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[train whistle blows]

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Downloaded from
YTS.MX

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[narrator]
Murder on the Orient Express,

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Death on the Nile,

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And Then There Were None.

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<i>We've all read an</i>
<i>Agatha Christie novel</i>

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Official YIFY movies site:
YTS.MX

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<i>or watched a TV adaptation.</i>

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<i>There's been a few</i>
<i>over the years.</i>

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{\an8}I think she's probably one of
the most prolific novelists

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{\an8}the country's ever produced.

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{\an8}The only other books that
have sold more than hers

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{\an8}are Shakespeare's and the Bible.

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{\an8}She created a genre,
really, of crime writing

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that's still around and
people just love it.

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It is not always that simple.

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[woman screams]

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[narrator] <i>In each</i>
<i>tantalizing mystery,</i>

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<i>Agatha's much loved characters,</i>

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<i>Hercule Poirot and Miss Marple,</i>

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<i>have astonished us with</i>
<i>their powers of deduction.</i>

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Oh, yes.

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The little gray cells
have done well today.

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[narrator] <i>But how</i>
<i>did a short Belgian</i>

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<i>and a little old lady</i>

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<i>become two of the most famous</i>
<i>detectives in the world?</i>

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Nobody is beyond suspicion.

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It is impossible to conceal
anything from Hercule Poirot.

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[narrator] <i>And how on</i>
<i>Earth did Agatha Christie</i>

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<i>come up with each</i>
<i>outrageously compelling plot?</i>

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{\an8}She's the queen of crime

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{\an8}and her plotting is
absolutely fantastic.

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{\an8}She takes you by the hand,
she leads you into the maze,

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{\an8}somehow she brings
you out the other side

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and you're not exactly
sure where you've been,

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but you know you've
enjoyed the journey.

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[narrator] <i>Now, 100 years</i>
<i>after the first Agatha Christie</i>

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<i>novel was published,</i>

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<i>and as a new Hollywood version of</i>
Death on the Nile <i>is released,</i>

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<i>we look back over a century,</i>

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<i>at ten of Agatha's</i>
<i>greatest works.</i>

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<i>With access to the family archive.</i>

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I always think of
two Agatha Christies.

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There is Agatha Christie, the...

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{\an8}the kind of global figure,

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{\an8}and then there is what we in
our family referred to as Nema.

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She was a lovely,
warm, kind person.

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[narrator] <i>We hear from</i>
<i>the great lady herself.</i>

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[Christie] <i>You see, I put</i>
<i>it all down to the fact</i>

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<i>that I never had any education.</i>

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[narrator] <i>And reveal the</i>
<i>life and secrets of an author</i>

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<i>who has entertained millions.</i>

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You start believing one
set of things to be true

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and then she'll take you
on a very windy path,

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and at the very end they'll
nearly always be a reveal

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that you simply
had never expected.

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[narrator] <i>This is a celebration</i>
<i>of a century of Agatha Christie.</i>

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<i>Agatha Christie is the world's</i>
<i>most influential crime writer</i>

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<i>from the classic drawing</i>
<i>room "it was him" scene,</i>

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<i>to the clueless</i>
<i>sidekick and detective.</i>

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<i>Red herrings and murder abound</i>

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<i>against a backdrop of</i>
<i>unassuming quaint charm.</i>

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Was there much blood?

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{\an8}She kind of paved the way

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{\an8}for everything
that's happened since

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{\an8}with regards to
crime storytelling

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in theater and television
and film, I think.

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{\an8}And in shows, whether it's
<i>Death in Paradise, </i>or <i>Vera.</i>

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<i>Midsomer Murders.</i>

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<i>Jonathan Creek.</i>

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<i>Line of Duty.</i>

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We see her debt
absolutely everywhere.

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[narrator] <i>But her extraordinary</i>
<i>impact on the world</i>

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<i>wouldn't have happened if it</i>
<i>hadn't been for her first book,</i>

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The Mysterious
Affair at Styles,

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<i>published 100 years ago,</i>

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<i>it's the tale of</i>
<i>a dastardly murder</i>

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<i>in an English country house.</i>

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<i>Exactly a century ago, a</i>
<i>mysterious unsolicited package</i>

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<i>arrived in Vigo Street</i>
<i>in Central London.</i>

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<i>Inside was a</i>
<i>manuscript for a novel</i>

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<i>that would mark the</i>
<i>beginning of a phenomena</i>

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<i>that would go on to</i>
<i>enthrall billions of people</i>

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<i>around the world.</i>

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<i>This was the first novel</i>
<i>by Agatha Christie.</i>

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<i>Four years earlier in</i>
<i>1916, the First World War</i>

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<i>had been raging in Europe.</i>

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<i>26 year old Agatha Christie</i>

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<i>had recently married</i>
<i>husband Archie,</i>

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<i>and he had gone to fight with</i>
<i>the Royal Flying Corps abroad.</i>

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<i>At home in Torquay, Agatha</i>
<i>joined the war effort,</i>

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<i>working with a nursing</i>
<i>corps at a local hospital.</i>

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<i>To pass the time she</i>
<i>would often write stories.</i>

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<i>In 2008, the Christie</i>
<i>family discovered</i>

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<i>unheard recordings of Agatha.</i>

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<i>This archive offers us</i>
<i>a fascinating insight.</i>

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[Christie] <i>People often ask me</i>

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<i>what made me take up writing.</i>

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<i>You see, I put it</i>
<i>all down to the fact</i>

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<i>that I never had any education,</i>

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<i>that I found myself</i>
<i>making up stories</i>

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<i>and acting the different parts</i>

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<i>and there's nothing like</i>
<i>boredom to make you write.</i>

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[narrator] <i>But one</i>
<i>evening, whilst reading</i>

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<i>detective stories with</i>
<i>her sister, Madge,</i>

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<i>a challenge was set.</i>

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Agatha's sister
made a bet with her

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that she couldn't write,

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or certainly couldn't
get published a novel.

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[narrator] <i>Agatha took</i>
<i>the bet seriously.</i>

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[Christie] <i>I'd finished</i>
<i>the first book of mine</i>

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<i>ever to be published,</i>
The Mysterious Affair at Styles.

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[narrator] <i>Agatha could</i>
<i>never have dreamt</i>

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<i>of how successful</i>
<i>she would become.</i>

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<i>And in particular,</i>
<i>in this first story</i>

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<i>with the creation of the</i>
<i>most prolific detective of all time.</i>

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<i>He was the enigmatic Belgian</i>
<i>with a fastidious dress sense</i>

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<i>and a head full of</i>
<i>little grey cells.</i>

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The scarlet pimpernel.

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It is believed that
when this flower is open

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it is a sign of a prolonged
spell of the fine weather.

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It is seldom seen
open in this country.

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There were a lot of
Belgian refugees in Torquay

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at the time of the
First World War

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and that somewhere, somehow,

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she either saw
something or someone

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that put, as it were, the
visual clue into her head.

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[narrator] <i>Hercule Poirot</i>
<i>appears in 33 novels,</i>

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<i>three plays, and more</i>
<i>than 50 short stories.</i>

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<i>Yet his first appearance in</i>
The Mysterious Affair at Styles,

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<i>is not particularly</i>
<i>complimentary.</i>

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[Fraser] <i>Poirot was</i>
<i>an extraordinary looking little man.</i>

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He was hardly more than
five feet, four inches,

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but carried himself
with great dignity.

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<i>His head was exactly</i>
<i>the shape of an egg,</i>

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<i>and he always perched</i>
<i>it a little on one side.</i>

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<i>His mustache was very</i>
<i>stiff and military.</i>

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The neatness of his attire
was almost incredible,

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I believe a speck of dust
would have caused him more pain

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<i>than a bullet wound.</i>

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[narrator] <i>And his appearance</i>

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<i>wasn't the only unfortunate</i>
<i>thing about him.</i>

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<i>This very unconventional hero</i>
<i>had some unexpected traits.</i>

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Effete.

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Meticulous.

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Arrogant.

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Curious.

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Sexless.

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Infuriating.

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Tricky.

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[narrator] <i>As well as</i>
<i>a deeply ironic name.</i>

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Hercule is Agatha Christie's
joke, that I remember.

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She took a little
man with a bald head

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and a strange mustache,

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<i>an effete foreigner,</i>

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<i>and gave him the most</i>
<i>masculine of names</i>

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<i>based on of course, Hercules.</i>

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He's not a fully
rounded character.

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We don't know a
lot about his past.

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We don't know a lot about his
feelings and his thoughts.

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But that is sort of the point.

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His function in the book is to
be a kind of extended brain.

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It is his brain that matters.

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[narrator] <i>Not only</i>
<i>did Agatha introduce us</i>

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<i>to a curious and instantly</i>
<i>memorable detective</i>

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<i>but she established a genre</i>
<i>that has survived a century,</i>

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<i>that of murder and betrayal</i>
<i>in sleepy English villages.</i>

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[man screams]

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<i>It's 100 years since</i>
<i>the publication</i>

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<i>of Agatha Christie's</i>
<i>groundbreaking first novel</i>

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The Mysterious
Affair at Styles.

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<i>The book that first introduced</i>
<i>us to Hercule Poirot.</i>

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<i>It is set in 1916 during the</i>
<i>middle of the First World War.</i>

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<i>Lieutenant Hastings,</i>
<i>an army officer</i>

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<i>has been injured fighting</i>
<i>on the Western Front.</i>

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<i>He's invited to</i>
<i>spend his sick leave</i>

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<i>at the beautiful manor</i>
<i>house, Styles Court</i>

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<i>by an old friend,</i>
<i>John Cavendish.</i>

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[Fraser] <i>Hastings is staying at Styles,</i>
<i>a very beautiful mansion.</i>

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<i>Had a very nice long driveway.</i>

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{\an8}It really does tick
a lot of the boxes

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{\an8}that we might expect
from Agatha Christie.

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{\an8}She's good enough to
supply us with a floor plan

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<i>which means that we really have to</i>
<i>think about the novel as a puzzle.</i>

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[narrator] <i>But all is</i>
<i>not well at Styles.</i>

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<i>John's stepmother,</i>
<i>Emily Inglethorp,</i>

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<i>has recently found a new,</i>
<i>somewhat younger, husband.</i>

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Mr. Hastings, my husband.

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I'm delighted to meet
you lieutenant Hastings.

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[narrator] <i>And the</i>
<i>rest of the family</i>

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<i>are suspicious of his motives.</i>

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Watch that devil!

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The characters we see in <i>Styles</i>

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are probably the type of characters
who lots of people think

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are the archetypical Christie
sort of list of suspects

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and victims, because we have
upper middle class

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or upper class people here.

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But they're also people
who are very interested

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in things like hereditary, wealth,

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and how this is
gonna work for them.

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So lots of people who
might have a good reason

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to perhaps change the family
tree in a particular way.

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[narrator] <i>As she was</i>
<i>writing her novel,</i>

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<i>Agatha was moved from</i>
<i>general nursing work</i>

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<i>to the more specialized pharmacy</i>

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<i>where she began to</i>
<i>learn about poisons.</i>

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<i>This would go on to feature</i>
<i>as the murder weapon</i>

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<i>in many of her stories and</i>
Styles <i>was no exception.</i>

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<i>When Mrs. Inglethorp</i>
<i>is found poisoned,</i>

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<i>Agatha uses her</i>
<i>specialist knowledge</i>

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<i>to cleverly develop the mystery.</i>

212
00:09:32,160 --> 00:09:33,640
[exhales raggedly]

213
00:09:33,720 --> 00:09:35,400
She has really thought
through the way

214
00:09:35,480 --> 00:09:37,560
that a particular suspect

215
00:09:37,640 --> 00:09:41,040
might be able to administer
a fatal dose of this poison.

216
00:09:41,120 --> 00:09:43,400
{\an8}Hastings, being there

217
00:09:44,640 --> 00:09:46,680
{\an8}suggest calling in
an old friend of his

218
00:09:46,760 --> 00:09:48,560
whom he knows to
be in the vicinity

219
00:09:48,640 --> 00:09:52,040
who, wow, happens to be the
greatest detective on Earth.

220
00:09:52,120 --> 00:09:53,040
That's handy.

221
00:09:53,840 --> 00:09:55,600
[narrator]
The Mysterious Affair at Styles

222
00:09:55,680 --> 00:09:58,600
<i>was also the moment when</i>
<i>Poirot acquired his sidekick.</i>

223
00:09:58,680 --> 00:09:59,840
Hastings?

224
00:10:01,360 --> 00:10:03,920
Good Lord. Monsieur Poirot.

225
00:10:04,000 --> 00:10:05,000
It is, indeed, <i>mon ami.</i>

226
00:10:05,080 --> 00:10:07,600
{\an8}I played the role
of Captain Hastings

227
00:10:07,680 --> 00:10:09,400
{\an8}in the television series,
<i>Agatha Christie's Poirot.</i>

228
00:10:09,480 --> 00:10:11,120
<i>I got a call from my agent</i>

229
00:10:11,200 --> 00:10:13,600
and then they asked me
to go back subsequently

230
00:10:13,680 --> 00:10:15,440
to read with David Suchet,

231
00:10:15,520 --> 00:10:17,560
and we read a couple of scenes

232
00:10:17,640 --> 00:10:18,880
which seemed to go quite well

233
00:10:18,960 --> 00:10:21,280
<i>and they asked me</i>
<i>to play the part.</i>

234
00:10:22,880 --> 00:10:26,640
<i>You know they're completely</i>
<i>opposite characters.</i>

235
00:10:26,720 --> 00:10:28,360
Hastings is much more
worldly than Poirot.

236
00:10:28,560 --> 00:10:32,800
Poirot is supremely
intelligent and analytic

237
00:10:32,880 --> 00:10:36,320
and incredibly tidy and
meticulous about everything.

238
00:10:36,400 --> 00:10:37,400
Hastings is quite the opposite.

239
00:10:37,480 --> 00:10:39,640
You say to me that
Madame Inglethorp

240
00:10:39,720 --> 00:10:42,400
-ate very little for supper?
-Yes.

241
00:10:45,440 --> 00:10:48,240
One of those curious
little facts, <i>mon ami.</i>

242
00:10:49,680 --> 00:10:50,600
We put it here.

243
00:10:50,680 --> 00:10:52,560
{\an8}The detective needs two things.

244
00:10:52,640 --> 00:10:54,440
{\an8}He needs somebody
he can talk to,

245
00:10:54,520 --> 00:10:57,640
{\an8}so that he can explain what
his thought processes are,

246
00:10:57,720 --> 00:10:59,480
but also the author
needs that sidekick

247
00:10:59,560 --> 00:11:00,520
to misdirect the audience.

248
00:11:01,080 --> 00:11:03,680
We are possibly half a
step ahead of Hastings

249
00:11:03,800 --> 00:11:05,160
because he'll say
something like,

250
00:11:05,240 --> 00:11:07,840
"If you cannot see in
this room what I see

251
00:11:07,920 --> 00:11:09,440
my dear friend Hastings,

252
00:11:09,520 --> 00:11:11,760
then you are even more of
an imbecile than I thought."

253
00:11:11,840 --> 00:11:14,760
And of course we are
then tantalized by that.

254
00:11:14,840 --> 00:11:17,680
What is it he can see
that Hastings can't see?

255
00:11:17,760 --> 00:11:20,040
We flatter ourselves we're
cleverer than Hastings,

256
00:11:20,120 --> 00:11:21,280
but we still can't quite see it.

257
00:11:22,480 --> 00:11:25,120
[narrator] <i>Over the years the</i>
<i>eccentric Belgian detective</i>

258
00:11:25,200 --> 00:11:27,240
<i>has appeared in dozens</i>
<i>of feature films</i>

259
00:11:27,320 --> 00:11:29,120
<i>with many great</i>
<i>actors taking the role</i>

260
00:11:29,200 --> 00:11:33,520
<i>including Peter Ustinov, Albert</i>
<i>Finney, and Kenneth Branagh.</i>

261
00:11:33,600 --> 00:11:36,480
<i>But it took over 70 years</i>
<i>for Poirot to make it</i>

262
00:11:36,560 --> 00:11:37,920
<i>onto the small screen</i>

263
00:11:38,000 --> 00:11:40,320
<i>and getting the very first</i>
<i>adaptation off the ground</i>

264
00:11:40,400 --> 00:11:41,640
<i>was no mean feat.</i>

265
00:11:41,720 --> 00:11:44,920
{\an8}So my mum who was TV
producer, Pat Sandys,

266
00:11:45,000 --> 00:11:48,400
{\an8}and she had persuaded
the estate to allow her,

267
00:11:48,480 --> 00:11:49,760
my mum,

268
00:11:49,840 --> 00:11:50,880
my mum,

269
00:11:50,960 --> 00:11:52,520
to put Agatha on
the small screen,

270
00:11:52,600 --> 00:11:56,560
'cause Agatha in her lifetime
had said films or nothing.

271
00:11:56,640 --> 00:11:59,720
And mum always described
it as going to the board,

272
00:11:59,800 --> 00:12:00,880
the Christie board,

273
00:12:00,960 --> 00:12:02,840
and giving a sort of
an oral examination

274
00:12:02,920 --> 00:12:07,360
of her immense knowledge
of Agatha Christie.

275
00:12:08,840 --> 00:12:12,760
{\an8}[narrator] <i>ITV's Poirot series</i>
<i>was first broadcast in 1989</i>

276
00:12:12,840 --> 00:12:15,640
{\an8}<i>and went on to run for a</i>
<i>staggering 70 episodes.</i>

277
00:12:17,200 --> 00:12:20,560
<i>Actor David Suchet played</i>
<i>Poirot in every one of them</i>

278
00:12:20,640 --> 00:12:23,040
<i>and for many he has</i>
<i>defined the role.</i>

279
00:12:24,680 --> 00:12:26,840
{\an8}It's almost like something
weirdly magic is going on

280
00:12:26,920 --> 00:12:30,720
{\an8}because he seems to
me just to actually be

281
00:12:30,800 --> 00:12:33,600
the perfect
embodiment of Poirot.

282
00:12:33,680 --> 00:12:37,800
Whenever I read Agatha
Christie now and read a Poirot,

283
00:12:37,880 --> 00:12:38,840
I'm afraid I see David.

284
00:12:39,640 --> 00:12:41,720
[narrator] <i>David Suchet's</i>
<i>approach to the role</i>

285
00:12:41,800 --> 00:12:44,000
<i>has become the</i>
<i>stuff of TV legend.</i>

286
00:12:44,080 --> 00:12:47,960
He wore a fat suit and so
he had this custom-made

287
00:12:48,040 --> 00:12:50,840
{\an8}kind of wooden thing where he
just sort of leaned into it.

288
00:12:50,920 --> 00:12:54,360
So in between takes, he'd
just sort of sit there

289
00:12:54,440 --> 00:12:56,320
in this thing and lean and
have his cup of tea and stuff.

290
00:12:56,400 --> 00:12:58,760
It's well know that he
remains in character

291
00:12:58,840 --> 00:13:00,280
a lot of the time.

292
00:13:00,360 --> 00:13:02,800
[Horowitz] <i>I don't think I ever spoke</i>
<i>to him on the set as himself.</i>

293
00:13:02,880 --> 00:13:04,080
<i>He was the character,</i>

294
00:13:04,160 --> 00:13:06,520
when he was having lunch,
he was the character.

295
00:13:06,600 --> 00:13:08,760
{\an8}It was a kind of moment
of truth when we did

296
00:13:08,840 --> 00:13:10,320
{\an8}"Death in the Clouds,"

297
00:13:11,560 --> 00:13:13,280
some of which was
filmed in Paris,

298
00:13:13,520 --> 00:13:16,880
there was a big French crew,
as well as some English.

299
00:13:16,960 --> 00:13:18,080
David came out and said,

300
00:13:18,160 --> 00:13:21,240
<i>"Ah bonjour, bonjour mes amis."</i>

301
00:13:21,360 --> 00:13:23,360
And the first assistant
came over and said,

302
00:13:23,440 --> 00:13:24,960
<i>"Ah, bonjour </i>David,"

303
00:13:25,040 --> 00:13:27,680
and then started speaking French

304
00:13:27,760 --> 00:13:31,360
in a really fast Parisien way.

305
00:13:31,440 --> 00:13:33,480
[garbled imitation of French]

306
00:13:33,560 --> 00:13:34,880
And of course,
David didn't get it,

307
00:13:34,960 --> 00:13:36,840
'cause he doesn't
speak French that--

308
00:13:36,920 --> 00:13:38,240
quite as well
as you think he does.

309
00:13:38,320 --> 00:13:39,280
[chuckles]

310
00:13:40,280 --> 00:13:41,400
[narrator] <i>The</i>
<i>introduction of Poirot</i>

311
00:13:41,480 --> 00:13:43,560
<i>and his relationship</i>
<i>with Hastings</i>

312
00:13:43,640 --> 00:13:45,320
<i>were not the only</i>
<i>seminal aspects</i>

313
00:13:45,400 --> 00:13:47,080
<i>of </i>The Mysterious
Affair at Styles.

314
00:13:47,160 --> 00:13:49,880
<i>There was one other</i>
<i>groundbreaking element</i>

315
00:13:49,960 --> 00:13:53,000
<i>that like the book itself</i>
<i>almost didn't happen.</i>

316
00:13:53,080 --> 00:13:55,320
<i>It was actually suggested</i>
<i>by the publishers.</i>

317
00:13:55,400 --> 00:13:58,440
<i>Madame et monsieur,</i>
good evening.

318
00:13:58,520 --> 00:14:01,040
Originally Christie
had written the ending of

319
00:14:01,120 --> 00:14:02,120
<i>Mysterious Affair at Styles</i>

320
00:14:02,200 --> 00:14:03,560
to take place in a courtroom.

321
00:14:03,640 --> 00:14:06,880
At the suggestion
of her publisher

322
00:14:06,960 --> 00:14:09,880
she went back and rewrote
it to be a-- more of a--

323
00:14:09,960 --> 00:14:12,080
what we could think of as
a drawing room conclusion.

324
00:14:12,160 --> 00:14:15,320
Agatha Christie
invented this summing up

325
00:14:15,400 --> 00:14:18,560
where Poirot gathers
people together at the end

326
00:14:18,640 --> 00:14:21,200
and you know that the
criminal is in the room.

327
00:14:21,280 --> 00:14:23,640
Poirot goes round and says,
it could have been you,

328
00:14:23,720 --> 00:14:25,080
it could have been you,
it could have been you,

329
00:14:25,160 --> 00:14:26,400
it could have been you.

330
00:14:26,480 --> 00:14:29,320
And you keep on waiting
for the blow to fall.

331
00:14:29,400 --> 00:14:32,560
And yet Madame
Inglethorp ordered a fire

332
00:14:32,640 --> 00:14:33,880
to be lighted in her room.

333
00:14:35,040 --> 00:14:36,200
Why?

334
00:14:36,800 --> 00:14:37,880
Because she wanted
to burn something.

335
00:14:38,840 --> 00:14:40,520
<i>Precisement </i>Inspector Japp.

336
00:14:40,600 --> 00:14:42,640
It's not something that
a Scotland Yard detective

337
00:14:42,720 --> 00:14:44,640
would do, but he had
to put up with it

338
00:14:44,720 --> 00:14:47,760
because that was his
way of doing things.

339
00:14:48,280 --> 00:14:52,800
{\an8}And that became obviously
a staple of the genre

340
00:14:52,880 --> 00:14:54,040
{\an8}and obviously of her own work.

341
00:14:54,120 --> 00:14:56,760
[narrator] <i>Agatha's</i>
<i>drawing room conclusion</i>

342
00:14:56,840 --> 00:14:58,560
<i>was impressively inventive.</i>

343
00:14:58,640 --> 00:15:01,640
<i>Not only was it adopted</i>
<i>by numerous crime writers</i>

344
00:15:01,720 --> 00:15:03,280
<i>but it's also in</i>
<i>the vast majority</i>

345
00:15:03,360 --> 00:15:06,880
<i>of murderers television dramas</i>
<i>like </i>Death in Paradise.

346
00:15:09,800 --> 00:15:12,520
<i>Following the success</i>
<i>of her first novel</i>

347
00:15:12,600 --> 00:15:15,240
<i>Agatha Christie wrote</i>
<i>four more books.</i>

348
00:15:15,320 --> 00:15:19,200
<i>By 1926, she was considered</i>
<i>a successful novelist.</i>

349
00:15:19,720 --> 00:15:23,360
<i>She and her husband, Archie,</i>
<i>moved into a brand new house</i>

350
00:15:23,440 --> 00:15:26,200
<i>in Sunningdale, Berkshire,</i>
<i>that they had called Styles,</i>

351
00:15:26,720 --> 00:15:28,640
<i>and they had a</i>
<i>daughter, Rosalind.</i>

352
00:15:28,840 --> 00:15:30,480
<i>It was the publication</i>
<i>of her next novel</i>

353
00:15:30,560 --> 00:15:34,240
<i>that established Agatha as</i>
<i>not only a popular author</i>

354
00:15:34,320 --> 00:15:36,960
<i>but also one who could</i>
<i>redefine the genre.</i>

355
00:15:39,120 --> 00:15:41,520
<i>It tells the tale of</i>
<i>another scandalous murder</i>

356
00:15:41,600 --> 00:15:43,560
<i>in a sleepy English village.</i>

357
00:15:43,840 --> 00:15:47,400
<i>But this one is a</i>
<i>murder with a twist.</i>

358
00:15:59,240 --> 00:16:01,480
The Murder of Roger
Ackroyd <i>is significant</i>

359
00:16:01,560 --> 00:16:04,600
<i>because it's Christie's</i>
<i>most daring crime mystery</i>

360
00:16:04,680 --> 00:16:09,080
<i>and its twist fundamentally</i>
<i>changed detective fiction forever.</i>

361
00:16:11,240 --> 00:16:16,120
It does something really
audacious and unexpected.

362
00:16:16,200 --> 00:16:19,480
It is still one of the
most extraordinary twists

363
00:16:19,560 --> 00:16:20,560
in detective fiction.

364
00:16:20,640 --> 00:16:21,920
That was the book that
really set her up.

365
00:16:22,000 --> 00:16:23,000
That was the book
that made her name.

366
00:16:23,080 --> 00:16:24,760
I cannot say what it is

367
00:16:24,840 --> 00:16:26,160
about <i>The Murder of Roger Ackroyd</i>

368
00:16:26,240 --> 00:16:27,760
that makes this book unique.

369
00:16:27,840 --> 00:16:29,120
That is the problem here.

370
00:16:30,960 --> 00:16:32,800
[narrator] <i>The story is</i>
<i>set in the quintessential</i>

371
00:16:32,880 --> 00:16:35,400
<i>English village</i>
<i>of King's Abbott.</i>

372
00:16:36,920 --> 00:16:40,240
You've got the two
big country houses,

373
00:16:40,320 --> 00:16:41,960
one is Roger Ackroyd's,

374
00:16:42,040 --> 00:16:44,960
one belongs to a lady
called Mrs. Ferrars,

375
00:16:45,040 --> 00:16:47,080
and they've been having
a bit of a thing.

376
00:16:47,160 --> 00:16:50,760
And then it turns out that
Mrs. Ferrars has killed herself.

377
00:16:50,840 --> 00:16:53,080
And then it turns out Mrs.
Ferrars has killed herself

378
00:16:53,160 --> 00:16:54,760
because someone was
blackmailing her.

379
00:16:55,760 --> 00:16:57,920
[man] I will kill you!

380
00:16:58,000 --> 00:16:59,920
[narrator] <i>Another</i>
<i>resident of King's Abbott</i>

381
00:17:00,000 --> 00:17:01,360
<i>turns out to be none other</i>

382
00:17:01,440 --> 00:17:03,920
<i>than the famous</i>
<i>detective Hercule Poirot,</i>

383
00:17:04,000 --> 00:17:06,920
<i>retired and without</i>
<i>his sidekick Hastings.</i>

384
00:17:08,119 --> 00:17:09,920
I think Christie
realized pretty soon

385
00:17:10,000 --> 00:17:12,319
that actually she was quite
encumbered by Hastings.

386
00:17:12,400 --> 00:17:14,800
So she was quite happy
to marry him off

387
00:17:14,880 --> 00:17:16,280
and send him to the Argentine.

388
00:17:16,359 --> 00:17:17,520
[phone ringing]

389
00:17:17,599 --> 00:17:18,680
[narrator] The Murder
of Roger Ackroyd

390
00:17:18,760 --> 00:17:20,560
<i>is narrated in the first person</i>

391
00:17:20,640 --> 00:17:22,880
<i>by Poirot's neighbor,</i>
<i>Dr. Sheppard.</i>

392
00:17:22,960 --> 00:17:24,000
Dr. Sheppard.

393
00:17:24,119 --> 00:17:28,520
Dr. Sheppard in the book,
plays the Hastings role.

394
00:17:28,920 --> 00:17:30,560
He accompanies Poirot,

395
00:17:30,640 --> 00:17:33,440
he knows a certain amount
of what Poirot is thinking.

396
00:17:33,520 --> 00:17:36,040
The friendship between
Poirot and Dr. Sheppard,

397
00:17:36,120 --> 00:17:38,720
who is so desperate to
help him solve the crime

398
00:17:38,800 --> 00:17:39,960
is a really interesting one

399
00:17:40,080 --> 00:17:41,720
particularly in light of what happens.

400
00:17:41,800 --> 00:17:44,600
And you've also got
Sheppard's sister, Caroline.

401
00:17:44,680 --> 00:17:46,800
I saw something quite
peculiar just now.

402
00:17:46,880 --> 00:17:47,840
[Sheppard] Really?

403
00:17:47,920 --> 00:17:51,000
She knows everything that's
going on in this village.

404
00:17:51,080 --> 00:17:52,360
He was talking to a girl.

405
00:17:52,440 --> 00:17:53,560
And if she doesn't know it

406
00:17:53,640 --> 00:17:55,000
she's jolly well gonna find out.

407
00:17:55,080 --> 00:17:57,560
[door thuds]

408
00:17:57,640 --> 00:18:01,920
No. The fewer people disturb
this room the better.

409
00:18:08,160 --> 00:18:10,400
[narrator] <i>The incredible</i>
<i>twist at the end of the book</i>

410
00:18:10,480 --> 00:18:13,880
<i>was suggested to Agatha by</i>
<i>two very different people.</i>

411
00:18:13,960 --> 00:18:15,440
<i>Her sister, Madge's husband,</i>

412
00:18:15,520 --> 00:18:17,720
<i>and a member of the</i>
<i>Royal family, no less.</i>

413
00:18:19,200 --> 00:18:20,760
[Christie] The Murder
of Roger Ackroyd

414
00:18:20,840 --> 00:18:23,080
<i>has been a very decided success,</i>

415
00:18:23,160 --> 00:18:25,040
<i>firstly of course</i>
<i>was having found</i>

416
00:18:26,200 --> 00:18:29,400
<i>an original twist for</i>
<i>a detective story slot.</i>

417
00:18:29,480 --> 00:18:33,040
<i>this which I must say,</i>
<i>I owe mostly</i>

418
00:18:33,120 --> 00:18:35,400
<i>to my brother-in-law's</i>
<i>chance remark,</i>

419
00:18:36,240 --> 00:18:37,480
<i>and as a matter of fact,</i>

420
00:18:37,560 --> 00:18:40,200
<i>the same idea though</i>
<i>in a different form</i>

421
00:18:40,280 --> 00:18:43,360
<i>was suggested to me</i>
<i>by no less a person</i>

422
00:18:43,440 --> 00:18:45,680
<i>than Lord Louis Mountbatten.</i>

423
00:18:46,200 --> 00:18:47,880
The secret of <i>Roger Ackroyd</i>

424
00:18:49,120 --> 00:18:51,480
is in pretty much every
sentence of the book.

425
00:18:52,920 --> 00:18:55,440
And I read it a second
time simply to see

426
00:18:55,520 --> 00:18:59,240
if there was a single
sentence that was fake

427
00:18:59,320 --> 00:19:00,560
or which lied to me.

428
00:19:00,880 --> 00:19:02,120
And I can tell you, there isn't.

429
00:19:02,200 --> 00:19:04,400
I think it's a
brilliant book to reread

430
00:19:04,480 --> 00:19:08,280
because to see how she
has placed those clues

431
00:19:08,360 --> 00:19:09,360
is just exquisite.

432
00:19:09,720 --> 00:19:11,200
[glass shattering]

433
00:19:11,280 --> 00:19:12,720
[narrator] <i>Adapting the</i>
<i>book for television.</i>

434
00:19:12,800 --> 00:19:13,920
Are you all right
Chief Inspector?

435
00:19:14,000 --> 00:19:16,320
[narrator] <i>Was not a challenge</i>
<i>for the faint-hearted.</i>

436
00:19:16,800 --> 00:19:19,680
<i>I've adapted many, many</i>
<i>Agatha Christie short stories and novels,</i>

437
00:19:19,760 --> 00:19:21,680
<i>and they each had</i>
<i>different challenges.</i>

438
00:19:21,760 --> 00:19:23,520
Actually when you
deconstructed them,

439
00:19:23,600 --> 00:19:25,360
trying to reconstruct them again

440
00:19:25,440 --> 00:19:27,480
and nail them to the
screen, as it were,

441
00:19:27,560 --> 00:19:28,560
was often quite difficult.

442
00:19:29,840 --> 00:19:31,120
[narrator] <i>With this book,</i>

443
00:19:31,200 --> 00:19:32,880
<i>it was impossible</i>
<i>to tell the story</i>

444
00:19:32,960 --> 00:19:34,520
<i>the way Agatha had intended.</i>

445
00:19:35,440 --> 00:19:38,080
The TV adaptation
with David Suchet

446
00:19:38,160 --> 00:19:40,240
famously really didn't
use the plot twist

447
00:19:40,320 --> 00:19:42,720
and kind of actually
operated in a more

448
00:19:42,800 --> 00:19:44,360
traditional linear manner.

449
00:19:45,560 --> 00:19:47,400
[narrator] The Murder
of Roger Ackroyd

450
00:19:47,480 --> 00:19:51,800
<i>was published by Collins</i>
<i>in 1926 to great acclaim.</i>

451
00:19:51,880 --> 00:19:54,360
<i>But the book's central</i>
<i>twist was to be mirrored</i>

452
00:19:54,440 --> 00:19:56,080
<i>by an equally sensational twist</i>

453
00:19:56,160 --> 00:19:58,440
<i>in the life of Agatha Christie.</i>

454
00:20:03,800 --> 00:20:08,720
<i>In 1926, Agatha Christie published</i>
The Murder of Roger Ackroyd."

455
00:20:09,480 --> 00:20:11,960
<i>The book was hailed as a triumph</i>

456
00:20:12,040 --> 00:20:13,880
<i>and propelled her</i>
<i>to superstardom.</i>

457
00:20:15,440 --> 00:20:18,680
<i>But her personal life</i>
<i>started to fall apart.</i>

458
00:20:19,200 --> 00:20:20,200
{\an8}It's always seemed
odd to me that

459
00:20:20,280 --> 00:20:21,760
{\an8}<i>The Murder of Roger Ackroyd</i>

460
00:20:21,840 --> 00:20:25,680
{\an8}comes out this great
triumph in 1926,

461
00:20:25,760 --> 00:20:27,440
because that was
the year her life

462
00:20:27,520 --> 00:20:29,080
went so spectacularly wrong.

463
00:20:29,720 --> 00:20:32,600
[narrator] <i>Just after the</i>
<i>publication of </i>Roger Ackroyd

464
00:20:32,680 --> 00:20:34,560
<i>Agatha's mother died.</i>

465
00:20:34,640 --> 00:20:38,040
She absolutely worshiped
her mother, Clara.

466
00:20:38,120 --> 00:20:41,040
This little woman but
with such a force.

467
00:20:41,120 --> 00:20:43,320
<i>She was a perfect mother really.</i>

468
00:20:43,400 --> 00:20:45,400
[narrator] <i>While Agatha was</i>
<i>clearing the family house</i>

469
00:20:45,480 --> 00:20:47,080
<i>of her mother's belongings,</i>

470
00:20:47,160 --> 00:20:50,720
<i>her husband Archie turned</i>
<i>up with devastating news.</i>

471
00:20:50,800 --> 00:20:52,760
<i>He wanted a divorce.</i>

472
00:20:52,840 --> 00:20:54,440
<i>The sense of betrayal</i>
<i>was like a scene</i>

473
00:20:54,520 --> 00:20:55,960
<i>from one of her own novels.</i>

474
00:20:57,000 --> 00:21:01,000
{\an8}Archie met someone else and...

475
00:21:01,080 --> 00:21:03,640
{\an8}and things just, you know,
fell to pieces.

476
00:21:03,720 --> 00:21:06,160
{\an8}She must've been desperately low

477
00:21:06,240 --> 00:21:10,400
{\an8}and so, I mean, Archie couldn't
have chosen a worse moment.

478
00:21:10,480 --> 00:21:11,640
[narrator]
<i>This was the beginning</i>

479
00:21:11,720 --> 00:21:14,680
<i>of an extraordinary series</i>
<i>of events in her personal life</i>

480
00:21:14,760 --> 00:21:17,440
<i>that would develop into</i>
<i>one of the most enduring</i>

481
00:21:17,520 --> 00:21:20,720
<i>real-life mystery stories</i>
<i>of the 20th century.</i>

482
00:21:22,080 --> 00:21:24,480
<i>On the 3rd of December, 1926,</i>

483
00:21:24,560 --> 00:21:28,440
<i>the then 36 year-old Agatha</i>
<i>left her home in Sunningdale</i>

484
00:21:28,720 --> 00:21:31,200
<i>said goodbye to her</i>
<i>sleeping daughter</i>

485
00:21:31,280 --> 00:21:33,120
<i>and then drove off</i>
<i>into the night.</i>

486
00:21:39,360 --> 00:21:42,240
<i>The next morning,</i>
<i>the vehicle was found abandoned</i>

487
00:21:42,320 --> 00:21:45,640
<i>on a hillside close to the</i>
<i>Silent Pool, in Shere, Surrey.</i>

488
00:21:47,880 --> 00:21:50,760
<i>Inside was a fur coat</i>
<i>and a driving license.</i>

489
00:21:51,360 --> 00:21:53,840
<i>Of Agatha Christie,</i>
<i>there was no sign.</i>

490
00:21:55,760 --> 00:21:57,680
[Prichard] <i>I mean the media</i>
<i>reaction to this was extraordinary.</i>

491
00:21:57,760 --> 00:22:00,600
<i>In some ways, this catapulted</i>
<i>her to another level of fame.</i>

492
00:22:00,680 --> 00:22:02,240
<i>It was a massive story.</i>

493
00:22:02,320 --> 00:22:05,240
<i>Thousands of people went around</i>
<i>the country searching for her.</i>

494
00:22:06,160 --> 00:22:08,120
<i>Lakes were dredged,</i>
<i>all those kinds of things.</i>

495
00:22:09,680 --> 00:22:11,960
[narrator] <i>After 11 days,</i>
<i>Agatha turned up</i>

496
00:22:12,040 --> 00:22:14,560
<i>at a hotel in Harrogate.</i>

497
00:22:14,640 --> 00:22:16,320
<i>She refused to speak</i>
<i>about the incident</i>

498
00:22:16,400 --> 00:22:19,720
<i>and was put off doing publicity</i>
<i>for the rest of her life.</i>

499
00:22:19,800 --> 00:22:23,400
Now exactly what happened
between her leaving Sunningdale

500
00:22:23,480 --> 00:22:25,440
and turning up in
Harrogate, no one knows.

501
00:22:25,520 --> 00:22:27,720
It's actually a bigger
mystery than any of her books.

502
00:22:27,800 --> 00:22:29,280
Throughout my life
I've always hoped

503
00:22:29,360 --> 00:22:30,520
that there is an envelope

504
00:22:30,600 --> 00:22:32,240
that will be passed
down through the family

505
00:22:32,320 --> 00:22:34,480
and that one day I will get it.

506
00:22:34,560 --> 00:22:36,440
I suspect there isn't

507
00:22:36,520 --> 00:22:39,800
but I guess my father
may have it still. [laughs]

508
00:22:39,960 --> 00:22:42,480
And I may get it one time or
my sisters may get it. I don't know.

509
00:22:43,480 --> 00:22:45,360
[narrator] The Murder
of Roger Ackroyd

510
00:22:45,440 --> 00:22:49,280
<i>is widely held to be the greatest crime</i>
<i>novel of all time.</i>

511
00:22:49,360 --> 00:22:51,320
<i>But Agatha was tiring of Poirot.</i>

512
00:22:51,400 --> 00:22:53,760
<i>She began to look for a new hero</i>

513
00:22:53,840 --> 00:22:55,840
<i>and was inspired by</i>
<i>one of the characters</i>

514
00:22:55,920 --> 00:22:57,800
<i>she had created in</i>
Roger Ackroyd.

515
00:22:58,440 --> 00:23:00,120
Why, Hercule.

516
00:23:01,720 --> 00:23:02,840
Madame Sheppard.

517
00:23:03,200 --> 00:23:05,640
Isn't it terrible
about poor Parker?

518
00:23:07,360 --> 00:23:08,800
[narrator] <i>The character</i>
<i>of Caroline Sheppard</i>

519
00:23:08,880 --> 00:23:11,600
<i>was one of the inspirations</i>
<i>behind Agatha's new</i>

520
00:23:11,680 --> 00:23:12,840
<i>literary detective,</i>

521
00:23:12,920 --> 00:23:14,960
<i>and she first appeared</i>
<i>in her next novel.</i>

522
00:23:15,040 --> 00:23:17,680
<i>It's one of Agatha's</i>
<i>most well-known stories</i>

523
00:23:17,760 --> 00:23:19,680
<i>and tells a tale</i>
<i>of murder most foul</i>

524
00:23:19,760 --> 00:23:21,920
<i>in another quiet</i>
<i>English village.</i>

525
00:23:32,000 --> 00:23:33,520
{\an8}[Hannah]
<i>One thing I love about the novel,</i>

526
00:23:33,600 --> 00:23:37,280
{\an8}her enjoyment of the
story she's telling

527
00:23:37,360 --> 00:23:39,000
{\an8}leaps off every page.

528
00:23:39,080 --> 00:23:41,880
[narrator] <i>Agatha</i>
<i>Christie's new detective</i>

529
00:23:41,960 --> 00:23:44,760
<i>was none other than</i>
<i>an elderly spinster,</i>

530
00:23:45,960 --> 00:23:47,000
<i>Miss Marple.</i>

531
00:23:48,360 --> 00:23:49,960
-Nosy.
-Suspicious.

532
00:23:50,040 --> 00:23:50,960
Skeptical.

533
00:23:51,040 --> 00:23:52,320
Inquisitive.

534
00:23:52,840 --> 00:23:54,200
Self-effacing.

535
00:23:54,280 --> 00:23:55,800
Just granny-like.

536
00:23:55,880 --> 00:23:58,000
-Fluffy on the outside.
-Machiavellian.

537
00:23:58,080 --> 00:24:04,240
This brilliant, brilliant
concept of the little old lady

538
00:24:04,320 --> 00:24:08,880
who's got a better brain than
the head of Scotland Yard.

539
00:24:10,600 --> 00:24:12,800
[Christie] <i>I just had the idea.</i>

540
00:24:12,880 --> 00:24:15,080
<i>An old spinster lady,</i>
<i>living in a village.</i>

541
00:24:15,160 --> 00:24:19,160
<i>The sort of old lady</i>
<i>who would have been</i>

542
00:24:19,240 --> 00:24:21,800
<i>rather like some of my</i>
<i>grandmother's cronies.</i>

543
00:24:24,240 --> 00:24:26,640
After her life had gone
so spectacularly wrong

544
00:24:26,720 --> 00:24:29,640
I think possibly
it was a comfort

545
00:24:29,720 --> 00:24:33,000
to recreate the women
of her childhood.

546
00:24:33,840 --> 00:24:36,640
[Christie] <i>That she had this in</i>
<i>common with my grandmother,</i>

547
00:24:36,720 --> 00:24:38,840
<i>that although a completely</i>
<i>careful person,</i>

548
00:24:38,920 --> 00:24:43,440
<i>and she always expected the</i>
<i>worst of anyone and everything,</i>

549
00:24:43,520 --> 00:24:46,960
<i>and was, with almost</i>
<i>frightening accuracy,</i>

550
00:24:47,040 --> 00:24:48,760
<i>usually proved right.</i>

551
00:24:49,640 --> 00:24:51,560
Nothing goes past you
Miss Marple, does it?

552
00:24:51,640 --> 00:24:53,200
Hardly ever.

553
00:24:54,720 --> 00:24:58,000
[Prichard] <i>She obviously was slightly</i>
<i>nosy, perhaps a little Agatha,</i>

554
00:24:58,160 --> 00:24:59,920
you know, she noticed
what went on around her,

555
00:25:00,000 --> 00:25:03,000
she's constantly popping
up from pruning her roses

556
00:25:03,080 --> 00:25:04,880
to notice whoever
it is walking past.

557
00:25:04,960 --> 00:25:07,960
She has no life experience,

558
00:25:08,040 --> 00:25:09,280
she's never been married,

559
00:25:09,360 --> 00:25:10,280
she's never had children,

560
00:25:10,360 --> 00:25:13,560
she's never experienced
intense emotions

561
00:25:13,640 --> 00:25:16,360
of the kind that lead
one to commit murder

562
00:25:16,440 --> 00:25:17,880
but she can recognize them.

563
00:25:19,160 --> 00:25:21,360
[narrator] <i>The book is set in</i>
<i>the quaint English village,</i>

564
00:25:21,440 --> 00:25:23,480
<i>of St. Mary Mead.</i>

565
00:25:23,560 --> 00:25:25,320
She never lived in
a village, Agatha,

566
00:25:25,400 --> 00:25:26,480
not like St. Mary Mead,

567
00:25:26,560 --> 00:25:28,360
but she knew that life.

568
00:25:28,440 --> 00:25:31,280
The details are very, very good.

569
00:25:31,360 --> 00:25:33,720
[narrator] <i>There is one</i>
<i>resident the villagers despise,</i>

570
00:25:33,800 --> 00:25:35,880
<i>Colonel Protheroe.</i>

571
00:25:35,960 --> 00:25:38,720
I expect to see a full
set of parish accounts

572
00:25:38,800 --> 00:25:40,920
or I'm gonna take
this matter further.

573
00:25:41,000 --> 00:25:42,360
Yes? Is that quite clear?

574
00:25:42,440 --> 00:25:43,680
Everybody loathes him.

575
00:25:43,760 --> 00:25:45,320
He's making enemies
left, right, and center.

576
00:25:45,400 --> 00:25:47,480
So he's kinda got an
arrow saying "victim"

577
00:25:47,560 --> 00:25:48,920
pointing to his head.

578
00:25:49,000 --> 00:25:51,960
And then, "oh, hello,"
in the village

579
00:25:52,040 --> 00:25:56,400
there's this kind of glamorous
young man painting everybody.

580
00:25:57,320 --> 00:25:58,440
I forgot you were coming.

581
00:25:58,520 --> 00:26:00,880
The usual stuff going on there.

582
00:26:02,960 --> 00:26:04,680
Is he doing Mrs. Protheroe too?

583
00:26:04,760 --> 00:26:08,440
You've also got this
beautiful kind of chorus

584
00:26:08,520 --> 00:26:12,320
<i>transposed to the English home</i>
<i>counties, of the old ladies.</i>

585
00:26:12,400 --> 00:26:15,240
Ms. Hartnell, Mrs. Price-Ridley,
Miss Weatherby, whatever,

586
00:26:15,320 --> 00:26:17,000
they were completely in charge.

587
00:26:17,080 --> 00:26:18,440
The vicar's terrified of them.

588
00:26:20,640 --> 00:26:22,840
[narrator] <i>The Colonel is</i>
<i>discovered in his study</i>

589
00:26:22,920 --> 00:26:24,200
<i>shot in the head.</i>

590
00:26:24,280 --> 00:26:26,360
{\an8}There were some really
obvious suspects.

591
00:26:26,440 --> 00:26:29,960
{\an8}In fact a couple of people who step
forward and said, actually I did this.

592
00:26:30,040 --> 00:26:34,080
A very bold piece of
misdirection as to the culprit,

593
00:26:34,160 --> 00:26:37,000
but it comes down to a
beautiful simplicity in the end.

594
00:26:37,080 --> 00:26:40,000
[narrator] <i>Miss Marple</i>
<i>first appeared on screen</i>

595
00:26:40,080 --> 00:26:44,360
<i>32 years after </i>Murder at the
Vicarage <i>was first published.</i>

596
00:26:44,440 --> 00:26:46,480
<i>She was played by</i>
<i>Margaret Rutherford</i>

597
00:26:46,560 --> 00:26:48,680
<i>and Angela Lansbury</i>
<i>on the big screen.</i>

598
00:26:49,920 --> 00:26:51,600
<i>Then in 1984,</i>

599
00:26:51,680 --> 00:26:54,560
<i>the BBC adapted all the</i>
<i>original Miss Marple stories,</i>

600
00:26:54,640 --> 00:26:56,640
<i>starring Joan Hickson.</i>

601
00:26:56,720 --> 00:27:00,840
[Bond] <i>Joan Hickson who I</i>
<i>thought was wonderful.</i>

602
00:27:02,600 --> 00:27:06,400
{\an8}Joan wasn't a big enough
name to be in the films,

603
00:27:06,480 --> 00:27:09,040
but she did have a letter
from Agatha Christie saying,

604
00:27:09,120 --> 00:27:11,400
"you are my perfect
idea of Marple."

605
00:27:12,600 --> 00:27:15,520
Oh. You look very shocked vicar.
Come and sit down.

606
00:27:15,600 --> 00:27:18,200
{\an8}I remember watching Joan Hickson
thinking, she is so good.

607
00:27:19,120 --> 00:27:23,600
In the 21st century, ITV
brought back Miss Marple,

608
00:27:23,680 --> 00:27:26,640
first of all, with Geraldine McEwan,
and then with Julia McKenzie.

609
00:27:26,720 --> 00:27:30,040
<i>Geraldine McEwan's</i>
<i>is much more broad.</i>

610
00:27:30,120 --> 00:27:34,280
Julia McKenzie goes back to
that sort of original idea

611
00:27:34,360 --> 00:27:36,800
that actually she sits
around in the background

612
00:27:36,880 --> 00:27:40,240
and really observes and doesn't
draw attention to herself.

613
00:27:42,040 --> 00:27:44,560
[narrator] <i>Miss Marple was an</i>
<i>instant hit with the public</i>

614
00:27:44,640 --> 00:27:48,080
<i>both in the adaptations</i>
<i>and in the original novel.</i>

615
00:27:48,760 --> 00:27:51,680
<i>The post World War I</i>
<i>public were comforted</i>

616
00:27:51,760 --> 00:27:54,360
<i>by this unconventional</i>
<i>matriarchal detective.</i>

617
00:27:56,240 --> 00:27:59,880
<i>By 1928 Agatha and Archie's</i>
<i>divorce was finalized.</i>

618
00:27:59,960 --> 00:28:01,840
<i>She was allowed to</i>
<i>keep his surname</i>

619
00:28:01,920 --> 00:28:03,920
<i>but after the scandal</i>
<i>of her disappearance</i>

620
00:28:04,000 --> 00:28:06,200
<i>she was constantly</i>
<i>hounded by the press.</i>

621
00:28:06,720 --> 00:28:09,960
<i>Agatha left England and</i>
<i>headed east, to Baghdad.</i>

622
00:28:11,480 --> 00:28:13,640
She heard about that
part of the world

623
00:28:13,720 --> 00:28:15,720
and decided that she'd
like to go there.

624
00:28:15,800 --> 00:28:18,000
I think this sums up her
kind of adventurous spirit.

625
00:28:18,080 --> 00:28:20,840
It's hard to imagine now,
but I think, you know,

626
00:28:20,920 --> 00:28:25,520
I think you should-- is that how
brave she must've been

627
00:28:25,600 --> 00:28:29,000
at a time when a woman traveling
that far, you know, on her own

628
00:28:29,080 --> 00:28:30,040
would have been very rare.

629
00:28:31,760 --> 00:28:32,800
[narrator] <i>In Iraq,</i>

630
00:28:32,880 --> 00:28:34,720
<i>Agatha discovered a</i>
<i>love of archeology.</i>

631
00:28:35,960 --> 00:28:38,200
<i>She returned to Iraq</i>
<i>for a second time</i>

632
00:28:38,280 --> 00:28:41,520
<i>and that's when she met a</i>
<i>dashing young archaeologist</i>

633
00:28:41,600 --> 00:28:42,600
<i>called Max Mallowan.</i>

634
00:28:44,080 --> 00:28:46,600
<i>They fell in love and as soon</i>
<i>as they got back to England</i>

635
00:28:46,680 --> 00:28:48,200
<i>they were married.</i>

636
00:28:48,280 --> 00:28:51,440
<i>Throughout her travels</i>
<i>Agatha continued to write.</i>

637
00:28:52,000 --> 00:28:53,120
<i>One book in particular</i>

638
00:28:53,200 --> 00:28:55,400
<i>was influenced by</i>
<i>her trips to Baghdad.</i>

639
00:28:56,880 --> 00:28:59,240
<i>It was full of</i>
<i>glamor and intrigue</i>

640
00:28:59,320 --> 00:29:02,880
<i>and it would go on to inspire</i>
<i>two blockbuster Hollywood movies.</i>

641
00:29:04,120 --> 00:29:06,520
<i>Because instead of</i>
<i>traveling by steamship,</i>

642
00:29:06,600 --> 00:29:08,840
<i>Agatha decided to</i>
<i>take the train.</i>

643
00:29:20,720 --> 00:29:24,040
[train whistle trumpets]

644
00:29:24,120 --> 00:29:26,320
<i>Agatha Christie's</i>
<i>most celebrated work</i>

645
00:29:26,400 --> 00:29:28,160
<i>was published in 1934.</i>

646
00:29:29,320 --> 00:29:32,000
<i>It's set on the</i>
<i>exotic Orient Express</i>

647
00:29:32,240 --> 00:29:35,720
<i>the train that Agatha took</i>
<i>that connects East to West.</i>

648
00:29:36,120 --> 00:29:40,520
{\an8}It is the summit of her genius,
in many respects the...

649
00:29:40,600 --> 00:29:44,760
{\an8}again, so hard to discuss it
without mentioning the solution.

650
00:29:45,280 --> 00:29:48,760
It has a claim to being
Christie's masterpiece.

651
00:29:48,840 --> 00:29:52,600
The solution is one
of the cleverest,

652
00:29:52,680 --> 00:29:55,680
if not the cleverest in the
whole of mystery fiction.

653
00:29:56,680 --> 00:29:59,920
[Horowitz] <i>Hercule Poirot is called</i>
<i>back from Istanbul to England</i>

654
00:30:00,000 --> 00:30:01,120
<i>and has to take a train.</i>

655
00:30:01,200 --> 00:30:04,000
He manages to get a second
class ticket on board

656
00:30:04,080 --> 00:30:05,360
the famous Orient Express.

657
00:30:06,160 --> 00:30:07,640
[narrator] <i>The Calais</i>
<i>coach on the train</i>

658
00:30:07,720 --> 00:30:09,760
<i>is full of an eclectic</i>
<i>bunch of characters</i>

659
00:30:09,840 --> 00:30:12,800
<i>from princesses to</i>
<i>traveling salesmen.</i>

660
00:30:12,880 --> 00:30:15,480
Where he meets an American
called Mr. Ratchett,

661
00:30:15,560 --> 00:30:17,240
who asks him for his protection.

662
00:30:17,320 --> 00:30:21,080
He's been getting death threats
and Poirot turns him down.

663
00:30:21,160 --> 00:30:22,720
He says,
"I don't like your face."

664
00:30:22,800 --> 00:30:26,120
<i>And then Ratchett's murdered.</i>

665
00:30:26,200 --> 00:30:27,200
<i>Stabbed.</i>

666
00:30:27,280 --> 00:30:30,040
<i>Multiple, multiple stab wounds.</i>

667
00:30:30,120 --> 00:30:32,920
[narrator] <i>The plot is</i>
<i>based on a true story.</i>

668
00:30:33,000 --> 00:30:36,880
<i>In 1932, famous aviator</i>
<i>Charles Lindbergh's son</i>

669
00:30:36,960 --> 00:30:39,240
<i>was kidnapped and then murdered.</i>

670
00:30:40,200 --> 00:30:41,640
A tragic story that
Agatha Christie

671
00:30:41,720 --> 00:30:43,120
had most certainly read.

672
00:30:43,200 --> 00:30:44,400
And there was also the case

673
00:30:44,480 --> 00:30:45,880
that she found
herself on a train,

674
00:30:45,960 --> 00:30:47,800
that due to rain not snow,

675
00:30:47,880 --> 00:30:49,960
was caused to stop for
a great deal of time.

676
00:30:50,200 --> 00:30:53,800
<i>So she put those two together</i>
<i>to create this masterpiece.</i>

677
00:30:53,880 --> 00:30:57,320
The weather has stopped the
train, no one can escape.

678
00:30:57,400 --> 00:30:59,240
There's very much a
sense of, like, claustrophobia.

679
00:31:00,440 --> 00:31:02,080
[narrator] <i>In the book,</i>
<i>Agatha cleverly traps</i>

680
00:31:02,160 --> 00:31:05,560
<i>her cast of characters in</i>
<i>the enclosed environment</i>

681
00:31:05,640 --> 00:31:07,280
<i>of a train carriage.</i>

682
00:31:07,360 --> 00:31:09,840
The detective Hercule
Poirot believes

683
00:31:09,920 --> 00:31:13,560
that the murderer is still
on the train with us.

684
00:31:13,640 --> 00:31:18,280
It becomes apparent that no
single one of the passengers

685
00:31:18,360 --> 00:31:19,760
can possibly have done it

686
00:31:19,840 --> 00:31:24,480
because everyone is alibied
by at least one other person.

687
00:31:25,600 --> 00:31:29,280
[narrator] <i>Throughout the story the</i>
<i>reader is teased by the terrible kidnap</i>

688
00:31:29,360 --> 00:31:31,560
<i>and murder that happened</i>
<i>a couple of years before.</i>

689
00:31:31,800 --> 00:31:34,920
This is a complex case that actually is
not as straightforward

690
00:31:35,000 --> 00:31:37,760
as somebody killing just
for perhaps financial gain.

691
00:31:37,840 --> 00:31:42,360
And then Poirot unveils
this amazing solution

692
00:31:42,440 --> 00:31:44,440
that is the only one that
makes it all possible

693
00:31:44,520 --> 00:31:46,480
and yet we just did not see it

694
00:31:46,560 --> 00:31:48,440
and never would have seen
it in a million years.

695
00:31:50,520 --> 00:31:53,160
[narrator] <i>The solution sees Poirot</i>
<i>facing an interesting dilemma</i>

696
00:31:53,240 --> 00:31:55,640
<i>as the recently</i>
<i>murdered, Mr. Ratchett,</i>

697
00:31:55,720 --> 00:31:57,000
<i>was a very unpleasant man.</i>

698
00:31:57,080 --> 00:31:58,640
He deserved to be executed...

699
00:31:58,720 --> 00:31:59,920
-...for what he did...
-No, no.

700
00:32:00,000 --> 00:32:01,000
-...and the world knows...
-No.

701
00:32:01,080 --> 00:32:02,440
-...it was a travesty that he was not!
-No!

702
00:32:02,520 --> 00:32:04,960
How far do human beings
have the right to

703
00:32:05,040 --> 00:32:10,200
bring about justice if legal
justice has let them down?

704
00:32:10,560 --> 00:32:12,280
Which is a really,
really big question

705
00:32:12,360 --> 00:32:14,800
<i>and the whole book</i>
<i>turns on that idea.</i>

706
00:32:15,760 --> 00:32:18,760
He puts forward two possible
solutions to the crime.

707
00:32:18,840 --> 00:32:21,880
One is an anonymous killer who
comes and goes in the night,

708
00:32:21,960 --> 00:32:24,120
and the other is
the real killer.

709
00:32:24,200 --> 00:32:27,400
And he allows the
police officer to decide

710
00:32:27,480 --> 00:32:29,160
which version he is going to use

711
00:32:29,240 --> 00:32:31,720
so the real killer
actually goes free.

712
00:32:32,120 --> 00:32:35,200
[narrator] Murder on the Orient
Express <i>has been made into</i>

713
00:32:35,280 --> 00:32:37,280
<i>two big budget feature films.</i>

714
00:32:37,760 --> 00:32:40,480
<i>The most recent of these was</i>
<i>directed by Kenneth Branagh</i>

715
00:32:40,640 --> 00:32:42,160
<i>in 2015.</i>

716
00:32:42,240 --> 00:32:45,520
<i>He also starred as none</i>
<i>other than Hercule Poirot.</i>

717
00:32:45,600 --> 00:32:49,680
From the minute I saw
Kenneth Branagh being Poirot,

718
00:32:49,760 --> 00:32:53,120
I believed in him as Poirot.

719
00:32:53,200 --> 00:32:54,920
[Dr. Aldridge]
<i>Physically, a lot of people</i>

720
00:32:55,000 --> 00:32:56,600
<i>were surprised by the mustache</i>

721
00:32:56,680 --> 00:32:58,480
<i>but also I think that people think</i>

722
00:32:58,560 --> 00:33:01,360
of Poirot as being a bit sort of
perhaps shorter and stouter

723
00:33:01,440 --> 00:33:03,240
than Kenneth Branagh actually is.

724
00:33:03,320 --> 00:33:05,760
But he showed that you can
really rethink and reinvent

725
00:33:05,840 --> 00:33:07,200
the character in different ways.

726
00:33:07,280 --> 00:33:11,240
[narrator] <i>But back in 1974,</i>
<i>director Sidney Lumet</i>

727
00:33:11,320 --> 00:33:14,280
<i>was the first to persuade</i>
<i>the greatest actors of the day</i>

728
00:33:14,360 --> 00:33:16,320
<i>to jump aboard his</i>
<i>epic production.</i>

729
00:33:16,520 --> 00:33:18,760
{\an8}I think Sidney Lumet
did us a huge favor

730
00:33:18,840 --> 00:33:20,640
{\an8}with
<i>Murder on the Orient Express.</i>

731
00:33:20,720 --> 00:33:23,360
{\an8}He kind of set up that genre

732
00:33:23,440 --> 00:33:26,240
{\an8}of the all star murder mystery.

733
00:33:26,880 --> 00:33:29,880
[narrator] <i>Sydney Lumet's first</i>
<i>major signing was Sean Connery.</i>

734
00:33:30,880 --> 00:33:32,080
[Akpabio] <i>And as soon</i>
<i>as he got Sean Connery,</i>

735
00:33:32,160 --> 00:33:34,960
then everybody else kind
of said yes, and came.

736
00:33:35,040 --> 00:33:38,080
[narrator] <i>Albert Finney's</i>
<i>one and only portrayal of Poirot,</i>

737
00:33:38,160 --> 00:33:40,480
<i>was thought to be closest</i>
<i>to Agatha's version,</i>

738
00:33:40,560 --> 00:33:42,760
<i>clever, egotistical, and vain.</i>

739
00:33:42,840 --> 00:33:46,840
My first ever experience of
watching a Poirot in anything

740
00:33:46,920 --> 00:33:50,280
was Albert Finney in
<i>Murder on the Orient Express</i>

741
00:33:50,920 --> 00:33:54,240
and I remember loving that
movie, absolutely loving it.

742
00:33:54,320 --> 00:33:59,640
I think Albert Finney's Poirot
was more sort of robust,

743
00:33:59,720 --> 00:34:01,520
he was bigger, he was louder.

744
00:34:01,960 --> 00:34:05,640
[narrator] <i>This was the only big screen</i>
<i>adaptation Agatha Christie saw</i>

745
00:34:05,800 --> 00:34:08,120
<i>when she made one of her</i>
<i>last public appearances</i>

746
00:34:08,199 --> 00:34:10,679
<i>at the premier in 1974.</i>

747
00:34:10,960 --> 00:34:14,120
She did indicate that she was
generally happy with Albert Finney.

748
00:34:14,199 --> 00:34:16,440
[narrator] <i>But Agatha</i>
<i>was far from finished</i>

749
00:34:16,520 --> 00:34:19,520
<i>with either her hero</i>
<i>or exotic locations.</i>

750
00:34:19,760 --> 00:34:23,280
<i>And her next novel, as celebrated as</i>
The Orient Express,

751
00:34:23,360 --> 00:34:25,639
<i>also took Hollywood by storm.</i>

752
00:34:27,280 --> 00:34:30,000
<i>Despite her huge success</i>
<i>as a crime novelist</i>

753
00:34:30,080 --> 00:34:33,320
<i>Agatha Christie continued</i>
<i>to travel the world.</i>

754
00:34:33,440 --> 00:34:36,679
<i>It was even claimed she</i>
<i>became the first Western woman</i>

755
00:34:36,760 --> 00:34:38,280
<i>to stand up on a surfboard.</i>

756
00:34:39,960 --> 00:34:42,639
<i>Back on dry land, Agatha</i>
<i>was a regular feature</i>

757
00:34:42,719 --> 00:34:46,360
<i>on her second husband, Max</i>
<i>Mallowan's archaeological digs.</i>

758
00:34:46,440 --> 00:34:49,280
{\an8}Archaeology is something that
pops up time and time again.

759
00:34:49,360 --> 00:34:52,120
{\an8}She felt particularly happy
on archaeological digs.

760
00:34:52,960 --> 00:34:54,440
[narrator]
<i>It was on a trip to Egypt</i>

761
00:34:54,520 --> 00:34:57,200
<i>that she was inspired to</i>
<i>write another Poirot story.</i>

762
00:34:57,920 --> 00:35:01,200
<i>It was a tale of obsession</i>
<i>and crimes of passion</i>

763
00:35:01,280 --> 00:35:03,280
<i>set against the</i>
<i>stunning backdrop</i>

764
00:35:03,360 --> 00:35:05,600
<i>of the land of the pharaohs.</i>

765
00:35:19,080 --> 00:35:22,160
Death on the Nile <i>is one</i>
<i>of Agatha's shortest books</i>

766
00:35:22,240 --> 00:35:25,120
<i>but the exotic setting</i>
<i>and well-drawn characters</i>

767
00:35:25,200 --> 00:35:27,040
<i>make it one of her most famous.</i>

768
00:35:28,520 --> 00:35:31,400
{\an8}<i>Death on the Nile </i>was probably
the first Agatha Christie I ever read.

769
00:35:31,480 --> 00:35:34,160
{\an8}I love <i>Death on the Nile </i>because I
grew up with <i>Death on the Nile.</i>

770
00:35:34,240 --> 00:35:37,440
{\an8}This is as good as it gets in
terms of detective fiction.

771
00:35:38,160 --> 00:35:39,880
[narrator] Death on the Nile
<i>tells the story</i>

772
00:35:39,960 --> 00:35:42,400
<i>of wealthy American</i>
<i>socialite, Linnet Doyle,</i>

773
00:35:42,480 --> 00:35:44,720
<i>who steals and marries</i>
<i>her best friend's lover.</i>

774
00:35:44,800 --> 00:35:46,600
<i>They then go on</i>
<i>honeymoon to Egypt.</i>

775
00:35:46,680 --> 00:35:47,880
Right over here.

776
00:35:47,960 --> 00:35:54,640
{\an8}First they're joined by the young man's
ex who is obsessed with him.

777
00:35:54,800 --> 00:35:55,640
Linnet.

778
00:35:57,480 --> 00:36:00,040
What a simply divine surprise.

779
00:36:00,120 --> 00:36:03,360
We just can't stop bumping
into each other, can we?

780
00:36:04,640 --> 00:36:05,880
Hello, Simon.

781
00:36:05,960 --> 00:36:09,240
But there's something really--
the beating heart of that story,

782
00:36:09,320 --> 00:36:10,640
the love triangle,

783
00:36:10,720 --> 00:36:15,000
that story of betrayal and
what you'll do for love

784
00:36:15,080 --> 00:36:16,640
is really powerful.

785
00:36:19,280 --> 00:36:22,600
[narrator] <i>This is another</i>
<i>of Agatha's closed mysteries.</i>

786
00:36:22,680 --> 00:36:25,040
<i>This time she traps</i>
<i>her characters</i>

787
00:36:25,120 --> 00:36:27,960
<i>on a seemingly tranquil</i>
<i>cruise down the Nile.</i>

788
00:36:28,240 --> 00:36:31,960
In the course of this cruise,
there is an altercation.

789
00:36:32,040 --> 00:36:33,960
-Ms. De Bellefort!
-I'll shoot you like a dog!

790
00:36:34,040 --> 00:36:35,360
-Like the dirty dog you are!
-[gunshot]

791
00:36:35,440 --> 00:36:36,920
-Ah!
-[screams]

792
00:36:39,040 --> 00:36:40,600
She shoots him in the leg.

793
00:36:40,680 --> 00:36:42,440
And while everybody
is crowding round

794
00:36:42,520 --> 00:36:45,480
<i>and a fuss is being</i>
<i>made about this event...</i>

795
00:36:45,760 --> 00:36:47,560
Linnet cops it.

796
00:36:48,520 --> 00:36:51,000
[narrator] <i>Fortunately, one</i>
<i>of the fellow passengers</i>

797
00:36:51,080 --> 00:36:53,560
<i>is none other than</i>
<i>Hercule Poirot.</i>

798
00:36:53,640 --> 00:36:56,960
{\an8}There are lot of people
who've got motives for Linnet

799
00:36:57,040 --> 00:36:58,920
{\an8}so it's a classic in that way,

800
00:37:00,280 --> 00:37:03,720
but the solution does something
different and inventive.

801
00:37:05,040 --> 00:37:06,040
[narrator] Death on the Nile

802
00:37:06,120 --> 00:37:08,920
<i>was first adapted for</i>
<i>the big screen in 1978.</i>

803
00:37:09,000 --> 00:37:12,400
<i>Peter Ustinov made the first of</i>
<i>six big screen appearances as Poirot.</i>

804
00:37:14,080 --> 00:37:17,120
<i>His portrayal was thought to be</i>
<i>more lighthearted and bumbling.</i>

805
00:37:17,240 --> 00:37:19,120
I love the Peter Ustinov Poirot.

806
00:37:21,040 --> 00:37:22,480
It's maybe a bit left-field,

807
00:37:22,560 --> 00:37:24,480
but I absolutely
adore him as Poirot.

808
00:37:24,560 --> 00:37:27,320
The Ustinov Poirot is
much more sort of gentle,

809
00:37:27,400 --> 00:37:28,680
it's somebody who
you'd much rather have

810
00:37:28,760 --> 00:37:30,120
at a dinner party.

811
00:37:30,200 --> 00:37:32,640
And you can see a lot of
Peter Ustinov and his sort of--

812
00:37:32,720 --> 00:37:36,360
as famous raconteur, you can see
a lot of that in his version of Poirot.

813
00:37:36,440 --> 00:37:38,640
[narrator] <i>Like</i>
Murder on the Orient Express,

814
00:37:38,720 --> 00:37:40,880
<i>this film attracted</i>
<i>an all-star cast.</i>

815
00:37:41,560 --> 00:37:44,680
Sort of cast to the hilt, we'll get
Maggie Smith, we'll throw her in.

816
00:37:44,760 --> 00:37:46,520
<i>We'll get Bette Davis.</i>

817
00:37:46,600 --> 00:37:49,240
So you again, got that very, um...

818
00:37:50,400 --> 00:37:52,600
stellar quality to
the whole thing.

819
00:37:53,000 --> 00:37:55,560
[narrator] <i>In 2020 Kenneth</i>
<i>Branagh reprised his role</i>

820
00:37:55,640 --> 00:37:58,880
<i>as Poirot in another lavish</i>
<i>star-studded production.</i>

821
00:37:58,960 --> 00:38:01,120
We're incredibly
excited about the new

822
00:38:01,200 --> 00:38:04,680
feature film version
of <i>Death on the Nile.</i>

823
00:38:04,760 --> 00:38:07,240
So we worked closely with
Michael Green who adapted the book

824
00:38:07,320 --> 00:38:09,920
and also wrote
<i>Murder on the Orient Express.</i>

825
00:38:10,000 --> 00:38:14,880
And Michael is fantastic
at taking the story,

826
00:38:14,960 --> 00:38:16,720
actually not changing
it very much,

827
00:38:16,800 --> 00:38:18,480
but making it feel
really relevant to today.

828
00:38:18,560 --> 00:38:20,040
[Prichard]
<i>We have an extraordinary cast.</i>

829
00:38:20,120 --> 00:38:23,640
I mean, obviously you have
Ken Branagh as Poirot himself,

830
00:38:23,720 --> 00:38:25,840
but then you've got Gal Gadot,
you've got Armie Hammer,

831
00:38:26,600 --> 00:38:27,440
<i>you got Emma Mackey,</i>

832
00:38:27,520 --> 00:38:28,960
<i>you've got all sorts of stars.</i>

833
00:38:29,040 --> 00:38:29,960
<i>You've got Annette Bening.</i>

834
00:38:30,040 --> 00:38:31,160
<i>And the cast is younger</i>

835
00:38:31,240 --> 00:38:33,600
<i>and that leads to a</i>
<i>different atmosphere.</i>

836
00:38:33,680 --> 00:38:35,040
I think fans will
enjoy it a lot.

837
00:38:38,080 --> 00:38:40,320
[narrator] <i>As the</i>
<i>1930s drew to a close,</i>

838
00:38:40,400 --> 00:38:43,040
<i>war clouds were once again</i>
<i>building over Europe.</i>

839
00:38:46,000 --> 00:38:47,760
<i>Agatha, Max, and Rosalind</i>

840
00:38:47,840 --> 00:38:49,920
<i>were living in fashionable</i>
<i>Kensington, London.</i>

841
00:38:51,240 --> 00:38:52,720
<i>Agatha continued to write.</i>

842
00:38:54,640 --> 00:38:57,840
<i>Whenever she could, she would</i>
<i>escape to her childhood home</i>

843
00:38:57,920 --> 00:39:00,640
<i>of Ashfield, in Torquay, Devon.</i>

844
00:39:00,720 --> 00:39:02,520
<i>It was a place that</i>
<i>held fond memories.</i>

845
00:39:02,600 --> 00:39:04,360
[Smith] <i>And much of her</i>
<i>childhood was spent,</i>

846
00:39:04,920 --> 00:39:06,880
{\an8}you know, sort of like,
around Ansteys Cove

847
00:39:06,960 --> 00:39:12,320
{\an8}and Meadfoot Beach doing all the things
that children would enjoy doing.

848
00:39:12,720 --> 00:39:15,720
Her childhood was probably
the happiest time of her life.

849
00:39:17,360 --> 00:39:20,080
[narrator] <i>Agatha's siblings</i>
<i>were much older than her</i>

850
00:39:20,160 --> 00:39:23,160
<i>so she spent most of her early</i>
<i>life alone with her mother.</i>

851
00:39:24,520 --> 00:39:30,040
{\an8}Mother had quite strong
Christian science beliefs for a while.

852
00:39:30,120 --> 00:39:35,400
And one of her very
strong instructions

853
00:39:36,440 --> 00:39:40,240
<i>was that Agatha must</i>
<i>not be taught to read.</i>

854
00:39:41,680 --> 00:39:43,320
She lived in her imagination

855
00:39:43,400 --> 00:39:47,080
and she created worlds
and games for herself.

856
00:39:47,160 --> 00:39:50,320
She also famously
didn't attend school

857
00:39:50,400 --> 00:39:52,400
and her mother didn't
want her to read

858
00:39:52,480 --> 00:39:53,400
until she was seven or eight,

859
00:39:53,480 --> 00:39:55,880
but she secretly
taught herself to read

860
00:39:55,960 --> 00:39:58,880
and then kind of I think, spent
most of her time self-educating.

861
00:39:59,400 --> 00:40:00,800
[Christie]
<i>I never had any education.</i>

862
00:40:00,880 --> 00:40:02,840
<i>Apart from being taught</i>
<i>a little arithmetic,</i>

863
00:40:02,920 --> 00:40:06,240
<i>I've had no lessons</i>
<i>to speak of at all.</i>

864
00:40:06,320 --> 00:40:08,120
<i>But I found myself</i>
<i>making up stories,</i>

865
00:40:08,200 --> 00:40:10,600
<i>and acting the different parts.</i>

866
00:40:10,680 --> 00:40:12,320
[narrator]
<i>Her childhood in Ashfield</i>

867
00:40:12,400 --> 00:40:14,880
<i>had laid the foundations for</i>
<i>her career as a novelist.</i>

868
00:40:14,960 --> 00:40:19,360
<i>As an adult, Devon continued</i>
<i>to spark her imagination,</i>

869
00:40:19,440 --> 00:40:22,360
<i>particularly a hotel</i>
<i>she would often visit</i>

870
00:40:22,440 --> 00:40:23,640
<i>further along the coast.</i>

871
00:40:25,120 --> 00:40:28,280
It, in reality, is actually
accessible at low tide

872
00:40:28,360 --> 00:40:29,480
you can walk across the beach

873
00:40:29,560 --> 00:40:31,440
but then at high
tide it gets cut off.

874
00:40:31,520 --> 00:40:33,800
[narrator] <i>This is Burgh Island</i>

875
00:40:33,880 --> 00:40:35,400
<i>and it was to be the inspiration</i>

876
00:40:35,480 --> 00:40:38,400
<i>for the most successful</i>
<i>mystery story of all time.</i>

877
00:40:41,440 --> 00:40:43,440
<i>It's a dark</i>
<i>psychological thriller</i>

878
00:40:43,520 --> 00:40:46,800
<i>set on an island from</i>
<i>which there's no escape.</i>

879
00:40:54,120 --> 00:40:55,400
[thunder rumbling]

880
00:40:55,480 --> 00:40:57,360
I mean, if I was gonna
put my list of three

881
00:40:57,440 --> 00:40:59,880
greatest murder
mysteries ever written,

882
00:40:59,960 --> 00:41:01,560
I think it'll almost
certainly be on it.

883
00:41:01,640 --> 00:41:06,000
It's an absolutely kind
of irresistible formula

884
00:41:06,080 --> 00:41:07,760
and it doesn't feature Poirot,

885
00:41:07,840 --> 00:41:09,520
it doesn't feature Miss Marple,

886
00:41:09,600 --> 00:41:11,880
but it came out of her mind.

887
00:41:12,880 --> 00:41:14,600
[Christie] <i>I wrote the book</i>

888
00:41:14,680 --> 00:41:17,200
<i>but it was so enormously</i>
<i>difficult to do.</i>

889
00:41:17,520 --> 00:41:19,400
<i>The idea fascinated.</i>

890
00:41:19,480 --> 00:41:22,400
<i>And it is a very difficult</i>
<i>technical accomplishment.</i>

891
00:41:22,480 --> 00:41:27,600
<i>I wrote the book and I was</i>
<i>pleased with what I had made of it.</i>

892
00:41:27,680 --> 00:41:31,480
<i>It was clear, straightforward,</i>
<i>quite baffling,</i>

893
00:41:31,560 --> 00:41:35,840
<i>yet had a perfectly sound</i>
<i>and reasonable explanation.</i>

894
00:41:35,920 --> 00:41:37,840
[narrator]
And Then There Were None

895
00:41:37,920 --> 00:41:39,840
<i>is another Christie</i>
<i>closed mystery.</i>

896
00:41:40,600 --> 00:41:44,240
<i>It's 1939 and Europe</i>
<i>teeters on the brink of war.</i>

897
00:41:44,680 --> 00:41:47,760
<i>Ten strangers are</i>
<i>invited to Soldier Island</i>

898
00:41:47,840 --> 00:41:50,440
<i>an isolated rock</i>
<i>on the Devon coast.</i>

899
00:41:50,520 --> 00:41:52,360
A group of people who
do not know each other,

900
00:41:52,440 --> 00:41:55,880
have all been invited for
a sort of a weekend party

901
00:41:55,960 --> 00:41:58,200
by a man called U.N. Owen.

902
00:41:58,280 --> 00:41:59,520
[Man on phonograph]
<i>You are charged</i>

903
00:41:59,600 --> 00:42:01,000
<i>with the following indictmenb(Ҳ_h?>M#wxrii"̠
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