1
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX

2
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX

3
00:00:10,802 --> 00:00:11,886
That film,

4
00:00:14,723 --> 00:00:17,475
Looking for Paradise, is a short.

5
00:00:19,352 --> 00:00:22,272
A five-minute film
that was made by a student.

6
00:00:22,355 --> 00:00:26,359
Back then, Director Bong
was not the Director Bong he is now.

7
00:00:27,193 --> 00:00:28,945
When did you watch that film?

8
00:00:31,114 --> 00:00:36,327
I'd say it was either in the beginning
or middle of Yellow Door's lifespan.

9
00:00:36,995 --> 00:00:39,039
It wasn't during the latter years.

10
00:00:42,500 --> 00:00:47,130
One day, Director Bong, who, back then,
everyone just called Joon Ho,

11
00:00:47,213 --> 00:00:50,341
said he got some money
by working as a tutor.

12
00:00:50,425 --> 00:00:53,053
I think he had done that
for a month or two.

13
00:00:53,136 --> 00:00:56,056
Anyway, he bought a camera with that money

14
00:00:56,139 --> 00:01:00,060
and made a film
using his living room as the background.

15
00:01:00,143 --> 00:01:03,188
It was about a caterpillar
looking for paradise.

16
00:01:04,814 --> 00:01:07,275
He made this tiny, little caterpillar.

17
00:01:07,358 --> 00:01:09,360
It was stop-motion animation,

18
00:01:09,444 --> 00:01:12,155
so he said
he had to move it little by little.

19
00:01:14,908 --> 00:01:17,994
In the ending,
the caterpillar fights a stuffed monkey

20
00:01:18,078 --> 00:01:19,204
in the living room.

21
00:01:21,581 --> 00:01:24,042
And then it heads to paradise.

22
00:01:26,252 --> 00:01:30,715
It was incredible.
I was in shock. I was so amazed by it.

23
00:01:33,218 --> 00:01:35,303
He didn't seem like the Joon Ho I knew.

24
00:01:35,386 --> 00:01:38,098
I think the film was five minutes long.

25
00:01:38,181 --> 00:01:39,182
I think.

26
00:01:40,475 --> 00:01:41,851
Twenty-three minutes.

27
00:01:44,854 --> 00:01:47,524
And you got
the protagonist and villain mixed up.

28
00:01:47,607 --> 00:01:50,443
I did? I thought the caterpillar was
the main character?

29
00:01:50,527 --> 00:01:52,445
That was the gorilla!

30
00:01:52,529 --> 00:01:53,613
PROTAGONIST

31
00:01:55,490 --> 00:01:59,494
I thought it was the caterpillar,
but it was the gorilla.

32
00:02:00,829 --> 00:02:02,247
I see.

33
00:02:04,457 --> 00:02:08,044
I found this box
which I haven't seen for about 20 years.

34
00:02:08,545 --> 00:02:11,214
I used to keep
a lot of things in here back then.

35
00:02:11,297 --> 00:02:13,299
And there's something important in here.

36
00:02:13,967 --> 00:02:15,135
8 mm?

37
00:02:15,218 --> 00:02:18,346
This is footage from the 8 mm
film workshop we had at Yellow Door.

38
00:02:18,429 --> 00:02:20,515
Oh! Wow!

39
00:02:20,598 --> 00:02:23,184
-I have everything here. All these.
-Oh yeah!

40
00:02:23,852 --> 00:02:25,478
I got all kinds of stuff here.

41
00:02:25,562 --> 00:02:27,939
I don't even remember
what we did back then.

42
00:02:28,022 --> 00:02:29,899
We filmed all kinds of nonsense.

43
00:02:31,484 --> 00:02:35,280
I hope this footage helps sort out
our collective Rashomon effect.

44
00:02:35,363 --> 00:02:37,157
I've got everything here.

45
00:02:38,241 --> 00:02:41,244
-Do you still have the gorilla?
-Yeah, that gorilla.

46
00:02:41,327 --> 00:02:42,537
I have it, but…

47
00:02:46,541 --> 00:02:48,918
But let's just say that it's gone.

48
00:02:50,545 --> 00:02:53,256
It's embarrassing. Where is that thing?

49
00:03:43,431 --> 00:03:50,438
YELLOW DOOR: '90S LO-FI FILM CLUB

50
00:03:56,069 --> 00:04:00,281
"I thought of my secret first film
which I've never mentioned anywhere else."

51
00:04:02,367 --> 00:04:05,662
"Before I made my self-proclaimed
first short film, White Collar,

52
00:04:05,745 --> 00:04:09,374
I once made a short animated film
called Looking for Paradise."

53
00:04:10,875 --> 00:04:14,170
JU SUNG-CHUL, AUTHOR OF THE DEBUT
INTERVIEWS WITH RENOWNED KOREAN DIRECTORS

54
00:04:14,254 --> 00:04:17,632
I had an interview
with Director Bong Joon Ho in The Debut.

55
00:04:19,050 --> 00:04:21,469
He was acting like a spy sharing a secret

56
00:04:21,552 --> 00:04:24,931
when he said,
"Actually, I once made this other film."

57
00:04:25,014 --> 00:04:27,850
He kept looking around
as he shared it with me.

58
00:04:27,934 --> 00:04:32,146
I thought, "I should leave it out.
I probably can't use this for my book."

59
00:04:32,230 --> 00:04:34,941
But that story turned out
to be really interesting.

60
00:04:37,652 --> 00:04:39,779
"There were about
20 or so audience members

61
00:04:39,862 --> 00:04:41,698
at Yellow Door's Christmas party."

62
00:04:41,781 --> 00:04:45,743
"My face was completely flushed
as I had my very first movie premiere."

63
00:04:49,455 --> 00:04:53,084
"In any case, the only ones
who watched that film on this earth

64
00:04:53,167 --> 00:04:55,628
were those who were there that day."

65
00:05:08,474 --> 00:05:10,268
Can you hear me, Jong-tae?

66
00:05:10,351 --> 00:05:13,229
-Hey. Hi!
-Can you see me?

67
00:05:13,730 --> 00:05:14,605
I can see you.

68
00:05:14,689 --> 00:05:15,898
You been busy?

69
00:05:16,566 --> 00:05:17,400
I guess.

70
00:05:17,483 --> 00:05:19,861
Your film's releasing
in a few days, right?

71
00:05:19,944 --> 00:05:23,114
Yes. I've been busier because
the production was small.

72
00:05:24,073 --> 00:05:25,867
I had to make some things happen.

73
00:05:26,701 --> 00:05:28,619
It looks like
Se-bum dyed his hair.

74
00:05:31,664 --> 00:05:32,999
It's been so long, Se-bum.

75
00:05:33,666 --> 00:05:35,960
Se-bum, did you dye your hair?
Your hair is totally--

76
00:05:36,044 --> 00:05:38,755
I have to. My hair is
completely gray unless I dye it.

77
00:05:39,255 --> 00:05:41,799
He looks like a minister of something now.

78
00:05:41,883 --> 00:05:46,095
He looks like he could be the Minister of
Land, Infrastructure, and Transportation.

79
00:05:46,179 --> 00:05:48,222
-Oh.
-Hi, Byung-hoon.

80
00:05:48,306 --> 00:05:50,058
-Hey.
-Hey!

81
00:05:51,601 --> 00:05:53,686
Is that Byung-hoon? Wow!

82
00:05:53,770 --> 00:05:55,688
My gosh, Byung-hoon.
Can you see me?

83
00:05:55,772 --> 00:05:58,274
-Can Byung-hoon see us?
-He can.

84
00:06:00,401 --> 00:06:02,278
-Can you hear us?
-Yes, I can.

85
00:06:02,362 --> 00:06:03,279
Okay.

86
00:06:04,155 --> 00:06:06,074
Is it after twelve o'clock there,
Byung-hoon?

87
00:06:06,157 --> 00:06:07,950
It's around 11:00 now.

88
00:06:08,034 --> 00:06:09,369
11:00 p.m.?

89
00:06:09,452 --> 00:06:10,703
-Yes.
-Oh my gosh.

90
00:06:10,787 --> 00:06:11,788
Wow.

91
00:06:11,871 --> 00:06:14,123
Your Korean is kind of awkward now.

92
00:06:18,544 --> 00:06:19,921
Come on!

93
00:06:20,421 --> 00:06:22,924
Should we speak in English,
then, Byung-hoon?

94
00:06:23,007 --> 00:06:25,468
-Gosh. Sure.
-Can you speak English?

95
00:06:25,551 --> 00:06:27,261
-Hi! Oh my!
-Min Hyang!

96
00:06:28,054 --> 00:06:30,723
-Eun-sim!
-Eun-sim! Eun-sim!

97
00:06:30,807 --> 00:06:32,100
Eun-sim!

98
00:06:45,988 --> 00:06:48,074
-Who is this?
-When was this?

99
00:06:48,616 --> 00:06:50,201
Look who this is.

100
00:06:51,285 --> 00:06:53,121
-Why…
-The focus.

101
00:06:53,204 --> 00:06:55,331
I couldn't accept this now,
but I used to!

102
00:06:57,125 --> 00:06:59,669
I mean, this was a film club!

103
00:06:59,752 --> 00:07:01,921
They're all out of focus.

104
00:07:02,004 --> 00:07:04,590
This is hilarious!
Who took these?

105
00:07:04,674 --> 00:07:07,969
-Let's find the culprit.
-It wasn't me. I'm in the picture.

106
00:07:08,052 --> 00:07:08,886
Me too.

107
00:07:08,970 --> 00:07:11,848
Wait. I'm not in it.

108
00:07:15,309 --> 00:07:16,269
Is that me?

109
00:07:17,270 --> 00:07:19,564
Why'd we take so many pictures of gum?

110
00:07:20,731 --> 00:07:22,692
It was a focus test.

111
00:07:25,778 --> 00:07:28,322
We didn't know
the basic mechanisms of a camera,

112
00:07:28,406 --> 00:07:32,285
so we got together for that workshop
to familiarize ourselves with the basics…

113
00:07:32,368 --> 00:07:33,202
That's right.

114
00:07:34,537 --> 00:07:39,000
…like exposure, aperture,
shutter speed, focus, and other concepts.

115
00:07:40,543 --> 00:07:43,504
It's probably just a bunch
of random, boring pictures

116
00:07:43,588 --> 00:07:45,214
that lack any artistic value.

117
00:07:47,008 --> 00:07:49,218
Is that Ms. Kim Hye-ja's house?

118
00:07:49,719 --> 00:07:52,054
Yes, that would be
Ms. Kim's house.

119
00:07:52,138 --> 00:07:54,557
When we looked through
our office's front window,

120
00:07:54,640 --> 00:07:56,601
we could see Ms. Kim's garden.

121
00:07:57,351 --> 00:07:59,020
With the gates and everything.

122
00:07:59,103 --> 00:08:01,564
We took so many pictures
in front of that stone wall

123
00:08:01,647 --> 00:08:03,399
because it was so pretty.

124
00:08:03,524 --> 00:08:04,650
Hmm.

125
00:08:05,401 --> 00:08:08,070
Dae-yup is doing a very sexy pose.

126
00:08:13,159 --> 00:08:17,663
If I'd known there was a club over there,
I would've looked that way a little more.

127
00:08:17,747 --> 00:08:19,457
KIM HYE-JA, LEAD ACTRESS OF MOTHER

128
00:08:19,540 --> 00:08:22,502
I thought, "They could probably see
my entire house from upstairs!"

129
00:08:24,921 --> 00:08:27,882
You never know
what life will bring you, right?

130
00:08:29,926 --> 00:08:33,304
This is the most heartwarming memory
I have of Joon Ho.

131
00:08:35,097 --> 00:08:39,018
After Memories of Murder premiered,
it must've been around 9:00 p.m.

132
00:08:39,101 --> 00:08:40,353
After 9:00, actually.

133
00:08:40,436 --> 00:08:42,355
-He called me around 10:00.
-Yes.

134
00:08:44,023 --> 00:08:47,610
You called me and said,
"Hey, Jong-tae. Guess where I am?"

135
00:08:47,693 --> 00:08:50,738
-"I'm in front of the Gyeongseo Building."
-Right.

136
00:08:52,782 --> 00:08:55,785
You must've been feeling great
about the film's success

137
00:08:55,868 --> 00:08:58,788
and started to reminisce
about your more difficult times.

138
00:08:58,871 --> 00:09:00,331
The Gyeongseo Building.

139
00:09:01,541 --> 00:09:05,378
Right here. It used to be a regular house
but was turned into this.

140
00:09:06,462 --> 00:09:08,047
It's been 30 years.

141
00:09:10,633 --> 00:09:13,261
This was the route.
The way to Yellow Door.

142
00:09:13,344 --> 00:09:14,178
Yes!

143
00:09:15,471 --> 00:09:19,058
It didn't feel like we came to Yellow Door
to do anything in particular.

144
00:09:19,141 --> 00:09:22,186
It felt more like coming for a picnic
or something, right?

145
00:09:23,729 --> 00:09:25,856
But why was it the Gyeongseo Building?

146
00:09:25,940 --> 00:09:28,276
Did Jong-tae already have an office there?

147
00:09:29,235 --> 00:09:30,570
He took a leave of absence

148
00:09:30,653 --> 00:09:33,030
from his graduate program
at Dongguk University.

149
00:09:33,614 --> 00:09:36,325
He got the office
to start a business with his friends.

150
00:09:36,409 --> 00:09:39,287
It was supposed to be
a modeling agency or something.

151
00:09:42,081 --> 00:09:44,208
After the first day
of my graduate program,

152
00:09:44,292 --> 00:09:47,086
I was disappointed.
I thought, "This is graduate school?"

153
00:09:47,169 --> 00:09:48,754
CHOI JONG-TAE
ESTABLISHED YELLOW DOOR

154
00:09:48,838 --> 00:09:50,673
WHILE ON BREAK
FROM THEATER AND FILM STUDIES

155
00:09:50,756 --> 00:09:51,841
We didn't learn much.

156
00:09:54,093 --> 00:09:57,972
I remember that we had
a 16 mm camera at school.

157
00:09:58,055 --> 00:10:00,808
It would've been great
if we were taught how to use it.

158
00:10:01,309 --> 00:10:03,477
But we only ever got to look at it.

159
00:10:04,478 --> 00:10:06,230
-That's it?
-Yes.

160
00:10:09,191 --> 00:10:10,776
Around that time,

161
00:10:13,654 --> 00:10:15,364
I met Lee Dong-hoon.

162
00:10:17,074 --> 00:10:19,410
LEE DONG-HOON, JOINED YELLOW DOOR
AS A SOCIOLOGY MAJOR

163
00:10:19,493 --> 00:10:22,622
I worked a part-time job at a bookstore
at Yonsei University called Today's Books.

164
00:10:23,205 --> 00:10:25,958
Back then, we didn't have
cell phones or pagers.

165
00:10:26,042 --> 00:10:29,378
Today's Books had a bulletin board
with all kinds of flyers.

166
00:10:29,879 --> 00:10:31,130
"We're here. Join us here."

167
00:10:31,714 --> 00:10:33,966
I wanted to meet someone
in the film industry,

168
00:10:34,050 --> 00:10:36,469
and I was introduced
to Director Choi Jong-tae,

169
00:10:36,552 --> 00:10:40,056
who was on leave from his film studies
at Dongguk University.

170
00:10:41,057 --> 00:10:45,561
They said, "Help him with his studies."
So I said, "Okay, sure. Send him my way."

171
00:10:45,645 --> 00:10:46,937
So that's how we met.

172
00:10:49,774 --> 00:10:52,443
It was great, but if it happened today,

173
00:10:52,526 --> 00:10:55,696
I would say,
"Why would I teach a stranger about film?"

174
00:10:57,365 --> 00:11:02,119
But back then, the culture of having
university clubs hadn't been lost yet.

175
00:11:03,120 --> 00:11:05,247
So it actually felt quite natural.

176
00:11:07,166 --> 00:11:09,960
If nobody had approached me back then
to study film

177
00:11:11,462 --> 00:11:13,297
and asked me for my help,

178
00:11:13,923 --> 00:11:16,300
I think my life would've been
very different.

179
00:11:17,343 --> 00:11:19,261
Well, it might've changed for the better.

180
00:11:19,345 --> 00:11:22,390
Actually,
it might've been much better!

181
00:11:23,557 --> 00:11:26,268
I wasn't looking
to make anything in particular.

182
00:11:27,478 --> 00:11:29,814
I started to poke around a little bit.

183
00:11:30,981 --> 00:11:35,444
Dong-hoon asked me if he could
bring along an upperclassman he knew.

184
00:11:35,528 --> 00:11:37,196
I told him that was fine.

185
00:11:37,738 --> 00:11:39,490
I thought,
"I can't suffer alone."

186
00:11:39,573 --> 00:11:41,784
That's why I dragged
Director Bong into this.

187
00:11:47,498 --> 00:11:51,335
I've loved movies ever since
my elementary and middle school days,

188
00:11:51,419 --> 00:11:53,754
and I've always wanted to be a director.

189
00:11:54,255 --> 00:11:55,506
I don't know why.

190
00:11:55,589 --> 00:11:58,217
BONG JOON HO, JOINED YELLOW DOOR
AS A SOCIOLOGY MAJOR

191
00:11:58,300 --> 00:12:00,386
Maybe because all my family did
was watch TV.

192
00:12:01,637 --> 00:12:05,975
We didn't travel. We didn't play sports.
All we ever did was watch TV.

193
00:12:06,559 --> 00:12:10,062
Some films were shocking
because I didn't have any context.

194
00:12:10,563 --> 00:12:12,398
One of them was The Wages of Fear.

195
00:12:12,481 --> 00:12:13,983
THE WAGES OF FEAR
HENRI-GEORGES CLOUZOT

196
00:12:15,067 --> 00:12:18,446
And The Bicycle Thieves too.
I lost my bike when I was a kid…

197
00:12:18,529 --> 00:12:20,614
THE BICYCLE THIEVES
VITTORIO DE SICA, 1948

198
00:12:20,698 --> 00:12:22,241
…so I was completely immersed.

199
00:12:22,324 --> 00:12:26,704
I didn't know anything about
Vittorio De Sica or neorealism back then,

200
00:12:26,787 --> 00:12:29,206
so it came as a strong, primitive shock.

201
00:12:31,000 --> 00:12:32,126
For the first time,

202
00:12:32,209 --> 00:12:35,713
I had a place where I could discuss films
as much as I wanted.

203
00:12:35,796 --> 00:12:38,382
I could study them
and watch them on repeat.

204
00:12:38,966 --> 00:12:41,135
I didn't major
in theater and film studies,

205
00:12:41,218 --> 00:12:43,179
and I never worked on a film set.

206
00:12:44,305 --> 00:12:47,808
But for the first time,
I got to do something involving film.

207
00:12:48,309 --> 00:12:51,187
I sat Bong Joon Ho and Lee Dong-hoon down.

208
00:12:51,270 --> 00:12:53,397
I first had them read
Understanding Movies.

209
00:12:54,482 --> 00:12:57,568
That was when books about film
first started coming out.

210
00:12:57,651 --> 00:12:58,486
Right.

211
00:12:58,569 --> 00:13:01,572
Today, we have whole sections
of books about film at bookstores.

212
00:13:01,655 --> 00:13:02,948
We didn't have those.

213
00:13:03,032 --> 00:13:05,743
But back then,
the idea of publishing books about film

214
00:13:05,826 --> 00:13:07,119
was so unfamiliar.

215
00:13:07,203 --> 00:13:09,872
There were theoretical books
like Understanding Movies.

216
00:13:09,955 --> 00:13:14,585
And A History of Film, but only those two.
There were no other books about film.

217
00:13:15,336 --> 00:13:17,463
This was around
when convenience stores started?

218
00:13:17,546 --> 00:13:19,507
-Yes.
-So back then I…

219
00:13:20,674 --> 00:13:23,219
Can you cut out what he said
about convenience stores?

220
00:13:23,302 --> 00:13:25,095
Yes.

221
00:13:25,179 --> 00:13:26,680
It sounds like…

222
00:13:26,764 --> 00:13:28,808
We didn't have those back then?

223
00:13:28,891 --> 00:13:30,017
No.

224
00:13:30,601 --> 00:13:32,853
Right. We used to

225
00:13:34,104 --> 00:13:36,440
have coffee at cafés like Doutor.

226
00:13:36,524 --> 00:13:38,234
Yes. It's not around anymore.

227
00:13:38,734 --> 00:13:42,488
I had to do something for them,
but there was nothing I could do.

228
00:13:42,571 --> 00:13:47,243
Back then, Joon Ho was working
as a part-time manager at a study room.

229
00:13:48,035 --> 00:13:50,538
That meant he had
a lot of time on his hands.

230
00:13:51,455 --> 00:13:54,333
I told him to transcribe A History of Film
in his free time

231
00:13:54,416 --> 00:13:56,043
instead of sitting around.

232
00:13:56,126 --> 00:13:58,379
But I never transcribed A History of Film.

233
00:13:59,046 --> 00:14:02,508
I think Director Bong probably transcribed
A History of Film.

234
00:14:03,509 --> 00:14:06,303
I didn't do it,
but I think he probably did.

235
00:14:07,263 --> 00:14:10,140
This is what I meant
by the Rashomon effect.

236
00:14:10,224 --> 00:14:13,269
How could I have transcribed
that big of a book?

237
00:14:13,352 --> 00:14:14,770
RASHOMON
AKIRA KUROSAWA, 1950

238
00:14:14,854 --> 00:14:16,647
I don't know. I have no idea.

239
00:14:16,730 --> 00:14:19,567
I've lost my faith in mankind.

240
00:14:21,151 --> 00:14:22,319
You don't remember?

241
00:14:22,903 --> 00:14:25,781
I read it. You told me to read it,
so I read it diligently,

242
00:14:25,865 --> 00:14:26,949
but I never transcribed it.

243
00:14:27,658 --> 00:14:29,743
I remember you showing me your notebook.

244
00:14:29,827 --> 00:14:31,036
Really?

245
00:14:31,120 --> 00:14:32,621
I know you did it.

246
00:14:32,705 --> 00:14:34,540
-I remember that notebook.
-One sec.

247
00:14:34,623 --> 00:14:36,041
How else could I know?

248
00:14:42,631 --> 00:14:44,008
This is it, right?

249
00:14:45,634 --> 00:14:47,887
-Yes.
-A History of Film by Jack C. Ellis.

250
00:14:48,470 --> 00:14:50,973
You did do it. I remember that notebook.

251
00:14:51,056 --> 00:14:53,559
-You probably quit after a few pages.
-Yes.

252
00:14:53,642 --> 00:14:56,562
Like the to-infinitive part
of Sungmoon Comprehensive English.

253
00:14:56,645 --> 00:14:58,647
Yes, like the to-infinitive.

254
00:14:59,231 --> 00:15:00,441
Sounds about right.

255
00:15:00,524 --> 00:15:04,153
All Koreans know
all about the to-infinitive.

256
00:15:05,362 --> 00:15:06,614
That was the beginning of it.

257
00:15:06,697 --> 00:15:11,285
Director Bong Joon Ho,
Director Choi Jong-tae, and me. And then…

258
00:15:16,123 --> 00:15:18,500
I was lying around
at home one day

259
00:15:19,335 --> 00:15:22,379
when suddenly I just had
this overwhelming urge to study film.

260
00:15:22,463 --> 00:15:25,382
LIM HOON-A, JOINED YELLOW DOOR
AS A YONSEI HISTORY GRADUATE

261
00:15:25,466 --> 00:15:27,217
I couldn't sleep from that day on.

262
00:15:27,301 --> 00:15:30,012
-Hoon-a joined early on.
-You're right.

263
00:15:30,596 --> 00:15:32,723
I had a friend
in the psychology department

264
00:15:32,806 --> 00:15:34,725
who loved music like I did.

265
00:15:34,808 --> 00:15:38,896
She said there was a guy named
Bong Joon Ho in sociology who liked film,

266
00:15:39,480 --> 00:15:41,106
so I should give him a call.

267
00:15:42,316 --> 00:15:45,110
I thought, "Bong Joon Ho?
What a unique name."

268
00:15:45,194 --> 00:15:47,529
"I should memorize it as 'bonjour.'"

269
00:15:48,489 --> 00:15:50,658
I called him, and he told me
to come to this place

270
00:15:50,741 --> 00:15:52,576
in front of Hongik University.

271
00:15:52,660 --> 00:15:57,456
Jong-tae, you, me, and Hoon-a
held the first film seminar together.

272
00:15:57,539 --> 00:15:58,457
Remember?

273
00:15:58,540 --> 00:16:01,001
-We each brought a film of our choice.
-Right.

274
00:16:02,252 --> 00:16:06,173
Jong-tae brought Landscape in the Mist
by Theodōros Angelopoulos.

275
00:16:06,256 --> 00:16:07,424
I brought François Truffaut.

276
00:16:07,508 --> 00:16:08,384
That one.

277
00:16:08,467 --> 00:16:11,845
It starred Truffaut himself as a director.
It was called Day for Night.

278
00:16:11,929 --> 00:16:15,516
-You?
-I didn't study films back then.

279
00:16:15,599 --> 00:16:18,978
-So we watched four different films.
-I don't remember. Right. Yes.

280
00:16:19,061 --> 00:16:21,814
We took turns
watching the films we brought.

281
00:16:22,606 --> 00:16:25,567
-Then we just talked about them.
-A discussion. Right.

282
00:16:31,615 --> 00:16:34,702
One day,
I was walking down Baekyang-ro,

283
00:16:35,202 --> 00:16:37,830
and I ran into this friend of mine.

284
00:16:38,872 --> 00:16:42,084
She'd been walking
on the opposite side of the street.

285
00:16:43,711 --> 00:16:47,047
We began talking about films.
Back then, I was obsessed. I told her…

286
00:16:47,131 --> 00:16:50,217
KIM MIN HYANG, JOINED YELLOW DOOR
AS A YONSEI ENGLISH GRADUATE

287
00:16:50,300 --> 00:16:53,095
…I had some interest in film.
She said, "Really? I'm in this film group,

288
00:16:53,178 --> 00:16:56,765
and we're going to watch a Turkish film
called The Way. Do you want to come?"

289
00:16:57,766 --> 00:16:59,810
So I said, "Sure, let's do it."

290
00:16:59,893 --> 00:17:03,814
That's how I got involved in Yellow Door.
Her name was Lim Hoon-a.

291
00:17:04,398 --> 00:17:06,692
Hmm. Yes.

292
00:17:07,192 --> 00:17:08,360
Well, now,

293
00:17:09,319 --> 00:17:10,404
I'm remembering.

294
00:17:11,155 --> 00:17:13,407
I actually knew her before then.

295
00:17:13,907 --> 00:17:17,077
The College of Liberal Arts put on a play.

296
00:17:18,203 --> 00:17:20,873
It was called Jesus of Gold Crown,

297
00:17:21,623 --> 00:17:24,668
and this cool student
played the role of Jesus.

298
00:17:25,419 --> 00:17:27,504
It was very impressive,

299
00:17:27,588 --> 00:17:30,549
and the actor who played that role
was Min Hyang.

300
00:17:34,928 --> 00:17:37,765
Back then, there wasn't
any type of organization.

301
00:17:37,848 --> 00:17:40,851
CHANG EUN-SIM, JOINED YELLOW DOOR
AS A YONSEI ASTROMETEOROLOGY GRADUATE

302
00:17:40,934 --> 00:17:43,479
We joined the club because we loved films
and wanted to study them.

303
00:17:43,562 --> 00:17:44,688
That's what I remember.

304
00:17:44,772 --> 00:17:46,857
I remember this story about Eun-sim.

305
00:17:47,566 --> 00:17:50,235
One day, she brought in a male bust.

306
00:17:50,903 --> 00:17:55,783
It's usually used by art students.
And she told us all to start sketching it.

307
00:17:55,866 --> 00:17:59,286
It was so random
that she suddenly wanted us to draw.

308
00:17:59,369 --> 00:18:01,455
I had no idea why she brought it.

309
00:18:02,414 --> 00:18:05,834
But a few people began drawing,
so the club had

310
00:18:06,502 --> 00:18:07,586
many quirky people.

311
00:18:08,754 --> 00:18:11,215
It was a tiny, little space we were in.

312
00:18:11,298 --> 00:18:14,802
We had a table in the middle
which fit around seven people.

313
00:18:16,178 --> 00:18:20,224
We just chatted. We'd watch a film
and talk about what we thought.

314
00:18:21,225 --> 00:18:24,061
We'd share and discuss things
we'd heard elsewhere.

315
00:18:24,144 --> 00:18:25,395
That was the level we were at.

316
00:18:26,980 --> 00:18:28,732
Jong-tae didn't have any plans,

317
00:18:28,816 --> 00:18:31,568
which we loved because that meant
there were no constraints.

318
00:18:32,069 --> 00:18:33,445
How can I put this?

319
00:18:33,529 --> 00:18:35,781
Everyone was an outcast.

320
00:18:37,908 --> 00:18:41,912
Yes. The band.
Jong-tae and five children.

321
00:18:43,288 --> 00:18:47,709
People who were like liquid
came together and had dreams like gas.

322
00:18:50,921 --> 00:18:52,047
Why, in the early '90s,

323
00:18:52,131 --> 00:18:54,383
did we get together like madmen
to study film?

324
00:18:54,466 --> 00:18:58,387
During that time, everyone was
very active in social movements,

325
00:18:58,470 --> 00:18:59,680
reaching their limits.

326
00:18:59,763 --> 00:19:04,101
Perestroika and glasnost happened.
The Soviet Union collapsed.

327
00:19:04,601 --> 00:19:07,604
You're making
such a macroscopic analysis of this.

328
00:19:07,688 --> 00:19:10,440
-But then--
-But there were a lot of people like us.

329
00:19:10,524 --> 00:19:14,111
A lot of clubs got together to study film,
but I don't know why.

330
00:19:15,696 --> 00:19:16,530
I'm not sure.

331
00:19:16,613 --> 00:19:19,992
But for me, I started studying film
so I could find myself.

332
00:19:20,075 --> 00:19:21,869
-Find yourself?
-Yes.

333
00:19:23,120 --> 00:19:25,539
I wanted to find something that I liked.

334
00:19:26,540 --> 00:19:30,252
When we were students, we supported
bringing down the dictatorship

335
00:19:30,335 --> 00:19:33,255
and opposed the revision
of the Constitution.

336
00:19:33,338 --> 00:19:37,342
I think everybody, including myself,
felt empty once that was over,

337
00:19:37,426 --> 00:19:39,386
even though I didn't do anything notable.

338
00:19:40,846 --> 00:19:42,931
So we didn't know what to do next.

339
00:19:44,641 --> 00:19:48,437
We had no idea what to do
with all of this energy we had.

340
00:19:50,147 --> 00:19:52,441
Our movement was already over,

341
00:19:52,524 --> 00:19:55,194
so we came together
like a cluster of dust.

342
00:19:56,737 --> 00:20:01,200
Or, to put it nicely,
we came together like a ripening grape.

343
00:20:03,327 --> 00:20:04,953
In the early to mid-2000s,

344
00:20:05,037 --> 00:20:08,373
I'd be asked at overseas film festivals
how Korean films suddenly--

345
00:20:08,457 --> 00:20:09,833
Broke through?

346
00:20:09,917 --> 00:20:13,712
We had films suddenly becoming popular,
which drew attention of film festivals.

347
00:20:13,795 --> 00:20:16,465
They didn't know
where these directors were coming from.

348
00:20:16,548 --> 00:20:18,634
"What on earth happened?"

349
00:20:19,468 --> 00:20:21,929
So I'd bring up Yellow Door.

350
00:20:22,012 --> 00:20:23,764
Take me, for example.

351
00:20:24,932 --> 00:20:26,934
I'm a first-generation cinephile.

352
00:20:27,935 --> 00:20:31,521
Our generation was probably
the first generation of cinephiles

353
00:20:31,605 --> 00:20:34,316
who began to carefully study films
and eventually

354
00:20:35,484 --> 00:20:37,653
became directors in the industry.

355
00:20:38,403 --> 00:20:41,865
When I said that stuff, it made it easier
for them to write their articles.

356
00:20:43,617 --> 00:20:46,745
So I said,
"Oh, there was this generation, and…"

357
00:20:47,871 --> 00:20:50,958
Today, the committee opposing
the state ban

358
00:20:51,041 --> 00:20:55,045
of the screening
of The Night Before Strike, a 16 mm film…

359
00:20:56,421 --> 00:20:59,424
Jangsangot Hawks
was a superstar back then.

360
00:21:00,634 --> 00:21:04,263
They had a lot of fans
who anticipated their films every year.

361
00:21:05,555 --> 00:21:07,975
Film Studio Youth was also good.

362
00:21:10,269 --> 00:21:13,981
After Cinematheque 1895
changed its name to SA/sé,

363
00:21:14,064 --> 00:21:17,985
it became renowned as
the longest running private cinematheque.

364
00:21:18,986 --> 00:21:21,238
It was like all these cinephiles
who'd been hiding

365
00:21:21,321 --> 00:21:24,116
suddenly starting spilling out
into the streets for some reason.

366
00:21:24,199 --> 00:21:26,743
THE NIGHT BEFORE STRIKE
JANGSANGOT HAWKS, 1990

367
00:21:26,827 --> 00:21:29,371
HOMO VIDEOCUS
BYUN HYUK, E J-YONG, 1990

368
00:21:30,706 --> 00:21:34,793
I think it had something to do
with the craziness of the '90s.

369
00:21:43,218 --> 00:21:44,678
Here's what I think.

370
00:21:44,761 --> 00:21:47,597
The government must've put something
in the water supply.

371
00:21:48,390 --> 00:21:51,226
It felt like a project
that turned everyone into cinephiles.

372
00:21:59,860 --> 00:22:01,653
JANGSANGOT HAWKS

373
00:22:02,779 --> 00:22:04,364
CINEMATHEQUE 1895

374
00:22:04,448 --> 00:22:06,199
INDEPENDENT FILM ASSOCIATION

375
00:22:06,283 --> 00:22:08,201
Compared to these groups…

376
00:22:08,285 --> 00:22:11,038
YELLOW DOOR, BARITEAU,
FILM STUDIO REALITY, PURN PRODUCTION

377
00:22:11,121 --> 00:22:12,205
…Yellow Door was mysterious.

378
00:22:12,289 --> 00:22:15,375
-Jangsangot Hawks was the Premier League.
-Yes.

379
00:22:16,501 --> 00:22:20,088
Film Studio Youth, Jung Ji-woo's Youth,
was like the Bundesliga.

380
00:22:20,172 --> 00:22:23,300
-We were amateurs.
-And we were an amateur club.

381
00:22:24,343 --> 00:22:27,179
I had to pay tuition
for my fourth semester.

382
00:22:27,804 --> 00:22:29,348
It felt like a waste.

383
00:22:32,309 --> 00:22:35,020
I realized that I could buy
a lot of great materials

384
00:22:35,103 --> 00:22:38,106
with the money that I would've spent
on that tuition.

385
00:22:39,232 --> 00:22:43,153
I decided to get myself
in some serious trouble, so…

386
00:22:44,196 --> 00:22:46,365
HONGDAE

387
00:22:46,448 --> 00:22:47,991
So I founded the film institute.

388
00:22:51,495 --> 00:22:53,372
My family had no idea.

389
00:23:01,838 --> 00:23:06,093
"YELLOW DOOR" FILM INSTITUTE, UNIT 202
SECOND FLOOR, GYEONGSEO BUILDING

390
00:23:06,176 --> 00:23:07,844
Back then, the Yellow Door Institute

391
00:23:07,928 --> 00:23:10,347
was on the second floor
of a building in Seogyo-dong.

392
00:23:10,430 --> 00:23:12,432
KIM DAE-YUP, YELLOW DOOR MEMBER

393
00:23:12,516 --> 00:23:13,809
It was…

394
00:23:15,185 --> 00:23:17,437
a rectangular building like this.

395
00:23:19,064 --> 00:23:20,690
A hallway in the middle,

396
00:23:22,442 --> 00:23:25,862
and the Yellow Door Institute
was right here. This was the door.

397
00:23:29,324 --> 00:23:31,284
When you opened the door,

398
00:23:33,203 --> 00:23:35,831
you'd see a round table to your left.

399
00:23:36,498 --> 00:23:38,625
That's where Joon Ho usually studied.

400
00:23:41,586 --> 00:23:43,004
Near the front…

401
00:23:43,088 --> 00:23:44,256
LATEST-MODEL JOG SHUTTLE VTR

402
00:23:44,339 --> 00:23:48,427
…there was a tiny TV
we'd often use to watch music videos.

403
00:23:48,510 --> 00:23:49,719
A HUGE 25-INCH TV

404
00:23:50,804 --> 00:23:53,098
We painted
all the furniture yellow.

405
00:23:54,349 --> 00:23:55,976
Didn't Dae-yup paint with us?

406
00:23:56,059 --> 00:23:58,395
I remember you and Jong-tae
brought the paint.

407
00:23:58,478 --> 00:24:03,108
The furniture wasn't that color at first,
but you two said, "Let's go all yellow."

408
00:24:03,733 --> 00:24:05,193
That's what you did, right?

409
00:24:10,073 --> 00:24:12,909
Back then, I really liked yellow
for some reason.

410
00:24:12,993 --> 00:24:14,369
Specifically bright yellow.

411
00:24:14,453 --> 00:24:16,663
I thought it was a beautiful color.

412
00:24:18,415 --> 00:24:20,417
From what I recall,
I just had some yellow paint.

413
00:24:20,500 --> 00:24:24,546
I'd done some construction work elsewhere
and had some paint left over.

414
00:24:25,547 --> 00:24:27,048
The paint just happened to be yellow.

415
00:24:27,132 --> 00:24:31,261
There was no point of buying other paint,
so we ended up painting the place yellow.

416
00:24:31,344 --> 00:24:33,013
It didn't mean anything, actually.

417
00:24:34,306 --> 00:24:37,267
-It wasn't originally called Yellow Door.
-No.

418
00:24:37,350 --> 00:24:39,644
-It was The Film Institute.
-The Film Institute.

419
00:24:40,770 --> 00:24:42,981
Then we started studying
semiology and stuff.

420
00:24:43,064 --> 00:24:45,233
-Then it ended up as Yellow Door, right?
-Yes.

421
00:24:46,026 --> 00:24:49,112
We started talking about
things like signified and signifier.

422
00:24:49,196 --> 00:24:51,156
This is really embarrassing.

423
00:24:51,239 --> 00:24:52,908
We put meaning into things.

424
00:24:54,659 --> 00:24:56,828
-We packaged it that way.
-Yes. Yes.

425
00:24:57,746 --> 00:25:01,374
Our knowledge was limited
about film, but we eagerly talked.

426
00:25:02,876 --> 00:25:05,545
Like, the signified and signifier
don't match.

427
00:25:05,629 --> 00:25:07,297
There's an actual yellow door.

428
00:25:07,380 --> 00:25:09,090
Yes.

429
00:25:09,174 --> 00:25:10,675
KIM YOON-A, YELLOW DOOR MEMBER

430
00:25:10,759 --> 00:25:13,345
Maybe that's why the critiquing department
was called S-S.

431
00:25:13,428 --> 00:25:15,555
-Signifiant, signifié.
-I think that's right.

432
00:25:15,639 --> 00:25:16,765
SA/SÉ

433
00:25:16,848 --> 00:25:18,642
The same goes for SA/sé.

434
00:25:18,725 --> 00:25:20,519
-Yes.
-Signifiant, signifié.

435
00:25:20,602 --> 00:25:24,564
There was a famous cinematheque
in Daehak-ro, and they used that name too.

436
00:25:25,524 --> 00:25:28,151
We brought up signifiant and signifié
with everything.

437
00:25:28,235 --> 00:25:29,444
Right.

438
00:25:30,862 --> 00:25:35,325
I mean, the words signifiant and signifié
were so unfamiliar to us at the time.

439
00:25:36,076 --> 00:25:38,995
I guess we were just proud of ourselves
for learning that concept.

440
00:25:39,579 --> 00:25:41,915
Why were we so obsessed with semiology?

441
00:25:43,041 --> 00:25:44,834
Semiology, postmodernism…

442
00:25:44,918 --> 00:25:46,753
-Postmodernism.
-Post-structuralism.

443
00:25:46,836 --> 00:25:48,129
-Roland Barthes.
-Right.

444
00:25:48,213 --> 00:25:50,465
Those were kind of fads back then.

445
00:25:52,634 --> 00:25:55,887
We barely understood anything,
but we still held seminars.

446
00:25:55,971 --> 00:25:57,347
That's how we worked.

447
00:25:58,557 --> 00:26:01,309
I'm not sure
if people still do this these days,

448
00:26:01,393 --> 00:26:04,354
but at our university,
these photocopy places

449
00:26:04,437 --> 00:26:08,525
had a lot of renowned,
original book copies on display.

450
00:26:10,860 --> 00:26:12,988
A lot of them were collections too.

451
00:26:13,071 --> 00:26:15,323
Jong-tae would say,
"We have to get these."

452
00:26:15,407 --> 00:26:18,243
-We'd go, and--
-No, it wasn't like that.

453
00:26:18,326 --> 00:26:21,329
I just took everything.
I don't know what they said.

454
00:26:22,914 --> 00:26:24,833
I bought entire collections.

455
00:26:25,709 --> 00:26:29,546
We picked out a few of them
and did some things. Like…

456
00:26:29,629 --> 00:26:32,257
We studied Dudley Andrew's book together.

457
00:26:32,340 --> 00:26:33,300
So…

458
00:26:34,759 --> 00:26:37,053
-Dudley Andrew.
-Dudley Andrew.

459
00:26:37,137 --> 00:26:38,096
He was a tough one.

460
00:26:38,179 --> 00:26:40,974
Translating that book
gave me a headache.

461
00:26:42,475 --> 00:26:45,478
Min Hyang was good at English.
She studied English.

462
00:26:46,479 --> 00:26:48,732
I had no idea though.

463
00:26:49,316 --> 00:26:51,735
Other members
were just so-so at English.

464
00:26:52,402 --> 00:26:53,820
BAN SE-BUM
JOINED YELLOW DOOR

465
00:26:53,903 --> 00:26:56,197
How many years
had you been in a doctoral program

466
00:26:56,281 --> 00:26:57,407
when you were with us?

467
00:26:58,533 --> 00:27:00,577
I started right before my program.

468
00:27:00,660 --> 00:27:02,245
It was right before?

469
00:27:02,329 --> 00:27:04,831
-Yes, it was.
-But we always called you Dr. Ban.

470
00:27:04,914 --> 00:27:06,082
Yes, Dr. Ban.

471
00:27:06,875 --> 00:27:10,045
You thought I'd be a doctor
before I even started.

472
00:27:10,629 --> 00:27:13,757
We gave you a weird nickname. Philology.

473
00:27:13,840 --> 00:27:16,426
EXEGETICS: A STUDY OF DIFFICULT WORDS
AND PHRASES IN CONFUCIAN TEXTS

474
00:27:17,010 --> 00:27:18,011
We did that.

475
00:27:19,137 --> 00:27:21,181
I remember when we'd have seminars,

476
00:27:21,264 --> 00:27:23,767
we'd each have a few pages we translated.

477
00:27:23,850 --> 00:27:24,976
If anything was wrong,

478
00:27:25,060 --> 00:27:28,647
you'd point it out and say,
"Hey, this isn't the right translation."

479
00:27:29,147 --> 00:27:30,106
I was called that

480
00:27:30,190 --> 00:27:32,233
because I looked at the meaning
behind every word

481
00:27:32,317 --> 00:27:34,027
and suggested how to translate them.

482
00:27:35,904 --> 00:27:38,782
Theoretical seminars seem great
in the moment,

483
00:27:39,282 --> 00:27:41,701
but you never remember anything
when they're done.

484
00:27:43,286 --> 00:27:45,038
You were already working in the industry

485
00:27:45,121 --> 00:27:47,415
for Director Kim Sung-su's team
by then, right?

486
00:27:47,499 --> 00:27:50,627
KIM SEOK-WOO, JOINED YELLOW DOOR
AS AN EASTERN PHILOSOPHY MAJOR

487
00:27:50,710 --> 00:27:53,588
A lot of us were working on short films
which were being shot on 16 mm.

488
00:27:54,631 --> 00:27:58,009
Dae-yup, do you remember Beat?
Jung Woo-sung's Beat?

489
00:27:58,093 --> 00:27:59,219
I do.

490
00:27:59,302 --> 00:28:01,846
Seok-woo was the assistant director
on that.

491
00:28:01,930 --> 00:28:03,348
Ah, I see.

492
00:28:03,431 --> 00:28:05,809
Back then,
Director Kim Sung-su's team

493
00:28:05,892 --> 00:28:07,060
was already renowned.

494
00:28:07,143 --> 00:28:09,187
That team was really tough.

495
00:28:10,105 --> 00:28:15,026
The people who lived through
being on that team became very…

496
00:28:15,944 --> 00:28:19,447
Among our group, Seok-woo was the first
to get real-world experience.

497
00:28:20,156 --> 00:28:22,450
It must've been interesting for you.

498
00:28:23,952 --> 00:28:26,413
It'd be mean to say it must've been funny.

499
00:28:26,496 --> 00:28:30,083
But you came to Yellow Door
after working on actual sets.

500
00:28:31,334 --> 00:28:35,630
We were all excited to have seminars
about books in their original languages.

501
00:28:35,714 --> 00:28:37,090
We were very academic.

502
00:28:37,173 --> 00:28:40,093
But this must've looked
ridiculous to you, right?

503
00:28:40,969 --> 00:28:43,471
We had weird seminars with English books,

504
00:28:43,555 --> 00:28:45,640
underlining them with Se-bum.

505
00:28:45,724 --> 00:28:46,891
What was that like?

506
00:28:47,642 --> 00:28:50,019
At first, it seemed like you were all

507
00:28:51,354 --> 00:28:52,772
a bunch of amateurs.

508
00:28:52,856 --> 00:28:53,982
Amateurs.

509
00:28:54,899 --> 00:28:56,609
I felt pretty arrogant.

510
00:29:00,613 --> 00:29:02,282
I'm sorry I was like that.

511
00:29:03,283 --> 00:29:04,909
No, I didn't mean that.

512
00:29:06,327 --> 00:29:08,580
I was dying to make a short film,

513
00:29:08,663 --> 00:29:11,791
but I didn't know anything,
and I hadn't ever done anything.

514
00:29:11,875 --> 00:29:16,296
So I thought, "If I get on Seok-woo's
good side and learn from him,

515
00:29:16,379 --> 00:29:18,631
I might be able to start something."

516
00:29:19,632 --> 00:29:23,344
Yoon-a, were you already
in graduate school at that point?

517
00:29:24,304 --> 00:29:27,515
I started in the second semester
of my graduate program.

518
00:29:28,266 --> 00:29:30,393
Weren't you about to study abroad?

519
00:29:30,977 --> 00:29:32,437
I was married at that point.

520
00:29:33,897 --> 00:29:34,856
Really?

521
00:29:38,234 --> 00:29:39,986
I actually had just gotten married,

522
00:29:40,069 --> 00:29:42,363
so I couldn't
participate in Yellow Door as much.

523
00:29:42,447 --> 00:29:44,991
I was still a good member
but couldn't do any more.

524
00:29:45,074 --> 00:29:47,410
-So you--
-My life was too hectic.

525
00:29:47,494 --> 00:29:48,870
You were like Dae-yup.

526
00:29:49,579 --> 00:29:52,499
-You were in the grown-up group.
-Yes, afterwards.

527
00:29:52,582 --> 00:29:53,875
If you put us in groups,

528
00:29:53,958 --> 00:29:57,170
we had the grown-up group,
and the kids, the student group.

529
00:29:58,171 --> 00:30:01,674
Whenever I talked with Yoon-a,
I never spoke to her informally.

530
00:30:01,758 --> 00:30:04,469
It wasn't just about
getting closer as friends.

531
00:30:05,220 --> 00:30:08,890
I knew she was a married woman,
so I thought I'd treat her as a grown-up.

532
00:30:08,973 --> 00:30:09,974
Come on!

533
00:30:11,643 --> 00:30:14,270
-What is that?
-Please speak.

534
00:30:14,354 --> 00:30:16,689
Before we continue, can I ask a question?

535
00:30:17,273 --> 00:30:19,901
Does anyone else remember
us ordering food a lot?

536
00:30:19,984 --> 00:30:20,819
Hmm.

537
00:30:21,444 --> 00:30:25,949
Yes, and we started calling the place
Yellow Door whenever we'd order Chinese.

538
00:30:27,826 --> 00:30:29,369
Whenever we'd order something, we'd say,

539
00:30:29,452 --> 00:30:32,413
"Come to the unit
with the yellow door on the second floor."

540
00:30:32,497 --> 00:30:33,790
That's how we became Yellow Door.

541
00:30:35,333 --> 00:30:36,793
That's why we were Yellow Door.

542
00:30:38,169 --> 00:30:40,755
Yes. When someone wanted to visit us,
we'd say,

543
00:30:40,839 --> 00:30:43,258
"You'll see a yellow door.
That's our door."

544
00:30:43,341 --> 00:30:46,511
Then Jong-tae said,
"Hey, we should just be the Yellow Door,"

545
00:30:46,594 --> 00:30:48,763
and that's what the name means.

546
00:30:52,642 --> 00:30:55,478
When we talked about films,
people would give examples,

547
00:30:55,562 --> 00:30:57,689
but I'd never seen these films.

548
00:30:58,189 --> 00:31:00,316
I didn't know
what they were talking about.

549
00:31:01,359 --> 00:31:05,697
Take The Cabinet of Dr. Caligari,
an example of a German expressionist film.

550
00:31:05,780 --> 00:31:09,492
We only had a screenshot of the film
in a book because we couldn't watch it.

551
00:31:09,576 --> 00:31:12,161
We imagined the film while studying it.

552
00:31:12,912 --> 00:31:15,456
When we wanted to watch
The Arrival of a Train,

553
00:31:15,540 --> 00:31:17,792
we had to make copies onto videotapes.

554
00:31:17,876 --> 00:31:20,336
But these days with YouTube,
you can find everything.

555
00:31:20,420 --> 00:31:23,339
THE ARRIVAL OF A TRAIN
THE LUMIÉRE BROTHERS, 1895

556
00:31:24,549 --> 00:31:27,844
So what now?
Our priority was watching films,

557
00:31:27,927 --> 00:31:31,222
so our mission was to obtain films
in order to watch them.

558
00:31:31,723 --> 00:31:35,685
Whenever we heard that someone had a film,
we'd go get it and copy it.

559
00:31:36,603 --> 00:31:38,855
We'd borrow it and copy it.

560
00:31:40,315 --> 00:31:42,650
That was the institute's biggest job,

561
00:31:42,734 --> 00:31:46,446
and Director Bong…
was put in charge of that.

562
00:31:47,822 --> 00:31:49,949
Back in the day, there weren't many places

563
00:31:50,033 --> 00:31:52,577
that you could go
to borrow these films from.

564
00:31:52,660 --> 00:31:54,287
But Director Bong had a knack

565
00:31:54,370 --> 00:31:57,457
for finding these so-called art films
for Yellow Door.

566
00:31:58,291 --> 00:32:00,877
Copies couldn't be made
digitally back then,

567
00:32:00,960 --> 00:32:05,381
so we had to watch the film from the start
until the videotape was completely copied.

568
00:32:05,465 --> 00:32:06,883
We had no other choice.

569
00:32:06,966 --> 00:32:09,594
If we made two copies,
we had to watch it twice.

570
00:32:10,136 --> 00:32:13,014
Then the video would be copied
a third and fourth time.

571
00:32:13,097 --> 00:32:15,558
If you made copies
of the original repeatedly,

572
00:32:15,642 --> 00:32:18,019
you'd start seeing static everywhere.

573
00:32:18,645 --> 00:32:20,188
And when you copied one from the US,

574
00:32:20,271 --> 00:32:23,107
you'd always see the FBI warning
at the start.

575
00:32:23,191 --> 00:32:25,318
WHOLESOME VIDEOS
ARE LIKE GREAT ENVIRONMENTS

576
00:32:25,401 --> 00:32:27,737
Korean videos would show
tigers and smallpox

577
00:32:27,820 --> 00:32:29,656
to discourage us
from making illegal copies.

578
00:32:29,739 --> 00:32:34,243
A single video
may change a person's future.

579
00:32:34,827 --> 00:32:37,497
But the only way to watch them

580
00:32:37,580 --> 00:32:39,207
was to make copies.

581
00:32:39,457 --> 00:32:44,003
THIS FILM IS DEDICATED
TO MONOGRAM PICTURES

582
00:32:44,754 --> 00:32:47,298
We'd write the title
on the back of the tape,

583
00:32:47,382 --> 00:32:48,800
usually on a sticker.

584
00:32:48,883 --> 00:32:51,803
But it didn't seem cool
to see it in Korean.

585
00:32:53,471 --> 00:32:56,224
BREATHLESS
JEAN-LUC GODARD, 1960

586
00:32:56,307 --> 00:32:59,560
So I'd write the titles
of Godard's films in French.

587
00:32:59,644 --> 00:33:04,148
I could've just written the Korean title,
Do As You Like. That would've been fine.

588
00:33:04,232 --> 00:33:06,943
But I wrote it in French.
I knew the spelling.

589
00:33:07,026 --> 00:33:10,363
A, B-O-U-T, D-E, S-O-U-F-F-L-E.

590
00:33:10,446 --> 00:33:13,449
Is it pronounced À bout de souffle?
I still don't know.

591
00:33:13,533 --> 00:33:15,159
People who speak French would.

592
00:33:16,160 --> 00:33:19,414
When you print something out,
you can see where everything is.

593
00:33:19,497 --> 00:33:21,749
I'd put the printed titles
on something bright

594
00:33:21,833 --> 00:33:23,292
and put stickers on them.

595
00:33:24,210 --> 00:33:27,505
I put those in the printer
so the titles would be perfectly placed.

596
00:33:27,588 --> 00:33:29,257
These went on the tapes.

597
00:33:29,841 --> 00:33:31,759
I put such petty skills to use.

598
00:33:32,677 --> 00:33:35,096
If you looked at the videotapes
from Yellow Door,

599
00:33:35,179 --> 00:33:37,098
there'd be a few handwritten titles.

600
00:33:37,181 --> 00:33:38,391
But eventually,

601
00:33:39,434 --> 00:33:41,102
they all had printed-out labels.

602
00:33:42,770 --> 00:33:46,107
Later on, I think we were more obsessed
with copying all of these films

603
00:33:46,190 --> 00:33:48,860
and adding more to our collection.

604
00:33:51,487 --> 00:33:53,531
Obsession motivates enthusiasts.

605
00:33:53,614 --> 00:33:55,408
VIDEO LIBRARY LIST
MANAGED BY BONG (SINCE 1992)

606
00:33:55,491 --> 00:33:57,326
The behaviors look odd
on the outside.

607
00:33:58,286 --> 00:34:02,582
But for the enthusiast,
it's natural to become very passionate.

608
00:34:03,791 --> 00:34:06,461
I became obsessed with getting more films.

609
00:34:08,212 --> 00:34:09,797
Today, we use spreadsheets,

610
00:34:09,881 --> 00:34:12,842
but back then,
we had to write everything down by hand.

611
00:34:14,552 --> 00:34:15,595
Actually,

612
00:34:16,637 --> 00:34:19,807
I think I learned
how to use a mouse from Joon Ho.

613
00:34:21,267 --> 00:34:24,854
He'd tell me, "This looks like a mouse,
so it's called a mouse."

614
00:34:25,563 --> 00:34:27,523
-1992.
-1992.

615
00:34:27,607 --> 00:34:29,358
"Video Library List."

616
00:34:29,442 --> 00:34:32,278
"Managed by Bong."

617
00:34:32,361 --> 00:34:34,864
-We had this.
-What are these stars for?

618
00:34:35,448 --> 00:34:37,575
-I wonder.
-Ones we couldn't lose?

619
00:34:37,658 --> 00:34:39,869
Maybe. Something like that.

620
00:34:39,952 --> 00:34:44,123
Battleship Potemkin.
Before the Revolution. We got them all.

621
00:34:44,207 --> 00:34:46,876
Maybe the starred ones are the ones…

622
00:34:46,959 --> 00:34:50,171
-We wouldn't rent out?
-Yeah, something like that.

623
00:34:51,089 --> 00:34:54,092
The Conversation by Coppola.
Remember watching this together?

624
00:34:54,175 --> 00:34:55,009
Yes, I do.

625
00:34:55,676 --> 00:34:57,178
We bought a few tapes too.

626
00:34:57,762 --> 00:34:59,180
Like in Hwanghak-dong.

627
00:34:59,263 --> 00:35:00,723
At wholesale stores.

628
00:35:00,807 --> 00:35:04,227
Yes, there were people in the street
selling cheap videos from carts.

629
00:35:05,436 --> 00:35:08,147
-The tapes there were 2,500 won each.
-2,500 won.

630
00:35:08,231 --> 00:35:10,358
-It was like a treasure hunt.
-Yes.

631
00:35:10,441 --> 00:35:13,444
Because amongst
piles of weird, lousy films,

632
00:35:14,153 --> 00:35:18,199
I'd find films by directors like
Kim Ki-young, or Dušan Makavejev,

633
00:35:18,282 --> 00:35:20,201
or something by Abel Ferrara.

634
00:35:20,284 --> 00:35:23,329
-Andrzej Wajda.
-King of New York. Andrzej Wajda.

635
00:35:24,622 --> 00:35:27,917
These films were hidden,
and they had oddly translated titles.

636
00:35:28,000 --> 00:35:30,503
-Exactly.
-It took a sixth sense to find them.

637
00:35:31,754 --> 00:35:33,005
Director Kim Hong-joon

638
00:35:33,089 --> 00:35:36,968
was often the person who I'd get
a list of new films, info, or tips from.

639
00:35:37,051 --> 00:35:39,387
-I see.
-A first-generation cinephile.

640
00:35:39,470 --> 00:35:41,722
Now the director
of the Korean Film Archive.

641
00:35:41,806 --> 00:35:44,809
KIM HONG-JOON, FILM DIRECTOR
DIRECTOR OF KOREAN FILM ARCHIVE

642
00:35:44,892 --> 00:35:46,894
And he published a book
with a long title.

643
00:35:46,978 --> 00:35:49,188
Two or Three Things I Know About Film.

644
00:35:49,272 --> 00:35:51,399
It did pretty well
in the early '90s.

645
00:35:51,482 --> 00:35:53,734
A lot of people like us bought that book.

646
00:35:54,986 --> 00:35:57,113
If it was the '60s or '70s,

647
00:35:57,196 --> 00:36:00,700
when it was impossible to watch
any films mentioned in the book,

648
00:36:00,783 --> 00:36:02,702
the book would've been useless.

649
00:36:03,286 --> 00:36:06,330
And if films were as easily accessible
as they are now,

650
00:36:06,414 --> 00:36:08,833
the information
wouldn't have been as useful.

651
00:36:10,376 --> 00:36:12,587
Back then, a limited number of films
played in theaters.

652
00:36:12,670 --> 00:36:16,757
When the videotape market began to rise,
countless films became widely available,

653
00:36:16,841 --> 00:36:20,052
but there was no way to tell
which were good and which were bad.

654
00:36:24,974 --> 00:36:26,225
He'd say things like,

655
00:36:26,309 --> 00:36:30,188
"You might not know that this director's
work was published under this title,

656
00:36:30,271 --> 00:36:32,315
but the title is very absurd."

657
00:36:33,149 --> 00:36:34,984
It's called "Love and Something."

658
00:36:35,067 --> 00:36:38,112
So when you'd use that information
from the book,

659
00:36:38,905 --> 00:36:41,657
you could find it
when you were in Hwanghak-dong.

660
00:36:42,783 --> 00:36:45,036
Director Kim Hong-joon used a pseudonym

661
00:36:45,119 --> 00:36:48,497
because the author listed on the book
wasn't named Kim Hong-joon.

662
00:36:48,581 --> 00:36:50,124
-Gu Hoe-yeong.
-Yes.

663
00:36:50,208 --> 00:36:53,127
An acronym for "a cinephile
who looks back on the '90s."

664
00:36:54,420 --> 00:36:56,672
It was the first time
my article about films

665
00:36:56,756 --> 00:36:59,050
was going to be widely distributed.

666
00:36:59,133 --> 00:37:02,136
I got a little scared
and didn't want to use my real name,

667
00:37:02,220 --> 00:37:05,181
so I made up a pseudonym, Gu Hoe-yeong.

668
00:37:05,765 --> 00:37:07,225
Later, people analyzed it

669
00:37:07,308 --> 00:37:10,895
and said it was an acronym for
"a cinephile who looks back on the '90s."

670
00:37:10,978 --> 00:37:13,147
That sounded cool, but it's not true.

671
00:37:14,023 --> 00:37:16,275
I was just trying
to come up with a pseudonym,

672
00:37:16,359 --> 00:37:18,903
so I looked through the newspaper
I had next to me.

673
00:37:18,986 --> 00:37:22,198
In the obituaries,
I saw the name Gu Yeong-hoe,

674
00:37:22,281 --> 00:37:25,493
so I just switched the two
and went with Gu Hoe-yeong.

675
00:37:26,702 --> 00:37:27,954
Don't even get me started

676
00:37:28,037 --> 00:37:31,290
on the cultural status of films
in our society back then.

677
00:37:34,293 --> 00:37:36,754
Having any kind of job
in the film industry

678
00:37:36,837 --> 00:37:39,715
was seen as a disgrace to one's family.

679
00:37:42,510 --> 00:37:44,262
How'd we have all these?

680
00:37:44,345 --> 00:37:45,721
Let's count them.

681
00:37:46,305 --> 00:37:47,139
Right.

682
00:37:47,723 --> 00:37:49,350
You're good with numbers.

683
00:37:50,142 --> 00:37:52,520
Yes, it looks like…

684
00:37:53,104 --> 00:37:54,397
Three or four hundred?

685
00:37:54,480 --> 00:37:57,650
-About 427 films.
-Not as many as I thought.

686
00:37:59,026 --> 00:38:02,029
-How many lines per page?
-There's about 30.

687
00:38:03,030 --> 00:38:04,824
There's 26 letters in the alphabet.

688
00:38:04,907 --> 00:38:07,576
I'm the type of person
who needs to count these.

689
00:38:07,660 --> 00:38:09,203
-Four, five…
-So about 20.

690
00:38:09,287 --> 00:38:10,579
Eight.

691
00:38:12,707 --> 00:38:15,668
Nine, ten, eleven. Half.

692
00:38:15,751 --> 00:38:18,379
-I think--
-Seventeen. So 17 times three…

693
00:38:18,462 --> 00:38:20,298
-That's a total of 510.
-510.

694
00:38:20,381 --> 00:38:23,050
-We had about 500 tapes.
-500.

695
00:38:23,551 --> 00:38:24,552
Only those recorded.

696
00:38:24,635 --> 00:38:26,762
-I'm sure we stopped after a while.
-We did.

697
00:38:27,513 --> 00:38:29,598
When I first visited Yellow Door,

698
00:38:29,682 --> 00:38:32,560
you were drawing this table
on a huge piece of paper.

699
00:38:33,394 --> 00:38:34,478
Table?

700
00:38:34,562 --> 00:38:37,440
Yes, on a big piece of paper.
You were good at those things.

701
00:38:37,523 --> 00:38:39,525
Was it a list of people with late fees?

702
00:38:39,608 --> 00:38:41,986
I have
an obsessive-compulsive personality,

703
00:38:42,069 --> 00:38:43,571
so I was the perfect man for the job.

704
00:38:43,654 --> 00:38:47,325
I was like the kid in class
in charge of all the little details.

705
00:38:48,367 --> 00:38:51,037
-Like the hall monitor all year long.
-Something like that.

706
00:38:51,620 --> 00:38:53,748
Instead of monitoring who was misbehaving,

707
00:38:53,831 --> 00:38:55,916
I was tracking who didn't return tapes.

708
00:38:56,917 --> 00:38:59,879
Someone told me, "It can take a year
to build the collection

709
00:38:59,962 --> 00:39:02,840
and less than a month
for it to disappear if it's mismanaged."

710
00:39:03,424 --> 00:39:06,552
I began having stricter regulations
for missing videos.

711
00:39:07,553 --> 00:39:10,097
I'd go up to people
with a scary face and ask,

712
00:39:10,181 --> 00:39:12,725
"Why won't you return
the Godard film you borrowed?"

713
00:39:18,522 --> 00:39:20,900
"You need to return it.
It's been two weeks."

714
00:39:20,983 --> 00:39:22,902
You really are despicable.

715
00:39:24,945 --> 00:39:27,740
I was just trying
to protect the collection.

716
00:39:28,157 --> 00:39:30,159
What do you mean by "despicable"?

717
00:39:38,959 --> 00:39:40,252
What's that?

718
00:39:40,336 --> 00:39:44,173
DIRECTING DEPT. "SHOCK"
THE 1ST TEXT ANALYSIS SEMINAR

719
00:39:44,882 --> 00:39:46,884
Oh my gosh.

720
00:39:50,012 --> 00:39:53,682
This is from when each of us
would watch a film and analyze it.

721
00:39:56,394 --> 00:39:58,813
"Scene analysis for different situations."

722
00:39:59,814 --> 00:40:01,816
"Apply the analysis framework below

723
00:40:01,899 --> 00:40:04,610
according to genre,
scriptwriter, and movement."

724
00:40:05,736 --> 00:40:08,864
As if we could actually do
any of this.

725
00:40:09,824 --> 00:40:13,035
We didn't know what we were
talking about, but we still did this.

726
00:40:13,119 --> 00:40:15,538
It says, "Analyze the film by scene."

727
00:40:16,705 --> 00:40:18,666
"Analyze the film by scene."

728
00:40:20,126 --> 00:40:21,961
Jog shuttle VTR.

729
00:40:22,044 --> 00:40:23,170
Safe! Out!

730
00:40:23,254 --> 00:40:24,505
-Safe!
-It's out!

731
00:40:24,588 --> 00:40:26,632
Let's check with the jog shuttle.

732
00:40:26,715 --> 00:40:28,843
The jog shuttle catches every action.

733
00:40:30,970 --> 00:40:33,347
-The jog shuttle came out.
-Yes, yes.

734
00:40:33,431 --> 00:40:34,765
These days,

735
00:40:36,183 --> 00:40:39,562
we're able to use an app on an iPhone
to edit videos.

736
00:40:40,062 --> 00:40:40,980
Yes.

737
00:40:41,063 --> 00:40:44,442
You can even add visual effects,
so this might sound primitive.

738
00:40:45,025 --> 00:40:47,361
But when the jog shuttle came out,
we were thrilled.

739
00:40:47,445 --> 00:40:48,320
Right.

740
00:40:49,238 --> 00:40:51,449
We'd make the film
go forwards and backwards

741
00:40:51,532 --> 00:40:53,826
and analyze scenes frame by frame.

742
00:40:54,452 --> 00:40:58,080
We'd study the editing
to see how double actions were made.

743
00:40:59,373 --> 00:41:02,460
The cinephiles just before us,
like Mr. Jung Sung-il,

744
00:41:02,543 --> 00:41:04,420
Director Kim Hong-joon and others,

745
00:41:05,504 --> 00:41:08,466
they went to the Goethe-Institut
and Institut Français

746
00:41:08,549 --> 00:41:10,843
just to watch the films.
They couldn't rewind them.

747
00:41:10,926 --> 00:41:11,844
Right.

748
00:41:11,927 --> 00:41:16,932
But we analyzed films for the first time
using the jog shuttle.

749
00:41:17,725 --> 00:41:22,521
It went like this.
We decided to do our first text analysis.

750
00:41:23,189 --> 00:41:26,275
I was in charge of Raging Bull
and Citizen Kane.

751
00:41:26,775 --> 00:41:30,571
I watched all these films,
like City Lights and Sacrifice.

752
00:41:32,740 --> 00:41:34,658
I probably did analyze them.

753
00:41:34,742 --> 00:41:36,702
-Do you have mine?
-Yes, we do.

754
00:41:36,785 --> 00:41:38,245
-Really?
-Yes.

755
00:41:38,329 --> 00:41:39,663
And we published this.

756
00:41:39,747 --> 00:41:43,918
YELLOW DOOR, 1ST ISSUE
SPRING 1993

757
00:41:44,001 --> 00:41:46,170
I didn't put this together by myself.

758
00:41:46,253 --> 00:41:49,215
We worked as group,
and each department played a part.

759
00:41:49,298 --> 00:41:50,925
It wasn't much, but we published it.

760
00:41:51,926 --> 00:41:56,805
The first issue was very important,
but we didn't manage to keep it going.

761
00:41:57,223 --> 00:42:00,392
BONG JOON HO, YELLOW DOOR MEMBER
DIRECTING DEPARTMENT

762
00:42:00,476 --> 00:42:01,977
I tried so hard to find this.

763
00:42:02,895 --> 00:42:05,481
-Where'd you get it?
-From Kim Yoon-a.

764
00:42:05,564 --> 00:42:07,233
-Yoon-a had it. I knew it.
-Yes.

765
00:42:07,316 --> 00:42:09,818
There's an analysis
of Coppola's The Godfather.

766
00:42:09,902 --> 00:42:12,071
-Yes.
-I drew these.

767
00:42:13,989 --> 00:42:18,619
"The Godfather was a textbook film
created with a rigid format."

768
00:42:20,829 --> 00:42:23,624
I said all this nonsense
as if I knew anything.

769
00:42:26,418 --> 00:42:29,421
-This was a part of our seminar, right?
-Yes.

770
00:42:30,798 --> 00:42:32,883
I worked very hard on this one.

771
00:42:42,560 --> 00:42:45,479
THE GODFATHER
FRANCIS FORD COPPOLA, 1972

772
00:43:01,203 --> 00:43:02,162
Right.

773
00:43:17,761 --> 00:43:18,929
The suspense.

774
00:43:21,056 --> 00:43:23,809
This is
what you just mentioned, Director Lee.

775
00:43:23,892 --> 00:43:25,644
-The control of information.
-Yes.

776
00:43:25,728 --> 00:43:28,731
The information here is
only available to the audience.

777
00:43:28,814 --> 00:43:31,984
-That's how suspense is created.
-Suspense is created.

778
00:43:32,067 --> 00:43:37,489
VIEW, SUSPENSE, CONTROL OF INFORMATION

779
00:43:50,294 --> 00:43:53,005
I should've shown this
to Director Coppola when we met,

780
00:43:53,088 --> 00:43:54,673
but I only told him about it.

781
00:43:59,845 --> 00:44:02,097
There's a film festival
held in Lyon.

782
00:44:03,098 --> 00:44:05,434
Every year, the main event is

783
00:44:06,352 --> 00:44:10,189
inviting big names in the film industry
and paying tribute to them.

784
00:44:10,272 --> 00:44:13,525
And that year,
Director Coppola was the main guest.

785
00:44:16,111 --> 00:44:18,072
They were giving him
an achievement award,

786
00:44:18,155 --> 00:44:20,199
and I was chosen as the presenter.

787
00:44:21,408 --> 00:44:25,371
I talked about this on stage.
"Back in my university days,

788
00:44:26,121 --> 00:44:27,539
I studied your films."

789
00:44:27,623 --> 00:44:31,377
"I analyzed this scene in The Godfather
in such and such way."

790
00:44:31,460 --> 00:44:32,711
Something like that.

791
00:44:34,672 --> 00:44:36,298
"Why was the camera there?"

792
00:44:37,132 --> 00:44:39,009
"Why did the shot change here?"

793
00:44:39,677 --> 00:44:41,637
Why did this scene follow that one?

794
00:44:44,098 --> 00:44:46,475
Why does this actor
look that way at this moment?

795
00:44:50,020 --> 00:44:51,647
I asked myself these questions

796
00:44:51,730 --> 00:44:55,359
and drew every scene
from The Godfather in my analysis.

797
00:44:57,778 --> 00:45:00,572
And I still feel restless and anxious.

798
00:45:02,491 --> 00:45:05,828
It hit me differently
when I met him in person on stage

799
00:45:05,911 --> 00:45:08,038
and shared those stories with him.

800
00:45:09,707 --> 00:45:12,042
It felt marvelous and surreal.

801
00:45:13,794 --> 00:45:15,087
Even to this day,

802
00:45:15,170 --> 00:45:19,133
I still watch films and keep track
of the number of cuts and shots.

803
00:45:19,633 --> 00:45:22,928
Within those shots,
I look at the lighting, mise-en-scéne,

804
00:45:23,011 --> 00:45:25,055
and all the little details.

805
00:45:27,141 --> 00:45:30,728
At first it was great,
but eventually I began wondering,

806
00:45:31,228 --> 00:45:35,315
"Do I have to study this language
and analyze everything for every film?"

807
00:45:35,399 --> 00:45:36,650
"This is so boring."

808
00:45:36,734 --> 00:45:38,485
That's what happened to me.

809
00:45:39,778 --> 00:45:42,781
I realized I couldn't analyze
every aspect of a film

810
00:45:42,865 --> 00:45:46,160
because a film's power comes from
its ability to capture you

811
00:45:46,243 --> 00:45:48,203
before you even know it.

812
00:45:49,329 --> 00:45:51,707
When we watched those films together,

813
00:45:51,790 --> 00:45:55,836
it was nice knowing that I had friends
who also wanted to watch them.

814
00:45:56,420 --> 00:45:57,796
Yellow Door was that place.

815
00:45:57,880 --> 00:46:01,425
The more we chatted, the more we learned
about things we didn't know.

816
00:46:02,259 --> 00:46:03,927
I just remembered this.

817
00:46:05,804 --> 00:46:10,058
There's an actor who lights a candle
and then covers it as he walks,

818
00:46:10,559 --> 00:46:13,270
making sure it doesn't go out.

819
00:46:14,313 --> 00:46:17,232
NOSTALGHIA
ANDREI TARKOVSKY, 1983

820
00:46:32,164 --> 00:46:35,542
It was a Tarkovsky film.
Probably too boring for me now.

821
00:46:36,543 --> 00:46:38,629
I don't know why I was so into it.

822
00:46:38,712 --> 00:46:40,589
When I saw it, I thought,

823
00:46:41,131 --> 00:46:43,926
"Films are art.
I can dedicate my life to this."

824
00:46:51,266 --> 00:46:53,852
That scene was
over five minutes long.

825
00:46:56,063 --> 00:46:58,190
"Man, is this the world of film?"

826
00:46:58,273 --> 00:47:00,776
Back then, that's what I thought.

827
00:47:02,903 --> 00:47:05,656
RAGING BULL
MARTIN SCORSESE, 1980

828
00:47:05,739 --> 00:47:08,575
Joon Ho really adored
Martin Scorsese's films.

829
00:47:11,453 --> 00:47:13,705
The original title was Raging Bull,

830
00:47:13,789 --> 00:47:17,668
but the VHS company called it
Fist of Fury.

831
00:47:19,169 --> 00:47:22,297
There were lots of problems
with the Korean subtitles in that film,

832
00:47:22,381 --> 00:47:25,884
but despite that, the boxing sequence
and everything was just…

833
00:47:27,469 --> 00:47:28,470
it was overwhelming.

834
00:47:28,554 --> 00:47:31,014
I remember everyone went crazy for it.

835
00:47:31,098 --> 00:47:35,644
Director Lee, you talked a lot about…
the editing and the camerawork.

836
00:47:36,311 --> 00:47:39,189
I was in my early days
of studying films.

837
00:47:40,315 --> 00:47:42,150
I thought scenes with complicated cuts

838
00:47:42,234 --> 00:47:45,320
and complicated camerawork
were good scenes.

839
00:47:47,906 --> 00:47:50,576
But that scene is very simple.

840
00:47:51,618 --> 00:47:52,452
You fuck my wife?

841
00:47:52,536 --> 00:47:55,122
You "beep" my wife.

842
00:47:55,205 --> 00:47:56,290
You fuck my wife?

843
00:47:56,373 --> 00:47:58,458
-What?
-You fuck my wife?

844
00:48:00,252 --> 00:48:02,379
It's simple, chilling,
and funny,

845
00:48:02,462 --> 00:48:04,214
yet you feel very sad after that scene.

846
00:48:04,298 --> 00:48:06,174
How could you ask me? I'm your brother.

847
00:48:06,258 --> 00:48:07,593
You ask me that?

848
00:48:08,844 --> 00:48:12,306
You see Joe Pesci's face,
and then a few more cuts,

849
00:48:12,389 --> 00:48:14,099
then the camera pans.

850
00:48:15,058 --> 00:48:19,021
De Niro seems very scary
as he walks up the stairs.

851
00:48:20,022 --> 00:48:23,901
And then after he goes up,
you see this crazy, wild violence.

852
00:48:25,527 --> 00:48:28,030
-It's frightening.
-Something else you'd mentioned…

853
00:48:29,281 --> 00:48:32,618
-That scene begins with a broken TV.
-De Niro is fixing it, yes.

854
00:48:33,869 --> 00:48:36,830
I remember you said
that sets the tone of the scene,

855
00:48:36,914 --> 00:48:39,750
and I thought,
"Oh, that was another element of it."

856
00:48:40,250 --> 00:48:42,127
-We said that?
-You said that.

857
00:48:43,295 --> 00:48:46,214
I don't remember a thing,
not even what happened yesterday.

858
00:48:47,174 --> 00:48:50,093
THE MAN WHO PLANTED TREES
FRÉDÉRIC BACK, 1987

859
00:48:51,178 --> 00:48:55,599
There was an animated film
called The Man Who Planted Trees.

860
00:48:56,391 --> 00:49:00,145
I guess I must've seemed
completely out of it one day because

861
00:49:01,313 --> 00:49:02,606
Hoon-a said,

862
00:49:03,774 --> 00:49:07,569
"Jong-tae, when life is hard
and you feel devastated,

863
00:49:08,946 --> 00:49:11,031
you should watch films like these."

864
00:49:12,157 --> 00:49:13,450
"It'll help you."

865
00:49:14,284 --> 00:49:15,577
It was wonderful.

866
00:49:16,662 --> 00:49:18,622
LIM HOON-A, YELLOW DOOR MEMBER
DIRECTING DEPARTMENT

867
00:49:18,705 --> 00:49:20,540
I guess I was being impolite.

868
00:49:20,624 --> 00:49:23,877
But I remember it as Jong-tae telling me
to watch that movie.

869
00:49:27,714 --> 00:49:30,467
I thought he introduced me
to a great film.

870
00:49:31,385 --> 00:49:35,347
And that film is wonderful.
I watched it many times since.

871
00:49:37,224 --> 00:49:38,558
It's my favorite film.

872
00:49:38,642 --> 00:49:41,228
My eyes are getting teary
because I'm getting old!

873
00:49:42,270 --> 00:49:43,897
You two have different memories.

874
00:49:44,731 --> 00:49:46,274
The Rashomon effect.

875
00:49:51,947 --> 00:49:54,408
-There's the yellow door.
-That's cute.

876
00:49:54,491 --> 00:49:55,492
You're right.

877
00:49:56,326 --> 00:49:58,912
-I'm directing.
-We're doing something.

878
00:49:58,996 --> 00:50:01,039
She's repeating
her wooden performance.

879
00:50:01,123 --> 00:50:01,999
Yes!

880
00:50:02,749 --> 00:50:04,501
These are 8 mm.

881
00:50:06,169 --> 00:50:08,005
These were in my box
that's been sitting at home

882
00:50:08,088 --> 00:50:10,799
for the last 30 years.
You can see everything.

883
00:50:11,800 --> 00:50:13,969
Back then, it wasn't easy
to find a good camera.

884
00:50:14,052 --> 00:50:15,178
Right.

885
00:50:15,262 --> 00:50:17,180
Especially for videos.

886
00:50:17,264 --> 00:50:19,224
-And film was expensive.
-Yes.

887
00:50:19,307 --> 00:50:22,060
-We shot with shaky hands.
-That's right.

888
00:50:22,144 --> 00:50:25,439
It was frightening to see
24 frames rolling per second.

889
00:50:34,614 --> 00:50:35,991
It was around

890
00:50:37,826 --> 00:50:39,286
1992.

891
00:50:40,412 --> 00:50:41,788
I saved money for it.

892
00:50:46,084 --> 00:50:48,086
He used the money
from his job at the study room.

893
00:50:48,170 --> 00:50:50,839
LEE DONG-HOON
MEMBER, YELLOW DOOR - DIRECTING DEPARTMENT

894
00:50:50,922 --> 00:50:52,549
I think he was paid 300,000 won per month.

895
00:50:54,551 --> 00:50:55,802
He asked, "Se-bum,

896
00:50:55,886 --> 00:50:58,138
do you think I can get a decent camera
with this money?"

897
00:50:58,221 --> 00:51:00,307
BAN SE-BUM
MEMBER, YELLOW DOOR - CRITIQUE DEPARTMENT

898
00:51:00,390 --> 00:51:03,060
We could find lots of electronics
in Sewoon Arcade and Cheonggyecheon.

899
00:51:04,311 --> 00:51:08,565
The Hitachi 8200 Super VHS
was expensive at the time.

900
00:51:09,066 --> 00:51:10,609
I bought it,

901
00:51:10,692 --> 00:51:12,986
and the next day,
I brought it to Yellow Door.

902
00:51:14,237 --> 00:51:16,865
I held it like this during the seminar.

903
00:51:17,365 --> 00:51:19,117
It was a huge camera.

904
00:51:20,994 --> 00:51:23,997
I'd flip the page with the camera
in my arms for no reason.

905
00:51:24,081 --> 00:51:25,082
I'd pat the camera.

906
00:51:26,625 --> 00:51:28,251
How can I put this?

907
00:51:28,960 --> 00:51:32,130
There was a kind of tension
after he got his first camera.

908
00:51:49,689 --> 00:51:52,651
I did all kinds
of part-time jobs with that camera,

909
00:51:52,734 --> 00:51:54,027
like shooting weddings.

910
00:51:54,528 --> 00:51:55,987
I got all kinds of jobs.

911
00:51:56,071 --> 00:51:57,864
I shot 60th birthdays,

912
00:51:57,948 --> 00:52:00,033
first birthdays, weddings, and more.

913
00:52:12,295 --> 00:52:13,713
Everyone's here, yes.

914
00:52:13,797 --> 00:52:15,841
We look great in this.
It's nice.

915
00:52:16,758 --> 00:52:19,219
Byung-hoon and Seok-woo
are next to each other.

916
00:52:20,512 --> 00:52:23,056
There's a rumor Byung-hoon
left the industry because of me.

917
00:52:23,140 --> 00:52:25,225
LEE BYUNG-HOON, JOINED YELLOW DOOR
AS A SOCIOLOGY MAJOR

918
00:52:25,308 --> 00:52:26,601
Seok-woo feels sorry.

919
00:52:28,186 --> 00:52:30,939
Because he got mad at you so much
on the set of his short film.

920
00:52:34,317 --> 00:52:37,195
-Joon Ho is hiding back there.
-What's that?

921
00:52:37,279 --> 00:52:38,113
Yes.

922
00:52:39,489 --> 00:52:41,575
I have no idea
when this was taken.

923
00:52:41,658 --> 00:52:44,703
I don't know either.
How did we end up taking this?

924
00:52:44,786 --> 00:52:46,705
Was it just the spur-of-the-moment?

925
00:52:48,665 --> 00:52:50,333
We're all dressed up too.

926
00:52:52,294 --> 00:52:54,421
Hoon-a.

927
00:52:54,504 --> 00:52:56,089
It's the same day.

928
00:52:57,299 --> 00:53:00,510
-Am I bowing to someone here?
-Maybe for a ceremony?

929
00:53:00,594 --> 00:53:01,553
That's right.

930
00:53:01,636 --> 00:53:05,015
I see
the top of the 8200 over there.

931
00:53:06,308 --> 00:53:09,144
-The opening ceremony!
-Yes, that's what this was.

932
00:53:09,227 --> 00:53:10,770
Our opening ceremony.

933
00:53:11,771 --> 00:53:13,648
I remember that pig's head.

934
00:53:13,732 --> 00:53:15,483
Hmm.

935
00:53:16,443 --> 00:53:18,528
We didn't have money
for an actual pig's head,

936
00:53:18,612 --> 00:53:20,322
so I drew that on paper.

937
00:53:20,906 --> 00:53:23,074
-Yes, that's my drawing style.
-Yeah, Joon Ho drew that.

938
00:53:23,658 --> 00:53:26,453
I wrote the ceremony's order of events
on that poster.

939
00:53:26,536 --> 00:53:28,205
-Really?
-That's his handwriting.

940
00:53:28,288 --> 00:53:29,748
-That handwriting?
-Yes.

941
00:53:29,831 --> 00:53:31,082
That's not mine.

942
00:53:32,042 --> 00:53:33,585
"Gorilla" something is written there.

943
00:53:33,668 --> 00:53:35,795
-Two, yes.
-Gorilla 2.

944
00:53:35,879 --> 00:53:37,797
-That was Gorilla 2?
-Yes.

945
00:53:37,881 --> 00:53:40,634
-So Gorilla 2 is Looking for Paradise?
-Yes, for Paradise.

946
00:53:41,551 --> 00:53:44,971
I called it Gorilla 2
as if it was a series. How embarrassing!

947
00:53:48,975 --> 00:53:51,228
There was a club
Director Choi Jong-tae made

948
00:53:51,311 --> 00:53:54,064
with some younger people
who were passionate about film.

949
00:53:54,981 --> 00:53:57,317
They were having a screening
at the end of the year.

950
00:54:00,362 --> 00:54:03,240
Choi Jong-tae,
Woo Hyun, and Ahn Nae-sang.

951
00:54:03,323 --> 00:54:05,617
Those two are both
very popular actors now.

952
00:54:06,660 --> 00:54:08,662
But they were the three musketeers.

953
00:54:08,745 --> 00:54:11,748
Hyun and Nae-sang
often visited Yellow Door.

954
00:54:12,290 --> 00:54:14,459
We had lots of drinks together too.

955
00:54:15,085 --> 00:54:16,002
Yes.

956
00:54:18,588 --> 00:54:20,423
AHN NAE-SANG - WOO HYUN

957
00:54:20,507 --> 00:54:22,592
It was a screening,
so I thought it would be grandiose,

958
00:54:22,676 --> 00:54:24,302
but it was held in a tiny office.

959
00:54:25,762 --> 00:54:27,347
I remember going to see it.

960
00:54:28,223 --> 00:54:32,143
It was kind of boring and tedious.
I thought, "This is it?"

961
00:54:33,311 --> 00:54:34,938
I almost lost interest completely.

962
00:54:39,192 --> 00:54:42,654
But as soon as Joon Ho's work
started playing, I was enthralled.

963
00:54:43,154 --> 00:54:45,407
I thought, "What is this?"

964
00:54:46,366 --> 00:54:47,242
"I want to watch it."

965
00:54:47,325 --> 00:54:49,411
I really want to see it again.
I mean it.

966
00:54:51,871 --> 00:54:54,207
What did you do
on the animated film?

967
00:54:55,041 --> 00:54:56,209
For Gorilla?

968
00:54:56,293 --> 00:54:59,546
-Yes. Were you controlling the dolls?
-We would swap.

969
00:54:59,629 --> 00:55:01,840
Were you at the camera
when I was with the dolls?

970
00:55:01,923 --> 00:55:05,343
No, the person who was less fit
was in charge of the camera.

971
00:55:05,427 --> 00:55:08,888
-Then the person who had more energy--
-You were fit, right?

972
00:55:08,972 --> 00:55:11,599
I kept moving the dolls.
We had to hang them up high too.

973
00:55:11,683 --> 00:55:13,852
-We had to use ladders.
-The dangerous things.

974
00:55:13,935 --> 00:55:14,811
I mostly did those.

975
00:55:15,854 --> 00:55:17,522
Like hanging them off a pipe?

976
00:55:18,648 --> 00:55:20,358
Yes, I thought it'd be fun.

977
00:55:20,442 --> 00:55:22,610
-At first.
-Yes, at first!

978
00:55:23,111 --> 00:55:27,198
For about two days, we shot
in the basement of the Daerim apartments,

979
00:55:27,282 --> 00:55:31,036
the place that had the pipes
in Barking Dogs Never Bite.

980
00:55:31,786 --> 00:55:34,748
We moved the stuffed gorilla
little by little while shooting there.

981
00:55:34,831 --> 00:55:36,124
It was really tough.

982
00:55:48,136 --> 00:55:51,639
The Hitachi 8200 had
a lot of complex features.

983
00:55:51,723 --> 00:55:53,558
I shot and edited with it.

984
00:55:54,059 --> 00:55:56,728
It also had a feature to insert subtitles.

985
00:55:57,354 --> 00:55:58,563
But not in Korean.

986
00:55:58,646 --> 00:56:01,107
I had to put in English subtitles.

987
00:56:01,900 --> 00:56:03,401
I don't think I had any choice

988
00:56:03,485 --> 00:56:06,654
but to make it into a silent film
with English subtitles.

989
00:56:15,413 --> 00:56:19,584
The main character, the Gorilla,
goes up on a stone and poops.

990
00:56:20,919 --> 00:56:24,172
-Yes, we had a stone.
-It pooped on top of the stone.

991
00:56:25,548 --> 00:56:29,010
The grunting the Gorilla makes
as it poops was Director Bong.

992
00:56:37,602 --> 00:56:42,232
That turns into a poop caterpillar
and attacks the Gorilla.

993
00:56:42,315 --> 00:56:43,483
And then it--

994
00:56:43,566 --> 00:56:46,653
It's embarrassing
to hear someone explain the story.

995
00:56:51,991 --> 00:56:55,286
When you think about it,
it was kind of a monster film.

996
00:56:55,370 --> 00:56:57,705
A mysterious creature appears.

997
00:56:59,332 --> 00:57:01,751
The caterpillar was made of white clay.

998
00:57:02,669 --> 00:57:05,713
I thought it would be too gross
if it was made of red clay.

999
00:57:05,797 --> 00:57:07,006
Too disgusting.

1000
00:57:07,090 --> 00:57:10,093
And they begin to fight
as the gorilla defends itself.

1001
00:57:14,347 --> 00:57:18,726
The story was about the Gorilla trying
to find someplace without these monsters.

1002
00:57:22,689 --> 00:57:25,567
The gorilla that lived
in a dark, dirty basement

1003
00:57:25,650 --> 00:57:28,319
escaped to find a place like paradise.

1004
00:57:29,279 --> 00:57:33,491
That's why it has its cheesy title,
Looking for Paradise.

1005
00:57:36,995 --> 00:57:39,998
There was a tree
in the middle of the field,

1006
00:57:40,081 --> 00:57:44,544
and the gorilla began dreaming
about picking fresh bananas off the tree.

1007
00:57:46,212 --> 00:57:48,798
A gorilla is supposed to climb trees,

1008
00:57:48,882 --> 00:57:53,136
but the gorilla in this film
climbed up gray pipes in a basement,

1009
00:57:53,219 --> 00:57:54,596
dreaming about its escape.

1010
00:58:00,685 --> 00:58:02,395
When the gorilla began to move

1011
00:58:02,479 --> 00:58:06,941
and started taking actions
to achieve its goal, I began to think…

1012
00:58:09,360 --> 00:58:12,322
"Strangely, the connection
of this simple plot and story

1013
00:58:12,405 --> 00:58:17,368
combined with cinematic imagination
has created something wonderful."

1014
00:58:31,132 --> 00:58:34,469
Maybe it was because
I wasn't a part of the film's production.

1015
00:58:34,552 --> 00:58:37,430
I had no idea
it was that difficult to shoot that film.

1016
00:58:37,514 --> 00:58:41,559
I didn't want to tell anyone
I didn't think the film was very good.

1017
00:58:43,436 --> 00:58:46,397
All of my friends who studied film
were giving him good reviews,

1018
00:58:46,481 --> 00:58:49,108
so I wasn't going to say otherwise.

1019
00:58:49,609 --> 00:58:54,739
I didn't tell them what I really thought,
and just said, "Oh, it was nicely done."

1020
00:58:56,157 --> 00:58:57,325
I was a bit…

1021
00:58:58,868 --> 00:58:59,869
cheeky.

1022
00:59:00,912 --> 00:59:02,747
And I didn't think much of it.

1023
00:59:03,331 --> 00:59:05,833
WALLACE AND GROMIT: A GRAND DAY OUT
NICK PARK, 1989

1024
00:59:05,917 --> 00:59:09,003
It's called stop-motion animation.
It's also called the stop-frame.

1025
00:59:09,087 --> 00:59:10,255
So I said,

1026
00:59:11,881 --> 00:59:15,343
"If the camera has that function,
then anybody can shoot it."

1027
00:59:16,010 --> 00:59:17,595
I was really flustered.

1028
00:59:17,679 --> 00:59:20,014
When I played it
for our end-of-the-year party,

1029
00:59:20,098 --> 00:59:22,517
my face went red
all the way up to my ears.

1030
00:59:23,810 --> 00:59:27,605
I think it was the first time
I created something with a story.

1031
00:59:28,856 --> 00:59:33,528
And there were about 15 to 20 people
there, right? They were the audience.

1032
00:59:35,113 --> 00:59:38,032
But it was the end-of-the-year party,
so everyone was like,

1033
00:59:38,116 --> 00:59:40,660
"Let's just get it over with
and start drinking."

1034
00:59:40,743 --> 00:59:42,203
But I was so nervous

1035
00:59:42,287 --> 00:59:46,124
that I remember turning completely red
all the way up to my ears.

1036
00:59:48,293 --> 00:59:50,712
That's why I turned to live-action film.

1037
00:59:50,795 --> 00:59:53,172
My animated film
was why I gave up on animation.

1038
00:59:53,256 --> 00:59:54,090
I see.

1039
00:59:54,173 --> 00:59:57,010
I could only move the doll
a little bit at a time

1040
00:59:57,093 --> 00:59:58,761
because it was stop-motion.

1041
00:59:59,721 --> 01:00:02,932
And eventually, I started feeling angry
at the main character.

1042
01:00:03,975 --> 01:00:07,186
I began to think,
"Can't you move an inch by yourself?"

1043
01:00:07,270 --> 01:00:10,398
So I turned to live-action films
because the actors move on their own.

1044
01:00:10,481 --> 01:00:11,482
Right

1045
01:00:12,025 --> 01:00:14,861
But don't you think
you were kind of crazy in those days,

1046
01:00:14,944 --> 01:00:16,487
if you think back on it?

1047
01:00:16,571 --> 01:00:19,032
We did stay up all night to film them.

1048
01:00:19,532 --> 01:00:21,701
We got there at 8:00
to set up.

1049
01:00:21,784 --> 01:00:23,494
Was it hot or cold outside?

1050
01:00:24,078 --> 01:00:26,914
I don't remember
because I was so immersed on set.

1051
01:00:27,915 --> 01:00:29,709
-I think it was cold.
-It was chilly.

1052
01:00:30,293 --> 01:00:31,628
I think we had coats on.

1053
01:00:33,004 --> 01:00:35,298
-And then your mother--
-She came downstairs.

1054
01:00:35,381 --> 01:00:38,718
It was late at night, and she looked at us
with pity, like, "Goodness, you idiots."

1055
01:00:38,801 --> 01:00:41,179
-Asked if we were done yet.
-"Are you done yet?"

1056
01:00:42,472 --> 01:00:45,558
At that time,
I was already discharged from the army.

1057
01:00:46,476 --> 01:00:48,478
And her grown-up son was in the basement

1058
01:00:48,561 --> 01:00:50,897
playing with a stuffed gorilla
in the middle of the night.

1059
01:00:50,980 --> 01:00:51,981
Right.

1060
01:00:52,565 --> 01:00:54,400
She must've been boiling inside.

1061
01:00:54,484 --> 01:00:56,694
She must've been really frustrated.

1062
01:00:59,197 --> 01:01:01,824
I believe that the essence
of Director Bong's films

1063
01:01:01,908 --> 01:01:04,118
was already established in

1064
01:01:04,994 --> 01:01:06,579
Looking for Paradise.

1065
01:01:07,997 --> 01:01:09,791
INCOHERENCE
BONG JOON HO, 1994

1066
01:01:09,874 --> 01:01:12,585
His films have
a lot of scenes in basements.

1067
01:01:13,711 --> 01:01:18,675
Oh, you can go down
to the basement and do your business.

1068
01:01:24,764 --> 01:01:29,519
The restroom in the maintenance office
is too far from here.

1069
01:01:33,231 --> 01:01:35,316
BARKING DOG NEVER BITES
BONG JOON HO, 2000

1070
01:01:35,400 --> 01:01:37,735
This is the story
from when this apartment was built.

1071
01:01:37,819 --> 01:01:40,029
Back in 1988,
when apartment construction was booming…

1072
01:01:40,113 --> 01:01:42,073
MEMORIES OF MURDER
BONG JOON HO, 2003

1073
01:01:42,198 --> 01:01:44,701
Since you got discharged
from the army

1074
01:01:44,784 --> 01:01:47,704
and came to the factory in this town,
there have been a series of incidents.

1075
01:01:47,787 --> 01:01:49,747
I don't think
this is forgery or crime.

1076
01:01:49,831 --> 01:01:51,165
PARASITE
BONG JOON HO, 2019

1077
01:01:51,249 --> 01:01:53,209
I'm going
to this university next year.

1078
01:01:53,292 --> 01:01:56,754
Oh, you had
everything planned out!

1079
01:02:00,007 --> 01:02:02,009
-I knew he'd make it.
-Yes.

1080
01:02:02,510 --> 01:02:03,678
That I knew,

1081
01:02:04,178 --> 01:02:05,138
but not this big!

1082
01:02:07,890 --> 01:02:10,768
He would say
that he's very quick with numbers

1083
01:02:10,852 --> 01:02:13,563
and that he never
wastes money on anything.

1084
01:02:14,981 --> 01:02:16,607
Woo Hyun sponsored

1085
01:02:18,192 --> 01:02:20,862
Director Bong's first short film,

1086
01:02:20,945 --> 01:02:22,113
White Collar.

1087
01:02:23,114 --> 01:02:24,991
I thought you gave him
about three million won.

1088
01:02:25,074 --> 01:02:26,743
-No.
-How much?

1089
01:02:26,826 --> 01:02:29,412
-No. I can't even remember.
-You don't?

1090
01:02:29,495 --> 01:02:31,247
-It was partial.
-Partial?

1091
01:02:31,330 --> 01:02:33,708
A partial sponsorship.
He recorded the amount.

1092
01:02:33,791 --> 01:02:35,460
-500,000.
-You sure?

1093
01:02:35,543 --> 01:02:37,754
-Yes.
-You told me it was three million.

1094
01:02:37,837 --> 01:02:39,213
-Really?
-You lied to me.

1095
01:02:39,797 --> 01:02:42,049
Hyun was there
at the end-of-the-year party,

1096
01:02:42,133 --> 01:02:44,427
and he watched my animated film.

1097
01:02:45,636 --> 01:02:47,346
Because of that,
he made a partial investment

1098
01:02:47,430 --> 01:02:49,056
in my film White Collar.

1099
01:02:49,140 --> 01:02:50,892
WHITE COLLAR
BONG JOON HO, 1994

1100
01:02:51,809 --> 01:02:54,479
He gave me money
when I shot that short film.

1101
01:02:56,522 --> 01:02:58,316
PRODUCTION FUNDING: WOO HYUN-HUI

1102
01:02:58,399 --> 01:02:59,567
"Woo Hyun-hui"?

1103
01:02:59,650 --> 01:03:01,903
Joon Ho didn't even know my name.

1104
01:03:02,487 --> 01:03:03,696
-Come on!
-Man!

1105
01:03:03,780 --> 01:03:05,907
He probably knows your name by now, right?

1106
01:03:06,908 --> 01:03:09,410
This might sound a bit awkward,

1107
01:03:10,536 --> 01:03:14,624
but this is really the first time
I've ever regretted helping someone out.

1108
01:03:16,042 --> 01:03:17,210
Not from back then.

1109
01:03:18,628 --> 01:03:20,713
But a few years later when he filmed…

1110
01:03:23,382 --> 01:03:24,342
Memories of Murder.

1111
01:03:24,425 --> 01:03:26,219
MEMORIES OF MURDER
BY BONG JOON HO

1112
01:03:26,302 --> 01:03:27,678
After I saw it…

1113
01:03:29,931 --> 01:03:32,141
my heart felt heavy and stunned.

1114
01:03:32,725 --> 01:03:35,353
I was consumed by so many emotions.

1115
01:03:36,604 --> 01:03:37,730
I thought,

1116
01:03:39,190 --> 01:03:40,691
"I should've paid for it all."

1117
01:03:44,403 --> 01:03:46,280
"For the entire film."

1118
01:03:47,240 --> 01:03:50,201
"Why was I so stingy
and only gave him that much?"

1119
01:03:50,284 --> 01:03:52,161
I actually had these thoughts.

1120
01:04:02,922 --> 01:04:06,384
At the end of the film,
we see a tree. A single tree.

1121
01:04:07,260 --> 01:04:09,470
The film was called Looking for Paradise.

1122
01:04:09,554 --> 01:04:11,472
Now that I think about it,

1123
01:04:12,515 --> 01:04:14,976
I guess everyone is looking for something.

1124
01:04:15,852 --> 01:04:17,562
That's been on my mind.

1125
01:04:20,356 --> 01:04:22,775
During the ending,
the gorilla reaches the tree

1126
01:04:22,859 --> 01:04:24,402
and stands in front of it.

1127
01:04:24,485 --> 01:04:26,112
We're looking at the back of the gorilla.

1128
01:04:26,195 --> 01:04:29,615
And as the camera slowly zooms out,
you can see…

1129
01:04:33,578 --> 01:04:38,165
that the banana tree
was a tree inside of a television.

1130
01:04:45,506 --> 01:04:47,675
I probably cried a bit at the ending.

1131
01:04:49,176 --> 01:04:53,764
It was put together so well
that you could relate to the gorilla.

1132
01:04:59,061 --> 01:05:03,316
Back then, we couldn't leave the area
or neighborhood around campus.

1133
01:05:04,442 --> 01:05:07,153
I was unemployed and unable to make money.

1134
01:05:09,322 --> 01:05:14,285
I didn't know exactly what I wanted to do,
nor did I know what I was supposed to do.

1135
01:05:15,453 --> 01:05:17,663
But I knew what I didn't want to do.

1136
01:05:21,208 --> 01:05:23,085
So, in that way,

1137
01:05:25,004 --> 01:05:26,964
I was like the gorilla.

1138
01:05:28,382 --> 01:05:29,342
Yes.

1139
01:05:37,934 --> 01:05:40,353
When you consider
the current video culture,

1140
01:05:40,436 --> 01:05:44,440
this new theater that's opening tomorrow
will become a magnificent revolution.

1141
01:05:44,523 --> 01:05:45,900
I actually already visited.

1142
01:05:45,983 --> 01:05:47,818
THE FIRST ART FILM THEATER
DONGSUNG CINEMATHEQUE

1143
01:05:47,902 --> 01:05:50,947
Everything explodes
around 1995, the 100th year of cinema.

1144
01:05:51,030 --> 01:05:54,784
The very first art film theater
will open tomorrow.

1145
01:05:59,372 --> 01:06:01,874
Outside of Russia,
Tarkovsky's Nostalghia

1146
01:06:01,958 --> 01:06:05,086
probably had the most success
at the Korean box office.

1147
01:06:05,169 --> 01:06:07,797
And 60,000 people saw Sacrifice.

1148
01:06:08,798 --> 01:06:11,592
Everyone went
and watched these kinds of films.

1149
01:06:13,135 --> 01:06:14,845
Then we all had headaches together.

1150
01:06:16,222 --> 01:06:20,434
Magazines like Cine 21 and Kino
published their first issues.

1151
01:06:20,935 --> 01:06:24,230
We would all read
Jung Sung-il's magazine articles.

1152
01:06:24,313 --> 01:06:25,815
Everyone was in a frenzy.

1153
01:06:26,816 --> 01:06:28,609
Jurassic Park,
an American film

1154
01:06:28,693 --> 01:06:30,361
that premiered a few years ago,

1155
01:06:30,444 --> 01:06:34,281
made more profit than the total
annual exports of all Korean cars.

1156
01:06:35,658 --> 01:06:38,369
KIM HYUNG-OAK,
MEMBER, YELLOW DOOR - CRITIQUE DEPARTMENT

1157
01:06:38,452 --> 01:06:41,330
In my opinion, the film industry
began to form after the mid to late '90s.

1158
01:06:41,414 --> 01:06:46,377
Someone would suddenly rise to fame
or become the chief editor of a magazine.

1159
01:06:46,460 --> 01:06:48,713
Conglomerates have joined
the film industry…

1160
01:06:48,796 --> 01:06:50,881
I think
we were also motivated

1161
01:06:50,965 --> 01:06:52,717
as we watched everything unfold.

1162
01:06:52,800 --> 01:06:54,719
CONGLOMERATES ACTIVELY
ENTERING THE NEW INDUSTRY

1163
01:06:55,511 --> 01:06:57,013
Back in the '70s and '80s,

1164
01:06:57,096 --> 01:06:59,557
young film lovers would get together
and complain.

1165
01:07:02,226 --> 01:07:04,729
"Why doesn't Korea
have a film festival or film school?

1166
01:07:05,229 --> 01:07:08,024
KOREA NATIONAL UNIVERSITY OF ARTS
SCHOOL OF FILM OPENS, MAY 1995

1167
01:07:09,358 --> 01:07:11,152
THE 1ST SEOUL SHORT FILM FESTIVAL
NOVEMBER 1994

1168
01:07:11,235 --> 01:07:13,195
"Why doesn't Korea sponsor
short film productions?"

1169
01:07:15,031 --> 01:07:18,367
"I'm sure that outside of this country,
there's great places for film."

1170
01:07:18,451 --> 01:07:20,411
"I hope to visit them one day."

1171
01:07:21,537 --> 01:07:23,664
The Pusan
International Film Festival,

1172
01:07:23,748 --> 01:07:28,377
Korea's first international film festival,
kicks off its eight-day run tonight.

1173
01:07:35,634 --> 01:07:36,510
One day,

1174
01:07:37,595 --> 01:07:39,013
I was going here and there,

1175
01:07:39,096 --> 01:07:41,682
writing my dissertation
for my graduate program.

1176
01:07:41,766 --> 01:07:44,351
I actually wrote something on films.

1177
01:07:45,436 --> 01:07:49,440
I ran into Joon Ho at Gangnam Station.
I said, "What brings you here?"

1178
01:07:49,523 --> 01:07:52,735
It was odd, since we usually met
near Hongik University.

1179
01:07:52,818 --> 01:07:56,030
He said he was
trying to get into a film academy.

1180
01:07:56,530 --> 01:07:57,615
And he said

1181
01:07:58,491 --> 01:08:00,576
that he had to take
an English test to get in.

1182
01:08:01,827 --> 01:08:05,790
So he'd been taking time
to study English at IKE English.

1183
01:08:06,540 --> 01:08:08,334
I was surprised at the time.

1184
01:08:09,668 --> 01:08:11,670
I was young, too, so I thought,

1185
01:08:11,754 --> 01:08:15,800
"Oh, Joon Ho really thinks
film can become his life."

1186
01:08:16,425 --> 01:08:20,888
"Films were just romance to me,
but he wants to make a career of it."

1187
01:08:22,264 --> 01:08:25,935
I realized something
only after thinking back on that time.

1188
01:08:26,435 --> 01:08:28,187
At the Yellow Door Film Institute,

1189
01:08:28,270 --> 01:08:31,315
I thought it was enough to watch films

1190
01:08:31,982 --> 01:08:33,692
and discuss them together.

1191
01:08:35,194 --> 01:08:37,571
I didn't know what the members wanted.

1192
01:08:39,198 --> 01:08:41,534
Their biggest desire was to make films.

1193
01:08:41,617 --> 01:08:43,244
They wanted to shoot films.

1194
01:08:45,371 --> 01:08:48,582
There were differences of opinions
among the members.

1195
01:08:48,666 --> 01:08:50,918
There were disagreements
about the curriculum

1196
01:08:51,001 --> 01:08:53,462
and the direction
they wanted to take the group.

1197
01:08:53,546 --> 01:08:55,840
Because of these disagreements,

1198
01:08:56,882 --> 01:09:01,011
there came a time when we started to feel
a bit uncomfortable with one another.

1199
01:09:03,013 --> 01:09:04,557
No matter what it is,

1200
01:09:05,850 --> 01:09:09,728
it's heartbreaking to watch something
that has passed its prime.

1201
01:09:10,729 --> 01:09:13,482
It's not like Yellow Door was a life form,

1202
01:09:14,233 --> 01:09:17,236
but its decline
made it feel like it was actually dying,

1203
01:09:17,319 --> 01:09:19,488
and I had to watch this all unfold.

1204
01:09:20,823 --> 01:09:23,200
Everyone had
different preferences and tastes.

1205
01:09:24,618 --> 01:09:26,996
We may have all
been a part of Yellow Door,

1206
01:09:27,079 --> 01:09:28,747
but we all had different dreams.

1207
01:09:28,831 --> 01:09:30,332
There was definitely something

1208
01:09:30,416 --> 01:09:32,918
that prevented us
from working together as one.

1209
01:09:50,686 --> 01:09:54,231
And so we eventually decided to stop.

1210
01:09:55,399 --> 01:09:56,817
After that,

1211
01:09:58,736 --> 01:10:00,196
I felt a bit lonely.

1212
01:10:01,614 --> 01:10:06,493
We had cultivated our dreams together
and achieved a lot of things together.

1213
01:10:06,577 --> 01:10:10,122
But it only took a moment
for the team to fall apart.

1214
01:10:10,206 --> 01:10:12,082
And when it fell apart,

1215
01:10:13,167 --> 01:10:15,586
all the members left
like a tide going out.

1216
01:10:19,048 --> 01:10:21,550
I suggested a trip.

1217
01:10:22,885 --> 01:10:24,887
I said, "We should take a trip."

1218
01:10:25,763 --> 01:10:27,473
We went somewhere by the East Sea.

1219
01:10:29,225 --> 01:10:32,144
Those who wanted to come
met at Cheongnyangni Station.

1220
01:10:34,146 --> 01:10:37,316
Everyone got together.
That trip was great.

1221
01:10:39,526 --> 01:10:41,779
I still remember it like it was yesterday.

1222
01:10:42,279 --> 01:10:45,491
Just as we were passing Jeongdongjin,
dawn broke,

1223
01:10:45,574 --> 01:10:49,453
and the train began to play
"Moonlight Sonata."

1224
01:10:50,120 --> 01:10:51,413
It was wonderful.

1225
01:10:52,248 --> 01:10:55,709
There was an announcement
that we were approaching the last stop.

1226
01:10:55,793 --> 01:10:59,713
"Moonlight Sonata" continued to play
as the train passed by the beach.

1227
01:11:04,468 --> 01:11:06,971
I think that time
at Yellow Door

1228
01:11:07,596 --> 01:11:09,598
was like an act of a play,

1229
01:11:11,517 --> 01:11:14,561
and the act needed to end
for the play to continue.

1230
01:11:16,730 --> 01:11:19,775
To continue on to the second,
third, and fourth acts.

1231
01:11:20,484 --> 01:11:24,196
And as we all lived our lives
for the next 30 years…

1232
01:11:26,240 --> 01:11:28,951
we continued to progress to the next acts

1233
01:11:30,160 --> 01:11:32,329
by learning from our mistakes.

1234
01:11:34,498 --> 01:11:37,793
And we used all of the things
that we learned from the first act.

1235
01:11:39,169 --> 01:11:41,213
The same applied to my life.

1236
01:11:43,465 --> 01:11:47,177
Can you remember
the feeling of being close to someone?

1237
01:11:47,261 --> 01:11:49,346
You always had a great time with them.

1238
01:11:49,430 --> 01:11:51,598
Always together, hand in hand.

1239
01:11:52,474 --> 01:11:55,477
But there comes a time
when you need to let that hand go.

1240
01:11:55,561 --> 01:11:57,604
That strange feeling of letting go.

1241
01:11:57,688 --> 01:11:59,148
I had this feeling.

1242
01:11:59,815 --> 01:12:00,983
Personally,

1243
01:12:02,151 --> 01:12:03,652
I actually think it was good

1244
01:12:03,736 --> 01:12:07,364
that such genuine people came together
naturally and then disbanded.

1245
01:12:07,448 --> 01:12:11,201
If we'd stayed together
for a financial reason or some goal,

1246
01:12:12,411 --> 01:12:15,456
we would've constantly changed
what we were doing.

1247
01:12:27,259 --> 01:12:29,720
After Yellow Door,
I stopped watching films.

1248
01:12:31,055 --> 01:12:33,474
The films I watched with Yellow Door

1249
01:12:33,557 --> 01:12:37,019
were completely different
from those I watched outside of it.

1250
01:12:37,603 --> 01:12:40,647
Films had more meaning
when I watched them with Yellow Door.

1251
01:12:40,731 --> 01:12:42,900
Because when I'd watch them later,

1252
01:12:43,609 --> 01:12:46,445
I'd think to myself,
"I actually liked these?"

1253
01:12:47,279 --> 01:12:50,866
When I returned to my normal life
and watched films in the theater,

1254
01:12:50,949 --> 01:12:53,660
they no longer had
that extra layer of meaning.

1255
01:12:55,746 --> 01:12:59,833
Back then, when Yellow Door ended,
I was really disappointed

1256
01:12:59,917 --> 01:13:02,961
because I wanted our studies to continue.

1257
01:13:04,254 --> 01:13:07,841
But now, they're just old, great memories.

1258
01:13:10,803 --> 01:13:12,971
When I turned 40 and 50,

1259
01:13:13,472 --> 01:13:15,182
I became very disheartened.

1260
01:13:15,682 --> 01:13:16,683
Yes.

1261
01:13:17,726 --> 01:13:19,436
Because of those times.

1262
01:13:20,104 --> 01:13:22,523
Times that disappeared just like that.

1263
01:13:23,399 --> 01:13:24,858
The film industry

1264
01:13:24,942 --> 01:13:27,569
had a special place in my heart
for a long time.

1265
01:13:27,653 --> 01:13:30,030
Even after those days. Even now.

1266
01:13:32,324 --> 01:13:34,618
The journey of searching
is meaningful.

1267
01:13:35,327 --> 01:13:36,995
Even if it's for a banana.

1268
01:13:37,079 --> 01:13:40,833
The act of watching that
and taking meaning from it is a journey.

1269
01:13:40,916 --> 01:13:44,545
But those who have never begun
their journey would continue to believe

1270
01:13:45,045 --> 01:13:46,380
in the basement,

1271
01:13:47,589 --> 01:13:49,299
there are bananas up there.

1272
01:13:50,968 --> 01:13:53,554
So, in a way, there comes a time

1273
01:13:54,555 --> 01:13:57,683
when you think the tree in that screen
is up ahead.

1274
01:13:58,308 --> 01:14:01,478
KIM MIN HYANG (2014)

1275
01:14:01,562 --> 01:14:04,273
I'm not sure
how much time I have left,

1276
01:14:06,316 --> 01:14:09,528
but I feel like
I can go to that tree and touch it now.

1277
01:14:09,611 --> 01:14:10,863
I think I can do that.

1278
01:14:12,781 --> 01:14:14,408
This is embarrassing,

1279
01:14:14,491 --> 01:14:16,285
but when I painted,

1280
01:14:16,910 --> 01:14:17,911
I found myself

1281
01:14:18,871 --> 01:14:21,832
painting the last scene
of Looking for Paradise

1282
01:14:22,374 --> 01:14:24,543
without even realizing it.

1283
01:14:25,752 --> 01:14:28,881
It was a scene
of a young girl looking for something.

1284
01:14:29,381 --> 01:14:32,301
I wasn't thinking of Yellow Door
when I painted it.

1285
01:14:33,635 --> 01:14:36,054
But when I think back on it today,

1286
01:14:37,848 --> 01:14:40,684
I must have painted
my desire to find something.

1287
01:14:42,853 --> 01:14:47,149
Just the fact that we had that
once-upon-a-time experience 30 years ago.

1288
01:14:50,694 --> 01:14:52,446
That we didn't worry about the future.

1289
01:14:52,529 --> 01:14:55,699
That we spent all our time
just hanging out and having fun.

1290
01:14:56,283 --> 01:14:58,243
It feels like a puzzle piece to me.

1291
01:14:59,453 --> 01:15:01,705
Everything I've shared so far

1292
01:15:02,915 --> 01:15:05,459
are stories from 30 years ago,

1293
01:15:06,335 --> 01:15:08,545
and I just can't believe that number.

1294
01:15:09,546 --> 01:15:11,089
I can't believe

1295
01:15:11,840 --> 01:15:14,259
that's it already been 30 years.

1296
01:15:16,970 --> 01:15:20,432
We all burned out
like a flame in 1992 and 1993.

1297
01:15:20,933 --> 01:15:25,020
But I'm sure everyone remembers
that time differently.

1298
01:15:25,103 --> 01:15:26,688
Some were there briefly,

1299
01:15:27,481 --> 01:15:29,316
and some stayed for a long time.

1300
01:15:29,399 --> 01:15:32,861
Others were in the midst
of crazy life changes, like Jong-tae.

1301
01:15:33,695 --> 01:15:36,365
I'm sure
everyone remembers it differently.

1302
01:15:37,741 --> 01:15:39,326
When I look back on it…

1303
01:15:41,453 --> 01:15:42,746
I don't think

1304
01:15:44,122 --> 01:15:48,377
I have ever been as passionately crazy
about films as I was then.

1305
01:15:49,545 --> 01:15:51,755
That period was a beginning for me.

1306
01:15:52,756 --> 01:15:54,758
I want to remember that time.

1307
01:15:55,717 --> 01:15:58,178
And although I had already left,

1308
01:15:58,804 --> 01:16:02,015
that place showed me
where my journey would continue.

1309
01:16:02,766 --> 01:16:04,101
My beginning.

1310
01:16:05,060 --> 01:16:06,270
Yellow Door.

1311
01:16:15,195 --> 01:16:16,947
Would we be able to do this well now?

1312
01:16:54,693 --> 01:16:56,778
"About the Yellow Door Film Institute."

1313
01:16:57,613 --> 01:16:58,905
"The Yellow Door Film Institute

1314
01:16:58,989 --> 01:17:01,033
is a group of people
who gather to study films."

1315
01:17:01,992 --> 01:17:05,579
"Studying films isn't something
one can do all by themselves."

1316
01:17:06,830 --> 01:17:10,292
"People gathered
and exchanged information and materials."

1317
01:17:10,375 --> 01:17:12,419
"The group grew to over 30 people."

1318
01:17:13,754 --> 01:17:18,383
"We've decided to clumsily call ourselves
a film institute."

1319
01:17:19,551 --> 01:17:22,804
"There's different departments
for your cinematic path of choice."

1320
01:17:22,888 --> 01:17:25,015
"Critique, directing, and screenwriting."

1321
01:17:26,975 --> 01:17:30,062
"Each department
works on various activities."

1322
01:17:30,979 --> 01:17:32,773
"We have a variety of members,

1323
01:17:32,856 --> 01:17:35,609
from those who were just introduced
to film studies,

1324
01:17:35,692 --> 01:17:38,070
to graduate students of film."

1325
01:17:38,153 --> 01:17:41,615
"There are also graduate
and doctoral students of the humanities."

1326
01:17:42,407 --> 01:17:44,660
"But we have one thing in common."

1327
01:17:45,202 --> 01:17:49,456
"We hope to discover our life's journey
through this medium called film."

1328
01:17:51,625 --> 01:17:54,211
"The institute provides suitable programs

1329
01:17:54,294 --> 01:17:58,090
to meet the many needs
among members at different levels."

1330
01:17:59,299 --> 01:18:00,967
"We believe this is a good place

1331
01:18:01,051 --> 01:18:03,303
for those who wish
to begin their film studies

1332
01:18:03,387 --> 01:18:05,222
with a theoretical approach."

1333
01:18:07,099 --> 01:18:11,978
"Of course, each department also provides
essential, hands-on creative programs."

1334
01:18:14,439 --> 01:18:17,693
"The Yellow Door Film Institute
awaits passionate, talented,

1335
01:18:17,776 --> 01:18:20,195
young, prospective film students."

1336
01:18:23,156 --> 01:18:25,283
"Knock on the institute's yellow door,

1337
01:18:25,367 --> 01:18:28,328
and you will start your journey
into film studies

1338
01:18:28,412 --> 01:18:30,497
and the Korean film industry."

1339
01:18:33,250 --> 01:18:35,043
Wow.

1340
01:18:37,003 --> 01:18:38,338
Gosh, that's fancy.

1341
01:18:39,089 --> 01:18:40,882
That was fancy!

1342
01:18:42,008 --> 01:18:44,219
It's nicely written.

1343
01:18:45,512 --> 01:18:46,888
How wonderful.

1344
01:19:03,113 --> 01:19:09,119
Kim Dae-yup runs
an interior design business.

1345
01:19:13,373 --> 01:19:19,212
Kim Min Hyang secretly writes,
draws, and take photographs.

1346
01:19:23,550 --> 01:19:29,139
Kim Seok-woo loves mountains and canoeing,
and runs an environmental business.

1347
01:19:33,435 --> 01:19:39,316
Kim Yoon-a teaches film and storytelling
at university.

1348
01:19:43,487 --> 01:19:49,159
Kim Hyung-oak works as a filmmaker.

1349
01:19:53,580 --> 01:19:56,917
Ban Se-bum teaches psychology
at university

1350
01:19:57,000 --> 01:19:59,419
and takes photographs in his spare time.

1351
01:20:03,882 --> 01:20:09,346
Bong Joon Ho just finished shooting
his eighth feature film.

1352
01:20:13,433 --> 01:20:19,022
Lee Dong-hoon runs
a chess-teaching business.

1353
01:20:23,860 --> 01:20:29,449
Lee Byung-hoon runs
a medical appliances business in the US.

1354
01:20:33,954 --> 01:20:39,459
Lim Hoon-a works as a speech therapist
for children and adolescents.

1355
01:20:43,630 --> 01:20:49,302
Chang Eun-sim teaches math to students.

1356
01:20:53,807 --> 01:20:59,312
Choi Jong-tae released five feature films
and is working on his fourth novel.

1357
01:21:03,859 --> 01:21:10,866
Kim Hye-ja, Kim Hong-joon
Ahn Nae-sang, Woo Hyun, Ju Sung-chul



