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[ WAVES BREAKING,
BIRDS CALLING ]

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Advertise your product or brand here
contact www.OpenSubtitles.org today

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[ MID-TEMPO INTRODUCTION PLAYS ]

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YO, LET'S GO.
YEP.

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* HEY *

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* LA LA *

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* LA LA *

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* YEAH, BUILDING A HOUSE SO IT
CAN FALL AT THE FIRST BRICK *

9
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* IF THE CEMENT DON'T STICK *

10
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* BUT I'VE BEEN TOLD THAT IT
ONLY GETS HARDER FROM THERE *

11
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* MM, I SAID NOW THAT I'M YOUNG,
I JUST DO WHAT I DO *

12
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* I DON'T SECOND-GUESS
TOO MUCH *

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* SHED MY TIES,
AND I'M NOT THAT WISE *

14
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* I'M NOT A GROWN-UP... *

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WE HAVE GOT TO GET
A RETAIL SPACE, MAN.

16
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I'M SO OVER
THESE CONTRACTORS

17
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NICKEL AND DIMING
OUR MARGINS ALL DAY.

18
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YEAH.
I HEAR YOU, MAN.

19
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WATCH THE MIRROR.

20
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[ CELLPHONE BUZZING ]

21
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THAT'S IT.
[ HORN HONKING ]

22
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COME ON, MAN.

23
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[ CELLPHONE CHIMES ]

24
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HEY, PAL, IT'S TARZAN.

25
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FOUND YOUR NUMBER ON GOOGLE.
HOPE IT'S THE RIGHT ONE.

26
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LOOK, I KNOW IT'S BEEN A WHILE,

27
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BUT SINCE WE'RE COMING UP
THROUGH TAMPA,

28
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I FIGURED YOU'D WANT TO KNOW.

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I GOT SOME REAL BAD NEWS
ABOUT DALLAS.

30
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HE'S GONE, BRO.

31
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[ KEYS JINGLE, ENGINE STOPS ]

32
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CAN I HELP YOU?

33
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HI.
I'M HERE FOR THE WAKE.

34
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THERE'S NO WAKE HERE.

35
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Ozzy Osbourne:
ALL ABOARD! [ LAUGHS ]

36
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OKAY. SORRY.
I THINK I ACTUALLY HEAR IT.

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[ "CRAZY TRAIN" PLAYING ]

38
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* I... I... I... I...
I... I... I... *

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[ INDISTINCT CONVERSATIONS ]

40
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[ FOOTSTEPS APPROACHING ]

41
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[ SCREAMS ]
COME ON, BABY!

42
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WHOO!

43
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[ CROWD CHEERING ]

44
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HOLY SHIT. WHAT THE FUCK
ARE YOU DOING HERE?

45
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[ LAUGHS ] YOUR TOWEL. YOUR TOWEL.
YOUR TOWEL.

46
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OH. YEAH. JUST GO WITH IT, BABY.

47
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[ SHOUTS INDISTINCTLY ]

48
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HEY, FELLAS!
CATCH AND RELEASE!

49
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NO!
NO, NO, NO!

50
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[ CROWD CHEERING ]

51
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* MILLIONS OF PEOPLE
LIVING AS FOES *

52
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Richie: NICE ENTRANCE.
[ LAUGHTER ]

53
00:03:35,349 --> 00:03:38,018
Tobias: HEY, WHAT'S WITH
THIS FUCKING SUIT, BRO?

54
00:03:38,018 --> 00:03:39,086
WELL, I DON'T KNOW.

55
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SOMEBODY TOLD ME
THIS WAS A WAKE.

56
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A WAKE?

57
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YEAH. DALLAS.
HE'S NOT DEAD?

58
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[ LAUGHS ] YOU TOLD
HIM HE WAS DEAD?

59
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[ LAUGHTER ]

60
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WE WERE GONNA INVITE YOU,
BUT WE GOT --

61
00:03:51,299 --> 00:03:54,868
BUT WE HAD A FUCKING COUPLE
OF DRINKS, AND WE WERE LIKE,

62
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"HE'S GOT THE GIRL
AND THE JOB,

63
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AND HE'S NOT GONNA COME UNLESS
WE REALLY GET HIS ATTENTION."

64
00:04:00,874 --> 00:04:03,811
OKAY, IF HE'S NOT DEAD,
THEN WHERE IS HE?

65
00:04:03,811 --> 00:04:07,515
HE FUCKING BAILED ON US, MAN.
HE TOOK THE KID.

66
00:04:07,515 --> 00:04:09,683
STARTED A NEW SHOW
OVERSEAS.

67
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WOW.
WHERE?

68
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MACAW.

69
00:04:14,322 --> 00:04:15,423
MACAU.

70
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FUCKING CHINA.

71
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SOME D-BAG INVESTOR OFFERED
DALLAS A WHOLE BUNCH OF MONEY --

72
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DON'T SAY HIS NAME, MAN.
DON'T GIVE IT THAT POWER.

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I CAN SAY HIS NAME.
HE'S NOT FUCKING VOLDEMORT.

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Richie: FUCKIN' FIRST TIME
YOU BACKFLIPPED OFF THAT BALCONY

75
00:04:28,802 --> 00:04:30,638
IN THE MIDDLE
OF THE NIGHT.

76
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Mike: I WAS THINKING ABOUT DOING
IT AGAIN AND THEN PUNKED OUT.

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HERE SHE IS.
YEAH, LIQUID ACID, MAN.

78
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THAT'LL TAKE YOU BACK
TO THE ORIGINAL SELF.

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NO, FUCK THAT SHIT, MAN.

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I WOKE UP UNDER A CAR
IN THE PARKING LOT.

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WHITE SHADOW, MEET MIKEY.
HI.

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MIKEY LANE, WHITE SHADOW.
YEAH. WE'VE MET.

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OH, I THINK SHE LIKES YOU, MIKE.
ALL RIGHT. [ GRUNTS ]

84
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OKAY. OKAY. OKAY. OH, YEAH,
SHE DEFINITELY LIKES YOU.

85
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[ LAUGHTER ]

86
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JESUS FUCK.

87
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YOU LOOK GOOD, MIKE.
HOW'S EVERYTHING GOING, MAN?

88
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[ CHUCKLES ]
THINGS ARE GOOD, MAN.

89
00:04:57,264 --> 00:04:59,400
THEY'RE REALLY GOOD.
THE BUSINESS IS CRUSHING IT.

90
00:04:59,400 --> 00:05:02,503
WE GOT SO MANY ORDERS, I DON'T
EVEN HAVE ENOUGH EMPLOYEES.

91
00:05:02,503 --> 00:05:03,904
UH, I DON'T KNOW.

92
00:05:03,904 --> 00:05:05,706
WE'RE ABOUT TO EXPAND
AND GET A RETAIL SPOT.

93
00:05:05,706 --> 00:05:08,308
THAT'S NICE, MAN.
YEAH. DUDE, I'M JUST --

94
00:05:08,308 --> 00:05:10,878
I'M JUST HAPPY TO BE RUNNING
MY OWN SHOW FOR ONCE.

95
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I FEEL THAT ONE.

96
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Tito:
HOW'S THE OLD GIRL?

97
00:05:13,146 --> 00:05:14,748
SHE'S GOOD, MAN.
YEAH.

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YEAH?
YEAH, I MEAN...

99
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YOU GUYS --
YOU STILL HAVEN'T TOLD ME

100
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WHAT THE FUCK Y'ALL ARE DOING
IN TAMPA.

101
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TODAY, YOU ARE LOOKING AT IT,
BROTHER.

102
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JUST BASKING IN THE GLORY
OF OUR GOOD FORTUNE.

103
00:05:26,894 --> 00:05:29,497
BUT TOMORROW WE START
THE PILGRIMAGE TO MYRTLE BEACH

104
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FOR THE CONVENTION.
THAT'S RIGHT.

105
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ONE LAST FUCKING RIDE, BABY.

106
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HOW'S THAT WORK
WITHOUT DALLAS?

107
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WELL, YOU SEE, WE, UH...
TOBIAS IS GONNA M.C.

108
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[ Imitating Dallas ]
ALL RIGHT, ALL RIGHT, ALL RIGHT!

109
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HOW Y'ALL LADIES DOING HERE
TONIGHT?

110
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[ CHUCKLES ]

111
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[ LAUGHTER ]

112
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THAT'S TOTALLY GONNA WORK.

113
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JUST DO IT JUST LIKE THAT.

114
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Richie: WE GOT A COUPLE DAYS
TO PERFECT THAT.

115
00:05:53,421 --> 00:05:54,822
UH, LOOK.

116
00:05:54,822 --> 00:05:56,724
THE POINT IS WE STILL GOT
TWO FREAK SHOWS,

117
00:05:56,724 --> 00:05:58,992
ONE WHO CAN BARELY DANCE.

118
00:05:58,992 --> 00:06:01,562
ONE... PERSON OF COLOR?

119
00:06:01,562 --> 00:06:02,896
I THINK YOU MEAN TWO.

120
00:06:02,896 --> 00:06:05,466
I MEAN, YOU'RE FUCKING ALGERIAN,
BRO.

121
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ARMENIAN, ASSHOLE.

122
00:06:06,700 --> 00:06:08,268
OH, RIGHT. YEAH.
ARMENIA.

123
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ONE SNOWY WHITE KEN DOLL

124
00:06:09,737 --> 00:06:11,805
FOR ALL THOSE GOOD LITTLE
CHRISTIAN WOMEN.

125
00:06:11,805 --> 00:06:12,906
PRESENT.

126
00:06:12,906 --> 00:06:15,108
I MEAN, WHAT THE FUCK MORE
DO YOU NEED?

127
00:06:15,108 --> 00:06:16,410
RIGHT?

128
00:06:16,410 --> 00:06:17,878
SEIZE THE DAY!
SEIZE THE DAY.

129
00:06:17,878 --> 00:06:19,580
AM I RIGHT? Tarzan: YEAH! YES.

130
00:06:19,580 --> 00:06:22,783
I'M GODDAMNED IF I'M GONNA LET
MY LAST MEMORY OF THIS BUSINESS

131
00:06:22,783 --> 00:06:24,752
BE GETTING LAID OFF.
THAT'S RIGHT.

132
00:06:24,752 --> 00:06:26,820
IF I'M GOING DOWN,
I'M GOING DOWN IN A -- IN A --

133
00:06:26,820 --> 00:06:28,589
IN A FUCKIN' TSUNAMI
OF DOLLAR BILLS!

134
00:06:28,589 --> 00:06:30,257
CAN I GET AN "AMEN"?
YES.

135
00:06:30,257 --> 00:06:31,892
AMEN, BROTHER!
MAKE IT RAIN!

136
00:06:31,892 --> 00:06:34,595
AMEN!

137
00:06:36,363 --> 00:06:40,067
Mike: ALL RIGHT, LET'S CUT THIS,
THEN SAND IT AND STAIN IT.

138
00:06:40,067 --> 00:06:44,071
HEY, MIKE, ANY WORD
ON THAT THING WE TALKED ABOUT?

139
00:06:44,071 --> 00:06:46,474
UH... Y-- LOOK.

140
00:06:46,474 --> 00:06:51,144
YES, UH, IS -- IS THE ANSWER,
BUT IT JUST CAN'T BE RIGHT NOW.

141
00:06:51,144 --> 00:06:53,847
I MEAN, WE NEED A COUPLE MORE
RELIABLE ACCOUNTS

142
00:06:53,847 --> 00:06:56,617
BEFORE I CAN GET A POLICY
FOR YOU.

143
00:06:57,451 --> 00:06:58,486
ALL RIGHT?

144
00:06:58,486 --> 00:06:59,853
YO, GET OUTTA HERE.

145
00:06:59,853 --> 00:07:01,755
GO HAVE DINNER WITH YOUR FAMILY.
I CAN DO THIS.

146
00:07:01,755 --> 00:07:03,491
NAH, MAN. COME ON.
IT'S NO PROBLEM, MAN.

147
00:07:03,491 --> 00:07:05,459
COME ON, IT'S FINE.
SERIOUSLY.

148
00:07:05,459 --> 00:07:07,661
YEAH? I GOT IT. I GOT IT.
GO HOME.

149
00:07:07,661 --> 00:07:09,497
THANKS. THANKS, BROTHER.
[ MID-TEMPO R&B PLAYING ]

150
00:07:09,497 --> 00:07:12,065
* *

151
00:07:47,167 --> 00:07:49,970
[ MOTOR HUMMING ]

152
00:07:53,373 --> 00:07:56,209
[ UP-TEMPO HIP-HOP PLAYING ]

153
00:07:56,209 --> 00:08:00,080
Woman: YOU'RE LISTENING
TO THE GOLDEN AGE OF HIP-HOP.

154
00:08:00,080 --> 00:08:02,215
ONLY ON SPOTIFY.

155
00:08:02,215 --> 00:08:04,752
[ MUSIC CONTINUES ]

156
00:08:04,752 --> 00:08:08,088
[ INTRODUCTION TO "PONY" PLAYS ]

157
00:08:32,846 --> 00:08:36,049
* I'M JUST A BACHELOR *

158
00:08:36,049 --> 00:08:38,986
* I'M LOOKING FOR A PARTNER *

159
00:08:38,986 --> 00:08:42,823
* SOMEONE WHO KNOWS
HOW TO RIDE *

160
00:08:42,823 --> 00:08:46,426
* WITHOUT EVEN FALLING OFF *

161
00:08:46,426 --> 00:08:49,630
* GOT TO BE COMPATIBLE *

162
00:08:49,630 --> 00:08:53,066
* TAKES TO MY LIMITS *

163
00:08:53,066 --> 00:08:56,236
* GIRL, WHEN I BREAK YOU OFF *

164
00:08:56,236 --> 00:08:59,472
* I PROMISE THAT YOU WON'T
WANT TO GET OFF *

165
00:08:59,472 --> 00:09:01,341
* YOU'RE HORNY *

166
00:09:01,341 --> 00:09:03,210
* LET'S DO IT *

167
00:09:03,210 --> 00:09:04,612
* RIDE IT *

168
00:09:04,612 --> 00:09:06,079
* MY PONY *

169
00:09:06,079 --> 00:09:10,050
* MY SADDLE'S WAITING *

170
00:09:10,050 --> 00:09:12,786
* COME AND JUMP ON IT *

171
00:09:12,786 --> 00:09:14,655
* YOU'RE HORNY *

172
00:09:14,655 --> 00:09:16,657
* LET'S DO IT *

173
00:09:16,657 --> 00:09:18,158
* RIDE IT *

174
00:09:18,158 --> 00:09:19,693
* MY PONY *

175
00:09:19,693 --> 00:09:23,430
* MY SADDLE'S WAITING *

176
00:09:23,430 --> 00:09:26,767
* COME AND JUMP ON IT *

177
00:09:26,767 --> 00:09:30,403
* SITTIN' HERE FLOSSIN' *

178
00:09:30,403 --> 00:09:33,240
* PEEPIN' YOUR STEELO *

179
00:09:33,240 --> 00:09:36,944
* JUST ONCE
IF I HAVE THE CHANCE *

180
00:09:36,944 --> 00:09:39,847
* THE THINGS I WILL DO TO YOU *

181
00:09:39,847 --> 00:09:43,884
* YOU AND YOUR BODY *
[ CHUCKLES ]

182
00:09:43,884 --> 00:09:46,386
* EVERY SINGLE PORTION *

183
00:09:46,386 --> 00:09:49,890
Tito: MAKE SURE IT'S SECURE.
PACK THE PUMP?

184
00:09:49,890 --> 00:09:51,692
Tarzan:
BROUGHT ONE FOR YOU, TOO.

185
00:09:51,692 --> 00:09:53,093
[ CHUCKLES ]

186
00:09:53,093 --> 00:09:54,862
ALL RIGHT.
THAT'S GOT THE BRACE.

187
00:09:54,862 --> 00:09:57,230
YOU GOT THE KNEE BRACE IN THERE.
COPY.

188
00:09:57,230 --> 00:10:00,200
HEY, KEN, YOU GOT THAT ENDLESS
SUMMER SPRAY TAN MIX, BROTHER?

189
00:10:00,200 --> 00:10:02,970
YOU KNOW I DO, BROTHER.
FIRST THING I PACKED.

190
00:10:02,970 --> 00:10:05,472
Mike: Y'ALL GOT ROOM FOR
ONE MORE ON THIS MOTHERFUCKER?

191
00:10:05,472 --> 00:10:07,340
[ ALL SHOUTING ]

192
00:10:07,340 --> 00:10:09,910
Richie: WHAT IN THE HELL
ARE YOU DOING HERE, MAN?

193
00:10:09,910 --> 00:10:11,411
WHAT DO YOU THINK
I'M DOING HERE, MAN?

194
00:10:11,411 --> 00:10:13,380
YOU SAID SEIZE THE DAY.
I AIN'T MISSING THIS SHIT.

195
00:10:13,380 --> 00:10:16,016
YOU GOT OFF WORK?
C.E.O. OF MY OWN COMPANY.

196
00:10:16,016 --> 00:10:17,885
I TAKE VACATIONS
WHEN I WANT THEM.

197
00:10:17,885 --> 00:10:19,820
Tito: WAIT.
YOUR GIRL GAVE YOU A HALL PASS?

198
00:10:19,820 --> 00:10:21,388
[ LAUGHS ]
I DON'T NEED A HALL PASS,

199
00:10:21,388 --> 00:10:23,657
I JUST SOMEBODY TO TELL ME
THAT THIS ISN'T A TERRIBLE IDEA.

200
00:10:23,657 --> 00:10:27,560
OH, THIS IS A HORRIBLE IDEA.
BUT YOU CAN'T TAKE IT BACK NOW.

201
00:10:27,560 --> 00:10:29,462
SO GET THE FUCK
ON THE VAN.

202
00:10:29,462 --> 00:10:31,899
LET'S GO.
[ LAUGHS ] YEAH!

203
00:10:31,899 --> 00:10:35,368
THIS IS LIKE WHEN JUSTIN
CAME BACK TO BACKSTREET.

204
00:10:35,368 --> 00:10:38,105
YOU FUCKING KIDDING ME?
JUSTIN WAS IN NSYNC.

205
00:10:38,105 --> 00:10:40,708
KEVIN RICHARDSON CAME BACK
TO BACKSTREET IN 2012.

206
00:10:40,708 --> 00:10:42,275
GET YOUR ORLANDO HISTORY
STRAIGHT.

207
00:10:42,275 --> 00:10:44,044
I'M NOT FROM ORLANDO.
I DON'T GIVE A SHIT.

208
00:10:44,044 --> 00:10:45,645
WELL, YOU KNOW WHO DOES GIVE
A SHIT?

209
00:10:45,645 --> 00:10:47,114
PEOPLE WHO ACTUALLY HAVE
MUSICAL TASTE.

210
00:10:47,114 --> 00:10:50,050
BACKSTREET WAS
THE ONLY LEGITIMATE BOY BAND

211
00:10:50,050 --> 00:10:52,085
THAT EVER CAME OUT OF FLORIDA,
PERIOD.

212
00:10:52,085 --> 00:10:53,854
Tarzan: AND THAT CONVERSATION
JUST HAPPENED.

213
00:10:53,854 --> 00:10:55,288
WELCOME BACK, MIKE!

214
00:10:55,288 --> 00:10:57,958
WELCOME BACK, BROTHER.
[ MID-TEMPO MUSIC PLAYING ]

215
00:10:57,958 --> 00:11:00,560
* OH, MY, OH, TELL ME WHY *

216
00:11:00,560 --> 00:11:03,496
* AIN'T THIS SOMETHING
THAT MONEY CAN'T BUY? *

217
00:11:03,496 --> 00:11:05,365
* OH, MONEY *

218
00:11:05,365 --> 00:11:06,700
* MONEY *

219
00:11:06,700 --> 00:11:08,401
* MONEY *

220
00:11:08,401 --> 00:11:09,502
* MONEY *

221
00:11:09,502 --> 00:11:11,404
* MONEY *

222
00:11:11,404 --> 00:11:12,439
* MONEY *

223
00:11:12,439 --> 00:11:14,107
* THAT MONEY CAN'T... *

224
00:11:14,107 --> 00:11:16,977
Tobias: HEY, MIKEY, WHAT DO YOU
THINK OF THE TRUCK, BRO?

225
00:11:16,977 --> 00:11:19,312
THIS THING'S FUCKING CRAZY.
[ CHUCKLES ] RIGHT?

226
00:11:19,312 --> 00:11:21,849
HEY, SO, I GOT MY, UH,
MY BUDDY MARTíN.

227
00:11:21,849 --> 00:11:23,951
HE HOOKED ME UP WITH HIS UNCLE'S
OLD ROACH COACH.

228
00:11:23,951 --> 00:11:25,719
AND THEN I GOT TARZAN
BACK THERE

229
00:11:25,719 --> 00:11:27,855
TO PAINT IT UP
ALL SICK PICASSO STYLE.

230
00:11:27,855 --> 00:11:30,991
YEAH, I MEAN, I'M MOSTLY
AN OIL-ON-CANVAS GUY,

231
00:11:30,991 --> 00:11:33,861
BUT I DID THE BEST I COULD.
[ LAUGHS ]

232
00:11:33,861 --> 00:11:36,296
WHAT EXACTLY ARE Y'ALL DOING
OUT OF IT, THOUGH?

233
00:11:36,296 --> 00:11:39,099
I'M MAKING ARTISANAL
PROBIOTIC FROYO.

234
00:11:39,099 --> 00:11:40,768
I SERVE IT
OUT OF THIS SIDE.

235
00:11:40,768 --> 00:11:42,335
TOBIAS SPINS
OUT OF THE OTHER.

236
00:11:42,335 --> 00:11:44,738
THE WHOLE THING'S LIKE
A HEALTHY MOBILE BLOCK PARTY.

237
00:11:44,738 --> 00:11:46,339
IT'S CRAZY, RIGHT?

238
00:11:46,339 --> 00:11:48,608
WE'LL KEEP YOUR FEET LOOSE
AND SATISFY YOUR SWEET TOOTH.

239
00:11:48,608 --> 00:11:50,643
THAT'S ACTUALLY
A PRETTY FUCKIN' GOOD IDEA.

240
00:11:50,643 --> 00:11:53,146
YEAH.
APPRECIATE THAT, MIKE.

241
00:11:53,146 --> 00:11:55,783
YEAH. GOOD SHOW. * MONEY CAN
BUY YOU SILKS AND SABLE *

242
00:11:55,783 --> 00:11:58,051
* FALSE RELIGION,
FAME AND FABLE *

243
00:11:58,051 --> 00:12:00,287
IS THIS, UH, IS THIS
HOW THE WHOLE TRIP IS GONNA BE?

244
00:12:00,287 --> 00:12:03,223
YOU'RE GONNA -- YOU'RE GONNA BE
ON THIS THING THE WHOLE TIME?

245
00:12:03,223 --> 00:12:04,391
ARE YOU KIDDING?

246
00:12:04,391 --> 00:12:05,492
RELAX.

247
00:12:05,492 --> 00:12:07,294
I GOT A BUNCH OF ORDERS
JUST CAME IN.

248
00:12:07,294 --> 00:12:09,229
ALL THE GUYS AT THE SHOP
ARE JUST FREAKING OUT.

249
00:12:09,229 --> 00:12:11,398
IF YOU'RE GONNA BE HERE,
BE HERE, MAN.

250
00:12:11,398 --> 00:12:12,265
BE PRESENT.

251
00:12:12,265 --> 00:12:14,835
OKAY.
I'LL... BE PRESENT.

252
00:12:14,835 --> 00:12:15,969
* MONEY *

253
00:12:15,969 --> 00:12:17,104
* SAID MONEY *

254
00:12:17,104 --> 00:12:18,471
WHAT ARE YOU EVEN DOING?

255
00:12:18,471 --> 00:12:20,640
NARCISSUS IS TAKING PICS
OF HIS EYEBROWS.

256
00:12:20,640 --> 00:12:22,042
YEAH.
YOU ZOOM IN.

257
00:12:22,042 --> 00:12:24,211
YOU FIND THE SHIT
YOU CAN'T CATCH IN THE MIRROR.

258
00:12:24,211 --> 00:12:26,446
SEE? LOOK.
I NEED A TWEEZE RIGHT THERE.

259
00:12:27,781 --> 00:12:29,749
SHIT WORKS.

260
00:12:31,819 --> 00:12:33,586
MIKE, COME ON, MAN.

261
00:12:33,586 --> 00:12:36,289
ALL RIGHT.
RELAX.

262
00:12:36,289 --> 00:12:37,858
YO.

263
00:12:39,692 --> 00:12:41,194
ALL RIGHT.
THAT'S IT.

264
00:12:43,130 --> 00:12:45,999
WHAT ARE YOU -- YO!
WHAT THE FUCK ARE YOU DOING?

265
00:12:45,999 --> 00:12:49,469
IPHONE WENT "BYE, PHONE."
ARE YOU SERIOUS RIGHT NOW?

266
00:12:49,469 --> 00:12:51,704
BUY ANOTHER ONE, YOU RICH MOTHERFUCKER.
TURN THE FUCKING TRUCK AROUND.

267
00:12:51,704 --> 00:12:52,906
NO. KEEP DRIVING.

268
00:12:52,906 --> 00:12:55,508
HOW DO YOU LIKE THAT,
BITCH?

269
00:12:55,508 --> 00:12:56,609
OH, I WELCOME IT.

270
00:12:56,609 --> 00:12:57,811
YEAH?
YEAH.

271
00:12:57,811 --> 00:12:59,012
THAT WASN'T MY PHONE.

272
00:12:59,012 --> 00:13:00,247
IT WAS MINE.

273
00:13:00,247 --> 00:13:02,916
[ Laughing ] OH.
FUCK. I'M SORRY. FUCK!

274
00:13:02,916 --> 00:13:04,885
I HAD LIKE SEVEN MINUTES LEFT
ON IT, MAN.

275
00:13:04,885 --> 00:13:05,986
HERE.
HAVE A SHAKE.

276
00:13:05,986 --> 00:13:08,021
I DON'T WANT
A FUCKING SHAKE.

277
00:13:08,021 --> 00:13:09,589
WHAT --
WHAT AM I SUPPOSED TO DO?

278
00:13:09,589 --> 00:13:11,791
I SHOULD CHUCK YOUR BIG ASS
RIGHT OFF THIS FUCKING TRUCK.

279
00:13:11,791 --> 00:13:13,160
THAT'S THE MIKEY I REMEMBER!

280
00:13:13,160 --> 00:13:14,427
LOOK, IF YOU AIN'T READY

281
00:13:14,427 --> 00:13:16,263
TO BRING IT OLD SCHOOL
THIS WEEKEND,

282
00:13:16,263 --> 00:13:18,932
THEN YOU NEED TO HOP THE FUCK UP
OFF THIS FOOD TRUCK RIGHT NOW.

283
00:13:18,932 --> 00:13:20,400
WHAT THE FUCK
ARE YOU EVEN TALKING ABOUT?

284
00:13:20,400 --> 00:13:21,969
WHY DO YOU THINK I CAME
THIS WEEKEND?

285
00:13:21,969 --> 00:13:23,904
I DON'T KNOW, MAN.
IT'S BEEN A LONG TIME.

286
00:13:23,904 --> 00:13:25,538
BUT I DO KNOW THIS.

287
00:13:25,538 --> 00:13:27,174
YOU BETTER BE READY TO FOLLOW
MY ASS

288
00:13:27,174 --> 00:13:28,308
DOWN THE RABBIT HOLE, BROTHER.

289
00:13:28,308 --> 00:13:29,776
I'M TALKING OUT OF BODY, BABY.

290
00:13:29,776 --> 00:13:31,544
ASTRAL PROJECTION!

291
00:13:31,544 --> 00:13:33,613
TOBIAS,
WE'RE GOING TO MAD MARY'S.

292
00:13:33,613 --> 00:13:35,348
HELL, YEAH!
OH, SHIT.

293
00:13:35,348 --> 00:13:38,785
NOBODY -- NOBODY MESSES WITH THE
MOJO ON THE LAST RIDE, BROTHER.

294
00:13:38,785 --> 00:13:39,786
WHOO!

295
00:13:39,786 --> 00:13:42,890
[ GRUNTS ]

296
00:13:42,890 --> 00:13:46,126
[ CHUCKLES ]

297
00:13:47,995 --> 00:13:51,865
[ UP-TEMPO MUSIC PLAYING,
CROWD CHEERING ]

298
00:13:51,865 --> 00:13:54,267
All:
* HOT, HOT, HOT, HOT *

299
00:13:54,267 --> 00:13:55,602
COME ON.

300
00:13:55,602 --> 00:13:58,471
* HOT, HOT, HOT, HOT *

301
00:13:58,471 --> 00:13:59,639
* OH *

302
00:13:59,639 --> 00:14:01,274
* HOT, HOT, HOT *

303
00:14:01,274 --> 00:14:03,911
HEY, YOU GUYS REMEMBER THE
LAST TIME WE WERE IN THIS CLUB

304
00:14:03,911 --> 00:14:05,345
AND YOU -- YOU --
YOU AND KEN

305
00:14:05,345 --> 00:14:07,480
WERE FUCKING WITH
THOSE TWO GIRLS FROM THE CLUB?

306
00:14:07,480 --> 00:14:09,816
WHAT -- WHAT WAS THE GIRL
WITH THE BLACK HAIR'S NAME?

307
00:14:09,816 --> 00:14:11,051
I DON'T FUCKING KNOW.

308
00:14:11,051 --> 00:14:12,319
HOW AM I SUPPOSED TO
REMEMBER THAT?

309
00:14:12,319 --> 00:14:13,520
WHAT?!
I DON'T KNOW.

310
00:14:13,520 --> 00:14:15,855
YOU DON'T FUCKING REMEMBER
THAT?

311
00:14:15,855 --> 00:14:17,290
MAN, YOU ARE FUCKING DUSTY.

312
00:14:17,290 --> 00:14:19,326
JULIE. JULIE, MAN!
THE BARELY LEGAL PARALEGAL.

313
00:14:19,326 --> 00:14:21,094
Tarzan:
HERE WE GO, MAN.

314
00:14:21,094 --> 00:14:22,262
IT'S GETTING LATE.

315
00:14:22,262 --> 00:14:25,565
[ CHEERS AND APPLAUSE ]

316
00:14:27,200 --> 00:14:30,003
* HOT STUFF *

317
00:14:33,106 --> 00:14:35,842
[ CHEERS AND APPLAUSE ]
[ LAUGHS ]

318
00:14:35,842 --> 00:14:36,876
YEAH.

319
00:14:36,876 --> 00:14:38,411
BONJOUR, LOVELIES.

320
00:14:38,411 --> 00:14:41,548
HOW ARE ALL Y'ALL
NASTY MOTHERFUCKERS DOING

321
00:14:41,548 --> 00:14:42,549
OUT THERE TONIGHT?

322
00:14:42,549 --> 00:14:44,851
DOING GREAT! YEAH!
[ CROWD CHEERING ]

323
00:14:44,851 --> 00:14:47,787
YES.
THAT'S THE TICKET, MISS THING.

324
00:14:47,787 --> 00:14:50,357
NOW, I AM MISS TORI SNATCH,

325
00:14:50,357 --> 00:14:52,492
YOUR HOST
FOR THIS GLAMOROUS EVENING

326
00:14:52,492 --> 00:14:55,562
OF GOOD OLE SWAMP COUNTRY
DEBAUCHERY.

327
00:14:55,562 --> 00:14:59,632
AND I'VE GOT SOME GOOD NEWS
FOR SOME OF Y'ALL BUDDING QUEENS

328
00:14:59,632 --> 00:15:01,234
HIDING OUT THERE IN THE SHADOWS.

329
00:15:01,234 --> 00:15:08,141
I'VE GOT FOUR CRUMPLED-UP,
COKE-DUSTED $100 BILLS

330
00:15:08,141 --> 00:15:12,212
FOR THE BEST AMATEUR QUEEN
HERE IN JACKSONVILLE!

331
00:15:12,212 --> 00:15:14,914
[ CHEERS AND APPLAUSE ]

332
00:15:14,914 --> 00:15:16,449
YES.

333
00:15:16,449 --> 00:15:21,121
SO LET'S GET SOME VOGUE POPPING
IN THIS BITCH, SHALL WE?

334
00:15:21,121 --> 00:15:23,423
[ CHEERS AND APPLAUSE ]
COME ON NOW.

335
00:15:23,423 --> 00:15:27,127
YOUNG AND OLD, HOT AND COLD --
GET YOUR ASS ON THIS STAGE.

336
00:15:27,127 --> 00:15:28,428
* *

337
00:15:28,428 --> 00:15:29,896
Crowd:
GO! GO! GO! GO! GO! GO! GO! GO!

338
00:15:29,896 --> 00:15:31,798
YOU GUYS REALLY WANT TO GO DOWN
THE RABBIT HOLE?

339
00:15:31,798 --> 00:15:33,666
ISN'T THAT WHAT YOU SAID?
SO YOU WERE LISTENING.

340
00:15:33,666 --> 00:15:35,035
OKAY. ALL RIGHT. ALL RIGHT.
ALL RIGHT.

341
00:15:35,035 --> 00:15:36,403
I'M GONNA GO DIG IT FOR YOU,
ALICE.

342
00:15:36,403 --> 00:15:37,837
LET'S SEE HOW FAR
YOU'RE REALLY WILLING TO GO.

343
00:15:37,837 --> 00:15:39,039
UH-OH.
OH, SHIT.

344
00:15:39,039 --> 00:15:40,773
ALL RIGHT. COME ON.
LET'S GO. LET'S GO.

345
00:15:40,773 --> 00:15:42,642
MIKEY.
OH, IT'S ON!

346
00:15:42,642 --> 00:15:45,078
[ SHOUTING INDISTINCTLY ]

347
00:15:45,078 --> 00:15:47,380
* *

348
00:16:01,461 --> 00:16:04,431
[ LAUGHS ]

349
00:17:38,358 --> 00:17:39,992
Tito:
[ LAUGHS ] THAT'S THE PLAN.

350
00:17:39,992 --> 00:17:43,296
I MEAN, TAKE OVER SOUTH BEACH,
THEN THE ENTIRE EAST COAST.

351
00:17:43,296 --> 00:17:44,897
FUCKING MOBILE.

352
00:17:44,897 --> 00:17:47,767
YOU KNOW, LOW-OVERHEAD,
HIGH-REVENUE SHIT.

353
00:17:47,767 --> 00:17:49,569
THAT'S HOW YOU GET FLUSH
IN THE FOOD INDUSTRY.

354
00:17:49,569 --> 00:17:51,104
Mike: FUCK, YEAH. Woman: WHAT IS THIS?
IT'S REALLY GOOD.

355
00:17:51,104 --> 00:17:53,540
OH, GODDAMN RIGHT, WHAT IS THIS?
JEEZ.

356
00:17:53,540 --> 00:17:55,775
FUCK.
WHAT AM I EATING RIGHT NOW?

357
00:17:55,775 --> 00:17:57,710
YOU LIKE THAT, MIKE?
Tobias: THAT'S GOLD, RIGHT?

358
00:17:57,710 --> 00:17:59,179
THIS IS AMAZING.

359
00:17:59,179 --> 00:18:01,281
IT'S TOASTED MARSHMALLOW
TANGERINE.

360
00:18:01,281 --> 00:18:03,350
WHATEVER IT IS,
IT'S FABULOUS.

361
00:18:03,350 --> 00:18:05,752
PUT MARSHMALLOW IN MY PANTS
RIGHT NOW.

362
00:18:05,752 --> 00:18:07,320
[ LAUGHTER ] THIS IS --
YOU GOTTA SELL THIS.

363
00:18:07,320 --> 00:18:09,756
MIKE, TIP OF THE ICEBERG,
BABY.

364
00:18:09,756 --> 00:18:12,024
WE GOT KIWI OLIVE OIL
WITH FREEZE-DRIED BASIL,

365
00:18:12,024 --> 00:18:15,027
CRèME BRULéE... AND MY PERSONAL
FAVORITE, THE FLAVOR OF TRUTH.

366
00:18:15,027 --> 00:18:17,564
COME ON, MAN. YOU'VE BEEN
TALKING ABOUT THIS SHIT FOREVER.

367
00:18:17,564 --> 00:18:18,998
WHY DON'T YOU TELL
EVERYBODY HERE

368
00:18:18,998 --> 00:18:21,301
WHAT YOU'RE REALLY GONNA
BE DOING COME MONDAY MORNING.

369
00:18:21,301 --> 00:18:23,470
[ IMITATES
MOTOR BUZZING ]

370
00:18:23,470 --> 00:18:26,373
GRINDING THOSE SNOW CONES
AT THE NORTHDALE MALL.

371
00:18:26,373 --> 00:18:29,342
YEAH. WELL, THAT'S JUST
FOR MARKET RESEARCH, BITCH.

372
00:18:29,342 --> 00:18:31,744
TILL WE GET THE FUNDS
TO DO WHAT WE REALLY NEED.

373
00:18:31,744 --> 00:18:34,347
THAT'S ALL IT IS, BRO.
FUCKING HATER.

374
00:18:34,347 --> 00:18:37,650
BESIDES, I THINK IT BEATS RAKING
THE INFIELD AT TROPICANA.

375
00:18:37,650 --> 00:18:41,354
WELL, AT LEAST THE SHIT
I'M WORKING ON CAN GO GLOBAL.

376
00:18:41,354 --> 00:18:42,522
[ LAUGHTER ]
WHAT?

377
00:18:42,522 --> 00:18:44,357
WAIT. WHAT?
Tito: [ COUGHS ] YEAH.

378
00:18:44,357 --> 00:18:45,792
I'M SORRY.
WHAT?

379
00:18:45,792 --> 00:18:49,162
WHY DON'T YOU ENLIGHTEN US,
CONSTANT GARDENER?

380
00:18:49,162 --> 00:18:50,697
YEAH, PLEASE --
PLEASE ENLIGHTEN ME.

381
00:18:50,697 --> 00:18:52,699
I HAVE TO KNOW WHAT THIS, LIKE,
PIECE OF GENIUS IS.

382
00:18:52,699 --> 00:18:55,435
SHAMWOW US
WITH YOUR INGENIOUS INVENTION.

383
00:18:55,435 --> 00:18:58,271
COME ON, RICH, MAN.
TITO LAID HIS SHIT OUT.

384
00:18:58,271 --> 00:18:59,606
EVERYBODY'S COOL.
JUST TELL US.

385
00:18:59,606 --> 00:19:01,374
Tobias:
IT'S US, BRO.

386
00:19:01,374 --> 00:19:02,642
Ken:
JUST TELL US, MAN.

387
00:19:02,642 --> 00:19:04,177
COME ON. LET'S GO.
LET'S GO. COME ON.

388
00:19:04,177 --> 00:19:05,712
Richie:
ALL RIGHT.

389
00:19:05,712 --> 00:19:07,747
BUT IF ANY OF YOU MOTHERFUCKERS
STEALS MY IDEA,

390
00:19:07,747 --> 00:19:08,781
I SWEAR TO GOD I WILL --

391
00:19:08,781 --> 00:19:10,617
WHY YOU GOT TO POINT
AT THE FUCKING MEXICAN

392
00:19:10,617 --> 00:19:11,751
WHEN YOU SAY "STEALS,"
DUDE?

393
00:19:11,751 --> 00:19:13,586
WE GET IT.
JUST -- JUST GO.

394
00:19:13,586 --> 00:19:15,154
Tori:
LET'S HAVE IT, TOUGH GUY.

395
00:19:17,224 --> 00:19:18,891
CONDOMINTS.

396
00:19:18,891 --> 00:19:21,994
WHAT ARE THE TWO MOST IMPORTANT
THINGS YOU NEED TO TAKE WITH YOU

397
00:19:21,994 --> 00:19:24,130
WHEN YOU GO OUT ON THE WEEKEND?

398
00:19:24,130 --> 00:19:25,932
KETCHUP AND MUSTARD?

399
00:19:25,932 --> 00:19:27,467
[ LAUGHS ]

400
00:19:27,467 --> 00:19:29,736
YOUR CONDOMS AND YOUR MINTS.

401
00:19:29,736 --> 00:19:31,838
OH, MY -- WHAT?

402
00:19:31,838 --> 00:19:34,474
I PUT THEM TOGETHER IN ONE
PACKAGE, LIKE A PACK OF GUM.

403
00:19:34,474 --> 00:19:36,809
SELL IT AT A GAS STATION.

404
00:19:36,809 --> 00:19:38,144
"CONDOMINTS."

405
00:19:38,144 --> 00:19:40,046
IT'S NOT BAD.
BOOM!

406
00:19:40,046 --> 00:19:43,115
Tori: UM, THEY -- THEY ALREADY
HAVE THAT SHIT, BITCH.

407
00:19:43,115 --> 00:19:46,219
[ LAUGHTER ]
YOU CAN GET IT.

408
00:19:46,219 --> 00:19:48,388
I GET IT ALL THE TIME
AT THE MINIMART.

409
00:19:48,388 --> 00:19:49,922
I'M SORRY.

410
00:19:49,922 --> 00:19:53,626
THEY'RE AT EVERY SINGLE CIRCLE K
AND 7-ELEVEN ACROSS FLORIDA.

411
00:19:53,626 --> 00:19:55,262
Ken:
I'M SO SORRY, MAN.

412
00:19:55,262 --> 00:19:58,064
Tito: HEY, RICHIE, THEY DIDN'T
SIGN THE NONDISCLOSURE, MAN.

413
00:19:58,064 --> 00:19:59,432
Tori:
SORRY ABOUT IT.

414
00:19:59,432 --> 00:20:00,833
Tarzan: HEY, RICHIE,
DON'T WORRY ABOUT IT.

415
00:20:00,833 --> 00:20:02,469
I GOT SOMETHING FOR YOU --
TOP SECRET, MAN.

416
00:20:02,469 --> 00:20:05,505
IMAGINE THIS.
A SMALL, LITTLE RECTANGLE. OKAY?

417
00:20:05,505 --> 00:20:08,040
YOU HOLD IT UP TO YOUR EAR,
YOU SPEAK INTO IT,

418
00:20:08,040 --> 00:20:11,010
SOMEBODY IN A DISTANT LAND
WITH THE EXACT SAME THING

419
00:20:11,010 --> 00:20:12,379
CAN HEAR IT.

420
00:20:12,379 --> 00:20:14,080
I JUST HAVEN'T COME UP WITH
A NAME FOR IT.

421
00:20:14,080 --> 00:20:15,815
I WAS FIGURING...

422
00:20:15,815 --> 00:20:18,285
FUCK... YOU.
I'M SO SORRY, MAN.

423
00:20:18,285 --> 00:20:20,019
OH, GOD.

424
00:20:20,019 --> 00:20:23,523
HEY, I FORGOT TO ASK YOU --
YOU STILL WITH MERCEDES?

425
00:20:23,523 --> 00:20:25,124
NO.
[ INDISTINCT CONVERSATIONS ]

426
00:20:25,124 --> 00:20:28,461
WE AGREED TO TRY MONOGAMY,
AND YOU KNOW MERCEDES.

427
00:20:28,461 --> 00:20:30,897
THAT SHIT LASTED
FOR ABOUT TWO SECONDS.

428
00:20:30,897 --> 00:20:33,500
WOW. THAT FUCKING SUCKS.
I'M SORRY.

429
00:20:33,500 --> 00:20:37,236
AH, IT'S LIKE OPRAH SAID,
MAN --

430
00:20:37,236 --> 00:20:40,707
"WHEN SOMEONE SHOWS YOU
THEMSELVES, BELIEVE THEM."

431
00:20:42,709 --> 00:20:44,344
WHAT? REALLY?

432
00:20:44,344 --> 00:20:46,413
REALLY? I -- OKAY. YEAH, REALLY.
THAT'S WHAT SHE SAID.

433
00:20:46,413 --> 00:20:48,147
ARE WE DOING
THIS PASSIVE-AGGRESSIVE SHIT?

434
00:20:48,147 --> 00:20:49,749
OKAY. FINE. THAT'S NOT
PASSIVE-AGGRESSIVE, THAT'S OPRAH.

435
00:20:49,749 --> 00:20:51,183
LET'S FUCKING MAKE IT
AGGRESSIVE.

436
00:20:51,183 --> 00:20:53,786
HOW ABOUT THIS? LET'S DO
A LITTLE THERAPY SESSION HERE.

437
00:20:53,786 --> 00:20:55,455
OLD-SCHOOL --
OLD-SCHOOL THERAPY SESSION.

438
00:20:55,455 --> 00:20:56,889
GET UP. LET'S GO. WE'RE GONNA
GET THIS OUT IN ONE SWING.

439
00:20:56,889 --> 00:20:58,591
ARE WE FUCKING PRIMATES NOW, MAN?
COME ON.

440
00:20:58,591 --> 00:21:00,660
GET IT OUT IN ONE HIT AND LET'S
NOT TALK ABOUT IT ANYMORE.

441
00:21:00,660 --> 00:21:03,363
I GET IT. YOU'RE MAD THAT -- THAT I FUCKING
LEFT. THIS IS SERIOUSLY FUCKING STUPID.

442
00:21:03,363 --> 00:21:04,831
COME ON, BABY.
LET'S GO. RIGHT HERE.

443
00:21:04,831 --> 00:21:06,766
JUST DON'T HIT ME IN THE FUCKING NUTS.
BAM. WOW.

444
00:21:06,766 --> 00:21:08,535
ARE YOU KIDDING ME? STOP BEING A PUSSY.
EVERYBODY FUCKING HAPPY?

445
00:21:08,535 --> 00:21:09,902
STOP BEING A PUSSY. LET'S GO.
NO, MAN.

446
00:21:09,902 --> 00:21:11,604
DON'T YOU CALL ME A FUCKING
PUSSY, CHRISTIAN BALE.

447
00:21:11,604 --> 00:21:13,072
Richie:
NO. HE DIDN'T CALL YOU A PUSSY.

448
00:21:13,072 --> 00:21:15,308
HE -- HE JUST SAID YOU EXHIBITED
PUSSY-LIKE BEHAVIOR.

449
00:21:15,308 --> 00:21:17,043
Y'ALL WANT TO UNLEASH THE FUCKING TIGER?
IT'S JUST THE BEHAVIOR OF A PUSSY.

450
00:21:17,043 --> 00:21:18,511
IS THAT WHAT YOU WANT? COME ON!
RELEASE THE DEMON!

451
00:21:18,511 --> 00:21:19,912
Tito:
OH! SHIT!

452
00:21:19,912 --> 00:21:21,381
[ LAUGHTER ]
Tori: TIGER'S OUT.

453
00:21:21,381 --> 00:21:23,550
Mike:
[ COUGHING ]

454
00:21:23,550 --> 00:21:26,218
[ LAUGHTER CONTINUES ]

455
00:21:26,218 --> 00:21:29,489
ARE YOU OKAY, MAN?

456
00:21:29,489 --> 00:21:31,491
[ GRUNTS ]
YOU FEEL BETTER?

457
00:21:31,491 --> 00:21:33,159
NO, MAN,
I DON'T FUCKING FEEL BETTER.

458
00:21:33,159 --> 00:21:34,894
THAT WAS SERIOUSLY
FUCKED UP.

459
00:21:34,894 --> 00:21:36,596
OKAY.

460
00:21:36,596 --> 00:21:37,864
GOOD.
YOU ALL RIGHT?

461
00:21:37,864 --> 00:21:39,832
YEAH.
I JUST GOT TO PEE A LITTLE.

462
00:21:39,832 --> 00:21:42,268
EVERYBODY HAPPY? YOU GET
YOUR FUCKING GLADIATOR SHOW?

463
00:21:42,268 --> 00:21:43,570
Richie:
THAT WAS FUCKING AWESOME.

464
00:21:43,570 --> 00:21:45,037
NO, IT WASN'T FUCKING AWESOME,
MAN.

465
00:21:45,037 --> 00:21:46,839
THERE ARE A LOT BETTER WAYS
TO HANDLE THAT SHIT.

466
00:21:46,839 --> 00:21:48,841
IT'S OUR LAST FUCKING RIDE.
I'M OUTTA HERE.

467
00:21:48,841 --> 00:21:51,277
YOU KNOW, IT'S ALWAYS
THE PRETTY ONES, LIKE BUNDY.

468
00:21:51,277 --> 00:21:53,480
[ LAUGHTER ]

469
00:21:53,480 --> 00:21:54,781
IT IS, MAN.

470
00:21:54,781 --> 00:21:57,684
[ INDISTINCT CONVERSATIONS ]

471
00:21:57,684 --> 00:22:00,520
Woman: THERE YOU GO. THAT'S IT.
THAT -- THAT'S PERFECT.

472
00:22:00,520 --> 00:22:02,755
[ SHUTTER CLICKS ]
[ LAUGHS ]

473
00:22:08,227 --> 00:22:10,463
[ URINATING ]

474
00:22:12,599 --> 00:22:15,067
[ METAL JINGLING ]

475
00:22:17,970 --> 00:22:20,239
YO. Woman: THAT'S
PROTECTED LAND, SIR!

476
00:22:20,239 --> 00:22:23,810
YOU'RE DESTROYING SEA TURTLE
BIOSPHERE WITH THAT URINE.

477
00:22:23,810 --> 00:22:25,678
ARE YOU SERIOUS RIGHT NOW?
COME ON.

478
00:22:25,678 --> 00:22:28,047
REALLY? ALL RIGHT.
WELL, DON'T LOOK AT ME.

479
00:22:28,047 --> 00:22:30,316
LOOK OUT INTO THE OCEAN.
GOT IT. I GOT IT.

480
00:22:30,316 --> 00:22:31,651
GET THE PICTURE HERE?
I'M RUNNING OUT.

481
00:22:31,651 --> 00:22:33,720
YES. THANK YOU.
I'M DONE.

482
00:22:33,720 --> 00:22:36,055
THAT'S -- THAT'S IT.
THERE WE GO.

483
00:22:36,055 --> 00:22:40,827
THAT'S -- THAT'S USUALLY WHAT
HAPPENS WHEN I PEE ON THE BEACH.

484
00:22:40,827 --> 00:22:43,329
YEAH. YEAH.

485
00:22:43,329 --> 00:22:45,865
DRAG QUEENS. THAT'S, UH...
[ CHUCKLES ]

486
00:22:45,865 --> 00:22:48,000
OOH,
DOING DRAG QUEEN STUFF.

487
00:22:48,000 --> 00:22:50,369
[ LAUGHS ]
YOU LOVE DRAG QUEENS.

488
00:22:50,369 --> 00:22:51,738
YEP.

489
00:22:51,738 --> 00:22:55,141
I AM ONE,
SO I SEEK OUT MY PEOPLE.

490
00:22:55,141 --> 00:22:58,277
YOU ARE ONE? YOU ARE ONE?
MM-HMM. ON THE INSIDE.

491
00:22:58,277 --> 00:22:59,378
GOT IT.
MOSTLY.

492
00:22:59,378 --> 00:23:00,613
OF COURSE
IT'S ON THE INSIDE.

493
00:23:00,613 --> 00:23:01,848
YEAH.
WHAT'S HER NAME?

494
00:23:01,848 --> 00:23:03,249
DOLLY TITZ.

495
00:23:03,249 --> 00:23:04,283
DOLLY TITS?

496
00:23:04,283 --> 00:23:05,284
WITH A "Z."

497
00:23:05,284 --> 00:23:06,352
WITH A "Z."
MM-HMM.

498
00:23:06,352 --> 00:23:07,420
WHERE IS SHE FROM?

499
00:23:07,420 --> 00:23:08,621
HERE.
OKAY.

500
00:23:08,621 --> 00:23:11,257
AND SHE LOVES COUPONING
AND NASCAR.

501
00:23:11,257 --> 00:23:13,125
I GOT AN INNER DRAG QUEEN,
TOO.

502
00:23:13,125 --> 00:23:14,326
OH. REALLY?
YEAH.

503
00:23:14,326 --> 00:23:16,228
OKAY. I FIGURED.
[ CHUCKLES ]

504
00:23:16,228 --> 00:23:17,897
UH, WHAT'S HER NAME?

505
00:23:17,897 --> 00:23:19,732
HER NAME IS...

506
00:23:19,732 --> 00:23:22,334
CLITORIA LABIA IS HER NAME.

507
00:23:22,334 --> 00:23:23,836
THAT'S ACTUALLY NOT BAD.

508
00:23:23,836 --> 00:23:26,038
IT'S NOT BAD AT ALL.
SHE'S -- SHE'S THE MAIN BITCH.

509
00:23:26,038 --> 00:23:28,575
SHE'S LIKE CHEETARA
AND GRACE JONES.

510
00:23:28,575 --> 00:23:31,744
AND THEY ALWAYS SING
"RAPPER'S DELIGHT"

511
00:23:31,744 --> 00:23:33,279
EVERYWHERE THEY GO.

512
00:23:33,279 --> 00:23:36,683
[ LAUGHS ]

513
00:23:36,683 --> 00:23:41,621
SO, YOU AND YOUR FRIENDS, UM,
FREQUENT DRAG SHOWS, DO YOU?

514
00:23:41,621 --> 00:23:43,890
NO.
NOT -- WELL, SOMET--

515
00:23:43,890 --> 00:23:46,559
WE JUST DO IT ON THE WAY UP
TO MYRTLE BEACH EVERY YEAR.

516
00:23:46,559 --> 00:23:48,661
RIGHT.
OH, RIGHT.

517
00:23:48,661 --> 00:23:51,564
THIS STRIPPER CONVENTION
THAT I KEEP HEARING ABOUT.

518
00:23:51,564 --> 00:23:54,501
YEP.
IT'S THE INFAMOUS CONVENTION.

519
00:23:54,501 --> 00:23:57,003
WHICH ONE ARE YOU, THEN?
YOU, UM...

520
00:23:57,003 --> 00:23:58,104
WHICH WHAT?

521
00:23:58,104 --> 00:24:02,475
ARE YOU COP IN A THONG
OR IRON MAN IN A THONG?

522
00:24:02,475 --> 00:24:04,744
I AM... I AM...

523
00:24:04,744 --> 00:24:06,679
YOU'RE GONNA HAVE TO PAY
TO SEE THAT.

524
00:24:06,679 --> 00:24:09,081
THAT'S WHAT I AM.
[ LAUGHS ]

525
00:24:09,081 --> 00:24:12,752
OR I'LL JUST LOAD UP ON ALL
THOSE FANTASTIC '80s HAIR BANDS

526
00:24:12,752 --> 00:24:14,554
FOR MY DRIVE INSTEAD.

527
00:24:14,554 --> 00:24:15,688
WHERE YOU GOING?
WHERE YOU HEADED?

528
00:24:15,688 --> 00:24:19,058
UH...
JUST ON THE ROAD AGAIN.

529
00:24:19,058 --> 00:24:21,227
NEW YORK THIS TIME.
OKAY.

530
00:24:21,227 --> 00:24:22,995
UM, AND I...

531
00:24:22,995 --> 00:24:26,165
BASICALLY, I'M JUST TRYING TO
AVOID ENDING UP ON THE POLE.

532
00:24:26,165 --> 00:24:27,534
LIKE YOU.

533
00:24:27,534 --> 00:24:29,268
BUT YOU NEVER KNOW.

534
00:24:29,268 --> 00:24:32,104
"STRIPPER PISSING ON BEACH
IN CONTEMPLATIVE POSE"

535
00:24:32,104 --> 00:24:33,940
COULD SELL FOR THOUSANDS
ONE DAY.

536
00:24:33,940 --> 00:24:36,342
IF THAT'S TRUE,
THEN I WILL WHIP IT OUT

537
00:24:36,342 --> 00:24:39,612
AND START PEEING ON WHATEVER
YOU TELL ME TO PEE ON,

538
00:24:39,612 --> 00:24:41,614
AND WE CAN JUST --
WE CAN CASH IN.

539
00:24:41,614 --> 00:24:44,450
FANTASTIC.
I LOVE THE ENTHUSIASM.

540
00:24:44,450 --> 00:24:45,952
SAVE SOME OF IT, THOUGH,

541
00:24:45,952 --> 00:24:49,055
BECAUSE YOU AND I ARE GONNA
UNTIE THAT SAILBOAT OVER THERE

542
00:24:49,055 --> 00:24:51,724
AND ORGANIZE A FIRST-EVER
CROSS-DRESSING SEARCH PARTY

543
00:24:51,724 --> 00:24:52,792
OUT TO THAT ISLAND.

544
00:24:52,792 --> 00:24:53,926
WHAT DO YOU SAY?

545
00:24:53,926 --> 00:24:56,729
UH...
WIN OR DIE, STRIPPER GUY.

546
00:24:56,729 --> 00:24:58,765
I-I SAY THAT, UM...

547
00:24:58,765 --> 00:25:01,167
I WOULD ACTUALLY LOVE
TO DO THAT.

548
00:25:01,167 --> 00:25:03,636
BUT I'D SAY I KNOW WHAT HAPPENS
ON THAT ISLAND,

549
00:25:03,636 --> 00:25:06,639
AND I JUST -- THAT'S JUST...
MM-HMM.

550
00:25:06,639 --> 00:25:08,007
I THINK I'M GONNA OPT OUT.

551
00:25:08,007 --> 00:25:11,310
OH.
WHAT HAPPENS ON THAT ISLAND?

552
00:25:11,310 --> 00:25:15,114
IT'S JUST I KNOW WHAT HAPPENS
FOR ME ON THAT ISLAND.

553
00:25:15,114 --> 00:25:17,516
OH, I SEE.

554
00:25:17,516 --> 00:25:19,852
YOU THINK I'M GONNA HOOK UP
WITH YOU. MM.

555
00:25:19,852 --> 00:25:22,221
THAT'S NOT AT ALL WHAT I SAID.
AT ALL.

556
00:25:22,221 --> 00:25:24,190
THAT'S THE FARTHEST THING
FROM WHAT I SAID.

557
00:25:24,190 --> 00:25:26,225
'CAUSE I SAID I WOULD WANT TO GO
TO THAT ISLAND,

558
00:25:26,225 --> 00:25:28,160
AND THEN I KNOW
WHAT I WOULD DO

559
00:25:28,160 --> 00:25:30,262
AND THEN SOMEHOW THAT PROBABLY
WOULDN'T WORK OUT

560
00:25:30,262 --> 00:25:32,599
ON ANY LEVEL THAT I WOULD
WANT IT TO WORK OUT ON,

561
00:25:32,599 --> 00:25:34,000
AND THEN I THINK

562
00:25:34,000 --> 00:25:36,402
THAT IT'S PROBABLY BETTER
IF I JUST GO BACK.

563
00:25:36,402 --> 00:25:37,870
YEAH.

564
00:25:37,870 --> 00:25:39,038
WOW.

565
00:25:39,038 --> 00:25:40,139
OKAY.

566
00:25:40,139 --> 00:25:44,043
WELL, FRET NOT, CASANOVA.
YOU'RE SAFE WITH ME.

567
00:25:44,043 --> 00:25:46,579
I'M NOT GOING THROUGH
A GUY PHASE ANYWAY.

568
00:25:46,579 --> 00:25:48,014
OH.

569
00:25:48,014 --> 00:25:50,416
WELL, IN THAT CASE,
THAT MAKES THINGS EASIER.

570
00:25:50,416 --> 00:25:53,152
YEAH. 'CAUSE THEN
ALL THE MORE REASON

571
00:25:53,152 --> 00:25:56,789
FOR ME TO PROBABLY JUST GO DO
THE GOOD-NIGHT THING.

572
00:25:56,789 --> 00:25:58,224
OKAY. YEAH.

573
00:25:58,224 --> 00:26:00,893
IT WAS NICE TO MEET YOU, THOUGH,
DOLLY TITZ.

574
00:26:00,893 --> 00:26:04,063
BACK AT YOU, CLITORIA.

575
00:26:24,917 --> 00:26:27,419
GOOD MORNING.
GOOD MORNING.

576
00:26:27,419 --> 00:26:30,056
YOU SLEEP OKAY?

577
00:26:30,056 --> 00:26:33,192
YEAH.
ACTUALLY, I DID.

578
00:26:33,192 --> 00:26:35,394
MM-HMM.

579
00:26:35,394 --> 00:26:37,897
[ EXHALES DEEPLY ]

580
00:26:37,897 --> 00:26:40,366
MY MEDITATION WAS REALLY CLEAR
THIS MORNING, MAN.

581
00:26:40,366 --> 00:26:44,704
I JUST... JUST FEEL LIKE I GOT
A LOT OF THE NEGATIVITY OUT.

582
00:26:46,305 --> 00:26:47,439
THAT'S -- THAT'S GOOD.

583
00:26:47,439 --> 00:26:48,574
YEAH.
THAT'S GOOD.

584
00:26:48,574 --> 00:26:50,209
I'M HAPPY
YOU FEEL LIGHTER.

585
00:26:51,878 --> 00:26:54,781
I'M HAPPY YOU FINALLY GOT
WHAT YOU WANTED, MAN.

586
00:26:54,781 --> 00:26:56,015
YEAH?
I AM.

587
00:26:56,015 --> 00:26:58,450
NO. I -- WE SAY SHIT
ALL THE FUCKING TIME,

588
00:26:58,450 --> 00:26:59,886
BUT YOU WENT AND DID IT,
MAN.

589
00:26:59,886 --> 00:27:01,954
I'M JEALOUS.
OH -- OH, SHUT THE FUCK UP.

590
00:27:01,954 --> 00:27:03,923
ALL RIGHT?
I'M FUCKING JEALOUS. I AM.

591
00:27:03,923 --> 00:27:05,925
NO. IF THERE'S ANYBODY
THAT WAS JEALOUS, IT WAS ME.

592
00:27:05,925 --> 00:27:08,427
WHAT? EVERY TIME I WOULD COME
OVER TO YOUR APARTMENT --

593
00:27:08,427 --> 00:27:10,629
REMEMBER?
I'D PUT ON YOUR TIDE COMMERCIAL.

594
00:27:10,629 --> 00:27:11,630
[ LAUGHS ]

595
00:27:11,630 --> 00:27:13,465
THAT SHIT WAS DOPE.

596
00:27:13,465 --> 00:27:16,903
* FOR THAT EXTRA CLEAN! *
* FOR THAT EXTRA CLEAN! *

597
00:27:16,903 --> 00:27:19,538
DING!
[ Laughing ] OH, SHIT.

598
00:27:19,538 --> 00:27:20,907
I MEAN, LOOKIT.

599
00:27:20,907 --> 00:27:22,508
I WOULD --
I WOULD THINK TO MYSELF,

600
00:27:22,508 --> 00:27:25,011
"I'D BE SET IF I COULD JUST GET
TO WHERE KEN WAS."

601
00:27:25,011 --> 00:27:26,478
YEAH, I'M REAL SET HERE.

602
00:27:26,478 --> 00:27:27,814
I'M REAL SET.

603
00:27:27,814 --> 00:27:30,249
MY AGENT'S GOT ME DOING
YOUTUBE VIDEOS NOW, MAN.

604
00:27:30,249 --> 00:27:33,252
SO WHAT ARE YOU GONNA DO
AFTER THIS WEEKEND?

605
00:27:33,252 --> 00:27:36,122
SEND MY HEAD SHOT AROUND,
HOPE FOR THE BEST.

606
00:27:36,122 --> 00:27:40,092
THERE'S A CASTING DIRECTOR COMES
BY THE CLUB SOMETIMES, SO...

607
00:27:42,428 --> 00:27:43,595
I'M STILL PRETTY.

608
00:27:43,595 --> 00:27:46,198
[ CHUCKLES ]
YEAH.

609
00:27:46,198 --> 00:27:50,770
I KNOW YOU'RE STILL PRETTY,
BUT LOOK AT THESE GUYS.

610
00:27:50,770 --> 00:27:53,272
WHAT ARE THEY GONNA DO
AFTER THIS?

611
00:27:53,272 --> 00:27:54,807
I DON'T KNOW.

612
00:27:54,807 --> 00:27:57,009
MORNING, GORGEOUS.

613
00:27:57,009 --> 00:27:59,511
OH, MY GOD,
DID YOU GUYS EVEN SLEEP?

614
00:27:59,511 --> 00:28:01,914
[ BOTH LAUGH ]

615
00:28:01,914 --> 00:28:03,883
ARE THE GIRLS STILL HERE
OR THEY LEAVE?

616
00:28:03,883 --> 00:28:07,119
OH, THEY LEFT ABOUT A --
ABOUT AN HOUR AGO.

617
00:28:07,119 --> 00:28:08,721
[ CHUCKLES ]

618
00:28:08,721 --> 00:28:11,123
DID YOU, UH,
DID YOU BANGEE?

619
00:28:11,123 --> 00:28:13,259
YOU BANGEE?
SHOW HIM THE THING.

620
00:28:15,627 --> 00:28:17,529
WOW.

621
00:28:17,529 --> 00:28:18,998
THAT'S... OKAY.

622
00:28:18,998 --> 00:28:22,101
SHE SAID IF I HAD REASON TO CALL
BEFORE IT FADED,

623
00:28:22,101 --> 00:28:23,836
THEN MAYBE IT WAS MEANT TO BE.

624
00:28:23,836 --> 00:28:26,338
OH.
THAT'S... THAT'S ROMANTIC.

625
00:28:26,338 --> 00:28:29,475
THEY'RE STAYING IN CHARLESTON
TONIGHT, SO...

626
00:28:29,475 --> 00:28:31,243
I DON'T KNOW.
IT'S SMACK DAB ON OUR WAY.

627
00:28:31,243 --> 00:28:32,912
MAYBE IT WAS MEANT TO BE.
YEAH, MAN.

628
00:28:32,912 --> 00:28:34,914
GOOD WORK ON THAT,
BY THE WAY.

629
00:28:34,914 --> 00:28:36,248
WHAT ABOUT YOU?

630
00:28:36,248 --> 00:28:37,183
DID YOU BANGEE?

631
00:28:37,183 --> 00:28:39,919
[ SIGHS ] NO.
NO?

632
00:28:39,919 --> 00:28:43,189
I HAVEN'T HAD ACTUAL SEX
IN ALMOST FIVE MONTHS.

633
00:28:43,189 --> 00:28:46,525
EVERY TIME A CHICK GETS...
A LOOK AT IT,

634
00:28:46,525 --> 00:28:49,495
SHE'S LIKE, "HOW ABOUT
A BLOW JOB OR HAND JOB?"

635
00:28:49,495 --> 00:28:51,263
WELL...

636
00:28:51,263 --> 00:28:53,665
JUST GOT TO FIND
THE RIGHT LADY, MAN.

637
00:28:53,665 --> 00:28:55,267
THAT'S UNFORTUNATE
FOR YOU.

638
00:28:55,267 --> 00:28:57,870
IT'S LIKE A BLESSING AND A CURSE
AT THE SAME TIME, HUH?

639
00:28:57,870 --> 00:28:59,338
LAUGH AT MY PLIGHT.

640
00:28:59,338 --> 00:29:01,808
LOOK, M-MAYBE IT'S LIKE
THE GLASS SLIPPER, MAN.

641
00:29:01,808 --> 00:29:04,310
YOU JUST NEED TO FIND
THE RIGHT ONE.

642
00:29:04,310 --> 00:29:06,212
DUDE, I'M 35 YEARS OLD,
OKAY?

643
00:29:06,212 --> 00:29:08,848
IF IT HASN'T HAPPENED ALREADY,
IT AIN'T GONNA HAPPEN.

644
00:29:08,848 --> 00:29:10,682
LET'S FACE IT,
I'M PROBABLY FUCKED.

645
00:29:10,682 --> 00:29:12,318
OH.
ALL RIGHT.

646
00:29:12,318 --> 00:29:14,787
ON THAT NOTE, UH, LET'S GET
THIS CIRCUS BACK ON THE ROAD.

647
00:29:14,787 --> 00:29:17,256
WHO WANTS TO SEE IF TARZAN DIED
IN HIS SLEEP LAST NIGHT?

648
00:29:17,256 --> 00:29:20,059
FUCK THAT, MAN.
I WOKE HIM UP LAST TIME.

649
00:29:20,059 --> 00:29:21,994
I'LL DO IT.
I GOT IT.

650
00:29:21,994 --> 00:29:25,031
I'LL CLEAN UP
THE NONBIODEGRADABLES.

651
00:29:33,705 --> 00:29:34,874
Tobias:
WHAT'S UP, BRO?

652
00:29:34,874 --> 00:29:36,809
A LITTLE, UH,
BREAKFAST OF CHAMPIONS?

653
00:29:36,809 --> 00:29:38,444
Mike: MOLLY?
YEAH.

654
00:29:38,444 --> 00:29:40,246
YOU REALIZE WE'LL BE USELESS
IN AN HOUR.

655
00:29:40,246 --> 00:29:42,181
WHAT ARE YOU, FUCKING 12, DUDE?
JUST TAKE IT.

656
00:29:42,181 --> 00:29:43,983
OH, FUCK!
ALL RIGHT. FINE.

657
00:29:43,983 --> 00:29:45,952
GUESS I KNOW
WHAT TODAY'S GONNA BE LIKE.

658
00:29:45,952 --> 00:29:49,288
ALL RIGHT,
GET YOUR MOON ROCKS!

659
00:29:49,288 --> 00:29:51,958
ALL RIGHT. SO WHAT'S THE PLAN
ABOUT THIS THING?

660
00:29:51,958 --> 00:29:53,525
OKAY.
SO WE GOT IT ALL PLANNED OUT.

661
00:29:53,525 --> 00:29:55,261
TOBIAS IS GONNA WARM UP
THE CROWD,

662
00:29:55,261 --> 00:29:56,595
THEN WE'RE GONNA HIT THEM

663
00:29:56,595 --> 00:29:58,497
WITH THE OLD 4th OF JULY
ARMY ROUTINE. OORAH.

664
00:29:58,497 --> 00:30:00,366
Ken: THAT STILL MAKES ME
FEEL LIKE A WARMONGER

665
00:30:00,366 --> 00:30:02,301
WITH EVERYTHING GOING ON
POLITICALLY RIGHT NOW.

666
00:30:02,301 --> 00:30:04,203
OH, COME ON
WITH THE HIPPIE SHIT.

667
00:30:04,203 --> 00:30:05,804
IT'S IN SEASON.
WE'RE DOING IT.

668
00:30:05,804 --> 00:30:08,374
HEY, IF YOU WANT THAT KARMA,
GO FOR IT, ALL RIGHT?

669
00:30:08,374 --> 00:30:11,243
WE'RE GONNA HIT THEM WITH
"RAINING MEN" RIGHT AFTER.

670
00:30:11,243 --> 00:30:12,244
RIGHT.

671
00:30:12,244 --> 00:30:14,213
THEN TOBIAS IS GONNA INTRO
THE SOLOS.

672
00:30:14,213 --> 00:30:15,381
LISTEN.

673
00:30:15,381 --> 00:30:18,384
I THINK YOU SHOULD BRING BACK
"PONY," BRO.

674
00:30:18,384 --> 00:30:20,486
I COULD DO THAT.

675
00:30:20,486 --> 00:30:22,554
AND I'M --
LOOK, "PONY" IS GREAT.

676
00:30:22,554 --> 00:30:25,157
I HAVE, UH...
CAN I PITCH YOU SOMETHING?

677
00:30:25,157 --> 00:30:26,792
LET ME JUST
THROW SOMETHING OUT.

678
00:30:26,792 --> 00:30:30,096
AND I COMPLETELY UNDERSTAND THAT
I'M COMING IN AT THE 11th HOUR,

679
00:30:30,096 --> 00:30:31,964
AND I DON'T WANT TO STEP
ON TOES.

680
00:30:31,964 --> 00:30:34,100
BUT WHAT IF...

681
00:30:34,100 --> 00:30:35,902
I MEAN, IF THIS REALLY IS
OUR LAST RIDE,

682
00:30:35,902 --> 00:30:38,670
WHAT IF WE MAKE UP SOME NEW SHIT
AND GO OUT WITH A FUCKING BANG

683
00:30:38,670 --> 00:30:41,107
AND JUST BURN THIS SHIT DOWN
WITH SOME NEW ROUTINES?

684
00:30:41,107 --> 00:30:43,609
WE -- WE CAN'T DO THAT, MAN.
WE GOT TWO DAYS.

685
00:30:43,609 --> 00:30:47,046
I MEAN, MIKE, THAT'S WHAT
WE'VE REHEARSED, MAN.

686
00:30:47,046 --> 00:30:50,016
YEAH, AND DON'T CALL OUR SHIT LAME, BRO.
YOU'RE RIGHT. YOU KNOW WHAT?

687
00:30:50,016 --> 00:30:51,550
I'M NOT CALLING
YOUR SHIT LAME.

688
00:30:51,550 --> 00:30:53,419
I'M JUST SAYING THAT COWBOYS
AND FIREMEN DANCING TO '80s ROCK

689
00:30:53,419 --> 00:30:55,421
IS NOT -- NOT LAME.
NO. YOU KNOW WHAT IS LAME?

690
00:30:55,421 --> 00:30:57,423
LOOKING LIKE A BAG OF DICKS
AT OUR LAST CONVENTION

691
00:30:57,423 --> 00:30:59,491
'CAUSE WE DON'T HAVE
OUR FUCKING ACT STRAIGHT.

692
00:30:59,491 --> 00:31:00,492
OKAY.
POINT TAKEN.

693
00:31:00,492 --> 00:31:02,694
LET ME ASK YOU A QUESTION,
THOUGH.

694
00:31:02,694 --> 00:31:04,430
UM... OKAY.

695
00:31:04,430 --> 00:31:07,066
YOU'RE STILL DOING, UH,
THE FIREMAN ROUTINE, RIGHT?

696
00:31:07,066 --> 00:31:08,367
YOU KNOW IT.
ALL RIGHT.

697
00:31:08,367 --> 00:31:10,336
HAVE YOU EVER WANTED TO BE
A FIREMAN?

698
00:31:10,336 --> 00:31:12,939
A REAL ONE?
YES, A REAL FIREMAN.

699
00:31:12,939 --> 00:31:14,873
NO.
I GOT THE PHOBIA THING.

700
00:31:14,873 --> 00:31:16,275
YOU HAVE A FIRE PHOBIA.
OKAY.

701
00:31:16,275 --> 00:31:18,477
SO, UH, YOU STILL DOING IT
TO THAT -- THAT KISS SONG?

702
00:31:18,477 --> 00:31:19,979
FUCK, YEAH.
"HOTTER THAN HELL."

703
00:31:19,979 --> 00:31:21,380
"HOTTER THAN HELL."
DO YOU LIKE THAT SONG?

704
00:31:21,380 --> 00:31:22,481
CRUSHES.

705
00:31:22,481 --> 00:31:24,483
I KNOW IT CRUSHES,
BUT DO YOU LIKE IT?

706
00:31:24,483 --> 00:31:26,752
DO YOU PLAY IT
WHEN YOU'RE NOT ONSTAGE?

707
00:31:26,752 --> 00:31:28,220
I DON'T SEE YOUR POINT
HERE.

708
00:31:28,220 --> 00:31:30,356
MY POINT IS, IF YOU DON'T
LIKE IT, WHY DID YOU PICK IT?

709
00:31:30,356 --> 00:31:32,024
WELL, I DIDN'T PICK IT.
DALLAS DID.

710
00:31:32,024 --> 00:31:33,625
EXACTLY MY POINT.
DALLAS PICKED IT.

711
00:31:33,625 --> 00:31:35,727
YOU DIDN'T PICK IT, SO IT'S NOT
ON THE INSIDE. YOU KNOW WHAT?

712
00:31:35,727 --> 00:31:37,763
JUST BECAUSE YOU MADE UP SOME OF
YOUR OWN ROUTINES BACK IN THE DAY

713
00:31:37,763 --> 00:31:39,565
DOESN'T MEAN THAT YOU GET TO
WALTZ BACK IN HERE

714
00:31:39,565 --> 00:31:41,467
AFTER THREE YEARS AND TRY TO
TELL US HOW TO RUN OUR OWN SHIT.

715
00:31:41,467 --> 00:31:43,369
I'M NOT TRYING TO TELL YOU
WHAT THE FUCK TO DO. NO!

716
00:31:43,369 --> 00:31:44,803
I'M JUST SAY--
THERE IS NO FUCKING UNIVERSE

717
00:31:44,803 --> 00:31:48,140
IN WHICH I AM NOT DOING
THAT FIREMAN ROUTINE!

718
00:31:51,110 --> 00:31:52,311
YOU CAN FIND IT, MAN.

719
00:31:52,311 --> 00:31:54,146
YOU GOT TO JUST, LIKE,
LET GO, OKAY?

720
00:31:54,146 --> 00:31:56,048
I FUCKING GOT IT!
WHAT? WHAT?

721
00:31:56,048 --> 00:31:58,117
YO, IT'S LIKE
A FUCKING REAL WEDDING,

722
00:31:58,117 --> 00:32:00,052
EXCEPT LIKE A FANTASY.
Ken: OH, MY GOD, DUDE!

723
00:32:00,052 --> 00:32:01,520
AND, LIKE, I GO OUT IN THE CROWD...
YES!

724
00:32:01,520 --> 00:32:03,522
...AND FIND MYSELF, LIKE,
A REAL FUCKING BRIDE.

725
00:32:03,522 --> 00:32:06,425
OH, FUCK! AND I DO
EVERYTHING WITH HER!

726
00:32:06,425 --> 00:32:08,560
LIKE, I'LL HAVE A RING
AND EVERYTHING,

727
00:32:08,560 --> 00:32:11,497
AND I'LL PROPOSE TO HER, AND PEOPLE
THROW RICE. THEY ARE THROWING RICE!

728
00:32:11,497 --> 00:32:13,665
RICE OUT OF OUR FUCKING PANTS! YES.
DUDE, THEY'RE FUCKING --

729
00:32:13,665 --> 00:32:15,467
THEY'RE ALL -- EVERYONE'S THROWING RICE.
IT'S JUST SO COMPLEX.

730
00:32:15,467 --> 00:32:16,902
OR BIRDSEED. WHAT ARE YOU
FUCKING TALKING ABOUT, MAN?!

731
00:32:16,902 --> 00:32:18,470
YO, MAN, I'M NOT
A FUCKING DANCER LIKE YOU.

732
00:32:18,470 --> 00:32:20,239
I JUST CAN'T COME UP WITH SHIT
ON THE SPOT.

733
00:32:20,239 --> 00:32:23,242
NO, IT'S NOT -- IT'S NOT ABOUT
BEING A DANCER, RICHIE.

734
00:32:23,242 --> 00:32:24,710
IT'S NOT.
OKAY, LOOK.

735
00:32:24,710 --> 00:32:27,679
"PONY" -- IT'S NOT -- THAT
WASN'T A DANCE ROUTINE, OKAY?

736
00:32:27,679 --> 00:32:30,849
ALL IT WAS IS I WAS AT A PARTY
AND SAW THIS BADASS GIRL.

737
00:32:30,849 --> 00:32:32,318
AND SHE WAS WITH
HER BOYFRIEND,

738
00:32:32,318 --> 00:32:34,620
AND HE DID NOT LOOK LIKE
HE WAS HITTING THAT SHIT RIGHT.

739
00:32:34,620 --> 00:32:36,855
SO THAT -- THAT SONG CAME ON,
AND ALL I DID WAS JUST --

740
00:32:36,855 --> 00:32:39,391
ALL I DID WAS JUST, LIKE,
IMAGINE WHAT I WOULD DO TO HER.

741
00:32:39,391 --> 00:32:41,360
THAT WAS IT.
THAT WAS ALL "PONY" EVER WAS.

742
00:32:41,360 --> 00:32:43,095
NO, MAN.
IT SOUNDS FUCKING COMPLEX.

743
00:32:43,095 --> 00:32:45,364
WHY IS THAT -- NO, IT'S NOT.
LOOK AT -- LOOK AT YOU!

744
00:32:45,364 --> 00:32:46,965
YOU'RE A FUCKING
GREEK GOD.

745
00:32:46,965 --> 00:32:48,500
YOU COULD FUCKING TIE
YOUR SHOE

746
00:32:48,500 --> 00:32:50,436
AND MAKE SOME GIRL'S
ENTIRE YEAR, MAN.

747
00:32:50,436 --> 00:32:51,937
IT'S JUST GOT TO COME FROM
IN HERE.

748
00:32:51,937 --> 00:32:53,939
SERIOUSLY? YOU JUST HAVE TO BE YOU.
YEAH. I KNOW SO.

749
00:32:53,939 --> 00:32:55,174
YOU KNOW WHAT?
FUCK THAT.

750
00:32:55,174 --> 00:32:56,708
I BET YOU YOU CAN GO IN THERE
RIGHT NOW --

751
00:32:56,708 --> 00:32:58,977
I BET YOU YOU CAN GO IN THERE
AND FUCKING MAKE HER DAY.

752
00:32:58,977 --> 00:33:00,846
WHO, HER? Tarzan: HELL, YEAH.
HELL, YEAH.

753
00:33:00,846 --> 00:33:02,848
THAT GIRL LOOKS LIKE
SHE'S NEVER FUCKING SMILED

754
00:33:02,848 --> 00:33:05,217
IN HER ENTIRE FUCKING LIFE.
THEN THAT'S YOUR GOAL.

755
00:33:05,217 --> 00:33:06,718
THAT IS YOUR GOAL. ALL THE
MORE REASON, MAN. WHAT?

756
00:33:06,718 --> 00:33:08,087
YOU GOT TO GO IN THERE
AND MAKE HER SMILE. NO!

757
00:33:08,087 --> 00:33:09,221
THAT'S IT.
THAT'S ALL YOU'VE GOT TO DO.

758
00:33:09,221 --> 00:33:10,522
YES.
AND IF YOU -- LOOK.

759
00:33:10,522 --> 00:33:12,391
IF YOU CAN'T DO THAT,
THEN NO ONE FUCKING CAN,

760
00:33:12,391 --> 00:33:14,293
AND I'LL GO BACK AND DO
THE FUCKING OLD ROUTINES.

761
00:33:14,293 --> 00:33:16,728
OH, FUCK! THAT'S A FAIR DEAL.
THAT'S A FAIR DEAL.

762
00:33:16,728 --> 00:33:19,131
YOU'RE NOT A FUCKING --
YOU'RE NOT A FIREMAN, RICHIE!

763
00:33:19,131 --> 00:33:21,200
YOU'RE NOT A FIREMAN.
I WANT TO HEAR YOU SAY IT.

764
00:33:21,200 --> 00:33:22,868
"I'M NOT A FIREMAN."
"I AM NOT A FIREMAN."

765
00:33:22,868 --> 00:33:24,470
I WANT TO HEAR YOU SAY --
WELL, I'M NOT A FUCKING FIREMAN.

766
00:33:24,470 --> 00:33:26,305
YOU HATE FIRE!
I'M A FUCKING MALE ENTERTAINER.

767
00:33:26,305 --> 00:33:27,473
EXACTLY!
YOU'RE A MALE ENTERTAINER.

768
00:33:27,473 --> 00:33:28,807
RIGHT, MAN.
YOU CAN FUCKING DO IT.

769
00:33:28,807 --> 00:33:30,008
NOW GO DO IT!
B.D.R.!

770
00:33:30,008 --> 00:33:31,043
B.D.R.!

771
00:33:31,043 --> 00:33:32,611
COME ON!
B.D.R.! B.D.R.!

772
00:33:32,611 --> 00:33:36,315
[ UP-TEMPO DANCE MUSIC PLAYING,
INDISTINCT SHOUTING ]

773
00:33:37,649 --> 00:33:38,717
MAKE HER DAY, DUDE.

774
00:33:38,717 --> 00:33:40,786
LET'S GO.
SHOW THAT BIG BEAUTIFUL HEART.

775
00:33:40,786 --> 00:33:43,122
[ MUSIC CONTINUES ]

776
00:33:45,624 --> 00:33:48,927
[ MUSIC STOPS,
SLOW INTRODUCTION PLAYS ]

777
00:33:48,927 --> 00:33:52,364
* YEAH *

778
00:33:55,301 --> 00:34:00,339
* YOU ARE MY FIRE *

779
00:34:00,339 --> 00:34:05,811
* THE ONE DESIRE *

780
00:34:05,811 --> 00:34:10,816
* BELIEVE WHEN I SAY *

781
00:34:10,816 --> 00:34:15,121
* I WANT IT THAT WAY *

782
00:34:15,121 --> 00:34:19,525
* WHEN WE ARE TWO WORLDS *

783
00:34:19,525 --> 00:34:22,128
* APART *
[ INDISTINCT SHOUTING ]

784
00:34:22,128 --> 00:34:26,932
* CAN'T REACH TO YOUR HEART *

785
00:34:26,932 --> 00:34:30,035
* WHEN YOU SAY *

786
00:34:30,035 --> 00:34:34,340
* THAT I WANT IT THAT WAY *

787
00:34:34,340 --> 00:34:36,041
* TELL ME WHY *

788
00:34:36,041 --> 00:34:39,245
* AIN'T NOTHING
BUT A HEARTACHE *

789
00:34:39,245 --> 00:34:40,546
* TELL ME WHY *

790
00:34:40,546 --> 00:34:43,949
* AIN'T NOTHING
BUT A MISTAKE *

791
00:34:43,949 --> 00:34:45,317
* TELL ME WHY *

792
00:34:45,317 --> 00:34:49,155
* I NEVER WANT TO
HEAR YOU SAY *

793
00:34:49,155 --> 00:34:54,025
* I WANT IT THAT WAY *

794
00:34:54,025 --> 00:34:58,530
* AM I YOUR FIRE? *

795
00:34:58,530 --> 00:35:03,068
* YOUR ONE DESIRE? *

796
00:35:03,068 --> 00:35:05,971
* YES, I KNOW *

797
00:35:05,971 --> 00:35:08,474
* IT'S TOO LATE *

798
00:35:08,474 --> 00:35:13,111
* BUT I WANT IT THAT WAY *

799
00:35:13,111 --> 00:35:14,346
* TELL ME WHY *

800
00:35:14,346 --> 00:35:17,316
* AIN'T NOTHING
BUT A HEARTACHE *

801
00:35:17,316 --> 00:35:19,485
* TELL ME WHY *

802
00:35:19,485 --> 00:35:22,754
* AIN'T NOTHING
BUT A MISTAKE *

803
00:35:22,754 --> 00:35:24,423
* TELL ME WHY *

804
00:35:24,423 --> 00:35:28,294
* I NEVER WANT TO
HEAR YOU SAY *

805
00:35:28,294 --> 00:35:31,029
HOW MUCH FOR THE CHEETOS
AND WATER?

806
00:35:31,029 --> 00:35:35,734
* DON'T WANT TO HEAR YOU SAY *

807
00:35:35,734 --> 00:35:38,170
* AIN'T NOTHING BUT A
HEARTACHE * [ ALL CHEERING ]

808
00:35:38,170 --> 00:35:41,373
* AIN'T NOTHING BUT A MISTAKE *

809
00:35:41,373 --> 00:35:44,676
* DON'T WANT TO HEAR YOU SAY *

810
00:35:44,676 --> 00:35:46,478
YEAH! WHOO!

811
00:35:46,478 --> 00:35:48,214
THAT WAS SPIRITUAL,
MAN.

812
00:35:48,214 --> 00:35:49,781
YES!
I'M PROUD OF YOU, BUDDY.

813
00:35:49,781 --> 00:35:51,149
WE CAN DO THIS.

814
00:35:51,149 --> 00:35:52,451
WE CAN DO THIS!
WE CAN DO THIS.

815
00:35:52,451 --> 00:35:55,187
WE'VE GOT TO COME UP WITH
NEW SHIT, OKAY?

816
00:35:55,187 --> 00:35:57,489
FUCKING HISTORY RIGHT HERE,
OKAY?

817
00:35:57,489 --> 00:35:59,391
THIS SHIT IS HISTORY.
GONE.

818
00:35:59,391 --> 00:36:02,093
WE'VE GOT TO GET RID OF IT.
OUT WITH THE PAST.

819
00:36:02,093 --> 00:36:03,695
I NEVER WANTED TO BE
IN THE NAVY!

820
00:36:03,695 --> 00:36:05,731
I DON'T WANT THIS "TOP GUN" SHIT.
FUCK THE NAVY, MAN.

821
00:36:05,731 --> 00:36:06,998
YEAH!
GONE!

822
00:36:06,998 --> 00:36:09,568
OH, BABY!
IT'S TIME.

823
00:36:09,568 --> 00:36:10,969
THAT SHIT ITCHED.
IT'S TIME.

824
00:36:10,969 --> 00:36:12,070
BOOM.

825
00:36:12,070 --> 00:36:13,339
BOOM!
THAT'S OUTTA HERE, BABY!

826
00:36:13,339 --> 00:36:15,241
FUCK THAT THING!
RICHIE?

827
00:36:15,241 --> 00:36:17,276
DONE! FIREMAN OVER!
NOT ANYMORE.

828
00:36:17,276 --> 00:36:19,378
I'M NOT A FIREMAN
ANYMORE!

829
00:36:19,378 --> 00:36:20,712
GET IT OUTTA HERE.
DON'T, MAN. DON'T.

830
00:36:20,712 --> 00:36:22,348
I'LL -- I'LL THROW IT AWAY
WHEN WE GET BACK.

831
00:36:22,348 --> 00:36:23,582
NO, NO, NO.
NOW!

832
00:36:23,582 --> 00:36:25,784
IT'S OVER.
HISTORY!

833
00:36:25,784 --> 00:36:26,685
NEW STUFF.

834
00:36:26,685 --> 00:36:29,555
I LOVE YOU GUYS.
I -- LOOK.

835
00:36:29,555 --> 00:36:30,856
I'VE MISSED YOU GUYS
SO MUCH.

836
00:36:30,856 --> 00:36:32,591
I KNOW WE'RE ROLLING FACE
RIGHT NOW,

837
00:36:32,591 --> 00:36:35,227
BUT, LIKE, I JUST NEED YOU GUYS
TO KNOW HOW MUCH I LOVE YOU.

838
00:36:35,227 --> 00:36:37,128
I MISSED YOU SO MUCH, MAN.

839
00:36:37,128 --> 00:36:38,464
THERE WAS A GIANT HOLE
INSIDE OF ME

840
00:36:38,464 --> 00:36:40,031
THAT WAS CREATED
WHEN YOU LEFT.

841
00:36:40,031 --> 00:36:41,733
I'M HERE NOW. AND NOW I
FEEL LIKE IT'S FULL AGAIN.

842
00:36:41,733 --> 00:36:43,569
I LOVE YOU, MAN.
Ken: LET'S SYNC THIS SHIT UP.

843
00:36:43,569 --> 00:36:45,036
WE GOTTA SYNC THIS UP.

844
00:36:45,036 --> 00:36:47,573
WE'RE SYNCING UP THE ENERGY.
I FUCKING LOVE YOU, MAN!

845
00:36:47,573 --> 00:36:49,675
GIVE ME YOUR HANDS, MAN.
[ LAUGHS ]

846
00:36:49,675 --> 00:36:50,809
WHOO!

847
00:36:50,809 --> 00:36:53,078
I TAKE IT Y'ALL MOTHERFUCKERS
FEEL THAT?

848
00:36:53,078 --> 00:36:54,112
OH, YEAH.
YEAH!

849
00:36:54,112 --> 00:36:56,147
THAT IS OUR ENERGIES, MAN.

850
00:36:56,147 --> 00:36:58,083
WE ARE CONNECTED.
HOLD --

851
00:36:58,083 --> 00:37:00,819
TOBY! TOBY, THROW IT BACK HERE,
BROTHER. WE NEED YOU.

852
00:37:00,819 --> 00:37:02,254
COME ON.
COME ON, MAN, SYNC UP.

853
00:37:02,254 --> 00:37:04,222
COME ON!
THIS IS POWERFUL, MAN!

854
00:37:04,222 --> 00:37:05,924
YOU FEEL THAT RHYTHM?
OH, YEAH.

855
00:37:05,924 --> 00:37:07,593
* MM, MM-MM-MM *

856
00:37:07,593 --> 00:37:08,760
YEAH.
OOH, YEAH.

857
00:37:08,760 --> 00:37:10,862
* MM, MM-MM-MM *
I LOVE YOU GUYS!

858
00:37:10,862 --> 00:37:12,030
THAT'S OUR PULSE, MAN.

859
00:37:12,030 --> 00:37:14,333
I AM SO THANKFUL
THAT WE ARE ALL HERE TOGETHER

860
00:37:14,333 --> 00:37:15,567
ON THIS LAST RIDE, MAN.

861
00:37:15,567 --> 00:37:17,836
EVERYBODY --
EVERYBODY CLOSE YOUR EYES

862
00:37:17,836 --> 00:37:21,340
AND LET'S JUST APPRECIATE IT,
NOT AS SIX BEINGS, BUT AS ONE.

863
00:37:21,340 --> 00:37:23,475
AS ONE.
AS ONE. AS ONE UNIT, MAN.

864
00:37:23,475 --> 00:37:25,010
ONE FUCKING UNIT.

865
00:37:25,010 --> 00:37:26,945
Tito: AS ONE. WE'VE GOT TO MOVE
INTO THE FUTURE AS ONE.

866
00:37:26,945 --> 00:37:29,548
Tarzan: AS ONE UNIT.
ONE UNIT MOVING AS ONE.

867
00:37:29,548 --> 00:37:31,082
THE PAST IS OVER!

868
00:37:31,082 --> 00:37:32,384
YEAH.

869
00:37:32,384 --> 00:37:35,454
SHIT!
[ INDISTINCT SHOUTING ]

870
00:37:40,759 --> 00:37:42,428
UGH.

871
00:37:42,428 --> 00:37:43,862
Mike: FUCK!
WHAT THE HELL HAPPENED?

872
00:37:43,862 --> 00:37:45,531
OW! GET OFF!
GET OFF MY FUCKING LEG!

873
00:37:45,531 --> 00:37:46,532
Tarzan:
UGH. FUCK!

874
00:37:46,532 --> 00:37:47,833
Ken:
IS EVERYBODY OKAY?

875
00:37:47,833 --> 00:37:50,336
NO, I'M NOT FUCKING OKAY!
I'M NOT OKAY AT ALL!

876
00:37:50,336 --> 00:37:53,972
Richie: OH, SHIT.
HEY, WE GOT A MAN DOWN!

877
00:37:53,972 --> 00:37:55,674
Ken: OH, FUCK.
WHERE'D THAT COME FROM?

878
00:37:55,674 --> 00:37:57,443
HE HIT HIS FUCKING HEAD THERE.
OH, SHIT.

879
00:37:57,443 --> 00:37:58,810
HE'S OKAY.

880
00:37:58,810 --> 00:38:01,012
YOUR FRIEND SUFFERED
A GRADE-2 CONCUSSION

881
00:38:01,012 --> 00:38:02,213
AND REQUIRED SOME STITCHES.

882
00:38:02,213 --> 00:38:04,816
SO HE'S GONNA LIVE?
YES.

883
00:38:04,816 --> 00:38:08,387
HE'LL NEED TO STAY HERE
FOR 48 HOURS OF OBSERVATION.

884
00:38:08,387 --> 00:38:09,388
HE'S IN HERE.

885
00:38:09,388 --> 00:38:10,889
MY PUPILS BUGGING OUT?

886
00:38:10,889 --> 00:38:12,524
SHH. BE COOL.

887
00:38:12,524 --> 00:38:15,594
YOU THINK SHE KNOWS?

888
00:38:15,594 --> 00:38:18,029
[ INDISTINCT CONVERSATIONS ]

889
00:38:18,029 --> 00:38:20,499
OH, SHIT, MAN.

890
00:38:20,499 --> 00:38:22,568
HEY. TOBY.

891
00:38:22,568 --> 00:38:24,503
WHAT'S UP, BUDDY? HEY, BRO.
WHAT'S UP, MAN?

892
00:38:24,503 --> 00:38:25,937
OH, FUCK.
HEY, GUYS.

893
00:38:25,937 --> 00:38:27,038
I'M SO FUCKING SORRY.

894
00:38:27,038 --> 00:38:28,874
NO. NO. I SHOULDN'T HAVE REACHED
FOR YOU, MAN.

895
00:38:28,874 --> 00:38:30,642
FUCK, MAN.
I SHOULDN'T HAVE CLOSED MY EYES.

896
00:38:30,642 --> 00:38:31,910
WELL, THAT'S
DEFINITELY TRUE.

897
00:38:31,910 --> 00:38:34,346
FUCK, YEAH.
I MEAN, WHAT WERE YOU THINKING?

898
00:38:34,346 --> 00:38:35,681
HEY. HEY, HEY.
GO EASY ON HIM, MAN.

899
00:38:35,681 --> 00:38:38,116
COME ON. LOOK AT HIM.
EASY? HE'S FINE.

900
00:38:38,116 --> 00:38:41,553
RIGHT? YEAH, I'M FINE, BUT
THE FUCKING TRUCK, MAN.

901
00:38:41,553 --> 00:38:42,954
YEAH,
THE TRUCK IS TOWED.

902
00:38:42,954 --> 00:38:45,491
IT'S GOING TO TAKE A FEW DAYS
TO FIX IT.

903
00:38:45,491 --> 00:38:47,393
BUT I THINK
WE CAN AFFORD IT.

904
00:38:47,393 --> 00:38:49,828
I JUST -- I DON'T KNOW
ABOUT THE PAINT JOB.

905
00:38:49,828 --> 00:38:52,398
IT WON'T BE ORIGINAL,
BUT, UH, I CAN GET IT CLOSE.

906
00:38:52,398 --> 00:38:53,765
ARE YOU IN PAIN, MAN?

907
00:38:53,765 --> 00:38:55,801
YEAH. THEY GAVE ME A LITTLE BIT
OF SOMETHING,

908
00:38:55,801 --> 00:38:58,470
BUT IT'S JUST, LIKE, SHIT.
YEAH, I'M FEELING THAT.

909
00:38:58,470 --> 00:39:00,372
[ EXHALES DEEPLY ]

910
00:39:00,372 --> 00:39:01,940
WHAT ARE YOU DOING?

911
00:39:01,940 --> 00:39:03,509
REIKI.

912
00:39:03,509 --> 00:39:05,511
I'M A LEVEL-3 HEALER.

913
00:39:05,511 --> 00:39:06,812
OH, SHIT.

914
00:39:06,812 --> 00:39:09,548
[ SIGHS ]
THIS FUCKING SUCKS.

915
00:39:09,548 --> 00:39:12,350
NO FUCKING M.C.
NO FUCKING WHIP.

916
00:39:12,350 --> 00:39:13,719
NO FUCKING COSTUMES!

917
00:39:13,719 --> 00:39:15,153
THAT WAS A BRILLIANT IDEA.

918
00:39:15,153 --> 00:39:17,055
THROWING THE FUCKING COSTUMES
OUT THE WINDOW?

919
00:39:17,055 --> 00:39:20,091
STUPID! JUST CHILL, MAN. NO, MAN.
IT'S AN OMEN, OKAY?

920
00:39:20,091 --> 00:39:21,627
IT'S A SIGN.

921
00:39:21,627 --> 00:39:24,930
WE'RE EXACTLY WHERE WE'RE
SUPPOSED TO BE, ALL RIGHT?

922
00:39:24,930 --> 00:39:28,700
PLEASE SPARE US THE FUCKING
GANDHI ROUTINE RIGHT NOW!

923
00:39:28,700 --> 00:39:30,869
OKAY.
YOU HAVE SO MUCH ANGER, MAN.

924
00:39:30,869 --> 00:39:33,138
AND IT IS ALL IN YOUR HEART
CHAKRA, AND IT'S FUCKING TOXIC.

925
00:39:33,138 --> 00:39:35,841
LOOK, GUYS, PLEASE JUST CHILL. I
DON'T EVEN KNOW WHAT THAT MEANS!

926
00:39:35,841 --> 00:39:38,309
COME ON! THIS IS THE COMEDOWN
FROM THE MOLLY.

927
00:39:38,309 --> 00:39:42,147
GET A GRIP. GOD. YOU'RE GODDAMN
RIGHT IT'S FUCKING COMEDOWN!

928
00:39:42,147 --> 00:39:43,449
THIS TRIP'S OVER!

929
00:39:43,449 --> 00:39:46,284
ALL I WANTED
WAS ONE MORE FUCKING RIDE!

930
00:39:46,284 --> 00:39:48,153
IS THAT TOO MUCH TO ASK?

931
00:39:48,153 --> 00:39:49,621
AW.

932
00:39:49,621 --> 00:39:51,089
IS RICHIE GONNA CRY

933
00:39:51,089 --> 00:39:53,258
BECAUSE LIFE ISN'T EXACTLY
THE WAY HE WANTS IT RIGHT NOW?

934
00:39:53,258 --> 00:39:55,727
OH, OKAY, MR. C.E.O.

935
00:39:55,727 --> 00:39:57,629
WHY DON'T YOU TAKE
YOUR BULLSHIT ADVICE

936
00:39:57,629 --> 00:40:00,666
AND GIVE IT
TO YOUR FUCKING EMPLOYEES?

937
00:40:00,666 --> 00:40:02,501
EMPLOYEES?
I HAVE ONE EMPLOYEE.

938
00:40:02,501 --> 00:40:04,670
AND I CAN'T EVEN PAY
FOR HIS HEALTHCARE.

939
00:40:04,670 --> 00:40:07,205
BUT I BUST MY ASS EVERY MONTH
TO KEEP IT GOING.

940
00:40:07,205 --> 00:40:09,274
SO DON'T ACT LIKE
WE DON'T ALL HAVE PROBLEMS.

941
00:40:09,274 --> 00:40:10,942
ALL RIGHT?
OH, WHATEVER, MAN.

942
00:40:10,942 --> 00:40:13,845
I'M THE ONE WHO TOLD YOU COMING
WITH US WAS A HORRIBLE IDEA.

943
00:40:13,845 --> 00:40:18,784
OH, IT'S BEEN THE YEAR
OF THE HORRIBLE IDEA, MAN.

944
00:40:18,784 --> 00:40:21,119
YOU WANT TO SEE
ANOTHER HORRIBLE IDEA?

945
00:40:21,119 --> 00:40:23,054
I GOT ONE FOR YOU.

946
00:40:24,723 --> 00:40:26,124
BAM.
THERE YOU GO.

947
00:40:26,124 --> 00:40:30,161
THERE'S A NICE, JUICY
HORRIBLE IDEA FOR YOU.

948
00:40:30,161 --> 00:40:31,530
BROOKE SAID NO?

949
00:40:31,530 --> 00:40:34,332
LOOK, I HAD MY LIFE
ALL PLANNED OUT WITH HER.

950
00:40:34,332 --> 00:40:36,835
ALL RIGHT? I --
IT WAS ALL PERFECTLY SET UP.

951
00:40:36,835 --> 00:40:38,069
I HAD THE HOUSE,
I HAD THE DOG,

952
00:40:38,069 --> 00:40:39,538
I HAD "DOWNTON ABBEY"
ON THE WEEKENDS.

953
00:40:39,538 --> 00:40:41,239
I EVEN DID THE PROPOSAL
ON THE BEACH

954
00:40:41,239 --> 00:40:44,242
WITH BACON AND MIMOSAS
AND PANCAKES AND ALL THAT.

955
00:40:44,242 --> 00:40:45,477
AND FOR WHATEVER REASON

956
00:40:45,477 --> 00:40:47,546
THAT I'LL PROBABLY NEVER
UNDERSTAND...

957
00:40:47,546 --> 00:40:48,914
SHE WANTED SOMETHING ELSE.

958
00:40:48,914 --> 00:40:51,049
SO I CAME ON THIS TRIP
WITH YOU FUCKS

959
00:40:51,049 --> 00:40:53,284
TO JUST TRY TO GET ON
WITH IT.

960
00:40:53,284 --> 00:40:55,687
SO I'M GONNA BE DAMNED
IF I'M GONNA JUST LET IT END

961
00:40:55,687 --> 00:40:57,455
RIGHT HERE AND NOW.

962
00:40:58,289 --> 00:40:59,791
YOU'RE RIGHT.

963
00:40:59,791 --> 00:41:02,894
YOU'RE GODDAMN RIGHT.

964
00:41:02,894 --> 00:41:05,831
WE CAN'T LET THE TRAIN
STOP HERE.

965
00:41:05,831 --> 00:41:07,198
THAT'S RIGHT.
NO.

966
00:41:07,198 --> 00:41:09,735
WE GOT A TSUNAMI OF DOLLAR BILLS
TO GET TO, DADDY.

967
00:41:09,735 --> 00:41:11,202
OH, WE'RE ON A MISSION.
FUCK, YEAH.

968
00:41:11,202 --> 00:41:13,939
LOOK, WE'LL GET ANOTHER M.C.
RIGHT, TOBIAS?

969
00:41:13,939 --> 00:41:17,075
THAT'S THE ENERGY
I'M TALKING ABOUT RIGHT THERE.

970
00:41:17,075 --> 00:41:19,845
LOOK, WE'LL PICK HIM UP
ON THE WAY HOME.

971
00:41:19,845 --> 00:41:21,847
ALL WE GOT TO DO
IS GET A RENTAL CAR.

972
00:41:21,847 --> 00:41:25,584
WE'RE NOT GONNA NEED
A RENTAL CAR, I DON'T THINK.

973
00:41:25,584 --> 00:41:28,520
THIS IS ANOTHER HORRIBLE IDEA,
BUT...

974
00:41:28,520 --> 00:41:31,356
I KNOW AN M.C. IN SAVANNAH.

975
00:41:31,356 --> 00:41:33,725
* *

976
00:41:41,266 --> 00:41:42,367
GENTLEMEN.
HEY.

977
00:41:42,367 --> 00:41:43,835
HOW CAN I BE
OF SERVICE?

978
00:41:43,835 --> 00:41:46,171
UH, IS ROME IN TONIGHT?

979
00:41:46,171 --> 00:41:47,839
ARE YOU A MEMBER, SIR?

980
00:41:47,839 --> 00:41:49,274
N-NO.
NOT A --

981
00:41:49,274 --> 00:41:52,143
NO, WE'RE NOT MEMBERS.

982
00:41:52,143 --> 00:41:55,246
UH... I USED TO --

983
00:41:55,246 --> 00:41:58,884
I USED TO DANCE HERE...
BEFORE IT WAS THIS.

984
00:41:58,884 --> 00:42:00,852
CAN YOU JUST DO ME A FAVOR
AND --

985
00:42:00,852 --> 00:42:03,121
JUST IF YOU COULD GET MY NAME
TO ROME.

986
00:42:03,121 --> 00:42:04,222
MIKE LANE.

987
00:42:04,222 --> 00:42:06,257
AND IF -- AND IF THAT DOESN'T DO
THE TRICK,

988
00:42:06,257 --> 00:42:09,595
I GUESS WE'LL JUST STOP
BOTHERING YOU.

989
00:42:09,595 --> 00:42:13,298
[ MID-TEMPO MUSIC PLAYING ]

990
00:42:13,298 --> 00:42:15,033
YOU CAN FOLLOW ME.

991
00:42:15,033 --> 00:42:17,468
UH, Y'ALL CHILL
DOWN HERE.

992
00:42:17,468 --> 00:42:18,837
I'LL BE BACK.

993
00:42:21,439 --> 00:42:23,742
[ KNOCK ON DOOR ]

994
00:42:32,751 --> 00:42:34,285
WHAT'S UP?

995
00:43:14,559 --> 00:43:17,595
SIT YOUR ASS DOWN.

996
00:43:22,267 --> 00:43:24,870
MALIK, I'M SORRY
FOR THE SURPRISE,

997
00:43:24,870 --> 00:43:27,005
BUT A GHOST IS A GHOST.

998
00:43:27,005 --> 00:43:29,607
I'LL SEE YOU DOWNSTAIRS
IN A MINUTE, OKAY?

999
00:43:30,709 --> 00:43:33,278
SO, THEY SAID
"MIKE LANE AND COMPANY."

1000
00:43:33,278 --> 00:43:34,813
MM-HMM.

1001
00:43:34,813 --> 00:43:36,748
WHO'S YOUR COMPANY?

1002
00:43:36,748 --> 00:43:39,417
IT'S WHAT'S LEFT
OF THE KINGS OF TAMPA.

1003
00:43:39,417 --> 00:43:41,019
OH, LET ME GUESS.

1004
00:43:41,019 --> 00:43:45,090
MR. CROCODILE DUNDEE
DONE DID A LITTLE HOUDINI ACT?

1005
00:43:45,090 --> 00:43:47,358
YEP.
[ CLEARS THROAT ]

1006
00:43:47,358 --> 00:43:49,728
MM-HMM.
SEEMS SO.

1007
00:43:51,196 --> 00:43:52,831
JUST SO YOU KNOW,

1008
00:43:52,831 --> 00:43:56,467
I GOT OUT ON MY OWN ACCORD
THREE YEARS AGO.

1009
00:43:56,467 --> 00:43:59,370
BUT YET HERE YOU ARE.

1010
00:44:00,972 --> 00:44:03,641
YOU GOT MY CURIOSITY,
MIKE.

1011
00:44:03,641 --> 00:44:05,744
FLOOR IS YOURS.

1012
00:44:07,012 --> 00:44:08,213
NO.

1013
00:44:08,213 --> 00:44:10,048
I WAS JUST IN THE NEIGHBORHOOD
AND WANTED TO SEE

1014
00:44:10,048 --> 00:44:12,851
IF I COULD STOP BY AND BORROW
A CUP OF BROWN SUGAR.

1015
00:44:12,851 --> 00:44:14,185
[ SIGHS ]

1016
00:44:14,185 --> 00:44:17,655
BOY, I TELL YOU,
SHIT DON'T CHANGE, HUH?

1017
00:44:17,655 --> 00:44:19,157
ALWAYS GOT TO LEAD
WITH A JOKE

1018
00:44:19,157 --> 00:44:21,192
BEFORE YOU ASK
FOR WHAT YOU WANT.

1019
00:44:21,192 --> 00:44:22,794
NO.

1020
00:44:24,796 --> 00:44:26,364
SO, WHAT DID YOU DO,

1021
00:44:26,364 --> 00:44:29,735
TURN THIS PLACE INTO SOME SORT
OF A COUNTRY CLUB OR SOMETHING?

1022
00:44:29,735 --> 00:44:31,169
GUESS YOU COULD SAY THAT.

1023
00:44:31,169 --> 00:44:33,872
YOU KNOW, BACK IN THE DAY
IN THE ROMAN EMPIRE,

1024
00:44:33,872 --> 00:44:36,641
AS LONG AS YOU PAID THE EMPEROR
YOUR TAXES,

1025
00:44:36,641 --> 00:44:38,109
YOU COULD WORSHIP
WHO YOU WANTED,

1026
00:44:38,109 --> 00:44:39,911
WHERE YOU WANTED,
HOW YOU WANTED.

1027
00:44:39,911 --> 00:44:42,313
FREEDOM HAD A SMALL PRICE.

1028
00:44:42,313 --> 00:44:45,416
DO YOU KNOW WHAT PEOPLE VALUE
MORE THAN FREEDOM, MIKE?

1029
00:44:45,416 --> 00:44:47,018
PLEASE SAY STRIPPERS.

1030
00:44:47,018 --> 00:44:47,819
NOPE.

1031
00:44:47,819 --> 00:44:49,721
BEAUTY.

1032
00:44:49,721 --> 00:44:53,691
SO, IF BEAUTY IS SOMETHING
YOU REALLY WISH TO BEHOLD,

1033
00:44:53,691 --> 00:44:57,963
YOU CAN BEHOLD ALL THE BEAUTY
YOU WANT RIGHT HERE.

1034
00:44:57,963 --> 00:45:01,733
ALL I ASK IS FOR
A LITTLE MONTHLY FEE, YOU KNOW?

1035
00:45:01,733 --> 00:45:03,234
[ CHUCKLES ]

1036
00:45:03,234 --> 00:45:09,207
SO IT'S A SUBSCRIPTION-BASED
PLEASURE THAT YOU'RE SELLING?

1037
00:45:09,207 --> 00:45:10,942
YOU GOT IT.

1038
00:45:12,944 --> 00:45:15,380
WHY DON'T YOU LET ME
SHOW YOU AROUND?

1039
00:45:15,380 --> 00:45:16,481
SEE WHAT WE DO HERE.

1040
00:45:16,481 --> 00:45:18,716
MAYBE YOU'LL LEARN
A LITTLE SOMETHING.

1041
00:45:18,716 --> 00:45:22,120
* I WANNA FREAK YOU *

1042
00:45:22,120 --> 00:45:25,757
[ WOMEN CHEERING ]
* I WANNA FREAK YOU *

1043
00:45:25,757 --> 00:45:28,126
* I WANNA FREAK YOU *

1044
00:45:29,660 --> 00:45:31,863
* I WANNA FREAK YOU *

1045
00:45:33,198 --> 00:45:36,534
* I WANNA FREAK YOU *
[ CHEERING CONTINUES ]

1046
00:45:36,534 --> 00:45:39,871
* I WANNA FREAK YOU *
* I WOULD GIVE ANYTHING, BABY *

1047
00:45:39,871 --> 00:45:44,742
* TONIGHT YOU WON'T BE SORRY *

1048
00:45:45,777 --> 00:45:50,748
* TONIGHT YOU GOT MY MIND *

1049
00:45:50,748 --> 00:45:52,150
HOW YOU DOING, QUEEN?

1050
00:45:52,150 --> 00:45:54,085
GOOD.
YOU FEELING GOOD?

1051
00:45:54,085 --> 00:45:56,187
YOU HAVING A GOOD TIME?
MM-HMM.

1052
00:45:56,187 --> 00:45:57,823
ALL RIGHT, NOW,
MR. AUGUSTUS.

1053
00:45:57,823 --> 00:46:00,691
I WANT YOU TO KEEP TAKING CARE
OF THIS BEAUTY, YOU HEAR ME?

1054
00:46:00,691 --> 00:46:02,493
YES, MA'AM.
ALL RIGHT.

1055
00:46:02,493 --> 00:46:05,663
* TO SHOW HOW MUCH *

1056
00:46:05,663 --> 00:46:09,034
* I THINK ABOUT FREAKIN' YOU? *

1057
00:46:09,034 --> 00:46:12,670
* WHAT MUST I SAY *

1058
00:46:12,670 --> 00:46:16,241
* WHAT MUST I DO *

1059
00:46:16,241 --> 00:46:20,045
* TO SHOW HOW MUCH *

1060
00:46:20,045 --> 00:46:22,780
* I THINK ABOUT FREAKIN' YOU? *

1061
00:46:22,780 --> 00:46:26,251
[ CHEERING CONTINUES ]

1062
00:46:26,251 --> 00:46:30,321
* BUT I COULDN'T GO FOR WEEKS *

1063
00:46:30,321 --> 00:46:33,691
* I CAN EVEN PLAY
WITH ANOTHER BODY *

1064
00:46:33,691 --> 00:46:36,962
* BUT IT WOULDN'T LAST
'CAUSE I'M A FREAK *

1065
00:46:36,962 --> 00:46:40,698
* OH, EVERYTHING YOU SAY *

1066
00:46:40,698 --> 00:46:43,501
* I'M TURNED ON
BY EVERYTHING YOU DO *

1067
00:46:43,501 --> 00:46:47,873
* AND AT NIGHT
WHEN I CLOSE MY EYES *

1068
00:46:47,873 --> 00:46:52,077
* I ONLY DREAM OF FREAKIN' YOU *

1069
00:46:52,077 --> 00:46:59,550
* OOH, TONIGHT I NEED YOUR BODY,
BABY *

1070
00:46:59,550 --> 00:47:02,287
* WHATEVER YOU WANT *

1071
00:47:02,287 --> 00:47:04,923
* WHATEVER YOU NEED *

1072
00:47:04,923 --> 00:47:07,392
[ WOMEN CHEERING ]

1073
00:47:07,392 --> 00:47:12,497
* YOU WON'T BE SORRY, BABY *

1074
00:47:12,497 --> 00:47:14,966
* BABY, NO, NO *

1075
00:47:14,966 --> 00:47:17,268
* WHATEVER YOU WANT, BABY *

1076
00:47:17,268 --> 00:47:20,305
* IT WILL BE FINE, SO FINE *

1077
00:47:20,305 --> 00:47:24,675
* WHAT MUST I SAY *

1078
00:47:24,675 --> 00:47:27,812
* WHAT MUST I DO *

1079
00:47:27,812 --> 00:47:31,349
* TO SHOW HOW MUCH *

1080
00:47:31,349 --> 00:47:35,153
* I THINK ABOUT FREAKIN' YOU? *

1081
00:47:35,153 --> 00:47:38,756
* WHAT MUST I SAY *

1082
00:47:38,756 --> 00:47:42,160
* WHAT MUST I DO *

1083
00:47:42,160 --> 00:47:44,295
* TO SHOW HOW MUCH... *

1084
00:47:44,295 --> 00:47:46,965
[ SLOW INTRODUCTION PLAYS ]

1085
00:47:50,601 --> 00:47:53,338
* OH -- OH -- OH,
THE RAIN KEEPS FALLIN' *

1086
00:47:53,338 --> 00:47:56,341
* AND THESE... KEEP CALLIN' *
[ WOMEN CHEERING ]

1087
00:47:57,442 --> 00:47:58,743
* UNH *

1088
00:47:58,743 --> 00:48:02,948
* ALL THESE RAINDROPS FALLIN'
ON MY WINDOW *

1089
00:48:05,850 --> 00:48:10,588
* GOT ME WISHING THAT WE DID
THE THINGS WE DIDN'T DO *

1090
00:48:12,323 --> 00:48:18,029
* AND RIGHT NOW I WANNA SEX YOU,
BABY *

1091
00:48:20,365 --> 00:48:24,936
* HAS ANYBODY SEXED YOU
LATELY? *

1092
00:48:24,936 --> 00:48:28,073
[ WOMEN CHEERING ]

1093
00:48:28,073 --> 00:48:32,043
* GOT ALL THESE HOES CALLING
ASKING ME TO COME THROUGH *

1094
00:48:32,043 --> 00:48:35,380
* ASKING ME TO COME THROUGH *

1095
00:48:35,380 --> 00:48:39,784
* WHAT THEY DON'T KNOW IS ALL
THEY DO IS MAKE ME CALL YOU *

1096
00:48:39,784 --> 00:48:42,720
* YOU, YOU, YOU, YOU *

1097
00:48:42,720 --> 00:48:47,558
* AND ASK IF I CAN SEX YOU,
LADY *

1098
00:48:47,558 --> 00:48:49,760
* OH *

1099
00:48:49,760 --> 00:48:54,665
* CAN WE DO IT
TILL WE BOTH LOOK CRAZY? *

1100
00:48:54,665 --> 00:48:58,336
* CRAZY *

1101
00:48:58,336 --> 00:49:00,305
* BABY, YOU KNOW
I'M FROM ATLANTA *

1102
00:49:00,305 --> 00:49:02,440
* AND THEY RAISE ME
LIKE A KILLER *

1103
00:49:02,440 --> 00:49:04,209
* RAISE ME LIKE A VILLAIN *

1104
00:49:04,209 --> 00:49:05,643
* RAISE ME LIKE A PIMP *

1105
00:49:05,643 --> 00:49:07,945
* AND THERE'S A LOT OF GIRLS
OUT HERE *

1106
00:49:07,945 --> 00:49:09,380
* AND I COULD HAVE ALL OF THEM *

1107
00:49:09,380 --> 00:49:11,482
* BUT I DON'T WANT NONE
OF THEM *

1108
00:49:11,482 --> 00:49:13,051
* I ONLY WANT ONE OF THEM *

1109
00:49:13,051 --> 00:49:17,888
* ALL I WANNA DO IS SEX YOU,
BABY *

1110
00:49:17,888 --> 00:49:19,690
* I WANNA KNOW *

1111
00:49:19,690 --> 00:49:24,462
* HAVE YOU HAD ANY GOOD SEX
LATELY? *

1112
00:49:24,462 --> 00:49:29,100
* LATELY, LATELY, LATELY *

1113
00:49:29,100 --> 00:49:30,935
THAT WAS BEAUTIFUL, BABY,
AS ALWAYS.

1114
00:49:30,935 --> 00:49:32,437
JUST BEAUTIFUL.

1115
00:49:32,437 --> 00:49:35,640
ALL RIGHT, LADIES,
YOU HAVING A GOOD TIME TONIGHT?

1116
00:49:35,640 --> 00:49:38,376
[ CHEERS AND APPLAUSE ]

1117
00:49:38,376 --> 00:49:40,378
THAT'S WHAT I THOUGHT.

1118
00:49:40,378 --> 00:49:43,548
BUT YOU KNOW THERE'S ALWAYS
A QUEEN UP IN HERE

1119
00:49:43,548 --> 00:49:47,252
WHO MUST BE REMINDED
OF HOW BEAUTIFUL SHE IS.

1120
00:49:47,252 --> 00:49:49,154
DON'T BE SHY.
WHERE YOU AT?

1121
00:49:49,154 --> 00:49:51,956
OOP!
BOOM.

1122
00:49:51,956 --> 00:49:53,858
THERE YOU GO.

1123
00:49:53,858 --> 00:49:55,993
GIVE ME YOUR HAND.

1124
00:49:57,162 --> 00:50:00,065
DO YOU KNOW HOW BEAUTIFUL
YOU ARE?

1125
00:50:00,065 --> 00:50:01,799
QUEENS,
AIN'T SHE BEAUTIFUL?

1126
00:50:01,799 --> 00:50:04,569
[ CHEERS AND APPLAUSE ]

1127
00:50:04,569 --> 00:50:06,537
YOU HEAR THAT?
BUT YOU KNOW WHAT?

1128
00:50:06,537 --> 00:50:08,439
IF YOU'RE NOT GONNA TAKE
OUR WORD FOR IT,

1129
00:50:08,439 --> 00:50:11,309
WE'RE JUST GONNA SHOW YOU,
OKAY?

1130
00:50:11,309 --> 00:50:18,383
SO LET ME PRESENT TO YOU
THE ABSOLUTELY ADORABLE...

1131
00:50:18,383 --> 00:50:19,650
ANDRE.

1132
00:50:19,650 --> 00:50:21,219
[ WOMEN CHEERING ]

1133
00:50:21,219 --> 00:50:23,054
WHAT'S YOUR NAME?

1134
00:50:24,189 --> 00:50:26,257
CAROLINE.

1135
00:50:26,257 --> 00:50:28,693
DON'T BE SHY.
THAT'S A BEAUTIFUL NAME.

1136
00:50:28,693 --> 00:50:30,795
IT WAS MY GRANDMOTHER'S.

1137
00:50:30,795 --> 00:50:32,197
WHAT DID SHE DO?

1138
00:50:32,197 --> 00:50:36,201
UM, SHE WAS THE FIRST FEMALE
BLACK GROCERY OWNER

1139
00:50:36,201 --> 00:50:37,202
IN THE STATE.

1140
00:50:37,202 --> 00:50:38,569
MM.
A STRONG WOMAN.

1141
00:50:38,569 --> 00:50:42,039
WHAT BRINGS YOU TO DOMINA?
OTHER THAN THE OBVIOUS.

1142
00:50:42,039 --> 00:50:43,908
CELEBRATING MY DIVORCE.

1143
00:50:43,908 --> 00:50:46,377
YOUR GIRLFRIENDS BROUGHT YOU OUT
TO HAVE A GOOD TIME, HUH?

1144
00:50:46,377 --> 00:50:48,012
Woman: WHOO! YEAH.
GOOD JOB. OKAY.

1145
00:50:48,012 --> 00:50:49,447
I'LL TAKE IT FROM HERE.

1146
00:50:49,447 --> 00:50:52,383
UH, CAROLINE,
WOULD YOU MIND...

1147
00:50:52,383 --> 00:50:54,785
SITTING FOR ME
RIGHT HERE?

1148
00:50:54,785 --> 00:50:56,387
THAT WOULD BE GREAT.

1149
00:50:56,387 --> 00:50:58,623
AND, UM,
ONE LAST THING --

1150
00:50:58,623 --> 00:51:01,826
WHAT'S YOUR
FAVORITE THING?

1151
00:51:01,826 --> 00:51:02,960
ALCOHOL.

1152
00:51:02,960 --> 00:51:04,229
ALCOHOL.
[ CHUCKLES ]

1153
00:51:04,229 --> 00:51:06,297
OKAY.
ALCOHOL.

1154
00:51:06,297 --> 00:51:09,200
UM, I'M GONNA NEED SOME
CROWD PARTICIPATION ON THIS ONE,

1155
00:51:09,200 --> 00:51:10,735
SO JUST, UH,
FOLLOW MY LEAD.

1156
00:51:10,735 --> 00:51:12,970
[ SNAPS FINGERS RHYTHMICALLY ]
YEAH.

1157
00:51:12,970 --> 00:51:15,005
MM-MM, MM-MM.

1158
00:51:15,005 --> 00:51:16,507
OKAY.

1159
00:51:16,507 --> 00:51:19,344
[ FINGERS SNAPPING
RHYTHMICALLY ] MM.

1160
00:51:20,845 --> 00:51:23,581
YOUNG CAROLINE,
GIVE A NIGGA HAPPY TIME.

1161
00:51:23,581 --> 00:51:25,916
SHE LIKE ALCOHOL, BUT YOU AIN'T
HERE TO HEAR ME WHINE.

1162
00:51:25,916 --> 00:51:28,719
I'M LOOKING AT YOUR BACKSIDE.
I'M TRYING TO STAY PATIENT.

1163
00:51:28,719 --> 00:51:31,456
MAKE THAT THING CLAP.
THAT'S A STANDING OVATION.

1164
00:51:31,456 --> 00:51:33,658
GRANDMA INDEPENDENT.
SHE DON'T NEED YOUR HELP.

1165
00:51:33,658 --> 00:51:36,861
BUT YOU DON'T REALLY FEEL
THAT WAY ABOUT YOURSELF.

1166
00:51:36,861 --> 00:51:39,164
THAT'S WHY THE NAME FEEL FUNNY
IN YOUR MOUTH.

1167
00:51:39,164 --> 00:51:40,831
YOU DON'T BELIEVE IT,
BUT I CAN SEE IT.

1168
00:51:40,831 --> 00:51:42,867
AND FUCK THAT DUDE.
HE DON'T GET YOU.

1169
00:51:42,867 --> 00:51:44,735
I KNOW YOU'RE COOL
AND I JUST MET YOU.

1170
00:51:44,735 --> 00:51:46,003
PICK YOU UP AROUND 8:00.

1171
00:51:46,003 --> 00:51:47,405
I CAN COME AND GET YOU.

1172
00:51:47,405 --> 00:51:49,106
ON THE COAST,
AND WE BALLIN' BACK AND FORTH

1173
00:51:49,106 --> 00:51:51,409
LIKE IT'S PING-PONG
AND YOU AIN'T GOT A THING ON.

1174
00:51:51,409 --> 00:51:53,077
LET ME SING YOUR THEME SONG.

1175
00:51:53,077 --> 00:51:54,545
* CAROLINE *

1176
00:51:54,545 --> 00:51:57,715
* THIS COULD BE
SOMETHING SPECIAL *

1177
00:51:57,715 --> 00:52:02,553
* THIS LOVE OF MINE
WILL NEVER LET GO *

1178
00:52:02,553 --> 00:52:05,323
* IF I COULD MAKE YOU MINE *

1179
00:52:05,323 --> 00:52:08,159
* OH, I'D TREAT YOU SO SPECIAL *

1180
00:52:08,159 --> 00:52:09,794
* BE MINE *

1181
00:52:09,794 --> 00:52:11,596
* OH, BE MINE *

1182
00:52:11,596 --> 00:52:13,864
ALL RIGHT. I NEED Y'ALL TO CLAP
ON THIS ONE. OKAY.

1183
00:52:13,864 --> 00:52:15,800
* CAROLINE *
[ RHYTHMIC CLAPPING ]

1184
00:52:15,800 --> 00:52:19,370
* THIS COULD BE
SOMETHING SPECIAL *

1185
00:52:19,370 --> 00:52:23,641
* THIS LOVE OF MINE
COULD NEVER LET GO *

1186
00:52:23,641 --> 00:52:26,711
* AND IF I MAKE YOU MINE *

1187
00:52:26,711 --> 00:52:29,480
* OH, I'D TREAT YOU SO SPECIAL *

1188
00:52:29,480 --> 00:52:31,081
* BE MINE *

1189
00:52:31,081 --> 00:52:34,118
[ CHEERS AND APPLAUSE ]

1190
00:52:34,118 --> 00:52:36,887
[ MID-TEMPO MUSIC PLAYING ]

1191
00:52:53,271 --> 00:52:56,073
WHY ARE YOU HERE?

1192
00:52:56,073 --> 00:52:59,310
[ MUSIC CONTINUES,
WOMEN CHEERING IN DISTANCE ]

1193
00:52:59,310 --> 00:53:00,678
I DON'T KNOW.

1194
00:53:00,678 --> 00:53:05,583
ME AND THE GUYS WERE, UH...
WE WERE NEAR SAVANNAH.

1195
00:53:06,584 --> 00:53:08,953
AND I COULDN'T
NOT SEE YOU.

1196
00:53:13,558 --> 00:53:15,260
OKAY.

1197
00:53:16,627 --> 00:53:17,962
AND?

1198
00:53:19,163 --> 00:53:20,698
DON'T LAUGH.

1199
00:53:20,698 --> 00:53:23,934
UH, WE'RE GOING UP TO THE
CONVENTION AND -- I DON'T KNOW.

1200
00:53:23,934 --> 00:53:27,838
WE'RE GONNA HAVE ONE CRAZY NIGHT
TO PUT THIS IN BED AND...

1201
00:53:30,241 --> 00:53:33,278
I DON'T KNOW.
I JUST THOUGHT IT COULD BE FUN.

1202
00:53:34,479 --> 00:53:36,581
THE CONVENTION?

1203
00:53:36,581 --> 00:53:39,684
SO YOU MEAN TO TELL ME YOU CAME
ALL THE WAY HERE TO SEE ME

1204
00:53:39,684 --> 00:53:41,619
ABOUT THAT BULLSHIT
CONVENTION?

1205
00:53:41,619 --> 00:53:43,688
NO.
LOOK -- LOOK, I KNOW.

1206
00:53:43,688 --> 00:53:48,259
I JUST THOUGHT IT...
PRESENTED ITSELF AS AN --

1207
00:53:48,259 --> 00:53:50,461
AS AN INTERESTING OPPORTUNITY
FOR US TO --

1208
00:53:50,461 --> 00:53:52,129
NO, NO, NO, NO.
NO.

1209
00:53:52,129 --> 00:53:53,931
FOR YOU MAYBE.

1210
00:53:53,931 --> 00:53:56,301
WHAT THE HELL DO I NEED
A CONVENTION FOR, MIKE?

1211
00:53:56,301 --> 00:53:58,135
YOU DON'T.
THAT'S NOT WHAT I'M SAYING.

1212
00:53:58,135 --> 00:54:00,805
WOULD YOU LET ME FINISH, PLEASE?
WILL YOU JUST -- NO. UNH-UNH. NO.

1213
00:54:00,805 --> 00:54:02,507
I HAVEN'T TALKED TO YOU
FOR EIGHT YEARS

1214
00:54:02,507 --> 00:54:04,942
SINCE YOU WALKED OUT ON ME.
OH, DID I WALK OUT ON YOU?

1215
00:54:04,942 --> 00:54:07,878
BECAUSE IF I REMEMBER CORRECTLY,
I WENT AND TOOK A JOB.

1216
00:54:07,878 --> 00:54:10,515
AND WHEN I CAME BACK, SOMEONE
WOULDN'T LET ME IN THE HOUSE.

1217
00:54:10,515 --> 00:54:13,451
MIKE, WHAT MAKES YOU THINK
THAT YOU CAN COME UP IN HERE

1218
00:54:13,451 --> 00:54:15,586
AFTER ALL THIS TIME
AND SNAP YOUR FINGERS

1219
00:54:15,586 --> 00:54:18,556
AND I'M SUPPOSED TO DO A FAVOR
FOR YOU?

1220
00:54:18,556 --> 00:54:19,990
OKAY.

1221
00:54:22,293 --> 00:54:26,096
MAYBE... I'M -- I'M AN IDIOT.
I'M SORRY.

1222
00:54:26,096 --> 00:54:30,000
I-I'M NOT SAYING THAT
AT ALL.

1223
00:54:30,000 --> 00:54:31,336
REALLY?

1224
00:54:31,336 --> 00:54:34,439
I DON'T NEED A FAVOR
FROM YOU.

1225
00:54:34,439 --> 00:54:36,874
FUCK THE CONVENTION.

1226
00:54:36,874 --> 00:54:40,945
DON'T --
ALL IT IS IS AN EXCUSE

1227
00:54:40,945 --> 00:54:44,882
FOR US TO TRY TO PUT
THIS SHIT BETWEEN US TO BED.

1228
00:54:44,882 --> 00:54:47,785
THAT'S ALL.

1229
00:55:04,301 --> 00:55:06,971
OH, SHIT.

1230
00:55:06,971 --> 00:55:10,174
[ MUSIC CONTINUES ]

1231
00:55:10,174 --> 00:55:12,309
THANK YOU, OCTAVIUS.

1232
00:55:12,309 --> 00:55:14,879
OOH.
YOU'RE WONDERFUL.

1233
00:55:14,879 --> 00:55:17,147
MY QUEENS, GATHER.

1234
00:55:17,147 --> 00:55:20,551
I NEED YOU.
I NEED YOU.

1235
00:55:20,551 --> 00:55:23,654
YOU EVER HAD A GHOST
COME TO YOUR FRONT DOOR?

1236
00:55:23,654 --> 00:55:27,191
A GHOST FROM YOUR PAST,
ONE THAT STILL MAKES YOU SHIVER?

1237
00:55:27,191 --> 00:55:29,259
[ WOMEN MURMURING, CHEERING ]

1238
00:55:29,259 --> 00:55:31,462
I HAD ONE TODAY.

1239
00:55:31,462 --> 00:55:33,931
SO I NEED YOUR HELP.

1240
00:55:33,931 --> 00:55:36,767
I NEED YOU
TO HELP ME MAKE A DECISION

1241
00:55:36,767 --> 00:55:40,037
OF WHETHER I SHOULD LEAVE
THAT GHOST IN HIS GRAVE

1242
00:55:40,037 --> 00:55:43,173
OR GIVE HIM AN OPPORTUNITY
TO BE RESURRECTED.

1243
00:55:43,173 --> 00:55:45,109
Women:
RESURRECTED!

1244
00:55:45,109 --> 00:55:47,011
Rome:
OKAY.

1245
00:55:47,011 --> 00:55:49,514
I GOT A LITTLE TREAT FOR Y'ALL
TONIGHT.

1246
00:55:49,514 --> 00:55:55,953
IT'S A MAN I KNEW...
AS WHITE CHOCOLATE.

1247
00:55:55,953 --> 00:55:59,457
[ WOMEN CHEERING ]

1248
00:55:59,457 --> 00:56:03,628
SOME MIGHT KNOW HIM
AS MAGIC MIKE.

1249
00:56:03,628 --> 00:56:07,031
[ WOMEN CHEER ]

1250
00:56:07,031 --> 00:56:10,200
WE'RE GONNA SEE IF HE'S STILL
GOT SOME MAGIC IN THAT MIKE.

1251
00:56:10,200 --> 00:56:13,538
[ CHEERS AND APPLAUSE ]

1252
00:56:17,307 --> 00:56:19,610
HELLO, BEAUTIFUL.

1253
00:56:19,610 --> 00:56:21,712
YOU DOWN FOR A LITTLE FUN
TONIGHT?

1254
00:56:21,712 --> 00:56:23,548
YES.
ALL RIGHT.

1255
00:56:23,548 --> 00:56:25,983
HAVE A SEAT.

1256
00:56:27,117 --> 00:56:28,586
MIKE?

1257
00:56:28,586 --> 00:56:30,855
COME ON.
LET'S NOT DO THIS.

1258
00:56:30,855 --> 00:56:32,790
UH...

1259
00:56:32,790 --> 00:56:34,525
MNH-MNH.

1260
00:56:34,525 --> 00:56:35,526
MALIK?

1261
00:56:35,526 --> 00:56:38,128
[ CHEERS AND APPLAUSE ]

1262
00:56:38,128 --> 00:56:41,098
[ SLOW INTRODUCTION PLAYS ]

1263
00:56:41,098 --> 00:56:43,701
* I'M -- I'M -- I'M --
I'M GONNA MAKE YOU FEEL IT *

1264
00:56:43,701 --> 00:56:45,636
* DA-DA-DA-DA-DA, DA *

1265
00:56:45,636 --> 00:56:48,539
COME ON, MAN.
YOU GOT THIS.

1266
00:56:48,539 --> 00:56:51,676
* I'M -- I'M -- I'M --
I'M GONNA MAKE YOU FEEL IT *

1267
00:56:51,676 --> 00:56:54,111
[ WOMEN CHEERING ]

1268
00:56:56,881 --> 00:57:00,184
* I'M GONNA MAKE YOU FEEL IT *

1269
00:57:04,789 --> 00:57:07,291
* I'M GONNA MAKE YOU FEEL IT *

1270
00:57:07,291 --> 00:57:09,627
[ ALL CHEERING ]

1271
00:57:12,062 --> 00:57:15,065
* I'M GONNA MAKE YOU FEEL IT *

1272
00:57:19,770 --> 00:57:22,673
* TELL ME WHY YOU WANNA BE BAD *

1273
00:57:22,673 --> 00:57:23,774
* BAD *

1274
00:57:23,774 --> 00:57:26,477
* TELL ME WHY YOU WANNA BE BAD *

1275
00:57:26,477 --> 00:57:27,978
* YOU SWEATIN' *

1276
00:57:27,978 --> 00:57:31,215
* WHY YOU CALLIN' ME DADDY? *

1277
00:57:31,215 --> 00:57:34,719
* GIVING YOU THE BEST
YOU EVER HAD, BABE *

1278
00:57:34,719 --> 00:57:38,756
* MAKE ME FEEL
LIKE YOU AIN'T EVER HAD IT *

1279
00:57:38,756 --> 00:57:42,059
* STRETCHING YOU OUT
LIKE YOU ARE ELASTIC *

1280
00:57:42,059 --> 00:57:45,830
* TURN AROUND,
POKE IT OUT SO I CAN GRAB IT *

1281
00:57:45,830 --> 00:57:50,134
* FLIP THAT ASS OVER
LIKE WE IN GYMNASTICS *

1282
00:57:50,134 --> 00:57:52,102
* YOU NASTY *

1283
00:57:52,102 --> 00:57:53,838
* UNH *

1284
00:57:53,838 --> 00:57:57,642
* BABY, TELL ME
THAT YOU WANT IT DEEPER *

1285
00:57:57,642 --> 00:58:00,745
* I DON'T EVER WANNA COME OUT *

1286
00:58:00,745 --> 00:58:02,947
* PUT YOU IN A COMA *

1287
00:58:02,947 --> 00:58:04,949
* YOU'RE A SLEEPER *

1288
00:58:04,949 --> 00:58:08,753
* I KNOW THAT YOUR BODY'S BEEN
DROWSED *

1289
00:58:08,753 --> 00:58:11,121
* I'M GONNA MAKE YOU FEEL IT *

1290
00:58:11,121 --> 00:58:13,057
* FEEL IT *

1291
00:58:13,057 --> 00:58:14,692
* FEEL IT *

1292
00:58:14,692 --> 00:58:16,060
* OOH *

1293
00:58:16,060 --> 00:58:20,330
* I'M GONNA MAKE YOU FEEL IT *

1294
00:58:20,330 --> 00:58:24,034
* TELL ME, DO YOU WANNA BE BAD *

1295
00:58:24,034 --> 00:58:27,538
* TELL ME, DO YOU WANNA BE BAD,
BABE *

1296
00:58:27,538 --> 00:58:31,809
* WITH THE SHOTS -- POW POW --
YOU BUST OFF LIKE AN UZI *

1297
00:58:31,809 --> 00:58:35,312
* THINK I'M GONNA NEED
ANOTHER MAT, BABE *

1298
00:58:35,312 --> 00:58:39,049
* BACK THAT ASS UP ON ME
LIKE I'M JUVIE *

1299
00:58:39,049 --> 00:58:42,486
* ABOUT NOTHING BUT ACTION
IN THIS MOVIE *

1300
00:58:42,486 --> 00:58:43,854
* IT'S GOING DOWN *

1301
00:58:43,854 --> 00:58:46,456
* TURN AROUND,
LET ME FEEL YOUR BOOTY *

1302
00:58:46,456 --> 00:58:48,492
* I'M A PRIVATE IN YOUR PARTS *

1303
00:58:48,492 --> 00:58:49,994
* I'M AT DUTY *

1304
00:58:49,994 --> 00:58:52,630
* GIRL, GIVE IT TO ME *

1305
00:58:52,630 --> 00:58:54,231
* UNH, UNH *

1306
00:58:54,231 --> 00:58:57,968
* BABY, YOU REMIND ME
OF MY JEEPER *

1307
00:58:57,968 --> 00:59:01,872
* THE WAY YOU BODY'S BOUNCING
UP AND DOWN *

1308
00:59:01,872 --> 00:59:05,442
* FEELS LIKE A TSUNAMI
OR KATRINA *

1309
00:59:05,442 --> 00:59:08,378
* I SWEAR I AM DEEP ENOUGH
TO DROWN *

1310
00:59:08,378 --> 00:59:09,513
* OH, GIRL *

1311
00:59:09,513 --> 00:59:12,116
* I'M GONNA MAKE YOU FEEL IT *

1312
00:59:12,116 --> 00:59:13,383
* UH, UH *

1313
00:59:13,383 --> 00:59:14,685
* UH, UH *

1314
00:59:14,685 --> 00:59:16,954
* UH, UH, UH *

1315
00:59:16,954 --> 00:59:21,191
* I'M GONNA MAKE YOU FEEL IT *

1316
00:59:21,191 --> 00:59:27,231
SO, SEEING AS THOUGH
YOU ARE LEAVING AGAIN...

1317
00:59:27,231 --> 00:59:29,767
I HAVE ANDRE OVER HERE
TO TAKE CARE OF YOU.

1318
00:59:29,767 --> 00:59:31,435
HE'LL TAKE YOU
WHEREVER YOU WANT TO GO.

1319
00:59:31,435 --> 00:59:34,605
YEAH.
WE GOT TO GET ON THE ROAD.

1320
00:59:37,174 --> 00:59:39,677
THIS WAS, UH,
THIS WAS FUN --

1321
00:59:39,677 --> 00:59:43,180
WHATEVER, I GUESS,
THAT THIS WAS.

1322
00:59:45,783 --> 00:59:47,652
IT WAS GOOD SEEING YOU.

1323
00:59:47,652 --> 00:59:48,886
LIKEWISE.

1324
00:59:48,886 --> 00:59:52,857
Richie:
SO... WHAT WAS THAT?

1325
00:59:52,857 --> 00:59:55,359
Y'ALL USED TO DANCE
TOGETHER?

1326
00:59:55,359 --> 00:59:56,727
Mike:
UH, YEAH.

1327
00:59:56,727 --> 00:59:58,428
LOOK, IT'S A...
[ LAUGHS ]

1328
00:59:58,428 --> 01:00:02,166
IT'S A LONG, LONG STORY, BUT,
UH, ROME AND I MET EACH OTHER

1329
01:00:02,166 --> 01:00:04,401
AT A VERY INTERESTING TIME
IN OUR LIVES,

1330
01:00:04,401 --> 01:00:07,772
AND -- AND, UH, I GUESS YOU
COULD SAY THAT WE HAD A THING.

1331
01:00:07,772 --> 01:00:11,075
MM. YEAH.
I'D SAY YOU HAD A THING.

1332
01:00:11,075 --> 01:00:12,309
YEAH.

1333
01:00:12,309 --> 01:00:16,413
WELL, UNTIL I, UH,
I WENT TO WORK WITH DALLAS.

1334
01:00:16,413 --> 01:00:18,015
YEAH.

1335
01:00:18,015 --> 01:00:21,819
SO... IS SHE GONNA COME HELP US
OR WHAT?

1336
01:00:21,819 --> 01:00:23,420
NO. [ LAUGHS ]
NO.

1337
01:00:23,420 --> 01:00:25,956
I DON'T -- I DON'T THINK
THAT'S GONNA ACTUALLY HAPPEN.

1338
01:00:25,956 --> 01:00:28,525
ROME LIKES TO STAY
IN HER CASTLE.

1339
01:00:28,525 --> 01:00:30,895
THAT'S WHY SHE BUILT IT.

1340
01:00:30,895 --> 01:00:34,331
SO, UH, I GETTING ON 95 NORTH,
RIGHT?

1341
01:00:34,331 --> 01:00:37,735
YEAH. YEAH.
IT'S JUST OUTSIDE OF CHARLESTON.

1342
01:00:37,735 --> 01:00:39,870
SHE TEXTED ME THE ADDRESS.
I DON'T KNOW.

1343
01:00:39,870 --> 01:00:41,772
I'LL TELL YOU
WHEN WE GET CLOSER.

1344
01:00:41,772 --> 01:00:43,573
YOU NEED A CO-PILOT?
YES, PLEASE.

1345
01:00:43,573 --> 01:00:45,876
OKAY.

1346
01:00:45,876 --> 01:00:48,278
THAT WAS INSANE TONIGHT,
MAN.

1347
01:00:48,278 --> 01:00:50,915
THANKS. I'M SERIOUS, DUDE.
THAT WAS LIKE...

1348
01:00:50,915 --> 01:00:52,750
IT WAS A GOOD NIGHT.
I'M NOT GONNA LIE TO YOU.

1349
01:00:52,750 --> 01:00:54,251
YOUR STUFF IS REVOLUTIONARY,
MAN.

1350
01:00:54,251 --> 01:00:55,953
SOMETIMES THE SONGS
ARE A LITTLE...

1351
01:00:55,953 --> 01:00:57,988
NO, MAN. IT WAS PERFECT.
ARE YOU KIDDING ME?

1352
01:00:57,988 --> 01:01:00,424
I APPRECIATE THAT. AND YOU
JUST MADE THAT UP ON THE SPOT.

1353
01:01:00,424 --> 01:01:03,260
I -- WELL, ROME LIKES US
TO PUT OUR PASSION IN OUR WORK.

1354
01:01:03,260 --> 01:01:04,261
WELL, IT SHOWS, MAN.

1355
01:01:04,261 --> 01:01:06,363
I'VE NEVER SEEN ANYTHING
LIKE THAT.

1356
01:01:06,363 --> 01:01:09,233
ARE YOU DOING ANYTHING ELSE
WITH YOUR MUSIC?

1357
01:01:09,233 --> 01:01:11,535
MAN, I'M TRYING.
I PUT IT UP ONLINE.

1358
01:01:11,535 --> 01:01:14,371
HOPEFULLY, LIKE, IT'LL SPREAD
THROUGH SOCIAL MEDIA,

1359
01:01:14,371 --> 01:01:17,341
BUT HONESTLY, WITH THIS E.P.
THAT'S COMING OUT, IT'S...

1360
01:01:17,341 --> 01:01:18,608
OH, COOL, MAN.

1361
01:01:18,608 --> 01:01:20,677
IT'S HARD TO GET PEOPLE
TO PAY ATTENTION TO IT.

1362
01:01:20,677 --> 01:01:23,981
'CAUSE THERE'S SO MUCH SHIT THAT COMES
ON THE INTERNET EVERY DAY. OH. SO MUCH.

1363
01:01:23,981 --> 01:01:25,682
I JUST WANT TO STAY
AUTHENTIC.

1364
01:01:25,682 --> 01:01:27,885
YEAH. WELL,
AT LEAST YOU'RE TRYING, MAN.

1365
01:01:27,885 --> 01:01:29,386
AT LEAST YOU'RE TRYING.

1366
01:01:29,386 --> 01:01:31,688
THAT'S WHY I MOVED
DOWN TO FLORIDA BACK IN THE DAY,

1367
01:01:31,688 --> 01:01:33,057
ACTUALLY,
WAS TO DO MUSIC STUFF.

1368
01:01:33,057 --> 01:01:34,825
REALLY?
YEAH. YEAH.

1369
01:01:34,825 --> 01:01:36,626
I SANG
IN "DREAM ALONG WITH MICKEY"

1370
01:01:36,626 --> 01:01:38,328
AT DISNEY WORLD
FROM '03 TO '05.

1371
01:01:38,328 --> 01:01:39,563
[ LAUGHS ]
WHAT?

1372
01:01:39,563 --> 01:01:40,965
YEAH, MAN.
FOR REAL.

1373
01:01:40,965 --> 01:01:42,599
I MEAN, I STARTED OUT
AS THE DONALD DUCK UNDERSTUDY,

1374
01:01:42,599 --> 01:01:45,803
BUT I -- I WAS PLAYING MICKEY
BY MY SECOND YEAR.

1375
01:01:45,803 --> 01:01:48,205
I GOT SIGNED BY AN AGENT,

1376
01:01:48,205 --> 01:01:51,008
BOOKED A COUPLE
REGIONAL COMMERCIAL SPOTS.

1377
01:01:51,008 --> 01:01:53,811
AND ONE DAY I HEARD AN AD ON
THE RADIO LOOKING FOR DANCERS.

1378
01:01:53,811 --> 01:01:55,746
AND YOU KNOW HOW THAT SHIT GOES,
SO...

1379
01:01:55,746 --> 01:01:58,448
WHEN I STARTED THIS,
I THOUGHT --

1380
01:01:58,448 --> 01:02:00,417
MAN, I THOUGHT I'D HATE IT.

1381
01:02:00,417 --> 01:02:04,254
BUT NOW, IF THE -- IF, LIKE,
THE E.P. BLEW UP TOMORROW,

1382
01:02:04,254 --> 01:02:06,757
I'D PROBABLY STILL DO THIS
ON THE SIDE.

1383
01:02:06,757 --> 01:02:07,758
WHAT?
I'M SERIOUS.

1384
01:02:07,758 --> 01:02:09,059
YOU'RE SHITTING ME.

1385
01:02:09,059 --> 01:02:12,062
DO YOU SEE HOW MANY GIRLS I MEET
EVERY DAY?

1386
01:02:12,062 --> 01:02:13,831
YES.
FOR FREE?

1387
01:02:13,831 --> 01:02:15,632
FOR FREE!
I DON'T GOT TO PAY FOR --

1388
01:02:15,632 --> 01:02:16,633
ALL I DO IS SING.

1389
01:02:16,633 --> 01:02:18,168
AND YOU THINK ABOUT THAT.

1390
01:02:18,168 --> 01:02:21,371
LIKE, THESE GIRLS HAVE TO DEAL
WITH MEN IN THEIR LIVES

1391
01:02:21,371 --> 01:02:23,908
EVERY DAY WHO --
THEY DON'T LISTEN TO THEM.

1392
01:02:23,908 --> 01:02:25,475
THEY DON'T ASK THEM
WHAT THEY WANT.

1393
01:02:25,475 --> 01:02:27,411
THEY DON'T EVEN ASK THEM
WHAT THEY WANT.

1394
01:02:27,411 --> 01:02:29,579
ALL WE GOT TO DO IS ASK THEM
WHAT THEY WANT.

1395
01:02:29,579 --> 01:02:31,615
AND WHEN THEY TELL YOU,
IT'S A BEAUTIFUL THING, MAN.

1396
01:02:31,615 --> 01:02:35,685
IT'S LIKE WE'RE LIKE...
WE'RE LIKE HEALERS OR SOMETHING.

1397
01:02:35,685 --> 01:02:37,788
YES, MAN.

1398
01:02:37,788 --> 01:02:39,089
FUCK, YES.
WE ARE.

1399
01:02:39,089 --> 01:02:40,825
THAT'S RIGHT.
WE'RE HEALERS.

1400
01:02:40,825 --> 01:02:42,492
WE'RE HEALERS, MAN.

1401
01:02:42,492 --> 01:02:44,561
WE CAN BE.
OKAY. YEAH. WE CAN BE.

1402
01:02:44,561 --> 01:02:46,330
WE CAN BE.

1403
01:02:46,330 --> 01:02:47,231
OKAY.
I LIKE THAT.

1404
01:02:47,231 --> 01:02:50,200
[ MID-TEMPO ROCK MUSIC PLAYING ]

1405
01:02:52,569 --> 01:02:55,405
* *

1406
01:03:09,719 --> 01:03:11,155
[ INSECTS CHIRPING ]

1407
01:03:11,155 --> 01:03:13,057
HEY, THANKS FOR THE RIDE.
NO PROBLEM, MAN.

1408
01:03:13,057 --> 01:03:14,925
GOOD TALKING TO YOU, MAN.
SAFE HOME.

1409
01:03:14,925 --> 01:03:16,393
LOOK US UP
WHEN YOU GET BACK.

1410
01:03:16,393 --> 01:03:17,862
ALL RIGHT, MAN.
THANKS, MAN.

1411
01:03:17,862 --> 01:03:19,529
YOU SURE
THIS IS THE PLACE?

1412
01:03:19,529 --> 01:03:22,266
YEAH. I'M POSITIVE.
SHE SAID IT, AND I GOT THE TEXT.

1413
01:03:22,266 --> 01:03:25,502
LOOKS LIKE SOMEBODY HOOKED UP
WITH A TRUST FUND BABY! YOU KNOW?

1414
01:03:25,502 --> 01:03:27,938
I JUST HIT HER
WITH HER FAVORITE FLAVOR, BABY,

1415
01:03:27,938 --> 01:03:29,573
AND WE'RE LIVIN' LARGE.

1416
01:03:29,573 --> 01:03:31,876
MEGAN?

1417
01:03:32,943 --> 01:03:34,879
HELLO?

1418
01:03:34,879 --> 01:03:37,114
[ Singsong voice ]
MEGAN?

1419
01:03:37,114 --> 01:03:39,283
THERE'S SOME LAW OF ATTRACTION
GOING ON UP IN HERE.

1420
01:03:39,283 --> 01:03:40,885
THERE'S SOMEBODY IN HERE.
MEGAN!

1421
01:03:40,885 --> 01:03:41,886
IT'S TITO!

1422
01:03:41,886 --> 01:03:43,553
HEY!

1423
01:03:43,553 --> 01:03:46,490
OH... SHIT.

1424
01:03:46,490 --> 01:03:48,092
WHO ARE YOU?

1425
01:03:48,092 --> 01:03:51,761
JUST, UH,
FRIENDS OF MEGAN.

1426
01:03:51,761 --> 01:03:53,530
Woman: AH.

1427
01:03:53,530 --> 01:03:55,165
IS MEGAN HERE?

1428
01:03:55,165 --> 01:03:58,435
MY DAUGHTER AND HER FRIENDS
ARE OUTSIDE.

1429
01:03:58,435 --> 01:03:59,603
WHO ARE YOU?

1430
01:03:59,603 --> 01:04:01,471
OH, YOU'RE HAVING A PARTY.
WE'LL JUST GO OUT --

1431
01:04:01,471 --> 01:04:03,473
YOU SAID MEGAN WAS BACK THIS WAY
IN THE GUESTHOUSE?

1432
01:04:03,473 --> 01:04:04,741
YOU HOLD ON.

1433
01:04:04,741 --> 01:04:07,711
Y'ALL CAN'T JUST WALK
IN MY HOUSE LIKE STRANGERS

1434
01:04:07,711 --> 01:04:09,679
WITHOUT HAVING A HELLO DRINK.

1435
01:04:09,679 --> 01:04:11,181
[ LAUGHS ]

1436
01:04:11,181 --> 01:04:14,018
YOU COME ON NOW
AND HAVE A SEAT.

1437
01:04:14,018 --> 01:04:16,887
WHAT YOU WANT?
YOU WANT RED? YOU WANT WHITE?

1438
01:04:16,887 --> 01:04:19,023
WE GOT WHISKEY.
WE GOT SHINE.

1439
01:04:19,023 --> 01:04:21,358
Y'ALL GET SOMETHING.
[ LAUGHS ]

1440
01:04:21,358 --> 01:04:24,929
HOW ABOUT WE START WITH WINE
AND END WITH SHINE?

1441
01:04:24,929 --> 01:04:26,463
I LIKE THAT RULE.

1442
01:04:26,463 --> 01:04:28,732
HONEY, YOU COME SIT RIGHT HERE.
COME ON.

1443
01:04:28,732 --> 01:04:31,035
OH, SHIT!

1444
01:04:31,035 --> 01:04:32,569
THANK YOU SO MUCH.

1445
01:04:32,569 --> 01:04:33,670
IT SMELLS GOOD.

1446
01:04:33,670 --> 01:04:35,940
WELL... CHEERS!

1447
01:04:35,940 --> 01:04:38,175
CHEERS. CHEERS. EYE CONTACT.

1448
01:04:38,175 --> 01:04:40,710
THANK YOU FOR YOUR HOSPITALITY,
MA'AM.

1449
01:04:40,710 --> 01:04:42,112
QUIT THAT PROPER SHIT.

1450
01:04:42,112 --> 01:04:43,147
[ LAUGHTER ]

1451
01:04:43,147 --> 01:04:45,249
YOU SOUND JUST LIKE MY EX.

1452
01:04:45,249 --> 01:04:47,751
WHAT ARE YOUR NAMES?

1453
01:04:47,751 --> 01:04:49,253
UH, I'M MIKE.
THIS IS TITO...

1454
01:04:49,253 --> 01:04:50,254
TITO.
...KEN...

1455
01:04:50,254 --> 01:04:51,922
KEN.
...RICHIE,

1456
01:04:51,922 --> 01:04:54,091
UH...

1457
01:04:56,360 --> 01:04:58,128
ERNEST.
...ERNEST. ERNEST.

1458
01:04:58,128 --> 01:04:59,529
WELL, I'M NANCY.

1459
01:04:59,529 --> 01:05:04,134
AND THIS IS MAE, JULIA,
DIANE, AND JESSICA.

1460
01:05:04,134 --> 01:05:05,569
HEY.
NICE TO MEET YOU.

1461
01:05:05,569 --> 01:05:07,604
Ken: NICE TO MEET Y'ALL.
THANK YOU, LADIES.

1462
01:05:07,604 --> 01:05:09,974
Y'ALL DON'T LOOK LIKE
YOU'RE FROM AROUND HERE.

1463
01:05:09,974 --> 01:05:12,876
WE'RE FROM MIAMI.
UH, JUST...

1464
01:05:12,876 --> 01:05:16,080
FLORIDA.

1465
01:05:16,080 --> 01:05:17,747
THERE'S ONE IN OHIO,
DUDE.

1466
01:05:17,747 --> 01:05:20,584
JUST PASSING THROUGH
ON OUR WAY TO MYRTLE BEACH.

1467
01:05:20,584 --> 01:05:23,220
OH! MYRTLE BEACH!
REDNECK RIVIERA.

1468
01:05:23,220 --> 01:05:25,555
Y'ALL SHOULD TRY KIAWAH
INSTEAD.

1469
01:05:25,555 --> 01:05:27,357
OH, YEAH, I HEARD
THAT'S REAL NICE, MA'AM.

1470
01:05:27,357 --> 01:05:29,393
"OH, YEAH, I HEARD
THAT'S REAL NICE, MA'AM."

1471
01:05:29,393 --> 01:05:30,494
[ LAUGHTER ]

1472
01:05:30,494 --> 01:05:31,996
LISTEN TO HIM!

1473
01:05:31,996 --> 01:05:33,430
IS THAT
WHAT I SOUND LIKE?

1474
01:05:33,430 --> 01:05:36,133
YOU'RE GOOD!

1475
01:05:36,133 --> 01:05:37,667
DON'T THINK I DON'T KNOW

1476
01:05:37,667 --> 01:05:40,537
WHAT YOU'RE DOING HERE
WITH THOSE GIRLS.

1477
01:05:40,537 --> 01:05:44,241
HOW DO Y'ALL KNOW
MY DAUGHTER?

1478
01:05:44,241 --> 01:05:46,110
WE JUST...
UH, WE JUST MET HER AT A --

1479
01:05:46,110 --> 01:05:48,478
AT A-- IN JACKSONVILLE AT --
AT A...

1480
01:05:48,478 --> 01:05:49,413
IT WAS A BAR.

1481
01:05:49,413 --> 01:05:51,982
A BAR.
WELL, THAT'S MY DAUGHTER.

1482
01:05:51,982 --> 01:05:53,984
ALWAYS MAKING NEW FRIENDS!

1483
01:05:53,984 --> 01:05:56,253
[ LAUGHTER ]

1484
01:05:56,253 --> 01:05:58,855
SO WHAT DO Y'ALL DO?

1485
01:05:58,855 --> 01:06:01,091
WE ARE...
I, UH -- HEY!

1486
01:06:01,091 --> 01:06:02,126
HOW ARE YOU?

1487
01:06:02,126 --> 01:06:03,127
HEY!
HI!

1488
01:06:03,127 --> 01:06:04,361
THERE YOU ARE.

1489
01:06:04,361 --> 01:06:06,330
HEY.
WHAT ARE Y'ALL TALKING ABOUT?

1490
01:06:06,330 --> 01:06:08,132
Nancy: OH, THE BOYS
ARE JUST ABOUT TO TELL US

1491
01:06:08,132 --> 01:06:10,134
WHAT THEY DO FOR A LIVING.
OH.

1492
01:06:10,134 --> 01:06:11,601
MM-HMM.

1493
01:06:11,601 --> 01:06:14,371
WE, UH...

1494
01:06:14,371 --> 01:06:16,706
[ CHUCKLES ]
WHAT DO -- UH, I HAVE --

1495
01:06:16,706 --> 01:06:17,941
I HAVE MY OWN FURNITURE COMPANY.

1496
01:06:17,941 --> 01:06:19,909
Tito: YEAH. HE'S GREAT.
UM...

1497
01:06:19,909 --> 01:06:23,247
TITO HERE IS INTO YOGURT.

1498
01:06:23,247 --> 01:06:26,283
FROZEN YOGURT.
YEAH. ARTISANAL.

1499
01:06:26,283 --> 01:06:32,389
KEN IS A BUDDING ACTOR AND, UM,
AND LEVEL-3 REIKI HEALER.

1500
01:06:32,389 --> 01:06:34,424
UH, SO IF YOU NEED ANY WORK
DONE...

1501
01:06:34,424 --> 01:06:37,961
UH, ERNIE IS --
IS AN ARTIST.

1502
01:06:37,961 --> 01:06:39,229
HE'S A PAINTER.

1503
01:06:39,229 --> 01:06:41,898
MOM,
THEY'RE MALE STRIPPERS.

1504
01:06:41,898 --> 01:06:43,700
Nancy: NOW, THAT MAKES SENSE.
[ LAUGHTER ]

1505
01:06:43,700 --> 01:06:46,270
WHY DIDN'T YOU SAY SO
IN THE FIRST PLACE?

1506
01:06:46,270 --> 01:06:49,639
BECAUSE IT'S FUCKING AWKWARD
TO DO SOMEBODY LIKE THAT.

1507
01:06:49,639 --> 01:06:52,642
ENOUGH WITH THAT FUCKING LANGUAGE!
[ LAUGHTER ]

1508
01:06:52,642 --> 01:06:54,544
OH, GOD, I DON'T THINK
I'VE EVER HAD

1509
01:06:54,544 --> 01:06:56,613
A REAL LIVE STRIPPER
IN MY HOUSE BEFORE.

1510
01:06:56,613 --> 01:06:57,947
Ken:
YOU HAVE NOW.

1511
01:06:57,947 --> 01:06:59,916
UH, WELL, ACTUALLY,
THE -- THE TECHNICAL TERM IS --

1512
01:06:59,916 --> 01:07:01,951
IS MALE ENTERTAINER.
OH, MY!

1513
01:07:01,951 --> 01:07:04,988
MOM, THEY'RE NOT HERE FOR THAT.
THEY'RE JUST FRIENDS.

1514
01:07:04,988 --> 01:07:06,823
OF COURSE NOT!

1515
01:07:06,823 --> 01:07:10,460
SHIT, DIANA, GO DOWN
AND GRAB US SOME MORE VINO.

1516
01:07:10,460 --> 01:07:12,696
NO, NO, NO.
DON'T -- DON'T YOU WORRY.

1517
01:07:12,696 --> 01:07:15,532
I GOT THIS. I'LL RELOAD, NANCY.
OKAY, BABY.

1518
01:07:15,532 --> 01:07:18,768
YOU JUST -- YOU JUST GET
ANYTHING THAT LOOKS EXPENSIVE.

1519
01:07:18,768 --> 01:07:20,070
AS MUCH OF THE GOOD STUFF

1520
01:07:20,070 --> 01:07:21,705
AS YOUR LITTLE ARMS CAN CARRY,
DARLING.

1521
01:07:21,705 --> 01:07:23,807
YOU GOT IT.

1522
01:07:23,807 --> 01:07:25,942
I-I GOT ARMS.
I'LL HELP.

1523
01:07:25,942 --> 01:07:28,445
[ INDISTINCT CONVERSATIONS ]

1524
01:07:31,915 --> 01:07:34,551
ARE YOU NATIVE AMERICAN,
TITO?

1525
01:07:34,551 --> 01:07:36,086
[ LAUGHTER ]

1526
01:07:36,086 --> 01:07:38,988
Tito:
YES, ON MY MOTHER'S SIDE.

1527
01:07:38,988 --> 01:07:41,458
REALLY, I'VE GOT IT.
THANKS, THOUGH.

1528
01:07:41,458 --> 01:07:43,393
OH, YOU DO NOT HAVE IT.

1529
01:07:43,393 --> 01:07:45,529
BY WHAT I JUST SAW
UP THERE,

1530
01:07:45,529 --> 01:07:49,666
WE ARE GONNA NEED A FUCKING
PACK MULE TO WATER THAT BUNCH.

1531
01:07:49,666 --> 01:07:51,735
SO -- I DON'T KNOW.

1532
01:07:51,735 --> 01:07:53,870
LET'S FUCKING DO THIS.

1533
01:07:53,870 --> 01:07:56,373
I THOUGHT YOU WERE SUPPOSED TO
BE IN NEW YORK, BY THE WAY.

1534
01:07:56,373 --> 01:07:58,708
OH, WAIT.
IS THAT NOT WHERE WE ARE?

1535
01:07:58,708 --> 01:08:00,310
WOW.

1536
01:08:01,845 --> 01:08:04,181
HMM?

1537
01:08:04,181 --> 01:08:06,316
I CHANGED MY MIND.

1538
01:08:07,617 --> 01:08:09,519
SO DOES THAT MEAN
YOU ARE GONNA BE ON THE POLE

1539
01:08:09,519 --> 01:08:11,121
OR YOU'RE NOT GONNA BE
ON THE POLE?

1540
01:08:11,121 --> 01:08:12,556
BECAUSE, I MEAN,

1541
01:08:12,556 --> 01:08:14,591
"DOLLY TITZ ON THE MAIN STAGE,
COMING UP FOR YOU, BOYS.

1542
01:08:14,591 --> 01:08:17,161
GET YOUR DOLLAR BILLS OUT
AND LET'S BRIGHTEN UP HER DAY"

1543
01:08:17,161 --> 01:08:19,463
SOUNDS AWESOME TO ME.

1544
01:08:19,463 --> 01:08:20,797
HA HA.

1545
01:08:20,797 --> 01:08:23,333
NICE CALLBACK, CLITORIA.

1546
01:08:23,333 --> 01:08:26,170
IT'S LOW-HANGING FRUIT.
I CAN'T HELP MYSELF.

1547
01:08:26,170 --> 01:08:27,871
WHAT'S THE PLAN NOW,
THEN?

1548
01:08:27,871 --> 01:08:29,939
CURRENTLY?
YEP.

1549
01:08:29,939 --> 01:08:33,810
FIND THE PERFECT DYNAMITE
FOR THAT POWDER KEG UPSTAIRS

1550
01:08:33,810 --> 01:08:37,113
AND... WATCH IT BLOW.

1551
01:08:37,113 --> 01:08:39,015
OKAY.

1552
01:08:39,015 --> 01:08:40,617
WHAT ARE WE LOOKING FOR?

1553
01:08:40,617 --> 01:08:45,822
SOMETHING OLD AND EXPENSIVE --
TO FIT IN UPSTAIRS.

1554
01:08:45,822 --> 01:08:47,491
COOL.

1555
01:08:48,525 --> 01:08:50,694
THEY ALL LOOK THE SAME
TO ME.

1556
01:08:50,694 --> 01:08:52,796
RACIST.

1557
01:08:53,930 --> 01:08:56,132
HMM?

1558
01:08:56,132 --> 01:08:59,736
1959 CHâTEAU LAFITE.

1559
01:08:59,736 --> 01:09:00,604
THAT'LL DO.

1560
01:09:00,604 --> 01:09:01,971
Richie:
YOU SEE, WHAT I HEAR

1561
01:09:01,971 --> 01:09:06,343
IS THAT GUY ISN'T TAKING CARE
OF HIS OWN SHIT.

1562
01:09:06,343 --> 01:09:08,812
HOW ARE YOU GONNA EXPECT
YOUR LADY TO TRIM THE HEDGES,

1563
01:09:08,812 --> 01:09:12,749
IF YOU'RE NOT WILLING TO...
PRUNE THE TREE?

1564
01:09:12,749 --> 01:09:14,651
[ LAUGHTER ]

1565
01:09:14,651 --> 01:09:17,721
SEE, I HAVE A THREE-DAY
MAX-GROWTH RULE.

1566
01:09:17,721 --> 01:09:20,590
REALLY? Richie:
ABSO-FUCKING-LUTELY, MA'AM.

1567
01:09:20,590 --> 01:09:21,591
WOW.

1568
01:09:21,591 --> 01:09:23,693
PARDON MY LANGUAGE.
OH, PLEASE.

1569
01:09:23,693 --> 01:09:25,028
WE GOT WINE!

1570
01:09:25,028 --> 01:09:26,463
[ ALL CHEERING ]

1571
01:09:26,463 --> 01:09:27,531
A BASKET FULL OF WINE!
[ LAUGHS ]

1572
01:09:27,531 --> 01:09:29,132
WE GOT A BASKET OF WINE.

1573
01:09:29,132 --> 01:09:32,502
Nancy: YOU ARE MISSING OUT
ON SOME HUSBAND TALES IN HERE.

1574
01:09:32,502 --> 01:09:33,903
OR EX-HUSBAND TALES.

1575
01:09:33,903 --> 01:09:36,039
JULIA AND I ARE TRYING TO LURE
MAE AND DIANA

1576
01:09:36,039 --> 01:09:38,141
OVER TO THE DARK SIDE.

1577
01:09:38,141 --> 01:09:40,410
USE THE FORCE, NANCE.

1578
01:09:40,410 --> 01:09:42,479
COME ON, MAE.

1579
01:09:42,479 --> 01:09:44,214
IT'S YOUR TURN.

1580
01:09:44,214 --> 01:09:46,416
All:
COME ON, MAE.

1581
01:09:46,416 --> 01:09:48,051
COME ON, MAE.

1582
01:09:48,051 --> 01:09:51,988
WE KNOW IT AIN'T ALL PEACHES
AND ROSES IN THAT BEDROOM.

1583
01:09:51,988 --> 01:09:54,023
CONE OF SILENCE HERE.

1584
01:09:54,023 --> 01:09:57,060
FINE.
I'LL GO, THEN.

1585
01:09:57,060 --> 01:09:59,729
UGH.
HERE'S A WHOPPER FOR YOU.

1586
01:09:59,729 --> 01:10:00,897
HERE WE GO.

1587
01:10:00,897 --> 01:10:03,900
ROGER'S THE ONLY MAN
I'VE EVER SLEPT WITH.

1588
01:10:03,900 --> 01:10:06,102
THEN YOU ARE GONNA GET
MORE WINE.

1589
01:10:06,102 --> 01:10:08,204
[ LAUGHS ]

1590
01:10:08,204 --> 01:10:09,873
[ Sighing ]
YEAH.

1591
01:10:09,873 --> 01:10:14,578
I LOST MY VIRGINITY TO HIM WHEN
I WAS 17, AND THAT WAS THAT.

1592
01:10:14,578 --> 01:10:16,613
TWO BEAUTIFUL DAUGHTERS,

1593
01:10:16,613 --> 01:10:20,584
BUT ONLY ONE PENIS
MY ENTIRE FUCKING LIFE.

1594
01:10:20,584 --> 01:10:26,022
SADLY, I WAS TOO NAIVE TO
RECOGNIZE THAT HE WAS A GAY MAN.

1595
01:10:26,022 --> 01:10:27,991
MOM,
YOU DON'T KNOW THAT.

1596
01:10:27,991 --> 01:10:29,359
OH, I KNEW ENOUGH.

1597
01:10:29,359 --> 01:10:30,827
I KNEW HE REALLY LIKED IT
WHEN I PUT MY FING--

1598
01:10:30,827 --> 01:10:32,529
MOM! NO. I DON'T WANT TO HEAR THAT.
HEY!

1599
01:10:32,529 --> 01:10:34,631
WELL, YOU NEED TO HEAR THIS!
IT'S NOT SO TERRIBLE.

1600
01:10:34,631 --> 01:10:37,934
BECAUSE I PISSED AWAY
ALL OF THIS ON ONE MAN.

1601
01:10:37,934 --> 01:10:40,737
AND YOU ARE NOT GONNA MAKE
THE SAME MISTAKE.

1602
01:10:40,737 --> 01:10:42,005
Megan: GOT IT.

1603
01:10:42,005 --> 01:10:46,643
THAT'S WHY I TELL THESE GIRLS
TO PLAY THE FIELD.

1604
01:10:46,643 --> 01:10:49,946
AND DON'T STOP
UNTIL YOU FIND ONE

1605
01:10:49,946 --> 01:10:53,550
THAT ROCKS
YOUR FUCKING SOCKS OFF!

1606
01:10:53,550 --> 01:10:55,251
Ken: MY MOTTO.
HEAR, HEAR.

1607
01:10:55,251 --> 01:10:58,888
Tarzan: WELL, YOU KNOW, NANCY,
THAT PLAYS BOTH WAYS.

1608
01:10:58,888 --> 01:11:02,926
I THINK I'VE HAD
AS GOOD A RUN AS ANYBODY.

1609
01:11:02,926 --> 01:11:04,694
BUT I'D TRADE ALL THAT
IN A HEARTBEAT

1610
01:11:04,694 --> 01:11:08,865
TO COME HOME TO A WIFE, A KID,
PEOPLE THAT LOVE ME.

1611
01:11:08,865 --> 01:11:13,136
THAT HOLE IS NEVER
GONNA BE FILLED.

1612
01:11:13,136 --> 01:11:15,605
THAT SHIP FUCKING SAILED.

1613
01:11:18,575 --> 01:11:20,844
WOW.

1614
01:11:20,844 --> 01:11:23,380
Ken: I THINK MY SOUL JUST DIED
A LITTLE BIT.

1615
01:11:23,380 --> 01:11:25,682
Tito:
I LOVE YOU, ERNIE.

1616
01:11:25,682 --> 01:11:29,052
WELL, HANK AND I HAVE NEVER HAD
SEX WITH THE LIGHTS ON.

1617
01:11:29,052 --> 01:11:30,654
WHAT?

1618
01:11:30,654 --> 01:11:33,557
EVERY TIME IT STARTS,
HE JUST GOES AND TURNS 'EM OFF.

1619
01:11:33,557 --> 01:11:37,361
AND I TRY TO DROP HINTS,
BUT, UM...

1620
01:11:37,361 --> 01:11:39,563
MAYBE IT'S ME.
I DON'T KNOW.

1621
01:11:39,563 --> 01:11:42,031
Nancy:
COME ON. NEVER ONCE?

1622
01:11:42,031 --> 01:11:43,900
NEVER.

1623
01:11:43,900 --> 01:11:46,370
Ken: HE'S NOT SHOWING YOU
HOW BEAUTIFUL YOU ARE.

1624
01:11:46,370 --> 01:11:48,271
NO. YOU'RE GORGEOUS --
YOU KNOW THAT, RIGHT?

1625
01:11:48,271 --> 01:11:49,539
SHE'S GORGEOUS, RIGHT?

1626
01:11:49,539 --> 01:11:51,441
AND I'M NOT JUST TALKING
ABOUT THE PAINT JOB.

1627
01:11:51,441 --> 01:11:53,309
I'M NOT TALKING ABOUT
THIS VESSEL.

1628
01:11:53,309 --> 01:11:55,244
I'M TALKING ABOUT
WHAT'S INSIDE YOU.

1629
01:11:55,244 --> 01:11:56,813
I READ ENERGY
IN MY WORK,

1630
01:11:56,813 --> 01:12:03,987
AND -- AND YOURS IS PURE AND
SWEET AND LOVING AND NURTURING.

1631
01:12:03,987 --> 01:12:04,921
YOU GOT TO TALK TO HIM.

1632
01:12:04,921 --> 01:12:06,490
'CAUSE IF HE'S NOT GONNA
WORSHIP YOU,

1633
01:12:06,490 --> 01:12:07,691
THERE'S A LOT OF GUYS OUT THERE
WHO WILL.

1634
01:12:07,691 --> 01:12:09,459
AND THE LINE STARTS
RIGHT HERE.

1635
01:12:09,459 --> 01:12:10,994
WINDS AROUND THIS ROOM, TOO.
YEP. ABSOLUTELY.

1636
01:12:10,994 --> 01:12:12,161
YOU KNOW THAT, RIGHT?

1637
01:12:12,161 --> 01:12:15,098
GOOD. DON'T -- NO, NO.
DON'T GET SHY ON ME.

1638
01:12:15,098 --> 01:12:17,200
YOU NEED TO SAY IT.
I WANT TO HEAR YOU SAY IT.

1639
01:12:17,200 --> 01:12:19,503
OWN IT.

1640
01:12:19,503 --> 01:12:22,105
WELL, I JUST DON'T KNOW
WHAT TO SAY TO HIM.

1641
01:12:22,105 --> 01:12:23,973
WELL, TELL HIM
WHAT YOUR FANTASY IS.

1642
01:12:23,973 --> 01:12:26,109
AND MAKE SURE HE DOES IT
WITH THE LIGHTS ON.

1643
01:12:26,109 --> 01:12:29,979
IF HE DOESN'T, THEN Y'ALL HAVE
A SERIOUS PROBLEM.

1644
01:12:29,979 --> 01:12:32,181
WELL, I, UM...

1645
01:12:32,181 --> 01:12:35,084
WHEN WE WERE IN COLLEGE
AND WE WERE FALLING IN LOVE,

1646
01:12:35,084 --> 01:12:38,988
WE USED TO LISTEN TO THAT SONG,
UM, "HEAVEN."

1647
01:12:38,988 --> 01:12:41,324
OH, SHIT.
YES!

1648
01:12:41,324 --> 01:12:43,126
I LOVE THAT SONG.

1649
01:12:43,126 --> 01:12:46,530
* OH, THINKING ABOUT
ALL OUR YOUNGER YEARS *

1650
01:12:46,530 --> 01:12:47,864
[ CHEERING ]

1651
01:12:47,864 --> 01:12:51,100
* THERE WAS ONLY YOU AND ME *

1652
01:12:51,100 --> 01:12:54,771
* WE WERE YOUNG AND WILD
AND FREE *

1653
01:12:54,771 --> 01:12:56,773
WILL YOU HOLD THIS FOR ME?
MM-HMM. YEAH. COME ON!

1654
01:12:56,773 --> 01:12:59,809
* NOW NOTHING CAN TAKE YOU AWAY
FROM ME *

1655
01:12:59,809 --> 01:13:03,880
* WE'VE BEEN DOWN THAT ROAD
BEFORE *

1656
01:13:03,880 --> 01:13:07,517
* BUT THAT'S ALL OVER NOW *
[ LAUGHTER ]

1657
01:13:07,517 --> 01:13:10,987
* YOU KEEP COMING BACK
FOR MORE *

1658
01:13:10,987 --> 01:13:13,623
* BABY, YOU'RE ALL THAT I WANT *

1659
01:13:13,623 --> 01:13:16,993
* WHEN YOU'RE LYING HERE
IN MY ARMS *

1660
01:13:16,993 --> 01:13:21,330
* I'M FINDING IT HARD TO BELIEVE
WE'RE IN HEAVEN *

1661
01:13:21,330 --> 01:13:22,699
COME ON, BOYS.
Tito: YEAH.

1662
01:13:22,699 --> 01:13:25,869
All:
* AND LOVE IS ALL THAT I NEED *

1663
01:13:25,869 --> 01:13:29,673
* AND I FOUND IT
THERE IN YOUR HEART *

1664
01:13:29,673 --> 01:13:35,044
* IT ISN'T TOO HARD TO SEE
WE'RE IN HEAVEN *

1665
01:13:35,044 --> 01:13:37,581
[ LAUGHTER ]

1666
01:13:37,581 --> 01:13:38,615
DO YOU FEEL GOOD?

1667
01:13:38,615 --> 01:13:40,684
YEAH, BABY.
WHOO!

1668
01:13:40,684 --> 01:13:41,985
THAT'S WONDERFUL!

1669
01:13:41,985 --> 01:13:44,521
I DON'T THINK HANK
CAN DO THAT.

1670
01:13:44,521 --> 01:13:46,289
[ LAUGHTER ]

1671
01:13:46,289 --> 01:13:47,957
DOCTOR'S IN THE HOUSE,
BABY.

1672
01:13:47,957 --> 01:13:50,960
THE DOCTOR HAS CHECKED
INTO THE BUILDING.

1673
01:13:50,960 --> 01:13:52,361
[ LAUGHTER ]
OH, THANK YOU.

1674
01:13:52,361 --> 01:13:54,664
YEAH!
FUCK, KEN!

1675
01:13:54,664 --> 01:13:56,466
WHAT THE FUCK?

1676
01:13:56,466 --> 01:13:58,568
Y'ALL KNOW
THAT WAS MY AUDITION SONG.

1677
01:13:58,568 --> 01:14:00,470
WHAT?
YEAH, IT WAS ONE OF THEM.

1678
01:14:00,470 --> 01:14:02,371
[ LAUGHTER ]

1679
01:14:02,371 --> 01:14:04,674
IT'S AWESOME.
[ LAUGHS ]

1680
01:14:04,674 --> 01:14:09,345
OH, GOD,
I JUST LOVE THIS FUCKING NIGHT!

1681
01:14:09,345 --> 01:14:11,948
I LOVE IT!
[ LAUGHTER ]

1682
01:14:11,948 --> 01:14:16,119
I WISH WE HAD KNOWN YOU GUYS
BACK IN OUR DAY, YOU KNOW?

1683
01:14:16,119 --> 01:14:19,523
WELL, I'D SAY
IT'S STILL YOUR DAY, MA'AM.

1684
01:14:19,523 --> 01:14:21,457
[ WOMEN MURMURING ]

1685
01:14:21,457 --> 01:14:23,627
THANK YOU, RICHIE.

1686
01:14:26,229 --> 01:14:28,064
STAND UP.

1687
01:14:28,064 --> 01:14:30,934
OH, NO. Nancy:
COME ON, STAND UP.

1688
01:14:30,934 --> 01:14:32,001
Tito: HEY!

1689
01:14:32,001 --> 01:14:33,670
[ LAUGHS ]

1690
01:14:33,670 --> 01:14:35,539
[ LAUGHS ]

1691
01:14:35,539 --> 01:14:37,741
OH, MY GOD.
JUST LOOK AT YOU.

1692
01:14:37,741 --> 01:14:39,943
YOU ARE JUST PERFECT.

1693
01:14:39,943 --> 01:14:41,177
DAMN!

1694
01:14:41,177 --> 01:14:43,346
[ LAUGHTER ]

1695
01:14:43,346 --> 01:14:44,748
OH, GOD.

1696
01:14:44,748 --> 01:14:46,282
OH, DAMN, LOOK AT YOU.
Julia: HERE IT COMES.

1697
01:14:46,282 --> 01:14:49,252
I HATE TO BE RUDE, BUT...

1698
01:14:49,252 --> 01:14:50,520
YOU WANT TO POP THE HOOD.

1699
01:14:50,520 --> 01:14:52,756
[ SIGHS ]

1700
01:14:54,558 --> 01:14:57,493
OH, SHIT.
[ CHEERING, LAUGHTER ]

1701
01:14:57,493 --> 01:14:59,328
OH, MY GOD!

1702
01:14:59,328 --> 01:15:01,698
Megan: MOM!
Nancy: OH, PLEASE!

1703
01:15:01,698 --> 01:15:04,167
OF COURSE YOU'RE --
YOU'RE EATING CAKE BY YOURSELF

1704
01:15:04,167 --> 01:15:06,736
WHEN, UH, THE FIREWORKS
ARE ABOUT TO GO OFF IN THERE.

1705
01:15:06,736 --> 01:15:08,471
THIS ISN'T CONCERNING
AT ALL.

1706
01:15:08,471 --> 01:15:10,439
WHAT CAN I SAY?

1707
01:15:10,439 --> 01:15:12,308
I LIKE CAKE.

1708
01:15:12,308 --> 01:15:15,979
DO YOU HAVE ANY IDEA
WHAT'S GOING ON OUT THERE?

1709
01:15:15,979 --> 01:15:17,947
A LADY IS ABOUT TO GET --

1710
01:15:17,947 --> 01:15:20,283
I DON'T EVEN KNOW
HOW TO PUT IT INTO WORDS.

1711
01:15:20,283 --> 01:15:22,185
NO.
I'M A COOKIE GUY.

1712
01:15:22,185 --> 01:15:23,653
WHAT?

1713
01:15:23,653 --> 01:15:26,255
YEAH.
IT'S RED FUCKING VELVET.

1714
01:15:26,255 --> 01:15:28,825
I WOULD TAKE A PACK OF OREOS
OVER THAT BULLSHIT

1715
01:15:28,825 --> 01:15:30,727
ANY DAY OF THE WEEK.
WHAT'S WRONG WITH YOU?

1716
01:15:30,727 --> 01:15:32,228
NOTHING'S WRONG.
'CAUSE COOKIES ARE AWESOME.

1717
01:15:32,228 --> 01:15:34,130
WELL, I DON'T THINK
WE HAVE ANYTHING MORE

1718
01:15:34,130 --> 01:15:35,464
TO SAY TO ONE ANOTHER.

1719
01:15:35,464 --> 01:15:37,767
LOOK, IF YOU DON'T WANT TO TALK
ABOUT IT OR WHATEVER --

1720
01:15:37,767 --> 01:15:39,068
I DON'T KNOW
IF IT'S ABOUT NEW YORK --

1721
01:15:39,068 --> 01:15:40,970
BUT I MAYBE INTUIT
THAT IT MIGHT BE --

1722
01:15:40,970 --> 01:15:43,973
I'M GONNA START HIDING
THE KITCHEN KNIVES IN A MINUTE.

1723
01:15:43,973 --> 01:15:46,242
SERIOUSLY,
IT IS THAT OBVIOUS.

1724
01:15:46,242 --> 01:15:48,544
WHAT'S UP?

1725
01:15:49,979 --> 01:15:54,751
I MET A PHOTOGRAPHER IN MIAMI
AT THIS PARTY I WAS WORKING AT.

1726
01:15:54,751 --> 01:15:57,553
HE WAS NICE AND MARRIED
AND ALL OF THAT.

1727
01:15:57,553 --> 01:15:58,855
MM.

1728
01:15:58,855 --> 01:16:03,359
TOOK A LOOK AT MY PHOTOS
AND SAID I HAD AN EYE.

1729
01:16:03,359 --> 01:16:06,663
OFFERED ME A JOB RIGHT THERE
ON THE SPOT AS HIS ASSISTANT.

1730
01:16:06,663 --> 01:16:08,064
THAT'S COOL.

1731
01:16:08,064 --> 01:16:10,533
I MEAN, DID HE OFFER A PLACE
FOR YOU TO STAY AS WELL

1732
01:16:10,533 --> 01:16:13,436
THAT HAPPENED TO BE HIS HOUSE
WHEN HIS WIFE WAS AWAY?

1733
01:16:13,436 --> 01:16:14,570
THAT...

1734
01:16:14,570 --> 01:16:16,272
YEAH.

1735
01:16:16,272 --> 01:16:17,674
WAIT.
WERE YOU THERE?

1736
01:16:17,674 --> 01:16:20,143
I WAS THERE, BUT I WAS IN DRAG.
YOU WOULDN'T HAVE RECOGNIZED ME.

1737
01:16:20,143 --> 01:16:24,047
MM. BUT I JUST WANT TO THROW
THIS OUT THERE, THOUGH.

1738
01:16:24,047 --> 01:16:25,481
UM, THIS MIGHT BE GOD'S WAY

1739
01:16:25,481 --> 01:16:28,351
OF GIVING YOU A SECOND CHANCE
AT MYRTLE BEACH.

1740
01:16:28,351 --> 01:16:29,953
MM.

1741
01:16:29,953 --> 01:16:31,721
ANY GOD WORTH BELIEVING IN

1742
01:16:31,721 --> 01:16:35,158
CERTAINLY SENDS YOU DUDES
IN THONGS WHEN IN NEED.

1743
01:16:36,826 --> 01:16:39,629
OR SHE JUST KNOWS
THAT SOME ASSHOLE IN MIAMI --

1744
01:16:39,629 --> 01:16:40,730
SHE?

1745
01:16:40,730 --> 01:16:42,198
YES, MY GOD IS A SHE.

1746
01:16:42,198 --> 01:16:47,303
UM, SHE JUST MIGHT KNOW THAT --
I DON'T KNOW --

1747
01:16:47,303 --> 01:16:50,840
SOME ASSHOLE IN MIAMI STOLE YOUR
SMILE AND YOU NEED IT BACK.

1748
01:16:52,275 --> 01:16:54,043
AND I CAN GUARANTEE YOU

1749
01:16:54,043 --> 01:16:57,914
THAT STRIPPERS WILL GIVE
SMILES APLENTY

1750
01:16:57,914 --> 01:16:59,749
AND MAKE YOU FORGET
ABOUT NEW YORK.

1751
01:16:59,749 --> 01:17:03,753
AND IF THAT DOESN'T WORK, THEN
THERE WILL BE 3,000 WOMEN THERE,

1752
01:17:03,753 --> 01:17:07,390
SEEING AS YOU'RE NOT
IN A BOY PHASE.

1753
01:17:07,390 --> 01:17:09,693
THAT'S QUITE A PITCH.
MM.

1754
01:17:09,693 --> 01:17:11,294
LOOK, WHEN SHIT'S NOT GOING
YOUR WAY,

1755
01:17:11,294 --> 01:17:13,897
GETTING A LITTLE CRAZY
WITH SOME RANDOM FRIENDS

1756
01:17:13,897 --> 01:17:17,300
HAS A WAY OF HELPING YOU
SORT OUT YOUR OWN SHIT.

1757
01:17:17,300 --> 01:17:19,335
SO I'M YOUR FRIEND NOW?

1758
01:17:19,335 --> 01:17:20,804
YOU'VE SEEN ME PEE.

1759
01:17:20,804 --> 01:17:23,707
I DON'T KNOW ANYONE THAT'S NOT
MY FRIEND THAT'S SEEN ME PEE.

1760
01:17:25,241 --> 01:17:27,276
FAIR ENOUGH.

1761
01:17:27,276 --> 01:17:32,248
LOOK, I DON'T NORMALLY TRUST
A COOKIE GUY...

1762
01:17:32,248 --> 01:17:34,718
BUT I'LL --
I'LL THINK ABOUT IT.

1763
01:17:34,718 --> 01:17:36,720
THAT'S VALID.
[ LAUGHTER IN DISTANCE ]

1764
01:17:36,720 --> 01:17:38,988
ALL RIGHT.
YOU THINK ABOUT IT, DOLLY.

1765
01:17:38,988 --> 01:17:41,157
I'M GONNA GO BACK IN THERE
AND FEED THE WOLVES,

1766
01:17:41,157 --> 01:17:43,192
'CAUSE IT'S GETTING
A LITTLE RABID IN THERE.

1767
01:17:43,192 --> 01:17:44,794
ALL RIGHT?

1768
01:17:44,794 --> 01:17:46,730
IT'S ZOE, BY THE WAY.

1769
01:17:46,730 --> 01:17:47,964
ZOE.
MM-HMM.

1770
01:17:47,964 --> 01:17:49,398
NICE TO MEET YOU.

1771
01:17:49,398 --> 01:17:50,666
MAGIC.

1772
01:17:50,666 --> 01:17:52,769
MAGIC MIKE.

1773
01:17:53,837 --> 01:17:57,406
[ LAUGHS ]

1774
01:17:57,406 --> 01:18:00,443
[ SNORING ]

1775
01:18:21,697 --> 01:18:23,199
THANKS, MAN.
YEAH.

1776
01:18:27,403 --> 01:18:28,471
MORNING, GENTLEMEN.

1777
01:18:28,471 --> 01:18:30,073
MORNING.
HEY, BUDDY.

1778
01:18:30,073 --> 01:18:31,540
EVERYONE SLEEP ALL RIGHT?

1779
01:18:31,540 --> 01:18:32,608
YEAH.
YEAH.

1780
01:18:32,608 --> 01:18:35,278
YOU BOYS HAVE FUN.

1781
01:18:35,278 --> 01:18:38,281
MM.

1782
01:18:39,548 --> 01:18:43,152
MM.
[ INHALES SHARPLY ]

1783
01:18:44,620 --> 01:18:46,790
MM.

1784
01:18:47,924 --> 01:18:49,993
[ Whispering ]
DID YOU BANGEE?

1785
01:18:49,993 --> 01:18:51,795
DID YOU BANGEE?

1786
01:18:51,795 --> 01:18:52,829
[ Whispering ]
YES.

1787
01:18:52,829 --> 01:18:54,163
YOU BANGED HER?

1788
01:18:54,163 --> 01:18:56,432
[ Whispering ]
WAS SHE THE GLASS SLIPPER?

1789
01:18:57,500 --> 01:18:58,835
YES, MAN!

1790
01:18:58,835 --> 01:19:02,939
THAT WONDERFUL, NICE LADY
WAS THE GLASS SLIPPER?

1791
01:19:02,939 --> 01:19:04,841
HOLD IT.
EVERY INCH?

1792
01:19:04,841 --> 01:19:06,509
WOW.

1793
01:19:07,811 --> 01:19:09,345
Y'ALL HAD A CRAZY CONNECTION,
MAN.

1794
01:19:09,345 --> 01:19:12,181
I COULD FEEL IT.
I'M SO HAPPY FOR YOU.

1795
01:19:13,783 --> 01:19:15,184
[ LAUGHS ]
WHAT?

1796
01:19:15,184 --> 01:19:17,053
YOU GOT TO BE KIDDING ME.
YEAH. WHAT?!

1797
01:19:17,053 --> 01:19:18,621
YOU GOT TO BE
FUCKING JOKING.

1798
01:19:18,621 --> 01:19:19,989
OH, SHIT!

1799
01:19:19,989 --> 01:19:22,325
THIS IS US?
IT WAS THE EX-HUSBAND'S.

1800
01:19:22,325 --> 01:19:24,760
SAID SHE DIDN'T CARE WHAT SHAPE
I BROUGHT IT BACK IN,

1801
01:19:24,760 --> 01:19:26,229
AS LONG AS I
BROUGHT IT BACK.

1802
01:19:26,229 --> 01:19:29,765
DIDN'T REALIZE SHE'D
BEEN MARRIED TO SHAWN KEMP.

1803
01:19:29,765 --> 01:19:31,100
PIMPIN'!
SWEET!

1804
01:19:31,100 --> 01:19:33,469
THAT IS A BEAUTIFUL PIECE
OF MACHINERY, MAN.

1805
01:19:33,469 --> 01:19:34,904
HOLY SHIT.

1806
01:19:34,904 --> 01:19:37,073
WE'RE GONNA KILL ON THE STRIP IN MYRTLE.
THIS IS NICE.

1807
01:19:37,073 --> 01:19:38,574
THIS IS GONNA KILL.

1808
01:19:38,574 --> 01:19:47,150
* I WILL BRING YOU STARLIGHT
BY THE BARROW *

1809
01:19:47,150 --> 01:19:55,892
* I WILL BRING YOU ROSES
BY THE SCORE *

1810
01:19:55,892 --> 01:20:00,864
* THERE'S NO OTHER WAY *

1811
01:20:00,864 --> 01:20:04,968
* THERE'S NO OTHER WAY *

1812
01:20:04,968 --> 01:20:11,340
* THERE'S NO OTHER WAY *

1813
01:20:15,511 --> 01:20:23,920
* MEET ME IN THE TWILIGHT
BY THE SEASIDE *

1814
01:20:23,920 --> 01:20:31,227
* MEET ME
UNDERNEATH THE WILLOW'S FALL *

1815
01:20:32,929 --> 01:20:37,200
* THERE'S NO OTHER WAY *

1816
01:20:37,200 --> 01:20:41,837
* THERE'S NO OTHER WAY *
[ LAUGHTER ]

1817
01:20:41,837 --> 01:20:45,942
* THERE'S NO OTHER WAY *

1818
01:20:45,942 --> 01:20:47,476
[ LAUGHTER CONTINUES ]

1819
01:20:47,476 --> 01:20:49,712
GENTLEMEN, WELCOME.
WE'VE BEEN EXPECTING YOU.

1820
01:20:49,712 --> 01:20:52,348
UH, MS. DAVIDSON CALLED AHEAD,
UPGRADED YOUR ROOMS,

1821
01:20:52,348 --> 01:20:54,283
AND BOOKED YOU
OUR CONFERENCE SPACE.

1822
01:20:54,283 --> 01:20:56,785
OH, WHAT'S UP, MS.
DAVIDSON? YEAH.

1823
01:20:56,785 --> 01:21:00,323
OH, I KNOW WHAT'S --
I KNOW WHAT WAS UP MS. DAVIDSON.

1824
01:21:00,323 --> 01:21:01,157
[ LAUGHS ]

1825
01:21:01,157 --> 01:21:04,293
THAT'S SICK, MAN.

1826
01:21:05,328 --> 01:21:07,830
NO!
GET OUTTA HERE!

1827
01:21:07,830 --> 01:21:10,133
Tarzan: COME ON, MAN.
Tito: [ LAUGHS ]

1828
01:21:10,133 --> 01:21:13,502
SO YOU THINK IT'S OKAY TO HAVE
ME WAIT FOR YOU FOR TWO HOURS?

1829
01:21:13,502 --> 01:21:15,838
NO, IT'S NOT OKAY,
BUT SOMEONE SHOULD'VE TOLD ME.

1830
01:21:15,838 --> 01:21:17,073
YO, MAN.

1831
01:21:17,073 --> 01:21:19,075
DON'T SAY I NEVER DID ANYTHING
FOR YOU.

1832
01:21:19,075 --> 01:21:21,377
I AIN'T NEVER GONNA SAY THAT.
I PROMISE YOU THAT.

1833
01:21:21,377 --> 01:21:22,745
LOOK AT THIS!
WHAT'S UP?

1834
01:21:22,745 --> 01:21:23,879
HOW YOU DOING?

1835
01:21:23,879 --> 01:21:25,048
WHAT'S UP, MAN?

1836
01:21:25,048 --> 01:21:26,282
HI, SWEETIE.

1837
01:21:26,282 --> 01:21:28,484
SO, 3,000 WOMEN, MAN?
3,000 WOMEN.

1838
01:21:28,484 --> 01:21:29,418
YOU GOT SOME IDEAS?

1839
01:21:29,418 --> 01:21:30,819
YEAH,
I GOT SOME IDEAS.

1840
01:21:30,819 --> 01:21:32,088
THEY AIN'T READY
FOR YOU.

1841
01:21:32,088 --> 01:21:34,323
THEY AIN'T READY
FOR US.

1842
01:21:34,323 --> 01:21:38,094
[ UP-TEMPO INTRODUCTION PLAYS ]

1843
01:21:49,738 --> 01:21:52,008
* PACK YOUR GRIP *

1844
01:21:52,008 --> 01:21:54,043
* TAKIN' YOU ON A TRIP *

1845
01:21:54,043 --> 01:21:56,079
* AIN'T NO SEATS *

1846
01:21:56,079 --> 01:21:57,880
* ALL WE GOT'S DANCIN' FEET *

1847
01:21:57,880 --> 01:22:01,384
* LEAVE YOUR WORRIES BEHIND *

1848
01:22:01,384 --> 01:22:05,588
* 'CAUSE RAIN, SHINE,
WON'T MIND *

1849
01:22:05,588 --> 01:22:11,560
* WE'RE RIDIN'
ON THE GROOVE LINE TONIGHT *

1850
01:22:11,560 --> 01:22:14,597
WHOOT! WHOOT!

1851
01:22:15,731 --> 01:22:17,266
WHOOT! WHOOT!

1852
01:22:17,266 --> 01:22:19,535
* GET THIS TRAIN *

1853
01:22:19,535 --> 01:22:21,604
* KNOW YOU'LL BE GLAD YOU CAME *

1854
01:22:21,604 --> 01:22:23,439
* HIT THE TRACK *

1855
01:22:23,439 --> 01:22:25,508
* PARTY HARD THERE AND BACK *

1856
01:22:25,508 --> 01:22:29,378
* LEAVE YOUR WORRIES BEHIND *

1857
01:22:29,378 --> 01:22:33,516
* 'CAUSE RAIN, SHINE,
WON'T MIND *

1858
01:22:33,516 --> 01:22:39,555
* WE'RE RIDIN'
ON THE GROOVE LINE TONIGHT *

1859
01:22:39,555 --> 01:22:41,557
WHOOT! WHOOT!

1860
01:22:43,192 --> 01:22:44,560
WHOOT! WHOOT!

1861
01:22:44,560 --> 01:22:50,299
* CHECK OUT THE WHEELS
ARE TURNIN' *

1862
01:22:50,299 --> 01:22:52,835
* YOU KNOW WE WON'T STOP *

1863
01:22:52,835 --> 01:22:57,106
* WE GOT THIS BOILER BURNIN' *

1864
01:22:58,241 --> 01:23:00,243
* WE'RE KEEPIN' IT HOT *

1865
01:23:00,243 --> 01:23:03,479
* SO GRAB YOUR FRIENDS *

1866
01:23:03,479 --> 01:23:05,348
* GET THE TRAIN COMIN' THROUGH *

1867
01:23:05,348 --> 01:23:07,416
* CLIMB ON BOARD *

1868
01:23:07,416 --> 01:23:09,552
* WHERE YOU LEAVE'S UP TO YOU *

1869
01:23:09,552 --> 01:23:13,256
* LEAVE YOUR WORRIES BEHIND *

1870
01:23:13,256 --> 01:23:17,460
* 'CAUSE RAIN, SHINE,
WON'T MIND *

1871
01:23:17,460 --> 01:23:23,232
* WE'RE RIDIN'
ON THE GROOVE LINE TONIGHT *

1872
01:23:23,232 --> 01:23:25,134
WHOOT! WHOOT!

1873
01:23:27,603 --> 01:23:30,206
WHOOT! WHOOT!

1874
01:23:31,140 --> 01:23:33,409
WHOOT! WHOOT!

1875
01:23:35,511 --> 01:23:37,346
WHOOT! WHOOT!

1876
01:23:37,346 --> 01:23:41,084
* LEAVE YOUR WORRIES BEHIND *

1877
01:23:41,084 --> 01:23:45,221
* 'CAUSE RAIN, SHINE,
WON'T MIND *

1878
01:23:45,221 --> 01:23:47,190
* WE'RE RIDIN'... *
GOOD NIGHT.

1879
01:23:47,190 --> 01:23:48,691
GOOD NIGHT, Y'ALL.

1880
01:23:48,691 --> 01:23:49,825
LATER, GUYS.

1881
01:23:49,825 --> 01:23:53,696
WHERE IS YOUR YOGURT NOW, MAN?
I'M STARVING.

1882
01:23:53,696 --> 01:23:54,730
YEAH.

1883
01:23:54,730 --> 01:23:56,632
[ GROANS ]

1884
01:23:56,632 --> 01:23:58,101
YOU REALLY THINK --

1885
01:23:58,101 --> 01:23:59,968
YOU REALLY THINK
IT'S GONNA WORK?

1886
01:23:59,968 --> 01:24:01,704
YOU THINK
I CAN PULL THIS OFF?

1887
01:24:01,704 --> 01:24:02,971
WHAT, THE YOGURT TRUCK?

1888
01:24:02,971 --> 01:24:03,972
YEAH.

1889
01:24:03,972 --> 01:24:05,608
YEAH.
ABSOLUTELY.

1890
01:24:05,608 --> 01:24:07,110
MAN, I HOPE SO.

1891
01:24:07,110 --> 01:24:08,544
I HOPE I CAN KEEP IT AFLOAT,
MAN.

1892
01:24:08,544 --> 01:24:11,380
'CAUSE NOTHING FEELS
THAT GOOD.

1893
01:24:11,380 --> 01:24:14,417
OTHER THAN BEING ONSTAGE.

1894
01:24:14,417 --> 01:24:16,185
BUT THAT'S WHY.
THAT'S WHY IT'S GONNA WORK, MAN.

1895
01:24:16,185 --> 01:24:17,953
YOU LOVE IT TOO MUCH.

1896
01:24:17,953 --> 01:24:21,457
LOOK, I'M NOT GONNA LIE TO YOU.
IT'S NOT GONNA BE EASY.

1897
01:24:21,457 --> 01:24:23,826
IF YOU WANT, MAN, LOOK,
I'LL --

1898
01:24:23,826 --> 01:24:27,130
ON THE WAY BACK DOWN, I'LL --
I'LL GO OVER EVERYTHING YOU GOT.

1899
01:24:27,130 --> 01:24:28,431
WE'LL -- WE'LL GO THROUGH IT.

1900
01:24:28,431 --> 01:24:29,832
YEAH?
YEAH.

1901
01:24:29,832 --> 01:24:31,667
THAT'D BE COOL, MAN.

1902
01:24:31,667 --> 01:24:33,202
[ CHUCKLES ]

1903
01:24:33,202 --> 01:24:34,670
[ EXHALES DEEPLY ]

1904
01:24:34,670 --> 01:24:37,440
YOU KNOW,
I GET WHY YOU LEFT.

1905
01:24:37,440 --> 01:24:40,243
I'M JUST GLAD
YOU'RE BACK.

1906
01:24:47,250 --> 01:24:50,153
[ INDISTINCT CONVERSATIONS ]

1907
01:25:03,466 --> 01:25:05,268
Woman:
ALL RIGHT, HYPNOTIZE.

1908
01:25:05,268 --> 01:25:06,735
MAKE SURE YOU SEE SOUND
AND LIGHTING.

1909
01:25:06,735 --> 01:25:07,836
THEY'LL HOOK YOU UP.

1910
01:25:07,836 --> 01:25:10,939
GO ON, MAKE SOME MONEY.
GIVE HIM A LOCKER KEY.

1911
01:25:10,939 --> 01:25:13,008
NEXT!

1912
01:25:13,008 --> 01:25:15,611
Mike:
PARIS.

1913
01:25:15,611 --> 01:25:19,615
HOLY FUCKING SHIT.
[ LAUGHS ]

1914
01:25:19,615 --> 01:25:22,117
WHAT ARE Y'ALL DOING HERE? HI.

1915
01:25:22,117 --> 01:25:24,119
GIVE YOUR MAMA SOME SUGAR!

1916
01:25:24,119 --> 01:25:26,088
HOW ARE YOU?
HOW ARE YOU?

1917
01:25:26,088 --> 01:25:29,024
THEY ALWAYS COME BACK.
MM-HMM.

1918
01:25:29,024 --> 01:25:30,226
I AM GREAT.

1919
01:25:30,226 --> 01:25:31,594
I'M A LITTLE CONFUSED,
'CAUSE DALLAS,

1920
01:25:31,594 --> 01:25:33,362
HE DIDN'T LET ME KNOW
Y'ALL WERE COMING.

1921
01:25:33,362 --> 01:25:35,097
WHERE IS HE?
DALLAS IS NOT COMING.

1922
01:25:35,097 --> 01:25:36,399
IT'S JUST US.

1923
01:25:36,399 --> 01:25:39,034
BABY, I DON'T HAVE A SPOT
FOR YOU.

1924
01:25:39,034 --> 01:25:40,503
YOU GOT A SPOT FOR US.
COME ON.

1925
01:25:40,503 --> 01:25:44,573
HONEY, YOU KNOW HOW THIS WORKS.
YOU'RE NOT SPECIAL.

1926
01:25:44,573 --> 01:25:46,609
ESPECIALLY YOU.
YOU -- YOU'VE BEEN OUT!

1927
01:25:46,609 --> 01:25:48,677
HOW LONG?
[ STAMMERING ]

1928
01:25:48,677 --> 01:25:50,379
"D-- D-- D-- D--"
DON'T WORRY ABOUT IT.

1929
01:25:50,379 --> 01:25:51,847
COUPLE YEARS. COME ON.
YOU CAN FIND US A SPOT.

1930
01:25:51,847 --> 01:25:53,682
YOU'VE NOT BEEN DANCING.
COME ON. LOOK AT YOU.

1931
01:25:53,682 --> 01:25:55,184
LET ME SEE.
COME ON. YOU KNOW I --

1932
01:25:55,184 --> 01:25:56,752
ARE YOU EVEN IN SHAPE?
IT'S LIKE RIDING A BIKE.

1933
01:25:56,752 --> 01:25:58,621
MM-HMM.
MM-HMM.

1934
01:25:58,621 --> 01:25:59,888
I DON'T KNOW.

1935
01:25:59,888 --> 01:26:02,758
WHO'S THIS? BIG DUMB RICK?
HOW YOU DOING?

1936
01:26:02,758 --> 01:26:04,493
IT'S DICK.
OKAY.

1937
01:26:04,493 --> 01:26:06,729
SO, YOU DON'T HAVE AN M.C.
WE DO HAVE AN M.C.

1938
01:26:06,729 --> 01:26:09,798
YOU DON'T HAVE AN M.C.
WHAT AM I SUPPOSED TO DO?

1939
01:26:09,798 --> 01:26:12,268
WE DO HAVE AN M.C.

1940
01:26:12,268 --> 01:26:13,902
Rome:
HEY, GORGEOUS.

1941
01:26:13,902 --> 01:26:15,871
SHUT THE FUCK UP.

1942
01:26:15,871 --> 01:26:17,740
MM-HMM.
[ CHUCKLES ]

1943
01:26:17,740 --> 01:26:19,742
HEY.

1944
01:26:19,742 --> 01:26:21,544
HOW YOU BEEN?

1945
01:26:23,279 --> 01:26:24,713
HOW HAVE YOU BEEN?

1946
01:26:24,713 --> 01:26:25,514
GOOD.

1947
01:26:25,514 --> 01:26:28,484
SO, YOU GOT A SPOT FOR US?

1948
01:26:30,719 --> 01:26:32,788
THIS GIRL TAUGHT ME EVERYTHING
I KNOW.

1949
01:26:32,788 --> 01:26:35,691
[ EXHALES DEEPLY ]

1950
01:26:35,691 --> 01:26:39,161
WHO IS AT 10:20?
BUMPER GRINDERS?

1951
01:26:39,161 --> 01:26:40,863
[ CLEARS THROAT ]

1952
01:26:42,665 --> 01:26:44,300
ALL RIGHT.

1953
01:26:44,300 --> 01:26:46,569
FOR HER.

1954
01:26:46,569 --> 01:26:47,936
10:20.

1955
01:26:47,936 --> 01:26:49,472
THAT'S WHY I LOVE YOU.

1956
01:26:49,472 --> 01:26:50,873
THAT'S A MONEY SPOT.

1957
01:26:50,873 --> 01:26:52,975
I EXPECT Y'ALL TO MAKE
SOME MONEY IN THAT SPOT.

1958
01:26:52,975 --> 01:26:54,076
THANK YOU.

1959
01:26:54,076 --> 01:26:56,712
[ MID-TEMPO INTRODUCTION
PLAYING ]

1960
01:27:25,608 --> 01:27:27,910
[ MUSIC CONTINUES ]

1961
01:27:29,278 --> 01:27:30,379
HOW ARE THE KNEES?

1962
01:27:30,379 --> 01:27:31,414
ROTTEN.

1963
01:27:31,414 --> 01:27:34,249
YEAH?
YOU GOOD?

1964
01:27:34,249 --> 01:27:35,718
TELL YOU THE TRUTH, MAN,

1965
01:27:35,718 --> 01:27:39,755
I HAVEN'T FELT THIS NERVOUS
SINCE DESERT STORM.

1966
01:27:39,755 --> 01:27:40,689
WHAT?

1967
01:27:40,689 --> 01:27:42,691
H-HOW HAVE I KNOWN YOU
THIS LONG

1968
01:27:42,691 --> 01:27:45,461
AND I DON'T KNOW THAT YOU WERE
IN DESERT STORM?

1969
01:27:45,461 --> 01:27:47,763
JUST NEVER CAME UP.

1970
01:27:49,632 --> 01:27:51,199
LOOK, I DON'T KNOW.

1971
01:27:51,199 --> 01:27:56,772
ME AND YOU, WE HAVEN'T REALLY
HAD A CHANCE TO HAVE OUR MOMENT.

1972
01:27:56,772 --> 01:27:57,940
ARE WE GOOD?

1973
01:27:57,940 --> 01:28:01,910
YOU KNOW, MIKE,
WHEN I CALLED YOU,

1974
01:28:01,910 --> 01:28:04,012
I DIDN'T CALL
TO FUCK WITH YOU.

1975
01:28:04,012 --> 01:28:06,449
I CALLED
'CAUSE I MISSED YOU, MAN.

1976
01:28:08,317 --> 01:28:10,719
[ BOTH LAUGH ]

1977
01:28:10,719 --> 01:28:13,121
READ MY FANGS.
LET HER MAKE HER OWN DECISIONS.

1978
01:28:13,121 --> 01:28:14,390
PSST!
WHATEVER.

1979
01:28:14,390 --> 01:28:16,425
CHILL, GUYS.

1980
01:28:17,059 --> 01:28:18,594
I FUCKED BELLA!

1981
01:28:18,594 --> 01:28:21,364
[ WOMEN CHEERING ]

1982
01:28:31,407 --> 01:28:32,741
[ CHEERING CONTINUES ]

1983
01:28:32,741 --> 01:28:34,209
WHO'S KILLING IT
OUT THERE?

1984
01:28:34,209 --> 01:28:37,045
FUCKING VAMPIRE
BULLSHIT.

1985
01:28:37,045 --> 01:28:38,447
DID YOU GUYS SEE THIS?

1986
01:28:38,447 --> 01:28:40,115
THEY'RE DOING
A FUCKING "TWILIGHT" ROUTINE

1987
01:28:40,115 --> 01:28:41,350
AND THEY'RE MOPPING UP.

1988
01:28:41,350 --> 01:28:43,386
ALL THOSE TWEENERS
ARE GROWING UP, MAN.

1989
01:28:43,386 --> 01:28:45,354
MAKES PERFECT SENSE.

1990
01:28:45,354 --> 01:28:48,323
MM. THAT'S TRUE.
YEP.

1991
01:28:48,323 --> 01:28:50,626
[ CHEERING CONTINUES ]

1992
01:28:52,127 --> 01:28:53,496
WOW.
OKAY.

1993
01:28:53,496 --> 01:28:55,598
DUDE, I-I JUST DON'T WANT TO
FUCK THIS UP, MAN.

1994
01:28:55,598 --> 01:28:57,733
WHAT ARE YOU T--
YOU'RE NOT GONNA FUCK THIS UP.

1995
01:28:57,733 --> 01:28:59,368
AND LOOK,
AND ON THE OFF CHANCE

1996
01:28:59,368 --> 01:29:01,770
THAT WE ACTUALLY GO OUT THERE
AND SHIT THE BED, WHO CARES?

1997
01:29:01,770 --> 01:29:03,205
DON'T SAY THAT.
WHY? FUCK IT.

1998
01:29:03,205 --> 01:29:04,507
LOOK, I LOVE YOU GUYS.

1999
01:29:04,507 --> 01:29:06,141
THIS TRIP HAS BEEN RIDICULOUS
AND AMAZING.

2000
01:29:06,141 --> 01:29:09,144
SO PLEASE DO NOT MAKE ME GIVE
THE WHOLE

2001
01:29:09,144 --> 01:29:11,013
"IT'S NOT ABOUT
HOW WE GO OUT THERE AND DO IT,

2002
01:29:11,013 --> 01:29:13,849
IT'S ABOUT GETTING TO GO OUT
THERE AND DO IT TOGETHER" SPEECH

2003
01:29:13,849 --> 01:29:15,918
THAT I JUST
FUCKING GAVE YOU.

2004
01:29:15,918 --> 01:29:17,653
W-- OKAY.

2005
01:29:17,653 --> 01:29:19,254
RICHIE, WHAT ARE YOU?

2006
01:29:19,254 --> 01:29:20,856
YOU'RE NOT A FIREMAN.

2007
01:29:20,856 --> 01:29:22,458
WHAT ARE YOU?

2008
01:29:22,458 --> 01:29:24,527
I'M A M-MALE ENTERTAINER.

2009
01:29:24,527 --> 01:29:25,561
ENTERTAINER.

2010
01:29:25,561 --> 01:29:26,995
OOH, YEAH.
WHAT ARE WE?

2011
01:29:26,995 --> 01:29:28,397
FUCK IT, MAN.
MALE ENTERTAINERS.

2012
01:29:28,397 --> 01:29:29,532
THAT'S RIGHT. COME ON.
GET IT IN.

2013
01:29:29,532 --> 01:29:30,666
Rome:
HEY, HEY, HEY, HEY, HEY.

2014
01:29:30,666 --> 01:29:31,900
HOLD THAT UP.
HOLD THAT UP.

2015
01:29:31,900 --> 01:29:33,469
LOOK, IT'S NOT BRO TIME,
IT'S SHOWTIME.

2016
01:29:33,469 --> 01:29:34,703
ARE YOU GUYS READY? YEAH.
WE'RE READY.

2017
01:29:34,703 --> 01:29:36,739
ALL RIGHT. COME ON.
LET'S DO THIS.

2018
01:29:38,641 --> 01:29:40,576
ALL RIGHT. READY?
ONE, TWO, THREE.

2019
01:29:40,576 --> 01:29:42,044
All: [ Whispering ]
MALE ENTERTAINERS!

2020
01:29:42,044 --> 01:29:43,345
[ WOMEN CHEERING ]

2021
01:29:43,345 --> 01:29:45,714
WE'RE STRIPPERS.
WE'RE STRIPPERS.

2022
01:29:45,714 --> 01:29:50,453
WHOO! YES!
GIVING IT UP!

2023
01:29:50,453 --> 01:29:54,557
OH, MEN OF STEEL
IN THE "TWILIGHT" ROUTINE!

2024
01:29:54,557 --> 01:29:57,059
[ CHEERING CONTINUES ]

2025
01:29:57,059 --> 01:29:58,494
OH, THAT WAS HOT!

2026
01:29:58,494 --> 01:30:00,996
CAN I HEAR Y'ALL SAY "HOT"?

2027
01:30:00,996 --> 01:30:02,598
All: HOT!
WHOO!

2028
01:30:02,598 --> 01:30:05,734
THAT'S A NICE
SOUTHERN WELCOME.

2029
01:30:05,734 --> 01:30:09,371
[ WOMEN CHEERING ]

2030
01:30:09,371 --> 01:30:11,440
ALL RIGHT.
[ SIGHS ]

2031
01:30:11,440 --> 01:30:13,976
NOW, I KNOW THIS IS NOT
A COMPETITION,

2032
01:30:13,976 --> 01:30:16,612
BUT Y'ALL ARE GONNA GO HOME
WITH YOUR FAVORITES TONIGHT.

2033
01:30:16,612 --> 01:30:19,414
[ WOMEN CHEERING ]

2034
01:30:19,414 --> 01:30:22,384
ONE OF MY ALL-TIME FAVORITES

2035
01:30:22,384 --> 01:30:27,389
IS MAKING AN APPEARANCE ON THIS
STAGE AFTER A LITTLE WHILE AWAY.

2036
01:30:27,389 --> 01:30:29,291
MAGICAL LITTLE DANCER.

2037
01:30:29,291 --> 01:30:31,293
[ WOMEN CHEERING ]

2038
01:30:31,293 --> 01:30:32,695
MM-HMM.

2039
01:30:32,695 --> 01:30:36,031
HE'S BEEN GONE A LITTLE WHILE,
BUT HE'S BACK.

2040
01:30:37,566 --> 01:30:40,603
HE HAS HOOKED UP
WITH THE DEVIL HIMSELF...

2041
01:30:40,603 --> 01:30:42,938
[ WOMEN CHEERING ]

2042
01:30:42,938 --> 01:30:47,009
...AND HE IS BACK TONIGHT
WITH THOSE FRIENDS

2043
01:30:47,009 --> 01:30:49,678
TO ENTERTAIN
YOUR BEAUTIFUL SELVES.

2044
01:30:49,678 --> 01:30:53,682
HERE THEY ARE --
RESERRECTION!

2045
01:30:53,682 --> 01:30:56,585
[ WOMEN CHEERING ]

2046
01:30:58,887 --> 01:31:00,856
Man:
GOOD EVENING, FRIENDS.

2047
01:31:00,856 --> 01:31:03,325
Women: THIS IS WHAT
YOU'RE ALL HERE FOR.

2048
01:31:03,325 --> 01:31:06,328
[ CHEERING CONTINUES ]

2049
01:31:06,328 --> 01:31:09,264
Man:
LIFT-OFF IN FIVE, FOUR,

2050
01:31:09,264 --> 01:31:12,067
THREE, TWO, ONE.

2051
01:31:12,067 --> 01:31:13,368
IGNITION.

2052
01:31:13,368 --> 01:31:15,838
[ MID-TEMPO HIP-HOP PLAYS ]

2053
01:31:18,541 --> 01:31:19,542
HOLD THIS.

2054
01:31:19,542 --> 01:31:21,977
[ MUSIC CONTINUES ]

2055
01:31:28,383 --> 01:31:33,221
JUST WAIT TILL YOU SEE
WHAT WE GOT COMING UP.

2056
01:31:38,894 --> 01:31:41,764
[ MUSIC ENDS,
CHEERING CONTINUES ]

2057
01:31:51,807 --> 01:31:54,109
Rome:
DID YOU LIKE THAT, LADIES?

2058
01:31:54,109 --> 01:31:55,844
[ WOMEN CHEERING ]

2059
01:31:55,844 --> 01:31:58,714
WAS IT GOOD TO YOU?

2060
01:32:00,082 --> 01:32:05,087
WELL, JUST SO YOU KNOW,
MY NAME IS ROME.

2061
01:32:05,087 --> 01:32:07,422
[ WOMEN CHEERING ]

2062
01:32:07,422 --> 01:32:09,725
I'M GONNA BE YOUR M.C. TONIGHT.

2063
01:32:09,725 --> 01:32:14,229
NOW, LADIES, DO YOU MIND
IF I REFER TO YOU ALL AS QUEENS?

2064
01:32:14,229 --> 01:32:16,031
[ WOMEN CHEERING ]

2065
01:32:16,031 --> 01:32:18,801
'CAUSE EVERY LAST ONE OF YOU
UP IN HERE IS A QUEEN,

2066
01:32:18,801 --> 01:32:21,369
AND DON'T YOU EVER FORGET IT!

2067
01:32:21,369 --> 01:32:24,272
[ WOMEN CHEERING ]

2068
01:32:24,272 --> 01:32:29,878
NOW, WITH THAT BEING SAID,
ARE YOU READY TO BE WORSHIPPED?

2069
01:32:29,878 --> 01:32:31,947
[ WOMEN CHEERING ]

2070
01:32:31,947 --> 01:32:35,217
ARE YOU READY TO BE EXALTED?

2071
01:32:35,217 --> 01:32:37,920
[ WOMEN CHEERING ]

2072
01:32:37,920 --> 01:32:41,790
ARE YOU READY TO MEET
A SPECIAL KIND OF BEAST

2073
01:32:41,790 --> 01:32:44,693
THAT CAN BRING
ALL THE BEAUTY OUT IN YOU?

2074
01:32:44,693 --> 01:32:46,929
[ WOMEN CHEERING ]

2075
01:32:48,597 --> 01:32:53,535
WELL, WITHOUT FURTHER ADO, WE
HAVE OUR FIRST KING TONIGHT --

2076
01:32:53,535 --> 01:32:54,770
TARZAN.

2077
01:32:54,770 --> 01:32:57,873
[ CHEERS AND APPLAUSE ]

2078
01:32:57,873 --> 01:33:00,609
[ DRAMATIC MUSIC PLAYS ]

2079
01:33:15,090 --> 01:33:16,458
[ LAUGHS ]

2080
01:33:16,458 --> 01:33:19,361
[ MAN SINGING OPERATICALLY ]

2081
01:33:19,361 --> 01:33:21,363
[ CHEERING CONTINUES ]

2082
01:33:21,363 --> 01:33:23,598
[ LAUGHING ]

2083
01:33:44,853 --> 01:33:47,956
[ CHEERING CONTINUES ]

2084
01:33:57,432 --> 01:33:59,768
[ MUSIC ENDS ]

2085
01:34:04,707 --> 01:34:07,075
I DON'T KNOW ABOUT YOU, QUEENS,

2086
01:34:07,075 --> 01:34:11,079
BUT I'D LET THAT BEAST THROW
WHATEVER HE WANTED ON ME

2087
01:34:11,079 --> 01:34:12,414
ANY DAY.

2088
01:34:12,414 --> 01:34:15,818
[ WOMEN CHEERING ]

2089
01:34:15,818 --> 01:34:20,288
YOU KNOW HOW THE ALCHEMY OF
OPPOSITES CAN BE SO SATISFYING?

2090
01:34:20,288 --> 01:34:22,524
[ WOMEN CHEERING ]

2091
01:34:22,524 --> 01:34:25,861
YOU HAVE A LITTLE BIT OF COLD
WITH A LITTLE BIT OF HOT.

2092
01:34:25,861 --> 01:34:27,562
[ WOMEN CHEERING ]

2093
01:34:27,562 --> 01:34:31,399
YOU HAVE A LITTLE BIT OF YES
WITH A LITTLE BIT OF NO.

2094
01:34:31,399 --> 01:34:34,469
[ WOMEN CHEERING ]

2095
01:34:34,469 --> 01:34:38,540
AND YOU KNOW HOW WE LIKE OUR
KINGS TO BE REALLY, REALLY SWEET

2096
01:34:38,540 --> 01:34:42,244
AND REALLY, REALLY HARD
ALL AT THE SAME TIME.

2097
01:34:42,244 --> 01:34:44,379
[ WOMEN CHEERING ]

2098
01:34:44,379 --> 01:34:45,480
YES, LORD.

2099
01:34:45,480 --> 01:34:47,182
[ MID-TEMPO INTRODUCTION PLAYS ]

2100
01:34:47,182 --> 01:34:51,353
I INTRODUCE TO YOU
OUR CANDY KING -- TITO!

2101
01:34:51,353 --> 01:34:54,522
[ CHEERS AND APPLAUSE ]
50 Cent: YEAH.

2102
01:34:54,522 --> 01:34:57,259
UH-HUH.

2103
01:34:57,259 --> 01:34:59,194
SO SEDUCTIVE.

2104
01:34:59,194 --> 01:35:01,229
* I'LL TAKE YOU
TO THE CANDY SHOP *

2105
01:35:01,229 --> 01:35:04,132
* I'LL LET YOU LICK
THE LOLLIPOP *

2106
01:35:04,132 --> 01:35:06,701
* GO AHEAD, GIRL,
DON'T YOU STOP *

2107
01:35:06,701 --> 01:35:08,503
* KEEP GOIN'
TILL YOU HIT THE SPOT *

2108
01:35:08,503 --> 01:35:11,373
* WHOA! * Olivia: * I'LL
TAKE YOU TO THE CANDY SHOP *

2109
01:35:11,373 --> 01:35:13,976
* BOY,
ONE TASTE OF WHAT I GOT *

2110
01:35:13,976 --> 01:35:16,244
* I'LL HAVE YOU SPENDING
ALL YOU GOT *

2111
01:35:16,244 --> 01:35:18,280
* KEEP GOIN'
TILL YOU HIT THE SPOT *

2112
01:35:18,280 --> 01:35:20,048
WHOA!
* YOU CAN HAVE IT YOUR WAY *

2113
01:35:20,048 --> 01:35:21,683
* HOW DO YOU WANT IT? *

2114
01:35:21,683 --> 01:35:24,519
* YOU GONNA BACK THAT THING UP
OR SHOULD I PUSH UP ON IT? *

2115
01:35:24,519 --> 01:35:25,821
* TEMPERATURE RISING *

2116
01:35:25,821 --> 01:35:27,322
* OKAY,
LET'S GO TO THE NEXT LEVEL *

2117
01:35:27,322 --> 01:35:29,424
* DANCE FLOOR JAM-PACKED,
HOT AS A TEA KETTLE *

2118
01:35:29,424 --> 01:35:32,027
* I'LL BREAK IT DOWN FOR YOU
NOW, BABY -- IT'S SIMPLE *

2119
01:35:32,027 --> 01:35:34,462
* IF YOU BE A NYMPHO,
I'LL BE A NYMPHO *

2120
01:35:34,462 --> 01:35:36,664
* IN THE HOTEL
OR IN THE BACK OF THE RENTAL *

2121
01:35:36,664 --> 01:35:39,234
* ON THE BEACH OR IN THE PARK,
IT'S WHATEVER YOU'RE INTO *

2122
01:35:39,234 --> 01:35:41,369
* GOT THE MAGIC STICK,
I'M THE LOVE DOCTOR *

2123
01:35:41,369 --> 01:35:44,072
* HAVE YOUR FRIENDS TEASING YOU
ABOUT HOW SPRUNG I GOT YOU *

2124
01:35:44,072 --> 01:35:45,673
* WANNA SHOW ME YOU CAN WORK IT,
BABY? *

2125
01:35:45,673 --> 01:35:47,075
* NO PROBLEM,
GET ON TOP *

2126
01:35:47,075 --> 01:35:49,011
* WHERE WE DO *
* AND WHERE WE DO *

2127
01:35:49,011 --> 01:35:51,013
* THE THINGS WE DO *
* THINGS WE DO *

2128
01:35:51,013 --> 01:35:54,116
* ARE JUST BETWEEN ME AND YOU *
* OH, YEAH *

2129
01:35:54,116 --> 01:35:56,151
* GIVE IT TO ME, BABY,
NICE AND SLOW *

2130
01:35:56,151 --> 01:35:58,420
* CLIMB ON TOP,
RIDE LIKE YOU'RE IN THE RODEO *

2131
01:35:58,420 --> 01:36:01,056
* YOU AIN'T NEVER HEARD A SOUND
LIKE THIS BEFORE *

2132
01:36:01,056 --> 01:36:02,858
* 'CAUSE I AIN'T NEVER PUT IT
DOWN LIKE THIS *

2133
01:36:02,858 --> 01:36:04,159
* SOON AS I COME THROUGH
THE DOOR *

2134
01:36:04,159 --> 01:36:05,693
* SHE GET TO PULLIN'
ON MY ZIPPER *

2135
01:36:05,693 --> 01:36:08,196
* IT'S LIKE IT'S A RACE
WHO CAN GET UNDRESSED QUICKER *

2136
01:36:08,196 --> 01:36:11,099
* ISN'T IT IRONIC HOW EROTIC
IT IS TO WATCH THEM THONGS? *

2137
01:36:11,099 --> 01:36:13,268
* HAVE ME THINKING ABOUT
THAT ASS AFTER I'M GONE *

2138
01:36:13,268 --> 01:36:15,437
* I TOUCH THE RIGHT SPOT
AT THE RIGHT TIME *

2139
01:36:15,437 --> 01:36:17,906
* LIGHTS ON OR LIGHTS OFF,
SHE LIKE IT FROM BEHIND *

2140
01:36:17,906 --> 01:36:19,207
* SO SEDUCTIVE *

2141
01:36:19,207 --> 01:36:20,675
* YOU SHOULD SEE THE WAY
SHE WINDS *

2142
01:36:20,675 --> 01:36:22,710
* HER HIPS IN SLO-MO
ON THE FLOOR WHEN WE GRIND *

2143
01:36:22,710 --> 01:36:25,147
* AS LONG AS SHE AIN'T STOPPIN',
HOMEY, I AIN'T STOPPIN' *

2144
01:36:25,147 --> 01:36:27,349
* DRIPPIN' WET WITH SWEAT, MAN,
IT'S ON AND POPPIN' *

2145
01:36:27,349 --> 01:36:30,352
* ON MY CHAMPAGNE CAMPAIGN,
BOTTLE AFTER BOTTLE, IT'S ON *

2146
01:36:30,352 --> 01:36:32,888
* AND WE GONNA SIP TILL EVERY
BUBBLE IN EVERY BOTTLE IS GONE *

2147
01:36:32,888 --> 01:36:34,890
* I'LL TAKE YOU
TO THE CANDY SHOP *

2148
01:36:34,890 --> 01:36:37,159
* I'LL LET YOU LICK
THE LOLLIPOP *

2149
01:36:37,159 --> 01:36:39,527
* GO AHEAD, GIRL,
DON'T YOU STOP *

2150
01:36:39,527 --> 01:36:41,696
* KEEP GOIN'
TILL YOU HIT THE SPOT *

2151
01:36:41,696 --> 01:36:43,131
WHOA!

2152
01:36:43,131 --> 01:36:45,800
[ CHEERS AND APPLAUSE ]

2153
01:36:47,002 --> 01:36:49,304
[ LAUGHTER ]

2154
01:36:55,643 --> 01:36:57,946
[ CHEERING CONTINUES ]

2155
01:37:01,850 --> 01:37:04,819
NOW, QUEENS,
WASN'T THAT A TASTY TREAT?

2156
01:37:04,819 --> 01:37:07,923
[ WOMEN CHEERING ]

2157
01:37:07,923 --> 01:37:10,358
NOW, QUEENS, YOU KNOW,
PAST THOSE CLOSED DOORS,

2158
01:37:10,358 --> 01:37:12,627
DON'T YOU GET TIRED OF EVERYBODY
TRYING TO TELL YOU

2159
01:37:12,627 --> 01:37:14,496
WHAT IS A "GOOD WOMAN"?

2160
01:37:14,496 --> 01:37:16,564
[ WOMEN CHEERING ]

2161
01:37:16,564 --> 01:37:20,202
HOW A GOOD WOMAN TALKS?
[ WOMEN CHEERING ]

2162
01:37:20,202 --> 01:37:22,737
HOW A GOOD WOMAN
SHOULD BE SEXED?

2163
01:37:22,737 --> 01:37:25,073
[ WOMEN CHEERING ]

2164
01:37:25,073 --> 01:37:27,943
SOMETIMES YOU JUST WANT SOMEBODY
TO ASK YOU WHAT YOU WANT

2165
01:37:27,943 --> 01:37:30,745
AND JUST GIVE IT TO YOU
JUST LIKE THAT.

2166
01:37:30,745 --> 01:37:32,780
[ WOMEN CHEERING ]

2167
01:37:32,780 --> 01:37:36,551
AND THEN WHISPER IN YOUR EAR...
"HOW DOES IT FEEL?"

2168
01:37:36,551 --> 01:37:38,753
[ WOMEN CHEERING ]

2169
01:37:38,753 --> 01:37:41,890
I GOT THE KING FOR YOU,
LADIES -- KING KEN!

2170
01:37:41,890 --> 01:37:44,459
[ CHEERS AND APPLAUSE ]

2171
01:37:47,362 --> 01:37:50,265
[ DOWN-TEMPO INTRODUCTION
PLAYS ]

2172
01:38:15,157 --> 01:38:18,193
* GIRL, IT'S ALL ON YOU *

2173
01:38:19,361 --> 01:38:22,430
* HAVE IT YOUR WAY *

2174
01:38:22,430 --> 01:38:28,803
* AND IF YOU WANT,
YOU CAN DECIDE *

2175
01:38:28,803 --> 01:38:35,310
* AND IF YOU'LL HAVE ME
I CAN PROVIDE *

2176
01:38:35,310 --> 01:38:38,313
* EVERYTHING THAT YOU DESIRE *

2177
01:38:38,313 --> 01:38:40,315
[ CHEERING CONTINUES ]

2178
01:38:40,315 --> 01:38:44,619
* IF YOU GET A FEELING *

2179
01:38:46,688 --> 01:38:53,328
* A FEELING THAT I'M FEELING,
BABY *

2180
01:38:53,328 --> 01:38:56,731
* WON'T YOU COME CLOSER *

2181
01:38:56,731 --> 01:38:58,266
* CLOSER *

2182
01:38:58,266 --> 01:39:01,469
* TO ME, BABY? *

2183
01:39:01,469 --> 01:39:07,475
* MM, NOW YOU ALREADY GOT ME
RIGHT WHERE YOU WANT ME, BABY *

2184
01:39:07,475 --> 01:39:12,981
* AND I,
I JUST WANT TO BE YOUR MAN *

2185
01:39:12,981 --> 01:39:15,883
* HOW DOES IT FEEL? *

2186
01:39:15,883 --> 01:39:19,087
* HOW DOES IT FEEL, BABY? *

2187
01:39:19,087 --> 01:39:22,124
* HOW DOES IT FEEL? *

2188
01:39:22,124 --> 01:39:25,460
* I WANT TO KNOW,
HOW DOES IT FEEL? *

2189
01:39:25,460 --> 01:39:28,663
* HOW DOES IT FEEL? *

2190
01:39:28,663 --> 01:39:32,100
* OH, OH *

2191
01:39:32,100 --> 01:39:34,569
* HOW DOES IT FEEL? *

2192
01:39:34,569 --> 01:39:38,406
* WANT TO KNOW,
HOW DOES IT FEEL, BABY? *

2193
01:39:38,406 --> 01:39:41,409
* HOW DOES IT FEEL? *

2194
01:39:41,409 --> 01:39:44,879
* LET ME TAKE OFF YOUR CLOTHES
AND I'LL... *

2195
01:39:44,879 --> 01:39:46,448
* I'LL, I'LL, I'LL *

2196
01:39:46,448 --> 01:39:51,119
* I'LL, I'LL, I'LL, I'LL *

2197
01:39:51,119 --> 01:39:52,987
* HOW DOES IT FEEL? *

2198
01:39:52,987 --> 01:39:56,724
* HOW DOES IT, HOW DOES IT *

2199
01:39:56,724 --> 01:40:01,029
* LET ME SHOW YOU
WHAT I'M TALKING ABOUT, BABY *

2200
01:40:01,029 --> 01:40:03,965
* HOW DOES IT FEEL, BABY? *

2201
01:40:03,965 --> 01:40:06,368
* YEAH, YEAH *

2202
01:40:06,368 --> 01:40:08,870
* HOW DOES IT FEEL, BABY? *

2203
01:40:08,870 --> 01:40:10,838
* YEAH, BABY *

2204
01:40:10,838 --> 01:40:12,907
[ CHEERING CONTINUES ]

2205
01:40:12,907 --> 01:40:18,146
* I WANT TO KNOW, HOW DOES,
HOW DOES IT FEEL? *

2206
01:40:18,146 --> 01:40:21,583
Andre: Y'ALL GIVE IT UP
FOR MY BOY KEN RIGHT NOW

2207
01:40:21,583 --> 01:40:24,986
WITH THE PIPES.

2208
01:40:24,986 --> 01:40:28,856
Y'ALL LADIES HEAR
THOSE HIGH NOTES?

2209
01:40:28,856 --> 01:40:30,658
BUT NOW TO A MORE SERIOUS
SUBJECT.

2210
01:40:30,658 --> 01:40:34,496
DEARLY BELOVED,
WE ARE GATHERED HERE

2211
01:40:34,496 --> 01:40:36,898
IN THE PRESENCE OF EVERY MALE
ENTERTAINER IN THE HEMISPHERE.

2212
01:40:36,898 --> 01:40:40,068
Y'ALL DO THIS EVERY YEAR,
AND EVERY YEAR YOU DO IT WELL.

2213
01:40:40,068 --> 01:40:41,903
[ WOMEN CHEERING ]
YOU DO IT WELL,

2214
01:40:41,903 --> 01:40:44,306
THAT HIDE-AND-SEEK,
THAT DON'T-GO-TELL...

2215
01:40:44,306 --> 01:40:46,741
IT'S OKAY.
YOU CAN TOUCH.

2216
01:40:46,741 --> 01:40:49,611
...THAT EVERY WOMAN IN THIS ROOM
DESERVES.

2217
01:40:49,611 --> 01:40:54,682
AND SIMPLY BECAUSE THERE ARE
SO MANY OF YOU AND SO FEW OF US,

2218
01:40:54,682 --> 01:40:57,385
THERE IS SOMETHING
WE SIMPLY CAN'T GIVE.

2219
01:40:57,385 --> 01:41:00,788
BUT... WE'RE GONNA TRY TO
TONIGHT.

2220
01:41:00,788 --> 01:41:03,558
[ CHEERS AND APPLAUSE ]

2221
01:41:03,558 --> 01:41:08,730
BECAUSE EVERYBODY DESERVES
JUST A LITTLE... COMMITMENT.

2222
01:41:08,730 --> 01:41:11,466
[ CHEERING CONTINUES ]

2223
01:41:11,466 --> 01:41:14,702
[ UP-TEMPO INTRODUCTION PLAYS ]

2224
01:41:23,611 --> 01:41:26,681
* WELL, IT'S A BEAUTIFUL NIGHT *

2225
01:41:26,681 --> 01:41:30,752
* LOOKING FOR SOMETHING DUMB
TO DO *

2226
01:41:30,752 --> 01:41:32,720
* HEY, BABY *

2227
01:41:32,720 --> 01:41:34,989
* I THINK I WANT TO MARRY YOU *

2228
01:41:34,989 --> 01:41:37,325
[ WOMEN CHEERING ]

2229
01:41:37,325 --> 01:41:40,362
* IS IT THE LOOK IN YOUR EYES *

2230
01:41:40,362 --> 01:41:44,098
* OR IS IT THIS DANCING JUICE? *

2231
01:41:44,098 --> 01:41:46,468
* WHO CARES, BABY? *

2232
01:41:46,468 --> 01:41:48,870
* I THINK I WANT TO MARRY YOU *

2233
01:41:50,472 --> 01:41:53,975
* WELL, I KNOW A LITTLE CHAPEL
BY THE BOULEVARD *

2234
01:41:53,975 --> 01:41:56,944
* THAT WE CAN GO *

2235
01:41:56,944 --> 01:41:59,747
* NO ONE WILL KNOW *

2236
01:42:00,915 --> 01:42:04,286
* COME ON, GIRL *

2237
01:42:04,286 --> 01:42:05,853
* WHO CARES IF WE'RE TRASHED? *

2238
01:42:05,853 --> 01:42:10,024
* GOT A POCKETFUL OF CASH
WE CAN BLOW *

2239
01:42:10,024 --> 01:42:13,995
* SHOTS OF PATRóN *

2240
01:42:13,995 --> 01:42:17,965
* AND IT'S ON, GIRL *

2241
01:42:17,965 --> 01:42:20,902
[ MID-TEMPO INTRODUCTION PLAYS ]

2242
01:42:20,902 --> 01:42:23,371
[ CHEERING CONTINUES ]

2243
01:42:39,120 --> 01:42:42,557
* YOU LET ME VIOLATE YOU *

2244
01:42:44,626 --> 01:42:48,196
* YOU LET ME DESECRATE YOU *

2245
01:42:50,164 --> 01:42:53,501
* YOU LET ME PENETRATE YOU *

2246
01:42:55,403 --> 01:42:58,673
* YOU LET ME COMPLICATE YOU *

2247
01:43:00,442 --> 01:43:01,576
* HELP ME *

2248
01:43:01,576 --> 01:43:05,747
* I BROKE APART MY INSIDES *

2249
01:43:05,747 --> 01:43:06,681
* HELP ME *

2250
01:43:06,681 --> 01:43:10,918
* I'VE GOT NO SOUL TO SELL *

2251
01:43:10,918 --> 01:43:12,387
* HELP ME *

2252
01:43:12,387 --> 01:43:16,358
* THE ONLY THING THAT WORKS
FOR ME *

2253
01:43:16,358 --> 01:43:19,394
* HELP ME GET AWAY FROM MYSELF *

2254
01:43:19,394 --> 01:43:23,265
* I WANT TO FUCK YOU
LIKE AN ANIMAL *

2255
01:43:23,265 --> 01:43:24,599
[ WOMEN CHEERING ]

2256
01:43:24,599 --> 01:43:30,037
* I WANT TO FEEL YOU
FROM THE INSIDE *

2257
01:43:30,037 --> 01:43:35,343
* I WANT TO FUCK YOU
LIKE AN ANIMAL *

2258
01:43:35,343 --> 01:43:39,314
* MY WHOLE EXISTENCE IS FLAWED *

2259
01:43:40,548 --> 01:43:44,652
* YOU GET ME CLOSER TO GOD *

2260
01:43:44,652 --> 01:43:47,655
[ MUSIC ENDS,
CHEERING CONTINUES ]

2261
01:43:56,831 --> 01:44:01,035
Rome:
MARRY ME! RAVAGE ME!

2262
01:44:01,035 --> 01:44:02,804
PLEASE!

2263
01:44:02,804 --> 01:44:04,572
WHAT?!

2264
01:44:04,572 --> 01:44:07,742
ALL RIGHT.
LET'S SETTLE DOWN, LADIES.

2265
01:44:07,742 --> 01:44:11,346
WE GOT SOME SERIOUS THINGS
TO TALK ABOUT RIGHT NOW!

2266
01:44:11,346 --> 01:44:14,215
[ WOMEN CHEERING ]

2267
01:44:14,215 --> 01:44:15,817
ALL RIGHT.

2268
01:44:15,817 --> 01:44:20,655
IS THERE ANYBODY UP IN HERE
THAT AIN'T ON BIRTH CONTROL?

2269
01:44:20,655 --> 01:44:22,724
[ WOMEN CHEERING ]
OH, NO.

2270
01:44:22,724 --> 01:44:24,792
I'M KEEPING IT REAL WITH YOU,
LADIES.

2271
01:44:24,792 --> 01:44:27,862
'CAUSE THERE'S ABOUT TO BE
SOME GROWN-WOMAN SHIT

2272
01:44:27,862 --> 01:44:30,365
UP IN HERE TONIGHT.

2273
01:44:30,365 --> 01:44:33,234
[ WOMEN CHEERING ]

2274
01:44:33,234 --> 01:44:34,869
SO IF YOU AIN'T
ON BIRTH CONTROL,

2275
01:44:34,869 --> 01:44:39,874
WE HAVE ILLUMINATED EXIT SIGNS
TO YOUR LEFT AND YOUR RIGHT.

2276
01:44:39,874 --> 01:44:41,008
ALL RIGHT?

2277
01:44:41,008 --> 01:44:44,712
BUT I'M LOOKING FOR
TWO GROWN-ASS WOMEN

2278
01:44:44,712 --> 01:44:47,849
TO DEAL WITH THESE GROWN-ASS MEN
COMING TO THE STAGE.

2279
01:44:47,849 --> 01:44:51,052
[ WOMEN CHEERING ]
WHAT?

2280
01:44:51,052 --> 01:44:52,720
UNH.

2281
01:44:52,720 --> 01:44:55,590
OH, HOLD UP, HOLD UP, HOLD UP,
HOLD UP, HOLD UP.

2282
01:44:55,590 --> 01:44:57,625
I SEE ME A BEAUTY QUEEN
RIGHT HERE.

2283
01:44:57,625 --> 01:45:01,128
ZOE.
I HEARD ABOUT YOU.

2284
01:45:01,128 --> 01:45:02,730
I HEARD YOU'RE REAL GROWN
WITH IT.

2285
01:45:02,730 --> 01:45:04,466
COME HERE.
GO. ZOE, GO. GO.

2286
01:45:04,466 --> 01:45:05,833
DON'T BE SCARED.

2287
01:45:05,833 --> 01:45:07,869
GIVE HER SOME ENCOURAGEMENT,
QUEENS.

2288
01:45:07,869 --> 01:45:10,104
[ WOMEN CHEERING ]
COME ON, LET'S NOT HATE.

2289
01:45:10,104 --> 01:45:13,140
I KNOW WE WISH IT WAS US
TONIGHT, BUT IT'S HER.

2290
01:45:13,140 --> 01:45:16,444
SHE'S THE LUCKY ONE.
SHE'S THE LUCKY ONE.

2291
01:45:16,444 --> 01:45:17,945
WHAT?

2292
01:45:17,945 --> 01:45:19,547
YEAH.

2293
01:45:20,582 --> 01:45:23,985
ALL RIGHT, BEAUTIFUL.
HAVE A SEAT.

2294
01:45:23,985 --> 01:45:25,219
DON'T WORRY.

2295
01:45:25,219 --> 01:45:27,889
YOU'RE GONNA BE
WELL TAKEN CARE OF, I PROMISE.

2296
01:45:27,889 --> 01:45:30,658
[ WOMEN CHEERING ]

2297
01:45:30,658 --> 01:45:33,495
THESE TWO DON'T NEED
AN INTRODUCTION.

2298
01:45:33,495 --> 01:45:35,730
[ CHEERS AND APPLAUSE ]

2299
01:45:37,599 --> 01:45:40,334
[ MID-TEMPO R&B PLAYS ]

2300
01:45:52,680 --> 01:45:56,183
* HERE WE ARE, ALL ALONE *

2301
01:45:56,183 --> 01:45:57,919
* YOU AND ME *

2302
01:45:57,919 --> 01:45:59,253
* PRIVACY *

2303
01:45:59,253 --> 01:46:01,523
* AND WE CAN DO ANYTHING *

2304
01:46:01,523 --> 01:46:03,658
* YOUR FANTASY *

2305
01:46:03,658 --> 01:46:08,329
* I WANNA MAKE YOUR DREAMS
COME TRUE *

2306
01:46:08,329 --> 01:46:09,731
* CAN YOU HEAR? *

2307
01:46:09,731 --> 01:46:11,633
* SHE'S CALLING ME *

2308
01:46:11,633 --> 01:46:14,436
* BETWEEN YOUR LEGS
LOUD AND CLEAR *

2309
01:46:14,436 --> 01:46:17,071
* I WANNA TALK BACK TO HER *

2310
01:46:17,071 --> 01:46:18,773
* MAKE LOVE TO HER *

2311
01:46:18,773 --> 01:46:22,043
* I WANNA HEAR YOU SCREAM
MY NAME *

2312
01:46:22,043 --> 01:46:24,345
* WE CAN MAKE LOVE
ON THE BEDROOM *

2313
01:46:24,345 --> 01:46:26,614
* FLOATING ON TOP
OF MY WATERBED *

2314
01:46:26,614 --> 01:46:28,049
* I'M KISSING YOU *

2315
01:46:28,049 --> 01:46:30,317
* RUNNING MY FINGERS
THROUGH YOUR HAIR *

2316
01:46:30,317 --> 01:46:31,719
* IN THE HALLWAY *

2317
01:46:31,719 --> 01:46:34,889
* MAKING LOVE AWAY
BESIDE THE STAIRS *

2318
01:46:34,889 --> 01:46:38,225
* WE CAN DO IT ANYWHERE **

2319
01:46:38,225 --> 01:46:42,497
* EARLY IN THE MORNINGS
WHEN I THINK ABOUT YOU *

2320
01:46:42,497 --> 01:46:43,831
* YEAH *

2321
01:46:43,831 --> 01:46:47,001
* I HIT YOU LIKE,
"WHAT YOU SAYIN'?" *

2322
01:46:47,001 --> 01:46:51,372
* IN THE MORNINGS
WHEN I WANNA... YOU *

2323
01:46:51,372 --> 01:46:52,707
* YEAH *

2324
01:46:52,707 --> 01:46:54,108
* I HIT YOU LIKE,
"WHAT YOU SAYIN'?" *

2325
01:46:54,108 --> 01:46:57,378
* I-I-I COULD... YOU
ALL THE TIME *

2326
01:46:57,378 --> 01:46:59,847
[ WOMEN CHEERING ]

2327
01:47:02,584 --> 01:47:07,489
* I-I-I-I-I COULD... YOU
ALL THE TIME *

2328
01:47:13,495 --> 01:47:15,630
* FACETIME WHEN I'M GONE *

2329
01:47:15,630 --> 01:47:17,832
* SHE GIVE ME DOME
FROM A DISTANCE *

2330
01:47:17,832 --> 01:47:20,101
* AND SHE LOVE TO CLIMB ON TOP *

2331
01:47:20,101 --> 01:47:23,404
* SHE LOVE TO WALK OFF
LIMPIN' **

2332
01:47:23,404 --> 01:47:25,840
[ CHEERING CONTINUES ]

2333
01:47:28,810 --> 01:47:34,015
* I-I-I-I-I COULD... YOU
ALL THE TIME **

2334
01:47:39,687 --> 01:47:41,589
[ MID-TEMPO INTRODUCTION PLAYS ]

2335
01:47:41,589 --> 01:47:44,058
[ WOMEN CHEERING ]

2336
01:47:46,594 --> 01:47:48,429
* COOKIE, COOKIE, COOKIE *

2337
01:47:48,429 --> 01:47:50,297
* I'M A COOKIE MONSTER *

2338
01:47:50,297 --> 01:47:51,533
* BREAK YOUR BACK *

2339
01:47:51,533 --> 01:47:54,301
* CRACK IT OPEN LIKE A LOBSTER *

2340
01:47:54,301 --> 01:47:55,837
* HEY *

2341
01:47:55,837 --> 01:47:57,238
* I KILL THE PUSSY *

2342
01:47:57,238 --> 01:47:59,373
* DIG A GRAVE *

2343
01:47:59,373 --> 01:48:03,344
* SHE GRAB THE WOOD
LIKE GRIPPIN' GRAIN *

2344
01:48:03,344 --> 01:48:06,548
* I TOLD HER PUT IT IN MY FACE *

2345
01:48:06,548 --> 01:48:08,516
* LET IT RAIN, LET IT RAIN *

2346
01:48:08,516 --> 01:48:09,984
* GIRL, I'VE GOT A SWEET TOOTH *

2347
01:48:09,984 --> 01:48:11,986
* AIN'T NOTHING SWEETER
THAN YOU *

2348
01:48:11,986 --> 01:48:15,456
* I'M'A EAT IT UP, BEAT IT UP
TILL YOU HOLLER OUT TRUCE *

2349
01:48:15,456 --> 01:48:19,093
* MY BED CAN BE YOUR STAGE,
AND I'M'A MAKE YOU A STAR *

2350
01:48:19,093 --> 01:48:20,795
* YOUR LEGS IN THE AIR
AND MY HANDS *

2351
01:48:20,795 --> 01:48:23,064
* ALL OFF UP IN
YOUR COOKIE JAR *

2352
01:48:23,064 --> 01:48:24,566
* LIKE, MM *

2353
01:48:24,566 --> 01:48:26,467
* LIKE AN OREO *

2354
01:48:26,467 --> 01:48:30,504
* I LOVE TO LICK THE MIDDLE
LIKE AN OREO *

2355
01:48:30,504 --> 01:48:34,041
* OREO, OREO, LIKE AN OREO *

2356
01:48:34,041 --> 01:48:37,612
* I WANNA BITE IT AND GET
INSIDE IT TILL I GET YOU GONE *

2357
01:48:37,612 --> 01:48:39,213
* YOU WANNA KNOW
HOW I GET DOWN? *

2358
01:48:39,213 --> 01:48:41,015
* YOU WANNA KNOW
HOW I GET DOWN? *

2359
01:48:41,015 --> 01:48:42,817
* YOU WONDER HOW I'M THE BEST *

2360
01:48:42,817 --> 01:48:44,752
* AND CAN DO ALL THIS
WITH MY MOUTH? *

2361
01:48:44,752 --> 01:48:46,353
* YOU WANNA KNOW
HOW I GET DOWN? *

2362
01:48:46,353 --> 01:48:48,455
* YOU WANNA KNOW
HOW I GET DOWN? *

2363
01:48:48,455 --> 01:48:50,091
* YOU WONDER HOW I'M THE BEST *

2364
01:48:50,091 --> 01:48:53,327
* AND CAN DO ALL THIS
WITH MY MOUTH? *

2365
01:48:53,327 --> 01:48:54,696
[ WOMEN CHEERING ]

2366
01:48:54,696 --> 01:48:56,931
* COOKIE MONSTER **

2367
01:48:59,300 --> 01:49:02,570
* ALL I DO IS WIN, WIN,
WIN NO MATTER WHAT *

2368
01:49:02,570 --> 01:49:03,971
* GOT MONEY ON MY MIND *

2369
01:49:03,971 --> 01:49:05,873
* I CAN NEVER GET ENOUGH *

2370
01:49:05,873 --> 01:49:07,174
* AND EVERY TIME I STEP
UP IN THE BUILDING... *

2371
01:49:07,174 --> 01:49:09,577
I SEE SOMEBODY
GOT THEIR SMILE BACK.

2372
01:49:09,577 --> 01:49:10,712
I DID.

2373
01:49:10,712 --> 01:49:11,946
[ LAUGHS ]

2374
01:49:11,946 --> 01:49:13,547
* AND THEY STAY THERE *

2375
01:49:13,547 --> 01:49:14,949
* AND THEY STAY THERE *

2376
01:49:14,949 --> 01:49:16,884
* AND THEY STAY THERE *

2377
01:49:16,884 --> 01:49:18,319
[ WOMEN CHEERING ]

2378
01:49:18,319 --> 01:49:21,555
* 'CAUSE ALL I DO IS WIN,
WIN, WIN *

2379
01:49:21,555 --> 01:49:24,692
* AND IF YOU GOIN' IN,
PUT YOUR HANDS IN THE AIR *

2380
01:49:24,692 --> 01:49:27,361
* MAKE 'EM STAY THERE *
* LUDACRIS GOIN' IN ON A VERSE *

2381
01:49:27,361 --> 01:49:29,030
* 'CAUSE I NEVER BEEN DEFEATED
AND I WON'T STOP NOW *

2382
01:49:29,030 --> 01:49:30,765
* KEEP YOUR HANDS UP,
GET 'EM IN THE SKY *

2383
01:49:30,765 --> 01:49:32,634
* FOR THE HOMIES THAT AIN'T MAKE
IT AND MY FOLKS LOCKED DOWN *

2384
01:49:32,634 --> 01:49:35,703
* I NEVER WENT NOWHERE,
BUT THEY SAYING LUDA'S BACK *

2385
01:49:35,703 --> 01:49:37,471
* BLAME IT ON THAT CONJURE *

2386
01:49:37,471 --> 01:49:38,840
* THE HOOD CALL IT LUDA-YAC *

2387
01:49:38,840 --> 01:49:40,574
* AND I'M ON
THIS FOOLISH TRACK *

2388
01:49:40,574 --> 01:49:42,243
* SO I SPIT MY FOOLISH FLOW *

2389
01:49:42,243 --> 01:49:45,279
* MY HANDS GO UP AND DOWN
LIKE STRIPPERS' BOOTIES GO *

2390
01:49:45,279 --> 01:49:48,683
* MY VERSES STILL BE SERVING,
TIGHT LIKE A MILLION VIRGINS *

2391
01:49:48,683 --> 01:49:50,117
* LAST TIME ON A KHALED REMIX *

2392
01:49:50,117 --> 01:49:51,686
* NOW I'M ON
THE ORIGINAL VERSION *

2393
01:49:51,686 --> 01:49:53,520
* CAN'T NEVER COUNT ME OUT *

2394
01:49:53,520 --> 01:49:54,956
* Y'ALL BETTER COUNT ME IN *

2395
01:49:54,956 --> 01:49:56,624
* GOT 20 BANK ACCOUNTS *

2396
01:49:56,624 --> 01:49:57,892
* ACCOUNTANTS COUNT ME IN *

2397
01:49:57,892 --> 01:49:59,593
* MAKE MILLIONS EVERY YEAR *

2398
01:49:59,593 --> 01:50:01,162
* THE SOUTH'S CHAMPION *

2399
01:50:01,162 --> 01:50:03,364
* 'CAUSE ALL I DO -- ALL I --
ALL I -- ALL I -- *

2400
01:50:03,364 --> 01:50:06,634
* ALL I DO IS WIN, WIN,
WIN NO MATTER WHAT *

2401
01:50:06,634 --> 01:50:08,035
* GOT MONEY ON MY MIND *

2402
01:50:08,035 --> 01:50:09,937
* I CAN NEVER GET ENOUGH *

2403
01:50:09,937 --> 01:50:12,606
* AND EVERY TIME I STEP
UP IN THE BUILDING *

2404
01:50:12,606 --> 01:50:15,943
* EVERYBODY HANDS GO UP *

2405
01:50:15,943 --> 01:50:17,511
* AND THEY STAY THERE *

2406
01:50:17,511 --> 01:50:19,413
* AND THEY STAY THERE *

2407
01:50:19,413 --> 01:50:21,582
* AND THEY STAY THERE *
* UP, DOWN, UP, DOWN *

2408
01:50:21,582 --> 01:50:22,884
* UP, DOWN *

2409
01:50:22,884 --> 01:50:25,519
* 'CAUSE ALL I DO IS WIN,
WIN, WIN *

2410
01:50:25,519 --> 01:50:29,290
* AND IF YOU GOIN' IN,
PUT YOUR HANDS IN THE AIR *

2411
01:50:29,290 --> 01:50:31,893
* ALL I DO IS WIN, WIN,
WIN NO MATTER WHAT *

2412
01:50:31,893 --> 01:50:33,494
* GOT MONEY ON MY MIND *

2413
01:50:33,494 --> 01:50:35,196
* I CAN NEVER GET ENOUGH *

2414
01:50:35,196 --> 01:50:37,665
* AND EVERY TIME I STEP
UP IN THE BUILDING *

2415
01:50:37,665 --> 01:50:41,135
* EVERYBODY HANDS GO UP *
[ FIREWORKS EXPLODING ]

2416
01:50:41,135 --> 01:50:42,670
* AND THEY STAY THERE *

2417
01:50:42,670 --> 01:50:44,305
* AND THEY STAY THERE *

2418
01:50:44,305 --> 01:50:46,908
* AND THEY STAY THERE *
* UP, DOWN, UP, DOWN *

2419
01:50:46,908 --> 01:50:48,209
* UP, DOWN *

2420
01:50:48,209 --> 01:50:51,145
* 'CAUSE ALL I DO IS WIN,
WIN, WIN *

2421
01:50:51,145 --> 01:50:54,481
* AND IF YOU GOIN' IN,
PUT YOUR HANDS IN THE AIR *

2422
01:50:54,481 --> 01:50:56,784
* MAKE 'EM, STAY THERE *

2423
01:50:59,220 --> 01:51:01,856
[ "PONY" PLAYS ]

2424
01:51:12,633 --> 01:51:15,737
* I'M JUST A BACHELOR *

2425
01:51:15,737 --> 01:51:18,472
* I'M LOOKING FOR A PARTNER *

2426
01:51:18,472 --> 01:51:22,243
* SOMEONE WHO KNOWS
HOW TO RIDE *

2427
01:51:22,243 --> 01:51:25,412
* WITHOUT EVEN FALLING OFF *

2428
01:51:25,412 --> 01:51:28,649
* GOT TO BE COMPATIBLE *

2429
01:51:28,649 --> 01:51:31,786
* TAKES TO MY LIMITS *

2430
01:51:31,786 --> 01:51:34,455
* GIRL, WHEN I BREAK YOU OFF *

2431
01:51:34,455 --> 01:51:37,624
* I PROMISE THAT YOU WON'T
WANT TO GET OFF *

2432
01:51:37,624 --> 01:51:39,360
* YOU'RE HORNY *

2433
01:51:39,360 --> 01:51:41,362
* LET'S DO IT *

2434
01:51:41,362 --> 01:51:42,764
* RIDE IT *

2435
01:51:42,764 --> 01:51:44,031
* MY PONY *

2436
01:51:44,031 --> 01:51:47,668
* MY SADDLE'S WAITING *

2437
01:51:47,668 --> 01:51:50,404
* COME AND JUMP ON IT *

2438
01:51:50,404 --> 01:51:52,073
* YOU'RE HORNY *

2439
01:51:52,073 --> 01:51:54,275
* LET'S DO IT *

2440
01:51:54,275 --> 01:51:55,476
* RIDE IT *

2441
01:51:55,476 --> 01:51:56,577
* MY PONY *

2442
01:51:56,577 --> 01:52:00,514
* MY SADDLE'S WAITING *

2443
01:52:00,514 --> 01:52:04,351
* COME AND JUMP ON IT *

2444
01:52:26,507 --> 01:52:28,810
[ SLOW INTRODUCTION PLAYS ]

2445
01:52:35,016 --> 01:52:41,055
* ALL RIGHT, COME CLOSE *

2446
01:52:41,055 --> 01:52:45,993
* LET ME SHOW YOU
EVERYTHING I KNOW *

2447
01:52:45,993 --> 01:52:51,232
* THE JUNGLE SLANG *

2448
01:52:51,232 --> 01:52:56,871
* SPINNING 'ROUND MY HEAD
AND I STARE *

2449
01:52:56,871 --> 01:53:01,608
* WHILE MY NAKED FOOL *

2450
01:53:01,608 --> 01:53:07,114
* FRESH OUT OF AN ICKY,
GOOEY WOMB *

2451
01:53:07,114 --> 01:53:12,319
* A WOOZY YOUTH *

2452
01:53:12,319 --> 01:53:17,724
* DOPES UPON HER SILKY SMOOTH
PERFUME *

2453
01:53:17,724 --> 01:53:20,561
* RIGHT, MY LITTLE POOH BEAR *

2454
01:53:20,561 --> 01:53:22,496
* WANNA TAKE A CHANCE? *

2455
01:53:22,496 --> 01:53:27,801
* WANNA SIP THE SMOOTH AIR,
KICK IT IN THE SAND *

2456
01:53:27,801 --> 01:53:33,474
* I'D SAY I TOLD YOU SO,
BUT YOU'RE JUST GONNA CRY *

2457
01:53:33,474 --> 01:53:38,545
* YOU JUST WANNA KNOW
THOSE PEANUT BUTTER VIBES *

2458
01:53:38,545 --> 01:53:43,784
* MY, MY SIMPLE SIR,
THIS AIN'T GONNA WORK *

2459
01:53:43,784 --> 01:53:49,256
* MIND MY WICKED WORDS
AND TIPSY-TOPSY SLURS *

2460
01:53:49,256 --> 01:53:51,725
* I CAN'T TAKE THIS PLACE *

2461
01:53:51,725 --> 01:53:54,395
* NO, I CAN'T TAKE THIS PLACE *

2462
01:53:54,395 --> 01:53:59,901
* I JUST WANNA GO
WHERE I CAN GET SOME SPACE *

2463
01:53:59,901 --> 01:54:04,771
* TRUTH BE TOLD *

2464
01:54:04,771 --> 01:54:09,843
* I'VE BEEN HERE,
I'VE DONE THIS ALL BEFORE *

2465
01:54:09,843 --> 01:54:15,049
* I TAKE YOUR GLOOM *

2466
01:54:15,049 --> 01:54:20,754
* I CURL IT UP
AND PUFF IT INTO PLUMES *

2467
01:54:20,754 --> 01:54:23,324
* RIGHT, MY LITTLE POOH BEAR *

2468
01:54:23,324 --> 01:54:25,726
* WANNA TAKE A CHANCE? *

2469
01:54:25,726 --> 01:54:30,797
* WANNA SIP THE SMOOTH AIR,
KICK IT IN THE SAND *

2470
01:54:30,797 --> 01:54:36,403
* I'D SAY I TOLD YOU SO,
BUT YOU'RE JUST GONNA CRY *

2471
01:54:36,403 --> 01:54:41,575
* YOU JUST WANNA KNOW
THOSE PEANUT BUTTER VIBES *

2472
01:54:41,575 --> 01:54:46,813
* MY, MY SIMPLE SIR,
THIS AIN'T GONNA WORK *

2473
01:54:46,813 --> 01:54:52,086
* MIND MY WICKED WORDS
AND TIPSY-TOPSY SLURS *

2474
01:54:52,086 --> 01:54:54,388
* I CAN'T TAKE THIS PLACE *

2475
01:54:54,388 --> 01:54:57,324
* NO, I CAN'T TAKE THIS PLACE *

2476
01:54:57,324 --> 01:55:04,131
* I JUST WANNA GO
WHERE I CAN GET SOME SPACE *

2476
01:55:05,305 --> 01:55:11,487
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