1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:19,625 --> 00:00:22,208 August 1998. 4 00:00:24,125 --> 00:00:26,166 {\an8}After months of fear in the air 5 00:00:26,250 --> 00:00:27,708 and the feeling of hope suffocating. 6 00:00:29,625 --> 00:00:31,125 We nod and move on. 7 00:00:32,750 --> 00:00:34,000 Not for the dream. 8 00:00:34,666 --> 00:00:35,916 But for a new chapter in life. 9 00:00:36,000 --> 00:00:36,875 WORDS ARE THE WEAPON 10 00:00:36,958 --> 00:00:38,375 {\an8}In the midst of the crowd, 11 00:00:38,458 --> 00:00:40,208 {\an8}I'm just a humble man realizing 12 00:00:40,291 --> 00:00:42,958 {\an8}a canvas is not enough to vent out my disturbances. 13 00:00:55,083 --> 00:00:56,291 {\an8}My name is Sadali. 14 00:00:56,958 --> 00:00:58,625 {\an8}I paint with words. 15 00:00:59,416 --> 00:01:01,208 In times like these, 16 00:01:01,291 --> 00:01:02,916 words are not just pacifier. 17 00:01:03,000 --> 00:01:04,333 They're also bullets. 18 00:01:05,041 --> 00:01:06,166 Every word is a weapon. 19 00:01:12,166 --> 00:01:15,625 {\an8}BUKITTINGGI TOWN - AUGUST 1998 20 00:01:47,666 --> 00:01:49,916 - Peace be unto you. - And unto you peace. 21 00:01:50,000 --> 00:01:51,416 Good afternoon. 22 00:01:51,500 --> 00:01:53,375 Who are you looking for? 23 00:01:54,250 --> 00:01:56,458 Is this my mother's house? 24 00:01:56,541 --> 00:01:57,875 Are you my mother? 25 00:01:57,958 --> 00:01:59,500 My goodness. 26 00:02:00,083 --> 00:02:01,750 You waited for a new president to return home. 27 00:02:01,833 --> 00:02:02,916 What? 28 00:02:03,958 --> 00:02:05,333 - I'm coming in, Mother. - Okay. 29 00:02:44,250 --> 00:02:46,750 DEPARTMENT OF NATIONAL EDUCATION JOGJAKARTA INSTITUTE OF ARTS 30 00:02:46,833 --> 00:02:48,958 ACCEPTANCE LETTER ACADEMIC YEAR 1998/1999 31 00:02:49,958 --> 00:02:54,041 So you want to continue your studies? 32 00:02:55,291 --> 00:02:56,625 Yes. 33 00:02:56,708 --> 00:02:59,916 How is the situation there? 34 00:03:00,791 --> 00:03:01,875 Well… 35 00:03:01,958 --> 00:03:04,333 Same as the situation in Indonesia in general, Father. 36 00:03:04,416 --> 00:03:06,000 In the process of starting a new life. 37 00:03:07,416 --> 00:03:08,333 I see. 38 00:03:09,875 --> 00:03:11,125 Sadali… 39 00:03:12,166 --> 00:03:16,208 A couple of days ago, Arnaza's family paid a visit. 40 00:03:18,625 --> 00:03:21,541 What's the connection with your previous question, Father? 41 00:03:22,583 --> 00:03:23,833 The connection 42 00:03:23,916 --> 00:03:26,541 is exactly the same with your answer. 43 00:03:27,291 --> 00:03:28,500 A new life. 44 00:03:30,500 --> 00:03:31,916 And I've agreed. 45 00:03:33,500 --> 00:03:34,458 Agreed to what, Father? 46 00:03:36,958 --> 00:03:38,791 Arnaza is a good match for you. 47 00:03:40,291 --> 00:03:42,958 She comes from a well-to-do family. 48 00:03:43,041 --> 00:03:44,916 Her religious practice is good. 49 00:03:45,000 --> 00:03:47,458 And she's beautiful. 50 00:03:55,250 --> 00:03:57,083 How can you really tell it's a match? 51 00:03:57,166 --> 00:03:59,250 Then do Taaruf. 52 00:04:00,125 --> 00:04:01,916 Before you 53 00:04:02,625 --> 00:04:03,875 leave to that school. 54 00:04:11,291 --> 00:04:12,791 Are you ready, Arnaza? 55 00:04:14,333 --> 00:04:16,041 Do I look pretty, Nur? 56 00:04:19,125 --> 00:04:20,125 Allow me. 57 00:04:21,458 --> 00:04:22,833 How do I look? 58 00:04:24,000 --> 00:04:25,958 You look really pretty, Naz. 59 00:04:26,500 --> 00:04:27,750 Thank you. 60 00:04:31,125 --> 00:04:34,750 Peace be unto you. And unto you peace. 61 00:04:35,416 --> 00:04:37,083 Welcome. 62 00:04:42,875 --> 00:04:44,666 - Husni, sir. - Hi. 63 00:04:46,458 --> 00:04:47,541 Sadali. 64 00:04:48,583 --> 00:04:50,625 - Let our guests in… - Please, Mrs. Rosma. 65 00:04:51,333 --> 00:04:53,875 I've prepared a special dish. 66 00:04:53,958 --> 00:04:55,125 How nice. 67 00:04:59,541 --> 00:05:01,416 He's so handsome, Naz. 68 00:05:06,291 --> 00:05:08,583 What will you be studying in Jogja, son? 69 00:05:09,125 --> 00:05:10,208 Fine arts, ma'am. 70 00:05:10,875 --> 00:05:13,416 There's no school for fine arts in Padang, yet. So… 71 00:05:13,500 --> 00:05:14,375 I have to study in Jogja. 72 00:05:14,458 --> 00:05:16,041 I see. 73 00:05:16,125 --> 00:05:17,541 Studying arts, right. 74 00:05:17,625 --> 00:05:18,958 How long will you study there? 75 00:05:19,041 --> 00:05:22,208 I'm continuing my programs. So it'll be as fast as it can be. 76 00:05:22,958 --> 00:05:25,083 He'll complete it in a year. 77 00:05:25,166 --> 00:05:26,416 I see. Good. 78 00:05:26,500 --> 00:05:27,958 Sadali. 79 00:05:28,041 --> 00:05:29,666 Will you be my son-in-law? 80 00:05:33,333 --> 00:05:34,875 Naz. Arnaza! 81 00:05:37,666 --> 00:05:39,000 Come here, my daughter. 82 00:05:43,875 --> 00:05:47,791 - Peace be unto you. - And unto you peace. 83 00:05:49,791 --> 00:05:51,000 And unto you peace. 84 00:05:55,166 --> 00:05:58,208 - Peace be unto you. - And unto you peace. 85 00:05:58,291 --> 00:06:00,583 - Peace be unto you. - And unto you peace. 86 00:06:07,708 --> 00:06:10,125 You know each other, don't you? 87 00:06:10,208 --> 00:06:11,708 We've met before. 88 00:06:12,416 --> 00:06:13,833 But not too often. 89 00:06:17,291 --> 00:06:18,541 I agree. 90 00:06:18,625 --> 00:06:21,791 You just agreed immediately. 91 00:06:22,583 --> 00:06:24,083 So now, let's just 92 00:06:24,166 --> 00:06:27,166 leave the decision to Arnaza and Sadali. 93 00:06:27,250 --> 00:06:31,250 We parents just want the best for our children, right? 94 00:06:31,875 --> 00:06:33,791 What do you say, Arnaza? 95 00:06:36,708 --> 00:06:40,375 I'll follow what you and Father say. 96 00:06:44,166 --> 00:06:45,791 - Naz… - Yes, ma'am. 97 00:06:46,458 --> 00:06:48,916 My son is stubborn. 98 00:06:49,750 --> 00:06:50,958 He has high ambition. 99 00:06:51,708 --> 00:06:53,541 You should follow what he says. 100 00:06:54,208 --> 00:06:55,458 When you two are married. 101 00:06:55,541 --> 00:06:57,000 Do you take issue with that? 102 00:06:59,291 --> 00:07:01,333 God willing. I'm ready to follow your son. 103 00:07:03,208 --> 00:07:06,583 - Alhamdulillah. - Alhamdulillah. 104 00:07:06,666 --> 00:07:08,083 Have some drinks. 105 00:07:19,583 --> 00:07:20,666 Naz. 106 00:07:21,500 --> 00:07:24,083 - Peace be unto you. - And unto you peace. 107 00:07:29,875 --> 00:07:31,791 When will you leave for Jogja? 108 00:07:31,875 --> 00:07:33,416 One week from now. 109 00:07:34,291 --> 00:07:37,291 - What art department are you enrolled in? - Painting. 110 00:07:37,958 --> 00:07:39,708 What will the lectures be like? 111 00:07:39,791 --> 00:07:40,875 Well… 112 00:07:41,833 --> 00:07:43,750 I make paintings every day. 113 00:07:46,416 --> 00:07:47,541 Be careful, dear. 114 00:08:07,958 --> 00:08:08,916 Come on. 115 00:08:13,791 --> 00:08:15,250 What do you have in there, Naz? 116 00:08:16,583 --> 00:08:18,583 You'll find out soon. 117 00:08:24,583 --> 00:08:26,166 It's so beautiful here, Naz. 118 00:08:28,375 --> 00:08:30,125 It's too bad I have to go to Jogja. 119 00:08:33,041 --> 00:08:36,083 If you find something more beautiful in Jogja… 120 00:08:36,166 --> 00:08:38,541 you'll forget the beauty here. 121 00:08:42,583 --> 00:08:44,166 Nothing is more beautiful than you, Naz. 122 00:08:57,041 --> 00:08:58,500 I have arrived in Jogja, Naz. 123 00:08:59,166 --> 00:09:02,166 It's more crowded than in Bukittinggi, also hotter. 124 00:09:03,375 --> 00:09:05,250 Yet the crowd doesn't hit my ears. 125 00:09:05,333 --> 00:09:07,833 The hotness doesn't sting my skin. 126 00:09:08,458 --> 00:09:09,875 Everything fits just right. 127 00:09:09,958 --> 00:09:11,250 ROUTE 17, ROUND TRIP 128 00:09:25,875 --> 00:09:27,750 - Pedicab, sir. I want to go to ISI. - Yes? 129 00:09:27,833 --> 00:09:29,375 Sure! 130 00:09:35,083 --> 00:09:37,333 Sadali! 131 00:09:38,875 --> 00:09:42,083 So you've been here a week now? 132 00:09:42,166 --> 00:09:43,916 Have you got a place to stay? 133 00:09:48,333 --> 00:09:50,708 What kind of place you like? 134 00:09:52,916 --> 00:09:55,208 Some place that… 135 00:09:57,500 --> 00:09:58,791 has a door. 136 00:10:04,375 --> 00:10:07,875 I have a special place. 137 00:10:07,958 --> 00:10:09,416 You'll love it. 138 00:10:09,500 --> 00:10:11,250 - Huh? - Let's go there. 139 00:10:11,333 --> 00:10:12,750 - Bring your stuff. - All of it? 140 00:10:12,833 --> 00:10:14,583 - Yes, all of it. - Now? 141 00:10:14,666 --> 00:10:16,500 Yes, come. 142 00:10:45,875 --> 00:10:48,541 Look. An exhibition. 143 00:10:51,416 --> 00:10:53,958 TENTREM GALLERY 144 00:11:37,083 --> 00:11:39,208 You still have the guts to show yourself here? 145 00:11:40,125 --> 00:11:42,000 Grace… 146 00:11:46,708 --> 00:11:48,375 What is this gig you have here? 147 00:11:48,458 --> 00:11:49,708 I knew nothing about it. 148 00:11:52,833 --> 00:11:54,375 Li. Sadali… 149 00:11:54,458 --> 00:11:55,625 Come here. 150 00:11:57,250 --> 00:11:58,250 This is… 151 00:11:58,333 --> 00:11:59,708 This is Grace. 152 00:11:59,791 --> 00:12:01,791 She graduated from art school abroad. 153 00:12:01,875 --> 00:12:04,375 She manages exhibitions like this one here. 154 00:12:04,458 --> 00:12:05,500 Am I right, Grace? 155 00:12:06,000 --> 00:12:07,875 Are you the manager of this exhibition? 156 00:12:08,541 --> 00:12:10,750 Yes. Along with some partners. 157 00:12:11,583 --> 00:12:13,583 She's the cousin of Mera. 158 00:12:13,666 --> 00:12:16,250 Mera is the owner of this place. 159 00:12:17,125 --> 00:12:19,083 You really want to befriend a guy like this? 160 00:12:20,083 --> 00:12:21,208 Why is that? 161 00:12:22,416 --> 00:12:24,333 Last time he was here, 162 00:12:24,416 --> 00:12:26,375 he was so drunk. 163 00:12:27,166 --> 00:12:29,250 Shouting, blabbering about recession. 164 00:12:29,333 --> 00:12:30,958 And then he vomited. 165 00:12:31,041 --> 00:12:33,166 Then Mera threw me out. 166 00:12:33,916 --> 00:12:35,375 See? 167 00:12:36,291 --> 00:12:38,958 - Grace, this is Sadali… - I'm Sadali. 168 00:12:39,583 --> 00:12:41,125 I'm a friend of Budi, 169 00:12:41,208 --> 00:12:45,208 who vomited and blabbered about recession here. 170 00:12:46,083 --> 00:12:47,416 I'm Grace. 171 00:12:49,916 --> 00:12:50,958 Come. 172 00:12:51,041 --> 00:12:53,333 Grace. 173 00:12:54,333 --> 00:12:55,541 Where is Mera? 174 00:12:56,166 --> 00:12:57,458 Mera? 175 00:12:59,375 --> 00:13:01,250 She was here. Where is she? 176 00:13:04,208 --> 00:13:05,333 What do you want with her? 177 00:13:06,875 --> 00:13:10,250 I want to ask whether the house at the back is still for rent. 178 00:13:10,333 --> 00:13:12,291 - You want to rent it? - Yes. 179 00:13:13,250 --> 00:13:14,708 She won't give it. 180 00:13:15,666 --> 00:13:18,875 It's not for me. It's for Sadali. 181 00:13:42,458 --> 00:13:43,666 Mera? 182 00:13:44,750 --> 00:13:45,958 Someone is looking for you. 183 00:13:46,500 --> 00:13:48,083 He wants to see the house. 184 00:13:48,166 --> 00:13:49,791 I haven't searched for a place to stay, Naz. 185 00:13:49,875 --> 00:13:51,250 He's Sadali. 186 00:13:52,083 --> 00:13:53,250 Hello. 187 00:13:53,333 --> 00:13:55,875 I hope to find one that suits me best. 188 00:13:55,958 --> 00:13:57,458 One which crowd suits me. 189 00:13:57,541 --> 00:13:58,875 One which silence suits me. 190 00:13:59,458 --> 00:14:01,541 Which has beauty in the right place. 191 00:14:02,875 --> 00:14:03,916 I'll leave you with her. 192 00:14:04,000 --> 00:14:04,958 Thank you, Grace. 193 00:14:12,333 --> 00:14:13,625 Actually… 194 00:14:14,541 --> 00:14:16,250 I was just looking for a room. 195 00:14:16,833 --> 00:14:17,916 Not a house. 196 00:14:18,583 --> 00:14:20,875 I'm renting a house, not a room. 197 00:14:23,875 --> 00:14:26,125 - You don't mind if I take a look? - For what? 198 00:14:27,458 --> 00:14:29,416 Maybe I'll find what I'm looking for? 199 00:14:30,875 --> 00:14:33,458 How do you know this house is for rent? 200 00:14:33,541 --> 00:14:34,916 From the campus bulletin. 201 00:14:35,000 --> 00:14:36,875 You're an art campus kid. 202 00:14:36,958 --> 00:14:39,125 I'm my parents' kid. 203 00:14:39,208 --> 00:14:41,625 What an ancient joke. 204 00:14:42,791 --> 00:14:44,208 I'm Mera. 205 00:14:44,291 --> 00:14:45,416 Uh… 206 00:14:45,500 --> 00:14:47,916 Sorry, my hands are dirty. Fertilizer everywhere. 207 00:14:48,000 --> 00:14:49,083 Just like my mother's. 208 00:14:50,833 --> 00:14:51,666 They're all wrinkled? 209 00:14:51,750 --> 00:14:54,541 No. I meant, my mother's hands are usually caked with fertilizer. 210 00:14:55,166 --> 00:14:57,166 Caked with fertilizer and then wrinkled? 211 00:14:57,750 --> 00:14:59,875 You keep talking about my mother's wrinkled hands 212 00:14:59,958 --> 00:15:01,958 despite never meeting her. 213 00:15:02,041 --> 00:15:04,708 I didn't mean it like that. Sorry… 214 00:15:04,791 --> 00:15:07,291 Hold on. I'll wash my hands. Then I take you to the house. 215 00:15:09,958 --> 00:15:11,666 There are two rooms. 216 00:15:11,750 --> 00:15:13,416 One over here. And over there. 217 00:15:16,416 --> 00:15:17,750 So… 218 00:15:17,833 --> 00:15:19,250 This place is available for rent or "for rent"? 219 00:15:20,083 --> 00:15:21,333 What do you mean by that? 220 00:15:21,416 --> 00:15:24,708 The price for rent is usually cheaper than when you say "for rent." 221 00:15:24,791 --> 00:15:26,375 And even cheaper when you say "rent." 222 00:15:28,083 --> 00:15:29,125 I tell you what. 223 00:15:29,208 --> 00:15:31,208 If you promise to take care of this house, 224 00:15:31,291 --> 00:15:33,333 I'll give you a reasonable price. 225 00:15:33,416 --> 00:15:35,375 One that's more suited for a student. 226 00:15:36,833 --> 00:15:38,750 When can I move in? 227 00:15:38,833 --> 00:15:41,250 As of now, you can. Where is your stuff? 228 00:15:41,333 --> 00:15:43,916 It's out front. In the restaurant. Budi is keeping an eye on it. 229 00:15:47,083 --> 00:15:49,625 I hope this can be the start of a good beginning for us all. 230 00:15:49,708 --> 00:15:51,083 Yes. Thank you, Grace… 231 00:15:51,166 --> 00:15:53,500 - Grace. - Thank you for curating our work. 232 00:15:54,750 --> 00:15:56,541 - Just a moment. - Please. 233 00:15:57,166 --> 00:15:58,250 How did it go? 234 00:15:58,750 --> 00:16:00,916 Went smooth. I now have a place to stay. 235 00:16:01,666 --> 00:16:04,541 - Congratulations. - I feel I really belong in this place. 236 00:16:05,250 --> 00:16:08,333 All of my wishes and hopes are here. 237 00:16:14,833 --> 00:16:16,125 Miss, can you help me out…? 238 00:16:16,208 --> 00:16:17,333 Please move this frame. 239 00:16:17,416 --> 00:16:20,208 Keep it in the godown. 240 00:16:20,291 --> 00:16:21,750 What were you staring at? 241 00:16:21,833 --> 00:16:23,500 I wasn't staring. 242 00:16:23,583 --> 00:16:24,791 I was reading. 243 00:16:26,208 --> 00:16:28,083 Careful. You might be misreading. 244 00:16:30,916 --> 00:16:31,750 Budi… 245 00:16:36,625 --> 00:16:38,375 Mera. 246 00:16:38,458 --> 00:16:40,125 I already told Sadali 247 00:16:40,208 --> 00:16:42,625 if you stay here 248 00:16:43,125 --> 00:16:45,416 I will raise the price. 249 00:16:46,916 --> 00:16:48,708 I won't. But… 250 00:16:48,791 --> 00:16:50,750 I'm still allowed to pay a visit, aren't I? 251 00:16:50,833 --> 00:16:51,833 Like that. Sure. 252 00:16:51,916 --> 00:16:53,458 Mother… 253 00:16:53,958 --> 00:16:55,625 Hi, dear. Come here. 254 00:16:56,666 --> 00:16:58,125 I thought you were in the front house. 255 00:16:58,208 --> 00:17:02,750 I was here all along. Meet, Uncle Sadali. He'll be staying here. 256 00:17:02,833 --> 00:17:04,625 This is Kikan. 257 00:17:05,916 --> 00:17:08,875 - He'll stay in my former room? - Yes. 258 00:17:08,958 --> 00:17:10,125 Hi, Kikan. 259 00:17:14,625 --> 00:17:17,291 She's still following your order to stay away from me? 260 00:17:17,958 --> 00:17:19,000 Yes. 261 00:17:22,625 --> 00:17:25,583 Okay, then. You can start sorting out your stuff. 262 00:17:26,583 --> 00:17:27,708 I'll be on my way. 263 00:17:30,916 --> 00:17:33,541 - What did you do at school? - See you… 264 00:17:35,416 --> 00:17:36,750 Budi, you should be on your way too. 265 00:17:37,333 --> 00:17:39,791 Alright… In a minute. 266 00:17:43,000 --> 00:17:46,166 Tell me what you did at school? 267 00:17:46,250 --> 00:17:48,125 Playing with crayons again, I bet. 268 00:17:48,208 --> 00:17:50,541 Me and my friends had a chat… 269 00:17:50,625 --> 00:17:52,583 We shared fun stories. 270 00:17:52,666 --> 00:17:55,208 And then we did other things too… 271 00:17:56,666 --> 00:17:57,958 What's the matter, Sadali? 272 00:17:59,000 --> 00:17:59,958 Hey. 273 00:18:01,916 --> 00:18:04,541 - So Mera is married? - Yes. 274 00:18:05,166 --> 00:18:06,500 She's in the process of divorce, though. 275 00:18:07,125 --> 00:18:09,833 That kid… Kikan, is her only child. 276 00:18:12,208 --> 00:18:13,541 What else do you want to know? 277 00:18:16,833 --> 00:18:18,250 That's enough for today. 278 00:18:20,791 --> 00:18:22,083 {\an8}Arnaza… 279 00:18:23,208 --> 00:18:25,791 {\an8}Today I finally found a place to stay. 280 00:18:26,875 --> 00:18:28,958 The owner is so kind… 281 00:18:29,041 --> 00:18:30,916 To give me a cheap rent price. 282 00:18:32,166 --> 00:18:34,000 {\an8}Another magical thing, 283 00:18:34,666 --> 00:18:38,166 {\an8}this house is just meters away from an art gallery. 284 00:18:39,166 --> 00:18:41,833 {\an8}As I arrived, an exhibition was taking place. 285 00:18:42,458 --> 00:18:43,458 {\an8}Plenty of people were there. 286 00:18:44,291 --> 00:18:47,458 I felt I was closer to my dreams. 287 00:18:59,291 --> 00:19:00,250 Can I join you? 288 00:19:01,166 --> 00:19:03,500 I thought you were a cop. 289 00:19:03,583 --> 00:19:04,708 Where are you from? 290 00:19:04,791 --> 00:19:07,333 - I'm from Bukittinggi. - Huh? 291 00:19:07,416 --> 00:19:09,583 - Ever heard of a Bukit Tinggi group? - No. 292 00:19:09,666 --> 00:19:11,083 Never. 293 00:19:11,166 --> 00:19:14,125 We never heard that group's name here, in Jogja. 294 00:19:15,208 --> 00:19:18,250 Of course, you haven't, because it's in West Sumatra. 295 00:19:18,333 --> 00:19:20,000 - Oh. - I see. 296 00:19:20,083 --> 00:19:22,208 - Can I take that spot there? - Okay. 297 00:19:28,583 --> 00:19:30,416 What is your name? 298 00:19:31,666 --> 00:19:32,791 James Bond. 299 00:19:34,333 --> 00:19:35,708 He calls himself James Bond. 300 00:19:35,791 --> 00:19:37,208 His work is good, though. 301 00:19:51,541 --> 00:19:53,250 Hey! 302 00:19:53,333 --> 00:19:55,250 - Let's scram! - Run! 303 00:19:55,333 --> 00:19:56,916 Go! 304 00:19:57,000 --> 00:19:58,375 Stop! 305 00:20:05,041 --> 00:20:09,000 ECONOMY AND HUMAN RIGHTS CRISIS 306 00:20:27,666 --> 00:20:29,583 Sis. Mera. 307 00:20:30,750 --> 00:20:32,541 Someone is drawing on the restaurant's table. 308 00:20:33,541 --> 00:20:35,625 - Who? - It's Sadali. 309 00:20:46,041 --> 00:20:51,000 {\an8}I'M IN LOVE WITH THE TIME I WANT TO SPEND WITH YOU 310 00:21:16,500 --> 00:21:17,791 Sis. 311 00:21:18,833 --> 00:21:20,416 How will you deal with him? 312 00:21:21,416 --> 00:21:22,708 Let him be. 313 00:21:23,791 --> 00:21:26,208 - Are you serious? - Yes. It's a good drawing. 314 00:21:35,916 --> 00:21:37,750 Why are you drawing there? 315 00:21:40,500 --> 00:21:42,000 There's no guard who told me not to. 316 00:21:43,333 --> 00:21:45,333 Mera is more fierce than a guard. 317 00:21:45,416 --> 00:21:46,958 Yeah. I'll erase it later. 318 00:21:48,208 --> 00:21:49,916 Ah, Mera. 319 00:21:51,458 --> 00:21:52,958 Won't you have something to eat? 320 00:21:53,041 --> 00:21:54,583 Some coffee or something? 321 00:21:54,666 --> 00:21:57,208 No, thanks. I was just about to hang out in his place. 322 00:22:03,166 --> 00:22:04,333 Yes, I will erase it later. 323 00:22:05,000 --> 00:22:06,208 Erase what? 324 00:22:07,666 --> 00:22:09,416 He scribbled on the table. 325 00:22:09,500 --> 00:22:11,041 Not a scribble. 326 00:22:11,833 --> 00:22:13,416 It's a painting. 327 00:22:13,500 --> 00:22:15,041 I saw it already. 328 00:22:21,458 --> 00:22:22,416 What is… 329 00:22:24,000 --> 00:22:25,500 the story of the painting about? 330 00:22:25,583 --> 00:22:27,125 A meeting. 331 00:22:29,250 --> 00:22:32,166 A meeting between a tree? 332 00:22:32,750 --> 00:22:33,916 Not a tree. 333 00:22:35,000 --> 00:22:36,291 It's a cloud. 334 00:22:36,375 --> 00:22:37,791 {\an8}I'M IN LOVE WITH THE TIME I WANT TO SPEND WITH YOU 335 00:22:42,875 --> 00:22:44,708 Okay. Carry on painting. 336 00:22:46,083 --> 00:22:47,625 No need to erase it. 337 00:22:54,833 --> 00:22:56,125 Budi. 338 00:22:56,208 --> 00:22:59,041 You're not planning to get drunk while hanging out at Sadali's, are you? 339 00:22:59,125 --> 00:23:01,750 It's still too early. He'll get the booze later around seven. 340 00:23:04,583 --> 00:23:06,083 I won't. 341 00:23:58,666 --> 00:23:59,833 Are you out of your mind? 342 00:24:27,458 --> 00:24:28,416 Good evening. 343 00:24:33,458 --> 00:24:34,458 You must be hungry. 344 00:24:34,541 --> 00:24:36,875 Yes. I was about to cook this. The only food I have. 345 00:24:40,791 --> 00:24:44,541 Looks like the food ingredients are empty. 346 00:24:44,625 --> 00:24:45,958 Ah, there's something left. 347 00:24:49,500 --> 00:24:52,166 I have some eggs. 348 00:24:52,791 --> 00:24:54,083 Two of them. 349 00:24:54,583 --> 00:24:55,708 Thank you. 350 00:24:57,250 --> 00:24:58,500 Here's the bowl. 351 00:24:59,041 --> 00:25:01,791 Fork and spoon. I've washed them. 352 00:25:01,875 --> 00:25:03,000 - I'll put them over there. - Okay. 353 00:25:18,500 --> 00:25:19,625 You're not going home? 354 00:25:20,333 --> 00:25:23,375 Well, I got carried away, working in the gallery's office. 355 00:25:24,458 --> 00:25:25,916 When I finished 356 00:25:26,000 --> 00:25:27,541 I found the place empty, everyone already left. 357 00:25:27,625 --> 00:25:28,958 There's no staff staying overnight? 358 00:25:29,541 --> 00:25:32,500 No. They all live nearby. 359 00:25:33,791 --> 00:25:36,000 The kitchen closes at nine. 360 00:25:36,083 --> 00:25:38,458 The gallery closes at ten. So actually, 361 00:25:38,541 --> 00:25:41,166 it's rare that the staff is asked to work overtime. 362 00:25:41,250 --> 00:25:43,416 So you have to work overtime, instead. 363 00:25:43,500 --> 00:25:44,625 Yes. 364 00:25:47,375 --> 00:25:49,250 But just lately. 365 00:25:51,333 --> 00:25:55,250 There's a lot of personal files to be sorted out. 366 00:25:55,333 --> 00:25:57,375 Aren't you going to be missed by your mother 367 00:25:57,458 --> 00:25:58,791 or by… 368 00:25:58,875 --> 00:26:00,458 - Ki… Kikan. - Kikan. 369 00:26:00,541 --> 00:26:03,791 Kikan and her grandmother get along well with each other. 370 00:26:03,875 --> 00:26:06,000 It seems they both forget to search for me. 371 00:26:12,666 --> 00:26:14,583 Your noodles… 372 00:26:16,791 --> 00:26:18,875 You're lucky I'm still around, Sadali. 373 00:26:18,958 --> 00:26:20,625 I was planning 374 00:26:20,708 --> 00:26:24,250 to lock everything up after doing some cleaning. 375 00:26:25,375 --> 00:26:28,208 I better hurry up and finish this. 376 00:26:28,291 --> 00:26:30,500 - So I don't hold you up from leaving then. - Here. 377 00:26:32,958 --> 00:26:33,958 You lock up then. 378 00:26:38,291 --> 00:26:39,458 But… 379 00:26:41,875 --> 00:26:43,250 I'm the new guy. 380 00:26:43,833 --> 00:26:44,958 If I steal, what happens? 381 00:26:47,791 --> 00:26:50,375 What is there to steal? 382 00:26:55,708 --> 00:26:57,125 I wonder what… 383 00:27:00,250 --> 00:27:01,583 Anyway… 384 00:27:01,666 --> 00:27:04,458 Just go through these keys. 385 00:27:04,541 --> 00:27:07,666 I've already locked the office. 386 00:27:07,750 --> 00:27:10,416 You just need to lock the front room and the backyard. 387 00:27:12,791 --> 00:27:14,083 Enjoy your noodles. 388 00:27:48,000 --> 00:27:49,166 Car won't start? 389 00:27:54,375 --> 00:27:55,458 Yes. 390 00:28:10,166 --> 00:28:11,708 I'll go on foot. 391 00:28:11,791 --> 00:28:13,041 Let me accompany you. 392 00:28:13,125 --> 00:28:15,333 You don't need to. My mother's place is close. 393 00:28:17,041 --> 00:28:19,416 Yeah. My mother's place, however, is far. 394 00:28:31,250 --> 00:28:34,625 You're not afraid, staying in this big house all on your own? 395 00:28:34,708 --> 00:28:36,208 No. 396 00:28:36,291 --> 00:28:38,500 I went through the forest and it was just fine. 397 00:28:39,250 --> 00:28:41,250 You mean the man-made forest? 398 00:28:41,333 --> 00:28:42,625 Did your husband make it? 399 00:28:43,125 --> 00:28:44,791 No. I did. 400 00:28:46,791 --> 00:28:49,041 Smith hates that garden. 401 00:28:50,083 --> 00:28:52,791 He was planning to build a pond. 402 00:28:54,458 --> 00:28:56,750 - Smith is your husband's name? - Yes. 403 00:28:57,291 --> 00:29:00,083 Jogja has its own beauty, Naz. 404 00:29:00,166 --> 00:29:02,416 Beautiful like the hills we have. 405 00:29:02,500 --> 00:29:03,750 With different hues. 406 00:29:04,416 --> 00:29:06,458 Somehow, 407 00:29:06,541 --> 00:29:08,208 without me noticing, 408 00:29:08,291 --> 00:29:10,291 the city has filled the space within me 409 00:29:10,375 --> 00:29:12,625 that was previously filled by the love and beauty of the hills. 410 00:29:13,541 --> 00:29:16,291 Like that faint shadow, slowly climbing up, 411 00:29:16,375 --> 00:29:18,416 and lo and behold, it reaches the top of the mountain. 412 00:29:26,500 --> 00:29:29,041 We've arrived. I told you it was close. 413 00:29:30,583 --> 00:29:31,583 Too close. 414 00:29:33,875 --> 00:29:35,666 Thank you for accompanying me. 415 00:29:37,375 --> 00:29:40,416 Thank you for the keys and eggs. I'll pay it back. 416 00:29:48,000 --> 00:29:49,041 Mera? 417 00:29:51,041 --> 00:29:54,375 Why do I feel, like we've met before. 418 00:29:56,125 --> 00:29:57,583 Way before this. 419 00:30:00,833 --> 00:30:02,166 Maybe we have. 420 00:30:04,000 --> 00:30:05,458 On the clouds. 421 00:30:18,875 --> 00:30:20,916 I don't want to fight this stream, Naz. 422 00:30:21,708 --> 00:30:23,333 Jogja is something different. 423 00:30:24,333 --> 00:30:26,083 A new adventure I have to go through. 424 00:30:26,166 --> 00:30:27,541 A journey. 425 00:30:28,500 --> 00:30:30,541 Maybe the universe is testing me. 426 00:30:31,166 --> 00:30:34,125 Guiding me to an unknown path. 427 00:30:34,208 --> 00:30:35,375 Before I return. 428 00:30:35,458 --> 00:30:36,583 ENJOY THE KEY 429 00:30:36,666 --> 00:30:38,125 Pray I don't get lost. 430 00:30:40,041 --> 00:30:41,375 So tell me. 431 00:30:41,458 --> 00:30:43,541 What made you study in Art School? 432 00:30:43,625 --> 00:30:44,458 FACULTY OF FINE ARTS 433 00:30:44,541 --> 00:30:48,333 I was told that here painting is taught not just by theory, 434 00:30:48,416 --> 00:30:50,083 but also by heart, sir. 435 00:30:50,166 --> 00:30:51,125 By feelings. 436 00:30:52,500 --> 00:30:54,958 All this time you've not been painting by heart? 437 00:30:56,750 --> 00:30:58,250 I've been painting by heart all this time, sir. 438 00:30:58,333 --> 00:31:00,166 That's why my paintings are all messy. 439 00:31:03,541 --> 00:31:05,000 It's alright. 440 00:31:05,083 --> 00:31:07,916 Your heart can be messy, as long as your paintings are good. 441 00:31:09,541 --> 00:31:10,708 Okay. So today, 442 00:31:10,791 --> 00:31:14,208 we'll do the human anatomy course. 443 00:31:14,291 --> 00:31:16,333 There's just one model. 444 00:31:16,416 --> 00:31:18,500 But the results will vary. 445 00:31:19,375 --> 00:31:22,125 Start painting 446 00:31:22,208 --> 00:31:23,541 using the heart. 447 00:31:24,541 --> 00:31:26,625 - I'll leave you on your own. - Yes, sir. 448 00:31:41,791 --> 00:31:43,625 I have a gift for you. 449 00:31:46,083 --> 00:31:49,500 So that… you don't forget me. 450 00:32:02,916 --> 00:32:05,375 - Naz. - You don't like it? 451 00:32:05,458 --> 00:32:07,708 - Have I picked the wrong ones? - No. 452 00:32:08,583 --> 00:32:09,916 They're so good. 453 00:32:10,500 --> 00:32:11,750 Thank you, Naz. 454 00:32:53,750 --> 00:32:56,125 I want to draw you, Naz. Hold on. 455 00:33:16,083 --> 00:33:19,125 For you. A memento from me. 456 00:33:23,333 --> 00:33:25,041 It's so pretty. 457 00:33:27,083 --> 00:33:28,416 Thank you so much. 458 00:33:29,250 --> 00:33:33,541 Sadali, I can imagine the atmosphere there. 459 00:33:34,125 --> 00:33:37,583 Inspiring faces and artwork. 460 00:33:38,208 --> 00:33:42,791 I want to be involved in your future work. 461 00:33:42,875 --> 00:33:44,666 They're still quite active. 462 00:33:45,583 --> 00:33:47,916 - Hello, Uncle. - Hello, Kikan. 463 00:33:48,000 --> 00:33:50,333 - He can be big. - I agree. 464 00:33:51,000 --> 00:33:52,541 - Sadali. - Come here. 465 00:33:53,791 --> 00:33:55,000 I'll introduce you to someone. 466 00:33:55,916 --> 00:33:58,375 Meet Anwar. He's a curator. 467 00:33:58,458 --> 00:34:01,166 This is Sadali. An art school student. 468 00:34:01,250 --> 00:34:03,041 He's renting the house at the back. 469 00:34:03,541 --> 00:34:04,875 Hi. Anwar. 470 00:34:04,958 --> 00:34:06,250 Sadali. 471 00:34:06,333 --> 00:34:08,833 He made that painting on the table. 472 00:34:12,166 --> 00:34:14,041 - Interesting. - I'm done. 473 00:34:15,208 --> 00:34:16,791 You're done? 474 00:34:16,875 --> 00:34:19,750 - Is it good? - Good. Why don't you add color? 475 00:34:21,625 --> 00:34:22,666 Take a seat. 476 00:34:23,583 --> 00:34:26,958 Sadali. Anwar's curation's scope is wide. 477 00:34:27,041 --> 00:34:29,000 He covers the South East Asian region. 478 00:34:29,666 --> 00:34:30,958 We were discussing 479 00:34:31,041 --> 00:34:33,250 the big galleries are fed up 480 00:34:33,333 --> 00:34:36,333 with the naturalist and realist works. 481 00:34:36,416 --> 00:34:37,666 They're looking for… What was that? 482 00:34:38,583 --> 00:34:40,000 Brutalist. 483 00:34:40,083 --> 00:34:41,333 Something more brutal. 484 00:34:42,708 --> 00:34:44,750 {\an8}- Kikan's drawing is brutal. - Huh? 485 00:34:46,500 --> 00:34:49,416 I hang out with the campus' students. 486 00:34:50,166 --> 00:34:51,875 I find today's students 487 00:34:51,958 --> 00:34:53,500 are merely people who show off. 488 00:34:53,583 --> 00:34:55,083 They're different for the sake of it. 489 00:34:55,166 --> 00:34:58,125 Their work is brutal. But without concept. 490 00:34:59,916 --> 00:35:01,708 Like Kikan's drawing. 491 00:35:01,791 --> 00:35:03,708 Huh? Why mention me again? 492 00:35:03,791 --> 00:35:06,541 You've heard about conceptual concept, haven't you? 493 00:35:06,625 --> 00:35:08,875 Yes. Un design des designs. 494 00:35:09,625 --> 00:35:12,125 Trust me. You, they… 495 00:35:12,208 --> 00:35:15,208 Don't really understand that term. 496 00:35:16,583 --> 00:35:18,166 So what do you think, Sadali? 497 00:35:18,250 --> 00:35:21,916 You have plan to make works that are 498 00:35:22,000 --> 00:35:23,208 brutal? 499 00:35:34,458 --> 00:35:35,750 I hope one day 500 00:35:35,833 --> 00:35:38,250 you have a chance to be curated by someone like Anwar. 501 00:35:39,666 --> 00:35:42,916 I hope one day I can choose my own curator. 502 00:35:43,000 --> 00:35:45,458 You are so confident. 503 00:35:45,541 --> 00:35:47,458 - I believe only in… - God. 504 00:35:47,541 --> 00:35:49,125 You're so predictable. 505 00:35:50,125 --> 00:35:51,208 Let me get the groceries. 506 00:35:51,291 --> 00:35:52,791 I'll put them in the fridge. 507 00:35:52,875 --> 00:35:55,166 Else they get withered. 508 00:36:17,875 --> 00:36:18,958 You want some fried rice? 509 00:36:20,958 --> 00:36:21,791 Your cooking? 510 00:36:21,875 --> 00:36:24,125 Yes. I peeked at the restaurant's recipe. 511 00:36:24,208 --> 00:36:26,500 Don't sit there! It's dirty. 512 00:36:26,583 --> 00:36:29,750 It's okay. I'm planning to take a bath and wash my clothes afterwards, anyway. 513 00:36:29,833 --> 00:36:31,375 Stubborn. 514 00:36:32,250 --> 00:36:33,375 Where's Kikan? 515 00:36:33,458 --> 00:36:35,666 In the office, doing her homework. 516 00:36:36,583 --> 00:36:37,875 Tasty? 517 00:36:38,416 --> 00:36:39,333 Too sweet. 518 00:36:40,208 --> 00:36:42,041 You prefer it spicy? 519 00:36:42,125 --> 00:36:44,166 Well, I come from Bukittinggi, West Sumatra. 520 00:36:44,250 --> 00:36:45,708 I eat spicy food. 521 00:36:48,250 --> 00:36:49,583 Want to try some? 522 00:36:49,666 --> 00:36:51,208 No, thank you. 523 00:36:59,958 --> 00:37:02,083 - Is that a rose? - Yes. 524 00:37:02,750 --> 00:37:05,666 It hasn't flourished yet, though. 525 00:37:12,125 --> 00:37:13,500 What is Smith's occupation? 526 00:37:20,208 --> 00:37:21,375 Smith… 527 00:37:24,791 --> 00:37:26,291 He is a surgeon. 528 00:37:28,166 --> 00:37:30,708 That's why he dislikes fertilizer. 529 00:37:30,791 --> 00:37:32,041 According to him, it smells dirty. 530 00:37:34,666 --> 00:37:36,583 He moved in here 531 00:37:36,666 --> 00:37:41,208 as an educator, then as art collector and activist. 532 00:37:42,166 --> 00:37:44,541 - You know the rest. - Sounds like you two make a good pair. 533 00:37:46,041 --> 00:37:47,208 Meaning? 534 00:37:47,291 --> 00:37:48,833 I mean… 535 00:37:48,916 --> 00:37:50,666 He's active in arts, while you, yourself, are an artist. 536 00:37:50,750 --> 00:37:51,791 I'm not an artist. 537 00:37:51,875 --> 00:37:53,416 Taking care of plants is art. 538 00:37:57,708 --> 00:38:00,458 Anyway, a match in plenty of things 539 00:38:00,541 --> 00:38:03,125 can disappear if there's a dispute in one thing. 540 00:38:04,125 --> 00:38:05,958 But disputes in many things can also 541 00:38:06,041 --> 00:38:08,083 disappear due to one match. 542 00:38:10,708 --> 00:38:11,708 Maybe. 543 00:38:17,791 --> 00:38:19,375 Do you come here every afternoon? 544 00:38:19,458 --> 00:38:20,458 I spend most of my time here. 545 00:38:21,375 --> 00:38:23,250 I love afternoons. 546 00:38:24,333 --> 00:38:26,666 I don't know why. It's simply captivating. 547 00:38:28,083 --> 00:38:30,500 Same with me. I also love afternoons. 548 00:38:30,583 --> 00:38:31,875 Ah. Such a cliche. 549 00:38:31,958 --> 00:38:35,083 You artists are fixated on afternoons, dusks. 550 00:38:35,166 --> 00:38:36,333 So are poets. 551 00:38:37,291 --> 00:38:38,583 Find another source of inspiration. 552 00:38:39,208 --> 00:38:41,125 Okay. I will find one. 553 00:38:42,041 --> 00:38:45,583 I'll leave you to enjoy afternoons, without having to share them with me. 554 00:39:02,083 --> 00:39:04,083 It's tasty. Not too sweet. 555 00:39:05,083 --> 00:39:07,166 The sweet flavor has been taken by our talk. 556 00:39:23,583 --> 00:39:25,583 I don't like this line. 557 00:39:27,208 --> 00:39:28,291 Which one? 558 00:39:29,666 --> 00:39:30,583 This one. 559 00:39:32,916 --> 00:39:34,791 Who wrote this line, anyway? 560 00:39:36,416 --> 00:39:37,500 Wait a second. 561 00:39:42,083 --> 00:39:43,125 Better this way? 562 00:39:44,541 --> 00:39:45,375 Yes. 563 00:39:46,583 --> 00:39:48,708 My farewell gift for you. 564 00:39:51,250 --> 00:39:53,083 Please don't talk like that. 565 00:39:53,166 --> 00:39:55,791 I mean a temporary farewell. 566 00:39:55,875 --> 00:39:59,666 Later on, after graduating, I will return. 567 00:40:02,958 --> 00:40:04,125 Amen. 568 00:40:04,750 --> 00:40:07,333 I hope you graduate as soon as possible. 569 00:40:07,958 --> 00:40:09,708 And return to Bukittinggi immediately. 570 00:40:10,750 --> 00:40:11,958 Amen. 571 00:40:15,833 --> 00:40:17,500 Peace be unto you. 572 00:40:18,791 --> 00:40:20,166 And unto you peace. 573 00:40:20,250 --> 00:40:21,625 Mrs. Rosma. 574 00:40:22,333 --> 00:40:23,166 Arnaza. 575 00:40:23,250 --> 00:40:25,208 Unto you peace. Rosma, ma'am. 576 00:40:31,791 --> 00:40:32,833 From Sadali? 577 00:40:32,916 --> 00:40:34,041 Yes. 578 00:40:37,500 --> 00:40:39,500 Come inside. We'll have tea. 579 00:40:40,875 --> 00:40:43,541 I'm here just to deliver the letter, Mrs. Hayati. 580 00:40:43,625 --> 00:40:45,500 I was in the middle of cooking, and came immediately. 581 00:40:45,583 --> 00:40:46,666 I better go back, or else my husband will starve. 582 00:40:46,750 --> 00:40:48,375 I see. 583 00:40:52,416 --> 00:40:54,000 Lovestruck teen. 584 00:40:55,000 --> 00:40:57,791 - Peace be unto you. - And unto you peace. 585 00:41:05,791 --> 00:41:06,833 Arnaza. 586 00:41:08,208 --> 00:41:11,166 I hope my letters reach you not as long as a million light years. 587 00:41:12,125 --> 00:41:13,750 Such words from you, dear. 588 00:41:18,125 --> 00:41:22,250 It takes a million years for light from a star to reach earth 589 00:41:23,541 --> 00:41:25,416 when it eventually reaches the earth 590 00:41:25,500 --> 00:41:27,083 the star itself has died. 591 00:41:57,958 --> 00:42:00,541 Sadali! Where are you going? 592 00:42:00,625 --> 00:42:01,791 Can I give you a ride? 593 00:42:05,083 --> 00:42:06,041 Where are you heading? 594 00:42:06,125 --> 00:42:09,125 I just dropped Kikan. She's having a sleepover with her friend. 595 00:42:09,208 --> 00:42:11,083 I'm heading to the gallery. Why don't you come with me? 596 00:42:14,708 --> 00:42:16,416 I'm not about to go home yet. 597 00:42:16,500 --> 00:42:18,958 So where are you going? Want me to take you there? 598 00:42:21,250 --> 00:42:22,250 Come. 599 00:42:38,333 --> 00:42:41,166 - You're going to complete this painting? - Yes. 600 00:42:43,125 --> 00:42:46,916 What happens if some civilians or police intel find out? 601 00:42:48,375 --> 00:42:49,583 Then we run. 602 00:42:49,666 --> 00:42:51,000 We have a car standing by. 603 00:42:52,125 --> 00:42:54,458 Then we flee by car instead of on foot. 604 00:43:45,541 --> 00:43:46,500 Give me your hand. 605 00:43:48,500 --> 00:43:49,833 Don't hold the brush too straight. 606 00:44:03,666 --> 00:44:04,708 GRAFFITI IS PROHIBITED 607 00:44:04,791 --> 00:44:07,583 I don't see the letters "M" and "S"? 608 00:44:08,333 --> 00:44:09,541 Where are they? 609 00:44:11,583 --> 00:44:13,500 They're taken, by both of us. 610 00:44:19,583 --> 00:44:22,125 Hey! Vandals of the street! 611 00:44:22,208 --> 00:44:24,083 - Run! - Let's go! 612 00:45:03,833 --> 00:45:06,583 I bet it's not as good compared to the Sianok Valley, right? 613 00:45:08,625 --> 00:45:09,708 I wouldn't know. 614 00:45:11,083 --> 00:45:14,458 I've never been to Sianok Valley while getting chased at dawn. 615 00:45:20,583 --> 00:45:23,750 This is also the first time I'm here not all by myself, but with someone. 616 00:45:25,791 --> 00:45:27,416 What's the point of coming here alone? 617 00:45:27,500 --> 00:45:28,375 Hmm? 618 00:45:32,083 --> 00:45:33,375 I was pulling your leg. 619 00:45:34,208 --> 00:45:35,916 I'm not that deep. 620 00:45:36,458 --> 00:45:39,416 I've been here with foreigners. The restaurant's guests. 621 00:45:42,125 --> 00:45:43,833 That's not being here alone. 622 00:45:43,916 --> 00:45:46,250 Yes, I have company, but I didn't know them. 623 00:45:46,333 --> 00:45:47,750 I still felt alone. 624 00:45:49,333 --> 00:45:50,958 What about now? 625 00:45:51,041 --> 00:45:52,416 Do you feel alone? 626 00:45:54,083 --> 00:45:56,041 I know you. 627 00:45:56,125 --> 00:45:57,291 Just recently. 628 00:45:58,416 --> 00:46:00,875 It's like you said that night. 629 00:46:02,083 --> 00:46:04,416 I feel like we've known each other so long. 630 00:46:05,666 --> 00:46:09,875 When we painted, years have gone by. 631 00:46:11,416 --> 00:46:12,875 We just didn't feel it. 632 00:46:17,750 --> 00:46:19,875 Oh… I see. 633 00:46:19,958 --> 00:46:22,708 Now I see how your friends 634 00:46:22,791 --> 00:46:24,583 and also the guards 635 00:46:24,666 --> 00:46:27,416 look so old. 636 00:46:27,500 --> 00:46:29,375 They look like they're 100 years old. 637 00:46:31,541 --> 00:46:33,291 We didn't age, though. 638 00:46:34,666 --> 00:46:36,125 How come? 639 00:46:37,583 --> 00:46:39,166 Because we were happy. 640 00:46:57,041 --> 00:46:59,666 Thank you, Sadali! 641 00:47:06,875 --> 00:47:08,958 Your welcome, Mera! 642 00:47:09,500 --> 00:47:11,291 Happy! 643 00:47:11,375 --> 00:47:13,000 You! 644 00:47:39,625 --> 00:47:42,125 YEAR END EXHIBITION FACULTY OF FINE ARTS 645 00:47:48,791 --> 00:47:50,083 Where's your painting? 646 00:47:52,375 --> 00:47:53,625 Not ready yet. 647 00:47:55,041 --> 00:47:56,375 Not made yet, to be exact. 648 00:47:58,333 --> 00:48:00,000 The artist from Bukittinggi. 649 00:48:00,083 --> 00:48:01,291 How can you miss this? 650 00:48:02,416 --> 00:48:04,041 My time will come. 651 00:48:14,208 --> 00:48:15,458 Sadali. 652 00:48:15,541 --> 00:48:19,125 They depict Jogja, showing various situations of villages and post offices. 653 00:48:19,708 --> 00:48:21,250 That's Mr. Jim, right? 654 00:48:21,750 --> 00:48:24,833 The top curator. What's he doing here, Budi? 655 00:48:24,916 --> 00:48:28,416 He comes here often. Scouting for new talent. 656 00:48:29,083 --> 00:48:30,208 You know him? 657 00:48:30,708 --> 00:48:31,750 No. 658 00:48:32,791 --> 00:48:35,458 I know Jim. 659 00:48:35,541 --> 00:48:37,750 But not too well. 660 00:48:37,833 --> 00:48:40,791 He comes here during exhibitions. 661 00:48:40,875 --> 00:48:43,416 You know who does know him well? 662 00:48:43,500 --> 00:48:44,666 Smith. 663 00:48:49,208 --> 00:48:51,041 You want me to introduce him to you? 664 00:48:51,125 --> 00:48:53,708 No need. I'll make my own acquaintance with him. 665 00:48:57,625 --> 00:48:59,625 Sadali and his confidence 666 00:48:59,708 --> 00:49:02,125 as high as the steep valleys of Sianok. 667 00:49:02,750 --> 00:49:03,791 Yes? 668 00:49:08,041 --> 00:49:09,458 Let me offer another way. 669 00:49:09,541 --> 00:49:12,416 You complete the painting on this table 670 00:49:12,500 --> 00:49:15,083 and when Jim comes in here I can tell him 671 00:49:15,166 --> 00:49:18,750 this is the work of Sadali, the artist from Bukittinggi. 672 00:49:20,000 --> 00:49:22,500 You really think this painting is worth showing to Jim? 673 00:49:23,458 --> 00:49:26,666 Well… I like it. 674 00:49:26,750 --> 00:49:29,333 Whether my liking is valid or not, I wouldn't know. 675 00:49:31,333 --> 00:49:32,333 Okay. 676 00:49:32,958 --> 00:49:34,375 I will finish it. 677 00:49:35,000 --> 00:49:36,500 Not now, though. 678 00:49:37,791 --> 00:49:38,750 I will finish it for you. 679 00:49:43,500 --> 00:49:45,541 Sadali, what is your source of inspiration? 680 00:49:45,625 --> 00:49:46,833 Hmm? 681 00:49:46,916 --> 00:49:49,041 According to Anwar, 682 00:49:49,666 --> 00:49:53,458 every painter has his… muse. 683 00:49:53,541 --> 00:49:54,666 A goddess. 684 00:49:55,375 --> 00:49:59,375 The figure that inspires an artist in his every creation. 685 00:50:03,500 --> 00:50:05,458 Maybe you just haven't met yours. 686 00:50:08,625 --> 00:50:10,666 Or maybe I have. 687 00:50:10,750 --> 00:50:13,166 I just don't dare proclaim her. 688 00:50:16,125 --> 00:50:19,291 Confident, yet shy. 689 00:50:25,166 --> 00:50:26,375 Who's that? 690 00:50:26,458 --> 00:50:28,833 Sounds like Anwar. 691 00:50:33,708 --> 00:50:35,250 Hi. 692 00:50:35,333 --> 00:50:37,708 You come so late. 693 00:50:37,791 --> 00:50:40,333 - I always drop by at odd hours, right? - You and your habit. 694 00:50:40,416 --> 00:50:42,458 - I'm going home. - Why? 695 00:50:45,875 --> 00:50:47,208 Sadali, right? 696 00:50:47,875 --> 00:50:48,750 Where are you going? 697 00:50:48,833 --> 00:50:50,000 Home. I live in the house at the back. 698 00:50:50,083 --> 00:50:51,416 That's Smith's place, right? 699 00:50:51,500 --> 00:50:52,333 It's Mera's place. 700 00:50:52,416 --> 00:50:54,333 It's all the same. 701 00:50:54,416 --> 00:50:55,708 Take a seat. 702 00:50:55,791 --> 00:50:57,916 We'll chat. Come. 703 00:50:58,625 --> 00:50:59,833 Come on. 704 00:51:02,708 --> 00:51:03,875 Whose coffee is this? 705 00:51:03,958 --> 00:51:05,000 - Sadali. - Mera. 706 00:51:07,375 --> 00:51:11,583 Mera… You and your charm that dazzles men. 707 00:51:12,750 --> 00:51:14,500 And young kids. 708 00:51:14,583 --> 00:51:15,583 I'm not a kid. 709 00:51:18,333 --> 00:51:20,708 What brings you here at this hour? 710 00:51:21,791 --> 00:51:22,916 I'm anxious. 711 00:51:23,000 --> 00:51:24,666 Bored. 712 00:51:25,833 --> 00:51:27,291 Hey. Sadali. 713 00:51:28,375 --> 00:51:30,291 Where's your painting? Let me see. 714 00:51:31,625 --> 00:51:34,208 You just called me a kid and now you want to see my painting. 715 00:51:35,291 --> 00:51:36,333 What did he say? 716 00:51:36,416 --> 00:51:38,291 He said you're annoying. 717 00:51:40,291 --> 00:51:43,166 I'm used to it. Artists find me annoying. 718 00:51:44,333 --> 00:51:45,416 True. 719 00:51:45,500 --> 00:51:47,041 Okay, then. 720 00:51:47,625 --> 00:51:48,916 Can I have some beer? 721 00:51:49,000 --> 00:51:51,250 The kitchen is closed, Anwar. 722 00:51:51,333 --> 00:51:54,875 Ah… If that's the case, we'll go to the bar. 723 00:51:55,916 --> 00:51:56,916 Have some booze. 724 00:51:57,666 --> 00:51:58,500 I'm not going. 725 00:51:59,625 --> 00:52:00,833 - You don't drink alcohol? - No. 726 00:52:01,458 --> 00:52:03,375 Even if I did, I won't come. 727 00:52:04,291 --> 00:52:05,916 How about you, Mera? You coming? 728 00:52:06,583 --> 00:52:08,291 I'm sure Mera is tired already. 729 00:52:08,375 --> 00:52:11,041 Since when is she tired? 730 00:52:11,125 --> 00:52:12,541 She can only get tired 731 00:52:12,625 --> 00:52:16,125 when she's with Smith. Am I right? 732 00:52:17,666 --> 00:52:21,125 If I don't go along, he'll stay here until dawn. 733 00:52:21,958 --> 00:52:22,958 Okay, I'm coming. 734 00:52:23,041 --> 00:52:25,583 - One glass, then I'm coming home. - Okay. 735 00:52:25,666 --> 00:52:26,791 Sure. 736 00:52:30,875 --> 00:52:32,041 Come. 737 00:52:33,291 --> 00:52:34,583 Mera. 738 00:52:34,666 --> 00:52:37,250 What is it, Sadali? 739 00:52:37,833 --> 00:52:38,958 Promise me, just one glass. 740 00:52:40,333 --> 00:52:41,791 I promise. 741 00:52:43,666 --> 00:52:45,750 Please lock everything up. As usual. 742 00:52:45,833 --> 00:52:48,541 - You're so obnoxious. - How can you put up with that kid? 743 00:53:07,416 --> 00:53:11,666 FOR ARNAZA 744 00:53:46,583 --> 00:53:47,875 - Rico. - Yes, Miss. 745 00:53:47,958 --> 00:53:49,791 I have to leave for a while. 746 00:53:49,875 --> 00:53:52,500 Make sure the reservation for Eko is at that table. Four people. 747 00:53:52,583 --> 00:53:53,500 Will do. 748 00:53:53,583 --> 00:53:55,083 Please check the invitation time. 749 00:54:01,583 --> 00:54:03,750 I LOVE THE TIME THAT I WANT TO SPEND WITH YOU 750 00:54:30,083 --> 00:54:30,958 Grace? 751 00:54:34,958 --> 00:54:36,541 You wake up late. 752 00:54:36,625 --> 00:54:37,833 What are you doing here? 753 00:54:37,916 --> 00:54:39,416 The restaurant is full. 754 00:54:40,000 --> 00:54:42,041 I wanted to eat in the kitchen, but it's chaotic there. 755 00:54:42,958 --> 00:54:45,375 And the gallery's office is locked. 756 00:54:47,000 --> 00:54:48,416 You have the house key? 757 00:54:49,500 --> 00:54:50,958 You forgot to lock it. 758 00:54:51,625 --> 00:54:54,750 Yes. Yet you still made the effort to walk all the way here 759 00:54:54,833 --> 00:54:57,750 with those noodles, to eat here. What's that? 760 00:54:58,916 --> 00:55:01,750 Chill. I used to do it when Smith was here. 761 00:55:14,833 --> 00:55:16,041 Mer… 762 00:55:16,125 --> 00:55:18,458 Your cousin, Mera… Where is she? Is she outside? 763 00:55:18,541 --> 00:55:21,041 No. She's at the courthouse. 764 00:55:26,791 --> 00:55:28,291 For? 765 00:55:28,375 --> 00:55:30,041 Well, you know. 766 00:55:30,125 --> 00:55:32,208 Taking care of her divorce. 767 00:55:33,041 --> 00:55:34,583 It's been dragging on and on. 768 00:55:40,875 --> 00:55:43,833 Last night I went to the bar with Mera and Anwar. 769 00:55:44,666 --> 00:55:45,666 Huh? 770 00:55:46,708 --> 00:55:48,375 - You went along? - Uh-huh. 771 00:55:48,458 --> 00:55:50,541 Out of the blue Mera called, asked me to join them. 772 00:55:51,291 --> 00:55:52,750 So, off I went. 773 00:55:53,375 --> 00:55:54,750 Until what time did you all stay there? 774 00:55:55,416 --> 00:55:56,333 Dawn. 775 00:55:58,875 --> 00:56:00,083 Mera went home early, though. 776 00:56:00,166 --> 00:56:02,458 She drank one glass, then went home. 777 00:56:06,000 --> 00:56:07,791 - I'll be on my way. - Okay. 778 00:56:25,791 --> 00:56:28,166 - Please stay calm. - Thank you. 779 00:56:28,250 --> 00:56:30,250 We'll see each other again soon. 780 00:56:32,500 --> 00:56:36,541 YOGYAKARTA RELIGIOUS COURT 781 00:57:03,583 --> 00:57:04,708 Earnestly… 782 00:57:06,666 --> 00:57:07,791 Why did you get divorced? 783 00:57:15,083 --> 00:57:17,000 One year ago… 784 00:57:20,250 --> 00:57:23,833 a woman and her grown child turned up in Jogja. 785 00:57:29,500 --> 00:57:32,250 She was Smith's daughter. 786 00:57:36,083 --> 00:57:38,708 I never knew of their existence before. 787 00:57:42,208 --> 00:57:43,916 And we were already 11 years married. 788 00:57:47,750 --> 00:57:50,583 Eleven years, full of lies. 789 00:57:58,791 --> 00:58:00,416 Searching without knowing… 790 00:58:00,500 --> 00:58:02,750 What is lost. 791 00:58:04,166 --> 00:58:05,125 Poor her. 792 00:58:05,708 --> 00:58:06,833 The woman. 793 00:58:11,291 --> 00:58:12,250 Mera. 794 00:58:13,958 --> 00:58:15,750 Feeling pity for yourself 795 00:58:16,708 --> 00:58:18,666 will not turn you to who you want to be. 796 00:58:24,416 --> 00:58:26,500 {\an8}THE SWEETEST SILENCE 797 00:59:27,500 --> 00:59:28,166 {\an8}LET'S PARTY 798 00:59:53,375 --> 00:59:54,458 Budi. 799 01:00:02,875 --> 01:00:04,333 Budi… 800 01:00:11,833 --> 01:00:13,250 Come on… 801 01:00:13,333 --> 01:00:14,958 Gosh! 802 01:00:15,041 --> 01:00:16,791 You have that skill, Sadali. 803 01:00:16,875 --> 01:00:18,666 What are you saying, Budi? 804 01:00:18,750 --> 01:00:21,041 You know how to melt women's hearts. 805 01:00:22,541 --> 01:00:25,791 What? Which women? 806 01:00:26,958 --> 01:00:29,166 Budi, you're too drunk. 807 01:00:29,250 --> 01:00:30,416 No, I'm not. 808 01:00:30,500 --> 01:00:32,208 - Yes, you are. - No, I'm not. 809 01:00:32,291 --> 01:00:33,458 I'm not drunk. 810 01:00:33,541 --> 01:00:36,500 You are drunk. You are… 811 01:00:38,916 --> 01:00:40,541 What did you consume? 812 01:00:40,625 --> 01:00:43,375 Drunk in love! 813 01:00:43,458 --> 01:00:45,708 Drunk in love? With whom? 814 01:00:46,458 --> 01:00:47,916 I'm in love 815 01:00:48,000 --> 01:00:49,583 with Grace, of course. 816 01:00:49,666 --> 01:00:51,500 Certainly not with Mera. 817 01:01:22,791 --> 01:01:25,208 - Thank you. - You welcome. 818 01:01:40,625 --> 01:01:41,708 Mera? 819 01:02:01,541 --> 01:02:03,250 You stink of alcohol. 820 01:02:06,833 --> 01:02:08,375 Budi's alcohol rubbed off on me. 821 01:02:25,000 --> 01:02:26,291 Smith is in my mother's place. 822 01:02:29,750 --> 01:02:31,958 Celebrating New Year's Eve with Kikan. 823 01:02:37,000 --> 01:02:39,250 You're not celebrating New Year's Eve with them? 824 01:02:40,000 --> 01:02:41,208 What's the point? 825 01:02:43,500 --> 01:02:44,625 It might be 826 01:02:44,708 --> 01:02:47,541 Smith's last chance to celebrate New Year's Eve with Kikan. 827 01:02:48,208 --> 01:02:50,875 I still have the years ahead. 828 01:02:52,500 --> 01:02:54,291 Maybe until Kikan is old. 829 01:03:02,041 --> 01:03:03,583 We have to return 830 01:03:03,666 --> 01:03:06,375 this property to its original owner. 831 01:03:08,125 --> 01:03:09,625 Let's hope the owner 832 01:03:09,708 --> 01:03:11,791 will take good care of it. 833 01:03:12,458 --> 01:03:13,666 So you can 834 01:03:13,750 --> 01:03:16,833 have your solo exhibition here. 835 01:03:18,708 --> 01:03:20,500 That's the dream of every painter, right? 836 01:03:23,041 --> 01:03:25,458 When did you find time to think about my dream? 837 01:03:26,166 --> 01:03:27,750 Yeah… 838 01:03:27,833 --> 01:03:29,708 When I… 839 01:03:30,875 --> 01:03:33,208 drive and cook. 840 01:03:35,541 --> 01:03:36,833 When I'm about to sleep. 841 01:03:38,208 --> 01:03:40,041 Why? Is it wrong? 842 01:03:40,958 --> 01:03:43,833 I'm not allowed to enter the realm of your dreams? 843 01:03:44,708 --> 01:03:46,041 It's not like that. 844 01:03:46,125 --> 01:03:47,541 I'm glad if you do. 845 01:03:47,625 --> 01:03:49,250 Welcome, Mera. 846 01:03:54,666 --> 01:03:56,166 I also would like to enter the realm of your dream. 847 01:03:58,125 --> 01:03:59,208 The problem is 848 01:04:00,000 --> 01:04:02,333 I don't know what your dream is. 849 01:04:05,791 --> 01:04:07,375 I… 850 01:04:10,125 --> 01:04:11,458 want to… 851 01:04:13,125 --> 01:04:15,583 plant roses, until they all flourish. 852 01:04:46,708 --> 01:04:49,958 Why are you making my gallery's floor dirty? 853 01:04:52,458 --> 01:04:54,416 It won't be yours for long. 854 01:04:54,500 --> 01:04:56,541 {\an8}YOU 855 01:05:04,416 --> 01:05:06,208 {\an8}ME 856 01:05:10,750 --> 01:05:12,750 Why is it so far away? 857 01:05:12,833 --> 01:05:14,750 Because you need the space to be alone. 858 01:05:15,333 --> 01:05:16,375 Once you're done, 859 01:05:17,000 --> 01:05:19,333 you follow the direction to find me. 860 01:05:20,250 --> 01:05:22,375 You need a space to be alone too. 861 01:05:23,083 --> 01:05:26,375 At least until Budi's alcohol smell wears off. 862 01:05:31,583 --> 01:05:33,791 Loneliness meets loneliness. 863 01:05:34,500 --> 01:05:36,125 Equals what, Sadali? 864 01:05:39,875 --> 01:05:40,916 I don't know. 865 01:05:41,500 --> 01:05:42,333 I'll count it later. 866 01:05:49,250 --> 01:05:50,708 Throw your brush here. 867 01:06:11,416 --> 01:06:13,416 If you get bored, 868 01:06:14,041 --> 01:06:17,416 just follow the arrow's direction. 869 01:06:17,958 --> 01:06:19,375 To find me. 870 01:06:20,916 --> 01:06:21,958 Yes. 871 01:06:24,875 --> 01:06:25,833 Yes. 872 01:06:37,333 --> 01:06:38,666 Three… 873 01:06:38,750 --> 01:06:39,666 Two… 874 01:06:39,750 --> 01:06:40,833 One! 875 01:07:10,208 --> 01:07:11,250 Sadali… 876 01:07:13,750 --> 01:07:14,916 Sadali… 877 01:07:16,291 --> 01:07:17,208 Huh? 878 01:07:21,750 --> 01:07:23,125 Happy New Year. 879 01:07:26,750 --> 01:07:28,458 Happy New Year, Mera. 880 01:07:30,708 --> 01:07:31,875 I'm going home. 881 01:07:35,083 --> 01:07:36,000 Don't. 882 01:07:37,125 --> 01:07:39,166 It's almost 3 a.m. 883 01:07:40,250 --> 01:07:41,833 Sleep in the house. 884 01:07:48,916 --> 01:07:50,250 Sleep in my room. 885 01:07:51,375 --> 01:07:52,875 I'll sleep on the sofa. 886 01:07:55,833 --> 01:07:59,166 You know so well, I hate sleeping in Smith's and my former room. 887 01:08:02,875 --> 01:08:04,208 I can't take it. 888 01:08:12,458 --> 01:08:13,375 I'm leaving. 889 01:08:13,458 --> 01:08:14,541 Don't. 890 01:08:19,333 --> 01:08:20,666 Sadali. 891 01:08:21,416 --> 01:08:22,541 Mera. 892 01:08:25,625 --> 01:08:26,916 I'm going home. 893 01:08:28,000 --> 01:08:29,125 Don't… 894 01:08:38,083 --> 01:08:39,291 I'm going home. 895 01:08:40,416 --> 01:08:41,583 Don't… 896 01:08:50,375 --> 01:08:51,291 I'm going home. 897 01:09:10,250 --> 01:09:12,291 Idiot. I'm an idiot. 898 01:09:27,166 --> 01:09:28,875 FROM: ARNAZA 899 01:09:43,083 --> 01:09:44,291 Did you have fun last night? 900 01:09:44,791 --> 01:09:46,791 I did. It was so exciting. 901 01:09:46,875 --> 01:09:48,166 I want to spend more time with Father. 902 01:09:49,791 --> 01:09:51,166 Does he have time today? 903 01:09:51,791 --> 01:09:53,000 He will make time for me. 904 01:09:53,083 --> 01:09:54,458 He might not. 905 01:09:54,541 --> 01:09:55,666 He might. 906 01:11:00,125 --> 01:11:01,375 Is it still alive? 907 01:11:02,000 --> 01:11:03,000 I thought it was already dead. 908 01:11:03,625 --> 01:11:04,791 There's no flower growing. 909 01:11:04,875 --> 01:11:06,791 Doesn't mean it's already dead. 910 01:11:06,875 --> 01:11:07,875 It might be sleeping. 911 01:11:07,958 --> 01:11:09,458 So there's no use. 912 01:11:09,541 --> 01:11:10,583 To sleep is not useless, right. 913 01:11:12,958 --> 01:11:13,791 I don't get it. 914 01:11:13,875 --> 01:11:15,833 - You want to help me? - Yes, I do. 915 01:11:29,000 --> 01:11:29,958 Sadali. 916 01:11:34,625 --> 01:11:36,375 Hi, Sadali. Take a seat. 917 01:11:39,083 --> 01:11:42,583 I will be the curator of Grace's exhibition. 918 01:11:43,333 --> 01:11:44,958 It will be held here. 919 01:11:45,041 --> 01:11:46,416 Before… 920 01:11:48,250 --> 01:11:49,625 it's taken. 921 01:11:52,291 --> 01:11:53,208 By the way, 922 01:11:53,291 --> 01:11:56,416 Grace said there's a painting you want to show me? 923 01:11:56,500 --> 01:11:57,958 Where is it? 924 01:11:58,041 --> 01:11:59,166 Anwar. 925 01:11:59,250 --> 01:12:02,541 I said I suggested to him that he show you. 926 01:12:02,625 --> 01:12:04,041 He might not really want to. 927 01:12:05,125 --> 01:12:06,750 Why? You don't want me to criticize it? 928 01:12:07,958 --> 01:12:10,916 I'm planning to join the collective exhibition with the students first. 929 01:12:12,208 --> 01:12:14,625 When is that? I'll drop by. 930 01:12:14,708 --> 01:12:16,166 I want to see too. 931 01:12:18,708 --> 01:12:19,875 I'm not really sure when. 932 01:12:21,125 --> 01:12:23,125 If it's in the upcoming days, I won't join, though. 933 01:12:24,333 --> 01:12:25,583 What is it with you? 934 01:12:25,666 --> 01:12:27,500 You're confusing us. 935 01:12:32,541 --> 01:12:33,541 True. 936 01:12:34,625 --> 01:12:36,083 I'm confused. 937 01:12:47,916 --> 01:12:51,375 You two act like lovers quarreling. 938 01:12:51,458 --> 01:12:53,250 You aren't a couple yet. 939 01:12:54,458 --> 01:12:55,875 Mera. 940 01:13:03,833 --> 01:13:04,750 Mera. 941 01:13:07,541 --> 01:13:09,000 Seriously? 942 01:14:02,916 --> 01:14:05,958 {\an8}SMITTEN I'M ABOUT TO LIE, NOT DISAPPOINTED 943 01:14:06,041 --> 01:14:07,958 YOU AND YOU LIVING ON EARTH 944 01:14:08,041 --> 01:14:09,541 THE SWEETEST SILENCE 945 01:14:18,625 --> 01:14:21,000 {\an8}SEARCHING WITHOUT KNOWING WHAT'S LOST 946 01:14:21,083 --> 01:14:23,041 {\an8}ENJOY THE KEY 947 01:14:23,125 --> 01:14:26,625 {\an8}AS WE TAKE A WALK 948 01:14:51,875 --> 01:14:53,458 When should I vacate? 949 01:14:58,000 --> 01:15:00,666 Tell me when to revert the walls to their previous state. 950 01:15:04,666 --> 01:15:05,583 No need. 951 01:15:06,875 --> 01:15:08,375 The original owner might want it. 952 01:15:10,958 --> 01:15:13,125 I'm sorry I came in without your permission. 953 01:15:17,333 --> 01:15:18,708 Even if it wasn't now… 954 01:15:20,250 --> 01:15:23,833 I would eventually let you in and show you them. 955 01:15:32,750 --> 01:15:34,541 I've talked to Smith. 956 01:15:36,250 --> 01:15:39,375 You can stay here until you graduate. 957 01:15:42,208 --> 01:15:43,041 And? 958 01:15:43,750 --> 01:15:47,041 Well, I don't know where'll you be after you graduate. 959 01:15:56,291 --> 01:15:57,708 I'm going to the front. 960 01:15:58,875 --> 01:15:59,750 Mera. 961 01:16:46,833 --> 01:16:47,916 Miss. 962 01:17:25,375 --> 01:17:27,125 Don't act as if you know it all. 963 01:18:09,375 --> 01:18:10,875 You have chosen them. 964 01:18:26,000 --> 01:18:29,333 It's clear when this property is going to be turned over to the original owner. 965 01:18:31,000 --> 01:18:33,458 We'll make sure everything is handed over on that date. 966 01:18:55,958 --> 01:18:56,875 It's you. 967 01:19:00,916 --> 01:19:01,833 Mera. 968 01:19:03,000 --> 01:19:03,875 Are you alright? 969 01:19:06,083 --> 01:19:07,833 We'll talk later. 970 01:19:08,375 --> 01:19:09,791 Not now. 971 01:19:15,625 --> 01:19:17,125 Whatever Anwar says about me 972 01:19:17,208 --> 01:19:18,875 has nothing to do with you. 973 01:19:29,333 --> 01:19:30,208 I'll teach him to watch his mouth. 974 01:19:30,291 --> 01:19:31,625 Sadali, stop. 975 01:19:36,625 --> 01:19:39,166 What will that kid give to you? 976 01:19:40,083 --> 01:19:42,250 Better than what I promised you? 977 01:19:42,333 --> 01:19:44,541 There will be your name in her future. 978 01:19:46,541 --> 01:19:47,958 Sadali. Enough. 979 01:19:49,458 --> 01:19:50,791 We'll talk later. 980 01:20:13,000 --> 01:20:14,333 How did it turn into this? 981 01:20:15,916 --> 01:20:17,958 It's his fault. 982 01:20:18,041 --> 01:20:19,333 - What is wrong, really? - Everything is wrong. 983 01:20:19,416 --> 01:20:21,125 Who? What? 984 01:20:21,208 --> 01:20:22,125 Us? 985 01:20:22,791 --> 01:20:24,583 - Are we wrong? - Hmm… 986 01:20:25,375 --> 01:20:27,291 I don't want to take advantage of you 987 01:20:27,375 --> 01:20:29,125 to fill the void in me, Sadali. 988 01:20:31,458 --> 01:20:33,916 I don't feel you're taking advantage of me, Mera. 989 01:20:35,625 --> 01:20:38,083 You will only get involved in my life. 990 01:20:38,166 --> 01:20:40,000 A life that's already been tangled. 991 01:20:40,875 --> 01:20:44,291 I consciously let myself be trapped in you. For what? 992 01:20:45,000 --> 01:20:47,583 I might be able to untangle your life. 993 01:20:53,125 --> 01:20:54,416 GO 994 01:20:58,125 --> 01:20:59,708 You won't. 995 01:21:03,958 --> 01:21:05,625 At least let me try. 996 01:21:28,916 --> 01:21:30,125 FIGHT! TOPPLE IT 997 01:21:30,208 --> 01:21:31,958 - Take him to the station. - Come! 998 01:21:35,541 --> 01:21:40,916 FIGHT! WHAT, WHEN? 999 01:21:50,625 --> 01:21:52,500 You're his sister? Come with me. 1000 01:21:55,125 --> 01:21:56,625 Someone's coming to visit you. 1001 01:22:06,291 --> 01:22:08,125 Go over there. 1002 01:22:08,958 --> 01:22:09,958 You too. 1003 01:22:30,000 --> 01:22:32,541 Why did you introduce yourself as my sister? 1004 01:22:34,375 --> 01:22:36,875 No one would believe it if I said I was your wife. 1005 01:22:51,875 --> 01:22:53,291 So we look alike? 1006 01:22:54,791 --> 01:22:55,875 Like brother and sister. 1007 01:22:59,750 --> 01:23:00,833 And people say 1008 01:23:01,458 --> 01:23:02,708 if we look alike, then we're a match. 1009 01:23:09,541 --> 01:23:10,541 Thank you, Mera. 1010 01:23:15,708 --> 01:23:19,750 Why do you always put yourself in a tangle, Sadali? 1011 01:23:30,041 --> 01:23:31,541 That's why… 1012 01:23:33,083 --> 01:23:36,083 I want you to help untangle me. 1013 01:24:01,041 --> 01:24:02,166 Mera. 1014 01:24:15,333 --> 01:24:17,666 Whatever you're feeling now. 1015 01:24:18,541 --> 01:24:19,500 Anger, 1016 01:24:20,375 --> 01:24:21,583 sadness, 1017 01:24:21,666 --> 01:24:22,791 fear, 1018 01:24:22,875 --> 01:24:24,000 disappointment, 1019 01:24:24,750 --> 01:24:25,666 love. 1020 01:24:28,625 --> 01:24:30,000 I'm feeling it too, Mera. 1021 01:24:36,833 --> 01:24:38,875 There's nothing wrong with that. 1022 01:24:41,458 --> 01:24:42,500 With us. 1023 01:25:32,875 --> 01:25:34,166 {\an8}Jim was asking. 1024 01:25:34,250 --> 01:25:35,500 About your work here. 1025 01:25:35,583 --> 01:25:36,500 {\an8}VANDALISM IS PROMINENT 1026 01:25:36,583 --> 01:25:38,875 {\an8}He wants to know everything. 1027 01:25:38,958 --> 01:25:40,041 I tell you what, 1028 01:25:40,125 --> 01:25:42,458 send some of your work to me, 1029 01:25:42,541 --> 01:25:44,208 I'll take it to Jim. 1030 01:25:44,708 --> 01:25:45,750 Yeah? 1031 01:25:45,833 --> 01:25:46,750 Sure! 1032 01:25:58,958 --> 01:26:01,250 Don't disturb him. He's painting. 1033 01:26:07,875 --> 01:26:09,041 Sadali? 1034 01:26:25,791 --> 01:26:26,875 It's crowded here. 1035 01:26:27,791 --> 01:26:28,791 Yeah. 1036 01:26:40,083 --> 01:26:42,041 - Kikan! - Uncle Sadali! 1037 01:26:47,958 --> 01:26:49,000 Congratulations, Uncle. 1038 01:26:52,583 --> 01:26:53,750 Thank you, Kikan. 1039 01:26:54,375 --> 01:26:55,791 Congratulations, Sadali. 1040 01:26:59,541 --> 01:27:00,666 Thank you, Mera. 1041 01:27:05,416 --> 01:27:06,583 You're welcome. 1042 01:27:09,541 --> 01:27:10,958 Let's take a picture. 1043 01:27:15,083 --> 01:27:16,625 One, two… 1044 01:27:16,708 --> 01:27:17,916 JOGJA INSTITUTE OF ARTS 1045 01:27:18,000 --> 01:27:20,083 Now you with Uncle Sadali, Mother. 1046 01:27:21,416 --> 01:27:24,625 Look this way. One, two… 1047 01:27:36,958 --> 01:27:39,375 {\an8}JOGJA INSTITUTE OF ARTS 1998/1999 ACADEMIC YEAR GRADUATION 1048 01:27:39,458 --> 01:27:40,458 {\an8}Ma… 1049 01:27:41,250 --> 01:27:42,250 Yes. 1050 01:27:49,083 --> 01:27:50,541 Thank god! 1051 01:27:50,625 --> 01:27:51,541 JOGJA INSTITUTE OF ARTS GRADUATE 1052 01:27:53,125 --> 01:27:55,708 - Go get Naz here. - Yes. 1053 01:28:04,500 --> 01:28:07,583 Naz, read this letter. 1054 01:28:08,250 --> 01:28:09,166 Yes, sir. 1055 01:28:25,625 --> 01:28:27,250 For Mother and Father. 1056 01:28:28,916 --> 01:28:30,791 {\an8}Thank God I graduated with flying colors. 1057 01:28:31,875 --> 01:28:34,166 {\an8}I'm very well here. 1058 01:28:34,250 --> 01:28:36,208 {\an8}Better than before. 1059 01:28:36,291 --> 01:28:38,000 PLEASE TAKE A SEAT 1060 01:28:43,208 --> 01:28:47,291 I know I've disappointed you, not coming back to Bukittinggi as I had promised. 1061 01:28:51,500 --> 01:28:54,125 I've found what I've been looking for. 1062 01:28:55,833 --> 01:28:57,666 New dreams and hopes. 1063 01:28:59,291 --> 01:29:02,000 {\an8}It's hard to leave them all now. 1064 01:29:05,541 --> 01:29:07,958 I apologize for not having written a letter to Arnaza yet. 1065 01:29:10,083 --> 01:29:11,541 I hope she's alright. 1066 01:29:14,208 --> 01:29:16,166 I will return to Bukittinggi. 1067 01:29:16,916 --> 01:29:19,458 As soon as possible I will let you know. 1068 01:29:20,791 --> 01:29:21,875 Peace be upon you. 1069 01:29:23,000 --> 01:29:24,041 Mera. 1070 01:29:26,291 --> 01:29:28,083 There's something I'd like to talk to you about. 1071 01:29:43,291 --> 01:29:44,375 Peace be unto you. 1072 01:29:44,916 --> 01:29:46,208 And unto you peace. 1073 01:29:50,041 --> 01:29:50,958 When did you arrive? 1074 01:29:53,708 --> 01:29:55,000 This afternoon, Father. 1075 01:30:05,000 --> 01:30:06,583 Say what you're about to say. 1076 01:30:09,083 --> 01:30:10,375 About… 1077 01:30:10,458 --> 01:30:11,625 Your problem. 1078 01:30:13,833 --> 01:30:16,125 I read your letter, I could tell something has happened. 1079 01:30:17,875 --> 01:30:19,333 Have you told your mother? 1080 01:30:23,333 --> 01:30:24,625 I was waiting for you. 1081 01:30:26,500 --> 01:30:27,500 Let's talk. 1082 01:30:32,916 --> 01:30:34,208 One thing's for sure. 1083 01:30:36,625 --> 01:30:38,625 I want all the best for you. 1084 01:30:47,958 --> 01:30:48,916 I'm sorry. 1085 01:30:52,291 --> 01:30:54,708 I'm going to disappoint both of you. 1086 01:31:01,625 --> 01:31:02,666 In Jogja… 1087 01:31:08,208 --> 01:31:11,250 I found someone whom I loved so much. 1088 01:31:22,291 --> 01:31:24,083 What about Arnaza? 1089 01:31:31,666 --> 01:31:34,791 I will call off my wedding with her. 1090 01:31:49,000 --> 01:31:51,291 I don't want you to call off your wedding. 1091 01:31:51,875 --> 01:31:54,750 Mera. I don't want that wedding to happen. 1092 01:31:55,708 --> 01:31:59,541 - Mera. Mera, listen to me. - Wait! 1093 01:31:59,625 --> 01:32:01,458 - I just… - Sadali, Stop! 1094 01:32:29,125 --> 01:32:33,916 For so long I've been regretting my life decisions. 1095 01:32:37,541 --> 01:32:39,666 It tastes so bitter. 1096 01:32:43,625 --> 01:32:47,125 Don't let your future wife taste the same bitterness, Sadali. 1097 01:33:00,625 --> 01:33:02,375 She has chosen you. 1098 01:33:06,583 --> 01:33:08,041 She has chosen you. 1099 01:33:37,833 --> 01:33:38,875 I'll be on my way, Mother. 1100 01:33:43,375 --> 01:33:44,250 Sadali. 1101 01:34:03,083 --> 01:34:05,333 Best regards to whomever is waiting for you in Jogja. 1102 01:34:10,875 --> 01:34:12,583 I hope she's still waiting for me. 1103 01:34:13,166 --> 01:34:14,166 What do you mean? 1104 01:34:32,958 --> 01:34:34,000 Peace be unto you, Father. 1105 01:34:53,083 --> 01:34:54,416 And unto you peace. 1106 01:35:21,416 --> 01:35:24,250 I'm loving the time that I want to spend with you. 1107 01:35:25,291 --> 01:35:27,333 Although now I hate the fact 1108 01:35:27,416 --> 01:35:28,583 everything has to end. 1109 01:35:29,625 --> 01:35:32,416 The fact that I can't be with you. 1110 01:35:37,291 --> 01:35:39,083 Life is filled with so much of you. 1111 01:35:40,375 --> 01:35:43,250 That's the fact I have to accept… 1112 01:35:45,000 --> 01:35:46,041 for loving you. 1113 01:36:02,541 --> 01:36:03,458 Sadali! 1114 01:36:10,666 --> 01:36:11,500 Naz. 1115 01:36:15,833 --> 01:36:19,958 LIFE IS FILLED WITH SO MUCH OF YOU 2 1116 01:36:21,000 --> 01:36:24,250 COMING SOON 1117 01:41:18,500 --> 01:41:19,583 DISCLAIMER: THE PEOPLE, EVENTS, AND NAMES IN THIS MOVIE ARE FICTIONAL. 1118 01:41:19,666 --> 01:41:20,583 THE SIMILARITIES ARE PURELY COINCIDENTAL. THE SCREENING OF THIS MOVIE 1119 01:41:20,666 --> 01:41:21,750 IS IN ACCORDANCE WITH THE LAWS OF INDONESIA AND OTHER COUNTRIES.