1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:59,430 --> 00:01:03,270 So, this is this first sequence that presents our main character, 4 00:01:03,550 --> 00:01:05,150 Juliette, played by Ezia Evita. 5 00:01:05,810 --> 00:01:10,290 We see her immediately drawn, So we immediately know his activity. 6 00:01:11,590 --> 00:01:14,510 The train controller is Chet, who plays him. 7 00:01:14,930 --> 00:01:19,750 Chet, he's the manager of Bertrand Belin, The musician who wrote the music of the film. 8 00:01:19,950 --> 00:01:23,830 I am not at all actor, But it was my pleasure to film it. 9 00:01:23,890 --> 00:01:25,810 I'm sorry, I forgot my ticket at home. 10 00:01:26,270 --> 00:01:29,190 It's okay, you're going to give me your name and I'm going to find you. 11 00:01:36,270 --> 00:01:37,650 So Juliette and shovel are far away. 12 00:01:38,630 --> 00:01:40,750 We feel that she is used to that. 13 00:01:40,850 --> 00:01:43,110 She is facing a very benevolent controller. 14 00:01:43,790 --> 00:01:46,970 And we also immediately feel its great fragility. 15 00:01:47,670 --> 00:01:49,950 The fact that she forgot her ticket, Panic. 16 00:01:50,830 --> 00:01:52,910 We see that it is not very simple for She. 17 00:01:53,230 --> 00:01:54,230 No one awaits him. 18 00:01:54,470 --> 00:01:55,470 She looks. 19 00:01:57,190 --> 00:01:58,750 No one thought about coming to pick her up. 20 00:01:58,810 --> 00:01:59,810 But that's okay. 21 00:02:03,810 --> 00:02:07,630 And we cross this pretty city of Chatillon-sur-Chalaron. 22 00:02:09,050 --> 00:02:10,370 Which is an hour from Lyon. 23 00:02:24,720 --> 00:02:25,040 Good morning. 24 00:02:25,320 --> 00:02:26,320 Good morning. 25 00:02:33,350 --> 00:02:33,890 Hi dad. 26 00:02:34,190 --> 00:02:35,190 Oh Juliette. 27 00:02:36,910 --> 00:02:38,490 I thought you were coming tomorrow. 28 00:02:39,090 --> 00:02:40,330 Has anyone come to pick you up? 29 00:02:40,330 --> 00:02:41,330 No, I took the bus. 30 00:02:42,630 --> 00:02:43,270 For what ? 31 00:02:43,270 --> 00:02:44,470 I thought it was tomorrow. 32 00:02:44,530 --> 00:02:46,230 There, they find it difficult to look at each other right away. 33 00:02:46,230 --> 00:02:48,060 It annoys me, I'm killing myself all the time right now. 34 00:02:48,090 --> 00:02:49,090 It's complicated. 35 00:02:50,010 --> 00:02:51,790 When she looks at him, he turns away. 36 00:02:51,970 --> 00:02:53,770 He asks her news without looking at her. 37 00:02:53,930 --> 00:02:54,930 He disappears. 38 00:02:57,010 --> 00:03:01,830 When he returns, he looks down when She looks at him. 39 00:03:01,990 --> 00:03:02,990 It's very complicated. 40 00:03:04,090 --> 00:03:06,950 And we immediately see that he is very touched to see her. 41 00:03:06,970 --> 00:03:08,530 But he doesn't know how to express it. 42 00:03:10,730 --> 00:03:12,350 Here, the return to the teenage bedroom. 43 00:03:12,850 --> 00:03:14,030 It's quite classic. 44 00:03:14,030 --> 00:03:15,970 But inevitable, there, for once. 45 00:03:16,170 --> 00:03:17,190 Yes ? 46 00:03:17,190 --> 00:03:18,190 Yes, it's me. 47 00:03:19,590 --> 00:03:21,450 Thank you for reminding me. 48 00:03:21,770 --> 00:03:24,210 Yes, yes, it is boxing that no longer works. 49 00:03:24,330 --> 00:03:24,850 She looks like nothing. 50 00:03:24,870 --> 00:03:27,270 This dad, he sees that his daughter is not very fit. 51 00:03:27,350 --> 00:03:27,910 That's it, Leonard. 52 00:03:27,930 --> 00:03:29,370 So he decides to make her laugh. 53 00:03:29,530 --> 00:03:30,550 T like Thérèse. 54 00:03:30,730 --> 00:03:32,930 A like stupid. 55 00:03:33,130 --> 00:03:34,310 R as a scraping. 56 00:03:34,570 --> 00:03:36,030 L as lamentable. 57 00:03:36,190 --> 00:03:37,370 I as filth. 58 00:03:37,690 --> 00:03:39,030 D as stupid. 59 00:03:39,630 --> 00:03:40,850 C as asshole. 60 00:03:41,030 --> 00:03:42,410 And H like Hitler. 61 00:03:45,890 --> 00:03:47,950 We immediately see this generous dad who 62 00:03:47,950 --> 00:03:49,930 tries to get in touch with his daughter as he can. 63 00:03:50,050 --> 00:03:51,390 He tries to make her laugh. 64 00:03:53,050 --> 00:03:54,050 He is very clumsy. 65 00:03:54,090 --> 00:03:55,660 You have a lot of news, These days. 66 00:03:55,690 --> 00:03:56,910 Have you worked a lot? 67 00:03:56,910 --> 00:03:58,430 He doesn't look at himself, once again. 68 00:03:58,510 --> 00:03:59,510 He's just doing that, no. 69 00:03:59,990 --> 00:04:02,430 When one looks at the other, the other drops their eyes, always. 70 00:04:07,460 --> 00:04:10,620 In fact, I made a kind of depression. 71 00:04:11,860 --> 00:04:13,020 But it's better now. 72 00:04:19,680 --> 00:04:21,740 It is true that it is not easy, the life. 73 00:04:24,540 --> 00:04:26,460 This is a sentence that my father had told me one 74 00:04:26,470 --> 00:04:28,220 day, when I was young and that I was not very well. 75 00:04:28,320 --> 00:04:29,320 It had marked me. 76 00:04:32,100 --> 00:04:33,100 Do you like it? 77 00:04:34,080 --> 00:04:36,000 It's because I think a lot. 78 00:04:40,220 --> 00:04:41,220 Eh, shit! 79 00:04:41,220 --> 00:04:42,540 Have you looked under your bed? 80 00:04:42,540 --> 00:04:42,940 Well yes! 81 00:04:42,940 --> 00:04:46,340 So there, to present our character from Marie-Lou, who is a tornado ... 82 00:04:46,340 --> 00:04:48,110 Because obviously, they are not both, you have my right. 83 00:04:48,140 --> 00:04:52,220 This is the exact contrary of the atmosphere that 'There is in Jean-Claude's apartment. 84 00:04:52,220 --> 00:04:54,220 You are 35, you are going to be on the flock ! 85 00:04:54,600 --> 00:04:55,880 You do it on purpose! 86 00:04:55,880 --> 00:04:58,160 The rose is for the dishes, Stéphane! 87 00:04:58,160 --> 00:04:59,340 Yellow, for blood! 88 00:04:59,340 --> 00:05:03,960 And now, to present the disenchantment who lives in this couple, the 89 00:05:03,960 --> 00:05:08,080 argument on a sponge story, it was still the symbol of the end of everything. 90 00:05:09,720 --> 00:05:13,620 I really like what Eric Caravaca plays with this character ... 91 00:05:15,240 --> 00:05:18,380 Who is not easy, because it was still necessary to make it exist with not 92 00:05:18,380 --> 00:05:21,760 much, but ... listen, you only have to put your boots, there, we no longer have time. 93 00:05:22,100 --> 00:05:24,580 Here, the tornado, the little one who is so 94 00:05:24,580 --> 00:05:26,740 bad in her skin that she is inhabited by ticks. 95 00:05:27,420 --> 00:05:28,820 Ah if shit, we are late! 96 00:05:28,820 --> 00:05:29,360 But for my name! 97 00:05:29,360 --> 00:05:29,900 Wait, two minutes. 98 00:05:30,200 --> 00:05:32,640 Key, phone, wallet, it's good, here we go ! 99 00:05:33,420 --> 00:05:35,760 Here it is, it's the morning tornado. 100 00:05:40,040 --> 00:05:44,180 There, we see that Marie-Lou is therefore a hairdresser at home. 101 00:05:44,180 --> 00:05:48,140 We had a lot of fun with the decorative team to create this logo, the name of ... 102 00:05:48,140 --> 00:05:48,260 Come on, three! 103 00:05:48,260 --> 00:05:48,980 Kisses ! 104 00:05:48,980 --> 00:05:50,260 ... from his box. 105 00:05:50,260 --> 00:05:51,260 Come on, fast, fast, fast! 106 00:05:52,060 --> 00:05:53,060 Come on, darling! 107 00:05:54,680 --> 00:05:55,480 Good evening, mom! 108 00:05:55,480 --> 00:05:56,820 And for my name, how do I do? 109 00:05:56,820 --> 00:06:00,200 Ah yes, shit, listen, say that I was not there, ok? 110 00:06:02,460 --> 00:06:05,410 Sophie Guimain, very comfortable running in 111 00:06:05,410 --> 00:06:07,860 car, which is not at all the case for all actresses. 112 00:06:07,960 --> 00:06:11,780 It was quite fascinating, as she completely forgot the camera. 113 00:06:13,960 --> 00:06:17,130 And so there we find Thomas de Pourquerie, 114 00:06:17,140 --> 00:06:19,420 in this beautiful display of a disguise store. 115 00:06:20,060 --> 00:06:24,140 So Thomas de Pourquerie, who is a super jazz musician, but not only. 116 00:06:24,600 --> 00:06:29,660 And who plays from time to time in the cinema, With great pleasure and fun. 117 00:06:39,850 --> 00:06:44,450 Marie is at work, with her little one ... I 118 00:06:44,590 --> 00:06:45,970 don't know what it's called, to wash the hair. 119 00:06:46,110 --> 00:06:50,610 There, it is Johanna Nizar, who therefore plays Marlène, which we will later find at the bar. 120 00:06:50,890 --> 00:06:51,470 Excuse me, I hurt you? 121 00:06:51,470 --> 00:06:52,470 No, no, everything is fine. 122 00:06:52,950 --> 00:06:54,390 Go slowly ... 123 00:06:55,410 --> 00:06:56,530 There you go. 124 00:06:56,750 --> 00:06:59,510 This is the boredom of Marie-Lou, in her job. 125 00:07:00,830 --> 00:07:04,590 Who no longer has fun doing what she does. 126 00:07:05,190 --> 00:07:09,210 She is a woman who is not happy with She, who is not happy at work. 127 00:07:11,550 --> 00:07:13,780 And who continues to try to do everything, 128 00:07:13,780 --> 00:07:15,850 as asked, But she can't do it anymore. 129 00:07:16,230 --> 00:07:19,610 Oh my God. 130 00:07:20,050 --> 00:07:21,830 Magnificent photogeny of Sophie Guillemin. 131 00:07:21,970 --> 00:07:22,970 With happiness. 132 00:07:23,030 --> 00:07:24,890 With the beautiful light of Brice Ponco. 133 00:07:29,670 --> 00:07:32,850 So this house is ... Ah, the cat. 134 00:07:33,990 --> 00:07:37,570 So the cat is ... it's a lot of fun doing that. 135 00:07:38,770 --> 00:07:41,480 This house looks a lot like the house that 136 00:07:41,480 --> 00:07:44,110 was drawn in Camille Jourdi's comic strip. 137 00:07:45,870 --> 00:07:50,710 I am very happy that we found this house, like that, very simple, 138 00:07:50,750 --> 00:07:53,990 with a large garden, which allowed us to build the greenhouse. 139 00:07:54,850 --> 00:07:57,010 Exactly identical, as in comics. 140 00:07:58,090 --> 00:08:00,880 This is a sequence that looks very much 141 00:08:00,880 --> 00:08:02,790 like what was going on in the comic strip. 142 00:08:02,870 --> 00:08:03,330 Apart from the cat. 143 00:08:03,470 --> 00:08:05,830 The cat, it was I who added that, but... 144 00:08:07,390 --> 00:08:11,110 We almost followed comics like a storyboard, almost. 145 00:08:12,610 --> 00:08:17,750 The costumes were found by Anne Blanchard, the costume designer, at the Lyon Opera. 146 00:08:18,190 --> 00:08:20,020 Because among disguise rental companies, 147 00:08:20,080 --> 00:08:21,710 we only had fairly ugly costumes, what. 148 00:08:21,710 --> 00:08:25,450 And we wanted our character to really find spectacular costumes. 149 00:08:27,330 --> 00:08:28,430 I love this plan. 150 00:08:30,010 --> 00:08:32,290 Who is the joy of Marie-Lou, really freedom. 151 00:08:32,670 --> 00:08:34,110 It looks like a short child. 152 00:08:37,550 --> 00:08:39,130 I added this sheep there. 153 00:08:39,150 --> 00:08:40,750 I added animals everywhere. 154 00:08:41,430 --> 00:08:43,070 In the film, there are small animals. 155 00:08:43,070 --> 00:08:44,510 If we look for them, we can have fun. 156 00:08:45,710 --> 00:08:48,990 That was a very, Very pleasant to turn, very soft. 157 00:08:49,590 --> 00:08:53,150 Where, in fact, there was no intimacy coordinator. 158 00:08:53,570 --> 00:08:57,050 Since my actors, actresses, did not feel the need. 159 00:08:58,550 --> 00:09:00,550 However, I directed permanently. 160 00:09:01,130 --> 00:09:03,410 There, the sounds of the voices, we added them afterwards. 161 00:09:04,650 --> 00:09:05,990 I spoke to them all the time. 162 00:09:06,230 --> 00:09:07,850 That is to say that, for example, there, I said 163 00:09:07,850 --> 00:09:10,590 Sophie, your hand descends in the back of Thomas. 164 00:09:11,230 --> 00:09:14,770 And what they were directing, and Sophie, and Brice Blanco in the frame. 165 00:09:15,390 --> 00:09:18,870 And they were not left to themselves at all in their gestures. 166 00:09:19,370 --> 00:09:21,350 And maybe we shot two hours. 167 00:09:21,710 --> 00:09:23,160 Finally, I didn't keep much. 168 00:09:23,190 --> 00:09:26,990 But the idea was really a representation of joyful sexuality. 169 00:09:28,110 --> 00:09:29,850 With normal bodies. 170 00:09:30,190 --> 00:09:34,150 And that we can see the beads, The pimples, the hairs. 171 00:09:34,190 --> 00:09:35,010 And let it be beautiful. 172 00:09:35,090 --> 00:09:36,090 Like real bodies. 173 00:09:36,910 --> 00:09:40,930 I was tired of the representation of sexuality in the cinema. 174 00:09:41,110 --> 00:09:42,110 Very brutal. 175 00:09:42,270 --> 00:09:44,870 With too young, too muscular bodies, too dry. 176 00:09:45,330 --> 00:09:47,070 And above all, very passive women. 177 00:09:47,650 --> 00:09:48,970 And there they fell. 178 00:09:48,990 --> 00:09:50,190 They are both active. 179 00:09:51,090 --> 00:09:53,450 Here are our two sisters who are found, Finally. 180 00:09:57,630 --> 00:10:02,510 I find it hard to look in the eye. 181 00:10:03,770 --> 00:10:07,130 As with the reunion between Juliet and her father. 182 00:10:07,330 --> 00:10:08,770 In the same way, it's complicated. 183 00:10:10,950 --> 00:10:12,490 You will tell me what you think. 184 00:10:12,610 --> 00:10:14,170 But I don't understand the mind. 185 00:10:14,730 --> 00:10:15,470 Here, are you hungry? 186 00:10:15,470 --> 00:10:16,470 Do you want blank? 187 00:10:16,770 --> 00:10:17,810 Stéphane has done it again. 188 00:10:18,090 --> 00:10:19,250 Here, Stéphane is flan. 189 00:10:19,330 --> 00:10:20,970 This is how Marilou talks about her husband. 190 00:10:21,110 --> 00:10:22,390 Like a man who is flan. 191 00:10:22,510 --> 00:10:23,890 There is well, there, the nona furniture. 192 00:10:24,650 --> 00:10:25,650 Do you find? 193 00:10:26,170 --> 00:10:27,290 Well, you're going to see, we have advanced well. 194 00:10:27,290 --> 00:10:29,310 We take stock of the family, The grandmother. 195 00:10:29,330 --> 00:10:30,770 You will come and help us for the end. 196 00:10:31,070 --> 00:10:32,030 Marilou is fulfilled. 197 00:10:32,050 --> 00:10:32,750 She has just made love. 198 00:10:33,050 --> 00:10:33,950 She is all in beauty. 199 00:10:34,050 --> 00:10:34,290 How are you ? 200 00:10:34,290 --> 00:10:36,160 She is in her retirement home, Nona? 201 00:10:36,190 --> 00:10:37,510 Juliette is not very comfortable. 202 00:10:38,890 --> 00:10:39,920 Juju, you don't realize. 203 00:10:39,950 --> 00:10:41,580 You weren't there when you looked for it everywhere. 204 00:10:41,610 --> 00:10:42,610 No, but I know. 205 00:10:42,890 --> 00:10:44,010 That's weird, that's all. 206 00:10:47,010 --> 00:10:48,010 You look tired. 207 00:10:49,210 --> 00:10:50,210 I sleep badly. 208 00:10:50,450 --> 00:10:53,710 To find a resemblance between the two sisters, 209 00:10:53,710 --> 00:10:56,210 we worked a little on hair color, on a way of speaking. 210 00:10:56,370 --> 00:10:57,490 Not much, finally. 211 00:10:57,530 --> 00:11:00,040 And it's pretty surprising how it works, 212 00:11:00,040 --> 00:11:02,250 because in the end, they don't look like that. 213 00:11:02,730 --> 00:11:04,420 Marilou, I have my legs that move 214 00:11:04,440 --> 00:11:05,870 alone at night, and I can't sleep. 215 00:11:05,910 --> 00:11:06,910 It's hell. 216 00:11:07,310 --> 00:11:07,870 I know. 217 00:11:08,050 --> 00:11:09,310 We call it impatience. 218 00:11:09,310 --> 00:11:10,670 I had when I was pregnant. 219 00:11:10,910 --> 00:11:12,210 Why do you have that? 220 00:11:12,210 --> 00:11:13,210 I don't know. 221 00:11:14,190 --> 00:11:15,510 So there, Juliette, you have impatience. 222 00:11:15,530 --> 00:11:17,130 And then she no longer has her rules. 223 00:11:17,150 --> 00:11:22,650 In the comic strip, Juliette rather had anxiety attacks, 224 00:11:22,650 --> 00:11:25,290 panic attacks, things that were less visual and less strong. 225 00:11:26,950 --> 00:11:28,890 So there you go, we went on this. 226 00:11:29,250 --> 00:11:31,270 There, it is immediately. 227 00:11:31,410 --> 00:11:32,470 Children arrive. 228 00:11:32,530 --> 00:11:37,310 Marilou resumes her role as a mother, that she has a lot of trouble managing. 229 00:11:37,550 --> 00:11:38,710 It says hello to Juliette. 230 00:11:38,790 --> 00:11:39,790 Hello, Juliette. 231 00:11:41,870 --> 00:11:44,090 Juju, come, we go to the shower. 232 00:11:44,810 --> 00:11:45,510 Loulou, are you okay? 233 00:11:45,530 --> 00:11:45,890 Come. 234 00:11:46,410 --> 00:11:46,770 Hi. 235 00:11:47,090 --> 00:11:47,830 Are you okay, darling? 236 00:11:47,830 --> 00:11:48,830 Come, mom, come. 237 00:11:49,050 --> 00:11:50,210 Oh there, you grew up too much. 238 00:11:51,010 --> 00:11:52,610 Could I take a photo for my drawings? 239 00:11:52,610 --> 00:11:53,970 And don't you need to be fat? 240 00:11:54,570 --> 00:11:55,430 The cat, again. 241 00:11:55,530 --> 00:11:57,330 We had a lot of fun with this joke. 242 00:11:57,510 --> 00:11:59,210 Grandpa, another candy, please. 243 00:11:59,390 --> 00:12:00,460 Yes, I had one. 244 00:12:00,490 --> 00:12:03,470 So there you go, a grandfather who has fun with his grandchildren. 245 00:12:03,510 --> 00:12:07,360 It is also his way of showing his tenderness with games, words,. 246 00:12:07,480 --> 00:12:07,530 .. 247 00:12:07,530 --> 00:12:10,030 Everything is always a source of complicity. 248 00:12:11,550 --> 00:12:12,270 Hello, Juliette. 249 00:12:12,310 --> 00:12:13,350 How are you ? 250 00:12:13,990 --> 00:12:15,130 I prefer a kepik. 251 00:12:15,130 --> 00:12:16,750 And very beautiful, your blank. 252 00:12:17,130 --> 00:12:20,410 Ah well thank you, you see, it makes me happy because they are the first chocolate. 253 00:12:20,550 --> 00:12:21,550 Hold. 254 00:12:21,630 --> 00:12:22,530 I love it. 255 00:12:22,610 --> 00:12:25,690 I love Stéphane looking for his wife's recognition in everything. 256 00:12:26,230 --> 00:12:29,330 Here, look, there is someone who likes what I do. 257 00:12:29,830 --> 00:12:31,170 The dead child, that's it. 258 00:12:31,270 --> 00:12:36,550 So from there, we launch small pebbles throughout the 259 00:12:36,550 --> 00:12:39,410 film with the word "dead" which will come back several times. 260 00:12:39,730 --> 00:12:42,830 The idea was that it gets into the head little by little. 261 00:12:43,770 --> 00:12:45,110 This story like a ... 262 00:12:45,130 --> 00:12:48,050 Small pebbles that we put on the road to the 263 00:12:48,050 --> 00:12:50,850 spectator-speaker to arrive at the revelation. 264 00:12:50,950 --> 00:12:52,310 Oh there ... that's it. 265 00:12:52,690 --> 00:12:54,270 Dad, can we take the model photo? 266 00:12:54,270 --> 00:12:59,010 This is how Léonard expresses his admiration for the work of his daughter. 267 00:12:59,050 --> 00:12:59,790 It's "Oh there". 268 00:12:59,790 --> 00:13:01,310 He can't do much more. 269 00:13:01,550 --> 00:13:02,770 As if you were a hug. 270 00:13:04,790 --> 00:13:07,940 Camille Jordi had told me that for her drawings, we made her loved ones put. 271 00:13:07,970 --> 00:13:09,400 As if you welcomed children in your arms. 272 00:13:09,430 --> 00:13:12,530 And therefore, compared to comics ... 273 00:13:13,030 --> 00:13:13,410 What ? 274 00:13:13,410 --> 00:13:16,460 Ah ... Juliette had no job in comics. 275 00:13:16,490 --> 00:13:19,890 So, I wanted to make it an illustrator for children. 276 00:13:20,570 --> 00:13:22,980 Such a way that I could invite the universe of 277 00:13:22,980 --> 00:13:25,070 Camille Jordi to the image with his drawings. 278 00:13:25,230 --> 00:13:28,630 But also use this kind of thing. 279 00:13:28,930 --> 00:13:30,490 Have loved ones, etc. 280 00:13:31,350 --> 00:13:35,590 There, when she puts her father pose by saying that he holds three children in her arms. 281 00:13:35,690 --> 00:13:37,450 Again, we put small pebbles. 282 00:13:37,990 --> 00:13:42,770 This is this somewhat motionless man who is back on the move physically by his daughter. 283 00:13:43,390 --> 00:13:46,350 Certainly that it has been a long time that he n 'Has not moved his body like that. 284 00:13:50,540 --> 00:13:52,200 And so, that's Juliette at work. 285 00:13:53,720 --> 00:13:55,520 And there, we feel soothed, it is good. 286 00:13:56,560 --> 00:13:57,600 She likes what she is doing. 287 00:14:04,860 --> 00:14:06,260 Here is Pollux that we meet. 288 00:14:07,820 --> 00:14:09,860 So some people see it, others not. 289 00:14:10,900 --> 00:14:12,220 But already, she notices it. 290 00:14:12,280 --> 00:14:14,780 This great man with his little dog, She finds him charming. 291 00:14:16,900 --> 00:14:18,880 Hmm ... hum ... The fantastic Liliane Robert. 292 00:14:19,220 --> 00:14:20,420 What are you doing well. 293 00:14:21,980 --> 00:14:23,100 You have gold in your hands. 294 00:14:23,540 --> 00:14:25,060 Are you good here? 295 00:14:25,500 --> 00:14:25,780 Oh yes. 296 00:14:26,460 --> 00:14:27,460 I would be fine. 297 00:14:27,560 --> 00:14:30,360 We immediately feel a very close relationship between both. 298 00:14:30,520 --> 00:14:31,520 Very tender. 299 00:14:31,680 --> 00:14:32,720 Especially not for your father. 300 00:14:35,100 --> 00:14:35,860 A lot of sweetness. 301 00:14:36,060 --> 00:14:38,210 You could tell Marie-Dou that she has just taken care of my hair. 302 00:14:38,240 --> 00:14:39,470 Finally, if she can, if she has time. 303 00:14:39,500 --> 00:14:42,300 With his ... 304 00:14:43,440 --> 00:14:44,920 He is not dead, at least, Stéphane? 305 00:14:45,440 --> 00:14:46,760 No, he's not dead, Stéphane. 306 00:14:47,600 --> 00:14:48,120 Again ? 307 00:14:48,120 --> 00:14:49,240 Of course he is not dead. 308 00:14:49,620 --> 00:14:52,820 Here, we present this grandmother who loses our 309 00:14:52,960 --> 00:14:54,000 head a little, but the air of nothing, but not that much. 310 00:14:58,490 --> 00:14:59,490 You're pretty, you know. 311 00:15:00,470 --> 00:15:03,010 This is an idea of Liliane Robert, to start 312 00:15:03,010 --> 00:15:04,750 by complimenting his little daughter. 313 00:15:04,950 --> 00:15:06,530 I found it very good and very great. 314 00:15:09,150 --> 00:15:10,610 Are you a lover right now? 315 00:15:10,610 --> 00:15:11,610 No. 316 00:15:11,650 --> 00:15:13,870 There you go, the idea was to show that it is 317 00:15:13,870 --> 00:15:15,750 not a problem for Juliette not to have lovers. 318 00:15:16,010 --> 00:15:17,450 And it was never a problem. 319 00:15:18,410 --> 00:15:19,410 Besides, we talk about ... 320 00:15:19,810 --> 00:15:20,970 His previous lovers. 321 00:15:21,010 --> 00:15:22,010 Yes. 322 00:15:22,450 --> 00:15:25,390 Here, I wanted to show that it is not because we 323 00:15:25,390 --> 00:15:28,030 do not have someone in his life that we are unhappy. 324 00:15:28,490 --> 00:15:29,030 Mathieu? 325 00:15:29,030 --> 00:15:30,030 Hmm? 326 00:15:30,470 --> 00:15:31,010 Juliette? 327 00:15:31,470 --> 00:15:32,550 Ah, I couldn't say. 328 00:15:34,050 --> 00:15:34,650 Yoann? 329 00:15:34,650 --> 00:15:35,930 Hmm? 330 00:15:35,930 --> 00:15:37,090 And the big one? 331 00:15:37,090 --> 00:15:38,350 No, no, wait. 332 00:15:39,530 --> 00:15:40,110 Quentin? 333 00:15:40,110 --> 00:15:40,430 Yes ? 334 00:15:40,430 --> 00:15:42,350 Here, the complicity of the two women. 335 00:15:42,610 --> 00:15:43,430 You appreciate me then. 336 00:15:43,510 --> 00:15:44,310 You see, I am not yet fucked up. 337 00:15:44,350 --> 00:15:47,990 I added to Liliane this little bag with the shoulder ... 338 00:15:48,590 --> 00:15:49,490 This is my alarm. 339 00:15:49,490 --> 00:15:52,410 Lots of glitter to bring a little fantasy to this grandmother. 340 00:15:52,450 --> 00:15:53,610 I no longer remember why. 341 00:15:55,630 --> 00:15:56,950 Oh damn, my belote! 342 00:15:56,950 --> 00:15:57,950 It's now. 343 00:15:59,670 --> 00:16:01,650 So this two -tone house is incredible. 344 00:16:02,270 --> 00:16:04,240 Obviously, it was not us who repainted it like that. 345 00:16:04,270 --> 00:16:05,730 It was found in location. 346 00:16:05,930 --> 00:16:08,990 I liked what it said about family a little broken in two. 347 00:16:08,990 --> 00:16:11,350 If you spend an hour by cardboard, We will never get out of it. 348 00:16:11,410 --> 00:16:13,010 It's okay, we're not going to swing everything either. 349 00:16:13,770 --> 00:16:15,470 Go ahead, take. 350 00:16:15,630 --> 00:16:16,880 I don't know the size of your apartment. 351 00:16:16,910 --> 00:16:18,150 I don't know the size of your apartment, There. 352 00:16:18,150 --> 00:16:20,670 We see how much they are both so close to the two. 353 00:16:20,810 --> 00:16:22,450 She does not know her sister's accommodation. 354 00:16:22,450 --> 00:16:23,450 This one, I keep it. 355 00:16:24,650 --> 00:16:25,650 It's loved. 356 00:16:26,010 --> 00:16:27,390 We listened to it all the time. 357 00:16:28,030 --> 00:16:29,030 Does that mean anything to you? 358 00:16:29,030 --> 00:16:30,090 We put away the houses. 359 00:16:30,310 --> 00:16:33,750 We put away memories, we move the memories. 360 00:16:34,090 --> 00:16:35,230 Things happen. 361 00:16:35,890 --> 00:16:41,420 So there, we evoke this song by Marc Robin, the 362 00:16:41,420 --> 00:16:44,630 pious, which tells a little more militant past of the father. 363 00:16:44,850 --> 00:16:46,170 You don't have a cardboard? 364 00:16:46,170 --> 00:16:47,290 Well no, I have no cardboard. 365 00:16:47,290 --> 00:16:48,690 And here is a mysterious cardboard. 366 00:16:49,070 --> 00:16:51,000 But we don't have time to ask more questions. 367 00:16:51,030 --> 00:16:52,350 Ah no, that's not a horror. 368 00:16:53,030 --> 00:16:54,030 I keep it. 369 00:16:55,470 --> 00:16:56,510 Don't you want it, Marie-Lou? 370 00:16:56,510 --> 00:16:58,430 Ah no, I have enough shit like that at the Home. 371 00:17:02,790 --> 00:17:05,510 I would go and see up there, if this is the last time we come here. 372 00:17:06,670 --> 00:17:07,890 We haven't sold it at home. 373 00:17:08,130 --> 00:17:09,850 No but will see, the tenant must be there. 374 00:17:11,390 --> 00:17:11,950 Uh ... good. 375 00:17:12,250 --> 00:17:13,250 Dad ? 376 00:17:13,770 --> 00:17:14,770 So that's it. 377 00:17:15,110 --> 00:17:19,090 So the grandmother praised the floor and was a bit of a 378 00:17:19,110 --> 00:17:23,330 conference with Pollux, which we will meet there right away. 379 00:17:23,970 --> 00:17:24,970 Here it is. 380 00:17:25,750 --> 00:17:29,300 Salif Cissé, whom I had spotted, like many 381 00:17:29,310 --> 00:17:31,730 people, to the tackle of a film by Guillaume Braque. 382 00:17:32,030 --> 00:17:35,870 I had been seized by the charisma of Salif. 383 00:17:36,650 --> 00:17:39,560 Of course, because of its large size, but 384 00:17:39,560 --> 00:17:42,110 also, it has something very calm, very posed. 385 00:17:42,710 --> 00:17:48,490 Me, it reminds me of Lino Ventura, or this kind of actor 386 00:17:49,070 --> 00:17:53,170 like that, which has an extremely reassuring virility, What. 387 00:17:54,130 --> 00:17:55,150 You don't laugh. 388 00:17:55,250 --> 00:17:58,130 And at the same time, he still has a teenager. 389 00:17:58,990 --> 00:18:01,070 So he has a very soft look. 390 00:18:02,630 --> 00:18:06,770 Here, Bertrand Belin's music, with whom I have been working with for 25 years. 391 00:18:08,230 --> 00:18:12,530 And this Juliet who is looking for a little memories, but it remains much. 392 00:18:12,690 --> 00:18:14,410 Maybe the material of this wallpaper. 393 00:18:14,810 --> 00:18:15,810 Here we are, we don't know too much. 394 00:18:17,290 --> 00:18:19,290 There, it's a whole life that goes in a truck. 395 00:18:19,330 --> 00:18:21,370 I continue to find it very moving. 396 00:18:23,970 --> 00:18:26,990 And a little frieze that reminds him of his childhood. 397 00:18:27,030 --> 00:18:29,930 Well, there you go, I still put a small animal in the decor. 398 00:18:38,030 --> 00:18:39,030 So. 399 00:18:39,290 --> 00:18:39,650 Uh ... 400 00:18:40,210 --> 00:18:45,410 It was the real gentlemen of Emmaüs who came to be the figurative. 401 00:18:45,470 --> 00:18:46,900 They were very happy to be there. 402 00:18:46,930 --> 00:18:47,930 Do you need help? 403 00:18:47,990 --> 00:18:49,690 No, that's nice, we finished. 404 00:18:49,710 --> 00:18:49,990 THANKS. 405 00:18:50,250 --> 00:18:52,370 You will be able to occupy space as you want. 406 00:18:52,510 --> 00:18:53,950 We leave you furniture, in addition. 407 00:18:54,050 --> 00:18:55,450 Apparently they don't take everything. 408 00:18:56,010 --> 00:18:56,330 THANKS. 409 00:18:56,470 --> 00:18:59,570 So here it is, the idea is that we let Pollux occupy 410 00:18:59,570 --> 00:19:02,050 the whole space of the house until the house is sold. 411 00:19:02,630 --> 00:19:03,110 Bye. 412 00:19:03,470 --> 00:19:04,470 Bye. 413 00:19:06,310 --> 00:19:08,150 She understood, nona, that we sold her Home ? 414 00:19:09,650 --> 00:19:10,270 It's no choice, Juju. 415 00:19:10,490 --> 00:19:12,450 It is very expensive, the retirement home. 416 00:19:13,230 --> 00:19:14,290 Even if it's horrible. 417 00:19:15,070 --> 00:19:15,510 Shit ! 418 00:19:15,510 --> 00:19:17,310 It is not horrible, the retirement home! 419 00:19:17,310 --> 00:19:19,270 It's me who got all lubricates, eh ! 420 00:19:19,270 --> 00:19:21,490 I set the papers, I found the 'place ! 421 00:19:21,490 --> 00:19:23,930 So if you are not happy, Go ahead, find another, you! 422 00:19:23,930 --> 00:19:24,930 I can't do it. 423 00:19:26,050 --> 00:19:28,730 She is great, your retirement home. 424 00:19:28,810 --> 00:19:29,990 Yeah, it's true. 425 00:19:30,090 --> 00:19:31,090 It's not true. 426 00:19:33,850 --> 00:19:34,850 Where is life? 427 00:19:35,790 --> 00:19:37,450 And Jean-Pierre who lets himself be carried. 428 00:19:37,750 --> 00:19:38,750 Finally, Léonard. 429 00:19:39,070 --> 00:19:40,070 No. 430 00:19:40,970 --> 00:19:45,650 I really like this a little heavy laugh that we found with Jean-Pierre Daroussin. 431 00:19:45,830 --> 00:19:51,030 As soon as Léonard has something a little intimate to say, he has this creaky laugh. 432 00:19:55,180 --> 00:19:59,060 There it is the canvases of the mother of Marie-Lou and Juliet. 433 00:19:59,280 --> 00:20:01,140 I found it very effective to present a 434 00:20:01,140 --> 00:20:03,360 character, to start by showing his work. 435 00:20:03,620 --> 00:20:04,650 Imagine, wait, in the brake. 436 00:20:04,680 --> 00:20:08,740 It was a painter from Montreuil who did this magnificent job for me. 437 00:20:09,000 --> 00:20:10,000 It's a lot of fun. 438 00:20:10,520 --> 00:20:11,520 Are you okay, darling? 439 00:20:12,100 --> 00:20:15,760 She is a painter who does almost everything we want to do. 440 00:20:15,900 --> 00:20:16,900 So what do you think? 441 00:20:16,980 --> 00:20:18,580 Alexandra Roth, a great actress. 442 00:20:18,620 --> 00:20:19,620 And there, Noémie Lowski. 443 00:20:20,720 --> 00:20:21,240 Here it is. 444 00:20:21,720 --> 00:20:23,600 With whom I wanted to work for years, 445 00:20:23,600 --> 00:20:25,720 so we were very happy children to meet. 446 00:20:26,020 --> 00:20:26,740 Oh, my darling. 447 00:20:26,940 --> 00:20:28,160 Noémie wants everything we want. 448 00:20:28,160 --> 00:20:29,160 I found it only yesterday. 449 00:20:29,160 --> 00:20:29,820 With all his heart. 450 00:20:29,860 --> 00:20:30,980 I'm glad to see you. 451 00:20:31,060 --> 00:20:33,300 Without any limit and with mad generosity. 452 00:20:34,680 --> 00:20:36,780 Here she, she scans her daughter in two seconds. 453 00:20:36,800 --> 00:20:37,640 Did she get bigger? 454 00:20:37,640 --> 00:20:38,440 Did she lose weight? 455 00:20:38,440 --> 00:20:39,240 It's good, but you're ... 456 00:20:39,240 --> 00:20:41,840 Well, she may not look very good, She's a bit like. 457 00:20:42,720 --> 00:20:44,680 Immediately, it is reproaches and judgment. 458 00:20:45,140 --> 00:20:46,160 It's terrorizing for Juliette. 459 00:20:46,160 --> 00:20:47,210 No, you mustn't say bravo. 460 00:20:47,240 --> 00:20:48,240 Ouh there! 461 00:20:49,240 --> 00:20:50,480 This is the gesture that counts. 462 00:20:50,480 --> 00:20:53,120 Again, Juliette has not many people with whom to communicate. 463 00:20:53,420 --> 00:20:56,270 With his father, there is tenderness, But they can't talk to each other. 464 00:20:56,300 --> 00:20:57,960 Marie-Lou has no availability. 465 00:20:58,440 --> 00:21:02,240 And his mother, immediately, asked him for an inventory of his life. 466 00:21:03,000 --> 00:21:04,580 She has almost accounts to settle. 467 00:21:04,940 --> 00:21:06,280 You absolutely have to be in love. 468 00:21:06,340 --> 00:21:07,700 And besides, it seems to me that ... 469 00:21:08,180 --> 00:21:11,680 Your father is looking for someone ... do you tell me? 470 00:21:11,680 --> 00:21:13,380 Mom, stop giggling, it's unbearable. 471 00:21:13,380 --> 00:21:14,480 I don't eat! 472 00:21:14,480 --> 00:21:15,340 Wait, what? 473 00:21:15,340 --> 00:21:17,080 Marie-Lou is uncomfortable with her mother. 474 00:21:17,160 --> 00:21:19,540 It was Gabine who told me that he had registered on a site. 475 00:21:19,540 --> 00:21:20,180 It's super funny. 476 00:21:20,440 --> 00:21:21,340 He said nothing to me. 477 00:21:21,400 --> 00:21:22,520 It's normal, you're his daughter. 478 00:21:22,580 --> 00:21:23,900 And what am I? 479 00:21:23,900 --> 00:21:24,620 You are strong. 480 00:21:24,900 --> 00:21:25,520 It's not the same. 481 00:21:25,860 --> 00:21:27,460 Marie-Lou is the strong of the family. 482 00:21:28,120 --> 00:21:28,520 Good morning. 483 00:21:28,780 --> 00:21:29,300 Very happy. 484 00:21:29,460 --> 00:21:30,460 Enchanted. 485 00:21:31,040 --> 00:21:32,120 An artist too, isn't it? 486 00:21:32,120 --> 00:21:34,300 Here, the hand that comes to land on Juliette. 487 00:21:34,300 --> 00:21:36,280 Yes, I am a registrator for deep books. 488 00:21:36,280 --> 00:21:37,290 It is completely stuck. 489 00:21:37,320 --> 00:21:37,720 It's great. 490 00:21:38,180 --> 00:21:38,680 Anxiety rises. 491 00:21:39,120 --> 00:21:40,480 No, no, no, not great. 492 00:21:40,580 --> 00:21:42,440 What would be great is that you do what you really want. 493 00:21:42,440 --> 00:21:43,440 The reproaches arrive. 494 00:21:43,580 --> 00:21:44,580 That you ... 495 00:21:45,280 --> 00:21:46,500 You are never good enough. 496 00:21:46,500 --> 00:21:50,020 You do your works to you, your personal work. 497 00:21:50,320 --> 00:21:52,370 You know, mom, not everyone needs to paint 498 00:21:52,370 --> 00:21:54,540 asses and breasts to do something personal. 499 00:21:54,760 --> 00:21:55,540 But you know nothing about it. 500 00:21:55,780 --> 00:21:58,770 Well yes, for sure, I have no brain, That's it, I do a manual job. 501 00:21:58,800 --> 00:21:59,460 You do it very well. 502 00:21:59,540 --> 00:22:00,540 She is a very hard mother. 503 00:22:01,220 --> 00:22:04,480 The discomfort arrives, the anxiety crisis, Call it as you want. 504 00:22:04,580 --> 00:22:05,580 In any case, it's ... 505 00:22:05,720 --> 00:22:09,900 She must save herself from there, Because otherwise she will die there. 506 00:22:10,300 --> 00:22:14,000 She has a small spindle at her raincoat, which is a small turtle. 507 00:22:14,120 --> 00:22:15,500 It still has an animal, at the end. 508 00:22:16,220 --> 00:22:19,040 And Pollux arrives, who walks the dog ... Hello. 509 00:22:19,660 --> 00:22:20,660 ... from the boss of the bar. 510 00:22:21,740 --> 00:22:22,740 It's not okay? 511 00:22:23,440 --> 00:22:24,440 It's okay, it's going to pass. 512 00:22:27,060 --> 00:22:28,580 But you can't stay like that. 513 00:22:32,580 --> 00:22:33,540 Is it better? 514 00:22:33,540 --> 00:22:36,410 Here, there are still two people that it was difficult to communicate, 515 00:22:36,440 --> 00:22:39,100 but this time, there is someone very available in front of Juliette. 516 00:22:39,100 --> 00:22:40,200 So, for Mademoiselle, it will be? 517 00:22:40,200 --> 00:22:42,540 Nanou Garcia, who is in almost all my films. 518 00:22:43,360 --> 00:22:44,220 I don't know. 519 00:22:44,280 --> 00:22:46,470 There were many more sequences that passed 520 00:22:46,470 --> 00:22:48,920 through the bar, they are in the DVD supplement. 521 00:22:49,120 --> 00:22:50,120 Hot or cold? 522 00:22:50,360 --> 00:22:52,220 Alas, these scenes were rejected in the 523 00:22:52,220 --> 00:22:53,780 editing, that is to say that the film did not want it. 524 00:22:54,360 --> 00:22:58,920 All bar sequences seemed to be the subject of the film, alas. 525 00:23:00,280 --> 00:23:01,280 Excuse me. 526 00:23:01,760 --> 00:23:02,360 I feel stupid. 527 00:23:02,400 --> 00:23:05,860 We had built a whole small life in this cafe in the village which brought together 528 00:23:05,860 --> 00:23:11,040 all the solitudes, which allowed a social life like that, a little ... Thank you. 529 00:23:11,380 --> 00:23:15,920 I think we still feel that this bar is very lively and very warm, but. 530 00:23:15,980 --> 00:23:16,620 .. 531 00:23:18,020 --> 00:23:20,750 False rain has a little bit tinkered behind, 532 00:23:20,750 --> 00:23:23,200 because we see that there is a lot of sun. 533 00:23:29,240 --> 00:23:31,770 Bertrand's music that allows me to go from 534 00:23:31,770 --> 00:23:36,900 one atmosphere to the other gently, we will say. 535 00:23:37,980 --> 00:23:42,440 Our Juliette opens this famous card with small objects from her child. 536 00:23:42,620 --> 00:23:46,440 I really like the light that Brice Pankow made for this sequence. 537 00:23:47,380 --> 00:23:52,300 This is a little toy of his childhood that 'We will find at the time of his nightmare. 538 00:23:53,080 --> 00:23:54,360 The dog, a rabbit ... 539 00:23:54,360 --> 00:23:57,040 Anyway, I’m not repeating that there are always animals everywhere. 540 00:23:57,440 --> 00:24:02,680 And so this little drawing of his childhood in which we find this two 541 00:24:02,680 --> 00:24:09,480 -tone house and a little Juliet with hands towards the sky and crying. 542 00:24:11,140 --> 00:24:12,980 So there is once again a little pebble that 543 00:24:12,980 --> 00:24:15,260 tells us that there is something going on. 544 00:24:15,860 --> 00:24:17,660 Here are Juliette's impatience. 545 00:24:19,340 --> 00:24:22,220 So the impatience that is also called restless legs. 546 00:24:23,840 --> 00:24:26,840 It's something ... Sometimes there are people who have reached all their lives. 547 00:24:27,340 --> 00:24:28,360 Who never sleep. 548 00:24:29,040 --> 00:24:32,020 And it's really a hectic feeling of legs. 549 00:24:32,380 --> 00:24:34,640 Like small electric discharges. 550 00:24:34,720 --> 00:24:35,720 It is very painful. 551 00:24:36,200 --> 00:24:37,590 So here is a juliet who does not sleep. 552 00:24:37,620 --> 00:24:39,540 It's a family that doesn't sleep anyway. 553 00:24:41,040 --> 00:24:43,510 Here it comes back to the bar since it left with the umbrella. 554 00:24:43,540 --> 00:24:46,540 It was the little pretext for her to come back to the bar. 555 00:24:47,040 --> 00:24:49,490 The person there passing with the bouquet of flowers is me. 556 00:24:49,520 --> 00:24:50,880 I like to go through my films. 557 00:24:51,520 --> 00:24:53,320 This is Marie-Lou's lover who is there. 558 00:24:53,400 --> 00:24:54,720 We see it briefly. 559 00:24:54,720 --> 00:24:58,100 But which tells this village life well where everyone meets. 560 00:25:03,920 --> 00:25:05,940 And here is the dog. 561 00:25:06,160 --> 00:25:07,640 He's happy to see you. 562 00:25:08,880 --> 00:25:10,240 His daughter's beautiful smile. 563 00:25:10,240 --> 00:25:11,800 You always expect me to the beast of his mother ? 564 00:25:11,800 --> 00:25:15,000 Does that annoy you that I take it in a picture before my drawings? 565 00:25:15,000 --> 00:25:15,440 No. 566 00:25:15,780 --> 00:25:16,780 Wait. 567 00:25:18,300 --> 00:25:20,680 And here is thanks to the dog Juliette can open her eyes. 568 00:25:20,700 --> 00:25:22,140 You can also take a picture podux. 569 00:25:22,140 --> 00:25:22,960 What's his name? 570 00:25:22,960 --> 00:25:24,040 Jean-Claude. 571 00:25:25,460 --> 00:25:26,000 Oh yes. 572 00:25:26,260 --> 00:25:27,260 Yeah. 573 00:25:28,900 --> 00:25:30,520 I'm sorry for the last time. 574 00:25:30,680 --> 00:25:31,850 This is Juliette in the spring. 575 00:25:31,880 --> 00:25:33,420 Spring arrives very slowly. 576 00:25:33,540 --> 00:25:36,660 And so we applied ourselves to shoot all the 577 00:25:36,660 --> 00:25:38,840 outdoor sequences as late as possible in the shooting. 578 00:25:38,860 --> 00:25:40,200 That is to say in April. 579 00:25:40,660 --> 00:25:44,180 So that we feel this nature that arrives with light too. 580 00:25:44,180 --> 00:25:45,410 I call it the tragic dimension. 581 00:25:45,440 --> 00:25:49,420 We feel this sun still a little soft. 582 00:25:49,420 --> 00:25:51,620 It's cold, we're a bit covered but ... 583 00:25:51,620 --> 00:25:54,220 I have the impression that I take by the person if people tell me ... 584 00:25:54,220 --> 00:25:54,300 Life starts to come back what. 585 00:25:54,520 --> 00:25:56,920 We get out of this famous depression of the 'winter. 586 00:25:59,580 --> 00:26:03,480 And here is Juliette to confide but because, once 587 00:26:03,480 --> 00:26:04,400 again, it is the first time that she has someone 'listen. 588 00:26:04,400 --> 00:26:06,510 There are people who are uncomfortable with the depression of others. 589 00:26:06,540 --> 00:26:08,840 Someone really available and who is ready to hear ... 590 00:26:08,840 --> 00:26:09,700 I prefer tragic dimension. 591 00:26:09,720 --> 00:26:11,980 ... talk about tragic dimension and depression. 592 00:26:12,300 --> 00:26:13,300 It sounds better. 593 00:26:14,760 --> 00:26:15,700 A small duck. 594 00:26:15,700 --> 00:26:17,040 And here is this little duck lost. 595 00:26:19,420 --> 00:26:19,960 Who needs love. 596 00:26:20,180 --> 00:26:21,780 Who needs to be taken care of. 597 00:26:22,400 --> 00:26:23,880 Who is very small, who is fragile. 598 00:26:25,580 --> 00:26:30,520 And here is Juliette and Pollux who become as parents of this little being. 599 00:26:32,220 --> 00:26:34,760 graceful and lovely. 600 00:26:35,600 --> 00:26:38,040 Which will allow them to find themselves. 601 00:26:38,380 --> 00:26:39,460 I love your breasts. 602 00:26:40,840 --> 00:26:42,820 So here is Marilou and her love. 603 00:26:44,820 --> 00:26:46,300 His bodies in broad daylight. 604 00:26:46,380 --> 00:26:49,000 It is very rare to see bodies in broad daylight in the cinema. 605 00:26:49,420 --> 00:26:51,040 And especially bodies like these. 606 00:26:51,600 --> 00:26:52,920 Completely normal. 607 00:26:53,220 --> 00:26:54,360 It's simple if I was you. 608 00:26:54,820 --> 00:26:57,590 When I read that there are only 20% of 609 00:26:57,590 --> 00:27:01,260 the female population in France which is 38. 610 00:27:01,940 --> 00:27:05,900 I said to myself the bodies are really not represented in the cinema. 611 00:27:08,060 --> 00:27:09,240 It's tender. 612 00:27:09,280 --> 00:27:10,280 It's soft. 613 00:27:12,880 --> 00:27:14,100 They have fun. 614 00:27:14,120 --> 00:27:15,040 They are like children. 615 00:27:15,140 --> 00:27:16,000 They bite. 616 00:27:16,000 --> 00:27:17,240 They love each other a lot. 617 00:27:18,280 --> 00:27:19,280 Pardon. 618 00:27:19,420 --> 00:27:21,060 Excuse me but I hate Guilis. 619 00:27:21,160 --> 00:27:22,240 I hate that. 620 00:27:22,580 --> 00:27:23,680 I don't stand. 621 00:27:23,820 --> 00:27:24,260 Pardon. 622 00:27:24,820 --> 00:27:25,500 Excuse me. 623 00:27:25,720 --> 00:27:26,680 I hurt you? 624 00:27:26,680 --> 00:27:30,000 Here we are in the world of Marilou who loves plants. 625 00:27:30,400 --> 00:27:32,500 What is her room for her. 626 00:27:32,720 --> 00:27:33,720 I still want. 627 00:27:34,500 --> 00:27:35,740 But hey there we have the time. 628 00:27:39,100 --> 00:27:40,500 Can I come back tomorrow? 629 00:27:40,500 --> 00:27:41,580 You know that not. 630 00:27:45,420 --> 00:27:47,260 I love the noise of the elastic band there. 631 00:27:48,240 --> 00:27:49,540 Here, it's for you. 632 00:27:51,360 --> 00:27:52,560 We had said no gift. 633 00:27:57,120 --> 00:27:58,180 We never said that. 634 00:28:00,200 --> 00:28:03,940 The argument arrives and at the same time there is this fairly 635 00:28:03,940 --> 00:28:06,960 classic argument of adulterous couple who is no longer understood. 636 00:28:07,960 --> 00:28:09,480 We see him getting stunned in prevailing. 637 00:28:11,160 --> 00:28:19,280 And I love this discrepancy in the ridiculousness of the situation and the seriousness of dialogue. 638 00:28:20,800 --> 00:28:21,800 There are enough. 639 00:28:21,840 --> 00:28:23,200 Well yeah, there are fed up. 640 00:28:23,580 --> 00:28:24,780 Yeah, there are fed up. 641 00:28:25,700 --> 00:28:27,280 His costumes are magnificent. 642 00:28:27,460 --> 00:28:28,880 It's a lot of fun. 643 00:28:41,510 --> 00:28:43,760 We really imagined that Thomas de Pourcury, the 644 00:28:43,770 --> 00:28:46,030 lover, always arrived through the bottom of the garden. 645 00:28:46,070 --> 00:28:47,630 Never elsewhere. 646 00:28:47,670 --> 00:28:48,670 It was his place. 647 00:28:48,850 --> 00:28:50,490 We have a happy little duck. 648 00:28:50,690 --> 00:28:52,410 So this little duck in fact they were 20. 649 00:28:52,650 --> 00:28:55,750 There was a crate with a calm duck and a small excited duck. 650 00:28:56,150 --> 00:28:58,220 And according to the situations we had to 651 00:28:58,220 --> 00:29:01,050 play, we took one of the little ducks that was fine. 652 00:29:04,590 --> 00:29:06,800 So here, Pollux settles in the part which 653 00:29:06,810 --> 00:29:08,710 was rather inhabited by the grandmother. 654 00:29:09,010 --> 00:29:10,390 And then he's happy. 655 00:29:11,550 --> 00:29:13,190 There, a wonderful little duck. 656 00:29:18,330 --> 00:29:21,070 And there we had taken a small calm duck for the discussion. 657 00:29:21,070 --> 00:29:25,930 If Juliette she comes back ... This is an improvisation of Salif. 658 00:29:26,050 --> 00:29:27,670 I told him chatted with your duck. 659 00:29:28,570 --> 00:29:31,030 And it's very nice what he proposed. 660 00:29:31,670 --> 00:29:32,670 So. 661 00:29:33,590 --> 00:29:35,510 Wood of water, do things safe. 662 00:29:37,090 --> 00:29:38,130 It's very very good. 663 00:29:40,830 --> 00:29:44,710 This is our Juliet who begins to draw this little dog from her childhood. 664 00:29:46,110 --> 00:29:47,110 Leonardo continues. 665 00:29:47,770 --> 00:29:51,010 As long as it always brings very failed gestures. 666 00:29:51,730 --> 00:29:54,320 And so it's a gentleman who cooks very 667 00:29:54,330 --> 00:29:56,850 badly and that things not good and very simple. 668 00:29:57,270 --> 00:29:59,110 But he takes care of his daughter. 669 00:30:00,750 --> 00:30:03,350 We see him very amazed by the work of his daughter. 670 00:30:03,970 --> 00:30:07,720 And then we see this graphic work of Juliette 671 00:30:07,720 --> 00:30:09,970 and therefore who is the one she puts today. 672 00:30:10,510 --> 00:30:12,490 Which therefore draws from models. 673 00:30:13,630 --> 00:30:18,490 I had great pleasure in filming what 'appears as magic. 674 00:30:18,890 --> 00:30:24,990 This little pencil which in a few seconds draws perfectly 675 00:30:24,990 --> 00:30:28,990 without any hesitation this little dog which appears like that. 676 00:30:29,070 --> 00:30:30,830 It is absolutely magical and striking. 677 00:30:34,530 --> 00:30:37,250 He makes little mouths of mouth our Léonard. 678 00:30:46,850 --> 00:30:53,110 And this photography system allows us to see that she thinks of her Pollux. 679 00:30:55,190 --> 00:30:56,830 She is happy with this meeting. 680 00:30:57,130 --> 00:30:58,970 I thaw a pizza? 681 00:30:58,970 --> 00:30:59,970 Yes. 682 00:31:00,030 --> 00:31:01,030 So. 683 00:31:01,350 --> 00:31:04,370 Our Leonardo who does not know how to cook. 684 00:31:05,890 --> 00:31:06,990 Marie-Lou at work. 685 00:31:07,490 --> 00:31:09,450 A hairdresser at home a second time. 686 00:31:09,470 --> 00:31:11,030 Here it is Camille Jourdi's family. 687 00:31:11,110 --> 00:31:14,950 It's Camille Jourdi with her papillotes, Her husband and two children. 688 00:31:15,430 --> 00:31:18,030 She is a woman at work who will make a 689 00:31:18,030 --> 00:31:20,050 phone call and her husband peels potatoes. 690 00:31:20,050 --> 00:31:24,290 It seems stupid but it is a representation that made me happy. 691 00:31:26,170 --> 00:31:30,930 This sequence allows us to be in the head of Marie-Lou. 692 00:31:31,110 --> 00:31:36,020 What makes her dream is a harmonious couple 693 00:31:36,020 --> 00:31:39,150 who seem to fly who seem very happy together. 694 00:31:40,150 --> 00:31:47,230 It is a basic romanticism to which she sucks that upset her. 695 00:31:47,230 --> 00:31:52,250 This is very beautiful what she gave us to Marie-Lou. 696 00:31:53,750 --> 00:31:55,390 This is what she aspires to. 697 00:31:55,910 --> 00:31:59,370 Be worn in a man's arms and feel light and fly. 698 00:32:00,230 --> 00:32:05,850 She thinks about it for a great boredom of Monopoly. 699 00:32:06,110 --> 00:32:09,570 Again she loves her children she loves her 700 00:32:10,030 --> 00:32:11,030 husband but she does not like life that it takes. 701 00:32:13,930 --> 00:32:17,150 For children to be comfortable we had launched a real part of Monopoly. 702 00:32:17,570 --> 00:32:20,150 They almost forgot the camera they were so thoroughly. 703 00:32:20,510 --> 00:32:22,570 24,000 24,000. 704 00:32:26,290 --> 00:32:27,710 So who is it? 705 00:32:27,710 --> 00:32:28,710 It's me. 706 00:32:29,570 --> 00:32:31,210 She wants to dream with her family. 707 00:32:32,030 --> 00:32:33,530 Stéphane don't you want us both? 708 00:32:33,530 --> 00:32:34,670 We're going to look stupid. 709 00:32:34,750 --> 00:32:36,790 She wants to dream with her husband and he does not understand. 710 00:32:37,390 --> 00:32:38,970 It was a bit of the last hope. 711 00:32:39,010 --> 00:32:42,730 She still tries to launch calls to her husband 712 00:32:42,730 --> 00:32:46,030 to wake up their couple but it doesn't work. 713 00:32:46,610 --> 00:32:50,350 This is one of the almost copied-colored sequences of the comic strip. 714 00:32:50,450 --> 00:32:51,450 Not sleep. 715 00:32:52,930 --> 00:32:53,930 Oh sorry. 716 00:32:54,710 --> 00:32:56,350 It says that nobody sleeps. 717 00:32:56,410 --> 00:32:56,690 I'm afraid. 718 00:32:57,390 --> 00:32:59,390 What do you do alone in the dark? 719 00:33:01,150 --> 00:33:02,450 I listen to silence. 720 00:33:02,890 --> 00:33:05,430 The dialogue is almost identical to comics. 721 00:33:05,830 --> 00:33:11,430 I just added this laughter that we found with Jean-Pierre. 722 00:33:11,650 --> 00:33:13,570 Your mother was so noisy. 723 00:33:13,590 --> 00:33:13,610 So. 724 00:33:13,910 --> 00:33:18,450 Whenever Leonardo touches a lot, He has a big laugh behind. 725 00:33:18,930 --> 00:33:20,410 It's been a long time since she left. 726 00:33:20,710 --> 00:33:21,710 Yes. 727 00:33:23,150 --> 00:33:24,450 It is better where it is. 728 00:33:26,250 --> 00:33:27,370 I love this laugh. 729 00:33:27,770 --> 00:33:29,410 And I love Isia's laugh behind. 730 00:33:29,850 --> 00:33:31,050 Isia's real laugh. 731 00:33:34,210 --> 00:33:35,210 Gorgeous. 732 00:33:35,690 --> 00:33:36,690 Very juvenile. 733 00:33:36,890 --> 00:33:37,890 I really like. 734 00:33:43,480 --> 00:33:44,900 So we're back in the house. 735 00:33:47,280 --> 00:33:50,180 Thanks to this duck, she has a pretext to come back. 736 00:33:52,140 --> 00:33:55,320 Our Pollux certainly found this children's toy in the street, 737 00:33:56,860 --> 00:33:58,580 In bulky items, and he installed that. 738 00:33:59,060 --> 00:34:00,380 We see that he takes care. 739 00:34:00,380 --> 00:34:04,120 We are in the link and in care. 740 00:34:04,260 --> 00:34:04,820 I've had it up to here. 741 00:34:05,140 --> 00:34:06,000 It's true ? 742 00:34:06,000 --> 00:34:07,060 No, it's not true. 743 00:34:07,140 --> 00:34:08,140 I'm not fed up. 744 00:34:09,500 --> 00:34:10,720 I called her Norbert Magré. 745 00:34:11,200 --> 00:34:12,200 Are you okay? 746 00:34:12,460 --> 00:34:13,460 We can still change. 747 00:34:14,360 --> 00:34:16,920 There is a bond that settles between two. 748 00:34:17,040 --> 00:34:18,860 You talk to everything he eats there. 749 00:34:22,580 --> 00:34:23,580 He wants his dad. 750 00:34:24,460 --> 00:34:24,780 No. 751 00:34:25,080 --> 00:34:28,020 He's staying. 752 00:34:29,600 --> 00:34:30,880 He is in an in-between. 753 00:34:30,940 --> 00:34:32,790 It's great to shoot with animals because 754 00:34:32,790 --> 00:34:35,140 that it very much intimidates the actors. 755 00:34:35,160 --> 00:34:36,120 I told you, I didn't lie to you. 756 00:34:36,120 --> 00:34:37,780 We have to adapt to what animals do. 757 00:34:37,780 --> 00:34:42,120 And so, if you know your character well, everything is possible. 758 00:34:42,120 --> 00:34:44,260 But it gives a kind of fragility. 759 00:34:45,280 --> 00:34:47,920 Something very sincere that is really interesting. 760 00:34:49,220 --> 00:34:52,680 Then it sets up an atmosphere on the very special tray. 761 00:34:52,680 --> 00:34:53,970 Everyone is very careful. 762 00:34:54,000 --> 00:34:58,000 And then everyone is also in Tenderie immediately. 763 00:35:02,270 --> 00:35:04,030 He launched a little challenge. 764 00:35:04,150 --> 00:35:07,090 We draw the little duck together. 765 00:35:07,350 --> 00:35:08,710 Like a small competition. 766 00:35:09,690 --> 00:35:10,690 Please. 767 00:35:11,850 --> 00:35:12,850 Large issues. 768 00:35:13,570 --> 00:35:17,530 Once again, by the great pleasure of filming the hand of Camille Jourdi. 769 00:35:17,830 --> 00:35:19,530 Which replaces Isia's hand. 770 00:35:20,350 --> 00:35:21,370 And then for ... 771 00:35:22,430 --> 00:35:27,450 To also tell that Juliette has a real look at Pollux. 772 00:35:27,470 --> 00:35:28,470 She looks at him. 773 00:35:28,970 --> 00:35:30,950 She is really in the 'appropriate. 774 00:35:31,930 --> 00:35:34,530 I love the look she has about her book. 775 00:35:34,590 --> 00:35:35,590 It's very beautiful. 776 00:35:38,870 --> 00:35:39,310 So. 777 00:35:39,530 --> 00:35:41,230 Camille Jourdi's magic hand. 778 00:35:41,330 --> 00:35:42,490 I look a bit on the beak. 779 00:35:43,110 --> 00:35:44,770 It's because it's your first duck. 780 00:35:46,070 --> 00:35:49,610 Camille Jourdi gave me great confidence to adapt her comic strip. 781 00:35:49,630 --> 00:35:50,630 Everyone has their own drawing. 782 00:35:50,710 --> 00:35:56,470 And she was very happy with the fact that the character was a designer. 783 00:35:56,510 --> 00:36:00,110 She came at least once a week on the set so that we film her hand. 784 00:36:00,410 --> 00:36:04,910 And it was great to see her on the set too. 785 00:36:05,590 --> 00:36:08,930 There are sequences that are really at the 'identical comic strip. 786 00:36:09,030 --> 00:36:09,630 Others not at all. 787 00:36:09,950 --> 00:36:14,070 And so for her, it was very moving to follow it so close. 788 00:36:14,250 --> 00:36:15,250 I finish. 789 00:36:16,670 --> 00:36:18,310 There, Isia, it looks like she is 14 years old. 790 00:36:18,630 --> 00:36:19,630 Stain. 791 00:36:19,670 --> 00:36:20,670 . 792 00:36:20,930 --> 00:36:21,930 It's good. 793 00:36:23,030 --> 00:36:24,030 So, 794 00:36:29,770 --> 00:36:32,650 It was a small sequence to tell a bond that settles down. 795 00:36:33,730 --> 00:36:35,210 And there they are, they walk in the street. 796 00:36:35,250 --> 00:36:35,630 They are good. 797 00:36:35,730 --> 00:36:37,890 It is true that they spent a lot of time together. 798 00:36:38,210 --> 00:36:40,510 And then she tells things about her childhood. 799 00:36:40,990 --> 00:36:42,330 They are well together. 800 00:36:43,890 --> 00:36:44,930 A plague. 801 00:36:45,050 --> 00:36:46,250 But a plague. 802 00:36:46,410 --> 00:36:49,250 She put herself with her friends in circles like that. 803 00:36:49,370 --> 00:36:50,810 And she was running. 804 00:36:51,270 --> 00:36:52,270 Around me. 805 00:36:52,450 --> 00:36:54,790 Shouting. 806 00:36:54,890 --> 00:36:56,090 It was a memory. 807 00:36:57,470 --> 00:36:59,010 They are like children. 808 00:37:02,970 --> 00:37:04,370 So that's a song. 809 00:37:05,330 --> 00:37:06,330 The pious. 810 00:37:07,490 --> 00:37:08,030 It is a Mark Rubin. 811 00:37:08,150 --> 00:37:09,410 A revolutionary song. 812 00:37:09,650 --> 00:37:11,150 Very well known in the 1970s. 813 00:37:13,950 --> 00:37:18,470 I found it interesting that she surprises her father 814 00:37:18,470 --> 00:37:22,810 in a memory like that of her more militant youth. 815 00:37:23,930 --> 00:37:32,230 And we see this fairly extinct Leonardo which there suddenly turns out to be very 816 00:37:32,230 --> 00:37:37,070 lively in a form of pleasure really to find this joy of singing with all your heart. 817 00:37:37,210 --> 00:37:40,250 It is obvious that he would not do that in front of her daughter if he knew she was there. 818 00:37:41,090 --> 00:37:44,110 His body remakes gestures from the movements 819 00:37:44,110 --> 00:37:47,090 he made before Isia when She took a picture of it. 820 00:37:47,910 --> 00:37:49,190 Juliet, for example, not Isia. 821 00:37:50,110 --> 00:37:52,690 It is a song that I find very very moving. 822 00:37:53,070 --> 00:37:59,470 And who also talks about the freedom of how to free ourselves from the pious who attaches us. 823 00:38:01,090 --> 00:38:03,410 Juliette has a very beautiful look at her father. 824 00:38:03,830 --> 00:38:06,110 She decides not to intervene not to 825 00:38:06,110 --> 00:38:09,490 disturb him, to let him live her trip fully. 826 00:38:10,290 --> 00:38:14,160 We have shot three taken, it seems to me or four of 827 00:38:14,160 --> 00:38:16,770 this song which is quite long, which lasts 2 minutes 30. 828 00:38:18,790 --> 00:38:22,140 I had the idea of leaving the whole song so I 829 00:38:22,140 --> 00:38:24,750 found it beautiful and moving, but it was too long. 830 00:38:28,660 --> 00:38:31,160 I really like this delicacy, this tenderness that 831 00:38:31,160 --> 00:38:35,680 there is to let his father live his memory thoroughly. 832 00:38:37,400 --> 00:38:43,220 I like us to hear it like that in off, with Isia who looks at the 833 00:38:43,220 --> 00:38:49,240 drawing of the little rotten duck of Pollux and her father S 'bursts next. 834 00:38:49,600 --> 00:38:51,360 There is something happy that comes back there. 835 00:38:51,380 --> 00:38:53,540 We really see her smiling with great sincerity. 836 00:38:54,320 --> 00:38:57,280 We see her coming back to life anyway compared to the start of the film. 837 00:38:59,820 --> 00:39:02,860 The house, before the storm. 838 00:39:05,380 --> 00:39:07,840 Birthday preparation, family meal. 839 00:39:07,940 --> 00:39:10,700 There, a family meal is nice and hell is. 840 00:39:11,860 --> 00:39:13,660 Well, you can cut me off? 841 00:39:13,660 --> 00:39:14,760 Gabi, will dress! 842 00:39:14,760 --> 00:39:16,160 Why are you falling? 843 00:39:16,520 --> 00:39:17,680 To make the noise of summer. 844 00:39:18,200 --> 00:39:20,040 A little poetry in this little girl. 845 00:39:20,940 --> 00:39:21,940 Billy de Rouge. 846 00:39:23,140 --> 00:39:24,380 Here is Léni Morand. 847 00:39:24,640 --> 00:39:27,920 Léni Morand played Annie's son in Annie anger. 848 00:39:27,920 --> 00:39:32,380 It was very nice to regain work with this little boy who is growing up. 849 00:39:33,520 --> 00:39:35,160 Marie-Lou, she wants it to be perfect. 850 00:39:35,720 --> 00:39:38,080 So she is stressed, there's no pleasure, there's no joy. 851 00:39:38,360 --> 00:39:39,920 She is just afraid that it is not well. 852 00:39:39,980 --> 00:39:41,380 Her daughter, she is ready. 853 00:39:41,420 --> 00:39:44,480 You have to see the table, everything must be ready. 854 00:39:47,640 --> 00:39:49,560 In fact, you must not go throw the Rock. 855 00:39:49,600 --> 00:39:52,080 She just wants everything to be good but She can't delegate. 856 00:39:52,160 --> 00:39:54,260 Because no one does as well as it should be. 857 00:39:54,920 --> 00:39:56,180 But the poor is ... 858 00:39:57,160 --> 00:39:59,800 And her husband is very kind. 859 00:39:59,880 --> 00:40:02,360 I say para ... 860 00:40:03,680 --> 00:40:04,740 But I say cal. 861 00:40:04,900 --> 00:40:07,860 Here, we are always with this grandfather who plays with his grandchildren. 862 00:40:08,140 --> 00:40:08,920 I know ! 863 00:40:08,920 --> 00:40:10,420 Say cal. 864 00:40:11,060 --> 00:40:13,550 Cal, cal, cal ... he is still an old -fashioned man. 865 00:40:13,580 --> 00:40:18,060 While Marie-Lou is busy putting everything away, he is quiet on her chair. 866 00:40:18,400 --> 00:40:20,900 Oh no Lucas, look at your drawing, It is damaged. 867 00:40:21,320 --> 00:40:24,240 It's good with a task like that, It looks like a painting by Nathalie. 868 00:40:24,500 --> 00:40:24,840 Ah! 869 00:40:24,840 --> 00:40:26,400 You went to see, I was sure. 870 00:40:26,460 --> 00:40:27,840 I went by chance. 871 00:40:28,120 --> 00:40:28,620 Yes yes. 872 00:40:28,680 --> 00:40:32,080 Ah well, say so, don't forget to put this painting of your mother. 873 00:40:32,860 --> 00:40:33,860 Ah yes, shit. 874 00:40:34,400 --> 00:40:35,540 She gave you one. 875 00:40:36,680 --> 00:40:37,680 No bowl. 876 00:40:38,840 --> 00:40:39,560 Our cat. 877 00:40:39,600 --> 00:40:41,080 Why do you hate her, Natho? 878 00:40:41,080 --> 00:40:42,440 She is the one who hates me. 879 00:40:42,640 --> 00:40:43,260 But not at all. 880 00:40:43,660 --> 00:40:45,680 In any case, she loves another. 881 00:40:46,380 --> 00:40:47,660 Who loves another? 882 00:40:47,660 --> 00:40:50,860 There is another, there is another ... There is yet another. 883 00:40:51,560 --> 00:40:52,580 Gabi, stop! 884 00:40:52,580 --> 00:40:54,340 I hope you don't do this in class. 885 00:40:54,340 --> 00:40:56,240 It is really a very close sequence, very 886 00:40:56,240 --> 00:40:58,540 close to what was told in the comic strip. 887 00:40:59,240 --> 00:41:02,300 There are even exactly the same aftershocks. 888 00:41:03,340 --> 00:41:06,380 These are very well built sequences by Camille Jourdi. 889 00:41:06,540 --> 00:41:11,080 We feel the tension in a family very well. 890 00:41:11,860 --> 00:41:14,960 We are each assigned to a place and we 'can't get out of it. 891 00:41:15,800 --> 00:41:16,940 Nothing is ready? 892 00:41:16,940 --> 00:41:18,040 Juju, turn on the oven! 893 00:41:18,040 --> 00:41:19,040 I have to change myself. 894 00:41:19,360 --> 00:41:21,520 Why are they still in advance, those? 895 00:41:21,520 --> 00:41:22,440 Gabi, go down! 896 00:41:22,440 --> 00:41:23,520 There are grandparents! 897 00:41:24,560 --> 00:41:25,580 I really like that. 898 00:41:25,680 --> 00:41:26,680 The dress too small. 899 00:41:27,220 --> 00:41:30,260 The fact that Marie-Lou fights against her weight. 900 00:41:31,000 --> 00:41:32,160 Finally, she doesn't care. 901 00:41:50,040 --> 00:41:51,180 So there you go, there is this wolf. 902 00:41:51,240 --> 00:41:52,240 Is he really there? 903 00:41:52,240 --> 00:41:53,120 Does she imagine it? 904 00:41:53,120 --> 00:41:53,500 Yes yes ! 905 00:41:53,500 --> 00:41:54,180 I'm coming ! 906 00:41:54,180 --> 00:41:58,280 In any case, it sets up a small stress compared to the family meal. 907 00:41:58,440 --> 00:41:59,060 Good morning ! 908 00:41:59,060 --> 00:42:00,940 Are you doing well ? 909 00:42:00,940 --> 00:42:02,300 This is sequences. 910 00:42:02,360 --> 00:42:05,690 It seems very stupid, but it's super complicated 911 00:42:05,690 --> 00:42:08,680 to set up since there are still ten or twelve actors. 912 00:42:09,040 --> 00:42:11,920 They must all be in the field, They all have something to do, to say. 913 00:42:11,940 --> 00:42:13,500 We have to hear what they say. 914 00:42:14,920 --> 00:42:16,940 Each sentence is important, each movement. 915 00:42:17,520 --> 00:42:19,120 So it's quite long to set up. 916 00:42:19,500 --> 00:42:20,600 I would have closed the door. 917 00:42:20,900 --> 00:42:23,820 But once it rolls, it's very jubilant. 918 00:42:26,300 --> 00:42:27,480 The poor, she is stressed. 919 00:42:27,520 --> 00:42:28,920 She puts her stress to her husband. 920 00:42:28,960 --> 00:42:30,000 Everyone is stressed. 921 00:42:30,380 --> 00:42:31,580 Our cat observes. 922 00:42:33,300 --> 00:42:34,340 Hello, Hello! 923 00:42:35,860 --> 00:42:36,660 Here, hello! 924 00:42:36,660 --> 00:42:39,860 Here, immediately, we feel that these two, despite 925 00:42:39,860 --> 00:42:42,200 the separation, remained extremely accomplices. 926 00:42:42,300 --> 00:42:43,280 Don't you use her hand? 927 00:42:43,280 --> 00:42:45,400 And communicate only by Vannes. 928 00:42:45,520 --> 00:42:47,200 I didn't know that you had to come and disguise. 929 00:42:48,020 --> 00:42:50,600 You're very good like that, a pedophile from the 80s. 930 00:42:51,100 --> 00:42:53,730 I think it is really one of the characteristics of modest people, 931 00:42:53,760 --> 00:42:57,020 it is to make the other laugh to go back into communication. 932 00:42:57,360 --> 00:42:59,400 I had business with me when I 'was small. 933 00:43:00,600 --> 00:43:01,920 Why did you keep it all? 934 00:43:01,920 --> 00:43:08,740 Juliette puts her investigation, and then the grandmother does not want to speak so much. 935 00:43:09,440 --> 00:43:11,980 And Juliette is quickly interrupted, So it stops there. 936 00:43:12,900 --> 00:43:13,900 Gluten -free. 937 00:43:14,620 --> 00:43:16,340 Without butter, without sugar, darling. 938 00:43:17,080 --> 00:43:19,180 It's going to be delicious, that, shortbread to nothing. 939 00:43:19,340 --> 00:43:20,340 I'll get rid of you. 940 00:43:21,220 --> 00:43:22,580 What's going on? 941 00:43:23,660 --> 00:43:25,000 Marie-Lou falls, in fact. 942 00:43:25,020 --> 00:43:27,000 It's no longer possible, it will be more willing. 943 00:43:27,140 --> 00:43:30,840 It's about to crack, There she can more. 944 00:43:31,920 --> 00:43:33,080 She falls, it's humiliating. 945 00:43:34,880 --> 00:43:37,100 She is not able to laugh about it either. 946 00:43:37,920 --> 00:43:39,270 Her husband looks at her, he would like to 947 00:43:39,270 --> 00:43:41,380 take her in his arms, he doesn't know how to do it. 948 00:43:41,940 --> 00:43:43,880 There, the tension is there, let's go. 949 00:43:44,400 --> 00:43:45,780 Is there no meat? 950 00:43:45,780 --> 00:43:47,840 No, Gaby wanted a vegetarian meal. 951 00:43:47,840 --> 00:43:49,960 The dialogue is identical to comics. 952 00:43:50,320 --> 00:43:54,150 Demi Giordi has written extremely brilliant 953 00:43:54,160 --> 00:43:57,940 dialogues that tell of all this family atmosphere. 954 00:43:58,080 --> 00:43:59,780 It has nothing to do with a leak. 955 00:44:00,960 --> 00:44:02,640 Children who have children, who observe 956 00:44:02,660 --> 00:44:05,280 everything, who see everything, who feel everything, who say nothing. 957 00:44:05,580 --> 00:44:06,660 Nanna cut her ears. 958 00:44:07,600 --> 00:44:09,280 We die of hunger. 959 00:44:10,100 --> 00:44:13,680 We were at a laughter yoga course this morning. 960 00:44:14,280 --> 00:44:17,240 Marie-Lou Check the table, wonders if everyone has what it takes. 961 00:44:18,020 --> 00:44:21,910 And then here we put back Juliette in her role of 962 00:44:21,910 --> 00:44:24,960 the little, fragile, artist, which must be taken care of. 963 00:44:25,160 --> 00:44:29,200 And Marie-Lou, we continue to consider her as the strong who manages everything. 964 00:44:29,200 --> 00:44:30,540 That's it who is dead. 965 00:44:31,000 --> 00:44:32,920 Again, dead, the cat we heard. 966 00:44:33,160 --> 00:44:34,260 Ah shit, it's too salty. 967 00:44:36,320 --> 00:44:37,660 Marie-Lou is collapsed. 968 00:44:37,760 --> 00:44:38,760 She missed the dish. 969 00:44:38,840 --> 00:44:42,520 And once again, we're going to talk about Juliette's problems. 970 00:44:42,940 --> 00:44:43,940 Juliette is the center. 971 00:44:44,380 --> 00:44:47,500 Juliette does not want to be the center of the conversation, but we bring her back. 972 00:44:47,920 --> 00:44:49,360 And Marie-Lou is exasperated. 973 00:44:49,820 --> 00:44:52,620 We cannot talk about something other than Juliette in this family. 974 00:44:53,380 --> 00:44:55,630 Yes, finally, I'm not sure that Juliet is too speed. 975 00:44:55,660 --> 00:44:56,760 Which makes her aggressive. 976 00:44:59,300 --> 00:45:00,640 Mom, you snore. 977 00:45:00,800 --> 00:45:06,500 It is very clear that Noémie is collapsed from the tone that arrives as and when. 978 00:45:07,380 --> 00:45:10,280 I don't understand why you have sleep problems. 979 00:45:10,620 --> 00:45:13,600 You look at Noémie in this dialogue between the two sisters. 980 00:45:13,660 --> 00:45:15,570 You have no children, you have no house to hold, 981 00:45:15,590 --> 00:45:17,940 you have no ready to reimburse, you have no boss. 982 00:45:18,560 --> 00:45:21,320 Eric Caravaca also behind is very bad. 983 00:45:22,180 --> 00:45:23,180 I have none of that. 984 00:45:23,800 --> 00:45:24,880 I have nothing at all, actually. 985 00:45:25,060 --> 00:45:26,080 How do we get out of that? 986 00:45:26,080 --> 00:45:27,760 I find it very good, Béchamel. 987 00:45:28,540 --> 00:45:32,140 We managed the noise of the cutlery to hear silence, but ... 988 00:45:33,000 --> 00:45:34,370 You don't have to be unpleasant. 989 00:45:34,400 --> 00:45:35,640 I am unpleasant. 990 00:45:35,820 --> 00:45:36,480 Noémie, she is great. 991 00:45:36,680 --> 00:45:40,280 In any case, it is delicious, This gratin. 992 00:45:40,380 --> 00:45:41,900 Yes, very, very good, delicious. 993 00:45:43,220 --> 00:45:45,240 To be honest, it is still a little salty. 994 00:45:45,960 --> 00:45:46,880 I would ask anyone. 995 00:45:46,980 --> 00:45:49,940 It is you who tell me about laughter of laughter and bananas and running. 996 00:45:50,080 --> 00:45:51,950 Great, listen, if you would ask, There is no problem. 997 00:45:51,980 --> 00:45:52,980 There is no problem. 998 00:45:54,320 --> 00:45:57,200 It's not easy to dose the salt in the gratins. 999 00:45:57,240 --> 00:45:58,600 We try to move on. 1000 00:45:58,680 --> 00:46:00,160 We try to talk about something. 1001 00:46:00,400 --> 00:46:01,620 Me, it's the same. 1002 00:46:01,860 --> 00:46:03,470 I miss them every time, my gratins. 1003 00:46:03,500 --> 00:46:06,120 Gabi! 1004 00:46:07,720 --> 00:46:08,770 I'm going to get the cake. 1005 00:46:08,800 --> 00:46:10,430 She hurts a lot, there, Sophie Guillemin. 1006 00:46:10,460 --> 00:46:12,860 She sees Marie-Lou, she wanted to do so well. 1007 00:46:13,620 --> 00:46:15,000 And Noémie, she is melted. 1008 00:46:16,380 --> 00:46:17,670 And Juliette, she's there for nothing. 1009 00:46:17,700 --> 00:46:18,700 So. 1010 00:46:19,100 --> 00:46:22,560 Here, this little girl who is not going well, She asks for something to hide. 1011 00:46:22,640 --> 00:46:23,800 That's what she asked me. 1012 00:46:24,060 --> 00:46:27,520 I found it, a large street, in the stuffing store and catch a disguise. 1013 00:46:27,740 --> 00:46:29,460 She is no longer older to disguise herself, Mom is ridiculous. 1014 00:46:29,460 --> 00:46:31,280 And so, she bought the mask from the lover of 1015 00:46:31,280 --> 00:46:33,600 Marie-Lou, but nobody knows that it is her lover. 1016 00:46:33,760 --> 00:46:35,220 The little one takes up her ticks. 1017 00:46:35,600 --> 00:46:37,060 This atmosphere is appalling. 1018 00:46:37,360 --> 00:46:41,140 And Leonardo, as he is generous, He tries to make his little daughter laugh. 1019 00:46:41,400 --> 00:46:43,100 He wants to help him a little, and he gets there. 1020 00:46:45,800 --> 00:46:47,160 Do you have it, my painting? 1021 00:46:47,160 --> 00:46:48,340 Family photo. 1022 00:46:49,340 --> 00:46:50,340 Marie-Lou, he holds. 1023 00:46:50,480 --> 00:46:51,680 She wants it to be perfect. 1024 00:46:52,640 --> 00:46:53,640 We take a photo. 1025 00:46:53,760 --> 00:46:55,140 But she is so tense ... 1026 00:46:57,700 --> 00:46:58,980 Stéphane, mouse less tense. 1027 00:47:00,040 --> 00:47:01,040 So. 1028 00:47:01,160 --> 00:47:02,350 Try to see without your glasses. 1029 00:47:02,380 --> 00:47:03,410 Her husband no longer pleases her. 1030 00:47:03,440 --> 00:47:04,440 There is nothing to do. 1031 00:47:04,800 --> 00:47:08,360 With glasses, without glasses, Smile, not smile ... it's screwed up. 1032 00:47:09,340 --> 00:47:10,340 Gabi, mouse my darling. 1033 00:47:13,180 --> 00:47:14,460 That's it, is it good? 1034 00:47:14,460 --> 00:47:15,460 It's good. 1035 00:47:18,520 --> 00:47:19,520 SO ? 1036 00:47:20,040 --> 00:47:22,280 It is failed, you all look completely silly. 1037 00:47:22,820 --> 00:47:23,820 Oh no, too bad. 1038 00:47:24,420 --> 00:47:26,260 I don't see why it appeals to this state. 1039 00:47:26,320 --> 00:47:27,320 I don't see it. 1040 00:47:27,560 --> 00:47:28,580 I don't have my glasses. 1041 00:47:28,860 --> 00:47:33,440 These are really sequences that are great to set up with 1042 00:47:33,440 --> 00:47:35,560 all these actors who each have their place in the context. 1043 00:47:37,180 --> 00:47:39,180 Juliette arrives, she is kind to her sister. 1044 00:47:39,200 --> 00:47:40,740 She wants to fix the atmosphere a little. 1045 00:47:41,120 --> 00:47:42,640 Isn't there Nona in the photo? 1046 00:47:42,640 --> 00:47:43,520 Where is she, no? 1047 00:47:43,520 --> 00:47:44,720 Dad, where is she, no? 1048 00:47:45,700 --> 00:47:46,710 Wait, I'll see it at the top. 1049 00:47:46,740 --> 00:47:49,020 Children, go see in the garden if Nona is there. 1050 00:47:49,200 --> 00:47:52,180 Nona! 1051 00:47:54,820 --> 00:47:56,000 We will see on the wheel. 1052 00:47:56,460 --> 00:47:57,760 Did you find it? 1053 00:47:57,760 --> 00:47:59,070 This is what we saw at the bottom of the garden. 1054 00:47:59,100 --> 00:48:00,540 A large white rabbit. 1055 00:48:01,860 --> 00:48:04,580 That's it, that's the joke. 1056 00:48:04,820 --> 00:48:06,040 But a little or a big one? 1057 00:48:06,040 --> 00:48:07,040 A big one. 1058 00:48:07,320 --> 00:48:08,200 But how big? 1059 00:48:08,200 --> 00:48:09,300 Show me with your hands. 1060 00:48:10,540 --> 00:48:11,700 A real rabbit, what. 1061 00:48:11,920 --> 00:48:12,920 You're tired, you. 1062 00:48:13,440 --> 00:48:14,520 It is not inside. 1063 00:48:15,080 --> 00:48:17,260 There is neither her coat nor his bag, There is only his scarf. 1064 00:48:17,640 --> 00:48:18,180 Shit ! 1065 00:48:18,640 --> 00:48:20,880 Well, dad, mom, you stay there in case She returns. 1066 00:48:20,920 --> 00:48:21,240 All right. 1067 00:48:21,840 --> 00:48:24,720 We arrive at a 360 degree point, Which is always complicated. 1068 00:48:24,760 --> 00:48:26,080 All the trucks must be removed. 1069 00:48:26,840 --> 00:48:29,000 So there, hop, we see a street. 1070 00:48:29,380 --> 00:48:30,380 Another street. 1071 00:48:30,680 --> 00:48:31,800 And yet another street. 1072 00:48:33,020 --> 00:48:34,020 Nona! 1073 00:48:34,960 --> 00:48:35,960 Nona! 1074 00:48:41,360 --> 00:48:42,460 There is the reverse. 1075 00:48:43,420 --> 00:48:44,420 92 years old. 1076 00:48:45,900 --> 00:48:47,020 A wonderful actress. 1077 00:48:47,240 --> 00:48:49,080 Nona, where are you going like that? 1078 00:48:49,080 --> 00:48:50,080 I come back. 1079 00:48:50,340 --> 00:48:51,420 I have to be on time. 1080 00:48:51,620 --> 00:48:52,700 We will accompany you. 1081 00:48:55,020 --> 00:48:57,000 We are on the road near the chapel. 1082 00:48:58,820 --> 00:48:59,820 You scared us. 1083 00:49:00,600 --> 00:49:02,040 You know, he sleeps early there. 1084 00:49:02,940 --> 00:49:07,180 But as there is my René ... Our grandmother is in love. 1085 00:49:08,060 --> 00:49:09,740 Many women in love in this film. 1086 00:49:10,780 --> 00:49:11,140 No... 1087 00:49:11,580 --> 00:49:14,720 With an ISIA, there, which is like a teenager. 1088 00:49:14,840 --> 00:49:15,840 Very bright. 1089 00:49:16,700 --> 00:49:18,480 I really like that at Isia. 1090 00:49:19,080 --> 00:49:20,520 Moments when it really looks like ... 1091 00:49:20,700 --> 00:49:22,200 A very very young girl. 1092 00:49:23,380 --> 00:49:25,380 Your grandfather died so long ago. 1093 00:49:25,500 --> 00:49:26,820 Then here is the revelation. 1094 00:49:27,620 --> 00:49:31,440 This story of ... little Juliet who would have spent a year with her grandmother. 1095 00:49:31,560 --> 00:49:34,640 When he had your father, suddenly, I had a little girl to me. 1096 00:49:36,020 --> 00:49:36,760 Just for me. 1097 00:49:36,860 --> 00:49:38,520 Nona, I don't understand what you're talking about. 1098 00:49:39,280 --> 00:49:40,740 You will not say anything to your father, huh. 1099 00:49:41,200 --> 00:49:41,920 What ? 1100 00:49:41,920 --> 00:49:42,920 For my lover. 1101 00:49:43,520 --> 00:49:44,520 No, but ... 1102 00:49:45,140 --> 00:49:46,140 Why am I ... 1103 00:49:47,100 --> 00:49:48,460 Why did I stay at home? 1104 00:49:49,160 --> 00:49:50,360 The time your mother comes back. 1105 00:49:53,080 --> 00:49:54,080 But poor. 1106 00:49:56,940 --> 00:49:59,120 We had a great party for your 4 years. 1107 00:49:59,180 --> 00:50:00,180 Do you remember? 1108 00:50:00,800 --> 00:50:01,800 I remember it. 1109 00:50:02,040 --> 00:50:03,400 Where does my mother come back from where? 1110 00:50:03,400 --> 00:50:04,620 Juliette does not understand anything. 1111 00:50:05,360 --> 00:50:07,580 And then, they are interrupted very quickly. 1112 00:50:07,800 --> 00:50:09,120 You're going to see that he's going to call me. 1113 00:50:11,460 --> 00:50:12,080 Look at him cut. 1114 00:50:12,260 --> 00:50:14,020 I think that at that time, 1115 00:50:14,020 --> 00:50:17,480 Juliette says I have to ask my parents questions. 1116 00:50:17,820 --> 00:50:19,980 Since my grandmother does not too much answer me. 1117 00:50:21,500 --> 00:50:23,540 But it's so difficult to communicate. 1118 00:50:24,160 --> 00:50:26,760 These are the impatience, once again, which prevent him from sleeping. 1119 00:50:31,300 --> 00:50:35,720 And this photo of her, when she was 4 years old, with her grandmother. 1120 00:50:37,860 --> 00:50:39,960 We should talk, you should ask questions. 1121 00:50:40,940 --> 00:50:42,260 Then she can't do it. 1122 00:50:46,740 --> 00:50:51,300 Camille Jourdi's hand coloring her drawings at a crazy speed. 1123 00:50:57,400 --> 00:51:02,860 I proposed to Camille to make a short animated film from her drawings. 1124 00:51:03,220 --> 00:51:05,540 Which scared her a little. 1125 00:51:06,180 --> 00:51:07,570 Because she had never done that. 1126 00:51:07,600 --> 00:51:14,060 It was Charlie Belin, a young host who made us this beautiful little film. 1127 00:51:14,200 --> 00:51:15,880 It was two or three months of manufacture. 1128 00:51:16,340 --> 00:51:18,420 And with Bertrand's beautiful music. 1129 00:51:26,600 --> 00:51:29,060 So we see there representing three children. 1130 00:51:29,400 --> 00:51:32,460 Who are the three children in history that Juliette must illustrate. 1131 00:51:32,500 --> 00:51:36,600 But who also represent Juliette, Marie-Lou and this missing little brother. 1132 00:51:41,660 --> 00:51:44,100 So there we find the little rabbit. 1133 00:51:44,400 --> 00:51:46,000 All the contents of the cardboard. 1134 00:51:46,280 --> 00:51:50,820 The sweater that Yvia had at the time of the drawing. 1135 00:51:52,280 --> 00:51:53,400 And here is this nightmare. 1136 00:51:53,460 --> 00:51:55,480 Not in the box! 1137 00:51:56,120 --> 00:51:59,020 And I can't escape because of my rims, it's horrible. 1138 00:51:59,140 --> 00:52:00,480 So once again, The only person with 1139 00:52:00,480 --> 00:52:02,960 whom she can really communicate is Pollux. 1140 00:52:03,060 --> 00:52:05,180 And to whom she tells this nightmare. 1141 00:52:05,480 --> 00:52:06,440 Your impatience. 1142 00:52:06,440 --> 00:52:08,420 I have never heard of that. 1143 00:52:11,780 --> 00:52:13,420 You have to tell him about your father. 1144 00:52:13,920 --> 00:52:16,000 He means why you were at your grandmother. 1145 00:52:16,820 --> 00:52:17,820 It's complicated. 1146 00:52:18,840 --> 00:52:20,000 We cannot communicate. 1147 00:52:20,000 --> 00:52:24,000 We have shot long moments in the bar. 1148 00:52:24,440 --> 00:52:25,740 With the concert, etc. 1149 00:52:26,080 --> 00:52:27,900 But alas, it was too long. 1150 00:52:27,960 --> 00:52:28,960 At the editing. 1151 00:52:29,460 --> 00:52:31,500 There is much left, alas. 1152 00:52:32,520 --> 00:52:35,800 And so it's Fantasio who plays with Seb MARTEL. 1153 00:52:36,440 --> 00:52:37,740 A great guitarist. 1154 00:52:38,360 --> 00:52:41,180 And so we turned. 1155 00:52:42,160 --> 00:52:43,720 Lots of concert moments. 1156 00:52:43,860 --> 00:52:48,140 This means that this concert crossing is extremely alive. 1157 00:52:48,480 --> 00:52:52,660 It's like a kind of energy flash. 1158 00:52:54,280 --> 00:52:56,140 ... ... 1159 00:52:58,560 --> 00:53:01,080 ... ... ... 1160 00:53:01,200 --> 00:53:02,200 ... 1161 00:53:03,600 --> 00:53:05,000 ... ... 1162 00:53:06,240 --> 00:53:07,240 ... 1163 00:53:14,260 --> 00:53:17,780 Here it's Chantal Demage and her real baby. 1164 00:53:17,900 --> 00:53:20,130 Because I thought it was good to turn with his real baby. 1165 00:53:20,160 --> 00:53:21,620 She had turned into Annie Anger. 1166 00:53:22,100 --> 00:53:23,740 She is an actress that I really like. 1167 00:53:25,180 --> 00:53:25,740 So that's it. 1168 00:53:25,800 --> 00:53:28,100 She ends up with a baby in her arms for this mom who 1169 00:53:28,100 --> 00:53:30,020 will go pee and who does not know what to do with her child. 1170 00:53:31,340 --> 00:53:32,800 And the music disappears. 1171 00:53:32,860 --> 00:53:33,500 Another arrives. 1172 00:53:33,540 --> 00:53:37,680 It is no longer Juliette's intimate music. 1173 00:53:38,000 --> 00:53:41,260 And an emotion that earns her to have this baby in her arms. 1174 00:53:43,140 --> 00:53:47,820 This baby who looks at her and who sends her completely to herself. 1175 00:53:53,940 --> 00:53:58,020 A little pebble still posed like that in history. 1176 00:54:00,680 --> 00:54:02,060 It feels good. 1177 00:54:02,360 --> 00:54:04,450 Your little boy is too cute in any case. 1178 00:54:04,480 --> 00:54:05,480 She is a girl. 1179 00:54:06,240 --> 00:54:08,000 Juliette thought he was a little boy. 1180 00:54:08,640 --> 00:54:10,000 It's okay my heart. 1181 00:54:11,140 --> 00:54:12,140 Ah! 1182 00:54:13,520 --> 00:54:20,560 There were sequences that will be in the DVD bonuses of the cut scenes 1183 00:54:20,560 --> 00:54:24,760 where other things happened after this sequence in the toilet with the baby. 1184 00:54:25,200 --> 00:54:30,760 We preferred to stay in the emotion that Juliette feels at that time. 1185 00:54:31,780 --> 00:54:38,580 And there we have our Pollux who wakes up with his little duck stretching. 1186 00:54:38,580 --> 00:54:39,580 I love it. 1187 00:54:40,560 --> 00:54:41,860 And then we feel that. 1188 00:54:45,040 --> 00:54:50,500 Pollux is very good in this relationship which he builds with his little duck. 1189 00:54:50,500 --> 00:54:54,440 Is it wise to invite Juliette to dinner or is it a bit hasty for you? 1190 00:54:54,440 --> 00:55:00,680 And then he begins a little to want to specify this relationship. 1191 00:55:01,220 --> 00:55:03,040 Is she friendly or in love? 1192 00:55:03,040 --> 00:55:04,040 He doesn't know anything about it. 1193 00:55:04,180 --> 00:55:05,180 And either. 1194 00:55:05,520 --> 00:55:10,870 I really wanted to tell a meeting between two 1195 00:55:10,870 --> 00:55:15,640 individuals who look alike on different points. 1196 00:55:16,120 --> 00:55:18,180 But is it love, Friendship? 1197 00:55:18,180 --> 00:55:20,620 What is the difference between L 'Love and friendship? 1198 00:55:20,620 --> 00:55:21,780 All that is not very clear. 1199 00:55:23,220 --> 00:55:24,700 This is our ghost. 1200 00:55:32,180 --> 00:55:39,040 I love the seriousness of the staging out of step with the situation. 1201 00:55:39,640 --> 00:55:40,940 I'm glad you're here. 1202 00:55:41,360 --> 00:55:45,280 Spring really happens with something like that very bright. 1203 00:55:50,160 --> 00:55:54,380 These are sequences really completely glued to the comic strip. 1204 00:55:54,460 --> 00:55:56,820 I have not changed a comma. 1205 00:56:10,680 --> 00:56:16,460 I love the generosity they both had to shoot these scenes. 1206 00:56:16,540 --> 00:56:19,860 They had fun enormously and it was in great 1207 00:56:19,860 --> 00:56:23,500 confidence in the other and then also vis-à-vis us. 1208 00:56:23,580 --> 00:56:24,580 Team. 1209 00:56:25,680 --> 00:56:29,720 And it's wonderful to see these bodies run like children. 1210 00:56:31,620 --> 00:56:32,620 Get up. 1211 00:56:33,040 --> 00:56:34,040 Wait. 1212 00:56:34,860 --> 00:56:35,860 Wait. 1213 00:56:36,160 --> 00:56:38,420 Yes, you bleed. 1214 00:56:39,920 --> 00:56:41,500 I love they are cozy. 1215 00:56:41,620 --> 00:56:42,860 I'm going to put a bandage to you. 1216 00:56:43,080 --> 00:56:44,260 Are you your children? 1217 00:56:44,260 --> 00:56:46,380 This is the first time they have returned to the house. 1218 00:56:47,040 --> 00:56:48,040 You don't have to hang out. 1219 00:56:48,120 --> 00:56:49,800 They discover Marie-Lou's life a little. 1220 00:56:50,980 --> 00:56:54,400 On the other hand, I have only the animal dressings of the farm. 1221 00:56:54,820 --> 00:56:56,800 Where do you understand? 1222 00:57:00,360 --> 00:57:01,360 It's my sister. 1223 00:57:05,340 --> 00:57:07,700 We had a lot of fun in sound effects. 1224 00:57:07,720 --> 00:57:09,520 I added tons of small noises. 1225 00:57:10,280 --> 00:57:12,180 Small steps, small stress. 1226 00:57:12,460 --> 00:57:13,700 I added a noise. 1227 00:57:14,220 --> 00:57:17,480 One has the impression that he hits the door when he had just tripped. 1228 00:57:21,480 --> 00:57:22,480 I am here ! 1229 00:57:23,340 --> 00:57:26,120 She makes him go upstairs because he never goes through the door. 1230 00:57:27,420 --> 00:57:29,280 She tells herself that it will not last. 1231 00:57:29,380 --> 00:57:31,040 That he will leave. 1232 00:57:31,700 --> 00:57:32,740 And then we will forget it. 1233 00:57:37,830 --> 00:57:38,830 How are you ? 1234 00:57:39,090 --> 00:57:40,090 You don't look good. 1235 00:57:40,270 --> 00:57:41,270 Yeah, medium. 1236 00:57:44,670 --> 00:57:46,200 What is this story that I would have 1237 00:57:46,200 --> 00:57:48,790 lived with Nona a year when I was little? 1238 00:57:51,130 --> 00:57:52,130 She tells me. 1239 00:57:52,290 --> 00:57:57,690 So Pollux is always with his duck to discuss, to create his link. 1240 00:57:58,390 --> 00:57:59,890 A little cold, but good. 1241 00:58:00,030 --> 00:58:01,960 I admit that I had so much pleasure in filming 1242 00:58:01,960 --> 00:58:05,630 them both that I could have put even more. 1243 00:58:05,630 --> 00:58:08,430 And I had a lot of material in rush. 1244 00:58:09,210 --> 00:58:12,270 But hey, you shouldn't exaggerate either. 1245 00:58:13,610 --> 00:58:14,610 What do you think? 1246 00:58:15,550 --> 00:58:16,550 I have a lot of fun. 1247 00:58:18,810 --> 00:58:21,430 So there you are there, in the field, There is a small animal ... 1248 00:58:21,430 --> 00:58:23,450 There are always animals, what, Again. 1249 00:58:23,770 --> 00:58:25,490 We really forgot everything. 1250 00:58:26,070 --> 00:58:27,070 It's crazy. 1251 00:58:27,770 --> 00:58:29,150 Don't you remember Nicolas? 1252 00:58:30,430 --> 00:58:37,610 So there, starts a moment which is quite complicated in the light 1253 00:58:37,610 --> 00:58:44,850 since this discussion begins and when it will end therefore, it was 1254 00:58:44,850 --> 00:58:50,990 necessary to manage this narrative advance with the day which drops gradually. 1255 00:58:51,070 --> 00:58:54,030 So there, we shed light on a little end of the day. 1256 00:58:54,630 --> 00:58:56,790 Something 6.30 p.m., 7 p.m., what. 1257 00:59:04,250 --> 00:59:10,890 So, it's really a very important dialogue that unwinds the knot a bit ... 1258 00:59:11,850 --> 00:59:12,370 of all this. 1259 00:59:12,810 --> 00:59:19,210 So it was a song against song, turned into several vocals. 1260 00:59:19,290 --> 00:59:24,070 And we made a lot of sockets to really be able to 1261 00:59:24,070 --> 00:59:26,230 knit the fairest dialogue between the two sisters. 1262 00:59:26,710 --> 00:59:27,710 It's crazy. 1263 00:59:28,250 --> 00:59:29,410 And then, mom returned. 1264 00:59:30,830 --> 00:59:33,110 Me, I returned to college, that, I remember very well. 1265 00:59:34,550 --> 00:59:36,650 And then they resumed their lives. 1266 00:59:39,910 --> 00:59:41,230 Why don't I know all that? 1267 00:59:41,970 --> 00:59:43,650 You’re never hidden from you, Juliette. 1268 00:59:44,390 --> 00:59:46,030 And it is true that we stopped talking about it. 1269 00:59:46,390 --> 00:59:47,410 That's it, that's the film. 1270 00:59:47,530 --> 00:59:49,070 It is not the family taboo. 1271 00:59:49,090 --> 00:59:50,930 It is not the secrets. 1272 00:59:51,130 --> 00:59:54,230 It's just painful events that we 1273 00:59:54,230 --> 00:59:57,130 stop talking just because it's painful. 1274 00:59:57,150 --> 00:59:58,340 It stir the knife in the wound. 1275 00:59:58,370 --> 00:59:59,230 You have to move on. 1276 00:59:59,290 --> 01:00:03,440 These kinds of things that do that after 1277 01:00:03,450 --> 01:00:06,010 generations are a bit shattered without knowing why. 1278 01:00:10,190 --> 01:00:12,370 When Tonton fell ill, Do you remember? 1279 01:00:12,370 --> 01:00:14,730 They invented this story with a traveling idiot there. 1280 01:00:15,290 --> 01:00:16,890 I felt that it was not true. 1281 01:00:17,510 --> 01:00:22,150 Marie-Lou listens to her sister, she is in empathy, but she 1282 01:00:22,150 --> 01:00:26,840 can no longer hear her complain since it is always from her 1283 01:00:26,840 --> 01:00:30,650 that we only take care of Juliette and never of Marie-Lou. 1284 01:00:30,910 --> 01:00:34,300 And so, Marie-Lou cannot be tender or 1285 01:00:34,300 --> 01:00:37,370 touched by the sorrow and the anger of her sister. 1286 01:00:38,250 --> 01:00:40,870 As she says very well, there, right away. 1287 01:00:41,170 --> 01:00:43,490 You know, me, sometimes, I would have liked to be in your place. 1288 01:00:45,070 --> 01:00:46,490 They protect me a little too. 1289 01:00:50,360 --> 01:00:52,120 And even today, it's always like that. 1290 01:00:52,960 --> 01:00:56,180 When Maman falls in her periods of depression, it's me she calls. 1291 01:00:57,460 --> 01:00:58,460 It's not you. 1292 01:01:00,060 --> 01:01:02,800 When Dad had his phlebitis, I was the one who took care of him. 1293 01:01:04,380 --> 01:01:05,500 But it's not true! 1294 01:01:06,060 --> 01:01:07,020 Wasn't you aware? 1295 01:01:07,020 --> 01:01:08,020 Well no, it's ... 1296 01:01:08,380 --> 01:01:10,100 Well, anyway, it was not very serious. 1297 01:01:10,560 --> 01:01:11,560 I don't believe it. 1298 01:01:13,260 --> 01:01:14,660 We don't talk about Juliette. 1299 01:01:15,020 --> 01:01:18,340 We can clearly see all the anger of Marie-Lou, All these accumulated years. 1300 01:01:18,920 --> 01:01:20,100 Marie-Lou, you are strong! 1301 01:01:20,600 --> 01:01:21,800 And then the children arrive. 1302 01:01:21,900 --> 01:01:22,160 She's there! 1303 01:01:22,160 --> 01:01:23,240 Here you are already? 1304 01:01:23,240 --> 01:01:24,370 Each time, she tells you here. 1305 01:01:24,400 --> 01:01:25,080 You are already. 1306 01:01:25,240 --> 01:01:27,400 The role of mom is distributed to manage. 1307 01:01:27,740 --> 01:01:28,440 Hello my darling. 1308 01:01:28,500 --> 01:01:28,680 Cuckoo. 1309 01:01:28,820 --> 01:01:29,380 How are you ? 1310 01:01:29,380 --> 01:01:29,920 Yeah, great. 1311 01:01:30,240 --> 01:01:31,280 Was it today? 1312 01:01:31,280 --> 01:01:31,540 Great. 1313 01:01:31,820 --> 01:01:32,640 Have you ready your snack? 1314 01:01:32,640 --> 01:01:33,710 Yeah, the new bakery. 1315 01:01:33,740 --> 01:01:34,640 And where is it? 1316 01:01:34,640 --> 01:01:35,640 Up there, game play. 1317 01:01:35,680 --> 01:01:36,920 So there you go, Lulu left. 1318 01:01:37,040 --> 01:01:37,940 Marie-Lou, you have to help me, there. 1319 01:01:37,960 --> 01:01:38,620 She is upstairs. 1320 01:01:38,620 --> 01:01:43,340 Marie-Lou, all her discussion completely forgot her lover ghost. 1321 01:01:43,400 --> 01:01:47,260 And then, we still need her for something else. 1322 01:01:47,880 --> 01:01:50,160 It is called, her father needs her. 1323 01:01:50,680 --> 01:01:51,780 The ghost is up there. 1324 01:01:51,840 --> 01:01:53,600 You remember more then what it is ? 1325 01:01:53,600 --> 01:01:54,540 Don't you have an idea? 1326 01:01:54,540 --> 01:01:56,140 Try fucking shit password. 1327 01:01:56,680 --> 01:01:57,780 Where is this ghost? 1328 01:01:57,780 --> 01:01:57,960 There. 1329 01:01:58,020 --> 01:01:59,020 I have seen by that. 1330 01:02:00,680 --> 01:02:04,090 There, once again, a sequence very very close to 1331 01:02:04,090 --> 01:02:06,680 what is drawn in the 'Camille Jourdi's work. 1332 01:02:07,640 --> 01:02:08,440 Ouh, ghost. 1333 01:02:08,440 --> 01:02:09,440 Ghost. 1334 01:02:10,460 --> 01:02:11,460 There is nothing. 1335 01:02:11,720 --> 01:02:15,620 It was very interesting to work on music on this sequence because we. 1336 01:02:16,540 --> 01:02:19,920 First tried a little fanciful music and in fact, 1337 01:02:19,920 --> 01:02:22,360 we thought that we had to be with Marie-Lou. 1338 01:02:24,460 --> 01:02:26,500 For her, it's not funny, This story. 1339 01:02:28,780 --> 01:02:31,480 We are really in the vaudevillé, The lover in the cupboard. 1340 01:02:34,820 --> 01:02:36,740 Are you also looking for the ghost? 1341 01:02:36,740 --> 01:02:36,820 Yes. 1342 01:02:36,820 --> 01:02:39,360 I love Sophie de Guimard's fur. 1343 01:02:40,500 --> 01:02:41,000 Ghost ! 1344 01:02:41,000 --> 01:02:44,140 Well, where can it be this one? 1345 01:02:44,580 --> 01:02:46,280 There, you have to look in the closet. 1346 01:02:46,400 --> 01:02:47,400 Come on. 1347 01:02:48,940 --> 01:02:51,740 You see, it's too small, there is no one who can enter it. 1348 01:02:54,800 --> 01:02:56,780 Same forgotten password, then you sing. 1349 01:02:57,260 --> 01:02:58,380 It is the disaster. 1350 01:03:00,100 --> 01:03:01,800 It still doesn't work, Marie-Lou. 1351 01:03:01,940 --> 01:03:05,600 And as you can see, that's it, The day really fell. 1352 01:03:06,420 --> 01:03:06,800 It is the disaster. 1353 01:03:06,800 --> 01:03:09,500 The little girl looks at her mother. 1354 01:03:09,640 --> 01:03:12,160 It is a bit the only one that is really in fusion with 1355 01:03:12,170 --> 01:03:14,420 her mother and who understands that something is wrong. 1356 01:03:15,120 --> 01:03:17,200 She is reading a book of Camille Jourdi. 1357 01:03:19,240 --> 01:03:24,460 And so that is this magnificent plan that we repeated a lot and that we turned. 1358 01:03:24,480 --> 01:03:26,900 We had 20 minutes to turn it, to have this 1359 01:03:26,900 --> 01:03:30,720 light between dog and Wolf, completely blue. 1360 01:03:32,280 --> 01:03:36,960 With this little yellow chair that we added so that blue comes out. 1361 01:03:39,360 --> 01:03:43,180 And by turning this plan, I said to myself, I have to one day make an 1362 01:03:43,180 --> 01:03:46,720 anxiety film with Sophie Guillemin so much her expressiveness is crazy. 1363 01:03:47,840 --> 01:03:48,840 There is nothing, darling. 1364 01:03:48,960 --> 01:03:50,120 Come on, we go down now. 1365 01:03:50,440 --> 01:03:51,560 Maybe I dreamed. 1366 01:03:55,520 --> 01:03:59,300 To sound effects, we added sounds so that 'We feel that the ghost bumps. 1367 01:03:59,820 --> 01:04:00,700 That's the rest. 1368 01:04:00,720 --> 01:04:02,940 The rest of the plan you saw just before. 1369 01:04:03,480 --> 01:04:05,560 There is a small white plan under the Gabi office. 1370 01:04:05,680 --> 01:04:06,680 I'll see. 1371 01:04:07,880 --> 01:04:09,560 I love the panic that happens. 1372 01:04:11,280 --> 01:04:13,190 And Sophie Guillemin as a rabbit in the 1373 01:04:13,190 --> 01:04:15,180 headlights, who absolutely does not know what to do. 1374 01:04:15,720 --> 01:04:18,140 Do you want me to go up? 1375 01:04:18,140 --> 01:04:20,710 It makes me laugh a lot, this kind of man replica 1376 01:04:20,710 --> 01:04:23,700 that absolutely wants to manage the situation. 1377 01:04:23,880 --> 01:04:25,060 There, it is a stuntman. 1378 01:04:26,040 --> 01:04:28,760 Not that it was very dangerous, But it's a bit compulsory. 1379 01:04:28,760 --> 01:04:30,180 The gendarmes arrive. 1380 01:04:30,420 --> 01:04:31,580 Will wait outside, dad. 1381 01:04:32,180 --> 01:04:33,180 I found that. 1382 01:04:33,820 --> 01:04:34,820 Make it see. 1383 01:04:35,460 --> 01:04:36,720 Harilou, is it? 1384 01:04:37,740 --> 01:04:38,700 Harilou, isn't it okay? 1385 01:04:38,700 --> 01:04:41,180 There, of course, a real stuntman who falls. 1386 01:04:42,920 --> 01:04:43,820 Who is it ? 1387 01:04:43,820 --> 01:04:45,500 Who are you? 1388 01:04:45,500 --> 01:04:50,340 I asked Eric Caravaca to repeat C 'Is who in a lot of different ways. 1389 01:04:50,760 --> 01:04:52,580 I really like what he built. 1390 01:04:52,720 --> 01:04:53,800 Let him go, Stéphane. 1391 01:04:54,500 --> 01:04:55,660 Place your rake, sir. 1392 01:04:56,580 --> 01:04:57,500 Who is it ? 1393 01:04:57,500 --> 01:04:58,740 Place the rake. 1394 01:04:58,740 --> 01:04:59,920 You're injured. 1395 01:05:02,200 --> 01:05:03,200 Who is it ? 1396 01:05:06,910 --> 01:05:07,770 Who is it ? 1397 01:05:07,770 --> 01:05:09,650 That's the only question that comes to him. 1398 01:05:09,970 --> 01:05:10,810 Who is it ? 1399 01:05:10,810 --> 01:05:11,650 What's going on? 1400 01:05:11,650 --> 01:05:13,250 What is this story? 1401 01:05:15,070 --> 01:05:16,950 Very nice light by Brice Panko. 1402 01:05:17,470 --> 01:05:18,990 A catillon on Chalarone. 1403 01:05:22,270 --> 01:05:26,610 And therefore Pollux goes to the bar, since Juliet ... 1404 01:05:28,350 --> 01:05:29,790 He posed a rabbit, in fact. 1405 01:05:29,910 --> 01:05:30,910 She did not come. 1406 01:05:31,610 --> 01:05:33,310 It was not a ghost, silly. 1407 01:05:34,030 --> 01:05:35,030 Our cat. 1408 01:05:35,830 --> 01:05:37,310 They were two, too, cats. 1409 01:05:37,530 --> 01:05:39,890 They are always in double, animals, On the shoots. 1410 01:05:40,970 --> 01:05:41,970 It's nothing. 1411 01:05:42,190 --> 01:05:45,430 It was a mom who wanted to make a daddy's joke. 1412 01:05:45,930 --> 01:05:47,710 And that didn't do it, nothing. 1413 01:05:48,870 --> 01:05:50,150 You are never happy! 1414 01:05:50,150 --> 01:05:51,150 You are never happy! 1415 01:05:51,990 --> 01:05:53,690 That's it, it's part of the sequences. 1416 01:05:53,690 --> 01:05:57,470 I think there are about twenty, About, or about thirty, 1417 01:05:57,470 --> 01:06:01,130 I do not know, in the film, that I have completely 1418 01:06:01,130 --> 01:06:04,490 written, added, what, compared to the text of the comic strip. 1419 01:06:05,190 --> 01:06:08,270 Because I absolutely wanted to save this character from 1420 01:06:08,930 --> 01:06:14,270 Stéphane a little bit, to make him exist a little more than in comics. 1421 01:06:14,390 --> 01:06:18,870 I like this breaking scene, a little 1422 01:06:18,870 --> 01:06:22,370 desperate, where it asks the real questions. 1423 01:06:22,370 --> 01:06:24,890 How we do to make the desire last, What ? 1424 01:06:26,110 --> 01:06:28,130 How do they do, others? 1425 01:06:30,950 --> 01:06:32,710 You, I need to present Nono to you. 1426 01:06:33,990 --> 01:06:35,190 This is my new boyfriend. 1427 01:06:36,190 --> 01:06:37,910 She's number two, she's behind you. 1428 01:06:38,150 --> 01:06:41,070 Pollux drinks a little more than reason. 1429 01:06:41,850 --> 01:06:45,270 We can feel the atmosphere of the bar, Warm, where everyone knows each other. 1430 01:06:45,410 --> 01:06:47,970 It's a bit like a family home. 1431 01:06:48,350 --> 01:06:48,770 How are you. 1432 01:06:48,910 --> 01:06:50,290 It'll be OK. 1433 01:06:50,510 --> 01:06:51,190 Come on, come! 1434 01:06:51,190 --> 01:06:53,230 Come on, my Jean-Claude, we're going to leave him alone. 1435 01:06:54,250 --> 01:06:55,490 I too go. 1436 01:07:01,130 --> 01:07:05,830 Here, a stuffed, aggressive, heavy. 1437 01:07:06,090 --> 01:07:11,130 He's a bit like the only brutal male character in the film. 1438 01:07:11,190 --> 01:07:18,650 All the other men in the film are tender, attentive, sentimental, sweet. 1439 01:07:19,190 --> 01:07:20,190 And that's it. 1440 01:07:24,200 --> 01:07:27,120 And so, Marlène takes care of Pollux. 1441 01:07:27,500 --> 01:07:29,340 They know each other well, they laugh together. 1442 01:07:29,780 --> 01:07:31,240 They see each other regularly at the coffee. 1443 01:07:32,120 --> 01:07:39,900 And then there, to be in contact, Like that, together, there is 1444 01:07:39,900 --> 01:07:44,800 something that wakes up between them, but which is a form of desire, 1445 01:07:44,880 --> 01:07:49,040 perhaps, which can happen with friends, like that, One evening, a little alcoholic. 1446 01:07:50,280 --> 01:07:54,400 The first kiss she makes him quickly, It's like a friend's kiss, really. 1447 01:07:54,920 --> 01:07:55,920 Oh, my Pollux. 1448 01:07:57,160 --> 01:08:00,520 But maybe they've been going to go together once, a drinking evening. 1449 01:08:01,000 --> 01:08:04,320 In any case, two solitudes console themselves. 1450 01:08:08,900 --> 01:08:12,400 They seem a little surprised, both, that it falls on them. 1451 01:08:13,860 --> 01:08:17,020 And during this time, as usual, Juliet does not sleep. 1452 01:08:19,760 --> 01:08:22,860 And his sister is by his side and does not sleep either. 1453 01:08:27,260 --> 01:08:28,320 I love this plan. 1454 01:08:30,400 --> 01:08:32,920 I love what Sophie is playing there. 1455 01:08:33,420 --> 01:08:34,420 She is stunned. 1456 01:08:34,520 --> 01:08:37,000 She is still completely in shock of what is happening to her. 1457 01:08:44,090 --> 01:08:45,110 How are you ? 1458 01:08:46,730 --> 01:08:48,870 Have you managed to sleep a little? 1459 01:08:52,160 --> 01:08:54,940 She finds herself in the same room as when she was small. 1460 01:08:58,020 --> 01:09:03,200 And Marie must join the somewhat tragic dimension of Juliette. 1461 01:09:09,410 --> 01:09:11,130 The cover, there, a little knitted. 1462 01:09:11,530 --> 01:09:15,590 And you have a little wink to Solveig Hanspach, who was a good 1463 01:09:15,610 --> 01:09:19,650 friend, and who knitted blankets like that when she was in assembly. 1464 01:09:33,140 --> 01:09:34,260 Is enough. 1465 01:09:36,360 --> 01:09:37,360 I have to recover. 1466 01:09:40,320 --> 01:09:41,540 There, Marlène is stressed. 1467 01:09:41,540 --> 01:09:42,100 We don't know why. 1468 01:09:42,240 --> 01:09:44,480 Maybe she's late to go to work. 1469 01:09:44,480 --> 01:09:48,200 Maybe she cheated on her companion. 1470 01:09:48,300 --> 01:09:48,680 We don't know. 1471 01:09:49,220 --> 01:09:51,700 In any case, she leaves quickly and our little duck follows her. 1472 01:10:05,900 --> 01:10:11,620 We needed a corpse in this story, since we are talking about impossible mourning. 1473 01:10:18,270 --> 01:10:20,250 Obviously, it was not a real dead duck. 1474 01:10:22,890 --> 01:10:26,670 We find Marilou's good friend, Mimi, Alexandre Herod. 1475 01:10:28,470 --> 01:10:29,470 What ? 1476 01:10:29,590 --> 01:10:32,970 Because in the end, it wouldn't be a good thing, all that. 1477 01:10:33,530 --> 01:10:34,650 A good thing? 1478 01:10:35,170 --> 01:10:37,870 That I find myself alone with two kids, Is that the right thing? 1479 01:10:37,870 --> 01:10:38,970 Great, cute! 1480 01:10:38,970 --> 01:10:42,350 You don't have to sacrifice everything for your children. 1481 01:10:43,030 --> 01:10:43,950 But what do you know? 1482 01:10:43,950 --> 01:10:44,950 You don't have one. 1483 01:10:45,010 --> 01:10:47,010 I have no children, but what I know is that ... 1484 01:10:47,010 --> 01:10:49,170 I think your kids, a joyful mom, a well 1485 01:10:49,170 --> 01:10:51,290 in her Basques, That's what they need. 1486 01:10:51,450 --> 01:10:52,450 Yes, I agree. 1487 01:10:53,270 --> 01:10:54,690 But that's enough, the jérémiades. 1488 01:10:54,910 --> 01:10:58,410 So there you go, Léonard applied himself to trying to cook something, really. 1489 01:10:58,530 --> 01:10:59,530 It's an event. 1490 01:10:59,610 --> 01:11:01,930 It's all burnt, but he made this effort. 1491 01:11:02,070 --> 01:11:03,430 I can help you for your training. 1492 01:11:03,930 --> 01:11:04,930 What training? 1493 01:11:04,930 --> 01:11:05,970 She wants to make a florist. 1494 01:11:06,090 --> 01:11:06,530 But no ! 1495 01:11:06,530 --> 01:11:13,490 I love the united enthusiasm of the two women who want to encourage Marilou. 1496 01:11:13,770 --> 01:11:16,850 During the time we sell the house, a house like that, it does not sell in 10 minutes. 1497 01:11:17,110 --> 01:11:18,350 You will only have the charges to pay. 1498 01:11:18,350 --> 01:11:20,170 The tenant is really nice. 1499 01:11:20,170 --> 01:11:20,990 You can come to my house. 1500 01:11:21,070 --> 01:11:21,730 Come live with me. 1501 01:11:21,790 --> 01:11:22,450 It's not okay. 1502 01:11:22,590 --> 01:11:24,590 I'm not going to take you the little money you have. 1503 01:11:24,670 --> 01:11:26,070 I can never reimburse you. 1504 01:11:26,150 --> 01:11:28,970 What do you want me to do with this cash? 1505 01:11:29,790 --> 01:11:30,590 Take them, my money. 1506 01:11:30,710 --> 01:11:32,830 Otherwise, I pass them on to the friendly of the happy ballists. 1507 01:11:32,970 --> 01:11:33,550 You are stamped. 1508 01:11:33,830 --> 01:11:35,150 I can pay you studies. 1509 01:11:35,610 --> 01:11:38,570 You left the house so soon that I could never pay you anything. 1510 01:11:38,790 --> 01:11:40,470 You didn't care that I go. 1511 01:11:42,910 --> 01:11:45,890 Because you would have liked to prevent you from getting married? 1512 01:11:47,270 --> 01:11:48,270 It's new, that. 1513 01:11:48,650 --> 01:11:49,710 It's going to be my fault. 1514 01:11:50,010 --> 01:11:51,920 Everything we did, it feels like you didn't care. 1515 01:11:51,950 --> 01:11:52,650 Isn't that true, Juju? 1516 01:11:52,650 --> 01:11:53,650 Tell him. 1517 01:11:57,230 --> 01:11:59,070 I really like what Jean-Pierre plays. 1518 01:12:00,950 --> 01:12:04,290 This discovery by dint of being modest, By dint of expressing anything. 1519 01:12:04,950 --> 01:12:08,510 We don't understand his emotions. 1520 01:12:09,490 --> 01:12:10,910 He is quite upset by that. 1521 01:12:13,450 --> 01:12:16,360 I really like what Marie Logarec, the film's decorator, 1522 01:12:16,360 --> 01:12:18,910 made with this apartment which was completely empty. 1523 01:12:19,350 --> 01:12:19,990 There was nothing. 1524 01:12:20,010 --> 01:12:20,410 There was nothing on the wall. 1525 01:12:20,570 --> 01:12:23,970 They were old post offices. 1526 01:12:24,330 --> 01:12:26,260 And I find that you completely feel the 1527 01:12:26,260 --> 01:12:30,010 universe of an old man who lives alone. 1528 01:12:35,590 --> 01:12:37,090 Did you have my message? 1529 01:12:37,090 --> 01:12:38,090 Yeah. 1530 01:12:38,630 --> 01:12:40,330 What happened? 1531 01:12:41,570 --> 01:12:43,010 It is not going for cars. 1532 01:12:45,290 --> 01:12:47,550 We have a funeral, because we needed one too. 1533 01:12:47,690 --> 01:12:48,690 Is that he, there? 1534 01:12:51,010 --> 01:12:51,710 You help me? 1535 01:12:51,710 --> 01:12:52,710 Yes. 1536 01:13:00,070 --> 01:13:01,550 And we don't have much to say. 1537 01:13:15,620 --> 01:13:16,820 What is your injury? 1538 01:13:18,980 --> 01:13:19,980 I hit myself. 1539 01:13:23,720 --> 01:13:25,820 What do you have in the head? 1540 01:13:25,820 --> 01:13:27,020 The tea room. 1541 01:13:27,280 --> 01:13:28,340 Couldn't you be careful? 1542 01:13:28,340 --> 01:13:29,860 Have you forced it to bring him home? 1543 01:13:29,860 --> 01:13:30,660 And what are you going to do? 1544 01:13:30,660 --> 01:13:31,420 So there you are, we have ... 1545 01:13:31,420 --> 01:13:35,350 It was a very, very intense sequence to turn, 1546 01:13:35,350 --> 01:13:38,560 Because it is a staging of silence, in fact. 1547 01:13:38,560 --> 01:13:42,340 It is this woman who speaks constantly, which occupies the space. 1548 01:13:43,460 --> 01:13:48,180 Because she is a woman, if she stops being agitated in life, she collapses. 1549 01:13:48,500 --> 01:13:50,180 And so there, she will stop. 1550 01:13:51,380 --> 01:13:53,320 Mom, did you leave after divorce? 1551 01:13:53,320 --> 01:13:54,440 Was you more really there? 1552 01:13:54,440 --> 01:13:54,740 Yes. 1553 01:13:55,020 --> 01:13:56,660 I was supporting his life more with him. 1554 01:13:58,060 --> 01:13:59,220 I had to save my skin. 1555 01:14:01,680 --> 01:14:02,680 Really. 1556 01:14:02,800 --> 01:14:03,500 Save my skin. 1557 01:14:03,560 --> 01:14:04,840 It was a matter of life. 1558 01:14:04,900 --> 01:14:05,900 Ah, nun. 1559 01:14:05,980 --> 01:14:07,580 Still the word dead, once again. 1560 01:14:09,080 --> 01:14:09,640 The Tatin. 1561 01:14:10,000 --> 01:14:11,000 It's me. 1562 01:14:11,520 --> 01:14:11,800 THANKS. 1563 01:14:12,140 --> 01:14:13,140 And raspberry. 1564 01:14:14,900 --> 01:14:16,780 And then you were big when I left. 1565 01:14:18,400 --> 01:14:20,010 You were already all the time at Stéphane. 1566 01:14:20,040 --> 01:14:21,080 You were 13 years old, right? 1567 01:14:24,940 --> 01:14:26,360 I refuse to feel guilty. 1568 01:14:29,160 --> 01:14:31,060 I traumatized you that much? 1569 01:14:31,060 --> 01:14:31,940 Well no, listen. 1570 01:14:32,020 --> 01:14:33,460 Finally, all versions are ... 1571 01:14:33,560 --> 01:14:34,460 It is inevitable. 1572 01:14:34,460 --> 01:14:36,050 All parents traumatize their children. 1573 01:14:36,080 --> 01:14:37,080 Yes. 1574 01:14:37,140 --> 01:14:39,140 And that's how great artists are born. 1575 01:14:39,400 --> 01:14:40,840 Well, you see, me, it's missed, SO. 1576 01:14:40,880 --> 01:14:41,960 You have messed up my trauma. 1577 01:14:42,280 --> 01:14:43,890 But your children may have a chance. 1578 01:14:43,920 --> 01:14:46,820 I find this family humor and this permanent valve ... 1579 01:14:46,820 --> 01:14:48,320 Anyway, they will be famous. 1580 01:14:49,500 --> 01:14:51,060 You were still happy with dad. 1581 01:14:51,440 --> 01:14:52,440 Yes. 1582 01:14:53,380 --> 01:14:54,760 He is a wonderful man. 1583 01:14:54,900 --> 01:14:57,740 It's ... it's very beautiful as she talks about Leonardo. 1584 01:14:57,800 --> 01:15:00,240 We feel that these are people who have loved themselves a lot. 1585 01:15:00,460 --> 01:15:01,980 We had great years, that's for sure. 1586 01:15:03,500 --> 01:15:04,540 I liked the life before. 1587 01:15:05,440 --> 01:15:06,660 Before Nicolas? 1588 01:15:06,660 --> 01:15:07,060 So. 1589 01:15:07,320 --> 01:15:08,920 Juliette takes her courage in both hands. 1590 01:15:10,160 --> 01:15:15,200 And what Noémie plays is really exceptional. 1591 01:15:17,160 --> 01:15:17,860 We are talking about Nicolas. 1592 01:15:17,860 --> 01:15:19,520 We shot eight or nine sockets. 1593 01:15:20,640 --> 01:15:23,450 And it is a sequence that was exciting to 1594 01:15:23,450 --> 01:15:26,020 build with the film's editor, Héloïse Palloquet. 1595 01:15:26,440 --> 01:15:28,020 Because we had to dose this silence. 1596 01:15:29,560 --> 01:15:30,620 He was very beautiful. 1597 01:15:33,120 --> 01:15:35,620 You wanted to take him all the time. 1598 01:15:35,900 --> 01:15:37,180 You held him against you. 1599 01:15:37,180 --> 01:15:38,960 There is almost nothing said. 1600 01:15:41,020 --> 01:15:42,020 A big baby. 1601 01:15:42,920 --> 01:15:44,360 Who was a very small baby. 1602 01:15:49,100 --> 01:15:50,620 Because there is nothing to say, In fact. 1603 01:15:51,240 --> 01:15:55,150 And it is this staging of "There is nothing to 1604 01:15:55,160 --> 01:15:58,440 say" which was a great job on filming and editing. 1605 01:15:59,360 --> 01:16:00,680 Including sound assembly. 1606 01:16:09,480 --> 01:16:13,620 And this way of "it is necessary that life will resume, we have no choice". 1607 01:16:13,620 --> 01:16:14,620 And that's it. 1608 01:16:15,160 --> 01:16:16,280 That's what you have to say. 1609 01:16:16,280 --> 01:16:16,760 And then here. 1610 01:16:16,920 --> 01:16:17,300 And hop. 1611 01:16:17,620 --> 01:16:18,620 We eat. 1612 01:16:19,600 --> 01:16:20,360 We laugh. 1613 01:16:20,360 --> 01:16:21,400 We regain life. 1614 01:16:21,880 --> 01:16:23,470 Otherwise, it is not worth continuing. 1615 01:16:23,500 --> 01:16:24,640 Who wants my Tatin? 1616 01:16:24,640 --> 01:16:26,460 This great modesty is ... ok. 1617 01:16:26,900 --> 01:16:28,200 Come on, come on, go, go. 1618 01:16:28,400 --> 01:16:28,580 So. 1619 01:16:28,640 --> 01:16:29,520 This "come on, come on". 1620 01:16:29,520 --> 01:16:30,520 Hold. 1621 01:16:30,880 --> 01:16:32,360 All the people I have met in my life 1622 01:16:32,360 --> 01:16:35,940 who lost a child have this energy of ... 1623 01:16:37,260 --> 01:16:38,260 Very voluntary, what. 1624 01:16:39,140 --> 01:16:40,140 Oh, my darling. 1625 01:16:41,780 --> 01:16:47,840 So now that we're talking about, Marie-Lou understands that we must speak. 1626 01:16:48,400 --> 01:16:53,040 As she had said during the discussion on the steps with her 1627 01:16:53,040 --> 01:16:54,780 sister, she said "Ah yes, no, it is true that my children do not know". 1628 01:16:54,780 --> 01:16:55,980 She had become aware of it. 1629 01:16:56,480 --> 01:16:59,000 So there, she decides to take matters in hand and stop. 1630 01:16:59,080 --> 01:17:00,160 Two seconds, two seconds. 1631 01:17:00,180 --> 01:17:01,260 I have to find already. 1632 01:17:02,400 --> 01:17:02,760 So. 1633 01:17:02,960 --> 01:17:07,240 We are in front of this grave that the decor installed 1634 01:17:07,240 --> 01:17:10,160 in what is called the children's square in the cemetery. 1635 01:17:11,080 --> 01:17:13,100 There are lots of very small tombs. 1636 01:17:13,520 --> 01:17:14,520 It's your uncle. 1637 01:17:17,580 --> 01:17:19,040 He died when he was a baby. 1638 01:17:19,120 --> 01:17:19,360 So. 1639 01:17:19,420 --> 01:17:21,420 It is an awful story. 1640 01:17:23,360 --> 01:17:25,740 It was a long time ago, but you shouldn't forget it. 1641 01:17:27,080 --> 01:17:28,480 What is he dead? 1642 01:17:28,980 --> 01:17:30,680 It's called the sudden death of the infant. 1643 01:17:31,600 --> 01:17:32,600 You have a baby. 1644 01:17:33,980 --> 01:17:34,980 He is in good health. 1645 01:17:35,240 --> 01:17:36,000 He's fine. 1646 01:17:36,020 --> 01:17:36,520 Everything is fine. 1647 01:17:36,640 --> 01:17:37,660 And you lay it for the nap. 1648 01:17:37,660 --> 01:17:40,200 And then when you come back, he died. 1649 01:17:40,460 --> 01:17:41,460 Like that. 1650 01:17:41,720 --> 01:17:42,400 It's horrible. 1651 01:17:42,400 --> 01:17:43,400 Yes. 1652 01:17:44,440 --> 01:17:45,500 It's horror. 1653 01:17:46,100 --> 01:17:51,600 In fact, just speaking with his children, She frees her daughter from something. 1654 01:17:52,420 --> 01:17:56,440 The film tells that a bit, that is to say that 'A bit as if we had 1655 01:17:56,440 --> 01:18:01,680 backpacks filled with ... sometimes we don't know what they are filled with. 1656 01:18:01,740 --> 01:18:03,940 And then there, the little one, her backpack was very heavy. 1657 01:18:05,220 --> 01:18:07,460 And in fact, she has just emptied him, What. 1658 01:18:08,040 --> 01:18:10,840 She has a peaceful face as we have never seen in the film. 1659 01:18:10,840 --> 01:18:12,720 You're beautiful with your wick like that. 1660 01:18:12,820 --> 01:18:16,720 Marie-Lou finally complies him, Finally a tender gesture. 1661 01:18:18,360 --> 01:18:20,800 And the little one is released. 1662 01:18:21,560 --> 01:18:24,160 And we can feel that his tics will disappear. 1663 01:18:24,900 --> 01:18:31,020 She has a completely understanding look towards her mother and without judgment. 1664 01:18:31,620 --> 01:18:33,240 And Marie-Lou is relieved. 1665 01:18:36,000 --> 01:18:39,240 But she doesn't sleep, since we never sleep in this family. 1666 01:18:43,720 --> 01:18:49,160 And when she gets up, we are 'See that Juliette does not sleep either. 1667 01:18:53,290 --> 01:18:54,690 As well as Léonard, of course. 1668 01:18:55,070 --> 01:18:57,120 So there, it is obviously a mirror sequence 1669 01:18:57,120 --> 01:18:59,210 compared to that we had seen with Juliette. 1670 01:18:59,290 --> 01:19:00,290 Be careful, darling. 1671 01:19:00,610 --> 01:19:02,390 Oh, damn, you scared me. 1672 01:19:03,390 --> 01:19:04,630 You don't sleep? 1673 01:19:05,770 --> 01:19:07,210 Neither do you, obviously. 1674 01:19:12,420 --> 01:19:15,160 I really like this vest that we chose with the costume designer. 1675 01:19:15,220 --> 01:19:16,900 Which is blue and pink. 1676 01:19:16,920 --> 01:19:19,140 This is not at all the usual look of Léonard. 1677 01:19:19,220 --> 01:19:22,020 We thought it was the vest he liked to put home. 1678 01:19:24,000 --> 01:19:26,200 You know Juliet had forgotten Nicolas ? 1679 01:19:32,460 --> 01:19:33,460 Here, once again. 1680 01:19:33,720 --> 01:19:34,440 She doesn't surprise me. 1681 01:19:34,600 --> 01:19:35,880 There is not much to say. 1682 01:19:37,080 --> 01:19:39,480 I think it would be good for you to talk about it with her. 1683 01:19:40,320 --> 01:19:42,320 And there, Jean-Pierre plays exactly. 1684 01:19:42,620 --> 01:19:45,320 Yes, I want to talk about it, but to say what? 1685 01:19:45,820 --> 01:19:47,340 Everything is said in his face. 1686 01:19:48,800 --> 01:19:50,520 Do you often think of him? 1687 01:19:53,700 --> 01:19:54,700 Every day. 1688 01:19:58,060 --> 01:19:59,060 He's my son. 1689 01:20:00,160 --> 01:20:01,380 My little boy. 1690 01:20:02,360 --> 01:20:05,020 Here, it is my little boy who remains suspended. 1691 01:20:05,040 --> 01:20:07,160 It's his little boy forever. 1692 01:20:08,960 --> 01:20:09,800 Dad ! 1693 01:20:09,800 --> 01:20:13,380 Here he is all disturbed to have mentioned his little boy. 1694 01:20:13,440 --> 01:20:14,440 It's not better, me. 1695 01:20:18,700 --> 01:20:20,260 Juliette, she is quite relieved. 1696 01:20:20,560 --> 01:20:22,060 She feels better and better. 1697 01:20:22,120 --> 01:20:23,840 Marie-Lou is the bazaar like D 'habit. 1698 01:20:24,040 --> 01:20:24,760 It's panic. 1699 01:20:24,920 --> 01:20:32,980 It's a tornado and Juliette and Léonard ... I do shopping for dinner? 1700 01:20:33,400 --> 01:20:34,440 ... wait for it to pass. 1701 01:20:35,880 --> 01:20:37,100 It's chaos. 1702 01:20:38,160 --> 01:20:41,360 Her bag will hang on to the chair happily. 1703 01:20:41,380 --> 01:20:42,420 It was perfect, that. 1704 01:20:42,760 --> 01:20:43,960 Good day ! 1705 01:20:53,550 --> 01:20:54,910 I took my tickets for tomorrow. 1706 01:20:55,450 --> 01:20:56,450 Oh yes ? 1707 01:20:57,250 --> 01:20:58,250 Yes. 1708 01:20:58,710 --> 01:20:59,850 I have to come back. 1709 01:21:01,930 --> 01:21:04,150 There, we see Leonard's tenderness. 1710 01:21:04,470 --> 01:21:08,670 And Juliette who gave up talking about her little brother with her father. 1711 01:21:12,450 --> 01:21:13,550 What do you have? 1712 01:21:14,310 --> 01:21:15,810 Juliette's little discomfort. 1713 01:21:16,290 --> 01:21:19,750 This is Leonard's only gesture towards his daughter from the whole film. 1714 01:21:20,350 --> 01:21:21,450 Be careful, it happens. 1715 01:21:21,770 --> 01:21:23,130 Does that happen to you often? 1716 01:21:23,870 --> 01:21:25,340 I think it's because I have to do it. 1717 01:21:25,370 --> 01:21:26,870 Here, the small hand posed. 1718 01:21:26,950 --> 01:21:30,950 This is the maximum that Leonardo manages to express physically. 1719 01:21:31,050 --> 01:21:32,050 Go better. 1720 01:21:36,680 --> 01:21:37,780 I really like that. 1721 01:21:39,580 --> 01:21:42,080 I was inspired by a poem of Pessoa that I do not 1722 01:21:42,080 --> 01:21:45,340 Could not say like that exactly of memory. 1723 01:21:45,360 --> 01:21:48,030 But basically who says, if you fall, if I can't 1724 01:21:48,110 --> 01:21:50,140 Not to get up, I will lie down by your side. 1725 01:21:54,760 --> 01:21:55,760 It has passed. 1726 01:22:02,290 --> 01:22:04,690 Very beautiful tender look of Juliette on her heart. 1727 01:22:04,710 --> 01:22:07,030 Can I ask you a service ? 1728 01:22:09,630 --> 01:22:13,010 So here is a sequence that did not exist at all in comics, 1729 01:22:14,190 --> 01:22:18,210 which appeals to sound memories. 1730 01:22:18,730 --> 01:22:21,150 I really like the sound to the cinema. 1731 01:22:21,730 --> 01:22:26,410 And I liked that this room that she went to see the first time she 1732 01:22:26,410 --> 01:22:30,610 visited her at home, which did not remind her of anything, it was the 1733 01:22:30,610 --> 01:22:35,630 noises that will bring her back to her childhood memories when she 1734 01:22:35,630 --> 01:22:38,950 was in this house, at the time of the disappearance of her little brother. 1735 01:22:39,230 --> 01:22:40,670 What was that? 1736 01:22:40,670 --> 01:22:44,730 And this little switch will bring her back to her childhood memories. 1737 01:22:46,050 --> 01:22:50,030 And she asks Pollux to start it several times. 1738 01:22:50,570 --> 01:22:55,970 So some people, for my greatest happiness, see it as a somewhat erotic 1739 01:22:55,970 --> 01:23:02,390 sequence between two, where she asks him to pursue what makes her good. 1740 01:23:10,080 --> 01:23:12,600 Here she is soothed with her grandmother. 1741 01:23:13,620 --> 01:23:16,300 Maybe they've talked a little bit about it all, maybe not. 1742 01:23:18,000 --> 01:23:21,200 There are lots of animals behind her, in this retirement home. 1743 01:23:21,880 --> 01:23:22,880 It's beautiful. 1744 01:23:23,760 --> 01:23:24,480 Me ? 1745 01:23:24,480 --> 01:23:25,480 Yeah. 1746 01:23:28,560 --> 01:23:29,840 Do you see what I see there? 1747 01:23:30,560 --> 01:23:32,540 This is our grandmother in love. 1748 01:23:34,560 --> 01:23:38,020 Everyone has a smile, there is something ... spring is really there. 1749 01:23:39,300 --> 01:23:41,080 But what is Henri? 1750 01:23:47,230 --> 01:23:48,230 Juju? 1751 01:23:56,130 --> 01:24:01,150 So Léonard discovers the drawing work 1752 01:24:01,150 --> 01:24:05,590 made by Juliet for the book she must illustrate. 1753 01:24:05,790 --> 01:24:07,830 And it happens that she put three children. 1754 01:24:07,850 --> 01:24:09,310 In his father's arms. 1755 01:24:20,480 --> 01:24:26,460 It is a sequence for which Bertrand Belin sought music. 1756 01:24:26,560 --> 01:24:29,480 And then we thought it was better in silence. 1757 01:24:30,180 --> 01:24:31,320 Sometimes it's not worth it. 1758 01:24:34,920 --> 01:24:41,520 So this is the same path that Pollux and Juliette at the start of the film. 1759 01:24:41,640 --> 01:24:43,580 Spring has arrived completely. 1760 01:24:48,550 --> 01:24:51,530 A sequence still that did not exist in comics. 1761 01:24:51,750 --> 01:24:53,050 Yes, I try. 1762 01:24:53,250 --> 01:24:53,730 So. 1763 01:24:54,010 --> 01:24:57,170 It is a couple who separate sadly 1764 01:24:57,170 --> 01:24:59,430 but with a lot of intelligence and love. 1765 01:24:59,710 --> 01:25:01,030 It's just disenchantment. 1766 01:25:01,210 --> 01:25:02,410 The observation of disenchantment. 1767 01:25:02,710 --> 01:25:05,810 It's not a crisis, it's just sad. 1768 01:25:11,790 --> 01:25:13,470 Do you want to go home? 1769 01:25:14,130 --> 01:25:15,130 No. 1770 01:25:16,410 --> 01:25:17,410 I'm sorry. 1771 01:25:19,990 --> 01:25:20,970 What do you want to do? 1772 01:25:20,970 --> 01:25:23,270 Do you want to go with the other? 1773 01:25:26,260 --> 01:25:27,260 I'm going to take care of myself. 1774 01:25:29,460 --> 01:25:33,520 I want to be anyone's wife, person's mother, person's daughter. 1775 01:25:33,720 --> 01:25:34,910 I want to do what I want. 1776 01:25:34,940 --> 01:25:35,940 You're going to get back. 1777 01:25:36,560 --> 01:25:37,560 I want to try. 1778 01:25:39,900 --> 01:25:40,900 Then after we will see. 1779 01:25:43,100 --> 01:25:44,220 You may be going there anymore. 1780 01:25:44,920 --> 01:25:48,640 I take the risk because I have the choice no longer, I can no longer breathe. 1781 01:25:49,920 --> 01:25:52,140 And he helps you to breathe? 1782 01:25:53,380 --> 01:25:56,620 I really like the great dignity of the character. 1783 01:25:57,380 --> 01:25:58,860 Are you going to see him again? 1784 01:26:00,600 --> 01:26:03,040 I really like him to express what he feels. 1785 01:26:07,470 --> 01:26:08,790 You break my heart, you know. 1786 01:26:09,590 --> 01:26:12,470 I haven't seen a man who says "you 1787 01:26:12,470 --> 01:26:17,130 Breeze the heart ”and I really like it to be tender. 1788 01:26:17,150 --> 01:26:19,750 He comforts each other with what they are living. 1789 01:26:32,420 --> 01:26:32,820 The fights are meant to say "I swear it will be finished". 1790 01:26:32,820 --> 01:26:35,260 In all this path, Juliette ends up 1791 01:26:35,260 --> 01:26:39,540 having her period again after 1 year. 1792 01:26:39,720 --> 01:26:42,520 It’s something that happens frequently. 1793 01:26:43,140 --> 01:26:48,600 Women, following shocks or events, no longer have their rules. 1794 01:26:48,660 --> 01:26:52,440 Which still tells a real imbalance. 1795 01:26:52,560 --> 01:26:52,760 It's great. 1796 01:26:52,760 --> 01:26:57,300 And so, I found it important to represent the rules as 1797 01:26:57,300 --> 01:27:00,100 something happy, of life, it is vitality, It's good health. 1798 01:27:00,660 --> 01:27:03,560 And often the rules in the cinema are represented 1799 01:27:03,560 --> 01:27:06,540 with a small red net in a shower and quickly it leaves. 1800 01:27:07,900 --> 01:27:11,220 It is washed like something dirty when it is very 1801 01:27:11,220 --> 01:27:13,590 important in the life of 'A woman to have her period. 1802 01:27:13,620 --> 01:27:17,440 I know a word in Arabic which designates a parent who has lost his child. 1803 01:27:18,320 --> 01:27:19,320 It is... 1804 01:27:22,400 --> 01:27:27,980 There are languages that have a fairly rich vocabulary, which have named things. 1805 01:27:28,040 --> 01:27:29,870 And it is true that in French, 1806 01:27:29,870 --> 01:27:32,780 there is nothing to name a person who has lost a child. 1807 01:27:38,540 --> 01:27:40,080 ISIA, there, it looks like she is 14 years old. 1808 01:27:40,740 --> 01:27:45,720 I love this ... she has a sparkling thing that is charming. 1809 01:27:46,180 --> 01:27:47,180 So. 1810 01:27:47,440 --> 01:27:49,270 I want to get one closer to the ’Another but they don't know too much. 1811 01:27:49,300 --> 01:27:51,440 In fact, they are a bit intimidated. 1812 01:27:52,820 --> 01:27:54,700 Are they really in love? 1813 01:27:54,700 --> 01:27:55,700 They don't know. 1814 01:27:55,800 --> 01:27:57,280 And anyway, she leaves. 1815 01:27:57,900 --> 01:27:59,340 When does your train leave? 1816 01:28:00,320 --> 01:28:01,320 In two hours. 1817 01:28:10,730 --> 01:28:13,410 Maybe you could come and see me one of these days? 1818 01:28:17,240 --> 01:28:20,140 I really like this adult shyness. 1819 01:28:22,040 --> 01:28:23,570 We don't really know what's going to happen. 1820 01:28:23,600 --> 01:28:25,920 I myself do not know anything and I don't want to know. 1821 01:28:28,320 --> 01:28:29,920 I don't want to know what will happen. 1822 01:28:29,920 --> 01:28:30,280 So. 1823 01:28:30,440 --> 01:28:33,800 So Juliette is preparing to leave, puts away his things. 1824 01:28:34,780 --> 01:28:37,840 We find the clothes we saw throughout the film. 1825 01:28:38,580 --> 01:28:39,460 The cardboard. 1826 01:28:39,460 --> 01:28:40,760 Everything is well recovered. 1827 01:28:40,880 --> 01:28:41,480 There is no problem. 1828 01:28:41,840 --> 01:28:43,800 It is his childhood that is accepted. 1829 01:28:43,980 --> 01:28:47,200 She hums the song that her father sang with all her heart. 1830 01:28:48,000 --> 01:28:49,480 Then Bertrand's music arrives. 1831 01:28:49,800 --> 01:28:50,800 That's it. 1832 01:28:51,860 --> 01:28:52,300 That's it. 1833 01:28:52,840 --> 01:28:53,560 That's it. 1834 01:28:53,800 --> 01:28:53,940 That's it. 1835 01:28:54,100 --> 01:28:55,100 That's it. 1836 01:28:55,200 --> 01:28:56,380 That's it. 1837 01:28:56,380 --> 01:29:01,000 And here is finally a representation of this missing little brother. 1838 01:29:03,680 --> 01:29:09,740 I asked Isia to do this species of sob that comes from the belly. 1839 01:29:10,540 --> 01:29:13,300 There were a few sockets to get there. 1840 01:29:13,400 --> 01:29:16,500 I am really very happy with what happened there. 1841 01:29:18,980 --> 01:29:21,120 It is finally an image of all this. 1842 01:29:23,000 --> 01:29:24,000 And relief. 1843 01:29:26,640 --> 01:29:27,280 The outside. 1844 01:29:27,320 --> 01:29:27,740 The tree. 1845 01:29:27,780 --> 01:29:30,150 This is the tree that is above the little brother's grave. 1846 01:29:30,180 --> 01:29:32,100 I don't really know if we notice it but ... 1847 01:29:33,660 --> 01:29:36,000 And it's departure. 1848 01:29:38,360 --> 01:29:39,420 We get stuck. 1849 01:29:39,740 --> 01:29:40,680 It's happy. 1850 01:29:40,720 --> 01:29:41,440 It's the brothel. 1851 01:29:41,560 --> 01:29:42,520 Marie, can you pick us up? 1852 01:29:42,520 --> 01:29:43,650 Because Marie-Glou's car does not start. 1853 01:29:43,680 --> 01:29:45,630 We are in front of Papa and I showed within half an hour. 1854 01:29:45,660 --> 01:29:47,160 She was able to have a battery. 1855 01:29:47,280 --> 01:29:47,940 Let me look. 1856 01:29:48,180 --> 01:29:48,700 Thank you so much. 1857 01:29:48,960 --> 01:29:50,380 If you didn't cover anything, what are you going to have? 1858 01:29:50,380 --> 01:29:51,380 Anyway. 1859 01:29:51,920 --> 01:29:54,160 Stop yelling, there is a mom who comes to pick us up. 1860 01:29:54,360 --> 01:29:55,360 We are saved. 1861 01:29:55,420 --> 01:29:56,940 We are really in comedy. 1862 01:29:57,440 --> 01:29:58,440 The family by car. 1863 01:29:59,460 --> 01:30:01,300 Except that we moved the characters. 1864 01:30:01,460 --> 01:30:03,050 Parents are the best. 1865 01:30:03,080 --> 01:30:04,080 I do not lead. 1866 01:30:04,320 --> 01:30:05,800 What did you do with your hippie? 1867 01:30:05,800 --> 01:30:06,400 I heavy. 1868 01:30:06,740 --> 01:30:07,740 I met Mario. 1869 01:30:07,860 --> 01:30:09,040 He lives in an extra cave. 1870 01:30:09,540 --> 01:30:12,220 Aren't you tired of typing all the crazy people in the region? 1871 01:30:12,220 --> 01:30:14,130 I type someone, sir the big stuck. 1872 01:30:14,160 --> 01:30:15,100 What do you know? 1873 01:30:15,100 --> 01:30:16,550 Maybe I have an appointment with a woman. 1874 01:30:16,580 --> 01:30:18,010 I don't cry out on all rooftops. 1875 01:30:18,040 --> 01:30:19,040 The poor woman. 1876 01:30:20,620 --> 01:30:22,620 You have not touched anyone for at least 20 years. 1877 01:30:22,680 --> 01:30:23,840 You no longer have to know how to do it. 1878 01:30:23,900 --> 01:30:24,460 For what ? 1879 01:30:24,460 --> 01:30:26,660 Do you want to teach me things? 1880 01:30:27,020 --> 01:30:27,580 You want ? 1881 01:30:27,580 --> 01:30:28,580 Eh ? 1882 01:30:28,720 --> 01:30:30,260 Do you want me to teach you things? 1883 01:30:30,260 --> 01:30:31,360 Go ahead, you're afraid. 1884 01:30:31,480 --> 01:30:32,480 You are afraid. 1885 01:30:32,660 --> 01:30:33,600 That's enough. 1886 01:30:33,640 --> 01:30:34,800 We don't mind, right? 1887 01:30:36,280 --> 01:30:38,060 We had a lot of fun turning this. 1888 01:30:39,940 --> 01:30:40,280 Stop. 1889 01:30:40,440 --> 01:30:40,760 Stop. 1890 01:30:41,000 --> 01:30:42,440 The next one that is punching, I turn it. 1891 01:30:42,900 --> 01:30:44,620 It is such that brush, it is such that turns. 1892 01:30:44,620 --> 01:30:44,900 No, no. 1893 01:30:44,900 --> 01:30:45,920 He is the one who is lounging. 1894 01:30:45,980 --> 01:30:46,660 It is he who turns. 1895 01:30:46,660 --> 01:30:47,660 It's my car. 1896 01:30:49,100 --> 01:30:55,640 So there, it was extremely difficult because there was no awarded train. 1897 01:30:55,720 --> 01:30:58,440 So, we had to turn to each train that was coming. 1898 01:30:58,940 --> 01:31:00,620 It was a strike period. 1899 01:31:00,960 --> 01:31:05,850 So, we had two taken, four taken in any 1900 01:31:05,850 --> 01:31:10,520 possible to shoot these sequences with the train. 1901 01:31:10,620 --> 01:31:13,240 So it was very, very tense and very stressful. 1902 01:31:18,670 --> 01:31:20,430 The family is finally reunited. 1903 01:31:20,530 --> 01:31:21,530 Are you crying? 1904 01:31:22,370 --> 01:31:23,370 She cries? 1905 01:31:25,150 --> 01:31:26,510 Is it a love sorrow? 1906 01:31:26,510 --> 01:31:26,770 No. 1907 01:31:26,950 --> 01:31:28,190 She is immediately obsessed. 1908 01:31:28,450 --> 01:31:29,410 Is it because I shouted? 1909 01:31:29,410 --> 01:31:30,410 No. 1910 01:31:32,030 --> 01:31:33,270 No, I don't know, it's ... 1911 01:31:35,110 --> 01:31:39,210 It's life, departure, duck. 1912 01:31:39,470 --> 01:31:40,470 The duck? 1913 01:31:40,470 --> 01:31:41,370 What duck? 1914 01:31:41,370 --> 01:31:42,370 A real duck? 1915 01:31:42,750 --> 01:31:45,070 We adopted a duck with a boyfriend and then he died. 1916 01:31:45,070 --> 01:31:46,050 Ah! 1917 01:31:46,050 --> 01:31:48,390 Me too, I had a duck when I was little. 1918 01:31:48,690 --> 01:31:51,270 One day, my father killed him and we ate him for Christmas. 1919 01:31:51,310 --> 01:31:51,950 It was awful. 1920 01:31:52,250 --> 01:31:54,230 But you are stupid, why are you telling him? 1921 01:31:54,970 --> 01:31:55,970 She laughs? 1922 01:31:56,670 --> 01:31:57,890 What should we do? 1923 01:31:57,890 --> 01:31:59,680 She spends two weeks at home, She becomes happy. 1924 01:31:59,710 --> 01:32:01,670 This is the first catch with the coming train. 1925 01:32:02,230 --> 01:32:03,230 So. 1926 01:32:04,270 --> 01:32:07,290 And afterwards, we were waiting for an hour and a half that there was another train. 1927 01:32:07,350 --> 01:32:08,710 Anyway, it was very complicated. 1928 01:32:11,170 --> 01:32:13,040 Here, we feel that the two sisters may 1929 01:32:13,040 --> 01:32:15,810 have understood a little for the first time. 1930 01:32:16,570 --> 01:32:19,130 And Léonard who does not know how to say goodbye to his 1931 01:32:19,130 --> 01:32:21,810 daughter and who does not know so much that he does not kiss her. 1932 01:32:21,910 --> 01:32:23,510 Come on, hop, you have to go on the train. 1933 01:32:23,590 --> 01:32:24,690 Too much modesty, impossible. 1934 01:32:33,970 --> 01:32:35,110 Here, everything is said there. 1935 01:32:39,950 --> 01:32:46,690 So we had two sockets where the team was on the train to film Jean-Pierre. 1936 01:32:46,870 --> 01:32:50,930 And then two taken on the other side on the platform with Isia on the train. 1937 01:32:51,010 --> 01:32:52,950 So it was extremely stressful. 1938 01:32:52,950 --> 01:32:54,970 Because we didn't really have a figuration. 1939 01:32:55,610 --> 01:32:58,350 We hoped that travelers will not pay too much attention to us. 1940 01:32:59,270 --> 01:33:01,390 And it was very scary. 1941 01:33:02,590 --> 01:33:03,250 Juliette sleeps. 1942 01:33:03,470 --> 01:33:05,470 Finally, this is the first time that we have seen her sleeping. 1943 01:33:10,190 --> 01:33:12,910 It was I who told him we arrived. 1944 01:33:16,290 --> 01:33:18,450 And then she finally drew. 1945 01:33:18,450 --> 01:33:20,130 This is his way of appropriating things. 1946 01:33:21,010 --> 01:33:23,590 And so she is good, she stretches, She slept well. 1947 01:33:28,570 --> 01:33:29,570 And that's it. 1948 01:34:07,260 --> 01:34:08,340 In your heart. 1949 01:34:11,700 --> 01:34:13,720 In your heart. 1950 01:35:14,540 --> 01:35:27,160 In my heart, in my heart too there is something. 1951 01:36:05,270 --> 01:36:10,070 Who goes up, who goes up, who goes up.