:22:13,931 ANNIVERSARY OF THE DAYTIME EMMYS AND WE REALLY WANT TO SHARE HOW 250 00:22:13,965 --> 00:22:17,758 DEEPLY SPECIAL THIS SHOW IS IN PARTICULAR NOT ONLY TO US BUT TO 251 00:22:17,793 --> 00:22:21,896 THE MANY PEOPLE WHO HAD REALLY RATE EXPERIENCES AND MEMORIES OF 252 00:22:21,931 --> 00:22:25,448 PAST DAYTIME EMMYS BROADCASTS. SO, WE THOUGHT, TO HELP 253 00:22:25,482 --> 00:22:26,655 RECOGNIZE THE RICH HISTORY OF THE DAYTIME EMMYS 254 00:22:26,689 --> 00:22:28,896 WE'D CHAT WITH A FEW AUDIENCE MEMBERS ABOUT THEIR 255 00:22:28,931 --> 00:22:33,896 PERSONAL DAYTIME EMMY MOMENTS, MOMENTS THAT STAND OUT IN THEIR 256 00:22:33,931 --> 00:22:37,034 OWN LIVES. >> Kevin: I LOVE THAT YOU 257 00:22:37,068 --> 00:22:40,275 LOCKED BACK IN SO QUICKLY. >> Nischelle: I KNOW. 258 00:22:40,310 --> 00:22:44,896 >> Kevin: HERE TO SHARE ONE SUCH MEMORY WE HAVE, FROM 259 00:22:44,931 --> 00:22:48,896 "THE BOLD AND THE BEAUTIFUL," ASHLEY JONES. 260 00:22:48,931 --> 00:22:52,379 >> YOU GUYS, I THOUGHT I WOULD GET TO BANTER WITH YOU BUT 261 00:22:52,413 --> 00:22:55,482 YOU'RE SO GOOD YOU WON THE AWARD SO I'M HERE BY MYSELF. 262 00:22:55,517 --> 00:22:59,034 ONE OF MY FAVORITE MEMORIES WAS COMING TO THE AWARDS NOT LONG 263 00:22:59,068 --> 00:23:01,172 AGO. I THOUGHT I WAS GOING TO GET TO 264 00:23:01,206 --> 00:23:05,034 SEE SOMEONE VERY SPECIFIC AND I DIDN'T SEE HER AT THE RED CARPET 265 00:23:05,068 --> 00:23:09,551 OR AT THE TABLES. I GET UP TO GO TO THE RESTROOM. 266 00:23:09,586 --> 00:23:11,034 I OPEN THE DOOR. AND BOOM! 267 00:23:11,068 --> 00:23:15,344 DREW BARRYMORE. THAT WAS A REALLY SPECIAL MOMENT 268 00:23:15,379 --> 00:23:19,275 FOR ME. IF YOU EVER GET THE CHANCE TO 269 00:23:19,310 --> 00:23:21,275 CHAT WITH DREW BARRYMORE, SHE DOESN'T DISAPPOINT. 270 00:23:21,310 --> 00:23:26,793 THERE WAS ONE OTHER TIME WHERE I GOT ON THE ELEVATOR AND LO AND 271 00:23:26,827 --> 00:23:28,655 BEHOLD, THE LEGENDARY ALEX TREBEK. 272 00:23:28,689 --> 00:23:32,482 HE TRIED TO INTRODUCE HIMSELF TO ME AND OF COURSE I WAS LIKE, I 273 00:23:32,517 --> 00:23:33,965 THINK WE ALL KNOW EXACTLY WHO YOU ARE. 274 00:23:34,000 --> 00:23:36,758 WE ARE HUGE FANS. ESPECIALLY MOMENT, SHORTLY AFTER 275 00:23:36,793 --> 00:23:41,275 THAT I GOT TO BE AN ACTUAL ANSWER ON JEOPARDY. 276 00:23:41,310 --> 00:23:45,275 THAT WAS PRETTY SPECIAL FOR ME. I'M SURE THERE'S A LOT OF OTHER 277 00:23:45,310 --> 00:23:49,655 MEMORIES TONIGHT AND IT'S SUCH A PLEASURE TO BE HERE. 278 00:23:49,689 --> 00:23:57,551 >> Announcer: THERE IS MUCH MORE TO COME AS WE CELEBRATE 50 YEARS 279 00:23:57,586 --> 00:23:59,724 OF THE DAYTIME EMMY AWARDS, LIVE FROM BEAUTIFUL DOWNTOWN 280 00:23:59,758 --> 00:24:01,482 LOS ANGELES. WHEN WE RETURN, OUR GOLD AND 281 00:24:01,517 --> 00:24:02,896 SILVER CIRCLE PRESENTATIONS WITH AN APPEARANCE BY DAYTIME 282 00:24:02,931 --> 00:24:04,965 TALK-SHOW LEGEND MAURY POVICH. WE'LL BE RIGHT ACK. 283 00:24:05,000 --> 00:24:14,448 THIS IS CBS. 284 00:24:14,482 --> 00:24:15,413 THE 50TH ANNUAL DAYTIME EMMY AWARDS 285 00:24:15,448 --> 00:24:16,517 IS SPONSORED BY CHARMIN. WE ALL GO. 286 00:24:16,551 --> 00:24:21,310 WHY NOT ENJOY THE GO WITH CHARMIN. 287 00:24:30,586 --> 00:24:32,689 >> Announcer: PLEASE WELCOME THE CHAIRMAN OF THE NATIONAL 288 00:24:32,724 --> 00:24:41,344 ACADEMY OF TELEVISION ARTS AND SCIENCES, TERRY O'REILLY. 289 00:24:41,379 --> 00:24:45,551 [APPLAUSE] >> GOOD EVENING, EVERYONE. 290 00:24:45,586 --> 00:24:49,103 WONDERFUL TO HAVE YOU HERE THIS EVENING, OUR 50TH CELEBRATION OF 291 00:24:49,137 --> 00:24:53,034 THE DAYTIME EMMYS AWARDS. WELCOME 292 00:24:53,068 --> 00:24:56,724 ON BEHALF OF OUR 19,000 ACADEMY MEMBERS ACROSS AMERICA, WELCOME 293 00:24:56,758 --> 00:24:59,034 THIS IS THE FIRST MAJOR AWARDS CEREMONY SINCE THE RESOLUTION 294 00:24:59,068 --> 00:25:07,689 OF OUR INDUSTRY'S LABOR ISSUES. WE'VE BEEN WAITING FOR THIS 295 00:25:07,724 --> 00:25:11,379 EVENING FOR SIX MONTHS, I ASKED SUSPECT THERE ARE AT 296 00:25:11,413 --> 00:25:16,068 LEAST A FEW PEOPLE IN THIS ROOM READY FOR A PRETTY GOOD PARTY. 297 00:25:16,103 --> 00:25:18,034 MUCH HAS CHANGED IN OUR INDUSTRY IN THE PAST FEW YEARS. 298 00:25:18,068 --> 00:25:21,034 AMAZING ADVANCEMENTS IN TECHNOLOGY PROVIDE US 299 00:25:21,068 --> 00:25:25,413 WITH ACCESS TO MORE AND BETTER TELEVISION PROGRAMMING THAN EVER 300 00:25:25,448 --> 00:25:28,448 BEFORE, AND THE ABILITY TO NEGOTIATE THESE VAST LIBRARIES 301 00:25:28,482 --> 00:25:30,103 OF CONTENT ON ANY SCREEN ANYWHERE. 302 00:25:30,137 --> 00:25:33,275 BUT WHILE WE CELEBRATE THESE ADVANCES, THEY ARE JUST 303 00:25:33,310 --> 00:25:36,482 AN EMPTY PIPELINE WITHOUT THE TALENTED INDIVIDUALS 304 00:25:36,517 --> 00:25:39,517 WHO CREATE THE PROGRAMMING, THE INDIVIDUALS THAT WE 305 00:25:39,551 --> 00:25:42,034 CELEBRATE HERE THIS EVENING. TELEVISION, WHETHER YOU'RE 306 00:25:42,068 --> 00:25:45,413 WATCHING ON A BIG SCREEN, A COMPUTER SCREEN, 307 00:25:45,448 --> 00:25:48,827 OR ON YOUR CELLPHONE SCREEN, TELEVISION IS IN A GOLDEN HOUR. 308 00:25:48,862 --> 00:25:55,517 AND TONIGHT, WE HONOR ITS BEST WITH THE EMMY, 309 00:25:55,551 --> 00:25:57,103 WHICH IS OF COURSE OUR INDUSTRY'S GOLD STANDARD. 310 00:25:57,137 --> 00:26:00,482 NOW I'D LIKE TO TAKE A MOMENT TO NOTE THE PASSING LAST 311 00:26:00,517 --> 00:26:07,172 WEEK OF NORMAN LEAR, A REAL GIANT IN OUR INDUSTRY, 312 00:26:07,206 --> 00:26:08,931 [APPLAUSE] NORMAN BROUGHT US COMEDY 313 00:26:08,965 --> 00:26:10,724 AND SATIRE, BUT ALWAYS WITH WARMTH AND 314 00:26:10,758 --> 00:26:12,482 HEART. HIS GROUNDBREAKING SITCOMS 315 00:26:12,517 --> 00:26:15,793 TACKLED SOCIAL ISSUES HEAD-ON, SPARKING CONVERSATIONS 316 00:26:15,827 --> 00:26:19,862 AND CHALLENGING PERSPECTIVES. WHILE THE BULK OF HIS WORK 317 00:26:19,896 --> 00:26:22,103 WAS FOR PRIMETIME TELEVISION, ONE OF HIS FINAL PROJECTS 318 00:26:22,137 --> 00:26:24,034 FOR NETWORK TV WAS ACTUALLY AN ANIMATED DAYTIME SERIES 319 00:26:24,068 --> 00:26:28,655 FOR CHILDREN. NORMAN ONCE SAID, 320 00:26:28,689 --> 00:26:31,586 "I'M NOT IN THIS BUSINESS TO MAKE MONEY. 321 00:26:31,620 --> 00:26:33,655 I'M IN THIS BUSINESS TO CHANGE THE WORLD." 322 00:26:33,689 --> 00:26:40,413 WELL, HE DID JUST THAT. [APPLAUSE] 323 00:26:40,448 --> 00:26:43,896 NORMAN LEAR BROUGHT LAUGHS AND LIGHT TO OUR LIVES, INSPIRING US 324 00:26:43,931 --> 00:26:46,034 ALL TO PUSH BOUNDARIES IN THE NAME OF JUSTICE. 325 00:26:46,068 --> 00:26:56,517 SO THANK YOU, NORMAN LEAR, FOR A JOB EXCEEDINGLY WELL DONE. 326 00:26:56,551 --> 00:26:58,620 [APPLAUSE] NOW I'M PLEASED TO INTRODUCE 327 00:26:58,655 --> 00:27:01,034 A LONG-STANDING MEMBER OF OUR ACADEMY AND AN HONORED 328 00:27:01,068 --> 00:27:04,551 MEMBER OF OUR DAYTIME COMMUNITY. TONIGHT, HE WILL BE INTRODUCING 329 00:27:04,586 --> 00:27:08,689 THE MEMBERS OF OUR ACADEMY'S GOLD AND SILVER CIRCLE. 330 00:27:08,724 --> 00:27:11,965 AND TOMORROW AT OUR CREATIVE ARTS AWARDS, HE WILL BE 331 00:27:12,000 --> 00:27:14,896 RECEIVING OUR ACADEMY'S LIFETIME ACHIEVEMENT AWARD. 332 00:27:14,931 --> 00:27:20,448 HE IS A DAYTIME TELEVISION ICON AND THE NAMESAKE OF ONE 333 00:27:20,482 --> 00:27:25,275 SHOWS IN AMERICAN TV HISTORY, HAVING AIRING FOR OVER 30 YEARS. 334 00:27:25,310 --> 00:27:28,379 WILL YOU PLEASE JOIN ME IN WELCOMING TO THE STAGE 335 00:27:28,413 --> 00:27:38,413 MAURY POVICH. [APPLAUSE] 336 00:27:38,448 --> 00:27:47,034 ♪ >> THANK YOU, TERRY. 337 00:27:47,068 --> 00:27:52,068 THANK YOU. IT'S GOOD TO BE HERE. 338 00:27:52,103 --> 00:27:56,862 IT'S GREAT TO BE HERE! AMONG OUR ACADEMY'S MOST 339 00:27:56,896 --> 00:28:00,862 PRESTIGIOUS RECOGNITION IS THE INDUCTION INTO THE GOLD 340 00:28:00,896 --> 00:28:07,241 AND SILVER CIRCLE. IT'S OUR SOCIETY OF HONOR, 341 00:28:07,275 --> 00:28:09,620 AND IT RECOGNIZES 50 OR 25 YEARS 342 00:28:09,655 --> 00:28:11,310 OF DISTINGUISHED SERVICE BY TELEVISION PROFESSIONALS TO OUR 343 00:28:11,344 --> 00:28:13,206 INDUSTRY. AND THOSE WHO'VE NOT ONLY 344 00:28:13,241 --> 00:28:16,862 INSPIRED US BUT HAVE HELPED MAKE TELEVISION THE HUGE PART OF THE 345 00:28:16,896 --> 00:28:21,551 FABRIC OF AMERICAN LIFE THAT IT IS TODAY. 346 00:28:21,586 --> 00:28:25,137 IN 2017, I HAD THE DISTINCT HONOR OF BEING INDUCTED INTO 347 00:28:25,172 --> 00:28:33,034 THE NEW YORK CHAPTER OF THIS HIGHLY PRESTIGIOUS SOCIETY, 348 00:28:33,068 --> 00:28:35,344 A MOMENT, BY THE WAY, THAT I HAVE TRULY CHERISHED FROM THAT 349 00:28:35,379 --> 00:28:41,275 DAY TO THIS. WHEN I LOOK AT IT I GET THE 350 00:28:41,310 --> 00:28:44,482 FEELING I INTERCEPTED A GAME-WINNING PASS IN THE NFL. 351 00:28:44,517 --> 00:28:48,551 ANYHOW. THIS YEAR IS EVEN MORE SPECIAL. 352 00:28:48,586 --> 00:28:51,068 IT'S THE FIRST TIME WE'RE BESTOWING THESE HONORS 353 00:28:51,103 --> 00:28:53,068 AT THE NATIONAL LEVEL. AND I COULD NOT BE PROUDER 354 00:28:53,103 --> 00:28:56,482 AND MORE HONORED TO BRING YOU THE INAUGURAL CLASS OF 355 00:28:56,517 --> 00:28:59,275 DAYTIME INDUCTEES OF THE EMMY GOLD AND SILVER 356 00:28:59,310 --> 00:29:05,000 FOR 2023. TANYA HART, WENDY RICHE, 357 00:29:05,034 --> 00:29:08,068 IT'S HERE THEY ARE. 358 00:29:08,103 --> 00:29:13,275 >> HERE THEY ARE. CHRISTINA KNACK 359 00:29:13,310 --> 00:29:15,413 SERVES "THE YOUNG AND THE RESTLESS" AS PRODUCTION 360 00:29:15,448 --> 00:29:18,241 COORDINATOR. SHE KEEPS THE TEAM RUNNING 361 00:29:18,275 --> 00:29:21,034 SMOOTHLY. FROM BIZARRE FOODS TO WILD 362 00:29:21,068 --> 00:29:26,034 TRAVEL DESTINATIONS PATRICK WEILAND 363 00:29:26,068 --> 00:29:30,000 IS KNOWN TO BUILD RELATIONSHIPS AND ELEVATE THE CREW AROUND HIM. 364 00:29:30,034 --> 00:29:31,655 HIS STORYTELLING AND MANAGEMENT STYLE IS A TRUE REFLECTION OF 365 00:29:31,689 --> 00:29:37,758 HIS PERSONALITY. ENTERING THE GOLD CIRCLE THIS 366 00:29:37,793 --> 00:29:41,965 YEAR, TANYA HART'S CAREER 367 00:29:42,000 --> 00:29:46,482 HAS STREAMED BROADCAST, STREAMING, SYNDICATION, CABLE 368 00:29:46,517 --> 00:29:48,482 TV. CREATING THE ET WEST COAST 369 00:29:48,517 --> 00:29:52,482 STUDIO AND CREATING MORE THAN 300 EPISODES OF "LIVE FROM 370 00:29:52,517 --> 00:29:57,344 L.A.." PRODUCER AND WRITER 371 00:29:57,379 --> 00:30:03,965 WENDY RICHE, AS EXECUTIVE PRODUCER OF 372 00:30:04,000 --> 00:30:07,586 "GENERAL HOSPITAL" DURING THE '90s, SHE WAS RECOGNIZED FOR 373 00:30:07,620 --> 00:30:10,241 BRINGING THE DRAMA BACK TO THE FOREFRONT OF DAYTIME. 374 00:30:10,275 --> 00:30:15,206 AL SCHWARTZ'S CAREER HAS SPAN GENRES AND GENERATIONS 375 00:30:15,241 --> 00:30:18,862 FROM SERIES, DOCUMENTARIES, SPECIALS AND MORE THAN A FEW 376 00:30:18,896 --> 00:30:20,586 AWARD SHOWS. HIS CELEBRITY TALENT AND 377 00:30:20,620 --> 00:30:23,275 PRODUCERS ALWAYS KNEW HE WAS THE GO-TO PRODUCER WITH THE 378 00:30:23,310 --> 00:30:26,655 RIGHT PEN -- AND SKILL FOR QUALITY SHOWS. 379 00:30:26,689 --> 00:30:32,137 VERNEE WATSON BEGAN HER ACTING CAREER MORE 380 00:30:32,172 --> 00:30:35,275 THAN 30 YEARS AGO. AFTER A STINT THAT INCLUDED MORE 381 00:30:35,310 --> 00:30:37,862 THAN 200 COMMERCIAL SHE MOVED TO L.A. WHERE SHE CURRENTLY APPEARS 382 00:30:37,896 --> 00:30:48,000 ON A CBS COMEDY BOB HEARTS ABISHOLA. 383 00:30:48,034 --> 00:31:03,000 VERNEE DIRECTS FOR THE STAGE AND TEACHES ACTING. 384 00:31:03,000 --> 00:31:09,137 VERNEE DIRECTS FOR THE STAGE AND TEACHES ACTING. 385 00:31:09,172 --> 00:31:16,448 >> Announcer: WE'VE GOT MANY 386 00:31:16,482 --> 00:31:18,965 MORE SPECIAL MOMENTS COMING YOUR WAY AS WE FIND OUT WHO GETS 387 00:31:19,000 --> 00:31:25,000 THE OUTSTANDING WRITING TEAM AND YOUNGER PERFORMER AWARDS 388 00:31:25,034 --> 00:31:26,724 AND LATER, WE BID A FOND FAREWELL TO TWO OF DAYTIME 389 00:31:26,758 --> 00:31:29,448 TELEVISION'S MOST BELOVED HOSTS. WHEN THE 50TH ANNUAL DAYTIME 390 00:31:29,482 --> 00:31:33,758 EMMYS RETURN. THIS IS CBS. 391 00:31:49,551 --> 00:31:51,310 >> Announcer: THE REUNITED '90s SUPER COUPLE, PLEASE WELCOME 392 00:31:51,344 --> 00:31:53,862 FROM "THE YOUNG AND THE RESTLESS," EMMY WINNER 393 00:31:53,896 --> 00:31:58,896 LAURALEE BELL AND MICHAEL DAMIAN. 394 00:32:01,068 --> 00:32:09,689 [APPLAUSE] [CHEERING] 395 00:32:09,724 --> 00:32:16,931 >> SUPER COUPLE! >> WOW, I LIKE THAT. 396 00:32:16,965 --> 00:32:24,482 >> FROM THE '90s... >> BUT WE'RE BRINGING IT BACK! 397 00:32:24,517 --> 00:32:28,896 >> WE'VE ALL HEARD THE SAYING "THERE'S NO I IN TEAM," 398 00:32:28,931 --> 00:32:32,068 IN THIS NEXT CATEGORY THERE IS NOT JUST I 399 00:32:32,103 --> 00:32:34,482 BUT TWO. OUR NEXT CATEGORY IS FOR 400 00:32:34,517 --> 00:32:38,137 OUTSTANDING WRITING TEAM FOR A DAYTIME DRAMA SERIES. 401 00:32:38,172 --> 00:32:41,655 >> OH, OKAY, I GET IT. "WRITER." 402 00:32:41,689 --> 00:32:46,965 TWO Is. THEY CREATE THE STORIES THAT ARE 403 00:32:47,000 --> 00:32:49,620 THE LIFEBLOOD OF DAYTIME TELEVISION. 404 00:32:49,655 --> 00:32:50,862 >> HERE ARE THE NOMINEES FOR OUTSTANDING WRITING TEAM 405 00:32:50,896 --> 00:32:56,931 FOR A DAYTIME DRAMA SERIES. >> "THE BAY." 406 00:32:56,965 --> 00:32:59,655 "BEYOND SALEM: CHAPTER TWO." "THE BOLD AND THE BEAUTIFUL." 407 00:32:59,689 --> 00:33:07,172 "DAYS OF OUR LIVES." "GENERAL HOSPITAL." 408 00:33:07,206 --> 00:33:17,068 "THE YOUNG AND THE RESTLESS." >> SUPER COUPLE. 409 00:33:17,103 --> 00:33:21,965 YOU READY? AND THE EMMY GOES TO... 410 00:33:22,000 --> 00:33:30,068 "THE YOUNG AND THE RESTLESS." >> ACCEPTING THE EMMY, THE HEAD 411 00:33:30,103 --> 00:33:33,103 WRITER AND EXECUTIVE PRODUCER. JOSH GRIFFITH. 412 00:33:51,517 --> 00:33:56,517 >> HI. I'M GOING TO READ BECAUSE I 413 00:33:56,551 --> 00:33:58,862 CAN'T SAY ANYTHING UNLESS IT'S WRITTEN OUT. 414 00:33:58,896 --> 00:34:02,689 THIS IS A WONDERFUL HONOR. WE FELT IT WAS A VERY TIMELY AND 415 00:34:02,724 --> 00:34:05,137 IMPORTANT STORY TO TELL. I'M THRILLED WE WERE ABLE TO 416 00:34:05,172 --> 00:34:09,137 PULL IT OFF. I'D LIKE TO THANK DR. DAN RYDEN 417 00:34:09,172 --> 00:34:16,655 BERG FOR HELP AND US. TO AMY. 418 00:34:16,688 --> 00:34:21,034 STEVE KENT. TRULY OUTSTANDING. 419 00:34:21,068 --> 00:34:28,827 SPECIAL THANKS TO THE AMAZING DANIELLE UNGER. 420 00:34:28,862 --> 00:34:34,827 THANKS TO OUR TERRIFIC WRITING TEAM, ESPECIALLY MY COHEAD 421 00:34:34,862 --> 00:34:36,447 WRITER AMANDA BEAL. DIRECTORS, ACTORS, PRODUCERS 422 00:34:36,482 --> 00:34:41,931 THAT MAKE MAGIC EVERY DAY. YOU'RE THE BEST IN THE BUSINESS. 423 00:34:41,965 --> 00:34:46,757 LASTLY, THANK YOU TO OUR FANS. WE WOULD NOT BE HERE WITHOUT 424 00:34:46,793 --> 00:34:51,379 YOU. THANK YOU. 425 00:34:51,413 --> 00:34:55,482 >> Announcer: WELCOME BACK YOUR HOSTS, KEVIN FRAZIER 426 00:34:55,516 --> 00:35:07,379 AND NISCHELLE TURNER! >> Nischelle: EVERYBODY HAVING 427 00:35:07,413 --> 00:35:11,586 FUN? DO YOU HEAR CAMERON MATHISON 428 00:35:11,620 --> 00:35:12,827 SCREAMING? [LAUGHS] 429 00:35:12,862 --> 00:35:14,827 >> Kevin: NOT ONLY DO THIS YEAR'S DAYTIME EMMY AWARDS GIVE 430 00:35:14,862 --> 00:35:19,551 US A CHANCE TO REFLECT AND REMINISCE ON 50 YEARS OF 431 00:35:19,586 --> 00:35:22,034 GREATNESS, IT ALSO GIVES US THE OPPORTUNITY TO LOOK AHEAD 432 00:35:22,068 --> 00:35:23,862 AND ACKNOWLEDGE THE BRIGHT FUTURE OF 433 00:35:23,896 --> 00:35:29,655 DAYTIME TV. >> Nischelle: IT DOES. 434 00:35:29,689 --> 00:35:32,034 EVEN THOUGH MOST OF TONIGHT'S NOMINEES ARE PROBABLY UP PAST 435 00:35:32,068 --> 00:35:34,517 THEIR BEDTIME. >> Kevin: BUT WE'LL MAKE SURE 436 00:35:34,551 --> 00:35:35,896 THEY GET A JUICE BOX OR SOMETHING AT THE AFTER-PARTY. 437 00:35:35,931 --> 00:35:37,655 EITHER WAY, DAYTIME TV'S FUTURE IS IN VERY CAPABLE HANDS, 438 00:35:37,689 --> 00:35:44,620 AS EACH OF THESE NOMINEES HAVE PROVEN TIME AND TIME AGAIN. 439 00:35:44,655 --> 00:35:46,379 THESE KIDS ARE SO DOGGONE GOOD. >> Nischelle: HERE ARE THE 440 00:35:46,413 --> 00:35:47,620 NOMINEES FOR OUTSTANDING YOUNGER PERFORMER IN A DAYTIME DRAMA 441 00:35:47,655 --> 00:35:51,034 SERIES. >> CARY CHRISTOPHER, 442 00:35:51,068 --> 00:36:01,241 EDEN McCOY, HENRY JOSEPH SAMIRI. 443 00:36:01,275 --> 00:36:07,344 >> Nischelle: THEY GOT SOME FANS. 444 00:36:07,379 --> 00:36:10,034 AND THE EMMY GOES TO... EDEN McCOY, 445 00:36:10,068 --> 00:36:20,655 "GENERAL HOSPITAL." >> EDEN McCOY BEGAN HER ROLE 446 00:36:20,689 --> 00:36:26,655 ON "GENERAL HOSPITAL" WHICH WAS ONLY 11 YEARS OLD. 447 00:36:26,689 --> 00:36:35,896 >> WE HAD NO IDEA WHY AND SOMEONE SAID. 448 00:36:35,931 --> 00:36:38,689 [CRYING] THE WHOLE THING PLAYED IN FRONT 449 00:36:38,724 --> 00:36:43,103 OF THE WHOLE CLASS ON THIS GIANT SCREEN. 450 00:36:43,137 --> 00:36:47,551 >> I DON'T UNDERSTAND. WHAT WAS ON THE VIDEO? 451 00:36:47,586 --> 00:36:55,137 >> CAMERON. HAVING SEX. 452 00:36:55,172 --> 00:37:00,000 SOMEONE FILMED US. [CHEERS AND APPLAUSE] 453 00:37:00,034 --> 00:37:05,068 >> OH, MY GOD. THIS IS LITERALLY A DREAM COME 454 00:37:05,103 --> 00:37:08,275 TRUE. I WANT TO THANK NITA AND MY TEAM 455 00:37:08,310 --> 00:37:11,551 AT COAST FOR ALL THE SUPPORT OVER THE YEARS AND ALL THE YEARS 456 00:37:11,586 --> 00:37:15,586 TO COME. I AM INDEBTED TO THE "GH" 457 00:37:15,620 --> 00:37:21,310 WRITERS, PRODUCERS, DIRECTORS. MARK, YOU STARTED THIS JOURNEY 458 00:37:21,344 --> 00:37:23,103 FOR ME. FRANK VALENTINI. 459 00:37:23,137 --> 00:37:24,586 YOU TOOK A CHANCE AND CHANGE MY LIFE. 460 00:37:24,620 --> 00:37:28,034 I LOVE YOU MORE THAN YOU KNOW. MY WONDERFUL CAST AND CREW 461 00:37:28,068 --> 00:37:30,448 THANK YOU FOR ALWAYS ELEVATING% MY WORK. 462 00:37:30,482 --> 00:37:32,206 YOU KNOW WHO YOU ARE. LAURA WRIGHT, YOU ARE SO MUCH 463 00:37:32,241 --> 00:37:35,482 MORE THAN A MOTHER AND SO MUCH MORE THAN A MENTOR. 464 00:37:35,517 --> 00:37:37,482 YOU GIVE NEW MEANING TO THE WORD FRIEND. 465 00:37:37,517 --> 00:37:40,620 DAD, I LOVE YOU. I'M SO HAPPY YOU'RE HERE. 466 00:37:40,655 --> 00:37:43,068 THIS IS FOREIGN BECAUSE OF MY MOTHER. 467 00:37:43,103 --> 00:37:47,137 AND I JUST WANT TO SAY IT'S NOT LOST ON ME WHAT AN ABSOLUTE 468 00:37:47,172 --> 00:37:52,206 PRIVILEGE IT IS TO DO SOMETHING NOT ONLY I'D LIKE TO DO BUT LOVE 469 00:37:52,241 --> 00:37:56,448 TO DO. I LOVE WHAT I DO. 470 00:37:56,482 --> 00:37:58,896 IT'S EASY TO BE GRATEFUL ON NIGHTS LIKE THIS BUT I'M 471 00:37:58,931 --> 00:38:02,241 GRATEFUL EVERY DAY. THANK YOU SO MUCH. 472 00:38:02,275 --> 00:38:15,586 THANK YOU SO MUCH. >> Nischelle: THAT WAS 473 00:38:15,620 --> 00:38:19,620 FANTASTIC. I LOVE HOW THE "GH" FOLKS RISE 474 00:38:19,655 --> 00:38:27,344 FOR THEIR PEOPLE. LET'S GIVE A ROUND OF APPLAUSE 475 00:38:27,379 --> 00:38:31,137 FOR "DAYS OF OUR LIVES'S" STEVEN NICHOLS 476 00:38:31,172 --> 00:38:33,724 ALL MY LIFE I'VE BEEN CALLING YOU PATCH. 477 00:38:33,758 --> 00:38:35,655 CAN I CALL YOU PATCH. YOU HAVE AN INCREDIBLE MEMORY 478 00:38:35,689 --> 00:38:43,551 MOMENT FOR US. >> THANKS, NISCHELLE. 479 00:38:43,586 --> 00:38:45,344 MY MOMENT IS ABOUT MY FRIEND TYLER CHRISTOPHER. 480 00:38:45,379 --> 00:38:49,448 I MET TYLER AT HIS AUDITION AND I KNEW INSTANTLY THAT THOUGH 481 00:38:49,482 --> 00:38:51,206 HE WAS YOUNG, HE REALLY HAD SOMETHING. 482 00:38:51,241 --> 00:38:55,275 SO I TOOK THE LIBERTY OF GIVING HIM A BOOK ON ACTING THAT HAD 483 00:38:55,310 --> 00:39:01,724 HELPED ME, HELPED ME, WHEN I WAS FIRST 484 00:39:01,758 --> 00:39:09,724 STARTING OUT. "TO THE ACTOR," 485 00:39:09,758 --> 00:39:11,689 MICHAEL CHEKOV. WELL, AT THE 2016 DAYTIME 486 00:39:11,724 --> 00:39:15,586 EMMYS AFTER HE'D WON FOR OUTSTANDING LEAD ACTOR, 487 00:39:15,620 --> 00:39:19,551 HE WANTED TO THANK EVERYBODY WHO GOT HIM THERE. 488 00:39:19,586 --> 00:39:23,793 HE SCANNED THE AUDIENCE AND SAID "WHERE'S STEVEN?" 489 00:39:23,827 --> 00:39:33,655 WE CAUGHT EACH OTHER'S EYES AND THEN HE HELP UP THE VERY 490 00:39:33,689 --> 00:39:39,931 SAME BOOK I'D GIVEN HIM, NOW AND HE THANKED ME. 491 00:39:39,965 --> 00:39:43,655 THAT WAS A MOMENT. I MISS YOU, TYLER, AND I LOVE 492 00:39:43,689 --> 00:39:46,655 YOU. WE ALL LOVE YOU. 493 00:39:46,689 --> 00:39:47,896 THANK YOU. >> Nischelle: THAT WAS 494 00:39:47,931 --> 00:39:49,310 INCREDIBLE. THANK YOU SO MUCH FOR SHARING 495 00:39:49,344 --> 00:39:55,586 WITH US. TYLER, LIKE STEPHEN SAID, WILL 496 00:39:55,620 --> 00:40:04,724 BE SORELY MISSED. >> TYLER CHRISTOPHER! 497 00:40:04,758 --> 00:40:10,586 >> I WANT TO MAKE IT ABOUT THE PEOPLE WHO GOT ME HERE IN THE 498 00:40:10,620 --> 00:40:13,551 BEGINNING. STEPHEN NICHOLS, WHERE ARE YOU, 499 00:40:13,586 --> 00:40:16,034 BROTHER? I TOLD YOU I WOULD DO IT, MAN. 500 00:40:16,068 --> 00:40:19,241 YOU ARE MY FIRST MENTOR, MY FIRST TEACHER. 501 00:40:19,275 --> 00:40:25,793 YOU GAVE ME THIS BOOK "TO THE ACTOR" I APPRECIATE IT AND I'M 502 00:40:25,827 --> 00:40:32,862 NOT HERE WITHOUT YOU AND I SHARE THIS WITH YOU. 503 00:40:32,896 --> 00:40:34,448 >> Announcer: WHEN WE RETURN, WE PAY TRIBUTE TO A LIFETIME OF 504 00:40:34,482 --> 00:40:37,689 ACHIEVEMENT FOR ONE OF DAYTIME TELEVISION'S FAVORITE 505 00:40:37,724 --> 00:40:40,413 PERFORMERS. THAT AND MUCH MORE AT THE 506 00:40:40,448 --> 00:40:44,827 50TH ANNUAL DAYTIME EMMY AWARDS. THIS IS CBS. 507 00:40:49,827 --> 00:40:52,034 >> THE 50TH ANNUAL DAYTIME EMMYS 508 00:40:52,068 --> 00:40:55,172 AWARDS WILL CONTINUE. THIS IS CBS. 509 00:41:00,758 --> 00:41:01,965 >> Announcer: PLEASE WELCOME 510 00:41:02,000 --> 00:41:05,034 DAYTIME EMMY AWARD WINNER FOR OUTSTANDING SUPPORTING ACTOR, 511 00:41:05,068 --> 00:41:14,275 SHEMAR MOORE. [APPLAUSE] 512 00:41:16,517 --> 00:41:21,275 >> WHERE IS MY "THE YOUNG AND THE RESTLESS" FAMILY AT? 513 00:41:21,310 --> 00:41:24,896 I SEE YOU. I SEE YOU. 514 00:41:24,931 --> 00:41:29,275 CRISTOPH ST. JOHN, MY BROTHER, REST IN PEACE. 515 00:41:29,310 --> 00:41:31,793 NEVER FORGOTTEN. I LOVE YOU, MAN. 516 00:41:31,827 --> 00:41:37,517 WITHOUT YOU, I'M NOT HERE. I'M NOT DOING WHAT I'M DOING. 517 00:41:37,551 --> 00:41:43,137 I NEEDED TO GET THAT OUT. THANK YOU. 518 00:41:43,172 --> 00:41:46,724 NOW BACK TO BUSINESS. THIS IS A VERY PROUD DAY FOR ME. 519 00:41:46,758 --> 00:41:55,310 I VERY PROUD OF THIS PERSON. TO RECEIVE LIFETIME ACHIEVEMENT 520 00:41:55,344 --> 00:41:58,655 AWARD IN ANY FIELD IS A RARITY INDEED. 521 00:41:58,689 --> 00:42:03,344 BUT TO RECEIVE ONE IN THE GENRE OF ENTERTAINMENT, THAT'S 522 00:42:03,379 --> 00:42:07,379 SOMETHING ALMOST TOO INCREDIBLE TO BELIEVE THAT WHEN YOU'VE 523 00:42:07,413 --> 00:42:10,586 HONED AND REFINED YOUR CRAFT FOR LONGER THAN MOST CAN EVEN 524 00:42:10,620 --> 00:42:14,965 FATHOM, WHEN YOU'VE KEPT THE SAME EAGER, BRIGHTSIDE OUTLOOK 525 00:42:15,000 --> 00:42:17,448 TOWARD EVERYONE YOU'VE EVER WORKED WITH, WHEN YOU'VE 526 00:42:17,482 --> 00:42:22,551 ENCOURAGED OTHERS EVERY STEP OF THE WAY, YOU DESERVE 527 00:42:22,586 --> 00:42:25,896 RECOGNITION. TONIGHT'S RECIPIENT IS SUCH A 528 00:42:25,931 --> 00:42:27,344 PERSON. SHE'S BEEN IN TV SERIES AS WELL 529 00:42:27,379 --> 00:42:31,482 AS IN FILM AND STAGE WITH MULTI-EPISODIC GUEST 530 00:42:31,517 --> 00:42:33,000 APPEARANCES ON THE SERIES "DALLAS," 531 00:42:33,034 --> 00:42:35,137 "HOT IN CLEVELAND," AND "ARMY WIVES." 532 00:42:35,172 --> 00:42:41,896 SHE'S STARRED IN THE LIFETIME SERIES "DEVIOUS MAIDS," 533 00:42:41,931 --> 00:42:44,689 APPEARED ON "THE COLBERT REPORT." 534 00:42:44,724 --> 00:42:46,000 AND EVEN HOSTED "SATURDAY NIGHT LIVE." 535 00:42:46,034 --> 00:42:49,103 SHE'S BEEN RANKED AS ONE OF THE 50 GREATEST TELEVISION STARS 536 00:42:49,137 --> 00:42:53,137 OF ALL TIME. AND I COULDN'T AGREE MORE. 537 00:42:53,172 --> 00:43:02,689 [CHEERS AND APPLAUSE] THIS IS THE GOOD PART. 538 00:43:02,724 --> 00:43:10,034 WORLDWIDE. ON THE ABC DAYTIME DRAMA 539 00:43:10,068 --> 00:43:18,724 "ALL MY CHILDREN" FOR NEARLY 40 YEARS, 540 00:43:18,758 --> 00:43:22,103 THIS WOMAN IS A TRUE LIVING TV LEGEND. 541 00:43:22,137 --> 00:43:29,206 I'M SO PROUD, AS I WAS ONCE UPON A TIME BACK IN 1999 WHEN I 542 00:43:29,241 --> 00:43:36,551 PRESENTED HER WITH HER FIRST EMMY AFTER 19 NOMINATIONS AND I 543 00:43:36,586 --> 00:43:40,413 FLIPPED OVER THE CARD AND I DIDN'T THINK SHE WAS GOING TO 544 00:43:40,448 --> 00:43:43,172 WIN. I FLIPPED OVER THE CARD AND I 545 00:43:43,206 --> 00:43:47,551 ALMOST COST. I WAS LIKE "OH!" 546 00:43:47,586 --> 00:43:54,103 AND I SAID "THE STREAK IS OVER!" RIGHT? 547 00:43:54,137 --> 00:43:57,827 YOU ALL KNOW HORN TALKING ABOUT. ALL RIGHT? 548 00:43:57,862 --> 00:43:59,724 THERE IS SUPPOSED TO BE MORE SCRIPT. 549 00:43:59,758 --> 00:44:03,379 YOU ALL KNOW WARM TALKING ABOUT. I READ IT IN THE CAR. 550 00:44:03,413 --> 00:44:09,034 LET ME WING IT. I SAID THE STREAK IS OVER. 551 00:44:09,068 --> 00:44:12,862 TONIGHT I'M VERY PROUD TO PRESENT THE 2023 552 00:44:12,896 --> 00:44:20,275 LIFETIME ACHIEVEMENT AWARD TO THE ONE, TO THE ONLY, 553 00:44:20,310 --> 00:44:28,724 GIVE IT UP. SUSAN LUCCI. 554 00:44:28,758 --> 00:44:32,275 >> I'M ERICA KANE. >> I'M ERICA KANE. 555 00:44:32,310 --> 00:44:34,448 >> I'M ERICA KANE. >> I WANT TO BE SPECIAL AND I'M 556 00:44:34,482 --> 00:44:36,620 GOING TO BE. YOU WOULD DO THAT TO ME. 557 00:44:36,655 --> 00:44:38,965 HE WOULD PUT ME OUT, YOUR VERY OWN DAUGHTER. 558 00:44:39,000 --> 00:44:48,517 I DO NOT NEED A MAN TO BE HAPPY. >> I ERICA TAKE YOU TONY TO BE 559 00:44:48,551 --> 00:44:50,896 MY HUSBAND. SPEAK I NOW PRONOUNCE YOU MAN 560 00:44:50,931 --> 00:44:53,793 AND WIFE. YOU MAY KISS YOUR BRIDE. 561 00:44:53,827 --> 00:44:59,758 >> I AM ERICA KANE AND YOU ARE A FILTHY BEAST! 562 00:44:59,793 --> 00:45:04,000 >> ERICA! >> YOU BETRAYED ME. 563 00:45:04,034 --> 00:45:08,103 AND YOU BETRAYED OUR MARRIAGE. I WILL NOT LET MY COMPANY DOWN 564 00:45:08,137 --> 00:45:16,517 AND I WILL NOT LET MY FANS DOWN AND I WILL NOT LET MYSELF DOWN. 565 00:45:16,551 --> 00:45:18,965 >> YOU ARE A PISTOL. >> BANG-BANG. 566 00:45:19,000 --> 00:45:22,413 YOU KNOW WHEN I WANT SOMETHING BADLY ENOUGH I PULL OUT ALL THE 567 00:45:22,448 --> 00:45:25,413 STOPS. HELLO. 568 00:45:25,448 --> 00:45:31,275 YOU SCARED ME. I THOUGHT YOU WERE SVEN. 569 00:45:31,310 --> 00:45:34,517 >> DOES HE WORK HERE? >> HE IS A LECHEROUS MAN WHO 570 00:45:34,551 --> 00:45:41,172 TOUCHES ME AN APPROPRIATE LINK THAT I'M GOING FILE A COMPLIANT 571 00:45:41,206 --> 00:45:43,724 SOMEDAY. >> SUSAN LUCCI AND HER PARTNER. 572 00:45:43,758 --> 00:45:46,965 >> LAST WEEK SUSAN'S CONSISTENCY CONTINUED. 573 00:45:47,000 --> 00:45:50,068 >> ERICA KANE AND I ARE BOTH FULL OF EMOTION AND I'M READY TO 574 00:45:50,103 --> 00:45:58,379 TAKE CONTROL OF THE TANGO. >> SUSAN, YOU DESERVE THIS 575 00:45:58,413 --> 00:46:03,344 LIFETIME ACHIEVEMENT AWARD AND A BOOKCASE FULL OF EMMY BURLESQUE 576 00:46:03,379 --> 00:46:04,620 FOR YOUR CONTRIBUTION 577 00:46:04,655 --> 00:46:08,586 TO DAYTIME TELEVISION AND TELEVISION AT LARGE. 578 00:46:08,620 --> 00:46:11,448 YOU ARE THE FIRST DIVA I FELL IN LOVE WITH AND YOU CAPTIVATED ME 579 00:46:11,482 --> 00:46:16,827 EVER SINCE. >> TO ACCOMPLISH WHAT YOU'VE HAD 580 00:46:16,862 --> 00:46:21,965 AN DAYTIME TV, PRIME TIME TV, FILM, BROADWAY, THE WORLD OF 581 00:46:22,000 --> 00:46:24,758 CABARET. YOUR SUCCESS, YOUR CHARITY WORK. 582 00:46:24,793 --> 00:46:28,724 MOST RECENTLY ARE VERY IMPORTANT HEARTFELT MESSAGE. 583 00:46:28,758 --> 00:46:31,793 TO ACCOMPLISH ALL THIS IN A LIFETIME IS ONE HECK OF AN 584 00:46:31,827 --> 00:46:35,103 ACHIEVEMENT. BUT I'VE SEEN YOU DO ALL OF THIS 585 00:46:35,137 --> 00:46:38,137 IN A WEEK. SO ENJOY THIS, SUSAN. 586 00:46:38,172 --> 00:46:47,172 YOU DESERVE IT. WE LOVE YOU. 587 00:46:47,206 --> 00:46:48,344 >> HI, MOM. CONGRATULATIONS ON THIS AWESOME 588 00:46:48,379 --> 00:46:49,379 LIFETIME ACHIEVEMENT AWARD. WE ARE ALSO PROUD OF YOU AND 589 00:46:49,413 --> 00:46:52,275 LOVE YOU VERY MUCH. >> CONGRATS, SUSAN ON YOUR 590 00:46:52,310 --> 00:46:54,965 LIFETIME ACHIEVEMENT AWARD. WE ARE SO HONORED TO CELEBRATE 591 00:46:55,000 --> 00:46:56,965 YOU AND THE ENORMOUS IMPACT YOU'VE HAD ON THE INDUSTRY IS 592 00:46:57,000 --> 00:46:59,482 DAYTIME TELEVISION'S BIGGEST ICON. 593 00:46:59,517 --> 00:47:04,103 >> MARK AND I HAVE SO MANY FOND MEMORIES FROM OUR DAYS TOGETHER 594 00:47:04,137 --> 00:47:07,344 ON "ALL MY CHILDREN." WITHOUT QUESTION THE BEST MEMORY 595 00:47:07,379 --> 00:47:12,241 EVER WAS WATCHING YOU WIN THAT EMMY AND BREAKING THAT STREAK. 596 00:47:12,275 --> 00:47:15,034 >> THE STREAK IS OVER! SUSAN LUCCI! 597 00:47:15,068 --> 00:47:18,862 >> IT WAS THE MOST THRILLING THING TO HAPPEN TO ALL OF US IN 598 00:47:18,896 --> 00:47:21,206 THE ROOM. AND YOU DESERVED IT. 599 00:47:21,241 --> 00:47:23,172 SENDING YOU SO MUCH LOVE ON THIS SPECIAL EVENING. 600 00:47:23,206 --> 00:47:27,965 YOU DESERVE ALL GOOD THINGS. >> CONGRATULATIONS, SUSAN. 601 00:47:28,000 --> 00:47:32,034 I'M SO EXCITED FOR YOU. I MEAN, YOU LOOK ALTOGETHER TOO 602 00:47:32,068 --> 00:47:35,103 YOUNG AND FABULOUS TO BE RECEIVING A LIFETIME ACHIEVEMENT 603 00:47:35,137 --> 00:47:39,965 AWARD BUT YOU'RE AN ABSOLUTE ICON AND A TRAILBLAZER. 604 00:47:40,000 --> 00:47:42,586 ACROSS MEDIUMS. SOMEONE I'VE ALWAYS ADORED AND 605 00:47:42,620 --> 00:47:44,896 LOOKED UP TO. CONGRATULATIONS, MY FRIEND. 606 00:47:44,931 --> 00:47:47,137 I'M SO EXCITED FOR THIS HONOR FOR YOU. 607 00:47:47,172 --> 00:47:51,965 SENDING YOU SO MUCH LOVE. >> OH, SUSAN. 608 00:47:52,000 --> 00:47:55,206 I AM SO HAPPY FOR YOU. NOBODY DESERVES THIS AWARD MORE 609 00:47:55,241 --> 00:47:59,517 THAN YOU DO. I HAD SUCH A GOOD TIME WORKING 610 00:47:59,551 --> 00:48:04,758 WITH YOU ON "ALL MY CHILDREN." OF COURSE YOU'RE NOT THE DIVA 611 00:48:04,793 --> 00:48:08,172 EVERYBODY THOUGHT YOU WERE. YOU ARE JUST A TRICK OF THE 612 00:48:08,206 --> 00:48:12,000 TOTAL OPPOSITE. LET ME JUST PUT IT THIS WAY. 613 00:48:12,034 --> 00:48:18,689 YOU ARE PERMANENTLY TERRIFIC. CONGRATULATIONS. 614 00:48:18,724 --> 00:48:30,689 [CHEERS AND APPLAUSE] >> LADIES AND GENTLEMEN, THE 615 00:48:30,724 --> 00:48:42,103 QUEEN HERSELF, SUSAN LUCCI. [CHEERING] 616 00:48:42,137 --> 00:48:49,896 >> OH. THANK YOU SO MUCH. 617 00:48:49,931 --> 00:49:04,931 OH, MY GOODNESS. THANK YOU SO MUCH. 618 00:49:04,931 --> 00:49:05,896 OH, MY GOODNESS. THANK YOU SO MUCH. 619 00:49:05,931 --> 00:49:10,068 SHEMAR, THANK YOU. I'M SO HAPPY YOU'RE HERE 620 00:49:10,103 --> 00:49:12,931 PRESENTING ME THIS WONDERFUL AWARD. 621 00:49:12,965 --> 00:49:20,827 I THANK THE ACADEMY, TO THE EMMY COMMITTEE, CBS, FOR GIVING ME 622 00:49:20,862 --> 00:49:24,034 THIS ENORMOUS HONOR. AND HOW LUCKY AM I TO DREAM MY 623 00:49:24,068 --> 00:49:28,965 DREAMS OF BECOMING AN ACTRESS AND GROW UP AND HAVE MY DREAMS 624 00:49:29,000 --> 00:49:38,000 COME TRUE. [APPLAUSE] 625 00:49:38,034 --> 00:49:41,620 THERE WERE OBSTACLES AND THERE WERE ROADBLOCKS. 626 00:49:41,655 --> 00:49:45,724 I MEAN, THEY WERE ONE OF THE OBSTACLES AND ROADBLOCKS. 627 00:49:45,758 --> 00:49:53,172 BUT TONIGHT IS A NIGHT TO CELEBRATE FOR SAYING THANK YOU. 628 00:49:53,206 --> 00:49:58,034 ON THE 19TH NOMINATION WHEN I HEARD 629 00:49:58,068 --> 00:50:03,310 SHEMAR ANNOUNCE "THE STREAK IS OVER" AND HE SAID 630 00:50:03,344 --> 00:50:05,586 MY NAME. I BEGAN BY THANKING GOD FOR ALL 631 00:50:05,620 --> 00:50:10,896 THE MANY BLESSINGS. [APPLAUSE] 632 00:50:10,931 --> 00:50:15,620 I BEGIN THERE AGAIN TONIGHT, STARTING WITH MY PARENTS FOR 633 00:50:15,655 --> 00:50:18,448 THEIR LOVE. THEY WERE MEMBERS OF THE 634 00:50:18,482 --> 00:50:20,241 GREATEST GENERATION AND I THANK THEM FOR THE EXAMPLE THAT THEY 635 00:50:20,275 --> 00:50:25,896 SET FOR ME. FOR ALWAYS BEING THERE FOR ME 636 00:50:25,931 --> 00:50:29,896 AND FOR TELLING ME I COULD AIM FOR THE STARS, FOR THE MOON AND 637 00:50:29,931 --> 00:50:33,931 THE STARS, AND NEVER TO BE AFRAID. 638 00:50:33,965 --> 00:50:38,000 I'M SO GRATEFUL TO THEM. I AM SO GRATEFUL TO MY TEACHERS. 639 00:50:38,034 --> 00:50:40,000 THEY TAUGHT ME WHAT I NEEDED TO KNOW. 640 00:50:40,034 --> 00:50:43,034 THEY GAVE ME THE TOOLS. THEY BELIEVED IN ME. 641 00:50:43,068 --> 00:50:45,379 THEY ENCOURAGED ME, AND THEY GAVE ME THE TOOLS TO BE THE KIND 642 00:50:45,413 --> 00:50:50,482 OF ACTRESS I WANTED TO BE. TALKING ABOUT LOCKE, HOW LUCKY 643 00:50:50,517 --> 00:50:59,862 WAS I TO BE PUT IN THE HANDS OF AGNES NIXON? 644 00:50:59,896 --> 00:51:03,758 [APPLAUSE] AGNES WAS THE TRAILBLAZER. 645 00:51:03,793 --> 00:51:07,758 SHE WAS THE VISIONARY STORYTELLER. 646 00:51:07,793 --> 00:51:13,655 GAVE ME THE PART OF A LIFETIME. THE FABULOUSLY FLAWED ERICA KA 647 00:51:13,689 --> 00:51:17,103 KANE. [APPLAUSE] 648 00:51:17,137 --> 00:51:19,862 YEAH. SHE WAS THE NAUGHTY GIRL IN 649 00:51:19,896 --> 00:51:21,965 TOWN. SHE WAS THE BAD GIRL IN TOWN. 650 00:51:22,000 --> 00:51:26,758 SHE WAS THE TROUBLEMAKER. AND YES, SHE WAS ALL THAT. 651 00:51:26,793 --> 00:51:30,965 BUT AGNES HAD OTHER PLANS FOR HER TOO IN ADDITION AND FANS 652 00:51:31,000 --> 00:51:35,137 WERE SMART ENOUGH, THEY SAW BEHIND THE LABELS AND THEY COULD 653 00:51:35,172 --> 00:51:39,241 SEE THAT IN ERICA, SHE WAS A GIRL WHO HAD DREAMS FOR HERSELF. 654 00:51:39,275 --> 00:51:42,965 UNDERNEATH ALL OF THAT, NAUGHTINESS, SHE HAD 655 00:51:43,000 --> 00:51:50,000 DETERMINATION AND DRIVE AND SPIRIT AND SPUNK AND THAT'S WHAT 656 00:51:50,034 --> 00:51:54,517 THEY LOVED AND I'M SO GRATEFUL, ETERNALLY GRATEFUL TO THE FANS 657 00:51:54,551 --> 00:51:58,379 FOR LOVING ERICA KANE EVEN WHEN THE TIMES WHEN SHE WASN'T SO 658 00:51:58,413 --> 00:52:00,379 LOVABLE. THANKS TO THEM, I GOT TO 659 00:52:00,413 --> 00:52:06,551 CONTINUE TO PLAY HER AND PLAY HER AGAIN AND AGAIN. 660 00:52:06,586 --> 00:52:13,517 [APPLAUSE] BUT I SURE DIDN'T PLAY ALL THOSE 661 00:52:13,551 --> 00:52:17,413 SCENES BY MYSELF. I WAS ALSO LUCKY TO BE PART OF 662 00:52:17,448 --> 00:52:21,965 THE GREAT COMPANY OF THE MOST ACCOMPLISHED AND TALENTED ACTORS 663 00:52:22,000 --> 00:52:26,206 IN NEW YORK AT "ALL MY CHILDREN." 664 00:52:26,241 --> 00:52:29,172 MANY OF WHOM I SEE TONIGHT AND IT'S THRILLING FOR ME TO SEE 665 00:52:29,206 --> 00:52:35,137 THEM. EDEN REGAL. 666 00:52:35,172 --> 00:52:42,379 CAMERON MATHISON. PETER BERGMAN. 667 00:52:42,413 --> 00:52:49,034 FRANCESCA JAMES. WE WERE IN THE TRENCHES 668 00:52:49,068 --> 00:52:51,379 TOGETHER. I KNOW YOU ALL KNOW WHAT I'M 669 00:52:51,413 --> 00:52:54,862 TALKING ABOUT BECAUSE EVERYBODY IN THIS ROOM HAS BEEN IN THE 670 00:52:54,896 --> 00:52:57,413 TRENCHES WITH YOUR OWN CAST AND CREW. 671 00:52:57,448 --> 00:53:03,724 I JUST NEED TO SAY THIS. I'M SO PROUD TO BE PART OF THIS 672 00:53:03,758 --> 00:53:08,068 COMMUNITY, THIS COMMUNITY OF STORYTELLERS IN SUCH A 673 00:53:08,103 --> 00:53:11,034 COLLABORATIVE GENRE OF WRITERS, DIRECTORS, PRODUCERS, ACTORS, 674 00:53:11,068 --> 00:53:15,965 DESIGN TEAMS, AND CREW. WE GET TO DO WHAT WE LOVE TO DO. 675 00:53:16,000 --> 00:53:23,206 WE GET TO ENTERTAIN. WE TELL STORIES. 676 00:53:23,241 --> 00:53:26,103 AND WE ILLUMINATE OUR HUMAN CONDITION. 677 00:53:26,137 --> 00:53:29,793 SOMETIMES ON OUR BEST DAYS EVEN MAKE A LITTLE MAGIC. 678 00:53:29,827 --> 00:53:37,310 TONIGHT IS A NIGHT TO CELEBRATE. THE ICING ON THE CAKE FOR ME 679 00:53:37,344 --> 00:53:42,517 TONIGHT IS THAT MY SON ANDREAS 680 00:53:42,551 --> 00:53:47,724 IS WITH ME. [APPLAUSE] 681 00:53:47,758 --> 00:53:52,275 IT MEANS SO MUCH TO ME, HONEY, TO HAVE YOU HERE WITH ME. 682 00:53:52,310 --> 00:53:57,137 THANK YOU SO MUCH FOR BEING WITH ME TONIGHT. 683 00:53:57,172 --> 00:54:02,758 AND YOU KNOW WHAT ELSE? I FEEL YOUR DAD'S PRESENCE HERE 684 00:54:02,793 --> 00:54:13,034 TONIGHT WITH US TOO. [APPLAUSE] 685 00:54:13,068 --> 00:54:16,103 I THANK MY HUSBAND HELMUT HUBER. 686 00:54:16,137 --> 00:54:19,827 HE HAS EVERYTHING TO DO WITH MY STANDING UP HERE TONIGHT AND 687 00:54:19,862 --> 00:54:24,344 RECEIVING THIS INCREDIBLE AWARD. THANK YOU. 688 00:54:24,379 --> 00:54:32,379 THANK YOU. [CHEERS AND APPLAUSE] 689 00:54:32,413 --> 00:54:34,034 >> Announcer: STAY TUNED! WHEN WE RETURN, 690 00:54:34,068 --> 00:54:37,448 AWARDS FOR DIRECTING TEAM AND GUEST PERFORMANCE. 691 00:54:37,482 --> 00:54:38,931 PLUS, WE CELEBRATE A MILESTONE OF DAYTIME ICON 692 00:54:38,965 --> 00:54:42,551 "GENERAL HOSPITAL." THE 50TH ANNUAL DAYTIME 693 00:54:42,586 --> 00:54:45,965 EMMY AWARDS WILL BE RIGHT BACK. THIS IS CBS. 694 00:54:53,586 --> 00:54:55,000 >> Announcer: PLEASE WELCOME, FROM "THE BOLD 695 00:54:55,034 --> 00:54:57,379 AND THE BEAUTIFUL," SIX-TIME EMMY WINNER 696 00:54:57,413 --> 00:55:02,000 HEATHER TOM AND DON DIAMONT. 697 00:55:04,034 --> 00:55:12,379 [CHEERS AND APPLAUSE] >> NOW, IF THERE'S ONE THING 698 00:55:12,413 --> 00:55:15,586 DON AND I KNOW ALL ABOUT, IT'S TEAMWORK. 699 00:55:15,620 --> 00:55:18,551 >> YOU KNOW HOW MUCH I LOVE YOU BUT ARE YOU A TEAM PLAYER? 700 00:55:18,586 --> 00:55:22,448 >> I AM. >> ARE YOU? 701 00:55:22,482 --> 00:55:26,965 HAVE YOU EVER SAID HEY, DONALD, I WANT YOU TO HAVE ONE OF MY 702 00:55:27,000 --> 00:55:28,379 EMMYS AS A TOKEN OF MY APPRECIATION? 703 00:55:28,413 --> 00:55:32,551 >> WHAT DO YOU CARE? YOU'VE BEEN ONE OF PEOPLE 704 00:55:32,586 --> 00:55:41,793 MAGAZINE'S SEXIEST MAN ALIVE! THAT'S A MANTEL YOU WILL CARRY 705 00:55:41,827 --> 00:55:48,586 FOR THE REST OF YOUR LIFE. >> THAT IS WHAT I TELL MY WIFE. 706 00:55:48,620 --> 00:55:50,344 I'M NOT BITTER. GO AHEAD, READ THE PROMPTER. 707 00:55:50,379 --> 00:55:55,793 YOU'LL PROBABLY WIN AN EMMY FOR PROMPTER READING. 708 00:55:55,827 --> 00:55:58,724 >> THE NOMINEES FOR OUTSTANDING DIRECTING TEAM FOR A DAYTIME 709 00:55:58,758 --> 00:56:04,103 DRAMA SERIES ARE... >> "THE BAY." 710 00:56:04,137 --> 00:56:12,620 "BEYOND SALEM: CHAPTER TWO." "THE BOLD AND THE BEAUTIFUL." 711 00:56:12,655 --> 00:56:15,310 "DAYS OF OUR LIVES." "GENERAL HOSPITAL." 712 00:56:15,344 --> 00:56:27,103 "THE YOUNG AND THE RESTLESS." >> AND THE EMMY GOES TO 713 00:56:27,137 --> 00:56:30,137 "GENERAL HOSPITAL." 714 00:56:34,275 --> 00:56:38,275 >> ACCEPTING THE EMMY, THE DIRECTOR PHIDEAUX XAVIER. 715 00:57:00,689 --> 00:57:02,000 >> IN THE YEAR WERE WE FACE 716 00:57:02,034 --> 00:57:05,793 DIVISION AND CHALLENGES, WE CELEBRATE TONIGHT CELEBRATING 717 00:57:05,827 --> 00:57:09,034 THE RETURN OF OUR WRITERS. THIS ESTEEMED HONOR. 718 00:57:09,068 --> 00:57:14,206 TO OUR AUDIENCE AND EMMY VOTERS, YOUR SUPPORT HAS HUMBLED AND 719 00:57:14,241 --> 00:57:17,827 ELATED US. AS THE DIRECTORS OF 720 00:57:17,862 --> 00:57:25,137 "GENERAL HOSPITAL" WE BRING THESE TO LIFE GUIDED BY OUR 721 00:57:25,172 --> 00:57:29,586 TEAM, OUR PHENOMENAL CAST, OUR CREW AND PRODUCERS, SKILLED 722 00:57:29,620 --> 00:57:32,034 ENGINEERING DEPARTMENT, IMAGINATIVE PROJECTION DESIGNERS 723 00:57:32,068 --> 00:57:35,758 AND ARTISTS AND MAKEUP AND HAIR AND COSTUMES TEAMS ALL SUPPORTED 724 00:57:35,793 --> 00:57:37,758 BY OUR DILIGENT PRODUCTION STAFF. 725 00:57:37,793 --> 00:57:41,137 SPECIAL THANK YOU TO EVERYONE AT ABC TELEVISION AND ALL THOSE WHO 726 00:57:41,172 --> 00:57:43,275 CONTRIBUTE TO THIS INCREDIBLE JOURNEY. 727 00:57:43,310 --> 00:57:46,517 THIS EMMY IS NOT JUST AN AWARD. IT'S A SYMBOL OF OUR SHARED 728 00:57:46,551 --> 00:57:49,137 PASSION AND DEDICATION TO STORYTELLING THAT RESONATES AND 729 00:57:49,172 --> 00:57:51,517 UNITES. HERE'S TO CONTINUING THIS 730 00:57:51,551 --> 00:57:53,482 JOURNEY WITH THE SAME FERVOR AND COMMITMENT. 731 00:57:53,517 --> 00:58:04,379 THANK YOU ALL. [CHEERS AND APPLAUSE] 732 00:58:04,413 --> 00:58:06,620 >> Announcer: PRESENTING THE EMMY AWARD FOR OUTSTANDING GUEST 733 00:58:06,655 --> 00:58:07,965 PERFORMANCE IN A DAYTIME DRAMA SERIES, PLEASE WELCOME CO-HOSTS 734 00:58:08,000 --> 00:58:09,172 OF CBS'S "THE TALK," AMANDA KLOOTS 735 00:58:09,206 --> 00:58:17,344 AND AKBAR GBAJABIAMILA. >> THIS IS COOL. 736 00:58:17,379 --> 00:58:24,620 I'VE GOT TO SAY 26 YEARS AGO I WAS IN THIS VERY ROOM AS THE 737 00:58:24,655 --> 00:58:26,862 PROM KING AT CRENSHAW HIGH SCHOOL. 738 00:58:26,896 --> 00:58:30,689 I WAS SITTING RIGHT OVER THERE. I WAS SITTING OVER THERE. 739 00:58:30,724 --> 00:58:33,172 IT WAS PRETTY COOL. >> IT'S AN HONOR TO BE WITH A 740 00:58:33,206 --> 00:58:37,034 KING TODAY. TO BE NOMINATED IN THIS 741 00:58:37,068 --> 00:58:39,034 CATEGORY MEANS YOUR PERFORMANCE WAS SO MEMORABLE AND POWERFUL 742 00:58:39,068 --> 00:58:44,068 AND DOWN-RIGHT GOOD, IT SIMPLY HAD TO BE HONORED. 743 00:58:44,103 --> 00:58:48,965 >> THAT'S RIGHT. THIS CATEGORY HAS UNDERGONE 744 00:58:49,000 --> 00:58:50,068 SEVERAL NAME CHANGES SINCE ITS FIRST APPEARANCE IN 1980. 745 00:58:50,103 --> 00:58:52,310 >> THAT'S RIGHT. IT WAS FIRST CALLED 746 00:58:52,344 --> 00:58:58,034 OUTSTANDING CAMEO APPEARANCE. >> NOWADAYS AN OUTSTANDING CAMEO 747 00:58:58,068 --> 00:59:00,344 APPEARANCE WOULD PROBABLY BE SOMETHING LIKE GEORGE SANTOS 748 00:59:00,379 --> 00:59:03,655 IN THE BACK OF A TAXI DOING SHOUTOUTS. 749 00:59:03,689 --> 00:59:04,896 YEAH. >> ONE THING HAS REMAINED 750 00:59:04,931 --> 00:59:07,965 ROCK-SOLID: IF YOU'RE NOMINATED IN THIS CATEGORY, YOU GAVE 751 00:59:08,000 --> 00:59:09,862 ONE HELLUVA SHOW. >> HERE ARE THE NOMINEES FOR 752 00:59:09,896 --> 00:59:14,172 OUTSTANDING GUEST PERFORMANCE IN A DAYTIME DRAMA SERIES. 753 00:59:14,206 --> 00:59:18,620 >> STEVE BURTON, CASSANDRA CREECH, 754 00:59:18,655 --> 00:59:23,068 ALLEY MILLS, ROBERT NEWMAN, 755 00:59:23,103 --> 00:59:32,896 KEVIN SPIRTAS. >> ALL RIGHT. 756 00:59:32,931 --> 00:59:40,793 AND THE EMMY GOES TO... >> HURRY UP AND OPEN IT. 757 00:59:40,827 --> 00:59:46,482 >> ALLEY MILLS. >> DESPITE BEING AMERICA'S MOM 758 00:59:46,517 --> 00:59:50,413 NORMA ARNOLD, THIS IS THE FIRST EVER EMMY NOMINATION AT WIN FOR 759 00:59:50,448 --> 01:00:04,137 THE LEGENDARY ALLEY MILLS. [CHEERING] 760 01:00:04,172 --> 01:00:09,482 >> AND I'M 20 YEARS OLDER THAN SUSAN LUCCI. 761 01:00:09,517 --> 01:00:13,103 I JUST HAVE TO SAY I'M HONORED TO BE IN THIS FAMILY. 762 01:00:13,137 --> 01:00:16,206 THIS DAYTIME FAMILY, IT'S THE HARDEST WORKING GROUP OF PEOPLE 763 01:00:16,241 --> 01:00:20,344 I'VE EVER SEEN IN SHOW BUSINESS, WORKED WITH IN SHOW BUSINESS. 764 01:00:20,379 --> 01:00:27,034 ALL OF YOU, DIRECTORS, WRITERS, ACTORS. 765 01:00:27,068 --> 01:00:28,068 MY "THE BOLD AND THE BEAUTIFUL" FAMILY. 766 01:00:28,103 --> 01:00:37,034 "GENERAL HOSPITAL." I REALLY HAVE TO THANK CHRIS 767 01:00:37,068 --> 01:00:39,551 FANON FOR WRITING THIS CRAZY CHARACTER. 768 01:00:39,586 --> 01:00:45,379 FRANK VALENTINI. I FEEL LIKE I WAS SEEING THE 769 01:00:45,413 --> 01:00:49,862 FIRST SECOND THAT I MET YOU. YOU LOOK RIGHT INTO PEOPLE'S 770 01:00:49,896 --> 01:00:52,965 SOULS AND IT MAKES YOU FEEL LIKE YOU'RE IN THE THEATER. 771 01:00:53,000 --> 01:00:58,068 MOSTLY I HAVE THIS MOMENT IN MY LIFE HAVE TO GOD BECAUSE IT 772 01:00:58,103 --> 01:01:01,448 HAPPENED AT A VERY TENDER MOMENT FOR ME. 773 01:01:01,482 --> 01:01:05,275 I JUST LOST MY BELOVED HUSBAND. IT WAS PRETTY DRAMATIC AND THEN 774 01:01:05,310 --> 01:01:10,551 I GET ASKED TO PLAY A SERIOUSL TRAUMATIZED PERSON WHO KILLS A 775 01:01:10,586 --> 01:01:16,000 LOT OF PEOPLE. BUT SHE'S GOT A HEART OF GOLD. 776 01:01:16,034 --> 01:01:20,896 I PROMISE YOU. SHE'S BARRELING TOWARDS THE 777 01:01:20,931 --> 01:01:25,137 LIGHT ALL THE TIME. IT GAVE ME THAT ABILITY TO KEEP 778 01:01:25,172 --> 01:01:28,413 GOING AND BARRELED TOWARDS THE LIGHT IN THE WORLD IS SO SCREWED 779 01:01:28,448 --> 01:01:32,068 UP RIGHT NOW BUT ALL I CAN SAY IS TO ALL YOU TRAUMATIZED PEOPLE 780 01:01:32,103 --> 01:01:35,931 OUT THERE AND I'M THE HEAD OF THE HOMELESS COMMITTEE IN 781 01:01:35,965 --> 01:01:38,034 VENICE, JUST KEEP BARRELING TOWARDS THE LIGHT. 782 01:01:38,068 --> 01:01:50,689 I LOVE YOU ALL. THANK YOU SO MUCH. 783 01:01:50,724 --> 01:01:54,793 >> ALLEY MILLS WAS FANTASTIC. SHE SPRINTED ON STAGE. 784 01:01:54,827 --> 01:01:57,793 AND NOW A MAN WHO'S ALSO HAD THE PRIVILEGE OF HOSTING THE DAYTIME 785 01:01:57,827 --> 01:02:03,655 EMMYS, CAMERON MATHISON. TELL ME ABOUT YOUR MEMORY AND 786 01:02:03,689 --> 01:02:06,724 YOUR MOMENT. >> 50 YEARS, SO MANY GREAT 787 01:02:06,758 --> 01:02:10,758 MOMENTS. 2006, KEVIN. 788 01:02:10,793 --> 01:02:17,034 WE WERE AT HOLLYWOOD AND HIGHLAND AND 789 01:02:17,068 --> 01:02:24,206 OUTSIDE IN THE FAN ZONE. HE'S PLAYING A WIRELESS ELECTRIC 790 01:02:24,241 --> 01:02:25,862 GUITAR. PLAYING "JESSE'S GIRL PICKLES 791 01:02:25,896 --> 01:02:30,655 BUT THERE'S A THOUSAND FANS, THE CAMERAS FOLLOW HIM INTO THE 792 01:02:30,689 --> 01:02:35,448 THEATER. HE NEVER MISSES A BEAT. 793 01:02:35,482 --> 01:02:38,551 PAST OPENS. NEVER FORGET IT. 794 01:02:38,586 --> 01:02:40,310 >> YOU HAVEN'T FORGOTTEN THE SECOND OF IT. 795 01:02:40,344 --> 01:02:44,241 >> THE CLOSEST I EVER CAME TO BEING A ROCK STAR. 796 01:02:44,275 --> 01:02:48,758 >> THANKS, CAMERON. ALWAYS GOOD TALKING TO YOU, MY 797 01:02:48,793 --> 01:02:54,034 MAN. >> Announcer: THE 50TH ANNUAL 798 01:02:54,068 --> 01:02:56,103 DAYTIME EMMY AWARDS WILL RETURN WITH MORE GREAT MOMENTS 799 01:02:56,137 --> 01:03:00,068 AFTER THESE MESSAGES. THIS IS CBS. 800 01:03:03,413 --> 01:03:07,275 THE 50TH DAYTIME EMMY AWARDS IS SPONSORED BY SECRET. 801 01:03:07,310 --> 01:03:09,827 SECRET WORKS! 802 01:03:16,241 --> 01:03:19,241 >> Announcer: PLEASE WELCOME AMERICAN JOURNALIST, REVERED 803 01:03:19,275 --> 01:03:25,241 NEWS ANCHOR, AND MULTIPLE EMMY AWARD WINNER, CONNIE CHUNG. 804 01:03:25,275 --> 01:03:34,655 [CHEERS AND APPLAUSE] >> CAN YOU IMAGINE HOW GRATEFUL 805 01:03:34,689 --> 01:03:38,931 I AM TO BE INTRODUCING IN MEMORIAM. 806 01:03:38,965 --> 01:03:43,896 YOU FIGURE IT OUT. WE ARE HERE TONIGHT TO HONOR 807 01:03:43,931 --> 01:03:46,034 BARBARA WALTERS. SHE REVOLUTIONIZED THE FACE OF 808 01:03:46,068 --> 01:03:49,000 DAYTIME TELEVISION WITH HER GROUNDBREAKING SHOW 809 01:03:49,034 --> 01:03:54,034 "THE VIEW." BUT BARBARA WAS THE CREATOR 810 01:03:54,068 --> 01:03:57,413 AND THE PRODUCER AND THE STAR, AND THE ENGINE. 811 01:03:57,448 --> 01:04:02,689 AND THIS WAS ON TOP OF HER PIONEERING CAREER IN NEWS 812 01:04:02,724 --> 01:04:05,896 AND INTERVIEWS. SHE WAS THE ICON WHO PAVED 813 01:04:05,931 --> 01:04:10,344 THE WAY FOR ALL WOMEN IN TELEVISION NEWS, ESPECIALLY ME. 814 01:04:10,379 --> 01:04:16,275 SHE MOM'D ME. NONE OF THE MEN WOULD EVER ADMIT 815 01:04:16,310 --> 01:04:18,551 IT, SHE TAUGHT THEM A THING OR TWO. 816 01:04:18,586 --> 01:04:24,586 I CAN'T FATHOM SHE'S GONE. WE REMEMBER HER AND ALL THE 817 01:04:24,620 --> 01:04:29,137 OTHERS WHO PASSED, FOR THEIR CONTRIBUTIONS TO TELEVISION. 818 01:04:29,172 --> 01:04:31,482 HERE IS MY PERSONAL FAVORITE JENNIFER NETTLES WITH 819 01:04:31,517 --> 01:04:39,034 "LIFE IS SWEET." JENNIFER. 820 01:04:39,068 --> 01:04:48,310 [APPLAUSE] ♪ 821 01:04:48,344 --> 01:04:53,206 ♪ I'M NOT ONE TO BACK DOWN ♪ BUT I KNOW WHAT IT'S LIKE 822 01:04:53,241 --> 01:04:59,068 ♪ TO FALL ♪ GOTTA LOT OF GET UP 823 01:04:59,103 --> 01:05:01,689 ♪ AND FIGHT NOW ♪ BUT I HIT MY KNEES 824 01:05:01,724 --> 01:05:06,517 ♪ WHEN I GOT THAT CALL ♪ DO YOU KNOW WHAT IT'S LIKE 825 01:05:06,551 --> 01:05:08,310 ♪ TO LOOK YOUR DEMONS ♪ IN THE EYE 826 01:05:08,344 --> 01:05:14,413 ♪ DO YOU KNOW WHAT IT'S LIKE ♪ TO TELL YOUR BEAUTIFUL WIFE 827 01:05:14,448 --> 01:05:18,379 ♪ THAT THE MAN SHE LOVES ♪ THE FABRIC OF HER LIFE 828 01:05:18,413 --> 01:05:24,448 ♪ IS BREAKIN' DOWN ♪ BUT I DON'T ASK WHY 829 01:05:24,482 --> 01:05:29,862 ♪ ME I JUST SAY WHY ♪ NOT TAKE ALL THAT 830 01:05:29,896 --> 01:05:34,241 ♪ I'VE BEEN GIVIN' ♪ TURN IT INTO LIVIN' 831 01:05:34,275 --> 01:05:40,103 ♪ FOR SOMEBODY ELSE ♪ 'CAUSE I KNOW THAT I 832 01:05:40,137 --> 01:05:47,034 ♪ AM LOVED AND I CAN SAY ♪ IT'S ENOUGH TO TRY MY BEST 833 01:05:47,068 --> 01:05:50,448 ♪ TO LEARN TO GIVE LOVE ♪ IN RETURN 834 01:05:50,482 --> 01:06:05,482 ♪ TO EVERYONE WE MEET ♪ YEAH, I SAY LIFE IS SWEET 835 01:06:05,482 --> 01:06:07,724 ♪ TO EVERYONE WE MEET ♪ YEAH, I SAY LIFE IS SWEET 836 01:06:07,758 --> 01:06:11,517 ♪ THERE'S A RIGHT ♪ AND A WRONG WAY 837 01:06:11,551 --> 01:06:16,172 ♪ THERE'S A COST ♪ FOR EVERY GOAL 838 01:06:16,206 --> 01:06:19,517 ♪ BUT THERE'S A LIGHT ♪ DOWN THE HALLWAY 839 01:06:19,551 --> 01:06:23,896 ♪ AND IN THAT ROOM SLEEPS ♪ THE MOST PRECIOUS SOULS 840 01:06:23,931 --> 01:06:26,137 ♪ DO YOU KNOW WHAT IT'S LIKE ♪ TO WATCH YOUR 841 01:06:26,172 --> 01:06:30,068 ♪ SLEEPIN' CHILD ♪ FEEL HER HEART 842 01:06:30,103 --> 01:06:33,103 ♪ BENEATH YOUR HAND ♪ LIKE A HUMMINGBIRD WILD 843 01:06:33,137 --> 01:06:34,551 ♪ AND YOU'LL DO ♪ ALL THAT YOU CAN 844 01:06:34,586 --> 01:06:42,551 ♪ TO GO THE EXTRA MILE ♪ TO WATCH HER GROW 845 01:06:42,586 --> 01:06:45,517 ♪ THERE ARE MONSTERS ♪ THAT HIDE 846 01:06:45,551 --> 01:06:51,655 ♪ IN THE DARKNESS TO SCARE US ♪ ALONE 847 01:06:51,689 --> 01:06:54,275 ♪ BUT WE FOLLOW THE LIGHT ♪ AND WE'RE BLESSED 848 01:06:54,310 --> 01:07:09,310 ♪ WHEN WE FIND OUR WAY HOME ♪ TAKE ALL THAT 849 01:07:09,310 --> 01:07:10,482 ♪ WHEN WE FIND OUR WAY HOME ♪ TAKE ALL THAT 850 01:07:10,517 --> 01:07:12,448 ♪ WE'VE BEEN GIVIN' ♪ AND TURN IT INTO LIVIN' 851 01:07:12,482 --> 01:07:24,448 ♪ FOR SOMEBODY ELSE ♪ 'CAUSE I KNOW I AM LOVED 852 01:07:24,482 --> 01:07:28,206 ♪ AND I CAN SAY ♪ IT'S ENOUGH TO TRY MY BEST 853 01:07:28,241 --> 01:07:30,482 ♪ TO LEARN TO GIVE LOVE ♪ IN RETURN 854 01:07:30,517 --> 01:07:42,896 ♪ TO EVERYONE WE MEET ♪ YEAH, I SAY LIFE IS SWEET 855 01:07:42,931 --> 01:07:57,862 ♪ LIFE IS SWEET [APPLAUSE] 856 01:07:57,862 --> 01:07:58,931 ♪ LIFE IS SWEET [APPLAUSE] 857 01:08:09,172 --> 01:08:12,586 THE 50TH ANNUAL DAYTIME EMMY AWARDS WILL CONTINUE. 858 01:08:12,620 --> 01:08:16,620 THIS IS CBS. 859 01:08:25,586 --> 01:08:34,274 YOU CHANGED FOR THE AFTER PARTY? >> Nischelle: HERE WE GO. 860 01:08:34,310 --> 01:08:38,448 HE DOES THIS TO ME EVERY SINGLE NIGHT ON "ENTERTAINMENT 861 01:08:38,482 --> 01:08:40,792 TONIGHT." EVEN THE BEST OF TIMES 862 01:08:40,827 --> 01:08:42,033 CAN HAVE A BITTER-SWEET COMPONENT TO THEM. 863 01:08:42,068 --> 01:08:48,792 >> Kevin: LIKE GRADUATION DAY. YOU GET SO HYPED. 864 01:08:48,827 --> 01:08:53,068 THE DAY COMES, THEN HE REALIZED HE MAY NEVER 865 01:08:53,103 --> 01:08:56,344 SEE HER BEST FRIENDS AGAIN. >> Nischelle: THAT'S EXACTLY HOW 866 01:08:56,379 --> 01:08:58,033 WE FEEL ABOUT TWO OF DAYTIME TELEVISION'S MOST BELOVED 867 01:08:58,068 --> 01:09:04,033 AND ICONIC TALK SHOWS. >> Kevin: WE ARE GRATEFUL FOR 868 01:09:04,068 --> 01:09:06,310 THE YEARS OF HEARTFELT ENTERTAINMENT THE SHOWS ON THEIR 869 01:09:06,344 --> 01:09:09,654 HOSTS HAVE GIVEN US. >> Nischelle: WE ARE. 870 01:09:09,689 --> 01:09:10,689 YET HONESTLY, A LITTLE BIT SAD THAT THEY'RE 871 01:09:10,724 --> 01:09:12,033 LEAVING US. BUT AS THE SAYING GOES... 872 01:09:12,068 --> 01:09:14,171 >> Kevin: ALL GOOD THINGS MUST COME TO AN END. 873 01:09:14,206 --> 01:09:16,654 SO LET'S SEND BOTH OF THES SHOWS AND THEIR BELOVED HOSTS 874 01:09:16,689 --> 01:09:22,724 OFF IN STYLE. >> WE LAUNCHED DR. PHIL TO HELP 875 01:09:22,758 --> 01:09:26,206 CHANGE THE LIVES OF OUR GUESTS ON STAGE AS WELL AS VIEWERS AT 876 01:09:26,241 --> 01:09:28,862 HOME. >> I LOVE FIRSTS. 877 01:09:28,895 --> 01:09:34,136 THIS IS THE FIRST SHOW. >> WHEN YOU CHOOSE TO BEHAVE. 878 01:09:34,171 --> 01:09:39,586 >> THERE'S A CONSEQUENCE. >> COME ON NOW. 879 01:09:39,620 --> 01:09:45,586 >> DOING SOMETHING AT SOMEONE'S EXPENSE, IT'S AT OUR EXPENSE 880 01:09:45,620 --> 01:09:46,517 TOO. >> THE STRONGEST PEOPLE I'VE 881 01:09:46,551 --> 01:09:50,792 EVER MET. >> SHE HAS A RIGHT TO SAY WHAT 882 01:09:50,827 --> 01:09:54,896 SHE WANTS. >> THIS IS MY MIDLIFE CRISIS. 883 01:09:54,931 --> 01:09:58,551 >> YOU HAVEN'T USED DRUGS SINCE HE WALKED OFF THE STAGE. 884 01:09:58,586 --> 01:10:08,448 >> WE HAVE MADE IT POSSIBLE TO BE 11 MILLION. 885 01:10:08,482 --> 01:10:12,827 >> YOU NEVER SAY OKAY, THE DISEASE WINS. 886 01:10:12,862 --> 01:10:15,379 I QUIT. I GIVE UP. 887 01:10:15,413 --> 01:10:17,206 I MADE A COMMITMENT TO POINT YOU IN THE RIGHT DIRECTION TELL YOU 888 01:10:17,241 --> 01:10:23,586 LIKE IT IS. >> WHAT AN AMAZING PLACE TO BE. 889 01:10:23,620 --> 01:10:26,241 >> Announcer: AND NOW, FROM "DAYS OF OUR LIVES," 890 01:10:26,275 --> 01:10:34,344 PLEASE WELCOME MARY BETH EVANS AND DRAKE HOGESTYN. 891 01:10:34,379 --> 01:10:39,137 >> THIS IS EXCITING, ISN'T IT? THE DAYTIME TALK SHOW HOST 892 01:10:39,172 --> 01:10:45,034 IS A VERY UNIQUE POSITION. YOU NEED TO BE VERY BRIGHT AND 893 01:10:45,068 --> 01:10:46,379 WELL-INFORMED. >> AND THEY MUST ALSO SHARE 894 01:10:46,413 --> 01:10:50,482 INFORMATION WITH THEIR AUDIENCE WITH STYLE, WITH GRACE, 895 01:10:50,517 --> 01:10:52,206 AND WITH A TRUE SENSE OF COMRADERY. 896 01:10:52,241 --> 01:10:54,931 A GOOD DAYTIME TALK SHOW HOST FEELS LIKE AN OLD FRIEND 897 01:10:54,965 --> 01:10:59,241 WHO'S DROPPED BY TO BRIGHTEN YOUR DAY. 898 01:10:59,275 --> 01:11:02,517 >> AND LUCKY FOR US, THESE NOMINEES HAVE 899 01:11:02,551 --> 01:11:03,620 BRIGHTENED ALL OUR DAYS FOR YEARS. 900 01:11:03,655 --> 01:11:05,551 >> HERE ARE THE NOMINEES FOR OUTSTANDING DAYTIME 901 01:11:05,586 --> 01:11:11,275 TALK SERIES HOST. >> DREW BARRYMORE, 902 01:11:11,310 --> 01:11:19,793 KELLY CLARKSON, TAMRON HALL, 903 01:11:19,827 --> 01:11:22,655 KELLY RIPA RYAN SEACREST, 904 01:11:22,689 --> 01:11:32,551 SHERRI SHEPHERD. >> AND THE OSCAR GOES TO... 905 01:11:32,586 --> 01:11:34,551 >> OSCAR? WRONG PLACE. 906 01:11:34,586 --> 01:11:37,931 YOU'RE AT THE WRONG PLACE. START AGAIN. 907 01:11:37,965 --> 01:11:42,517 >> THEY DIDN'T HAVE IT UP THERE. HERE IT IS. 908 01:11:42,551 --> 01:11:50,965 AND THE EMMY GOES TO... HOLD ON, HOLD ON. 909 01:11:51,000 --> 01:12:05,310 >> KELLY CLARKSON. KELLY CLARKSON COULD NOT BE HERE 910 01:12:05,344 --> 01:12:08,620 TONIGHT. THE ACADEMY ACCEPTS THIS AWARD 911 01:12:08,655 --> 01:12:13,275 ON HER BEHALF. >> Announcer: PLEASE WELCOME 912 01:12:13,310 --> 01:12:19,310 FROM "GENERAL HOSPITAL," REBECCA HERBST. 913 01:12:27,586 --> 01:12:31,793 >> SO MANY FORMATIVE MEMORIES BEGIN WITH WATCHING A DAYTIME 914 01:12:31,827 --> 01:12:36,758 DRAMA WITH GRANDMA ON AN ANALOG RABBIT EAR TV OR PERHAPS 915 01:12:36,793 --> 01:12:39,896 CATCHING A GLIMPSE OF A SAUCY STORY LINE AS A TREAT ON A SICK 916 01:12:39,931 --> 01:12:44,103 DAY HOME FROM SCHOOL. NOW THOSE CHILDREN HAVE 917 01:12:44,137 --> 01:12:47,413 INTRODUCED THE SAME PROGRAMMING TO THEIR CHILDREN, 918 01:12:47,448 --> 01:12:51,275 GRANDCHILDREN, EVEN THEIR GREAT-GRANDCHILDREN. 919 01:12:51,310 --> 01:12:54,827 DAYTIME DRAMAS ARE MULTIGENERATIONAL ENTERTAINMENT. 920 01:12:54,862 --> 01:12:59,068 FOR 60 YEARS THE ICONIC "GENERAL HOSPITAL" HAS 921 01:12:59,103 --> 01:13:04,965 ENTERTAINED MILLIONS OF VIEWERS WITH ITS BRAND OF INTENSE 922 01:13:05,000 --> 01:13:11,965 STORYTELLING. FROM LOVE TO HATE TO ANGER, 923 01:13:12,000 --> 01:13:14,620 THE RESIDENCE OF PORT CHARLES HAVE BEEN THERE FOR SIX DECADES. 924 01:13:14,655 --> 01:13:19,413 LET'S TAKE A LOOK AT THE MEMORABLE MOMENTS. 925 01:13:19,448 --> 01:13:23,896 >> TO "GH." >> 60 YEARS. 926 01:13:23,931 --> 01:13:38,862 YOU KNOW YOU MUST BE SPECIAL. ♪ 927 01:13:38,862 --> 01:13:43,344 YOU KNOW YOU MUST BE SPECIAL. ♪ 928 01:13:51,034 --> 01:13:58,103 >> DON'T TOUCH ME! >> PLEASE SAY THAT YOU LOVE ME 929 01:13:58,137 --> 01:14:01,034 AND YOU WANT TO MARRY ME. >> I LOVE YOU VERY MUCH. 930 01:14:01,068 --> 01:14:10,034 >> YOU KNOW WHAT TO DO. >> IS HE THE REASON WHY WE BROKE 931 01:14:10,068 --> 01:14:11,103 UP? >> I'M SORRY. 932 01:14:11,137 --> 01:14:16,137 >> WANT YOU TO KNOW IT'S ALWAYS FAMILY FIRST. 933 01:14:20,275 --> 01:14:35,206 [APPLAUSE] 934 01:14:35,206 --> 01:14:37,965 [APPLAUSE] 935 01:14:38,000 --> 01:14:39,931 >> Announcer: THERE'S MUCH MORE FUN AND EXCITEMENT WHEN WE 936 01:14:39,965 --> 01:14:42,724 RETURN, AS WE FIND OUT WHO WILL TAKE HOME THE LEAD ACTING 937 01:14:42,758 --> 01:14:46,896 STATUETTES. ON THE 50TH ANNUAL 938 01:14:46,931 --> 01:14:48,275 DAYTIME EMMY AWARDS. STAY TUNED. 939 01:14:48,310 --> 01:14:50,310 THIS IS CBS! 940 01:14:54,551 --> 01:14:57,758 THE 50TH ANNUAL DAYTIME EMMY AWARDS WILL CONTINUE. 941 01:14:57,793 --> 01:15:00,206 THIS IS CBS. 942 01:15:06,310 --> 01:15:07,448 >> Announcer: WELCOME BACK TO THE 50TH ANNUAL DAYTIME EMMY 943 01:15:07,482 --> 01:15:09,655 AWARDS. PRESENTING THE AWARD FOR 944 01:15:09,689 --> 01:15:13,896 OUTSTANDING LEAD ACTOR IN A DAYTIME DRAMA SERIES, 945 01:15:13,931 --> 01:15:18,068 PLEASE WELCOME 2022 OUTSTANDING LEAD PERFORMANCE IN A DAYTIME 946 01:15:18,103 --> 01:15:22,793 DRAMA SERIES ACTRESS EMMY WINNER MISHAEL MORGAN 947 01:15:22,827 --> 01:15:27,827 JOINED BY THE 1998 WINNER, CYNTHIA WATROS. 948 01:15:29,206 --> 01:15:39,206 >> WOW, THIS IS SO EXCITING. >> SO EXCITING. 949 01:15:48,137 --> 01:15:52,206 AS AN ACTOR, YOU'VE JOINED AN ELITE AND EXCLUSIVE CLUB, 950 01:15:52,241 --> 01:15:56,620 WHOSE PERFORMANCES ARE NOT JUST GOOD, BUT CONSISTENTLY GREAT. 951 01:15:56,655 --> 01:16:00,310 >> RIGHT? EVERYONE IN THIS CATEGORY 952 01:16:00,344 --> 01:16:04,034 HAS BEEN PREVIOUSLY NOMINATED, FOUR HAVE WON. 953 01:16:04,068 --> 01:16:09,000 TALK ABOUT CONSISTENCY. MAYBE WE CAN RENAME THIS 954 01:16:09,034 --> 01:16:12,931 CATEGORY. >> I LIKE THAT. 955 01:16:12,965 --> 01:16:16,034 >> I'M THINKING THE "AWARD FOR 956 01:16:16,068 --> 01:16:20,000 CONSISTENT GREATNESS"? >> YOU KNOW WHAT? 957 01:16:20,034 --> 01:16:21,896 LET'S DO IT. LET'S DO IT. 958 01:16:21,931 --> 01:16:24,862 HERE ARE THE NOMINEES FOR OUTSTANDING LEAD ACTOR 959 01:16:24,896 --> 01:16:29,206 PERFORMANCE IN A DAYTIME DRAMA SERIES, OR AS MISHAEL AND I 960 01:16:29,241 --> 01:16:31,965 WANT TO REFER IT TO >> THE AWARD FOR CONSISTENT 961 01:16:32,000 --> 01:16:39,034 GREATNESS. >> MAURICE BENARD, 962 01:16:39,068 --> 01:16:43,310 PETER BERGMAN, BILLY FLYNN, 963 01:16:43,344 --> 01:16:49,344 THORSTEN KAYE, JASON THOMPSON. 964 01:16:52,965 --> 01:17:01,896 >> OKAY. >> AND THE EMMY GOES TO... 965 01:17:06,103 --> 01:17:11,344 THE NAILS. THORSTEN KAYE. 966 01:17:11,379 --> 01:17:24,379 "THE BOLD AND THE BEAUTIFUL." [CHEERS AND APPLAUSE] 967 01:17:30,965 --> 01:17:33,827 >> THANK YOU. HELLO I'M NOT A THORSTEN KAYE. 968 01:17:33,862 --> 01:17:36,034 I AM BRAD BELL EXCEPTING FOR THORSTEN KAYE WHO COULDN'T BE 969 01:17:36,068 --> 01:17:41,379 HERE TONIGHT. TO WRITE FOR THIS MAN IS SUCH A 970 01:17:41,413 --> 01:17:44,344 JOY. HE IS THE COMPLETE ORIGINAL AND 971 01:17:44,379 --> 01:17:49,379 A GREAT GUY AND THORSTEN, YOU WON! 972 01:17:55,068 --> 01:17:56,793 >> Announcer: PLEASE WELCOME LAST YEAR'S LEAD ACTOR EMMY 973 01:17:56,827 --> 01:18:00,758 WINNER JOHN McCOOK AND THREE-TIME LEAD ACTOR 974 01:18:00,793 --> 01:18:14,137 EMMY WINNER, PETER BERGMAN. >> THORSTEN WOULD HAVE THANKED 975 01:18:14,172 --> 01:18:16,413 ME BECAUSE I HELPED HIM THROUGH EVERYTHING. 976 01:18:16,448 --> 01:18:20,482 EARLIER THIS EVENING THE LIFETIME ACHIEVEMENT AWARD WAS 977 01:18:20,517 --> 01:18:25,068 GIVEN TO ONE OF DAYTIME TELEVISION'S ICONS, ONE OF THE 978 01:18:25,103 --> 01:18:26,379 MOST MEMORABLE ACTRESSES EVER. ABSOLUTELY. 979 01:18:26,413 --> 01:18:31,448 NOW THE WINNER OF THIS ESTEEMED CATEGORY WILL GET TO JOIN HER 980 01:18:31,482 --> 01:18:35,586 RANKS. >> WHAT SAY WE MAKE OUR 981 01:18:35,620 --> 01:18:38,482 PRESENTATION AND NOT CHANGE THE NAMES OF PEOPLE BEFORE US. 982 01:18:38,517 --> 01:18:44,000 >> THAT'S A GOOD IDEA. >> WE COULDN'T HAVE COME UP WITH 983 01:18:44,034 --> 01:18:47,586 ANYTHING BETTER THAN ANYWAY. >> JOHN AND I PROUDLY PRESENT 984 01:18:47,620 --> 01:18:48,655 THE NOMINEES FOR OUTSTANDING LEAD ACTRES PERFORMANCE 985 01:18:48,689 --> 01:18:53,862 IN A DAYTIME DRAMA SERIES. >> SHARON CASE, 986 01:18:53,896 --> 01:18:58,241 MELISSA CLAIRE EGAN, FINOLA HUGHES, 987 01:18:58,275 --> 01:19:11,034 MICHELLE STAFFORD, JACQUELINE MACINNES WOOD. 988 01:19:11,068 --> 01:19:12,206 [APPLAUSE] >> ALL RIGHT, 989 01:19:12,241 --> 01:19:24,206 THE EMMY GOES TO... I'LL LET YOU READ THIS. 990 01:19:24,241 --> 01:19:27,206 >> JACQUELINE MACINNES WOOD. [CHEERS AND APPLAUSE] 991 01:19:27,241 --> 01:19:39,310 "THE BOLD AND THE BEAUTIFUL." >> JACK LANE'S THIRD WIN -- 992 01:19:39,344 --> 01:19:45,172 JACQUELINE. >> OH, MY GOSH, WOW. 993 01:19:45,206 --> 01:19:47,206 I'VE GOT IT. THANK YOU. 994 01:19:47,241 --> 01:19:49,551 AWESOME. OH, MY GOD. 995 01:19:49,586 --> 01:19:54,551 THANK YOU. THANK YOU SO MUCH, SO MUCH. 996 01:19:54,586 --> 01:19:56,137 CONGRATULATIONS TO THE DAYTIME EMMYS ON THEIR 50TH. 997 01:19:56,172 --> 01:20:01,344 THIS IS SPECTACULAR. THANK YOU. 998 01:20:01,379 --> 01:20:05,034 I WANT TO THANK, SHOW MY APPRECIATION TO MY FELLOW 999 01:20:05,068 --> 01:20:10,137 NOMINEES, I HAD SO MUCH FUN WITH YOU THE OTHER DAY, GIRLS LUNCH, 1000 01:20:10,172 --> 01:20:15,275 YOU ARE WONDERFUL AND I'M HONORED TO BE IN YOUR PRESENCE. 1001 01:20:15,310 --> 01:20:17,655 THANK YOU TO CBS AND "THE BOLD AND THE BEAUTIFUL." 1002 01:20:17,689 --> 01:20:19,724 BRADLEY BELL. YOU LEGEND, YOU. 1003 01:20:19,758 --> 01:20:23,931 YOU REALLY ARE THE BEST BOSS. I'M SO GRATEFUL FOR THIS RIDE 1004 01:20:23,965 --> 01:20:28,103 AND THANK YOU FOR ALLOWING US TO REALLY EXIST IN THOSE SCENES AND 1005 01:20:28,137 --> 01:20:31,482 ARE VERY FAST-PACED SHOW, AS YOU GUYS KNOW. 1006 01:20:31,517 --> 01:20:43,137 I SHARE THIS WITH KIMBERLY BROWN, I ADORE YOU. 1007 01:20:43,172 --> 01:20:47,931 TANNER, THANK YOU FOR NAVIGATING THESE SCENES WITH ME. 1008 01:20:47,965 --> 01:20:50,896 THORSTEN KAYE, CONGRATULATIONS. YOU FUELED MY CREATIVITY. 1009 01:20:50,931 --> 01:20:55,448 I ADORE ALL OF YOU. WRITERS, DIRECTORS, PRODUCERS, 1010 01:20:55,482 --> 01:20:59,379 PROPS, STAGE MANAGER, EVERYONE. ALL THE ACTORS. 1011 01:20:59,413 --> 01:21:04,862 ONE OF THE HARDEST WORKING WOMEN I KNOW, EVA BASLER, LOVE YOU. 1012 01:21:04,896 --> 01:21:07,827 TO MY HUSBAND, MY CHILDREN, I LOVE YOU. 1013 01:21:07,862 --> 01:21:15,862 SO VERY HONORED. THANK YOU. 1014 01:21:15,896 --> 01:21:18,896 ♪ >> THE ENERGY IN THIS ROOM IS 1015 01:21:18,931 --> 01:21:23,482 INCREDIBLE, WOULDN'T YOU SAY? >> I WOULD SAY MAGICAL. 1016 01:21:23,517 --> 01:21:27,517 >> Nischelle: LADIES AND GENTLEMEN, FROM "THE YOUNG AND 1017 01:21:27,551 --> 01:21:31,517 THE RESTLESS." GIVE HER A ROUND OF APPLAUSE. 1018 01:21:31,551 --> 01:21:34,517 YOU'VE A GREAT MEMORY MOMENT FOR US. 1019 01:21:34,551 --> 01:21:42,862 >> THIS IS A WHILE NOW, 1985. THEY ANNOUNCED MY NAME AND I'M 1020 01:21:42,896 --> 01:21:45,586 YOUNG AND INEXPERIENCED. I FREAKED OUT AND I RUSH UP ON 1021 01:21:45,620 --> 01:21:49,172 THE STAGE. IT WAS LIKE THIS, LONG STAIRS. 1022 01:21:49,206 --> 01:21:53,241 I WALKED RIGHT OUT OF MY SHOE. SO YOU PANIC AND YOU THINK, 1023 01:21:53,275 --> 01:21:57,827 SHOULD I PICK IT UP? KICK IT OFF THE STAGE? 1024 01:21:57,862 --> 01:22:00,931 KEEP GOING? I GRABBED MY SHOE, POINTED AT 1025 01:22:00,965 --> 01:22:03,275 HER, TOOK THIS BEAUTIFUL STATUE OF MY OTHER HAND. 1026 01:22:03,310 --> 01:22:07,758 I HAD A STRAPLESS PUMP. MY FRIENDS WERE SO NICE ABOUT 1027 01:22:07,793 --> 01:22:11,344 IT. THEY SAID 1028 01:22:11,379 --> 01:22:17,068 "YOU WERE A SHOE-IN." >> Nischelle: THAT'S AN 1029 01:22:17,103 --> 01:22:20,931 INCREDIBLE STORY. REAL-LIFE CINDERELLA MOMENT. 1030 01:22:20,965 --> 01:22:25,206 YOU TOOK YOUR SLIPPER AND NOBODY ELSE HAD TO GET IT FOR YOU. 1031 01:22:25,241 --> 01:22:29,862 I LOVE THAT, BETH. THANK YOU SO MUCH. 1032 01:22:29,896 --> 01:22:36,655 YOU'VE GOT ON BOTH SHOES? >> THEY ARE FLAT AND THEY ARE O 1033 01:22:36,689 --> 01:22:37,827 ON. >> WHEN WE RETURN, 1034 01:22:37,862 --> 01:22:38,724 WE FIND OUT WHO TAKES HOME THE COVETED GOLDEN STATUETTE 1035 01:22:38,758 --> 01:22:46,206 FOR OUTSTANDING DAYTIME DRAMA SERIES. 1036 01:22:55,793 --> 01:22:59,793 >> Announcer: AMERICAN ACTRESS, COMEDIAN, AUTHOR, BROADCASTER, 1037 01:22:59,827 --> 01:23:02,448 PODCASTER, AND HOST OF THE DAILY SYNDICATED DAYTIME 1038 01:23:02,482 --> 01:23:09,034 TALK SHOW "SHERRI," PLEASE WELCOME SHERRI SHEPHERD. 1039 01:23:09,068 --> 01:23:16,482 [CHEERS AND APPLAUSE] >> HI, EVERYONE. 1040 01:23:16,517 --> 01:23:22,172 I CANNOT TELL YOU HOW PROUD I AM TO BE HERE AT THIS MOMENT, 1041 01:23:22,206 --> 01:23:27,793 TAKING PART IN SUCH A WONDERFUL NIGHT OF CELEBRATING THE PAST, 1042 01:23:27,827 --> 01:23:30,551 THE PRESENT, AND THE FUTURE OF DAYTIME TELEVISION. 1043 01:23:30,586 --> 01:23:32,620 AND TO BE HERE AT THE 50TH ANNIVERSARY OF THE DAYTIME 1044 01:23:32,655 --> 01:23:37,000 EMMYS MAKES IT EVEN MORE SPECIAL FOR ME. 1045 01:23:37,034 --> 01:23:39,586 I GOTTA TELL YOU. THEY SAY BLACK DON'T CRACK. 1046 01:23:39,620 --> 01:23:47,620 BUT IF YOU ASK ME, THE DAYTIME EMMYS SURE LOOKS GOOD FOR 50. 1047 01:23:50,862 --> 01:23:52,896 [APPLAUSE] NOW, THEY GOT ME. 1048 01:23:52,931 --> 01:23:55,310 I WAS GONNA CHANGE COSTUMES FOR MY INTERPRETIVE 1049 01:23:55,344 --> 01:23:58,310 DANCE NUMBER -- WHICH MEANS I'M GONNA BE 1050 01:23:58,344 --> 01:24:07,896 AT THE AFTER-PARTY -- WABBLE? 1051 01:24:07,931 --> 01:24:12,896 OH, IT'S GONNA BE FIRE. IT'S TIME FOR THE OUTSTANDING 1052 01:24:12,931 --> 01:24:16,551 DAYTIME DRAMA SERIES AWARD. THIS IS THE BIGGIE, FOLKS. 1053 01:24:16,586 --> 01:24:21,448 THE CATEGORY THAT RECOGNIZES EVERY ASPECT OF A SUCCESSFUL, 1054 01:24:21,482 --> 01:24:26,206 POPULAR DAYTIME DRAMA SERIES. HONORING THOSE WHO HAVE GIVEN 1055 01:24:26,241 --> 01:24:29,827 THEIR BLOOD, THEIR SWEAT, AND TEARS, 1056 01:24:29,862 --> 01:24:33,344 IN MOST CASES QUITE LITERALLY, TO MAKE THE DAYTIME TELEVISION 1057 01:24:33,379 --> 01:24:36,965 DRAMA A MAINSTAY OF AMERICAN TELEVISION CULTURE. 1058 01:24:37,000 --> 01:24:42,724 ARE WE READY? [APPLAUSE] 1059 01:24:42,758 --> 01:24:48,586 THE NOMINEES FOR OUTSTANDING DAYTIME DRAMA SERIES ARE... 1060 01:24:48,620 --> 01:24:52,620 >> "THE BAY," "THE BOLD AND THE BEAUTIFUL," 1061 01:24:52,655 --> 01:24:57,068 "DAYS OF OUR LIVES," "GENERAL HOSPITAL," 1062 01:24:57,103 --> 01:25:08,034 "THE YOUNG AND THE RESTLESS." >> AND THE EMMY GOES TO... 1063 01:25:16,965 --> 01:25:22,034 "GENERAL HOSPITAL." ABC! 1064 01:25:22,068 --> 01:25:25,137 >> ACCEPTING THE EMMY, EXECUTIVE PRODUCER FRANK 1065 01:25:25,172 --> 01:25:34,172 VALENTINI. >> I'M COMING. 1066 01:25:39,586 --> 01:25:45,413 I'M COMING. >> IT'S OKAY, IT'S OKAY. 1067 01:25:45,448 --> 01:25:53,448 I'VE GOT YOU. >> OH, OH. 1068 01:25:56,068 --> 01:26:00,896 >> THERE IS A LOT OF US. WE'VE HAD A REALLY INCREDIBLE 1069 01:26:00,931 --> 01:26:04,689 WEEK. WE JUST FINISHED DOING OUR PRIME 1070 01:26:04,724 --> 01:26:08,517 TIME SPECIAL WHICH AIRS JAN JANUARY 4TH. 1071 01:26:08,551 --> 01:26:09,551 A SHAMELESS PLUG. THANK YOU TO OUR INCREDIBLE 1072 01:26:09,586 --> 01:26:12,724 WRITERS, EVERYONE AT THE NETWORK AT ABC. 1073 01:26:12,758 --> 01:26:17,206 DANA, CRAG, NATHAN. THANK YOU SO MUCH. 1074 01:26:17,241 --> 01:26:22,379 TOM, LISA. WHOM I FORGETTING? 1075 01:26:22,413 --> 01:26:27,310 THE CAST, THE CREW. PROPS, THE WRITERS, THE ACTORS. 1076 01:26:27,344 --> 01:26:32,379 I'M SORRY. THIS IS REALLY A SPECIAL NIGHT 1077 01:26:32,413 --> 01:26:36,103 AND I FEEL REALLY APPRECIATIVE AND A LITTLE BIT ANXIOUS. 1078 01:26:36,137 --> 01:26:38,344 THANK YOU SO MUCH, EVERYBODY, FOR EVERYTHING. 1079 01:26:38,379 --> 01:26:43,103 AND ALSO A SPECIAL SHOUT OUT TO OUR FRIEND EVA BASLER. 1080 01:26:43,137 --> 01:26:48,103 WE LOVE YOU. WE LIKE TO DEDICATE THIS TO 1081 01:26:48,137 --> 01:26:52,206 SONYA EDDY AND TO NICO GARLAND. WE LOVE YOU. 1082 01:26:52,241 --> 01:27:07,241 THANK YOU SO MUCH. >> Kevin: WELL, FOLKS, THAT'S IT 1083 01:27:07,241 --> 01:27:08,172 THANK YOU SO MUCH. >> Kevin: WELL, FOLKS, THAT'S IT 1084 01:27:08,206 --> 01:27:09,482 FOR THE 50TH ANNUAL DAYTIME EMMY AWARDS. 1085 01:27:09,517 --> 01:27:12,896 >> Nischelle: KEVIN AND I ARE TRULY HONORED TO HAVE BEEN YOUR 1086 01:27:12,931 --> 01:27:15,379 HOSTS. SO CONGRATULATIONS TO ALL OF 1087 01:27:15,413 --> 01:27:17,965 TONIGHT'S NOMINEES AND RECIPIENTS. 1088 01:27:18,000 --> 01:27:22,034 AND REMEMBER... >> IT'S BETTER IN THE DAYTIME! 1089 01:27:22,068 --> 01:27:27,344 >> Kevin: GOOD NIGHT, EVERYONE. AND ALSO HAPPY HOLIDAYS! 1090 01:27:27,379 --> 01:27:31,379 >> LET'S GO PARTY! 1091 01:27:33,379 --> 01:27:38,448 ♪ 1092 01:27:38,448 --> 01:27:48,275 ♪ 1093 01:27:59,586 --> 01:28:02,172 >> IN ALL CATEGORIES THE DAYTIME EMMYS AWARDS ARE JUDGED BY 1094 01:28:02,206 --> 01:28:03,689 MEMBERS OF THE NATIONAL ACADEMY OF TELEVISION ARTS AND SCIENCES 1095 01:28:03,724 --> 01:28:08,413 INC. OR OTHER EXPERIENCED TELEVISION PROFESSIONALS. 1096 01:28:08,448 --> 01:28:11,034 VOTING IS CONDUCTED SECURELY ONLINE VIA PANELS OF INDUSTRY 1097 01:28:11,068 --> 01:28:14,275 PEERS. THE RESULTS OF THE SECRET VOTING 1098 01:28:14,310 --> 01:28:17,034 ARE KNOWN ONLY TO THE INDEPENDENT ACCOUNTING FIRM 1099 01:28:17,068 --> 01:28:21,137 UNTIL THE BROADCAST.