1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:22,523 --> 00:00:24,108 [Carlos] Do you believe in magic? 4 00:00:24,191 --> 00:00:28,279 -[playing "Oye Cómo Va"] -Not props and illusions. 5 00:00:28,863 --> 00:00:34,618 Magic is when you command the elements to capture people's hearts. 6 00:00:37,705 --> 00:00:38,706 Magic. 7 00:00:39,498 --> 00:00:40,750 Not tricks. 8 00:00:41,417 --> 00:00:42,752 The flow of grace. 9 00:01:00,644 --> 00:01:07,318 This vato, this young dude, had big eyes, big heart, and big ears. 10 00:01:26,837 --> 00:01:29,590 There's music that just makes you celebrate, 11 00:01:30,549 --> 00:01:33,969 and when you celebrate, fear has to go away. 12 00:01:34,470 --> 00:01:37,014 And all you have is delight. 13 00:01:44,271 --> 00:01:46,357 That's real "magic" magic. 14 00:01:47,483 --> 00:01:48,818 Like a hurricane. 15 00:01:49,985 --> 00:01:51,195 Like an earthquake. 16 00:01:52,530 --> 00:01:53,739 Like a tornado. 17 00:02:03,707 --> 00:02:06,252 You can shake the world's foundation. 18 00:02:13,217 --> 00:02:14,218 [song ends] 19 00:02:14,301 --> 00:02:16,303 [audience cheering and applauding] 20 00:02:20,015 --> 00:02:23,018 [Carlos playing blues rock melody] 21 00:02:34,029 --> 00:02:36,532 I seen Stevie Ray and Jimi Hendrix, man. 22 00:02:38,200 --> 00:02:40,286 Coltrane and Bob Marley. 23 00:02:41,579 --> 00:02:42,746 Real musicians. 24 00:02:42,830 --> 00:02:44,790 They call it a force of nature. 25 00:02:49,003 --> 00:02:55,134 They create a different kind of a transformation of molecular structure 26 00:02:55,217 --> 00:02:57,595 through sound, resonance, and vibration. 27 00:03:51,231 --> 00:03:52,566 My father said to me: 28 00:03:52,650 --> 00:03:54,526 [speaking in Spanish] 29 00:03:54,610 --> 00:03:55,653 [in English] "Follow me." 30 00:03:56,278 --> 00:03:58,113 Then we went to the backyard. 31 00:03:58,614 --> 00:04:02,159 And the sun was going down. Everything looks golden. 32 00:04:02,826 --> 00:04:04,161 And he opened... 33 00:04:04,703 --> 00:04:06,205 [speaks in Spanish] 34 00:04:06,288 --> 00:04:07,957 [in English] He opened the violin case, 35 00:04:08,666 --> 00:04:10,376 pulled his violin out, 36 00:04:11,126 --> 00:04:13,879 and then he looked at me really intense, and he goes: 37 00:04:13,963 --> 00:04:15,297 [speaks in Spanish] 38 00:04:15,381 --> 00:04:17,424 [in English] "I want to teach you something. Mira." 39 00:04:18,175 --> 00:04:23,305 So he put the violin like this, he'd lean on it, and then he goes... 40 00:04:24,181 --> 00:04:26,183 [whistling melody] 41 00:04:28,060 --> 00:04:32,731 And then this bird comes out of nowhere, lands on this branch, and he goes... 42 00:04:33,607 --> 00:04:35,317 [mimics bird whistling melody] 43 00:04:35,901 --> 00:04:41,240 And I was like-- My eyes were like, "Oh, my God. Dad's speaking to a bird." 44 00:04:41,907 --> 00:04:42,992 [speaks in Spanish] 45 00:04:43,659 --> 00:04:46,328 [whistles melody] 46 00:04:47,037 --> 00:04:48,122 The bird... 47 00:04:49,832 --> 00:04:51,500 And I was like, "Oh, my God." 48 00:04:51,583 --> 00:04:52,960 My dad goes, "See?" 49 00:04:53,043 --> 00:04:55,045 [speaking in Spanish] 50 00:04:59,883 --> 00:05:02,553 [in English] "If you can speak to these birds, 51 00:05:02,636 --> 00:05:04,847 you can speak to the hearts of people." 52 00:05:10,894 --> 00:05:12,604 Cindy Cin. 53 00:05:14,398 --> 00:05:15,399 Check this out. 54 00:05:19,319 --> 00:05:21,071 Come a long way from Tijuana, huh? 55 00:05:23,532 --> 00:05:24,908 [Cindy] Oh, it's beautiful. 56 00:05:28,871 --> 00:05:30,330 Wherever you want, dear. 57 00:05:35,169 --> 00:05:36,420 I'm in trouble now. 58 00:05:37,421 --> 00:05:39,548 -Yeah. -[Maria] It was wonderful. 59 00:05:39,631 --> 00:05:45,220 Such a natural thing to have music in the house at all times... 60 00:05:45,304 --> 00:05:47,139 -Always present. -And we were always dancing 61 00:05:47,222 --> 00:05:50,517 'cause my mom never allowed us to go anywhere, so we'd have parties. 62 00:05:50,601 --> 00:05:52,936 With the vacuuming of the carpets, 63 00:05:53,520 --> 00:05:58,108 if it wasn't a guitar string, getting it out of the machine, right, 64 00:05:58,192 --> 00:06:00,152 it was Dad's violin strings. 65 00:06:00,235 --> 00:06:02,654 We were going, "How are we gonna cut all this stuff?" 66 00:06:02,738 --> 00:06:04,031 -[Lety] We were happy. -Yeah. 67 00:06:04,114 --> 00:06:07,951 Always, every Friday, Saturday night, just playing music. 68 00:06:09,119 --> 00:06:12,122 [Carlos playing blues melody] 69 00:06:19,338 --> 00:06:21,298 [Carlos] We were in la Colonia Libertad. 70 00:06:22,883 --> 00:06:25,052 My mom's doing her thing, you know. 71 00:06:25,844 --> 00:06:28,931 It was rough. It was really, really rough. 72 00:06:29,681 --> 00:06:32,017 So I said to Mom, I said, "Mom." 73 00:06:32,559 --> 00:06:34,228 She goes: [speaks in Spanish] 74 00:06:35,104 --> 00:06:38,440 [in English] "Someday I'm gonna get you your own house, 75 00:06:39,233 --> 00:06:42,736 and I'm going to buy you a refrigerator and a dishwasher 76 00:06:42,820 --> 00:06:45,489 and a washing machine and a dryer." 77 00:06:45,572 --> 00:06:50,410 And, like, she goes, "That's nice, mijo." You know? 78 00:06:50,494 --> 00:06:53,455 I'm like, "No, don't dismiss me like that. I'm gonna do it." 79 00:06:53,539 --> 00:06:56,542 [playing "Treat"] 80 00:07:04,550 --> 00:07:08,971 My mother had a divine determination that was something to witness. 81 00:07:11,890 --> 00:07:15,144 The way she visualized something and she went after it, 82 00:07:15,227 --> 00:07:19,439 it's literally like watching my mother grab ahold of God's garment 83 00:07:20,149 --> 00:07:23,235 and pull it and say, "You're gonna give it to me. 84 00:07:23,318 --> 00:07:25,320 And I know you're gonna give it to me. 85 00:07:26,738 --> 00:07:27,865 So give it to me." 86 00:07:35,539 --> 00:07:38,709 Future pull, I learned that from her. 87 00:07:39,793 --> 00:07:42,379 You see something and you go after it. 88 00:07:43,922 --> 00:07:50,512 My mother would say, "My life is just my children and cooking and José." 89 00:07:53,265 --> 00:07:55,642 Man, women really loved my dad, man. 90 00:07:57,060 --> 00:08:01,565 He had this charisma, his charm. 91 00:08:03,692 --> 00:08:06,069 Oh, look at his hands, man. 92 00:08:06,778 --> 00:08:08,614 So soft, man. 93 00:08:09,489 --> 00:08:11,200 He had the softest hands. 94 00:08:12,201 --> 00:08:14,661 My dad was mainly a classical player. 95 00:08:15,245 --> 00:08:17,247 It was more music like Agustín Lara, 96 00:08:17,331 --> 00:08:20,417 which is kind of like a Cole Porter kind of thing. 97 00:08:22,044 --> 00:08:24,588 And I just knew I wanted to be like my dad, 98 00:08:25,380 --> 00:08:26,840 just play music. 99 00:08:37,601 --> 00:08:38,602 And he left. 100 00:08:44,566 --> 00:08:46,485 And everybody said, "Josefina, you're crazy. 101 00:08:46,568 --> 00:08:48,362 He's not gonna take you back." 102 00:08:48,445 --> 00:08:51,740 She said, "If he don't take me back, he has to tell me in front of my kids. 103 00:08:51,823 --> 00:08:55,452 I want to see his eyes when he tells me he don't want them and he don't want me." 104 00:08:55,953 --> 00:08:57,704 She had so much guts, man. 105 00:08:57,788 --> 00:09:00,791 [drums playing lively rhythm] 106 00:09:02,584 --> 00:09:08,548 Four sisters, two brothers, a tiny dog, we drove, like, a whole week to Tijuana. 107 00:09:09,841 --> 00:09:11,760 It took a long time to get there 108 00:09:11,843 --> 00:09:14,304 'cause the roads weren't all paved or anything like that. 109 00:09:14,388 --> 00:09:16,181 We slept in the desert. 110 00:09:16,682 --> 00:09:18,308 The food was horrible. 111 00:09:18,392 --> 00:09:21,770 The beans that we ate at certain truck stops, they were rancid, 112 00:09:21,853 --> 00:09:25,148 and people were getting sick, but my mother would not be deterred. 113 00:09:27,234 --> 00:09:31,405 When we got where my dad was staying, a lady opened up the door. 114 00:09:31,488 --> 00:09:33,282 You could tell that she was a prostitute. 115 00:09:34,992 --> 00:09:36,326 He snuck his head. 116 00:09:36,410 --> 00:09:40,372 First thing he saw was me, out of all my sisters and brothers, 117 00:09:40,455 --> 00:09:45,669 and he just looked at me in anger, embarrassment, you know, fear. 118 00:09:47,045 --> 00:09:50,465 My dad had to leave that woman and come with us. 119 00:09:52,217 --> 00:09:54,469 It was something that I didn't understand, 120 00:09:54,970 --> 00:09:57,264 'cause you love your dad and you love your mom. 121 00:09:57,347 --> 00:09:59,808 All I knew was that they would go at it. 122 00:09:59,891 --> 00:10:03,562 And then my dad would come back, 4:00 in the morning, 123 00:10:03,645 --> 00:10:07,107 with a bunch of musicians, and he'd serenade my mom. 124 00:10:07,190 --> 00:10:10,193 ["Mirage" playing] 125 00:10:13,238 --> 00:10:18,243 Mom and Dad slowly shortened the distance, and then it got better. 126 00:10:24,082 --> 00:10:25,000 [Letterman] Tijuana. 127 00:10:25,083 --> 00:10:27,961 Was it a good life for you as you were growing up? Tough life? 128 00:10:28,045 --> 00:10:31,131 Because a lot-- The only part of Tijuana I ever saw 129 00:10:31,214 --> 00:10:33,550 was just as you cross the border in Southern California. 130 00:10:33,633 --> 00:10:35,135 You look at it and come right back. 131 00:10:35,218 --> 00:10:37,971 But there's a whole other world going on down there, isn't there? 132 00:10:38,055 --> 00:10:41,224 Yeah, like New York. You shouldn't take the first impression of New York. 133 00:10:41,308 --> 00:10:44,436 Yeah, yeah. And what are you off to now? Are you...? 134 00:10:44,519 --> 00:10:47,481 [audience laughing and cheering] 135 00:10:47,564 --> 00:10:48,565 I'm just... 136 00:10:51,860 --> 00:10:54,029 [Carlos] Tijuana is like Star Wars cantina. 137 00:10:54,112 --> 00:10:58,325 People who live in Tijuana, they're from different galaxies. 138 00:11:04,206 --> 00:11:07,959 Especially where I grew up, la Colonia Libertad and La Coahuila, 139 00:11:08,043 --> 00:11:09,795 and it smells a little funky. 140 00:11:09,878 --> 00:11:11,922 The ghetto ghetto, ghetto ghetto. 141 00:11:14,800 --> 00:11:18,053 My father, when he came to Tijuana, it was just mainly mariachi, 142 00:11:18,136 --> 00:11:20,722 because that's the music that American tourists want to hear. 143 00:11:21,431 --> 00:11:23,558 So he became a mariachi player. 144 00:11:23,642 --> 00:11:26,645 [playing mariachi music] 145 00:11:30,607 --> 00:11:31,733 We have nothing. 146 00:11:31,817 --> 00:11:33,985 My dad had to go out and get it with a violin, 147 00:11:34,069 --> 00:11:35,737 so I would join him. 148 00:11:40,367 --> 00:11:42,702 At first, everything was mechanical for me. 149 00:11:42,786 --> 00:11:46,706 My father taught me how to read and how to play mariachi music. 150 00:11:48,917 --> 00:11:54,923 Mariachi's a combination of classical, country and western, Mexican folk. 151 00:11:57,551 --> 00:11:59,261 Dad was not a good teacher. 152 00:12:00,554 --> 00:12:03,306 He was very harsh. "No!" Like, "I say, no!" 153 00:12:03,390 --> 00:12:05,684 And, like, "Oh, shit, gonna give me a heart attack." 154 00:12:05,767 --> 00:12:09,646 So the violin had a history of something that didn't feel right. 155 00:12:10,689 --> 00:12:12,691 Nothing's wrong with the violin. It was me. 156 00:12:15,819 --> 00:12:19,281 [Maria] I think that music was probably too simple for him to play. 157 00:12:19,781 --> 00:12:21,950 They all had the same ending, right, dun-dun. 158 00:12:22,033 --> 00:12:23,743 -[laughing] -Sorry. 159 00:12:23,827 --> 00:12:25,829 [mariachi music ends] 160 00:12:27,581 --> 00:12:30,709 [Carlos] I'd follow my mom to the park in Tijuana, 161 00:12:31,293 --> 00:12:35,839 and there was this band called Javier Bátiz and Los TJs. 162 00:12:36,965 --> 00:12:38,300 And... 163 00:12:38,383 --> 00:12:42,512 And he had a guitar connected to this amplifier, 164 00:12:42,596 --> 00:12:44,347 and when he hit that note... 165 00:12:44,431 --> 00:12:47,434 [band playing "Mashed Potatoes"] 166 00:12:47,517 --> 00:12:52,272 ♪ Mashed potatoes Mashed potatoes, mashed potatoes... ♪ 167 00:12:52,355 --> 00:12:57,777 [Carlos] The way it resonated, it was like watching a UFO or something. 168 00:12:57,861 --> 00:13:01,156 ♪ Mashed potatoes, mashed potatoes... ♪ 169 00:13:02,324 --> 00:13:03,825 [Carlos] But he had that tone. 170 00:13:04,784 --> 00:13:05,994 What a sound. 171 00:13:06,870 --> 00:13:08,580 I was mesmerized. 172 00:13:09,080 --> 00:13:14,169 Right there, I just knew that this was all I was gonna be the rest of my life. 173 00:13:14,252 --> 00:13:15,587 [speaks in Spanish] 174 00:13:15,670 --> 00:13:16,963 [in English] This is who I am. 175 00:13:18,673 --> 00:13:19,674 [song ends] 176 00:13:24,763 --> 00:13:27,766 [playing intense guitar melody] 177 00:13:49,204 --> 00:13:52,374 ["La, La, La, La, La" playing] 178 00:13:52,457 --> 00:13:56,586 This guy Javier Bátiz, I followed him like a puppy for, like, two, three years. 179 00:13:57,254 --> 00:13:59,256 And he had so many records. 180 00:13:59,965 --> 00:14:06,596 All he had was records of B.B. King, Ray Charles, and Little Richard. 181 00:14:07,430 --> 00:14:09,474 And he was a composite of all three of them. 182 00:14:12,769 --> 00:14:16,231 That was my first kind of like a hero kind of thing. 183 00:14:18,608 --> 00:14:21,736 My portfolio expanded, you know. 184 00:14:21,820 --> 00:14:26,241 It was, like, John Lee Hooker, Jimmy Reed, Lightnin' Hopkins, 185 00:14:26,324 --> 00:14:30,745 a whole lot of Chuck Berry and Bo Diddley. 186 00:14:31,246 --> 00:14:34,499 And then I discover Lobo Y Melón... 187 00:14:34,583 --> 00:14:37,419 [playing música tropical] 188 00:14:37,502 --> 00:14:41,715 ...which is the first time I ever heard música tropical. 189 00:14:42,215 --> 00:14:46,886 It was music from Cuba and Puerto Rico and all the islands in the Caribbean. 190 00:14:48,513 --> 00:14:50,599 We were in La Coahuila, the poorest part of town, 191 00:14:50,682 --> 00:14:52,976 and I was playing violin with my dad. 192 00:14:53,852 --> 00:14:56,396 And I says, "Dad, I don't wanna play this music." 193 00:14:56,479 --> 00:14:59,774 My dad was looking at me like, "You wanna play that pachuco shit?" 194 00:15:00,275 --> 00:15:03,653 Which means blues and rock 'n' roll. 195 00:15:03,737 --> 00:15:06,990 And I says, "How bad can that be? Look at where we are. 196 00:15:07,073 --> 00:15:11,411 There's no floor. It's just dirt. And I mean, it smells terrible. 197 00:15:11,494 --> 00:15:14,372 Look at where we are. How bad can this music be?" 198 00:15:14,456 --> 00:15:17,125 And my dad was like, "Damn." 199 00:15:18,918 --> 00:15:20,712 And he says, "Go." 200 00:15:22,380 --> 00:15:23,548 And I was like: 201 00:15:23,632 --> 00:15:24,716 Whew! 202 00:15:24,799 --> 00:15:27,427 'Cause I'm triumphant, man, you know? 203 00:15:27,510 --> 00:15:30,805 I wanna be on top of the best thing that happened in Tijuana. 204 00:15:30,889 --> 00:15:33,808 I wanna be on top of the best thing that happened in San Francisco, 205 00:15:33,892 --> 00:15:35,644 the best thing that happened in London. 206 00:15:35,727 --> 00:15:37,062 I don't got time for: 207 00:15:37,145 --> 00:15:40,649 [sings in Spanish] 208 00:15:40,732 --> 00:15:42,525 [mimics sobbing] 209 00:15:43,068 --> 00:15:44,069 [in English] Dude. 210 00:15:45,528 --> 00:15:48,031 I'm not a victim. I ain't gonna play that shit. 211 00:15:49,324 --> 00:15:52,327 [playing rock music] 212 00:15:59,209 --> 00:16:00,502 I crossed the border one time 213 00:16:00,585 --> 00:16:05,965 because I heard, in this music store, they had guitars in the windows. 214 00:16:06,049 --> 00:16:08,927 I'm looking at those guitars, and I wanna feel them. 215 00:16:09,844 --> 00:16:11,262 I wanna smell them. 216 00:16:13,014 --> 00:16:17,185 And I hear somebody say, "Hey! Hey!" 217 00:16:17,268 --> 00:16:19,688 I don't turn around. I don't think they're talking to me. 218 00:16:19,771 --> 00:16:22,524 I'm just a kid, a Mexican kid. "Hey!" 219 00:16:22,607 --> 00:16:25,902 And I turn around, and it was three sailors, 220 00:16:26,569 --> 00:16:28,655 white Caucasian sailors going: 221 00:16:28,738 --> 00:16:32,617 "Hey, you fucking Pancho Villa, chili-beany motherfucker." 222 00:16:34,911 --> 00:16:38,915 And I was like, "Damn. Who is he talking to? 223 00:16:39,874 --> 00:16:42,460 I know he's not talking to me. I don't even know him." 224 00:16:43,044 --> 00:16:49,050 It's the first time I felt the sting of racism and ignorance. 225 00:16:49,634 --> 00:16:53,346 "You fucking chili-beany fucking Pancho Villa motherfucker." 226 00:16:54,848 --> 00:16:55,974 And I was like... 227 00:16:58,768 --> 00:17:00,145 "Damn, that's evil." 228 00:17:09,821 --> 00:17:10,989 [radio changing stations] 229 00:17:11,072 --> 00:17:13,867 [mariachi music playing] 230 00:17:13,950 --> 00:17:15,660 My dad came to San Francisco. 231 00:17:15,744 --> 00:17:18,580 He brought one of the first mariachi bands here in the Bay Area. 232 00:17:19,289 --> 00:17:21,750 He started making more money, he would send money over, 233 00:17:21,833 --> 00:17:23,918 then eventually, they sent for us. 234 00:17:25,378 --> 00:17:28,465 I started working, washing dishes at Tic Tock's, 235 00:17:28,548 --> 00:17:30,175 then pressing tortillas. 236 00:17:30,675 --> 00:17:34,262 What's really beautiful about Tic Tock's was the jukebox. 237 00:17:34,345 --> 00:17:37,223 ["Psychotic Reaction" playing on jukebox] 238 00:17:37,932 --> 00:17:42,854 The jukebox was, like, everything that kept me sane. 239 00:17:49,861 --> 00:17:51,446 San Francisco was like... 240 00:17:52,822 --> 00:17:57,911 watching in slow motion this garden open up musically. 241 00:18:03,041 --> 00:18:06,920 And it's literally like a vortex of newness for me. 242 00:18:09,506 --> 00:18:12,801 ♪ I feel depressed, I feel so bad... ♪ 243 00:18:12,884 --> 00:18:14,928 [Lety] He was not around that much. 244 00:18:15,011 --> 00:18:19,724 He was always with his friends, rehearsing. 245 00:18:20,308 --> 00:18:23,937 Carlos was really focusing in his music. 246 00:18:24,020 --> 00:18:25,563 [amplifiers humming] 247 00:18:25,647 --> 00:18:27,565 -[man 1] Wanna start it? -[man 2] No, you start. 248 00:18:29,526 --> 00:18:32,237 [band playing blues music] 249 00:18:32,320 --> 00:18:33,321 Ready? 250 00:18:53,633 --> 00:18:55,176 [Carlos] Stan Markham and Ron Estrada, 251 00:18:55,260 --> 00:18:58,429 they both found me in the street, playing a gig. 252 00:18:58,513 --> 00:19:00,014 I was still in Mission High School. 253 00:19:00,682 --> 00:19:03,643 They told me up front, "Listen, we really believe in you, man. 254 00:19:03,726 --> 00:19:06,104 We seen you play a couple of times now. 255 00:19:06,187 --> 00:19:09,816 I'm gonna quit being a barber, and he's gonna quit being a bail bondsman. 256 00:19:09,899 --> 00:19:14,112 We're gonna quit, and we're gonna be-- We're gonna become your full-time manager. 257 00:19:14,195 --> 00:19:17,490 We're gonna have to sell weed for a while because we don't have any money." 258 00:19:20,076 --> 00:19:22,579 And they said, "Hey, we wanna take you to this place." 259 00:19:22,662 --> 00:19:25,790 I says, "Where we going?" He says, "It's called the Fillmore." 260 00:19:28,585 --> 00:19:31,254 I says, "Well, what's there?" They says, "You'll see." 261 00:19:31,337 --> 00:19:33,590 [Grateful Dead playing "Casey Jones"] 262 00:19:33,673 --> 00:19:37,886 ♪ Drivin' that train, high on cocaine ♪ 263 00:19:38,761 --> 00:19:42,140 ♪ Casey Jones You better watch your speed ♪ 264 00:19:42,223 --> 00:19:45,393 [Carlos] And it was the Grateful Dead, Quicksilver... 265 00:19:46,895 --> 00:19:49,355 Country Joe, and the Great Society, something like that. 266 00:19:49,439 --> 00:19:53,401 ♪ And you know that notion Just crossed my mind ♪ 267 00:19:53,484 --> 00:19:56,321 [Carlos] And the light show, with the, you know, colors 268 00:19:56,404 --> 00:19:59,782 and the smell of weed and patchouli oil. 269 00:19:59,866 --> 00:20:02,452 And I'm looking at it, I'm like-- 'Cause I'm still straight. 270 00:20:02,535 --> 00:20:05,163 I been around marijuana all my life, since I was a child, 271 00:20:05,246 --> 00:20:06,623 but I never toked. 272 00:20:06,706 --> 00:20:09,000 And so I kept telling Ron and Stan: 273 00:20:09,083 --> 00:20:13,171 "You're building a band around me, and I notice that they smoke weed. 274 00:20:13,254 --> 00:20:14,297 And I don't smoke weed. 275 00:20:14,380 --> 00:20:18,968 And every time they smoke weed, they don't play the same song twice. 276 00:20:19,052 --> 00:20:22,221 They play it differently, and they forget things. 277 00:20:22,305 --> 00:20:24,098 And I wish they wouldn't smoke pot, man, 278 00:20:24,182 --> 00:20:28,478 so they would learn the damn song right and play it correctly," you know? 279 00:20:28,561 --> 00:20:30,730 And they looked at me like, "Damn." 280 00:20:31,230 --> 00:20:36,069 So they roll a joint about that big and just left it there 281 00:20:36,152 --> 00:20:40,073 and said, "We're gonna get lunch. We'll be right back," and they left. 282 00:20:40,573 --> 00:20:41,908 The joint is going like this: 283 00:20:42,992 --> 00:20:44,452 And I'm like, "No." 284 00:20:45,036 --> 00:20:46,829 So I finally went, "Okay." 285 00:20:50,166 --> 00:20:51,167 [song stops] 286 00:20:57,298 --> 00:21:00,468 Next time I went to the Fillmore, it was very different. 287 00:21:00,551 --> 00:21:03,554 [band playing rock music] 288 00:21:20,989 --> 00:21:23,324 Oh, it's like going to Disneyland for the first time 289 00:21:23,408 --> 00:21:25,785 and really getting inside the ride. 290 00:21:32,125 --> 00:21:34,043 It's a drag I have to go to sleep, baby, 291 00:21:34,127 --> 00:21:36,754 'cause I could stay awake listening to all this stuff. 292 00:21:37,922 --> 00:21:42,135 ♪ Yeah, something in the beat Something in the beat... ♪ 293 00:21:42,218 --> 00:21:45,388 [Carlos] The Fillmore was my first alma mater. 294 00:21:45,471 --> 00:21:48,016 I went there more than I went to Mission High School, 295 00:21:48,099 --> 00:21:52,103 and I learned there, like a university, different subjects. 296 00:21:52,186 --> 00:21:53,896 [band playing rock music] 297 00:21:53,980 --> 00:21:57,275 ♪ Oh! Yeah, yeah, yeah ♪ 298 00:22:07,702 --> 00:22:10,538 [Carlos] It was the last day of school, and my friends are like: 299 00:22:10,621 --> 00:22:12,790 "Hey, man, you know, what are you gonna do, Carlos?" 300 00:22:12,874 --> 00:22:14,417 I said, "What are you gonna do?" 301 00:22:14,500 --> 00:22:16,461 They said, "I'm gonna join the Marines." 302 00:22:16,544 --> 00:22:17,920 "And what are you gonna do?" 303 00:22:18,004 --> 00:22:20,256 "I'm gonna work with my dad at the warehouse." 304 00:22:20,339 --> 00:22:22,675 "What are you gonna do? Carlos, what are you gonna do?" 305 00:22:22,759 --> 00:22:23,760 I said: 306 00:22:25,344 --> 00:22:28,890 "I'm gonna go on-stage and play with B.B. King and Eric Clapton," 307 00:22:28,973 --> 00:22:30,808 and they started laughing. 308 00:22:38,900 --> 00:22:41,319 I didn't want to abandon my mom and dad 309 00:22:42,111 --> 00:22:44,572 because I know that, financially, they needed my money. 310 00:22:46,824 --> 00:22:50,244 But I said, "Well, they have to find another kind of way or something, man." 311 00:22:54,165 --> 00:22:55,792 I just made a commitment. 312 00:22:57,126 --> 00:22:59,754 You've got to be a full-time musician. 313 00:23:00,421 --> 00:23:03,174 In order to do that, you have to abandon home 314 00:23:03,257 --> 00:23:06,094 and don't ask permission, 'cause you're not gonna get it. 315 00:23:10,932 --> 00:23:13,768 Something has to stimulate your imagination, 316 00:23:13,851 --> 00:23:16,521 your determination, and your conviction. 317 00:23:18,898 --> 00:23:22,110 Your reality is too limited. 318 00:23:22,193 --> 00:23:23,903 I don't wanna have a reality. 319 00:23:23,986 --> 00:23:25,947 I'd rather have daydreaming. 320 00:23:26,030 --> 00:23:28,783 [playing blues music] 321 00:23:28,866 --> 00:23:30,618 Perpetual daydreaming. 322 00:23:38,376 --> 00:23:40,002 [Bill] I was in the office in the evening, 323 00:23:40,086 --> 00:23:43,756 and there a noise that I heard on the wall by the windows. 324 00:23:43,840 --> 00:23:45,758 I went to the windows, and there were two men 325 00:23:45,842 --> 00:23:48,761 climbing up the side of the building on the drainpipe. 326 00:23:48,845 --> 00:23:49,846 [man] How old? 327 00:23:49,929 --> 00:23:51,931 [Bill] Oh, they were in their early-- 328 00:23:52,014 --> 00:23:55,143 Late teens or early 20s, 19, 20, I guess, at the time. 329 00:23:55,935 --> 00:23:58,855 I don't think I asked them to come in. I think I just dragged them in. 330 00:23:58,938 --> 00:24:00,398 [man] They were trying to sneak in... 331 00:24:00,481 --> 00:24:02,984 Yeah, and, you know, of course, the standard question: 332 00:24:03,067 --> 00:24:06,487 "What are you doing coming in?" Which is a silly question, of course. 333 00:24:06,571 --> 00:24:11,742 And said, "Hey, man, you know, we have no bread, and we're--" 334 00:24:11,826 --> 00:24:13,953 One guy said, "I'm a Butterfield fan," 335 00:24:14,036 --> 00:24:16,330 and Cream is playing, with Eric Clapton, of course, 336 00:24:16,414 --> 00:24:18,207 and he had a harmonica in his pocket. 337 00:24:18,291 --> 00:24:21,961 He said, "I play harmonica and guitar, and we don't have any money." 338 00:24:23,004 --> 00:24:26,048 There was something very gentle. 339 00:24:26,591 --> 00:24:29,427 You wouldn't think that even if he had the money, he would climb in. 340 00:24:29,510 --> 00:24:32,096 Some guys, you would say, "If they had $1000 in their pocket, 341 00:24:32,180 --> 00:24:34,640 they'd still try to sneak in, for the game of sneaking in." 342 00:24:34,724 --> 00:24:37,059 -[man] Carlos was not that kind of guy. -Carlos was not, uh-- 343 00:24:37,143 --> 00:24:39,395 He wasn't then. I don't think he ever will be. 344 00:24:41,522 --> 00:24:43,900 [Carlos] Michael Bloomfield's guitar was over there. 345 00:24:43,983 --> 00:24:45,026 He was playing keyboards. 346 00:24:45,902 --> 00:24:50,573 Stanley says, "Excuse me. There's a Mexican, skinny dude over there. 347 00:24:50,656 --> 00:24:53,159 He plays the guitar really good. You let him play?" 348 00:24:53,743 --> 00:24:56,996 So he looked at me, and he goes, "Yeah, man. Come on. Come on up, man. 349 00:24:57,079 --> 00:25:00,541 Go ahead, come on up. Here's my guitar, grab it," you know? 350 00:25:00,625 --> 00:25:02,001 And I jumped on it. 351 00:25:03,252 --> 00:25:06,839 And when I finish, Bill Graham came to me, and he says: 352 00:25:07,965 --> 00:25:11,052 "That's pretty good, kid. You got a band?" You know? 353 00:25:11,135 --> 00:25:14,347 "Yeah." He says, "What's the name?" I go, "We don't have a name." 354 00:25:14,430 --> 00:25:18,476 He goes, "Okay, so I'm gonna book you with your band, 355 00:25:18,559 --> 00:25:20,645 and you're gonna open up for The Who. 356 00:25:21,187 --> 00:25:25,608 And you're gonna open up for Steve Miller and Howlin' Wolf." 357 00:25:25,691 --> 00:25:29,445 And I'm like, "Dang, okay." 358 00:25:29,528 --> 00:25:31,906 [band playing "Se a Cabo"] 359 00:25:41,749 --> 00:25:46,921 Bill Graham was between the real, bona fide god-bucket hippies 360 00:25:47,004 --> 00:25:48,339 and Dick Clark. 361 00:25:48,422 --> 00:25:51,842 That's who Bill Graham was like. A curator. 362 00:25:51,926 --> 00:25:55,304 Somebody who takes a painting from the street that's badass, 363 00:25:55,388 --> 00:25:58,683 and now you put it at the Louvre, you put it in the Museum of Fine Art. 364 00:26:01,686 --> 00:26:06,148 Every time a band would cancel at the Fillmore West, he would call us. 365 00:26:07,024 --> 00:26:12,280 Santana was the first and only band at the Fillmore to headline the Fillmore 366 00:26:12,363 --> 00:26:15,032 without having a record or a record contract. 367 00:26:21,622 --> 00:26:24,208 It was in the Sunday newspaper, in the pink section, 368 00:26:24,292 --> 00:26:26,085 which is, like, bands to come. 369 00:26:26,168 --> 00:26:29,714 There was 20 bands from San Francisco, and we were on top. 370 00:26:29,797 --> 00:26:35,052 They said, "This is the band that is destined to go really far." 371 00:26:41,475 --> 00:26:44,979 -[man] Who do you like? -Santana Blues Band. I just dug them. 372 00:26:46,897 --> 00:26:49,317 It was Bill Graham who saw it. 373 00:26:50,484 --> 00:26:52,945 You talk about the grand design, the big picture. 374 00:26:53,029 --> 00:26:56,240 He always told me he liked the band, but he wanted me. 375 00:26:57,491 --> 00:26:58,868 He's the one that says: 376 00:26:58,951 --> 00:27:02,496 "You're a perfect child of B.B. King and Tito Puente, 377 00:27:02,580 --> 00:27:03,998 and that's the music I love." 378 00:27:06,834 --> 00:27:08,919 "Santana is my child." 379 00:27:09,628 --> 00:27:11,339 And he adopted us like that. 380 00:27:12,757 --> 00:27:17,928 Irma comes home one day, she goes, "Mom, Mom, I just saw this bus, 381 00:27:18,012 --> 00:27:22,892 and it said Santana Blues," or something like that, or maybe on a... 382 00:27:23,851 --> 00:27:26,270 We went, "Oh, my God, where is he? I wonder where he's at." 383 00:27:26,354 --> 00:27:29,815 So that's how, little by little, we started to hear about him. 384 00:27:30,816 --> 00:27:34,070 Every time we'd go to the Fillmore West to see him play, 385 00:27:34,153 --> 00:27:36,614 first we would only have to line up for a block, 386 00:27:36,697 --> 00:27:40,618 then we had to line three blocks, then we'd have to go all the way around. 387 00:27:40,701 --> 00:27:43,954 And we're going, "What? We're standing in line to see him play." 388 00:27:49,794 --> 00:27:52,546 [Carlos] Somehow my mom and dad went to the Fillmore, 389 00:27:52,630 --> 00:27:54,256 which was unthinkable. 390 00:27:54,965 --> 00:27:59,136 We're in between Chicago and Janis Joplin and Big Brother & the Holding Company. 391 00:28:00,137 --> 00:28:04,058 My dad has his tie, shirt, sport coat, his hat. 392 00:28:04,558 --> 00:28:07,645 And my mom's in nylons, whatever, at the Fillmore. 393 00:28:08,562 --> 00:28:11,190 So I go, "There's no seats, Mom. We have to sit on the floor." 394 00:28:11,273 --> 00:28:13,150 We sat on the floor. We were waiting. 395 00:28:13,776 --> 00:28:15,736 In front of us, there were these hippie guys, 396 00:28:15,820 --> 00:28:18,114 and they were passing a joint. 397 00:28:18,906 --> 00:28:22,076 And my mom and Dad then smoked, and my mom says: 398 00:28:22,827 --> 00:28:23,828 [speaks in Spanish] 399 00:28:23,911 --> 00:28:25,788 [in English] "Look. They can't afford cigarettes. 400 00:28:25,871 --> 00:28:27,706 They're passing one little cigarette." 401 00:28:27,790 --> 00:28:29,041 [all laughing] 402 00:28:29,125 --> 00:28:33,379 So Dad opens his box and he's offering everybody cigarettes. 403 00:28:35,381 --> 00:28:38,509 "No, Mama, it's marijuana," and they go, "Oh, okay." 404 00:28:38,592 --> 00:28:40,928 -[song ends] -[crowd cheering and applauding] 405 00:28:41,011 --> 00:28:42,012 Thank you. 406 00:28:42,096 --> 00:28:45,099 [playing "In a Silent Way"] 407 00:28:56,277 --> 00:28:59,780 [Maria] Remember when the man landed in the moon, July 20th? 408 00:29:00,281 --> 00:29:01,866 There was this big thing on TV, 409 00:29:01,949 --> 00:29:04,034 and I looked at Mom, and my mom started crying. 410 00:29:04,118 --> 00:29:07,246 And I'm going, "Mom, crying about the man landing in the moon?" 411 00:29:08,205 --> 00:29:11,625 She goes, "No, I'm crying 'cause it's Carlos's birthday today." 412 00:29:12,251 --> 00:29:13,878 "Oh, okay." 413 00:29:13,961 --> 00:29:18,924 So as a mom, you know, you focus on your kids, 414 00:29:19,008 --> 00:29:22,094 and we're going like, "Wow, this is the moon thing." 415 00:29:22,178 --> 00:29:26,140 But we were so used to him being in his own world 416 00:29:26,223 --> 00:29:30,853 that we were kind of used to, like, used to having Dad always working. 417 00:29:31,479 --> 00:29:37,651 But we never really thought about Mom as far as missing her son, right? 418 00:29:39,737 --> 00:29:41,155 [Carlos] I know my mom was suffering 419 00:29:41,238 --> 00:29:44,992 'cause she didn't know where I was and who I was with or what I was doing. 420 00:29:46,368 --> 00:29:47,536 But I had to. 421 00:29:47,620 --> 00:29:50,623 I had to give birth to Santana and do my own thing 422 00:29:50,706 --> 00:29:54,793 and just go out in the streets and go get it, you know. 423 00:29:58,047 --> 00:30:01,050 ["I Need Love" playing over speakers] 424 00:30:19,276 --> 00:30:21,278 [playing smooth melody] 425 00:30:24,323 --> 00:30:26,075 [woman] I'm gonna introduce a gentleman now 426 00:30:26,158 --> 00:30:28,327 who is very significant in the record business. 427 00:30:28,911 --> 00:30:29,954 With Columbia Records, 428 00:30:30,037 --> 00:30:33,374 he played a great part in the popularity of Janis Joplin, 429 00:30:33,457 --> 00:30:34,792 Blood, Sweat & Tears. 430 00:30:35,292 --> 00:30:36,961 Mr. Clive Davis. 431 00:30:38,003 --> 00:30:40,339 [Clive] Basic quality you look for is originality. 432 00:30:41,257 --> 00:30:43,217 People who are setting new trends 433 00:30:43,300 --> 00:30:47,179 and perhaps taking society, uh, step-by-step further, 434 00:30:47,263 --> 00:30:50,349 because music has certainly played a major role 435 00:30:50,432 --> 00:30:53,936 in the evolution of thought in the last 20 years. 436 00:30:56,438 --> 00:30:58,107 [man] I heard that in 1969, 437 00:30:58,190 --> 00:31:01,569 you blew an audition for Atlantic Records on purpose. 438 00:31:01,652 --> 00:31:02,486 [Carlos] Right. 439 00:31:02,570 --> 00:31:05,072 [man] Because you wanted to work for Columbia. 440 00:31:05,155 --> 00:31:06,073 [Carlos] With Columbia. 441 00:31:06,156 --> 00:31:09,577 [man] With Columbia, home of Miles Davis and Bob Dylan. Is that true? 442 00:31:09,660 --> 00:31:11,120 That's absolutely true. 443 00:31:11,203 --> 00:31:14,582 [man] Weren't you nervous about purposely blowing an audition? 444 00:31:14,665 --> 00:31:17,918 No, see, because like Nirvana or Metallica, 445 00:31:18,002 --> 00:31:20,796 when you have confidence in what you're doing, 446 00:31:20,879 --> 00:31:22,047 they will come to you. 447 00:31:25,801 --> 00:31:28,721 [Clive] The freshness of it, the heat of it, 448 00:31:28,804 --> 00:31:33,017 and I just said on the spot, "This is for me, for Columbia." 449 00:31:33,100 --> 00:31:35,436 And so I signed Santana. 450 00:31:41,900 --> 00:31:44,737 [Carlos] We got a call that Bill Graham wanted to see us, 451 00:31:44,820 --> 00:31:47,531 and he says, "There's gonna be this festival. 452 00:31:47,615 --> 00:31:50,034 It's gonna be the festival of festivals." 453 00:31:51,619 --> 00:31:54,955 We didn't have an album out yet. We just finished recording it. 454 00:31:56,874 --> 00:31:59,710 And he says, "I told them I would only help them 455 00:31:59,793 --> 00:32:01,754 if they put you in this festival. 456 00:32:03,380 --> 00:32:06,675 I arranged it so you have this festival in Phoenix, 457 00:32:07,259 --> 00:32:11,639 and then you have this festival in Dallas, and then in Atlantic City. 458 00:32:11,722 --> 00:32:15,517 You're gonna go from 2000, to 5000, 459 00:32:15,601 --> 00:32:19,730 to 15,000, to 30,000, to 60,000, to 90,000, 460 00:32:19,813 --> 00:32:21,273 then there's gonna be Woodstock. 461 00:32:22,858 --> 00:32:25,819 So you get used to a big crowd." 462 00:32:25,903 --> 00:32:29,114 So he actually trained us like a boxer. 463 00:32:30,532 --> 00:32:33,410 And he says, "I want you to know that after this festival, 464 00:32:33,494 --> 00:32:35,704 you're never gonna be the same person. 465 00:32:36,747 --> 00:32:39,708 Go home right now, look in the mirror, and this is one person, 466 00:32:39,792 --> 00:32:42,670 but after Woodstock, this person will be no more." 467 00:32:45,839 --> 00:32:47,841 [helicopter whirring] 468 00:32:49,385 --> 00:32:51,345 [Carlos] It started off being in the helicopter. 469 00:32:58,936 --> 00:33:01,480 Looking out and... [mimics helicopter whirring] You know? 470 00:33:01,563 --> 00:33:04,650 And I walked out, and I see Bill over there, 471 00:33:04,733 --> 00:33:07,277 and then I see Jerry Garcia. 472 00:33:07,361 --> 00:33:09,571 And I was like, "Oh, that's comforting." You know? 473 00:33:09,655 --> 00:33:11,573 Like, "Here's Jerry Garcia. Great." You know? 474 00:33:12,074 --> 00:33:14,076 "Hey, how you doing?" "Hey, how you doing?" 475 00:33:14,159 --> 00:33:16,078 "What time you guys gonna play?" 476 00:33:16,161 --> 00:33:19,998 Uh, he says, "We're gonna go on, like, two bands after you guys." 477 00:33:20,082 --> 00:33:23,293 He says, "Well, you better get comfortable." 478 00:33:23,377 --> 00:33:26,672 They said we're not going on till around 12:00 at night. 479 00:33:26,755 --> 00:33:28,340 So, you know, just get comfortable." 480 00:33:28,424 --> 00:33:32,511 And so I'm watching all this ocean-- Multitude of flesh. 481 00:33:32,594 --> 00:33:34,596 [cheering] 482 00:33:37,057 --> 00:33:39,643 And Jerry Garcia says, "And by the way..." 483 00:33:40,894 --> 00:33:41,895 Doop. 484 00:33:41,979 --> 00:33:43,313 And I was like, "Oh." 485 00:33:44,189 --> 00:33:47,985 I said, "Two, 3:00 in the morning. It's like... 486 00:33:49,820 --> 00:33:51,488 Twelve o'clock in the afternoon. 487 00:33:51,572 --> 00:33:55,409 Oh, yeah, I'm gonna have six, seven-- Seven, eight times, like-- 488 00:33:55,492 --> 00:34:00,998 Like, a little room, you know, to go through what I need to go through, 489 00:34:01,081 --> 00:34:04,334 and then when I'm landing, I'm gonna be perfect to play." 490 00:34:05,627 --> 00:34:07,755 Once you get past the amoeba state. 491 00:34:10,591 --> 00:34:15,179 So I took it, and the next thing I know, I hear somebody says... 492 00:34:15,262 --> 00:34:17,598 [man on PA] Would you welcome, please, Santana. 493 00:34:17,681 --> 00:34:19,808 [crowd cheering] 494 00:34:19,892 --> 00:34:21,059 And I'm like... 495 00:34:22,978 --> 00:34:23,896 "Oh... 496 00:34:25,981 --> 00:34:27,065 What?" 497 00:34:27,149 --> 00:34:29,151 [crowd cheering] 498 00:34:32,654 --> 00:34:37,618 Something just hit me in my chest, like, "Mijo, trust." 499 00:34:37,701 --> 00:34:39,703 [heart beating] 500 00:34:42,039 --> 00:34:48,921 "God, I know you're here. Please keep me in time and in tune." 501 00:34:49,004 --> 00:34:51,006 [crowd cheering and applauding] 502 00:35:00,057 --> 00:35:03,477 -[band playing "Soul Sacrifice"] -[man] Just keep that going! 503 00:35:04,311 --> 00:35:08,565 [Carlos] Everything became another dimension. 504 00:35:53,986 --> 00:35:58,699 I noticed that the neck of my guitar was like an electric snake. 505 00:35:58,782 --> 00:36:00,284 It wouldn't stand still. 506 00:36:01,618 --> 00:36:04,371 So I'm making some seriously ugly faces... 507 00:36:06,081 --> 00:36:09,334 to try to keep it from slithering so much. 508 00:36:14,798 --> 00:36:17,384 I'd constantly have to say, "No, no." 509 00:36:17,885 --> 00:36:20,721 The neck and the guitar kept going like this, you know, 510 00:36:20,804 --> 00:36:22,472 and I'm like, "No." 511 00:36:22,556 --> 00:36:24,683 [grunting] 512 00:36:34,026 --> 00:36:36,612 I never told anybody why the snake. 513 00:36:37,154 --> 00:36:43,160 Snake represents doubt and fear that I could fail in front of-- 514 00:36:43,243 --> 00:36:46,163 You know, basically lay an egg in front of everybody. 515 00:37:28,080 --> 00:37:29,081 [song ends] 516 00:37:29,164 --> 00:37:31,959 [man on PA] Ladies and gentlemen, Santana! 517 00:37:32,042 --> 00:37:34,044 [crowd cheering and applauding] 518 00:37:39,091 --> 00:37:40,342 [Carlos] Then I hear that... 519 00:37:41,843 --> 00:37:45,806 Like an echo, echo, echo... 520 00:37:46,556 --> 00:37:49,726 of that eternal moment in time. 521 00:37:59,277 --> 00:38:04,908 A week after we play at Woodstock, then our album came out, the first album. 522 00:38:04,992 --> 00:38:07,995 ["Persuasion" playing] 523 00:38:14,001 --> 00:38:16,795 ♪ You got persuasion ♪ 524 00:38:17,421 --> 00:38:19,881 ♪ I can't help myself... ♪ 525 00:38:19,965 --> 00:38:22,217 Out from San Francisco, 526 00:38:22,300 --> 00:38:25,929 the rock group whose album is zooming to the top of the record charts, 527 00:38:26,013 --> 00:38:28,140 -Santana! -[audience applauding] 528 00:38:28,223 --> 00:38:33,186 ♪ Something about you, baby Keeps me from goin' to somebody else ♪ 529 00:38:33,270 --> 00:38:35,605 [Maria] Oh, my God, October 26th, yes. 530 00:38:35,689 --> 00:38:36,648 [all laughing] 531 00:38:36,732 --> 00:38:38,191 The Ed Sullivan Show, we were-- 532 00:38:38,817 --> 00:38:40,360 We just sat there forever. 533 00:38:41,486 --> 00:38:43,405 I said, "Ma, remember when he was a kid, 534 00:38:43,488 --> 00:38:45,282 he used to go, 'I'm gonna be in that show,' 535 00:38:45,365 --> 00:38:46,742 and we'd go, 'Okay'?" 536 00:38:49,244 --> 00:38:51,538 He was like a laser when he wanted something. 537 00:38:52,039 --> 00:38:53,373 Kind of like Mom. 538 00:38:53,457 --> 00:38:57,627 You just laser yourself to, "This is what I want," and he got it. 539 00:38:58,420 --> 00:39:00,797 -[song ends] -[audience cheering and applauding] 540 00:39:01,715 --> 00:39:04,342 [woman] Carlos Santana, how did you start your group, 541 00:39:04,426 --> 00:39:06,928 and how did you came to music? 542 00:39:12,392 --> 00:39:13,810 [man] You have to answer it, man. 543 00:39:14,644 --> 00:39:16,646 [audience cheering and applauding] 544 00:39:16,730 --> 00:39:19,733 [playing "Jingo"] 545 00:39:23,403 --> 00:39:27,282 [Carlos] As soon as music gets in the air, you see the people changing. 546 00:39:27,365 --> 00:39:31,578 The moods, the way they talk, the whole environment. 547 00:39:36,666 --> 00:39:37,876 It comes more naturally. 548 00:39:37,959 --> 00:39:42,839 People are more themselves than what they are programmed to be. 549 00:39:47,761 --> 00:39:50,430 [woman] And do you feel you are leading a rock group? 550 00:39:50,514 --> 00:39:53,850 No, I'm not leading anything. 551 00:40:31,012 --> 00:40:34,224 To tell you the truth, it was like being in a fast roller coaster. 552 00:40:34,307 --> 00:40:36,184 We were so enthused with the ride 553 00:40:36,268 --> 00:40:40,814 that we really didn't get a chance to see that we attained our so-called goal. 554 00:40:41,857 --> 00:40:43,942 Because that wasn't our goal, I guess. 555 00:40:44,025 --> 00:40:46,820 You know, our goal was just to keep playing, 556 00:40:47,571 --> 00:40:50,615 opening up for people like Janis Joplin and Chicago 557 00:40:50,699 --> 00:40:53,034 and all kinds of people, just opening up for them 558 00:40:53,869 --> 00:40:56,705 and knowing very well that we held our own, 559 00:40:56,788 --> 00:40:58,957 that people were just as enthused about us. 560 00:41:06,131 --> 00:41:10,010 ♪ Jingo Jingo-ba ♪ 561 00:41:13,930 --> 00:41:18,226 ♪ Jingo Jingo-ba ♪ 562 00:41:19,728 --> 00:41:23,857 [Carlos] I didn't know what "jingo" meant until about maybe seven years ago, 563 00:41:23,940 --> 00:41:26,818 and I've been doing it since '67, '66. 564 00:41:27,444 --> 00:41:28,820 Jingo means "go with God." 565 00:41:30,572 --> 00:41:32,949 ♪ Go with, go with God ♪ 566 00:41:33,533 --> 00:41:35,827 Another form of saying "Godspeed." 567 00:41:52,052 --> 00:41:55,055 -[song ends] -[crowd cheering and applauding] 568 00:42:00,936 --> 00:42:03,313 [Carlos] When I got my first royalty 569 00:42:04,022 --> 00:42:06,358 from the first album and then Abraxas, 570 00:42:06,441 --> 00:42:10,987 and I brought the check, I said, "Mom, here's the check. 571 00:42:11,071 --> 00:42:14,991 Go get your house, your refrigerator, your dishwasher." 572 00:42:15,075 --> 00:42:18,662 And she looked at it and her eyes got really big. 573 00:42:18,745 --> 00:42:22,165 And my sisters were like, "Oh, my God, Carlos," you know... 574 00:42:22,749 --> 00:42:26,920 I mean, it's better than Grammys and Oscars and Heisman Trophy. 575 00:42:27,003 --> 00:42:28,838 It feels better than anything. 576 00:42:28,922 --> 00:42:32,050 When you can actually fulfill your promise 577 00:42:32,550 --> 00:42:36,471 to give your mother, you know, what you promised... 578 00:42:36,554 --> 00:42:37,681 Ah! 579 00:42:38,515 --> 00:42:39,641 Nothing better. 580 00:42:40,642 --> 00:42:44,688 [Whoopi] Santana was really, for rock 'n' roll, I think, 581 00:42:44,771 --> 00:42:51,736 the first Latin sort of feel that anybody was able to get. 582 00:42:51,820 --> 00:42:54,447 Before me, it was Ray Barretto and Mongo Santamaría 583 00:42:54,531 --> 00:42:57,075 and the Temptations, which, Motown, they had congas. 584 00:42:57,158 --> 00:42:57,993 [Whoopi] Right. 585 00:42:58,076 --> 00:43:01,663 But the way we married the blues and the percussion, 586 00:43:01,746 --> 00:43:04,416 they can have a good time trying to label you. 587 00:43:04,499 --> 00:43:07,210 -[Whoopi] Right. [laughs] -They call it psychedelic mariachi rock. 588 00:43:07,294 --> 00:43:11,298 I say, "You gotta try deeper than that, 'cause that's not what it is." 589 00:43:11,381 --> 00:43:14,718 -["Evil Ways" playing] -[crowds cheering and applauding] 590 00:43:29,816 --> 00:43:31,776 ♪ You've got to change your evil ways ♪ 591 00:43:31,860 --> 00:43:33,403 -♪ Whoa! ♪ -♪ Baby ♪ 592 00:43:34,904 --> 00:43:39,826 ♪ Before I stop lovin' you You've got to change, baby... ♪ 593 00:43:39,909 --> 00:43:45,248 [Carlos] From '69 to '71, that chunk right there, 594 00:43:45,332 --> 00:43:47,042 there became, like, a real... 595 00:43:49,419 --> 00:43:50,754 tension. 596 00:43:50,837 --> 00:43:54,382 ♪ This can't go on ♪ 597 00:44:00,430 --> 00:44:03,850 [Carlos] Nobody is equipped to handle name and fame 598 00:44:03,933 --> 00:44:07,479 at that volume that fast. 599 00:44:22,160 --> 00:44:25,288 We're not rehearsing as much as I wanted to rehearse. 600 00:44:26,122 --> 00:44:28,917 They're more interested in being with the drugs 601 00:44:29,000 --> 00:44:30,960 and the chicks and the expensive cars. 602 00:44:33,630 --> 00:44:35,173 I started feeling... 603 00:44:35,924 --> 00:44:37,842 I was jealous 604 00:44:37,926 --> 00:44:40,178 that people were investing their energy 605 00:44:40,261 --> 00:44:42,889 into something else other than the music that we were. 606 00:44:42,972 --> 00:44:44,974 [song fades] 607 00:44:51,189 --> 00:44:53,983 We did 312 concerts in one year. 608 00:44:55,318 --> 00:44:56,569 We hated each other. 609 00:44:56,653 --> 00:44:59,322 We couldn't stand each other. We were tired of each other. 610 00:44:59,406 --> 00:45:00,782 We were tired of our clothes. 611 00:45:00,865 --> 00:45:03,993 We're tired of the way we comb our hair. We were just tired of each other. 612 00:45:04,994 --> 00:45:07,288 It taught me about touring. It taught me about playing. 613 00:45:07,372 --> 00:45:09,165 It taught me about overindulgence. 614 00:45:09,249 --> 00:45:12,252 ["Golden Dawn" playing] 615 00:45:14,504 --> 00:45:17,715 I don't know. For some reason, people who were hanging around us, 616 00:45:17,799 --> 00:45:19,134 it wasn't artists anymore. 617 00:45:19,217 --> 00:45:21,970 It was just bozos, man, you know, 618 00:45:22,053 --> 00:45:24,305 people who take too many drugs. 619 00:45:24,389 --> 00:45:26,766 And so, you know, at that time, 620 00:45:26,850 --> 00:45:29,018 we became part of all that, 621 00:45:29,102 --> 00:45:33,648 where music takes the back seat to all the other crazy stuff. 622 00:45:39,237 --> 00:45:42,532 Some of us were able to ward it off, 623 00:45:42,615 --> 00:45:44,159 and some of us didn't. 624 00:45:44,242 --> 00:45:46,453 And so eventually, within two or three years... 625 00:45:47,412 --> 00:45:48,538 the band was... 626 00:45:50,123 --> 00:45:51,124 done. 627 00:45:55,545 --> 00:45:56,754 We got wiped out. 628 00:46:08,808 --> 00:46:11,519 When Jimi left, we were in Salt Lake City. 629 00:46:13,396 --> 00:46:16,357 I swear to you, I could hear people flushing their toilets 630 00:46:16,441 --> 00:46:20,153 with, you know, the cocaine or heroin or whatever. 631 00:46:23,448 --> 00:46:26,409 "This didn't work for him, and it's not gonna work for me, so..." 632 00:46:26,493 --> 00:46:29,662 [mimics toilets flushing] 633 00:46:32,624 --> 00:46:34,834 Jimi Hendrix died. Jim Morrison died. 634 00:46:34,918 --> 00:46:38,129 Janis Joplin's dying. All kinds of musicians are dying. 635 00:46:38,755 --> 00:46:41,925 And for me, it was really two roads. 636 00:46:42,008 --> 00:46:43,510 One was heroin... 637 00:46:44,928 --> 00:46:47,555 and the other one was a spiritual meditation. 638 00:46:53,102 --> 00:46:54,646 Just remember her eyes. 639 00:46:56,147 --> 00:46:57,815 Her eyes were just... 640 00:46:57,899 --> 00:47:02,278 You know, I looked at her, and it was just like I felt any-- 641 00:47:02,362 --> 00:47:04,948 It's an inner thing. You can't describe it. 642 00:47:08,201 --> 00:47:09,702 [Deborah] What I was attracted to 643 00:47:09,786 --> 00:47:11,788 was something that was coming from his heart, 644 00:47:11,871 --> 00:47:14,749 or something that was emanating from his being. 645 00:47:16,334 --> 00:47:21,381 [Carlos] Sacred is not Jerusalem or the Vatican or Stonehenge. 646 00:47:22,215 --> 00:47:24,926 Sacredness to us means family. 647 00:47:29,681 --> 00:47:31,683 [amplifiers humming] 648 00:47:48,866 --> 00:47:51,869 [organ playing solemn melody] 649 00:47:52,620 --> 00:47:53,621 [speaks in Spanish] 650 00:48:02,839 --> 00:48:06,259 [Carlos] The distance musically between the third album 651 00:48:06,342 --> 00:48:09,053 and Caravanserai is pretty vast, you know. 652 00:48:10,013 --> 00:48:13,975 And Clive Davis is happy when he has a single. 653 00:48:17,645 --> 00:48:21,190 Caravanserai didn't have a single within a million miles. 654 00:48:22,400 --> 00:48:25,737 And he told me so, you know. "Carlos, I think you're making a mistake." 655 00:48:28,114 --> 00:48:31,784 And I remember distinctively, I lit up a candle, 656 00:48:31,868 --> 00:48:33,328 and I wouldn't even look at Clive. 657 00:48:33,411 --> 00:48:35,246 I just kept looking at the candle. 658 00:48:36,539 --> 00:48:38,625 And I says, "Clive, everything that you're saying 659 00:48:38,708 --> 00:48:39,834 is absolutely true. 660 00:48:40,877 --> 00:48:44,172 However, this is the path that I'm in right now, 661 00:48:44,255 --> 00:48:46,090 and I have to see it through." 662 00:48:46,174 --> 00:48:49,177 [playing "Every Step of the Way"] 663 00:49:17,372 --> 00:49:20,708 I wanted to do more than just, like, crank up "Evil Ways" 664 00:49:20,792 --> 00:49:23,211 and "Black Magic Woman," you know. 665 00:49:23,294 --> 00:49:27,674 So I wanted to see if we can fuse rock 'n' roll and jazz, 666 00:49:27,757 --> 00:49:29,342 and I think it became frustrating 667 00:49:29,425 --> 00:49:31,928 to maybe some of the musicians in the band, 668 00:49:32,011 --> 00:49:36,641 because they wanted to retain the soul direction of Santana, 669 00:49:36,724 --> 00:49:39,686 and I don't think I did as much. 670 00:49:51,072 --> 00:49:54,951 And I said, "I'm gonna cut my hair and dress all in white 671 00:49:55,034 --> 00:49:57,537 and go this other kind of way." 672 00:50:00,289 --> 00:50:02,750 And so I embraced a spiritual path 673 00:50:02,834 --> 00:50:08,715 and a spiritual teacher named Sri Chinmoy from '72 to '82. 674 00:50:11,259 --> 00:50:14,095 Me and Deborah, we went in it. 675 00:50:15,138 --> 00:50:16,431 It's not lip service. 676 00:50:16,514 --> 00:50:19,183 We're actually living it 24 hours a day. 677 00:50:19,892 --> 00:50:23,730 At that time, we used to call it the fragrance of the soul. 678 00:50:24,647 --> 00:50:27,650 [playing poignant melody] 679 00:50:37,535 --> 00:50:40,705 [Sri Chimoy] For my disciples, feel the necessity... 680 00:50:41,581 --> 00:50:45,918 of the living God inside them. 681 00:50:46,753 --> 00:50:51,966 They become living Gods themselves. 682 00:50:55,928 --> 00:51:00,099 [Carlos] Just basically no meat, no alcohol, no weed, no-- 683 00:51:00,183 --> 00:51:03,478 It's just, like, a Leave It to Beaver kind of existence, 684 00:51:03,561 --> 00:51:06,189 being just, like, straight, square life. 685 00:51:10,193 --> 00:51:11,486 [Maria] My mom always said: 686 00:51:11,569 --> 00:51:14,113 "He challenges me on my faith sometimes. 687 00:51:15,782 --> 00:51:19,535 And he makes me think about the way I think." 688 00:51:19,619 --> 00:51:21,454 Those 11 years he was with the guru, 689 00:51:21,537 --> 00:51:24,665 it was unbelievable, unbelievable. 690 00:51:25,917 --> 00:51:28,127 Once you've been a Catholic all your life, 691 00:51:28,211 --> 00:51:31,047 and then your son's seeking another religion... 692 00:51:31,881 --> 00:51:34,425 you know, it's like, it's not comfortable for her, 693 00:51:34,509 --> 00:51:37,094 'cause she used to go, "Oh, he visits all these religions." 694 00:51:38,346 --> 00:51:41,599 But it wasn't a religion. It was a spirituality that he was going-- 695 00:51:41,682 --> 00:51:42,809 -[Carlos] Thank you. -Right? 696 00:51:42,892 --> 00:51:44,060 [Cindy] Yes. 697 00:51:48,231 --> 00:51:50,483 [crowd cheering] 698 00:51:50,566 --> 00:51:53,569 [playing "Europa"] 699 00:52:03,663 --> 00:52:07,083 [Carlos] People were like, "Cosmic Carlos was taking too much acid 700 00:52:07,166 --> 00:52:10,878 or too much LSD and mescaline, ayahuasca, and peyote," 701 00:52:10,962 --> 00:52:13,631 and I'm like, "Yeah, and you have taken none. 702 00:52:13,714 --> 00:52:14,924 And I can tell." 703 00:52:23,683 --> 00:52:26,269 [man] Not so far out. You're in the center of it. 704 00:52:26,352 --> 00:52:28,855 [Carlos] I'm more far in than far out, you know. 705 00:52:28,938 --> 00:52:30,314 I think far out, 706 00:52:30,398 --> 00:52:33,609 it was the term for almost when something's disconnected. 707 00:52:34,151 --> 00:52:36,946 Far in is when you're in the center of it. 708 00:52:44,662 --> 00:52:47,039 At this point, most people, they either tell me 709 00:52:47,123 --> 00:52:48,833 that I'm crazy or that I'm crazy. 710 00:52:51,127 --> 00:52:53,504 "Oh, you can't do that because you're a Mexican. 711 00:52:53,588 --> 00:52:54,839 Mexicans don't do that." 712 00:52:54,922 --> 00:52:57,425 They told me that for such a long time, and I was like: 713 00:52:57,508 --> 00:53:00,636 "Well, maybe I'm a multidimensional Mexican. 714 00:53:00,720 --> 00:53:05,349 I should be able to surf the cosmos of imagination." 715 00:53:27,872 --> 00:53:29,665 At the core, el hueso. 716 00:53:31,125 --> 00:53:32,501 Even beyond the hueso... 717 00:53:33,711 --> 00:53:37,131 is light, spirit, and soul. 718 00:53:40,676 --> 00:53:43,471 I strip myself every morning when I wake up. 719 00:53:43,554 --> 00:53:46,807 I take a shower, and I see it going down the drain. 720 00:53:47,642 --> 00:53:50,353 Guilt, shame, judgment, condemn, and remorse, 721 00:53:50,436 --> 00:53:55,274 accusation, you know, and all that shit goes down the drain. 722 00:53:55,358 --> 00:53:58,235 And I go, "That's not who I am." 723 00:53:59,195 --> 00:54:02,198 [guitar playing ethereal, pensive melody] 724 00:54:04,700 --> 00:54:06,535 Reality is just a perception. 725 00:54:10,665 --> 00:54:13,501 When you go outside of this planet, you see eternity. 726 00:54:13,584 --> 00:54:14,794 You don't see day and night, 727 00:54:14,877 --> 00:54:17,755 because day and night is built around the Earth going around. 728 00:54:21,717 --> 00:54:24,428 Once you go outside to a certain level of height... 729 00:54:25,846 --> 00:54:28,641 and you say, "What time is it?" You go, "Now." 730 00:54:30,267 --> 00:54:32,186 Because it don't matter anymore. 731 00:54:38,734 --> 00:54:39,902 ♪ Mañana ♪ 732 00:54:40,695 --> 00:54:41,737 ♪ Mañana ♪ 733 00:54:42,530 --> 00:54:44,949 ♪ Mañana is good enough for me ♪ 734 00:54:45,950 --> 00:54:48,202 ♪ The line is standing Around the stadium ♪ 735 00:54:48,285 --> 00:54:50,079 ♪ Twenty blocks long ♪ 736 00:54:50,162 --> 00:54:53,374 ♪ Waiting for Santana To play the guitar song ♪ 737 00:54:53,457 --> 00:54:55,584 ♪ But before we can get out the bus ♪ 738 00:54:55,668 --> 00:54:57,294 ♪ The lightning, she did flash ♪ 739 00:54:57,378 --> 00:55:01,382 ♪ Don't worry, we'll be back tomorrow And everything'll be nice ♪ 740 00:55:01,465 --> 00:55:04,010 ♪ Mañana, mañana ♪ 741 00:55:04,802 --> 00:55:07,304 ♪ Mañana is good enough for me ♪ 742 00:55:08,639 --> 00:55:11,600 ♪ Mañana, mañana ♪ 743 00:55:12,184 --> 00:55:15,146 ♪ Mañana is good enough for me ♪ 744 00:55:16,063 --> 00:55:19,358 ♪ So please don't be disappointed Because tomorrow the sun will shine ♪ 745 00:55:19,942 --> 00:55:21,402 ♪ The guitar will be playing ♪ 746 00:55:21,485 --> 00:55:23,237 ♪ And the band will sound real fine ♪ 747 00:55:23,320 --> 00:55:27,450 ♪ Santana is here to play So don't you go away ♪ 748 00:55:27,533 --> 00:55:28,993 ♪ We'll come back tomorrow ♪ 749 00:55:29,076 --> 00:55:31,037 ♪ Maybe you do not have to pay ♪ 750 00:55:31,120 --> 00:55:32,913 ♪ Mañana ♪ 751 00:55:32,997 --> 00:55:36,917 [Whoopi] Somebody told me there have been 35 different groupings 752 00:55:37,001 --> 00:55:38,961 of the group Santana. 753 00:55:39,045 --> 00:55:42,381 I didn't know that. How do you--? How does that happen? 754 00:55:43,174 --> 00:55:46,052 [playing "Black Magic Woman"] 755 00:55:49,096 --> 00:55:51,307 [Carlos] You have to have three things to be in my band... 756 00:55:52,349 --> 00:55:56,562 and that's stamina, stability and a great disposition. 757 00:55:57,730 --> 00:55:59,065 If you don't have one of those, 758 00:55:59,148 --> 00:56:01,275 you can't hang out because the road is mean. 759 00:56:05,279 --> 00:56:08,240 My style was not like the Rolling Stones or the Grateful Dead, 760 00:56:08,324 --> 00:56:10,409 where it's, like, a forever family. 761 00:56:10,493 --> 00:56:13,079 I wish it could have been, but it's not my destiny, 762 00:56:13,162 --> 00:56:14,538 so it didn't happen like that. 763 00:56:15,289 --> 00:56:17,917 ♪ Got a black magic woman ♪ 764 00:56:18,918 --> 00:56:21,295 ♪ Got a black magic woman ♪ 765 00:56:22,546 --> 00:56:25,591 ♪ I got a black magic woman ♪ 766 00:56:25,674 --> 00:56:30,471 ♪ Got me so blind I can't see ♪ 767 00:56:30,554 --> 00:56:32,431 ♪ That she's a black magic woman ♪ 768 00:56:32,515 --> 00:56:34,975 ♪ She's trying to make a devil out of me ♪ 769 00:56:43,984 --> 00:56:46,946 [Carlos] We only play for three weeks, three weeks and a half tops. 770 00:56:47,029 --> 00:56:49,782 We go home for a week, week and a half. 771 00:56:56,914 --> 00:56:58,958 A lot of bands go on the road for nine months, 772 00:56:59,041 --> 00:57:01,001 and, you know, they probably sold more albums 773 00:57:01,085 --> 00:57:02,711 and, you know, they have more success, 774 00:57:02,795 --> 00:57:05,297 but then they break up and they hate each other, you know. 775 00:57:05,381 --> 00:57:08,259 So I'm-- I like those people that I'm around with now, 776 00:57:08,926 --> 00:57:11,011 and I also like to pace myself. 777 00:57:12,763 --> 00:57:15,599 -[thunder rumbling] -[crowd cheering] 778 00:57:15,683 --> 00:57:17,768 [man on PA] Ladies and gentlemen, we know it's raining, 779 00:57:17,852 --> 00:57:19,270 but please remain seated. 780 00:57:19,353 --> 00:57:23,482 Santana will continue to play as long as it does not become hazardous. 781 00:57:23,566 --> 00:57:25,568 [band playing rock song] 782 00:57:29,822 --> 00:57:32,825 -[song ends] -[crowd cheering and applauding] 783 00:57:34,702 --> 00:57:37,705 [playing "Black Magic Woman"] 784 00:59:14,593 --> 00:59:17,012 [man on PA] Attention, due to the rain and lightning, 785 00:59:17,096 --> 00:59:19,348 it is dangerous for Santana to continue. 786 00:59:19,431 --> 00:59:21,558 Nothing else would have stopped them from playing. 787 00:59:21,642 --> 00:59:22,851 Thank you for your patience, 788 00:59:22,935 --> 00:59:25,479 and please be careful leaving the amphitheater. 789 00:59:25,562 --> 00:59:28,565 -[thunder rumbling] -[crowd cheering] 790 00:59:30,401 --> 00:59:33,404 [man] Santana lives in a home he recently bought in San Rafael. 791 00:59:33,487 --> 00:59:36,115 It overlooks the bay, and it is here where he meditates 792 00:59:36,198 --> 00:59:38,701 and develops the distinct characteristics of his music. 793 00:59:38,784 --> 00:59:41,787 [playing poignant melody] 794 00:59:50,921 --> 00:59:52,798 Santana is careful not to preach, 795 00:59:52,881 --> 00:59:54,466 but doesn't hold back when explaining 796 00:59:54,550 --> 00:59:56,719 what he and his wife Debbie want for their children, 797 00:59:56,802 --> 00:59:59,263 5-year-old Salvador and 3-year-old Stella. 798 00:59:59,346 --> 01:00:05,519 [Carlos] We wanna give them that foundation to trust us parents more, 799 01:00:05,602 --> 01:00:08,605 for us to be friends first and parents later, 800 01:00:08,689 --> 01:00:11,817 because that's why a lot of families get destroyed. 801 01:00:11,900 --> 01:00:15,738 I mean, adulation and, you know, Grammys and platinum 802 01:00:15,821 --> 01:00:18,824 and Wimbledon and Super Bowl, man, the next day, it's over. 803 01:00:19,616 --> 01:00:20,909 The only thing that lasts 804 01:00:20,993 --> 01:00:23,078 is the real values that you teach your family. 805 01:00:24,038 --> 01:00:27,041 [poignant music playing over speakers] 806 01:00:27,124 --> 01:00:29,126 [playing smooth melody] 807 01:00:31,420 --> 01:00:32,838 [Carlos] I'm not what I do. 808 01:00:32,921 --> 01:00:34,965 This is what I do, but this is not who I am. 809 01:00:36,633 --> 01:00:40,429 Being married and being a husband and being a father, 810 01:00:40,512 --> 01:00:42,222 there's no school to teach you that. 811 01:00:44,391 --> 01:00:46,393 You buy a car, and then it has-- 812 01:00:46,477 --> 01:00:49,480 In the trunk, it has a kit that goes with the thing. 813 01:00:51,106 --> 01:00:52,941 Your children become your teachers. 814 01:00:57,488 --> 01:00:59,948 [Carlos] ...Salvador and Stella, 'cause I love you guys so much. 815 01:01:00,032 --> 01:01:01,533 [man on recording] Is everybody ready? 816 01:01:01,617 --> 01:01:03,327 [crowd] Yeah! 817 01:01:03,577 --> 01:01:06,580 ["Mickey's Monkey" playing] 818 01:01:15,214 --> 01:01:16,673 [Carlos] My father's a musician, 819 01:01:16,757 --> 01:01:19,134 and his father and his father were musicians. 820 01:01:20,177 --> 01:01:21,178 G. 821 01:01:21,762 --> 01:01:22,846 G. 822 01:01:24,473 --> 01:01:25,933 No, no. 823 01:01:27,601 --> 01:01:30,020 I know, but they gotta sound that clean, the other one. 824 01:01:30,813 --> 01:01:33,774 Uh-uh. Uh-uh. Sound like you're stepping on a cockroach. 825 01:01:35,651 --> 01:01:39,238 So all of my family is like ducks to water. 826 01:01:39,321 --> 01:01:41,156 We just go right to the music. 827 01:01:43,784 --> 01:01:46,787 [band playing mariachi music] 828 01:01:55,921 --> 01:01:57,840 We played at the Bullring in Tijuana. 829 01:01:58,632 --> 01:02:00,884 It was really, really surreal to be there with my dad, 830 01:02:00,968 --> 01:02:03,554 'cause my dad opened with his musicians. 831 01:02:09,101 --> 01:02:11,603 I was more interested in him than anything else. 832 01:02:11,687 --> 01:02:13,689 [crowd cheering and applauding] 833 01:02:29,788 --> 01:02:31,874 My dad comes over on the side, and he goes: 834 01:02:31,957 --> 01:02:32,875 [speaks in Spanish] 835 01:02:32,958 --> 01:02:35,669 [in English] I go, "Yeah, Dad." He goes, "You know, 836 01:02:35,752 --> 01:02:38,922 people know your music around the world and everything, you know." 837 01:02:39,006 --> 01:02:41,925 And I go, "Where you going with this, Dad?" 838 01:02:42,009 --> 01:02:45,679 He says, "When you play 'Batuka' and 'No One to Depend On,' 839 01:02:47,055 --> 01:02:49,600 that's the one that la calle knows you." 840 01:02:50,434 --> 01:02:54,188 ♪ I ain't got nobody That I... ♪ 841 01:02:54,271 --> 01:02:55,689 You know, like, that one. 842 01:02:55,772 --> 01:02:58,025 And somehow I didn't know 843 01:02:58,108 --> 01:03:00,152 that my dad was, like, listening to my music. 844 01:03:00,235 --> 01:03:02,237 I thought it was like, he listened to his music 845 01:03:02,321 --> 01:03:03,906 and I listened to my music. 846 01:03:03,989 --> 01:03:08,827 But that night, I realized that Dad was also checking us out. 847 01:03:08,911 --> 01:03:11,914 [playing "No One to Depend On"] 848 01:03:26,261 --> 01:03:28,722 ♪ I ain't got nobody ♪ 849 01:03:29,932 --> 01:03:31,808 ♪ That I can depend on ♪ 850 01:03:33,810 --> 01:03:36,522 ♪ I ain't got nobody ♪ 851 01:03:37,689 --> 01:03:39,483 ♪ That I can depend on ♪ 852 01:03:56,208 --> 01:03:58,418 -[song ends] -[crowd cheering and applauding] 853 01:04:04,132 --> 01:04:06,093 [man in Spanish] Who is Carlos Santana to you? 854 01:04:06,468 --> 01:04:07,928 [Jose in Spanish] He is my son. 855 01:04:08,011 --> 01:04:09,930 The most beloved one in the whole world. 856 01:04:12,057 --> 01:04:13,392 [man] What do you do for a living? 857 01:04:13,475 --> 01:04:14,935 Music. 858 01:04:16,019 --> 01:04:16,979 [man] What do you play? 859 01:04:17,062 --> 01:04:17,938 Violin. 860 01:04:18,689 --> 01:04:20,232 [man] You taught Carlos about music? 861 01:04:21,316 --> 01:04:22,442 [Jose] A little. 862 01:04:22,526 --> 01:04:27,823 [man] But once he grew up, like we all do, we set our parents aside, right? 863 01:04:27,906 --> 01:04:29,741 [Jose] Once he grew up. And so did I, 864 01:04:29,825 --> 01:04:32,703 when I was young and started getting into music. 865 01:04:34,121 --> 01:04:35,872 And so did Carlos, he started with me 866 01:04:35,956 --> 01:04:39,668 and then he didn't want to play the violin anymore and he switched to the guitar. 867 01:04:40,252 --> 01:04:45,424 It's not a big career, but still, he has a good time. 868 01:04:47,676 --> 01:04:50,887 He's proud of me, and I'm proud of him. And I miss him. 869 01:04:53,140 --> 01:04:55,142 [guitar playing poignant melody] 870 01:05:04,109 --> 01:05:07,112 [guitar and violin playing poignant melody] 871 01:05:12,492 --> 01:05:14,286 [Carlos] He died the day after Halloween. 872 01:05:17,789 --> 01:05:20,751 We had this tree in this house that we lived in San Rafael. 873 01:05:22,127 --> 01:05:26,256 Every single leaf in this tree was covered with butterflies. 874 01:05:26,340 --> 01:05:28,300 It was breathing, like, monarchs. 875 01:05:31,678 --> 01:05:34,139 He actually told my mom early in the morning: 876 01:05:34,723 --> 01:05:36,725 [speaking in Spanish] 877 01:05:37,893 --> 01:05:40,437 [in English] And my mom goes, "Well, where you going?" 878 01:05:40,520 --> 01:05:42,022 [speaks in Spanish] 879 01:05:42,814 --> 01:05:45,984 [in English] He couldn't play the violin anymore. He couldn't do things-- 880 01:05:46,068 --> 01:05:48,320 It means "I'm out," you know. 881 01:05:48,403 --> 01:05:50,405 "I'm out," you know? 882 01:05:50,489 --> 01:05:52,407 Mom goes, "Where you going?" He goes: 883 01:05:52,491 --> 01:05:54,451 [speaks in Spanish] 884 01:05:54,534 --> 01:05:56,912 [in English] "You wanna come with me?" She goes, "No, no, no." 885 01:05:56,995 --> 01:05:58,705 [man laughing] 886 01:05:58,789 --> 01:06:00,123 [man] "Not yet. Not yet." 887 01:06:00,207 --> 01:06:03,377 "I wanna see some more grandchildren and stuff like that," you know. 888 01:06:03,460 --> 01:06:05,671 And he was watching cartoons, apparently, 889 01:06:06,546 --> 01:06:07,589 and he left. 890 01:06:07,673 --> 01:06:09,091 He just left, you know. 891 01:06:09,174 --> 01:06:12,177 [guitar and violin continue playing poignant melody] 892 01:06:31,405 --> 01:06:33,657 This Earth, time is an illusion. 893 01:06:41,123 --> 01:06:44,084 Before I know it, I'll be next to them. 894 01:06:50,757 --> 01:06:55,429 I present to you a human being that has shared with us dignity, integrity, 895 01:06:55,512 --> 01:06:57,931 and courage to stand on his own terms, 896 01:06:58,014 --> 01:07:01,935 in his own being, with his family behind him 1000%. 897 01:07:02,018 --> 01:07:03,270 Ladies and gentlemen, 898 01:07:03,353 --> 01:07:07,691 may I present to you the 1996 Century Award winner, 899 01:07:07,774 --> 01:07:09,276 Carlos Santana. 900 01:07:11,820 --> 01:07:14,322 [John] There were four things we'd listen to when we were younger 901 01:07:14,406 --> 01:07:15,240 and we'd get stoned, 902 01:07:15,323 --> 01:07:18,493 and we listened to Jimi Hendrix and we listened to John Coltrane. 903 01:07:18,577 --> 01:07:21,246 We listened to P-Funk, and then there was Carlos. 904 01:07:21,329 --> 01:07:22,998 I'm just very honored to be here tonight 905 01:07:23,081 --> 01:07:26,460 to help us all induct a samurai and a shogun. 906 01:07:35,051 --> 01:07:38,180 Usually when they give you the Hall of Fame award, you're done. 907 01:07:43,852 --> 01:07:46,396 I was having a meeting with Chris Blackwell. 908 01:07:47,272 --> 01:07:51,109 He was the main person in charge of PolyGram, Island Records. 909 01:07:53,028 --> 01:07:55,280 I said, "Look, man, this is what's happening. 910 01:07:55,363 --> 01:07:59,785 You work, and you share music with Bob Marley and Stevie Winwood. 911 01:07:59,868 --> 01:08:01,369 So you're an artist like me. 912 01:08:01,453 --> 01:08:03,121 I am pregnant... 913 01:08:04,539 --> 01:08:05,791 with a mega record. 914 01:08:05,874 --> 01:08:08,001 I can feel it. This album is gonna be big. 915 01:08:08,084 --> 01:08:11,630 I am pregnant with something that you're not equipped to deal with. 916 01:08:11,713 --> 01:08:13,173 So I'm gonna ask you, 917 01:08:13,256 --> 01:08:15,383 from one artist to another artist, 918 01:08:16,134 --> 01:08:17,302 let me go." 919 01:08:19,429 --> 01:08:22,516 And he looked at me right in the eye, and then he looked up, and he goes: 920 01:08:25,977 --> 01:08:27,521 "Tell your lawyer to call me." 921 01:08:28,230 --> 01:08:31,233 [playing blues melody] 922 01:08:40,075 --> 01:08:40,951 [Carlos] Check it out. 923 01:08:41,034 --> 01:08:44,037 [playing melody from "Smooth"] 924 01:08:48,583 --> 01:08:51,253 That's good. It's getting better. 925 01:08:56,424 --> 01:08:57,926 There's a lot of middles. 926 01:08:58,009 --> 01:09:01,179 Can we go all-- Drop the shoe all the way down to-- Before we get the-- 927 01:09:01,263 --> 01:09:02,264 Get the lows. 928 01:09:03,014 --> 01:09:07,227 I went to Clive, and Clive says: "Okay, let me get this straight. 929 01:09:07,310 --> 01:09:09,896 This time, you're ready to go in the ring with me. 930 01:09:09,980 --> 01:09:13,108 I'll bring half of the album, and you bring half of the album? 931 01:09:14,109 --> 01:09:16,361 I have the choice to select?" I says, "Yeah." 932 01:09:16,444 --> 01:09:19,990 He says, "Because I got Lauryn Hill, Wyclef..." 933 01:09:20,073 --> 01:09:24,828 He started naming all of them, you know. And all I had to do was say yes. 934 01:09:24,911 --> 01:09:27,247 [man] One, two, three. Ah! 935 01:09:27,330 --> 01:09:30,333 [playing lively melody] 936 01:09:34,880 --> 01:09:37,215 [Carlos] It was something to see him say to other artists: 937 01:09:37,299 --> 01:09:39,092 "Okay, you know, I'm sending you your song back 938 01:09:39,175 --> 01:09:41,136 because it doesn't sound right, doesn't feel right. 939 01:09:41,219 --> 01:09:42,596 This is not good for Carlos yet. 940 01:09:44,264 --> 01:09:45,682 Remember, this is a Carlos album. 941 01:09:45,765 --> 01:09:49,352 It's not your album, you know, so you gotta make room for the guitar." 942 01:09:49,436 --> 01:09:52,439 ["Smooth" playing over speakers] 943 01:09:59,321 --> 01:10:01,406 [Leno] One of the greatest guitar players of all time, 944 01:10:01,489 --> 01:10:02,949 performing their smash hit "Smooth." 945 01:10:03,033 --> 01:10:05,035 This is his new CD, Supernatural. 946 01:10:05,118 --> 01:10:07,370 Please welcome Santana and Rob Thomas. 947 01:10:07,454 --> 01:10:09,623 ♪ Man, it's a hot one ♪ 948 01:10:10,582 --> 01:10:13,668 ♪ Like seven inches from the midday sun ♪ 949 01:10:14,461 --> 01:10:19,299 ♪ Well, I hear you whisper And the words melt everyone ♪ 950 01:10:19,382 --> 01:10:21,718 ♪ But you stay so cool ♪ 951 01:10:23,595 --> 01:10:25,263 ♪ My muñequita ♪ 952 01:10:26,765 --> 01:10:29,225 ♪ My Spanish Harlem Mona Lisa ♪ 953 01:10:30,018 --> 01:10:33,438 [Carlos] Clive Davis, he asked me, "What does Carlos Santana wanna do?" 954 01:10:34,606 --> 01:10:36,775 That's when I said, "I would like to-- 955 01:10:36,858 --> 01:10:39,110 I wanna reconnect the molecules with the light, man." 956 01:10:39,194 --> 01:10:43,698 ♪ And if you said This life ain't good enough ♪ 957 01:10:43,782 --> 01:10:48,078 ♪ I would give my world to lift you up ♪ 958 01:10:48,161 --> 01:10:53,041 ♪ I could change my life To better suit your mood ♪ 959 01:10:53,124 --> 01:10:57,003 [Clive] What he means when he says "Connect the molecules to the light" 960 01:10:57,629 --> 01:11:00,840 is, in essence, that he wanted a radio-friendly album. 961 01:11:00,924 --> 01:11:04,970 ♪ And it's just like the ocean Under the moon ♪ 962 01:11:05,053 --> 01:11:08,598 ♪ It's the same as the emotion That I get from you ♪ 963 01:11:08,682 --> 01:11:10,433 [Carlos] It's very difficult to get into a car 964 01:11:10,517 --> 01:11:13,103 and listen to music with your son, a father and a son, 965 01:11:13,186 --> 01:11:15,355 because they play their music and we play our music. 966 01:11:15,438 --> 01:11:17,899 But for some reason, Supernatural crossed all of that. 967 01:11:17,983 --> 01:11:20,402 ["Maria, Maria" playing] 968 01:11:23,530 --> 01:11:25,323 ♪ Ladies and gents ♪ 969 01:11:25,407 --> 01:11:27,158 ♪ Turn up your sound system ♪ 970 01:11:27,242 --> 01:11:29,744 ♪ To the sound of Carlos Santana ♪ 971 01:11:30,620 --> 01:11:33,373 [man] Supernatural, number one, United States of America. 972 01:11:33,456 --> 01:11:35,834 ♪ Maria Maria... ♪ 973 01:11:35,917 --> 01:11:40,296 [man] You're the hero to people who say, "Yes, there can be a second act." 974 01:11:41,172 --> 01:11:42,882 You represent-- 975 01:11:42,966 --> 01:11:44,134 [Carlos] That it can be done, 976 01:11:44,217 --> 01:11:47,554 that the world doesn't belong to 17- to 27-year-olds. 977 01:11:47,637 --> 01:11:51,891 ♪ She livin' the life Just like a movie star ♪ 978 01:11:51,975 --> 01:11:53,059 ♪ Oh! ♪ 979 01:11:53,143 --> 01:11:55,478 ♪ Maria Maria ♪ 980 01:11:55,562 --> 01:11:57,605 [Carlos] Clive Davis, I'm sure he can go to a piano, 981 01:11:57,689 --> 01:11:59,190 he has to know what notes they are. 982 01:11:59,274 --> 01:12:00,859 But he knows a hit. 983 01:12:00,942 --> 01:12:02,318 He is future pull. 984 01:12:03,486 --> 01:12:07,282 ♪ And if you said This life ain't good enough ♪ 985 01:12:07,365 --> 01:12:11,995 [Carlos] Supernatural was another "gimongous" door like Woodstock. 986 01:12:12,078 --> 01:12:15,040 -And the Grammy goes to Santana. -[audiences cheering] 987 01:12:15,123 --> 01:12:16,791 And the winner is Santana. 988 01:12:16,875 --> 01:12:19,044 This is a cool way to get to meet Santana. 989 01:12:19,127 --> 01:12:21,755 Santana, featuring Everlast. 990 01:12:21,838 --> 01:12:23,048 Just need to stay up here. 991 01:12:23,131 --> 01:12:26,593 I'd love to thank Mr. Carlos Santana for giving an opportunity to me like this. 992 01:12:27,635 --> 01:12:28,928 "Smooth." 993 01:12:31,139 --> 01:12:35,643 The Grammy goes to Supernatural, Santana. 994 01:12:35,727 --> 01:12:40,231 ♪ Gimme your heart Make it real, or else forget about it ♪ 995 01:12:43,109 --> 01:12:45,904 [man] Santana's eight Grammys ties a one-night record 996 01:12:45,987 --> 01:12:48,948 set 17 years ago by Michael Jackson. 997 01:12:49,032 --> 01:12:51,159 You're an inspiration to all of us. 998 01:12:51,242 --> 01:12:53,161 Thank you, Carlos Santana. 999 01:12:53,244 --> 01:12:55,038 [audience cheering and applauding] 1000 01:12:55,121 --> 01:12:56,873 Long live John Coltrane. 1001 01:13:07,342 --> 01:13:10,261 [Carlos] This feels like a surreal dream. 1002 01:13:13,848 --> 01:13:16,601 And the whole world is cheering for you, 1003 01:13:16,684 --> 01:13:18,937 from all walks of life, you know? 1004 01:13:19,020 --> 01:13:20,814 That felt very, very, uh... 1005 01:13:22,148 --> 01:13:24,734 divinely validating. 1006 01:13:28,196 --> 01:13:31,199 [guitar playing poignant melody] 1007 01:13:45,713 --> 01:13:50,176 [Carlos] Supernatural made it possible to ride this immense wave. 1008 01:13:58,434 --> 01:13:59,978 And for a long time, man... 1009 01:14:00,687 --> 01:14:04,899 stuff that happened when I was a child, you know, it stays with you. 1010 01:14:07,819 --> 01:14:09,320 This is not entertainment. 1011 01:14:09,404 --> 01:14:12,282 It's not sensationalism, gossip, and scandalous. 1012 01:14:14,450 --> 01:14:16,077 I wouldn't walk into a room and say: 1013 01:14:16,161 --> 01:14:19,581 "Hi, I'm the guy who was molested," and wear it like a badge of honor. 1014 01:14:21,499 --> 01:14:23,751 But some things, people need to know, man, 1015 01:14:23,835 --> 01:14:26,796 because they're wrestling with it themselves. 1016 01:14:28,673 --> 01:14:30,884 From '57 to, like, '59, 1017 01:14:30,967 --> 01:14:34,345 there was one American guy who started molesting me. 1018 01:14:38,725 --> 01:14:41,269 And the Rolling Stone magazine, when it came out... 1019 01:14:42,645 --> 01:14:44,189 all the people who read it, 1020 01:14:45,940 --> 01:14:47,650 they said, "It happened to me, 1021 01:14:47,734 --> 01:14:50,820 and I thank Carlos for having the courage to say it." 1022 01:14:56,576 --> 01:14:58,578 My mom, she heard from someone 1023 01:14:58,661 --> 01:15:00,538 that he molested other kids in the neighborhood, 1024 01:15:00,622 --> 01:15:01,915 so she confronted me. 1025 01:15:03,833 --> 01:15:06,753 She's just like, "Man did this, this, and this, that?" 1026 01:15:08,129 --> 01:15:10,757 But she didn't have the wisdom and I didn't have the wisdom, 1027 01:15:10,840 --> 01:15:12,508 so I was like, "No." 1028 01:15:15,470 --> 01:15:18,139 I had a lot of anger towards my mom for the longest time. 1029 01:15:18,223 --> 01:15:20,475 As much as I love her, man, I had a lot of anger. 1030 01:15:20,558 --> 01:15:23,269 But like I said, she didn't have the skills or tools 1031 01:15:23,353 --> 01:15:26,856 to pull someone aside and say, "I love you." 1032 01:15:29,943 --> 01:15:33,238 I have to transcend thinking like a victim 1033 01:15:33,321 --> 01:15:36,658 or thinking with anger or sending this guy to hell every day... 1034 01:15:38,117 --> 01:15:41,454 and say, "I am not what happened to me. 1035 01:15:42,163 --> 01:15:44,207 I am that I am. I am the light. 1036 01:15:48,878 --> 01:15:51,381 I am not the body. I am free." 1037 01:15:59,847 --> 01:16:03,810 At the peak of Supernatural, I returned to Ayutla, Jalisco. 1038 01:16:03,893 --> 01:16:07,730 And-- And something just pulled my coat-- "Go over there." 1039 01:16:07,814 --> 01:16:11,943 This is a beautiful painting of La Virgen de Guadalupe. 1040 01:16:12,026 --> 01:16:13,778 And I got down on my knees, 1041 01:16:14,487 --> 01:16:16,072 and, uh, I looked at her, 1042 01:16:16,155 --> 01:16:18,658 I lit up a candle, and I was looking at her. 1043 01:16:18,741 --> 01:16:21,536 I kept looking at her, and she kept looking at me, 1044 01:16:21,619 --> 01:16:24,080 and then I heard this voice that said: 1045 01:16:25,915 --> 01:16:27,583 "I am so proud of you." 1046 01:16:29,669 --> 01:16:32,297 And, you know, my whole body went like a electric shock, 1047 01:16:32,380 --> 01:16:34,090 like, "Oh, my God, she's talking to me." 1048 01:16:34,173 --> 01:16:35,008 And she says: 1049 01:16:35,091 --> 01:16:37,260 [speaks in Spanish] 1050 01:16:37,343 --> 01:16:39,220 [in English] "I am so proud of you." 1051 01:16:39,304 --> 01:16:41,639 And it stayed with me. I was, like, in a trance, man. 1052 01:16:41,723 --> 01:16:42,724 All I know is... 1053 01:16:42,807 --> 01:16:44,809 [speaking in Spanish] 1054 01:16:57,822 --> 01:17:00,742 [in English] "I am so proud of you because I know what you're doing, 1055 01:17:00,825 --> 01:17:03,286 how you're doing it, and for who you're doing it." 1056 01:17:04,746 --> 01:17:06,247 She validated me. 1057 01:17:08,791 --> 01:17:12,962 I'm gonna use your energy to create something beautiful. 1058 01:17:13,963 --> 01:17:15,590 And I finally learned to... 1059 01:17:16,924 --> 01:17:18,343 tame that snake. 1060 01:17:24,849 --> 01:17:26,809 ♪ And I'm not afraid ♪ 1061 01:17:34,233 --> 01:17:36,486 ♪ And I'm not afraid ♪ 1062 01:17:39,572 --> 01:17:40,865 ♪ No more ♪ 1063 01:17:46,996 --> 01:17:48,623 ♪ I'm not afraid no more ♪ 1064 01:17:50,708 --> 01:17:52,126 ♪ At all ♪ 1065 01:18:13,231 --> 01:18:14,440 I'm not afraid... 1066 01:18:17,693 --> 01:18:18,736 no more. 1067 01:18:23,282 --> 01:18:24,617 I'm not afraid at all. 1068 01:18:27,370 --> 01:18:28,496 Nothing. 1069 01:18:56,899 --> 01:19:00,528 Hey, Dad, what do you think of this thing I made up? This thing. Like this. Okay. 1070 01:19:02,238 --> 01:19:05,241 [playing poignant melody] 1071 01:19:15,501 --> 01:19:16,711 Like that. 1072 01:19:18,004 --> 01:19:20,840 [Carlos] After Supernatural, I think things just got out of hand, 1073 01:19:20,923 --> 01:19:24,177 with Deborah running the business and the offices 1074 01:19:24,260 --> 01:19:27,054 and the children and the homes and the families and everything. 1075 01:19:29,724 --> 01:19:32,518 It's very simple. It's not complicated. 1076 01:19:34,228 --> 01:19:38,566 People get together to make spiritual traction. 1077 01:19:40,610 --> 01:19:42,361 To grow together up. 1078 01:19:44,113 --> 01:19:47,492 When it becomes an arrangement and one person's not happy, 1079 01:19:47,575 --> 01:19:49,702 then you're not making spiritual traction. 1080 01:19:49,785 --> 01:19:51,662 You're not growing spiritually. 1081 01:19:51,746 --> 01:19:53,039 So you should grow apart 1082 01:19:53,122 --> 01:19:56,375 because the main thing is for you to grow spiritually, 1083 01:19:56,459 --> 01:19:58,461 with or without. 1084 01:20:00,505 --> 01:20:03,758 I'm sure I will always have a special place in her heart, 1085 01:20:03,841 --> 01:20:06,093 and she will always have a special place in my heart 1086 01:20:06,177 --> 01:20:08,971 because we created these incredible children. 1087 01:20:11,807 --> 01:20:14,644 [drums playing lively beat] 1088 01:20:14,727 --> 01:20:16,729 [Carlos] Hold on for a second. Hold on for a second. 1089 01:20:16,812 --> 01:20:17,647 [drums stop] 1090 01:20:17,730 --> 01:20:19,482 This is no rope-a-dope-a. There's no coasting. 1091 01:20:19,565 --> 01:20:22,777 This is intense, clear energy. 1092 01:20:22,860 --> 01:20:25,071 Peacefully take no prisoners. 1093 01:20:25,154 --> 01:20:26,531 Okay, just the congas. 1094 01:20:26,614 --> 01:20:27,823 Two, three, and-- 1095 01:20:36,541 --> 01:20:40,169 [Cindy] I saw him talking to the band, so seeing him as a bandleader, 1096 01:20:40,253 --> 01:20:41,337 I was like, "Wow. 1097 01:20:42,129 --> 01:20:44,131 He knows what he wants." 1098 01:20:51,722 --> 01:20:52,974 [Carlos] I said to God: 1099 01:20:54,308 --> 01:20:57,353 "God, you've given me so much... 1100 01:20:58,187 --> 01:20:59,855 and there's so much to enjoy. 1101 01:21:00,523 --> 01:21:02,275 Please find me a queen 1102 01:21:03,150 --> 01:21:05,528 for me to share all the blessings 1103 01:21:05,611 --> 01:21:07,780 that you bestowed upon me." 1104 01:21:07,863 --> 01:21:10,283 So you showed up. 1105 01:21:12,493 --> 01:21:15,496 [playing intense rhythm] 1106 01:21:26,507 --> 01:21:28,384 [playing outro to "The Star Spangled Banner"] 1107 01:21:37,018 --> 01:21:39,020 [crowd cheering and applauding] 1108 01:21:39,103 --> 01:21:41,439 [Carlos] I love the way Cindy walks. 1109 01:21:43,649 --> 01:21:45,318 And she's from New York, 1110 01:21:46,319 --> 01:21:50,698 so she has this determination, 1111 01:21:50,781 --> 01:21:52,658 like our mom, you know, 1112 01:21:52,742 --> 01:21:54,702 this conviction, determination that was like-- 1113 01:21:54,785 --> 01:21:57,913 I love that quality in a woman, this, like... 1114 01:21:59,373 --> 01:22:00,374 Like that, you know? 1115 01:22:01,083 --> 01:22:02,460 Check it out, Cindy. 1116 01:22:05,421 --> 01:22:08,633 ["El Watusi" playing on jukebox] 1117 01:22:09,884 --> 01:22:11,052 [Cindy laughs] 1118 01:22:11,677 --> 01:22:14,680 I used to have a friend who, no matter what you'd play, 1119 01:22:14,764 --> 01:22:15,973 he always danced like this. 1120 01:22:17,683 --> 01:22:19,685 [all laughing] 1121 01:22:20,269 --> 01:22:24,899 How do you crystallize all of those influences into you? 1122 01:22:28,527 --> 01:22:31,030 I'm constantly learning from my sisters 1123 01:22:31,113 --> 01:22:33,741 how to just be more gracious 1124 01:22:34,450 --> 01:22:36,577 and don't be so ready to fight. 1125 01:22:36,661 --> 01:22:39,664 ["El Watusi" continues] 1126 01:22:42,625 --> 01:22:44,543 I am who I am because of my mother, 1127 01:22:44,627 --> 01:22:46,420 and, again, because of my dad, 1128 01:22:46,504 --> 01:22:47,838 but mainly my mother. 1129 01:22:49,423 --> 01:22:53,511 She instilled in me fearlessness. 1130 01:22:53,594 --> 01:22:56,138 -[thunder rumbling] -[crowd cheering] 1131 01:22:56,222 --> 01:22:59,850 [band playing "Foo Foo"] 1132 01:23:12,488 --> 01:23:13,864 ♪ Come on ♪ 1133 01:23:19,704 --> 01:23:21,455 [Carlos] Playing a guitar solo, 1134 01:23:21,539 --> 01:23:24,500 you balance melody with rhythm... 1135 01:23:25,668 --> 01:23:26,627 intonation... 1136 01:23:28,087 --> 01:23:29,338 with time... 1137 01:23:30,965 --> 01:23:32,258 emotion, passion... 1138 01:23:33,592 --> 01:23:34,719 fire. 1139 01:23:38,681 --> 01:23:41,809 And it feels like there's strings between your heart 1140 01:23:41,892 --> 01:23:43,894 and other people's hearts. 1141 01:23:45,396 --> 01:23:46,522 That's why people say: 1142 01:23:46,605 --> 01:23:49,567 "You touch my heartstrings when you play." 1143 01:23:49,650 --> 01:23:50,943 People say that. 1144 01:23:52,987 --> 01:23:55,614 You have to know what you're saying, not repeating stuff 1145 01:23:55,698 --> 01:23:57,241 that you learned from records. 1146 01:24:01,829 --> 01:24:06,208 And when you're taking a solo, you know where you're going... 1147 01:24:07,543 --> 01:24:09,295 what you're trying to say... 1148 01:24:09,879 --> 01:24:11,547 and then you get the hell out of there. 1149 01:24:13,215 --> 01:24:14,300 ♪ Foo Foo! ♪ 1150 01:24:14,383 --> 01:24:17,386 -[song ends] -[audience cheering and applauding] 1151 01:24:22,224 --> 01:24:23,058 [man] Great. 1152 01:24:24,977 --> 01:24:26,687 Let's go eat some tacos. 1153 01:24:26,771 --> 01:24:29,774 ["Toussaint L'Overture" playing] 1154 01:26:30,352 --> 01:26:31,353 [song ends] 1155 01:26:31,437 --> 01:26:34,440 ["Bella" playing] 1156 01:27:42,466 --> 01:27:43,467 [song ends]