1
00:00:01,000 --> 00:00:02,300
 Breathing,

2
00:00:02,300 --> 00:00:06,100
 rhythm, and image.

3
00:00:06,100 --> 00:00:07,500
 Do you understand?

4
00:00:07,500 --> 00:00:10,100
 Yes.

5
00:00:10,100 --> 00:00:12,100
 It's not good to lie.

6
00:00:12,100 --> 00:00:13,100
 Yes, I don't understand.

7
00:00:13,100 --> 00:00:16,200
 You don't understand, do you?

8
00:00:16,200 --> 00:00:17,300
 Yes?

9
00:00:17,300 --> 00:00:19,500
 Excuse me.

10
00:00:19,500 --> 00:00:22,000
 Ah, Kanon-chan.

11
00:00:22,000 --> 00:00:26,000
 I found a partner for you.

12
00:00:27,400 --> 00:00:31,000
 Kikuna, right?

13
00:00:31,000 --> 00:00:34,200
 You know each other?

14
00:00:34,200 --> 00:00:37,400
 Got your feet firmly planted on the ground?

15
00:00:37,400 --> 00:00:41,000
 The basis of your voice is your feet.

16
00:00:41,000 --> 00:00:45,000
 Absorb the energy from the earth...

17
00:00:47,500 --> 00:00:49,200
 Understand?

18
00:00:49,200 --> 00:00:53,200
 One, two,

19
00:00:55,000 --> 00:01:01,074
Support us and become VIP member 
to remove all ads from www.OpenSubtitles.org

20
00:01:21,400 --> 00:01:25,400
 Piano, louder.

21
00:02:23,000 --> 00:02:25,000
 I'm not going for lessons.

22
00:02:25,000 --> 00:02:29,000
 Mum's cowardly isn't she, asking you to ambush me like this.

23
00:02:32,000 --> 00:02:36,000
 Your Mum is on her way to your old house at Aobadai.

24
00:02:39,000 --> 00:02:43,000
 Why?

25
00:02:56,800 --> 00:03:00,000
 Where's the piano?

26
00:03:00,000 --> 00:03:04,000
 Where's Dad's piano?

27
00:03:20,700 --> 00:03:24,700
 I'm sorry.

28
00:04:58,500 --> 00:05:02,500
 Where's this place?

29
00:05:03,500 --> 00:05:06,100
 This is -

30
00:05:06,100 --> 00:05:10,000
 a place where old pianos sleep.

31
00:05:10,000 --> 00:05:14,000
 It's like a graveyard.

32
00:05:14,510 --> 00:05:18,200
 Yeah.

33
00:05:18,200 --> 00:05:22,200
 But they're not dead.

34
00:05:22,300 --> 00:05:26,300
 All of them are still alive.

35
00:05:27,800 --> 00:05:31,800
 Choose one of them to save, Uta.

36
00:05:33,100 --> 00:05:37,100
 Which one sounds the best?

37
00:06:13,500 --> 00:06:17,500
 Uta, you can hear the crickets already.

38
00:09:20,100 --> 00:09:24,100
 Continue playing.

39
00:09:26,500 --> 00:09:29,100
 Today's weather is nice.

40
00:09:29,100 --> 00:09:30,800
 Yeah, but it's a little hot.

41
00:09:30,800 --> 00:09:33,200
 If it's hot, take it off then...

42
00:09:33,200 --> 00:09:37,200
 I feel like eating out today...

43
00:11:17,100 --> 00:11:19,700
 The pianist on this tape...

44
00:11:19,700 --> 00:11:21,500
 is me.

45
00:11:21,500 --> 00:11:25,500
 I played this piece during the time I was performing with your father.

46
00:11:26,100 --> 00:11:30,100
 It was something we did between ourselves,

47
00:11:30,300 --> 00:11:34,300
 It was partly just for a bit of fun.

48
00:11:35,000 --> 00:11:39,000
 No, that was precisely why we did it. 

49
00:11:40,400 --> 00:11:44,400
 We could play so well because we were so free then.

50
00:11:45,200 --> 00:11:48,600
 To date it's the best - 

51
00:11:48,600 --> 00:11:51,700
 how do I say it?

52
00:11:51,700 --> 00:11:55,700
 the most ideal music I ever made.

53
00:11:56,300 --> 00:11:59,400
 How many years has it been?

54
00:11:59,400 --> 00:12:01,700
 How was Dad back then?

55
00:12:01,700 --> 00:12:03,100
 Hmm?

56
00:12:03,100 --> 00:12:06,000
 He had talent, as well as looks -

57
00:12:06,000 --> 00:12:10,000
 He was a hit with the girls, heh.

58
00:12:10,000 --> 00:12:14,000
 Of course, his music was also...

59
00:12:14,000 --> 00:12:18,000
 Hmmm, not this one...

60
00:12:22,200 --> 00:12:26,200
 Ah, found it, found it.

61
00:12:32,800 --> 00:12:34,500
 Too bad

62
00:12:34,500 --> 00:12:37,800
 he didn't get to go overseas.

63
00:12:37,800 --> 00:12:41,800
 He had motion sickness.

64
00:12:42,000 --> 00:12:46,000
 This was taken at the party we had on the ship, on the eve he left. 

65
00:12:47,500 --> 00:12:51,500
 He was leaning on the stern, as if he was going to puke.

66
00:12:51,600 --> 00:12:55,600
 It'd have been better if he hadn't gotten on.

67
00:12:57,100 --> 00:13:01,100
 What an idiot he was.

68
00:13:01,200 --> 00:13:04,000
 On that note...

69
00:13:04,000 --> 00:13:07,100
 The next time I went to the stern,

70
00:13:07,100 --> 00:13:11,100
 he was gone. He wasn't to be found anywhere on the ship too.

71
00:13:15,500 --> 00:13:17,000
 At that time, 

72
00:13:17,000 --> 00:13:21,000
 it was a good thing I made him come out of his room.

73
00:13:22,600 --> 00:13:25,100
 I think

74
00:13:25,100 --> 00:13:29,100
 it was an accident.

75
00:13:47,200 --> 00:13:51,200
 Here. Thanks.

76
00:13:51,500 --> 00:13:55,500
 Could you shelve these, please?

77
00:14:07,000 --> 00:14:10,400
 Can you even read?

78
00:14:10,400 --> 00:14:11,500
 Shut up.

79
00:14:11,500 --> 00:14:13,500
 The same goes for you, what're you doing in the library?

80
00:14:13,500 --> 00:14:16,000
 That's because I'm a librarian. It can't be helped.

81
00:14:16,000 --> 00:14:17,100
 How diligent. 

82
00:14:17,100 --> 00:14:21,100
 Shut up.

83
00:14:22,700 --> 00:14:23,700
 Scram.

84
00:14:23,700 --> 00:14:27,700
 I'm going.

85
00:14:35,000 --> 00:14:35,900
 Go away.

86
00:14:35,900 --> 00:14:39,300
 I am.

87
00:14:39,300 --> 00:14:40,100
 Hey,

88
00:14:40,100 --> 00:14:44,100
 What, do you want me to stay or leave?

89
00:14:44,100 --> 00:14:47,100
 My ear...

90
00:14:47,100 --> 00:14:51,100
 there's something strange about it.

91
00:14:52,200 --> 00:14:56,200
 Your entire existence is strange!

92
00:15:08,000 --> 00:15:12,000
 I'm not falling for it this time round.

93
00:16:00,700 --> 00:16:03,200
 Uta?

94
00:16:03,200 --> 00:16:07,000
 I'm sleeping here tonight.

95
00:16:07,000 --> 00:16:10,500
 What happened?

96
00:16:10,500 --> 00:16:14,500
 Nothing.

97
00:16:19,200 --> 00:16:21,100
 Hey,

98
00:16:21,100 --> 00:16:23,400
 Have you heard of the piano graveyard?

99
00:16:23,400 --> 00:16:25,600
 Huh?

100
00:16:25,600 --> 00:16:28,700
 Such a place exists.

101
00:16:28,700 --> 00:16:30,800
 What?

102
00:16:30,800 --> 00:16:33,700
 I went there with my Dad in the past.

103
00:16:33,700 --> 00:16:35,800
 It's not just pianos,

104
00:16:35,800 --> 00:16:39,800
 but all kinds of old musical instruments. 

105
00:16:40,500 --> 00:16:43,100
 Aren't those second-hand instruments meant for export overseas?

106
00:16:43,100 --> 00:16:45,000
 It's a warehouse.

107
00:16:45,000 --> 00:16:49,000
 No, it's a graveyard.

108
00:16:50,000 --> 00:16:53,400
 It's true.

109
00:16:53,400 --> 00:16:57,400
 Dad's piano is there right now.

110
00:17:01,000 --> 00:17:05,000
 I want to play that piano again.

111
00:17:13,000 --> 00:17:15,700
 My Dad,

112
00:17:15,700 --> 00:17:19,700
 he's dead.

113
00:17:20,400 --> 00:17:24,400
 It must have been suicide.

114
00:17:28,200 --> 00:17:31,200
 Why?

115
00:17:31,200 --> 00:17:35,200
 I understand because it's me.

116
00:17:42,700 --> 00:17:46,700
 It was painful for him to live with music.

117
00:18:57,000 --> 00:18:58,100
 Good morning.

118
00:18:58,100 --> 00:18:59,500
 Lichtenstein?

119
00:18:59,500 --> 00:19:00,200
 Yes.

120
00:19:00,200 --> 00:19:04,200
 May I?

121
00:19:05,000 --> 00:19:09,000
 What complicated requests!

122
00:19:09,200 --> 00:19:12,200
 It isn't even from the man himself.

123
00:19:12,200 --> 00:19:13,500
 Who, then?

124
00:19:13,500 --> 00:19:17,000
 It's from his specialist piano tuner.

125
00:19:17,000 --> 00:19:21,000
 If he's that worried he should do it himself.

126
00:19:22,300 --> 00:19:24,100
 I'm honoured to do it.

127
00:19:24,100 --> 00:19:27,600
 It seems it's all about him, isn't it?

128
00:19:27,600 --> 00:19:31,600
 Well, I'll try to meet the requests.

129
00:19:32,800 --> 00:19:36,800
 Well, I'll leave it to you.

130
00:21:37,500 --> 00:21:41,500
 Why did you stop?

131
00:21:43,500 --> 00:21:47,500
 What're you thinking of?

132
00:21:48,000 --> 00:21:51,600
 Uta...

133
00:21:51,600 --> 00:21:55,600
 She said something weird.

134
00:22:02,800 --> 00:22:06,800
 Naruse was worred about becoming deaf.

135
00:22:09,100 --> 00:22:13,100
 Every year it would get worse.

136
00:22:16,400 --> 00:22:18,200
 But,

137
00:22:18,200 --> 00:22:22,000
 I don't really know what was really going on.

138
00:22:22,000 --> 00:22:24,600
 At least,

139
00:22:24,600 --> 00:22:28,600
 I never heard such a thing from him.

140
00:22:31,700 --> 00:22:33,000
 Kikuna.

141
00:22:33,000 --> 00:22:37,000
 Yes sir.

142
00:22:38,600 --> 00:22:42,400
 I believe it's possible,

143
00:22:42,400 --> 00:22:46,400
 to live for music.

144
00:22:52,900 --> 00:22:56,900
 Well, let's continue!

145
00:24:13,900 --> 00:24:17,900
 I got these tickets to Lichtenstein's concert from Prof. Katsura. 

146
00:24:17,900 --> 00:24:18,700
 "Listen to someone good"

147
00:24:18,700 --> 00:24:21,000
 "So you can learn from him." she said.

148
00:24:21,000 --> 00:24:25,000
 Uta'll be fine. You should worry more about yourself.

149
00:24:25,800 --> 00:24:28,300
 Stop nagging.

150
00:24:28,300 --> 00:24:29,600
 Anyway,

151
00:24:29,600 --> 00:24:32,600
 Why won't Uta play the piano?

152
00:24:32,600 --> 00:24:35,500
 She says it's weird if she hears herself play.

153
00:24:35,500 --> 00:24:36,100
 It's a good thing isn't it?

154
00:24:36,100 --> 00:24:37,800
 No, it's not that.

155
00:24:37,800 --> 00:24:41,500
 She can't even stand being next to a piano now...

156
00:24:41,500 --> 00:24:45,500
 It's dangerous.

157
00:24:46,100 --> 00:24:50,000
 I don't get it at all.

158
00:24:50,000 --> 00:24:52,200
 It's a common thing for girls of her age.

159
00:24:52,200 --> 00:24:56,200
 Since you're a guy you won't understand.

160
00:25:01,300 --> 00:25:05,300
 Is she that important to you?

161
00:25:14,700 --> 00:25:18,700
 Ah, thanks for the ticket.

162
00:26:15,000 --> 00:26:19,000
 The pianos are ready.

163
00:27:53,700 --> 00:27:56,300
 He's asking, how old are you?

164
00:27:56,300 --> 00:28:00,300
 13.

165
00:28:19,200 --> 00:28:23,200
 Choose the piano you think's the best.

166
00:29:10,400 --> 00:29:14,400
 This one.

167
00:29:16,000 --> 00:29:18,400
 ii musume da!

168
00:29:18,400 --> 00:29:22,400
 are ni kimeta yo

169
00:30:32,700 --> 00:30:36,700
 He's late.

170
00:30:40,200 --> 00:30:43,000
 You can't trust men.

171
00:30:43,000 --> 00:30:46,400
 You have to be suspicious of them.

172
00:30:46,400 --> 00:30:49,700
 Even if you've slept with him once or twice,

173
00:30:49,700 --> 00:30:52,200
 don't let your guard down.

174
00:30:52,200 --> 00:30:54,700
 What're you talking about?

175
00:30:54,700 --> 00:30:58,000
 Please leave me alone.

176
00:30:58,000 --> 00:31:02,000
 Let's get some coffee shall we?

177
00:32:08,000 --> 00:32:12,000
 We thank you sincerely for attending Lichtenstein's concert.

178
00:32:15,300 --> 00:32:19,000
 We regret to inform you that

179
00:32:19,000 --> 00:32:24,000
 we will be unable to proceed with today's performance,

180
00:32:24,000 --> 00:32:27,300
 because Lichtenstein is feeling unwell.

181
00:32:27,300 --> 00:32:31,200
 What!

182
00:32:31,200 --> 00:32:33,500
 He's not performing again?

183
00:32:33,500 --> 00:32:35,100
 It's the third time already.

184
00:32:35,100 --> 00:32:39,100
 In his place, there will be a substitute pianist.

185
00:32:39,300 --> 00:32:43,300
 The substitute pianist is Naruse Uta.

186
00:32:45,200 --> 00:32:47,400
 Uta?

187
00:32:47,400 --> 00:32:50,700
 Customers may get a refund for their tickets for half the price.

188
00:32:50,700 --> 00:32:54,700
 Wao?

189
00:32:59,800 --> 00:33:02,100
 Lichtenstein isn't playing today.

190
00:33:02,100 --> 00:33:03,000
 What?

191
00:33:03,000 --> 00:33:04,200
 There's a substitute!

192
00:33:04,200 --> 00:33:07,400
 What?

193
00:33:07,400 --> 00:33:09,500
 It's Uta!

194
00:33:09,500 --> 00:33:11,300
 Eh? Uta?

195
00:33:11,300 --> 00:33:15,300
 The substitute is Uta!

196
00:33:17,500 --> 00:33:19,300
 Please!

197
00:33:19,300 --> 00:33:20,800
 Definitely not.

198
00:33:20,800 --> 00:33:22,100
 But it's such a prestigious event!

199
00:33:22,100 --> 00:33:23,300
 No.

200
00:33:23,300 --> 00:33:24,700
 It'll be fine if she just appears.

201
00:33:24,700 --> 00:33:26,200
 Stop messing around!

202
00:33:26,200 --> 00:33:30,200
 Definitely not. We refuse.

203
00:33:30,400 --> 00:33:33,000
 Did you think I'd allow such a reckless thing?

204
00:33:33,000 --> 00:33:35,900
 It's a song she's never played before, and with an orchestra no less!

205
00:33:35,900 --> 00:33:37,800
 If she fails, she'll...

206
00:33:37,800 --> 00:33:39,300
 Mika-san.

207
00:33:39,300 --> 00:33:42,700
 Lichtenstein wants her to play.

208
00:33:42,700 --> 00:33:46,700
 He won't allow anyone else but her to play in his stead.

209
00:33:51,000 --> 00:33:55,000
 Nagasaki-san, can I have the score?

210
00:33:55,800 --> 00:33:59,800
 What're you doing? Stop this!

211
00:34:01,400 --> 00:34:03,600
 Do you understand?

212
00:34:03,600 --> 00:34:05,000
 If you fail -

213
00:34:05,000 --> 00:34:09,000
 you'll never be able to recover from it!

214
00:34:13,300 --> 00:34:16,200
 Uta...

215
00:34:16,200 --> 00:34:20,200
 What's gone over you?

216
00:34:22,100 --> 00:34:25,800
 I just want to play.

217
00:34:25,800 --> 00:34:29,800
 I'll do it.

218
00:34:31,300 --> 00:34:35,300
 I need to pee.

219
00:34:45,100 --> 00:34:47,900
 "It's that girl's time now."

220
00:34:47,900 --> 00:34:51,900
 that's what Lichtenstein said.

221
00:35:47,600 --> 00:35:49,100
 Hey hold on!

222
00:35:49,100 --> 00:35:49,900
 I'm an acquaintance.

223
00:35:49,900 --> 00:35:51,200
 You can't go in!

224
00:35:51,200 --> 00:35:55,200
 I know her!

225
00:35:56,100 --> 00:36:00,100
 You can't go in!

226
00:36:07,800 --> 00:36:11,800
 Uta!

227
00:36:35,200 --> 00:36:39,200
 Uta...

228
00:37:27,400 --> 00:37:30,700
 Hold on!

229
00:37:30,700 --> 00:37:34,700
 The seat's too low.

230
00:37:42,000 --> 00:37:46,000
 Ah, forget it!

231
00:38:06,300 --> 00:38:10,300
 (Mozart's Piano Concerto No. 20)

232
00:41:01,100 --> 00:41:05,100
 I'll be fine.

233
00:41:07,800 --> 00:41:11,300
 Because I'm music. 

234
00:41:11,300 --> 00:41:15,300
 (Translator's note: "Uta" literally means "song".)

235
00:45:43,300 --> 00:45:47,300
 Is she okay?

236
00:46:48,200 --> 00:46:52,200
 Hey, watch out!

237
00:46:55,900 --> 00:46:59,900
 That was close! You'll get yourself killed!

238
00:47:10,600 --> 00:47:14,600
 Hey, Naruse!

239
00:47:36,100 --> 00:47:40,100
 Coming.

240
00:47:47,000 --> 00:47:51,000
 Is Uta here?

241
00:47:57,500 --> 00:48:01,200
 Here you go.

242
00:48:01,200 --> 00:48:05,200
 Here.

243
00:48:16,000 --> 00:48:17,600
 Did you find her?

244
00:48:17,600 --> 00:48:19,400
 The station staff saw a girl,

245
00:48:19,400 --> 00:48:20,900
 who looked like Uta.

246
00:48:20,900 --> 00:48:22,200
 Did she get on the train?

247
00:48:22,200 --> 00:48:23,000
 Yeah, probably.

248
00:48:23,000 --> 00:48:24,800
 But she wasn't alone.

249
00:48:24,800 --> 00:48:27,000
 It seems she was with a friend.

250
00:48:27,000 --> 00:48:31,000
 So it's not so bad if she isn't alone...

251
00:48:31,500 --> 00:48:32,400
 If you're not there, 

252
00:48:32,400 --> 00:48:36,400
 Uta won't have a home to go back to, will she?

253
00:48:37,400 --> 00:48:41,400
 She's stronger than her Mum thinks she is.

254
00:48:41,800 --> 00:48:45,800
 There's nothing to do but wait. 

255
00:50:24,200 --> 00:50:28,200
 Hey, wait.

256
00:50:31,500 --> 00:50:35,500
 We're done.

257
00:50:51,200 --> 00:50:55,200
 How far are you going to travel?

258
00:51:06,400 --> 00:51:10,400
 If you don't want to follow me, go home.

259
00:53:03,500 --> 00:53:07,500
 Ow!

260
00:55:42,800 --> 00:55:46,800
 Can you hear it?

261
00:55:52,800 --> 00:55:56,800
 Yeah, I can hear.

262
00:55:59,500 --> 00:56:03,500
 Your playing sucks.

263
00:56:09,400 --> 00:56:13,400
 ("Ripple Song")

264
00:57:54,900 --> 00:57:58,500
 NARUMI Riko as Naruse Uta

265
00:57:58,500 --> 00:58:00,900
 MATSUYAMA Kenichi as Kikuna Wao

266
00:58:00,900 --> 00:58:02,900
 TEZUKA Satomi as Naruse Mika

267
00:58:02,900 --> 00:58:04,300
 MASAHIRO Komoto as Nagazaki Kazuo

268
00:58:04,300 --> 00:58:07,600
 HIDETOSHI Nishijima as Naruse Koichiro

269
00:58:07,600 --> 00:58:10,000
 KANJIYA Shihori as Kamogawa Kanon 

270
00:58:10,000 --> 00:58:14,000
 KIMURA Midoriko as Kikuna Masako

271
00:58:23,700 --> 00:58:27,700
 With my heart,

272
00:58:32,200 --> 00:58:36,200
 Connecting to,

273
00:58:39,700 --> 00:58:43,700
 my heart -

274
00:58:46,500 --> 00:58:50,500
 with one melody,

275
00:58:53,600 --> 00:58:57,600
 like a ripple.

276
00:59:02,200 --> 00:59:06,200
 You can hear it,

277
00:59:11,100 --> 00:59:15,100
 the echoing.

278
00:59:16,600 --> 00:59:20,600
 It's transmitted,

279
00:59:24,000 --> 00:59:28,000
 black and white,

280
00:59:29,400 --> 00:59:33,400
 are bound together

281
00:59:35,300 --> 00:59:39,300
 with your music.

282
00:59:42,500 --> 00:59:46,500
 That crystal clear music.

283
00:59:51,000 --> 00:59:55,000
 please don't stop it.

284
00:59:55,200 --> 00:59:59,200
 Please watch over 

285
00:59:59,700 --> 01:00:01,500
 your feelings.

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01:00:01,500 --> 01:00:05,500
 Those feelings of someone,

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01:00:05,900 --> 01:00:09,900
 please change them into love,

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01:00:10,200 --> 01:00:14,200
 The crying continues,

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 with those two hands,

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 With my heart,

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 Connecting with

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 my heart,

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 Only you

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 has that power  

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 to create that melody.

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 Only you...

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01:01:37,200 --> 01:01:41,200
 subtitled by yuch

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01:01:42,900 --> 01:01:46,900
 makotoyui@gmail.com

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01:01:48,300 --> 01:01:52,300
 I hope you enjoyed this film.

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01:01:53,305 --> 01:02:53,595
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