1 00:00:06,000 --> 00:00:12,074 Advertise your product or brand here contact www.OpenSubtitles.org today 2 00:01:17,840 --> 00:01:18,921 Two to the back, 3 00:01:19,080 --> 00:01:20,809 Two to the front with a single turn. 4 00:01:20,960 --> 00:01:26,330 two, two, two, and a turn and down. 5 00:01:27,000 --> 00:01:28,001 Two... 6 00:01:31,320 --> 00:01:33,084 two... 7 00:01:33,280 --> 00:01:34,725 and... 8 00:01:58,360 --> 00:02:00,522 One, two, three, four, 9 00:02:00,720 --> 00:02:03,121 five, six, seven, eight. 10 00:04:24,840 --> 00:04:27,366 Fifteen minutes till the third ballet of the evening: 11 00:04:27,520 --> 00:04:30,410 Jerome Robbins' Glass Pieces. 12 00:04:30,560 --> 00:04:32,847 Dancers to stage, please. 13 00:05:50,120 --> 00:05:52,691 Onstage call! 14 00:08:56,640 --> 00:08:57,971 - Sorry. - One, two, three. 15 00:08:58,120 --> 00:08:59,770 That was great. No, it was really... 16 00:08:59,920 --> 00:09:02,924 You know, you're doing the arms out and around. 17 00:09:03,080 --> 00:09:04,650 - Sorry. - But you know what? 18 00:09:04,800 --> 00:09:06,320 You make the mistakes look really good. 19 00:09:06,360 --> 00:09:09,011 I think we're gonna keep that. I like that. 20 00:09:09,360 --> 00:09:10,725 - Okay. - Out and around. 21 00:09:12,200 --> 00:09:13,720 I liked it the first time, 22 00:09:13,800 --> 00:09:17,521 but now I kind of miss the... after the turn... 23 00:09:18,000 --> 00:09:20,241 Okay, so the first one, I'll do, and the second one, no. 24 00:09:20,400 --> 00:09:22,767 Yeah. That's good. 25 00:09:23,120 --> 00:09:25,361 You know what it is? It's because here... 26 00:09:27,080 --> 00:09:29,082 I'm kind of in the middle of my legs. 27 00:09:29,240 --> 00:09:31,163 - Oh, okay. - I'm not... 28 00:09:31,320 --> 00:09:34,051 - You mean for this? - Yeah, that's why. 29 00:09:34,120 --> 00:09:35,531 Do you want to go... We can do the old way. 30 00:09:35,720 --> 00:09:37,484 I have to just work on it so that I... 31 00:09:38,000 --> 00:09:39,729 because I'm, like, really... 32 00:09:40,320 --> 00:09:41,321 What if... Yeah. 33 00:09:41,480 --> 00:09:43,369 What if you thought of it moving, like... 34 00:09:43,560 --> 00:09:45,210 Yeah, constantly forward? 35 00:09:45,360 --> 00:09:47,488 - Yeah. - Like, here... 36 00:09:48,160 --> 00:09:51,403 Start... I don't know, yeah. That's too much. 37 00:09:51,600 --> 00:09:52,761 Yeah. 38 00:09:52,920 --> 00:09:54,640 Or it doesn't even... I think you're over... 39 00:09:54,680 --> 00:09:56,682 Maybe you're thinking about it being, like, a full turn 40 00:09:56,840 --> 00:09:58,569 and it really should be more like... 41 00:10:00,480 --> 00:10:01,641 I think I was just trying... 42 00:10:01,800 --> 00:10:04,770 If I just keep it going from there... 43 00:10:04,920 --> 00:10:06,126 - Yeah, that's fine. - ls that okay? 44 00:10:06,280 --> 00:10:07,611 - Yeah. - Like, step, step. 45 00:10:07,760 --> 00:10:11,048 Yeah, because what I'm trying to do is here, and then I have to... 46 00:10:11,240 --> 00:10:13,891 I think that's cool. I don't think I've ever seen that, 47 00:10:14,400 --> 00:10:16,846 - which is good. - Yeah. 48 00:10:41,000 --> 00:10:43,287 - Good. - I was a little late. 49 00:10:43,600 --> 00:10:46,922 Just make sure this saute', 50 00:10:47,400 --> 00:10:50,131 after we do this turn, the fourth... 51 00:10:50,320 --> 00:10:51,924 - Justin. - Yeah. 52 00:10:52,080 --> 00:10:53,800 - Can we give her a five? - Oh, yeah. Sorry. 53 00:10:53,920 --> 00:10:55,046 Oh, that's fine. 54 00:10:55,200 --> 00:10:57,487 - It's just been an hour. - Yeah. 55 00:10:57,640 --> 00:10:59,881 - It's okay. Thanks. - So it's like the boys, Justin. 56 00:11:00,040 --> 00:11:01,560 - If we stay like this... - Yeah, yeah. 57 00:11:01,600 --> 00:11:02,761 It's like what you said to the boys. 58 00:11:02,880 --> 00:11:04,200 It's like a... It's a theme step. 59 00:11:04,280 --> 00:11:05,361 I understand, because it breaks up... 60 00:11:05,560 --> 00:11:06,800 It should always be, like, sometimes Amar, 61 00:11:06,960 --> 00:11:09,360 he gets a little tired at... you know, after the pas de deux, 62 00:11:09,520 --> 00:11:12,967 when he finishes here... 63 00:11:13,120 --> 00:11:14,201 Oh, yeah. 64 00:11:14,400 --> 00:11:16,050 And he brisées to there, 65 00:11:16,200 --> 00:11:17,725 sometimes he gets really, like, 66 00:11:17,880 --> 00:11:20,406 loose in his arms, so keep an eye on him. 67 00:11:20,560 --> 00:11:23,040 Okay. I'll keep my eye on Amar. 68 00:11:23,240 --> 00:11:25,163 I will, most definitely. 69 00:11:25,320 --> 00:11:26,560 Okay, I'm gonna get some water. 70 00:11:26,600 --> 00:11:28,648 Cameron, bravo! 71 00:12:05,600 --> 00:12:08,126 I just heard him say, "One, two, three, four, five, six. 72 00:12:08,280 --> 00:12:09,884 One, two, three, four, five, six, seven, eight." 73 00:12:10,080 --> 00:12:11,366 Oh, he did? Oh, okay. 74 00:12:11,520 --> 00:12:12,681 I was just counting slow. 75 00:12:12,840 --> 00:12:14,330 Okay. I'll count slow. 76 00:12:14,480 --> 00:12:15,606 So you just count it as an eight. 77 00:12:15,760 --> 00:12:17,444 - Yeah. - A slow eight. Okay. 78 00:12:20,480 --> 00:12:21,811 I want you to turn. 79 00:12:21,960 --> 00:12:24,008 Maybe if you kept her on her leg. 80 00:12:24,160 --> 00:12:25,764 So if you came back 81 00:12:25,920 --> 00:12:27,490 and you came up, 82 00:12:27,680 --> 00:12:30,331 sous-sous, and then turned her somehow. 83 00:12:30,520 --> 00:12:32,170 - Okay. - I don't know. 84 00:12:36,840 --> 00:12:38,080 Sorry. 85 00:12:40,680 --> 00:12:41,841 Sorry. 86 00:12:42,680 --> 00:12:44,091 He kept me on the side of him. 87 00:12:44,280 --> 00:12:45,520 - On the side? - Yeah. 88 00:12:45,680 --> 00:12:47,569 - Of this side or that side? - That side. 89 00:12:54,200 --> 00:12:56,043 Forget it. Go... 90 00:12:58,240 --> 00:13:01,130 ...up ...dip. 91 00:13:01,280 --> 00:13:06,286 Bring the leg up through to extend out. 92 00:13:07,320 --> 00:13:10,244 For you. So you'll go back. You're in fifth. 93 00:13:10,440 --> 00:13:13,489 Bring the right leg up through passe', and then step out. 94 00:13:14,120 --> 00:13:15,121 That's it. 95 00:13:15,280 --> 00:13:16,441 Okay. 96 00:13:21,400 --> 00:13:22,890 One, two, three, four, five, six. 97 00:14:17,680 --> 00:14:19,330 Ah! 98 00:14:19,480 --> 00:14:20,606 Close. That was good, though. 99 00:14:20,720 --> 00:14:22,165 It's almost like you need one more step, huh? 100 00:14:22,320 --> 00:14:23,924 - Yeah. - You need one more step, 101 00:14:24,080 --> 00:14:25,161 do you think? 102 00:14:25,520 --> 00:14:27,840 I think what it is, too, I have to have distance. 103 00:14:27,880 --> 00:14:29,450 - Yeah. - If I'm too close to you 104 00:14:29,560 --> 00:14:32,530 when I kick my leg, I don't... I won't ever get flat. 105 00:14:32,680 --> 00:14:33,727 Like, I almost have to give him my... 106 00:14:33,880 --> 00:14:34,881 Yeah. 107 00:14:35,000 --> 00:14:36,200 I have to be a little further. 108 00:14:36,240 --> 00:14:37,366 Or maybe I can move back. 109 00:14:37,480 --> 00:14:38,811 Or something. Yeah. 110 00:14:38,880 --> 00:14:40,484 - You can always adjust. - Yeah. I'll pull back. 111 00:14:40,600 --> 00:14:41,806 - It's totally fine. - If I'm too... 112 00:14:41,920 --> 00:14:43,160 - Yeah, if I'm too close... - Let's try that. 113 00:14:43,240 --> 00:14:44,480 I'd rather be a little further. 114 00:14:44,520 --> 00:14:46,240 That was good, though, up until... I mean... 115 00:14:46,280 --> 00:14:48,282 The timing was great. It's very musical. 116 00:14:48,440 --> 00:14:50,681 - Cool. Can we try it from the... - I mean, do you want to try it? 117 00:14:50,840 --> 00:14:52,080 - Yeah, from the repeat? - Yeah. 118 00:14:52,240 --> 00:14:53,480 Yeah, let's... 119 00:14:53,600 --> 00:14:54,601 Cameron. 120 00:14:54,720 --> 00:14:56,840 Cam, we could do this with you, yeah, I think. 121 00:15:06,960 --> 00:15:08,371 Okay, Mike. That's good. 122 00:15:08,520 --> 00:15:10,329 Eric, we can do the ground row. 123 00:15:13,360 --> 00:15:15,010 Did you give spots their colors? 124 00:15:15,160 --> 00:15:19,085 I told Penny this morning 51/55 for the bridge, 125 00:15:19,200 --> 00:15:20,690 but I didn't say anything for the front, but... 126 00:15:20,840 --> 00:15:22,001 Good, because Thor is here outside. 127 00:15:22,080 --> 00:15:23,440 Okay. That'd be good. 128 00:15:23,560 --> 00:15:25,085 You want anything other than 51 and 55? 129 00:15:25,240 --> 00:15:26,605 Not now. 130 00:15:35,040 --> 00:15:39,045 I think both of them have to go towards soft just a little more. 131 00:15:42,320 --> 00:15:43,560 That's it. 132 00:15:46,760 --> 00:15:48,569 And the first one too. 133 00:15:50,880 --> 00:15:52,723 Are you good everywhere else? 134 00:15:53,440 --> 00:15:54,771 Yeah. 135 00:15:54,920 --> 00:15:56,365 That's it. 136 00:15:56,880 --> 00:15:57,881 Okay. Good. 137 00:16:02,480 --> 00:16:05,165 If you cued the music and not the dance, 138 00:16:05,360 --> 00:16:07,567 you'd have a lot of light cues. 139 00:16:07,720 --> 00:16:09,006 Yeah. Yeah, yeah. 140 00:16:09,160 --> 00:16:10,525 So... because there's just so many changes 141 00:16:10,680 --> 00:16:12,250 in dynamics and tempo and all of that, 142 00:16:12,400 --> 00:16:15,404 so we just want to be sure 143 00:16:15,560 --> 00:16:18,450 that we support what you're doing 144 00:16:18,600 --> 00:16:21,683 and not, sort of, overburden it 145 00:16:21,840 --> 00:16:25,367 with too many other metaphors, I guess. 146 00:16:25,800 --> 00:16:28,485 Yeah, and I think because there's already so much 147 00:16:28,640 --> 00:16:30,324 structurally with the choreography, 148 00:16:30,480 --> 00:16:32,960 I think it's okay for that to kind of, like, 149 00:16:33,120 --> 00:16:35,771 stand on its own in certain cases. 150 00:16:36,480 --> 00:16:38,244 It's hard for me to picture in my head, 151 00:16:38,400 --> 00:16:40,448 because sometimes I'll, like, 152 00:16:42,240 --> 00:16:44,527 talk about sort of lighting aspects, 153 00:16:44,680 --> 00:16:48,526 and in my head, it's much more extreme than I think. 154 00:16:48,680 --> 00:16:51,490 And then we get... You know, we get down there, 155 00:16:51,640 --> 00:16:55,804 and it's, like, ten percent of what I thought it would be... 156 00:16:55,960 --> 00:16:57,610 in a good way, you know what I mean? 157 00:16:57,760 --> 00:17:00,001 Like, I'm like, "Oh, that's actually really nice, 158 00:17:00,200 --> 00:17:03,010 andifs, Hke, it enhances everything, 159 00:17:03,160 --> 00:17:05,970 and it's not like, an obvious thing," so... 160 00:17:06,520 --> 00:17:08,648 It's how far do we push those moments 161 00:17:08,840 --> 00:17:14,324 of narrative into a story with the light? 162 00:17:14,480 --> 00:17:16,369 - I see what you mean. - And that's one of the things... 163 00:17:16,520 --> 00:17:18,010 And we don't have to answer that right now. 164 00:17:18,160 --> 00:17:19,889 It's just things for us to think and talk about. 165 00:17:20,040 --> 00:17:21,371 Yeah. 166 00:17:23,120 --> 00:17:25,881 Where are the... Actually, where are we with the pas de trois? 167 00:17:26,000 --> 00:17:28,526 Okay. That's fine. 168 00:17:29,560 --> 00:17:33,406 I want to place you guys, but I'm not sure where yet. 169 00:17:42,520 --> 00:17:43,521 Yeah. 170 00:17:50,080 --> 00:17:51,081 Yeah. 171 00:17:56,880 --> 00:17:59,008 - I like lower than... - We've noticed. 172 00:17:59,160 --> 00:18:01,845 Just because I feel like I don't have, like, 173 00:18:02,000 --> 00:18:04,287 such a long neck, so the more things come up, 174 00:18:04,440 --> 00:18:05,646 I feel like it... 175 00:18:05,800 --> 00:18:07,370 - Short, like, makes you... - Yeah. 176 00:18:07,560 --> 00:18:09,085 - Okay. - Then how do you feel about, like, 177 00:18:09,240 --> 00:18:11,049 where things are cut here on you? 178 00:18:11,200 --> 00:18:12,804 - Doesn't matter? - Whatever. Yeah. 179 00:18:12,960 --> 00:18:14,883 Like, old-fashioned bathing suit cut 180 00:18:15,040 --> 00:18:16,565 is something that we're talking about. 181 00:18:16,720 --> 00:18:19,166 - Oh. - Romper. 182 00:18:19,400 --> 00:18:22,210 I love rompers. I wear them all the time. 183 00:18:22,360 --> 00:18:23,930 Daily. 184 00:18:24,600 --> 00:18:25,601 Um... 185 00:18:25,760 --> 00:18:27,762 What other things were we thinking about for her? 186 00:18:27,960 --> 00:18:29,962 Just as long as my legs don't look short. 187 00:18:30,120 --> 00:18:31,804 No, no, no. 188 00:18:32,000 --> 00:18:33,923 We'll give you a high waist or something. 189 00:18:34,080 --> 00:18:36,811 - Yes. - We'll make you look so long. 190 00:18:37,000 --> 00:18:38,001 Um... 191 00:18:38,200 --> 00:18:39,531 And then as far as... 192 00:18:39,720 --> 00:18:41,324 How do you feel about... 193 00:18:41,480 --> 00:18:43,608 I don't know if this matters; I'm not a dancer, but... 194 00:18:43,760 --> 00:18:46,240 dancing with something that's kind of loose? 195 00:18:46,400 --> 00:18:47,526 - A sash. - A sash. 196 00:18:47,680 --> 00:18:49,125 So it'll move around. 197 00:18:49,280 --> 00:18:51,089 We can always try it, and if it doesn't... 198 00:18:51,240 --> 00:18:52,571 I don't have anything against it. 199 00:18:52,720 --> 00:18:55,246 - Okay. - You know, if it... Maybe the boys 200 00:18:55,440 --> 00:18:57,010 will say something with partnering. 201 00:18:57,160 --> 00:18:58,491 - Right. - But for me, I'm... 202 00:18:58,640 --> 00:18:59,971 - You're okay. - I'm okay with it. 203 00:19:00,120 --> 00:19:01,167 - Okay. - Yeah. 204 00:19:01,280 --> 00:19:02,327 Okay. 205 00:21:53,160 --> 00:21:54,321 Okay. 206 00:21:54,480 --> 00:21:57,450 - Justin, I just have one question. - Yeah. 207 00:21:57,600 --> 00:21:59,125 You know, when we bourrée back for the girls, 208 00:21:59,280 --> 00:22:00,327 we're bourréeing back... 209 00:22:00,480 --> 00:22:01,970 they don't know if they should finish here... 210 00:22:02,120 --> 00:22:03,201 Because, you see, some finish here, 211 00:22:03,360 --> 00:22:04,566 as the original step you gave, 212 00:22:04,760 --> 00:22:06,922 and some are already going parallel, 213 00:22:07,080 --> 00:22:08,081 so should we just... 214 00:22:08,240 --> 00:22:09,844 Oh. No, they should finish it out. 215 00:22:10,000 --> 00:22:11,411 Girls, right? Okay? 216 00:22:11,600 --> 00:22:13,602 Because some people are going parallel already 217 00:22:13,760 --> 00:22:16,001 because you see the boys coming there without finishing. 218 00:22:16,160 --> 00:22:17,241 Just finish it out. 219 00:22:17,440 --> 00:22:18,646 Don't let the boys make you nervous. 220 00:22:18,800 --> 00:22:20,450 - Totally. - Okay. 221 00:22:22,840 --> 00:22:24,604 As far as the pointe shoes go, 222 00:22:24,760 --> 00:22:26,440 would you want them to, like, pancake nude, 223 00:22:26,520 --> 00:22:28,682 or do you want to keep, like, City Ballet... 224 00:22:28,840 --> 00:22:30,410 - Well, it's up to you. - Freed pink? 225 00:22:30,520 --> 00:22:32,720 - What do you want? - We didn't... 226 00:22:32,840 --> 00:22:34,960 We could talk to the girls and see what they want too. 227 00:22:35,080 --> 00:22:36,720 They can... I mean, they'll do whatever... 228 00:22:36,800 --> 00:22:39,451 I mean, whatever we want. I mean, there's all sorts of ballets 229 00:22:39,600 --> 00:22:41,682 where they have to alter the shoe color, 230 00:22:41,880 --> 00:22:43,882 so it's not an issue. 231 00:22:44,040 --> 00:22:45,246 Great. 232 00:22:45,520 --> 00:22:49,127 And we really, initially, wanted texture in knits, 233 00:22:49,280 --> 00:22:51,248 but we realized that dancers 234 00:22:51,400 --> 00:22:56,406 probably don't want to wear, like, hot cashmere. 235 00:22:56,600 --> 00:22:58,011 Cashmere! 236 00:22:58,160 --> 00:23:00,561 I mean, we're used to wearing really hot, 237 00:23:00,720 --> 00:23:02,165 uncomfortable costumes, 238 00:23:02,320 --> 00:23:04,402 and this will be nothing compared to some... 239 00:23:04,560 --> 00:23:07,530 Like, we wear Firebird monster costumes. 240 00:23:07,680 --> 00:23:08,761 - I love them. - Yeah. 241 00:23:08,920 --> 00:23:10,001 Yeah, and they're great, 242 00:23:10,200 --> 00:23:11,850 but they're not fun to wear. 243 00:23:12,000 --> 00:23:14,970 - But we still wear them, so... - Okay. 244 00:23:15,160 --> 00:23:17,766 So if you really like that, then stick with it. 245 00:25:11,440 --> 00:25:16,401 Five, six. Two, two, three, four, five, six. 246 00:25:16,560 --> 00:25:19,848 Three, two, three, four, five, six. 247 00:25:20,000 --> 00:25:24,050 Four, two, three, four, five, six. 248 00:25:24,200 --> 00:25:27,647 Five, two, three, four, five, six. 249 00:25:27,800 --> 00:25:32,488 Six, two, three, four, five, six. 250 00:25:32,640 --> 00:25:35,564 One, two, three, one... 251 00:25:35,760 --> 00:25:37,205 See? There is a one-two-three. 252 00:25:37,360 --> 00:25:39,010 Well, the one-two-three was a silent, 253 00:25:39,160 --> 00:25:40,960 but if you want it on that, it can be on that. 254 00:25:41,080 --> 00:25:42,889 I thought the one... the silent one-two-three, 255 00:25:43,040 --> 00:25:44,530 we're going to this. 256 00:25:44,680 --> 00:25:46,800 His six that he's counting is our sixth six. 257 00:25:46,880 --> 00:25:48,769 - Let's just do our sixth six. - It's four, five, six. 258 00:25:48,920 --> 00:25:50,840 - One, two, three, I think. - Two or three. Yeah. 259 00:25:50,920 --> 00:25:52,649 - Okay. - Okay. Cool. 260 00:25:52,800 --> 00:25:54,768 So we'll count the six and go on the silent one-two-three and go. 261 00:25:54,920 --> 00:25:56,922 Okay. Last six. 262 00:26:09,480 --> 00:26:11,164 Okay. Good. 263 00:26:12,120 --> 00:26:16,011 And can you each just support his back? 264 00:26:17,160 --> 00:26:19,970 If we both did maybe, like, a fourth. 265 00:26:20,120 --> 00:26:22,327 We can just try that. And go! 266 00:26:24,160 --> 00:26:26,322 - Oh, God. - I know. I'm heavy. 267 00:26:26,520 --> 00:26:28,360 No, it's just because he ends up going sideways 268 00:26:28,480 --> 00:26:30,642 - and we're trying to do it... - Oh, do you want me to go to you? 269 00:26:30,800 --> 00:26:32,086 - Yeah, you need to... - Go to Sterling. 270 00:26:32,280 --> 00:26:34,040 - That's fine. I didn't know. - Okay. 271 00:26:36,240 --> 00:26:37,685 You can come a little more to me. 272 00:26:37,840 --> 00:26:39,569 - I'm scared now. - Just don't be flat. 273 00:26:39,760 --> 00:26:42,286 - Can you split the difference? - Split the difference. Okay. 274 00:26:45,400 --> 00:26:46,481 - Perfect. - Got you. 275 00:26:46,640 --> 00:26:48,165 - That's great. - Wow, ladies! 276 00:26:48,320 --> 00:26:49,924 Let's try that. 277 00:26:50,720 --> 00:26:52,165 Okay, let's do... I think we should 278 00:26:52,320 --> 00:26:54,209 run the finale step, since that's brand-new. 279 00:26:54,360 --> 00:26:55,725 What do we think? 280 00:26:55,920 --> 00:26:57,360 Let's go over it. Let's hear it once. 281 00:26:57,520 --> 00:26:58,646 Let's hear it once. 282 00:26:58,840 --> 00:27:00,126 And... 283 00:27:00,320 --> 00:27:03,688 One, two, three, four, five, six. One, two, three, four. 284 00:27:09,840 --> 00:27:13,128 One, two, three, four, five, six. One, two. 285 00:27:14,880 --> 00:27:16,006 Stop. 286 00:27:16,160 --> 00:27:17,924 Yes! Yes! 287 00:27:18,080 --> 00:27:21,687 Sterling... She did it. She's got it. 288 00:27:21,840 --> 00:27:23,365 Sorry. 289 00:27:23,520 --> 00:27:27,081 It needs to be... It's not, like, crispy enough. 290 00:27:27,280 --> 00:27:30,250 - Crispier? - Crispier, okay? Same thing. 291 00:27:35,000 --> 00:27:37,651 One, two, three, four, five, six, seven. 292 00:27:37,840 --> 00:27:40,844 One, two, three, four, five, six, seven, eight. 293 00:27:41,000 --> 00:27:43,287 One, two, three, four, five... 294 00:28:04,080 --> 00:28:05,889 Okay. Three and... 295 00:28:14,480 --> 00:28:15,891 That's it! Good. 296 00:29:01,360 --> 00:29:02,885 Good! Good! 297 00:29:56,600 --> 00:29:59,604 That was very, very, very good. That was very good. 298 00:30:00,160 --> 00:30:02,208 That's what I'm looking for. 299 00:30:03,640 --> 00:30:05,290 That's what I'm looking for. 300 00:30:09,440 --> 00:30:11,283 It's like the balance of these is off. 301 00:30:11,480 --> 00:30:12,527 Mm-hmm. 302 00:30:14,360 --> 00:30:16,360 It's not just a matter of pulling that part, is it? 303 00:30:16,480 --> 00:30:17,606 No. 304 00:30:17,760 --> 00:30:19,120 Yeah. I know what you mean, though. 305 00:30:19,240 --> 00:30:23,484 Because this is all just falling forward. 306 00:30:24,320 --> 00:30:27,290 And we want it to sit, like... 307 00:30:27,440 --> 00:30:28,771 - Like that. - More like that. 308 00:30:28,920 --> 00:30:29,967 That's better. 309 00:30:30,120 --> 00:30:33,124 So if you take the waistband off and remove some length here, 310 00:30:33,280 --> 00:30:35,203 would that, like, put a deeper curve? 311 00:30:35,360 --> 00:30:36,805 It would. Yeah. 312 00:30:36,960 --> 00:30:39,247 I mean, we basically know what we need to do to make it do that. 313 00:30:39,440 --> 00:30:40,521 - Mm-hmm. - Okay. 314 00:30:40,680 --> 00:30:43,570 We can't really do it right now, but it's a pretty easy alteration. 315 00:30:43,720 --> 00:30:45,529 I trust that the fit will resolve itself. 316 00:30:45,680 --> 00:30:48,126 But yeah. I like it very much. 317 00:30:50,520 --> 00:30:53,490 Are we worried about this fabric getting super pilly? 318 00:30:54,360 --> 00:30:55,521 Well... 319 00:30:56,360 --> 00:30:59,091 I mean, I like that it has texture. 320 00:30:59,240 --> 00:31:00,526 Right. 321 00:31:00,800 --> 00:31:02,564 Um... 322 00:31:03,200 --> 00:31:05,248 It may. Yes. 323 00:31:06,000 --> 00:31:08,367 But then that's what we also have a wardrobe department for. 324 00:31:08,520 --> 00:31:09,931 Wow. That's amazing. 325 00:31:20,360 --> 00:31:21,930 Stop! 326 00:31:22,960 --> 00:31:24,689 We need to do that again. 327 00:31:25,840 --> 00:31:29,447 Just, we're forgetting stuff, and I think... Joe's new. 328 00:31:29,600 --> 00:31:31,284 And, Apple, you still got late. 329 00:31:31,440 --> 00:31:32,930 - Sorry, Albert. - It's okay. 330 00:31:33,120 --> 00:31:36,886 Make the first lifts more efficient, okay? 331 00:31:37,080 --> 00:31:41,369 The first, like, when she's just in sixth or fifth or whatever, 332 00:31:41,520 --> 00:31:43,090 okay? 333 00:31:43,720 --> 00:31:47,122 Like, really contained, okay? 334 00:31:47,280 --> 00:31:49,248 You have to lift her up and lift her down. 335 00:31:49,400 --> 00:31:50,765 - Yeah. - Not just lift her up. 336 00:31:50,920 --> 00:31:53,002 Yeah, don't just drop her, okay? 337 00:31:53,360 --> 00:31:55,840 Pick her up, and put her down in a new spot. 338 00:31:58,360 --> 00:31:59,646 Okay. One more time. 339 00:32:27,560 --> 00:32:28,721 That's better. 340 00:32:40,160 --> 00:32:41,241 Good. 341 00:33:05,720 --> 00:33:07,529 The bump can be a little more dramatic. 342 00:33:07,680 --> 00:33:10,081 It's starting to lose its intensity. 343 00:33:14,520 --> 00:33:16,090 It's like they know it's coming now, you know? 344 00:33:16,240 --> 00:33:17,446 Mm-hmm. Mm-hmm. 345 00:33:20,080 --> 00:33:23,607 - Joe has to do tree-frog fingers... - Okay. 346 00:33:24,040 --> 00:33:25,929 Before the boys' dance starts. 347 00:33:37,560 --> 00:33:40,530 Ster, in that pirouette, it's a pancake moment. 348 00:33:40,680 --> 00:33:44,480 Yeah, Sterling and Amar, there's just always this weird... 349 00:33:44,640 --> 00:33:46,369 - Like, a pancake moment. - After you do here... 350 00:33:46,520 --> 00:33:48,090 I don't know what that is. 351 00:33:48,240 --> 00:33:49,651 It takes a moment to get out of it, for some reason. 352 00:33:49,840 --> 00:33:51,046 Because you're on one... on both legs? 353 00:33:51,200 --> 00:33:52,840 It shouldn't be, though. It's very simple. 354 00:33:53,400 --> 00:33:54,845 Well, pointe shoes are different. 355 00:33:58,000 --> 00:33:59,843 So wait, is it because I'm giving her too much force? 356 00:34:00,000 --> 00:34:02,002 - Is that what the problem is? - Maybe. I think maybe a little less. 357 00:34:02,160 --> 00:34:03,685 - Because I'm doing this. - Yeah. 358 00:34:04,120 --> 00:34:05,690 Maybe that's what it is. 359 00:34:05,840 --> 00:34:08,161 Why don't you soutenu and come down after? 360 00:34:08,440 --> 00:34:10,204 Whichever... whatever you want. 361 00:34:10,400 --> 00:34:11,526 What do you mean? 362 00:34:15,280 --> 00:34:16,770 Do you want... you want to come down before? 363 00:34:16,920 --> 00:34:17,921 Is that better? 364 00:34:20,000 --> 00:34:23,083 Let's do a normal soutenu. That was good. 365 00:34:23,240 --> 00:34:24,571 - Yeah. - That was nice. 366 00:34:24,720 --> 00:34:26,882 - Sometimes if I get too much... - Yeah, it can... 367 00:34:27,080 --> 00:34:28,680 I mean, I don't need very much. 368 00:34:28,720 --> 00:34:30,210 I know, you remember, you told me to do that, but... 369 00:34:30,360 --> 00:34:31,840 I think I just need some to get going. 370 00:34:31,920 --> 00:34:33,285 - Because I can do the rest. - Cool. Absolutely. 371 00:34:33,440 --> 00:34:34,960 Just because I'm in such a dead moment. 372 00:34:35,000 --> 00:34:36,843 - I'll, I'll... yup. - Okay. 373 00:34:37,000 --> 00:34:39,685 And, Joe, when you go to the floor for the... 374 00:34:39,840 --> 00:34:41,251 Can I see it? 375 00:34:41,600 --> 00:34:42,840 I'm doing that. 376 00:34:43,000 --> 00:34:44,161 More spread. 377 00:34:44,440 --> 00:34:46,249 Okay, you need to work on your finger flexibility. 378 00:34:46,400 --> 00:34:48,368 No, it's fine. 379 00:34:48,560 --> 00:34:49,766 Wait, do you want them, like, domed? 380 00:34:49,920 --> 00:34:51,649 - Is that what you're... - Maybe domed. 381 00:34:51,800 --> 00:34:53,086 No, don't dome them. 382 00:34:53,240 --> 00:34:54,605 It should be like... 383 00:34:55,640 --> 00:34:58,246 - Okay. - Oh. I see. 384 00:34:58,400 --> 00:34:59,640 Maybe like that, yeah. 385 00:34:59,800 --> 00:35:01,086 So they're splayed a little more. 386 00:35:01,280 --> 00:35:02,680 - Okay. - Yeah. That's good. 387 00:35:02,720 --> 00:35:04,927 - Okay. - Sterli... Sterl. 388 00:35:05,120 --> 00:35:06,884 Oh, she needs to do more with her back leg. 389 00:35:07,080 --> 00:35:09,447 Ster, we want to have you one more time in the grand jeté. 390 00:35:09,600 --> 00:35:10,647 Okay. 391 00:35:10,800 --> 00:35:12,440 In the grand jeté, the toss thing. 392 00:35:17,080 --> 00:35:18,920 I feel like you're a little late, just, like... 393 00:35:18,960 --> 00:35:20,371 - I feel like you're behind her. - Yeah. 394 00:35:20,520 --> 00:35:21,521 - Okay. - Yeah. 395 00:35:21,720 --> 00:35:24,644 I feel like she's already past you, and you can't get any... 396 00:35:24,800 --> 00:35:25,961 Okay. 397 00:35:28,480 --> 00:35:29,641 - That's better. - Oh, hey. 398 00:35:29,800 --> 00:35:30,926 - That was better. - Yeah. 399 00:35:31,080 --> 00:35:32,809 - I just need to travel with you. - She needs to be... 400 00:35:32,960 --> 00:35:34,769 If you think about her being almost slightly behind you 401 00:35:34,920 --> 00:35:37,280 - so you can really, like... - Can I try one more time? 402 00:35:41,320 --> 00:35:42,606 - Yeah! - That's great. 403 00:35:42,760 --> 00:35:43,886 - That's it. - Good. 404 00:35:48,880 --> 00:35:51,042 Iris 619 at half, please. 405 00:35:51,200 --> 00:35:52,804 670. 406 00:35:53,280 --> 00:35:56,443 No. Oops. 651 at 50. 407 00:35:56,600 --> 00:35:59,331 Come back to N1 once it's clear. 408 00:35:59,480 --> 00:36:03,405 No, you're fine. Just give me 370. Right. 409 00:36:04,800 --> 00:36:08,361 And update cue 12. Cue only. 410 00:36:10,200 --> 00:36:11,680 And stand by, bridge, 411 00:36:11,760 --> 00:36:13,649 to pick up the couple down right... 412 00:36:13,800 --> 00:36:14,847 or down left with cue ten. 413 00:36:15,000 --> 00:36:16,764 You'll come up to half minus. 414 00:36:17,160 --> 00:36:21,051 And then stand by, stage right, to switch our dancers here... 415 00:36:21,600 --> 00:36:23,967 or to switch our light walkers. 416 00:36:24,440 --> 00:36:27,011 If, by chance, sorry, before you start, 417 00:36:27,200 --> 00:36:29,089 that I don't have their marks... 418 00:36:29,240 --> 00:36:30,605 - Hold please, Katie. - Yup. 419 00:36:30,760 --> 00:36:33,604 If I don't have their marks slightly right, can that be adjusted? 420 00:36:33,760 --> 00:36:35,603 Like, I'm worried that they're gonna end up a little... 421 00:36:35,760 --> 00:36:36,921 - Oh, absolutely. - Okay. 422 00:36:37,080 --> 00:36:38,366 - Yeah. - That's not hard to fix. 423 00:36:38,520 --> 00:36:40,602 - Easy fix. - All right. 424 00:36:40,800 --> 00:36:42,040 Cool. All right. 425 00:36:42,200 --> 00:36:43,680 Bridge, stand by to pick up the couple 426 00:36:43,760 --> 00:36:45,410 with cue ten, half minus, 427 00:36:45,560 --> 00:36:48,928 and stand by, Penny, to switch the light walkers, please. 428 00:36:49,080 --> 00:36:51,811 All right, so applause, applause, applause. 429 00:36:51,960 --> 00:36:54,247 Light cue ten, go. 430 00:36:55,040 --> 00:36:56,405 So add some beginning applause. 431 00:36:56,560 --> 00:36:58,210 Bridge, slowly picking up the couple. 432 00:37:15,600 --> 00:37:17,045 So 16, go. 433 00:37:26,760 --> 00:37:28,285 And they're now moving. 434 00:37:31,800 --> 00:37:33,848 And the whole stage gets a little brighter 435 00:37:34,000 --> 00:37:35,445 and fuller at that point. 436 00:37:39,640 --> 00:37:42,530 Light cue 14, go. 437 00:37:44,160 --> 00:37:46,128 Another thing I was wondering... 438 00:37:46,800 --> 00:37:48,320 I don't know if this would be a bother, 439 00:37:48,400 --> 00:37:50,084 but because it's so high-waisted... 440 00:37:50,840 --> 00:37:52,171 Can, in the pattern of... 441 00:37:52,320 --> 00:37:54,402 Is this just a half circle? They're side seams. 442 00:37:54,560 --> 00:37:56,449 Okay, so this is... This is three pieces? 443 00:37:56,640 --> 00:37:57,641 It's one, two, and three? 444 00:37:57,760 --> 00:37:58,921 - Yes. - Okay. 445 00:37:59,080 --> 00:38:01,321 Can the sides be, like, shaped a little bit 446 00:38:01,480 --> 00:38:03,926 to give less fullness in the... 447 00:38:04,080 --> 00:38:05,411 - At the top? - At the top? 448 00:38:05,560 --> 00:38:07,040 And more flare? Absolutely. Of course. 449 00:38:07,400 --> 00:38:08,840 Yeah, because that way, we'll lose... 450 00:38:08,960 --> 00:38:10,644 When she twirls, it won't get so far away 451 00:38:10,800 --> 00:38:13,121 from her body here, but it will here. 452 00:38:13,280 --> 00:38:14,327 - Yeah. - Okay. 453 00:38:14,560 --> 00:38:15,925 Yeah, so it will just be slightly 454 00:38:16,080 --> 00:38:17,650 more angled and slightly shaped. 455 00:38:17,800 --> 00:38:19,848 Right, not just a straight line from the... right. 456 00:38:20,000 --> 00:38:21,161 Okay. 457 00:38:23,320 --> 00:38:25,004 - And she'll have... - Does it feel comfortable? 458 00:38:25,160 --> 00:38:26,161 - It feels great. - Good. 459 00:38:26,360 --> 00:38:27,361 She'll have... 460 00:38:27,520 --> 00:38:28,806 I mean, this really does feel secure. 461 00:38:28,960 --> 00:38:29,961 Little trunks to match? 462 00:38:30,160 --> 00:38:31,366 - Okay. - Yeah. 463 00:38:35,480 --> 00:38:37,528 What happened with the rolling down? 464 00:38:39,240 --> 00:38:41,402 Yeah, with the straight here, front, roll down. 465 00:38:41,560 --> 00:38:43,961 Oh. Sorry. 466 00:38:44,120 --> 00:38:46,009 And then can you take her more off? 467 00:38:46,320 --> 00:38:48,971 Off, back, off. 468 00:38:49,160 --> 00:38:52,084 For this développé, down. 469 00:38:52,200 --> 00:38:54,601 And then when you switch, for that pas de chat, 470 00:38:54,760 --> 00:38:56,762 can you straighten the left leg so it goes 471 00:38:56,920 --> 00:38:59,082 up, switch, and then you hold passe'? 472 00:38:59,240 --> 00:39:00,241 Okay. 473 00:39:00,440 --> 00:39:04,411 But bend the left leg and then switch. 474 00:39:05,040 --> 00:39:07,407 Bring the arms in and then around that way. 475 00:39:08,240 --> 00:39:09,321 Let me see. 476 00:39:11,200 --> 00:39:13,931 No. Here, bring them down, 477 00:39:14,120 --> 00:39:16,043 through, and then around that way. 478 00:39:16,200 --> 00:39:18,567 No. Here, bring them down... 479 00:39:18,720 --> 00:39:21,166 - Oh. - Up, through, and around. 480 00:39:21,520 --> 00:39:25,445 No. Here, bring the arms in. 481 00:39:25,800 --> 00:39:28,644 Now open the elbows and up. 482 00:39:29,120 --> 00:39:30,167 Okay. 483 00:39:30,320 --> 00:39:31,810 - I'll get it. - Close. 484 00:39:32,520 --> 00:39:36,650 Here. Elbows open. There. 485 00:39:38,200 --> 00:39:39,929 That's it. Try it one more time. 486 00:39:42,600 --> 00:39:45,410 Show the... You need to isolate the elbows 487 00:39:45,560 --> 00:39:47,210 coming out and around. 488 00:39:49,760 --> 00:39:50,921 No. 489 00:39:51,360 --> 00:39:52,646 From here... 490 00:39:55,680 --> 00:39:57,648 Turn the shoulders sooner. 491 00:39:58,440 --> 00:39:59,771 Let's try it again. 492 00:40:00,120 --> 00:40:02,521 Five, six, seven, eight. Go, one. 493 00:40:33,640 --> 00:40:34,721 Mm-hmm. 494 00:40:35,440 --> 00:40:36,771 No, it's not bad, actually. 495 00:40:40,360 --> 00:40:41,880 They're gonna tack these down. 496 00:40:42,040 --> 00:40:43,610 I want these to be in, like, my spring wardrobe. 497 00:40:43,760 --> 00:40:44,841 Yeah. 498 00:40:45,040 --> 00:40:46,371 It's so cute. I would wear that. 499 00:40:46,520 --> 00:40:48,124 Mine feels... Mine's doing a little... 500 00:40:48,280 --> 00:40:49,406 It's expected. Yeah. 501 00:40:49,560 --> 00:40:50,971 Are people still getting changed? 502 00:40:51,120 --> 00:40:52,167 No. This is it. 503 00:40:52,320 --> 00:40:53,800 Okay. Can we come out onstage? 504 00:40:53,840 --> 00:40:55,285 Girl, you got nothing to worry about. 505 00:40:55,440 --> 00:40:57,602 Yeah, if it comes out, it's cute. 506 00:40:57,760 --> 00:40:59,091 Shit. 507 00:41:01,880 --> 00:41:02,961 I love it. 508 00:41:10,320 --> 00:41:11,640 Andy, if you could cue... 509 00:41:11,760 --> 00:41:13,444 Wait till the lights completely change... 510 00:41:13,600 --> 00:41:15,284 - Andy Okay. - ...before you cue the music. 511 00:41:16,080 --> 00:41:18,048 Uh... One more time. 512 00:41:23,760 --> 00:41:25,171 I think it's too dark. 513 00:41:25,240 --> 00:41:26,321 Mm-hmm. 514 00:41:26,880 --> 00:41:28,723 Can we make a note to tell Mark? 515 00:41:30,200 --> 00:41:31,361 I, like, can't even see Amar. 516 00:41:31,520 --> 00:41:34,330 I know. Totally. I just noticed that. 517 00:41:37,920 --> 00:41:40,207 Oh, my God. I can't see a thing. 518 00:42:51,440 --> 00:42:54,284 - And you fixed... - Kind of. 519 00:42:54,440 --> 00:42:55,566 - Kind of. - Yes. 520 00:42:55,760 --> 00:42:56,841 Well... 521 00:42:57,000 --> 00:42:58,331 - The toss was good. - It's okay. 522 00:42:58,480 --> 00:43:00,528 It's just... yeah. 523 00:43:00,720 --> 00:43:02,404 We're just crossed. We need to just... 524 00:43:02,480 --> 00:43:04,244 - I think what we're gonna do... - If this is okay with you... 525 00:43:04,400 --> 00:43:05,970 Forjust the second one, if it's okay with you, 526 00:43:06,120 --> 00:43:08,646 for here, I'm not gonna use this arm. 527 00:43:08,800 --> 00:43:10,131 Is that okay, that he doesn't take this arm? 528 00:43:10,280 --> 00:43:12,169 - Yeah, that's fine. - Because I think what's happening is 529 00:43:12,360 --> 00:43:13,725 I'm getting really twisted. 530 00:43:13,880 --> 00:43:15,000 Oh, and that's why you fall. 531 00:43:15,120 --> 00:43:16,929 All right, well, let's try that tomorrow. And I'll look at it. 532 00:43:17,040 --> 00:43:19,040 - See if you like it. - And tell us what you think. 533 00:43:19,440 --> 00:43:22,603 Harriet and Marc? 534 00:43:24,440 --> 00:43:26,124 So you want to see his body more? 535 00:43:26,280 --> 00:43:28,248 I also feel like, when I see him from far away, 536 00:43:28,400 --> 00:43:30,164 I think, also because of his body 537 00:43:30,320 --> 00:43:32,971 and how he looks, that, like, 538 00:43:33,120 --> 00:43:36,841 it all feels very high, like... 539 00:43:37,000 --> 00:43:38,923 I don't know, maybe around the neck or something. 540 00:43:39,080 --> 00:43:40,206 Just feels like... 541 00:43:40,360 --> 00:43:41,725 A little too, like, up... 542 00:43:41,880 --> 00:43:43,291 - Too, like, up here. - Up here? 543 00:43:43,440 --> 00:43:44,680 - Yeah. - Yeah. 544 00:43:44,880 --> 00:43:46,723 Because I have less down here, probably. 545 00:43:46,880 --> 00:43:49,690 - Do we open up the neckline? - Maybe that opens just a touch. 546 00:43:49,840 --> 00:43:51,046 Do you think we can go in on the... 547 00:43:51,200 --> 00:43:52,565 - We could do that too. - Yeah. 548 00:43:52,720 --> 00:43:54,160 For his arms so he doesn't look so... 549 00:43:54,240 --> 00:43:55,730 - Did you fold that in? - Yeah, you folded that in. 550 00:43:55,880 --> 00:43:57,962 And then do we open this up more? 551 00:43:58,800 --> 00:44:00,643 - And maybe take a little bit. - I think that would be nice. 552 00:44:00,800 --> 00:44:02,928 Because then you could see his neck and his chest a little bit. 553 00:44:03,160 --> 00:44:04,286 Neck and your arms. 554 00:44:04,480 --> 00:44:06,080 Yeah, because then we could do this, too. 555 00:44:06,160 --> 00:44:08,447 We can just get this a little more... 556 00:44:08,600 --> 00:44:09,726 Yeah. 557 00:44:09,880 --> 00:44:11,166 Yeah, that already looks better to me. 558 00:44:11,320 --> 00:44:12,446 Okay. 559 00:44:13,040 --> 00:44:15,646 I'm not as part of the dance world as you guys are. 560 00:44:15,840 --> 00:44:17,842 Yeah. I was like, "Wow. The legs." 561 00:44:18,000 --> 00:44:19,843 - Like, you know. - Too short? 562 00:44:20,000 --> 00:44:22,731 Yeah, but Marc was also saying, like, "Oh, they've worn less." 563 00:44:22,880 --> 00:44:24,530 No, that's... That is, like... 564 00:44:24,720 --> 00:44:28,122 It's better to see more leg just from a dance point of view. 565 00:44:28,280 --> 00:44:29,361 Right. 566 00:44:29,560 --> 00:44:30,686 Like, the lines will be much better. 567 00:44:30,840 --> 00:44:33,241 - Okay. - And plus, they all have great legs. 568 00:44:33,440 --> 00:44:35,568 - I think it's... It'll be fine. - Okay. Okay, good. 569 00:44:35,760 --> 00:44:38,366 - Yeah, so... - Okay. All right. 570 00:44:38,520 --> 00:44:40,807 I think... Yeah, I think I'm really happy with them. 571 00:46:25,600 --> 00:46:27,250 - Should I take it off and see... - No, no, no. 572 00:46:27,400 --> 00:46:30,370 Let's get all this done first, and then we'll figure out the top. 573 00:46:30,520 --> 00:46:31,851 So let's get you zipped. 574 00:46:32,000 --> 00:46:34,401 But I thought maybe I stepped into it wrong. 575 00:46:34,600 --> 00:46:35,965 How's that possible? 576 00:46:36,120 --> 00:46:37,804 Because there was a lot of things going on. 577 00:46:39,600 --> 00:46:41,648 Is Marc Happel here? 578 00:46:43,320 --> 00:46:46,005 Okay. Why is it not staying? 579 00:46:46,160 --> 00:46:47,400 Oh, there's a hook. 580 00:46:47,560 --> 00:46:50,166 Okay, you ready? I'm gonna hook you. Take a deep breath. 581 00:46:50,320 --> 00:46:52,049 - Yeah. - Okay. 582 00:46:52,680 --> 00:46:56,480 Okay. Then this goes down. 583 00:46:57,240 --> 00:46:59,368 This goes here. 584 00:46:59,760 --> 00:47:01,444 Let's get hooked. 585 00:47:01,600 --> 00:47:03,250 I'm gonna hook before I snap. 586 00:47:07,920 --> 00:47:09,763 Okay. Then... 587 00:47:10,520 --> 00:47:11,646 There was a hook. 588 00:47:11,800 --> 00:47:13,404 - There is a hook up here. - But... 589 00:47:13,640 --> 00:47:15,130 I'm gonna hook it right now. Are you ready? 590 00:47:15,280 --> 00:47:16,281 - Yeah. - You're in. 591 00:47:16,440 --> 00:47:17,601 - Yeah. I am? - We nailed it. 592 00:47:17,760 --> 00:47:18,886 It looks right? 593 00:48:10,080 --> 00:48:11,684 And Joe turned the wrong way. 594 00:48:11,840 --> 00:48:13,171 Okay. 595 00:48:31,720 --> 00:48:34,724 Tiler's solo at the end of the first movement. 596 00:48:34,960 --> 00:48:39,443 I felt like the backdrop and her costume were identical. 597 00:48:39,640 --> 00:48:42,166 So I want to play a little more with that. 598 00:48:42,320 --> 00:48:45,164 The tricky part is, if you separate them, 599 00:48:45,320 --> 00:48:47,926 it feels like the end of the movement goes down, 600 00:48:48,080 --> 00:48:49,491 because it gets darker, 601 00:48:49,640 --> 00:48:51,768 you know, by making a richer back... 602 00:48:51,920 --> 00:48:53,809 So I've fussed with it a little bit, 603 00:48:53,960 --> 00:48:55,883 and we'll do some more on Tuesday and Wednesday. 604 00:48:56,040 --> 00:48:59,567 But the second movement, you were happier with that? 605 00:48:59,720 --> 00:49:01,080 - I'm really happy with it. - Okay. 606 00:49:01,120 --> 00:49:02,121 - Yeah, yeah. - Good. 607 00:49:11,200 --> 00:49:12,406 Here. 608 00:49:13,120 --> 00:49:15,122 Can it come down a little tempo-wise, or no? 609 00:49:15,280 --> 00:49:17,647 I can just make sure that it... that it... 610 00:49:17,800 --> 00:49:20,246 it stays very, very steady. 611 00:49:21,440 --> 00:49:22,680 Yeah. 612 00:49:22,840 --> 00:49:24,251 Yeah, that would be fine. 613 00:49:24,440 --> 00:49:25,930 Tell me what number. 614 00:49:26,640 --> 00:49:27,971 I'm just gonna say it. 615 00:49:28,120 --> 00:49:31,681 My only concern, and it would have nothing to do with you, 616 00:49:31,840 --> 00:49:33,842 is that it's a lot of look. 617 00:49:34,000 --> 00:49:36,446 There's a lot of, like, things happening. 618 00:49:36,600 --> 00:49:38,887 So, like, even when the whole group is doing one thing, 619 00:49:39,080 --> 00:49:42,368 it's... it doesn't become as, like, solid as it would 620 00:49:42,520 --> 00:49:44,520 - if there was, like, one color. - It's okay. Yeah. 621 00:49:44,600 --> 00:49:46,364 - Okay. - As long as you're okay with that. 622 00:49:46,520 --> 00:49:48,090 No, I think the palette works so well. 623 00:49:48,240 --> 00:49:49,241 Okay. 624 00:49:49,400 --> 00:49:52,927 And it's... I like the variety a lot. 625 00:49:53,080 --> 00:49:54,844 - Okay. - Especially, like... 626 00:49:55,000 --> 00:49:56,968 The last piece I did was so uniform. 627 00:49:57,120 --> 00:49:58,281 - Very. - And I don't want... 628 00:49:58,440 --> 00:50:01,205 I don't want to do the same thing over and over, so it's good. 629 00:50:01,360 --> 00:50:03,283 - Okay. Yay! - Yeah. Thanks. 630 00:50:07,760 --> 00:50:11,128 This is really bad right here, 631 00:50:11,320 --> 00:50:13,891 - and it, like, hurts to point. - Okay. 632 00:50:14,040 --> 00:50:15,565 I don't know. No, it's, like, in here. 633 00:50:15,720 --> 00:50:16,960 - More on the inside. - Okay. 634 00:50:17,120 --> 00:50:19,327 It feels like it's fused to the bone. 635 00:50:21,080 --> 00:50:23,048 Okay. You're gonna flex up. 636 00:50:25,080 --> 00:50:27,651 Good. Hold that, and relax. 637 00:50:34,680 --> 00:50:36,967 And it just started today? 638 00:50:37,480 --> 00:50:38,561 I mean... 639 00:50:38,760 --> 00:50:40,640 Has it been starting to bother you a little bit? 640 00:50:40,760 --> 00:50:42,569 I haven't... I've had a lot... I don't know. 641 00:50:42,720 --> 00:50:45,849 I've probably been ignoring it, maybe. 642 00:51:20,760 --> 00:51:23,047 I felt yesterday, probably, maybe not so much today, 643 00:51:23,200 --> 00:51:25,328 but I felt like today there was, or yesterday, 644 00:51:25,480 --> 00:51:27,926 there was this disconnect between what's happening here, 645 00:51:28,080 --> 00:51:29,570 - which is very cool. - Yeah. 646 00:51:29,720 --> 00:51:32,530 You know, you're doing a new ballet, a third one, right? 647 00:51:33,760 --> 00:51:36,161 You're kind of this kid... You know... I mean, it's cool. 648 00:51:36,360 --> 00:51:37,361 - Right? - Yeah. 649 00:51:37,520 --> 00:51:39,249 But the orchestra's just... You know, 650 00:51:39,400 --> 00:51:41,368 they weren't immediately crazy about the piece, 651 00:51:41,520 --> 00:51:44,046 and, you know, it's not... There's this disconnect 652 00:51:44,240 --> 00:51:46,447 between the excitement of actually what's happening... 653 00:51:46,760 --> 00:51:47,921 And what it... 654 00:51:48,120 --> 00:51:50,320 The reason I asked about Rabbit was because if it was... 655 00:51:50,360 --> 00:51:52,488 If you could go down and say, you know, 656 00:51:52,640 --> 00:51:54,768 "Thank you so much for yesterday's Rabbit," 657 00:51:54,960 --> 00:51:56,530 and this is my third... 658 00:51:56,680 --> 00:51:58,091 - You know what I'm saying? - Yeah. 659 00:51:58,240 --> 00:52:00,527 No, I almost said something yesterday to them, 660 00:52:00,720 --> 00:52:03,166 but I didn't want to, like, overstep my boundaries either. 661 00:52:03,320 --> 00:52:05,209 I think if you went and if you could... 662 00:52:05,360 --> 00:52:06,725 Are you gonna... You're gonna sit out there? 663 00:52:06,880 --> 00:52:07,927 Yeah. 664 00:52:08,080 --> 00:52:12,369 I think if you went in and just told Marquerite to wait 30 seconds 665 00:52:12,560 --> 00:52:13,880 and you went to Andy and you said, 666 00:52:13,960 --> 00:52:15,371 "Do you mind if I address the orchestra?" 667 00:52:15,520 --> 00:52:17,329 Yeah. Okay. I can do that. 668 00:52:17,480 --> 00:52:19,289 I mean, I just feel like you should make the connection. 669 00:52:19,440 --> 00:52:21,329 - Yeah, that's really nice. - Then they could rally to... 670 00:52:21,480 --> 00:52:23,050 - Yeah. - They'd feel like, "Yeah, it matters 671 00:52:23,240 --> 00:52:25,129 that we play well, and it's a big deal." 672 00:52:25,760 --> 00:52:27,603 - Okay. - You know? I mean... Okay. 673 00:52:27,760 --> 00:52:29,880 Yeah, I appreciate that. Yeah. No, that's great. Yeah. 674 00:52:29,920 --> 00:52:31,445 I'll do that. Thanks. 675 00:52:41,200 --> 00:52:42,486 Can I just say... 676 00:52:42,680 --> 00:52:44,921 Can I just talk to the orchestra for a second? 677 00:52:45,080 --> 00:52:46,491 Is that okay? 678 00:52:47,000 --> 00:52:48,809 - Yeah. - No? 679 00:52:49,200 --> 00:52:51,202 Yeah. Okay. 680 00:52:51,360 --> 00:52:52,566 Okay. 681 00:52:53,640 --> 00:52:54,880 Guys, hi. 682 00:52:55,040 --> 00:52:56,724 I'm the choreographer. I don't know if I... 683 00:52:56,880 --> 00:52:58,848 If I know all of you, but I'm Justin Peck. 684 00:52:59,160 --> 00:53:01,367 I just want to say that my whole process 685 00:53:01,520 --> 00:53:04,205 of choreographing is really, really, really 686 00:53:04,360 --> 00:53:06,249 based on the music, and everything I do 687 00:53:06,400 --> 00:53:08,721 is about, sort of, like, exposing the details 688 00:53:08,880 --> 00:53:12,362 and, like, the complexities and the textures of the orchestra. 689 00:53:12,520 --> 00:53:14,249 It's really, really important 690 00:53:14,400 --> 00:53:16,721 to play with, like, a lot of energy and vigor, 691 00:53:16,920 --> 00:53:18,524 especially in this piece. 692 00:53:19,080 --> 00:53:20,889 I would really appreciate that so much, 693 00:53:21,040 --> 00:53:22,480 and I'm so thrilled to have you guys. 694 00:53:22,600 --> 00:53:23,886 Sounded great last night. 695 00:53:24,040 --> 00:53:26,088 The string section in Year of the Rabbit... 696 00:53:26,240 --> 00:53:28,641 I was so happy with it. Tempos were great and everything. 697 00:53:28,840 --> 00:53:31,320 So, I'm really looking forward to this premiere and everything. 698 00:53:31,520 --> 00:53:32,681 So merde. 699 00:56:57,040 --> 00:57:00,089 I just get really weird when my hair's low for buns. 700 00:57:00,240 --> 00:57:02,163 I know. But this is not a low, low. 701 00:57:02,320 --> 00:57:03,606 - It's not, you know... - Yeah. Yeah. 702 00:57:03,760 --> 00:57:09,085 I still gonna give you a neckline as much as I can. 703 00:57:09,560 --> 00:57:13,406 I know. I know you know how I feel. 704 00:57:53,880 --> 00:57:55,291 And such. 705 00:58:18,080 --> 00:58:20,924 Dancers, please sign in if you haven't. 706 00:58:32,240 --> 00:58:34,561 - Hey. Merde. - How are you? Merde to you. 707 00:58:53,440 --> 00:58:55,886 Thirty minutes till the first ballet of the evening: 708 00:58:56,040 --> 00:58:58,008 Justin Peck's Paz de la Jolla. 709 00:58:58,160 --> 00:58:59,844 Thirty minutes. 710 00:59:19,600 --> 00:59:21,045 - So, yeah. - It's great, Justin. 711 00:59:21,240 --> 00:59:23,811 You know, we saw your Rabbit two days ago. 712 00:59:23,960 --> 00:59:25,450 - Oh, yeah? - Two nights ago, again. 713 00:59:25,600 --> 00:59:26,840 - I liked it. Again. - Thanks. 714 00:59:27,040 --> 00:59:28,246 I liked it better than the first time. 715 00:59:28,400 --> 00:59:29,606 No, I really did like it. 716 00:59:29,760 --> 00:59:31,480 Actually, it just becomes better and better. 717 01:00:28,080 --> 01:00:32,085 How does it feel when you walk on the staircase to the theater, 718 01:00:32,240 --> 01:00:34,447 and there... Robbins, you, and Balanchine? 719 01:00:34,600 --> 01:00:37,683 Oh, my God. I am, like, freaking out about that, yeah. 720 01:00:37,840 --> 01:00:39,763 Olga, he was in your class at the School of American Ballet? 721 01:00:39,920 --> 01:00:41,251 Yes. Well, I mean... yeah. 722 01:00:41,400 --> 01:00:42,880 Not in my class, but I did with him... 723 01:00:43,000 --> 01:00:44,960 - But we worked together... - On Scenes de Ballet. 724 01:00:45,120 --> 01:00:46,920 - On Chris Wheeldon's stuff. - Chris Wheeldon. 725 01:00:47,000 --> 01:00:49,207 - Oh, I see. I see. - Yeah. 726 01:00:49,360 --> 01:00:50,646 You got a good review. 727 01:00:50,800 --> 01:00:53,929 You're at the same level as Alexei, 728 01:00:54,080 --> 01:00:57,482 Alexei Ratmansky and Chris Wheeldon. 729 01:00:57,640 --> 01:00:59,324 Yeah, that's quite a statement, so... 730 01:00:59,480 --> 01:01:01,960 No, it's great. What you do is great. 731 01:01:27,320 --> 01:01:28,810 Amar? - Yeah? 732 01:01:28,960 --> 01:01:30,644 You want to try anything? 733 01:01:31,240 --> 01:01:32,890 - I say we go for it. - Okay. 734 01:01:33,080 --> 01:01:34,161 - Yeah? - Yeah? 735 01:01:34,240 --> 01:01:35,969 - I'm just gonna grab those hips. - The lifts and everything? 736 01:01:36,120 --> 01:01:37,360 - Yeah. - Okay. 737 01:01:37,520 --> 01:01:38,726 I'm just gonna grab those hips and do it. 738 01:01:38,920 --> 01:01:39,921 - Okay. - Cool? 739 01:01:40,080 --> 01:01:42,321 - Cool. - All right, baby. Give me a kiss. 740 01:01:42,680 --> 01:01:44,284 - You look handsome. - Have a good time. 741 01:01:46,280 --> 01:01:47,725 You too. Merde. 742 01:02:05,640 --> 01:02:08,689 - Merde. - Merde, guys. 743 01:06:49,400 --> 01:06:52,131 Guys, that was great. Really great. 744 01:06:52,320 --> 01:06:54,721 - All right. - It's great. 745 01:06:54,880 --> 01:06:56,166 - Thanks! - Yeah. 746 01:06:56,360 --> 01:06:57,964 It looks so good. 747 01:06:58,560 --> 01:06:59,925 So good. 748 01:08:17,480 --> 01:08:19,881 Fifteen minutes till the third ballet of the evening: 749 01:08:20,040 --> 01:08:23,010 Alexei Ratmansky's Concerto DSCH. 750 01:08:23,200 --> 01:08:24,690 Dancers to stage. 751 01:08:30,200 --> 01:08:32,567 Ladies and gentlemen, in this evening's performance 752 01:08:32,720 --> 01:08:36,042 of Concerto DSCH, please remember 753 01:08:36,200 --> 01:08:37,406 to turn off your cell phones. 754 01:08:41,800 --> 01:08:44,883 Places, please. Places. 754 01:08:45,305 --> 01:08:51,646 Support us and become VIP member to remove all ads from www.OpenSubtitles.org