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Downloaded from
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<i>As far back as I can go</i>

4
00:04:45,828 --> 00:04:47,913
<i>there has never been a night</i>

5
00:04:48,831 --> 00:04:50,916
<i>so deep and opaque.</i>

6
00:04:54,336 --> 00:04:57,256
<i>Here, it is the only possible reality.</i>

7
00:05:03,137 --> 00:05:04,680
<i>The beginning</i>

8
00:05:05,389 --> 00:05:06,932
<i>and the end.</i>

9
00:05:10,269 --> 00:05:13,314
<i>I journeyed so long in my mind</i>

10
00:05:14,982 --> 00:05:19,486
<i>but it was so dark in this foreign place</i>

11
00:05:21,238 --> 00:05:25,075
<i>that I lost myself in my dreams,</i>

12
00:05:25,826 --> 00:05:29,413
<i>becoming one with these walls.</i>

13
00:05:33,500 --> 00:05:36,420
<i>Cut off from the land of my birth</i>

14
00:05:39,173 --> 00:05:41,675
<i>as if I were dead.</i>

15
00:05:46,680 --> 00:05:50,142
<i>There are thousands of us in this night.</i>

16
00:05:55,022 --> 00:05:58,150
<i>We all bear the same scars.</i>

17
00:06:01,695 --> 00:06:05,991
<i>Uprooted. Ripped out.</i>

18
00:06:06,200 --> 00:06:10,162
<i>The spoils of massive plundering.</i>

19
00:06:13,999 --> 00:06:16,502
<i>Today, it's me they have chosen</i>

20
00:06:17,962 --> 00:06:22,716
<i>like their finest
and most legitimate victim!</i>

21
00:06:24,134 --> 00:06:28,138
<i>They have named me 26.</i>

22
00:06:31,600 --> 00:06:33,352
<i>Not 24.</i>

23
00:06:33,519 --> 00:06:35,562
<i>Not 25.</i>

24
00:06:35,729 --> 00:06:37,773
<i>Not 30.</i>

25
00:06:42,236 --> 00:06:44,738
<i>Just 26.</i>

26
00:12:44,807 --> 00:12:46,767
<i>26.</i>

27
00:12:49,770 --> 00:12:53,482
<i>Why didn't they call me by my real name?</i>

28
00:12:53,649 --> 00:12:55,651
<i>Don't they know it?</i>

29
00:12:57,319 --> 00:12:58,904
<i>"You can leave now!</i>

30
00:12:59,780 --> 00:13:02,908
<i>26, go back home!"</i>

31
00:13:06,328 --> 00:13:09,707
<i>Return to the surface of time...</i>

32
00:13:12,793 --> 00:13:18,299
<i>leave behind my brothers,
prone, ignored deep in the unnamable.</i>

33
00:13:22,261 --> 00:13:24,138
<i>Go back home?</i>

34
00:13:24,722 --> 00:13:27,433
<i>What awaits me elsewhere?</i>

35
00:15:37,688 --> 00:15:40,816
<i>Leave the kingdom of the night</i>

36
00:15:42,234 --> 00:15:43,902
<i>to enter another.</i>

37
00:15:47,614 --> 00:15:52,619
<i>My head is still assailed
by the rattle of chains.</i>

38
00:15:56,540 --> 00:16:01,545
<i>I have in my mouth
an aftertaste of the ocean.</i>

39
00:16:04,632 --> 00:16:09,053
<i>In several languages,
these memories whisper in my ear</i>

40
00:16:10,971 --> 00:16:17,811
<i>the full weight of a past
of which I am the trance, the trace.</i>

41
00:16:23,067 --> 00:16:24,693
<i>I'm torn</i>

42
00:16:25,736 --> 00:16:28,781
<i>between the fear
of not being recognized by anyone</i>

43
00:16:28,989 --> 00:16:32,284
<i>and not recognizing anything.</i>

44
00:20:30,397 --> 00:20:32,232
<i>Ladies and gentlemen...</i>

45
00:20:32,399 --> 00:20:34,985
<i>Mr. President of the Republic of Benin...</i>

46
00:20:36,654 --> 00:20:37,988
<i>your highnesses...</i>

47
00:20:39,865 --> 00:20:41,325
<i>dear guests...</i>

48
00:22:27,014 --> 00:22:29,058
<i>Is this the end of the journey?</i>

49
00:22:34,104 --> 00:22:36,732
<i>Everything is so strange.</i>

50
00:22:40,903 --> 00:22:47,368
<i>Far removed from the country
I saw in my dreams.</i>

51
00:23:02,716 --> 00:23:05,052
<i>My head is spinning.</i>

52
00:23:14,436 --> 00:23:18,482
<i>I give myself up
to this tropical caress</i>

53
00:23:21,902 --> 00:23:25,406
<i>to the smell of childhood,
a road to myself.</i>

54
00:24:36,894 --> 00:24:41,315
<i>I did not expect to see daylight again.</i>

55
00:25:19,436 --> 00:25:21,438
Statue of King Ghezo.

56
00:25:23,273 --> 00:25:24,608
Designation:

57
00:25:24,817 --> 00:25:27,778
anthropo-zoomorphic royal statue.

58
00:25:29,697 --> 00:25:30,823
Medium:

59
00:25:31,824 --> 00:25:33,075
painted wood,

60
00:25:33,742 --> 00:25:34,868
metal,

61
00:25:35,035 --> 00:25:36,203
fibers.

62
00:25:38,080 --> 00:25:39,331
Weight:

63
00:25:39,540 --> 00:25:40,916
220 kilos.

64
00:25:41,250 --> 00:25:42,751
Condition:

65
00:25:44,003 --> 00:25:46,088
average condition overall.

66
00:25:46,547 --> 00:25:49,466
The pictorial layer presents gaps.

67
00:25:50,676 --> 00:25:54,138
The sculpture is stable despite cracks.

68
00:25:54,847 --> 00:25:59,518
The metal is stable,
although oxidized and deformed.

69
00:26:04,106 --> 00:26:05,482
<i>Description:</i>

70
00:26:05,649 --> 00:26:09,153
<i>this statue is a representation of a</i> Bo <i>,</i>

71
00:26:09,778 --> 00:26:12,323
<i>a power-figure of King Ghezo.</i>

72
00:26:14,992 --> 00:26:18,704
<i>The iron blades
covering the body of the statue</i>

73
00:26:18,871 --> 00:26:23,876
<i>allude to metals,
the symbol of the Vodun</i> Gû <i>,</i>

74
00:26:24,752 --> 00:26:29,048
<i>the Vodun of iron
and, by extension, of war.</i>

75
00:28:39,970 --> 00:28:41,138
<i>Condition:</i>

76
00:28:42,765 --> 00:28:47,102
<i>good structural condition
despite cracks and missing parts.</i>

77
00:28:51,815 --> 00:28:53,025
<i>Description:</i>

78
00:28:53,484 --> 00:28:58,781
<i>this throne was taken from Cana,
less than 20 kilometers from Abomey.</i>

79
00:28:59,990 --> 00:29:03,451
<i>The arrangement
of the sculpted characters shows</i>

80
00:29:03,452 --> 00:29:06,038
<i>that this work has Yoruba origins,</i>

81
00:29:06,205 --> 00:29:07,873
<i>and was made for the king.</i>

82
00:29:10,751 --> 00:29:15,506
<i>The upper part of the throne
depicts the king under his sunshade,</i>

83
00:29:15,673 --> 00:29:17,883
<i>surrounded by his maidservants.</i>

84
00:29:21,303 --> 00:29:23,305
<i>On the level below,</i>

85
00:29:23,514 --> 00:29:26,058
<i>a line of shackled slaves</i>

86
00:29:26,225 --> 00:29:29,520
<i>alludes to two major characteristics
of the kingdom.</i>

87
00:29:30,104 --> 00:29:32,690
<i>Its expansionist policies</i>

88
00:29:32,982 --> 00:29:36,819
<i>and the enslavement of the population
in conquered regions.</i>

89
00:30:42,384 --> 00:30:43,844
<i>Statue of King Glele.</i>

90
00:30:47,139 --> 00:30:48,349
<i>Condition:</i>

91
00:30:48,932 --> 00:30:50,893
<i>average condition overall.</i>

92
00:30:51,477 --> 00:30:54,938
<i>Peeling and defects in certain areas,</i>

93
00:30:55,105 --> 00:30:56,732
<i>particularly on the head.</i>

94
00:30:57,399 --> 00:30:58,984
<i>Keep under observation.</i>

95
00:31:13,582 --> 00:31:17,169
<i>An</i> asen, <i>or</i> sinuka,
<i>its real name in Fongbe,</i>

96
00:31:17,962 --> 00:31:21,548
<i>was intended to perpetuate
the memory of the dead.</i>

97
00:31:28,222 --> 00:31:31,016
<i>Every deceased person
is entitled to a</i> sinuka <i>.</i>

98
00:31:33,018 --> 00:31:36,563
<i>It symbolizes
an accomplished life on earth</i>

99
00:31:36,730 --> 00:31:39,775
<i>and integration
into the world of the ancestors.</i>

100
00:31:49,910 --> 00:31:51,328
Not by the fin.

101
00:31:52,579 --> 00:31:53,998
Not the head.

102
00:32:00,587 --> 00:32:02,298
Don't let go. Hold it.

103
00:32:03,716 --> 00:32:04,925
Paul, hold it.

104
00:32:06,302 --> 00:32:08,387
Stay on this side to hold it.

105
00:32:15,102 --> 00:32:16,854
<i>Statue of King Béhanzin.</i>

106
00:32:19,273 --> 00:32:20,524
<i>Description:</i>

107
00:32:21,108 --> 00:32:23,652
<i>this statue depicts Béhanzin,</i>

108
00:32:23,819 --> 00:32:28,532
<i>King of Dahomey from 1890 to 1894.</i>

109
00:32:29,950 --> 00:32:33,495
<i>Béhanzin's coat of arms
featured a shark</i>

110
00:32:33,662 --> 00:32:36,749
<i>in memory of the words he uttered,</i>

111
00:32:36,915 --> 00:32:41,420
<i>announcing to his people
his intention to wage war on the French...</i>

112
00:32:46,675 --> 00:32:50,679
<i>"The shark has been angered
and the ocean has been clouded."</i>

113
00:38:06,870 --> 00:38:08,872
<i>We have centuries ahead of us.</i>

114
00:38:09,999 --> 00:38:13,627
If our conservation efforts so far

115
00:38:14,461 --> 00:38:17,089
failed to reassure you in the long term,

116
00:38:17,298 --> 00:38:19,383
we will do what it takes.

117
00:38:19,550 --> 00:38:23,637
What you have seen demonstrates
our commitment and determination

118
00:38:23,846 --> 00:38:28,225
to do things properly,
abiding by all standards.

119
00:38:29,059 --> 00:38:30,686
We shall work

120
00:38:31,228 --> 00:38:35,482
<i>for the best conservation
of what stayed here,</i>

121
00:38:35,649 --> 00:38:38,235
<i>what has returned and what will return.</i>

122
00:38:44,783 --> 00:38:47,828
There's an <i>asen</i> here that is intriguing.

123
00:38:48,954 --> 00:38:55,169
For researchers and traditionalists alike,
it continues to be a subject of debate.

124
00:38:55,336 --> 00:39:00,924
How was it possible for Dodds to carry off
the <i>asen</i> of King Béhanzin?

125
00:39:02,134 --> 00:39:04,720
King Béhanzin was still alive

126
00:39:05,679 --> 00:39:07,890
when Dodds entered the royal palaces.

127
00:39:08,057 --> 00:39:11,018
A King must not see his <i>asen</i> .

128
00:39:11,185 --> 00:39:13,479
A living being may not see their <i>asen</i> .

129
00:39:14,355 --> 00:39:17,566
Our researchers may be on the right track

130
00:39:17,775 --> 00:39:20,361
when they say that the court soothsayer,

131
00:39:20,527 --> 00:39:22,237
the soothsayer Guédégué,

132
00:39:23,072 --> 00:39:25,157
had questioned the oracles

133
00:39:25,366 --> 00:39:29,161
and informed the King
that he would lose the war.

134
00:39:31,622 --> 00:39:34,667
The response was always the same.

135
00:39:34,833 --> 00:39:38,921
"Your Majesty,
fight like a worthy son of Dahomey,

136
00:39:39,088 --> 00:39:41,298
but you will lose this war."

137
00:39:55,813 --> 00:39:58,440
Did you know
thousands of Beninese artifacts

138
00:39:58,607 --> 00:40:00,109
were held overseas?

139
00:40:00,275 --> 00:40:03,696
If so, at what point in your life,
did you find out?

140
00:40:03,946 --> 00:40:06,240
To answer your question, I'd say,

141
00:40:06,407 --> 00:40:09,159
during my childhood,
I grew up with Disney,

142
00:40:09,284 --> 00:40:11,286
I grew up watching <i>Avatar</i> ,

143
00:40:11,453 --> 00:40:14,248
I grew up watching <i>Tom & Jerry</i> ,

144
00:40:14,415 --> 00:40:19,169
but I didn't grow up watching
an animated movie

145
00:40:19,336 --> 00:40:21,422
that focused on Béhanzin,

146
00:40:21,588 --> 00:40:24,717
that focused on our cultural heritage.

147
00:40:24,883 --> 00:40:28,637
During my childhood therefore,
I was never made aware

148
00:40:28,804 --> 00:40:31,098
that artifacts belonging to us

149
00:40:31,265 --> 00:40:33,309
had been deported and...

150
00:40:34,101 --> 00:40:36,395
would return who knows when.

151
00:40:36,562 --> 00:40:40,274
So I grew up completely ignorant
that my heritage,

152
00:40:40,441 --> 00:40:42,026
my culture, my education,

153
00:40:42,192 --> 00:40:46,488
my life and soul
had been kept overseas for centuries.

154
00:40:46,905 --> 00:40:47,906
You understand?

155
00:40:48,073 --> 00:40:51,118
I'd been told in high school
but partially,

156
00:40:51,285 --> 00:40:57,374
because our teachers used to say
in social science classes,

157
00:40:57,583 --> 00:41:00,252
"A lot of things were stolen from us."

158
00:41:00,419 --> 00:41:05,507
By "a lot of things,"
I got it into my head these were "things."

159
00:41:06,425 --> 00:41:08,636
I didn't know they were treasures,

160
00:41:08,802 --> 00:41:10,471
only that they were things.

161
00:41:10,679 --> 00:41:13,015
To answer the first question,
I didn't know.

162
00:41:13,641 --> 00:41:17,269
In primary school, it was the history
of victors and vanquished.

163
00:41:17,478 --> 00:41:19,104
That's what we got.

164
00:41:20,272 --> 00:41:25,736
But when I heard about the return
of this stuff...

165
00:41:26,070 --> 00:41:29,531
I call them "stuff" because so far it...

166
00:41:30,324 --> 00:41:32,576
I feel nothing with regard to...

167
00:41:34,078 --> 00:41:34,995
these statuettes.

168
00:41:35,162 --> 00:41:37,831
I call them that since I feel nothing.

169
00:41:37,998 --> 00:41:41,085
90% of Beninese heritage...

170
00:41:42,252 --> 00:41:44,546
Careful with your statistics.

171
00:41:44,713 --> 00:41:46,382
I reiterate, 90%!

172
00:41:46,548 --> 00:41:47,967
I weigh my words. 90%.

173
00:41:48,133 --> 00:41:50,177
- All our heritage, meaning?
- Our heritage.

174
00:41:50,344 --> 00:41:52,054
- Only 10% is here?
- Exactly.

175
00:41:52,930 --> 00:41:57,518
When you say
that 90% of our cultural heritage

176
00:41:57,685 --> 00:42:00,604
is overseas,
I don't think you're right.

177
00:42:01,981 --> 00:42:05,275
Cultural heritage
is composed of material

178
00:42:05,442 --> 00:42:07,569
and immaterial heritage.

179
00:42:08,195 --> 00:42:11,407
Now, part of our material heritage

180
00:42:11,615 --> 00:42:13,701
is in other countries.

181
00:42:13,909 --> 00:42:15,995
But our immaterial heritage,

182
00:42:16,161 --> 00:42:21,208
our dances, traditions and know-how
are still in our country!

183
00:42:30,009 --> 00:42:33,429
To go see these 26 works

184
00:42:33,637 --> 00:42:35,723
is a patriotic act. Why?

185
00:42:35,889 --> 00:42:38,434
For me, it's about more than pride.

186
00:42:38,600 --> 00:42:40,811
I remember last Sunday,

187
00:42:41,020 --> 00:42:44,315
when I went to the Palais
to see the 26 works,

188
00:42:44,523 --> 00:42:46,942
I cried for fifteen minutes.

189
00:42:47,151 --> 00:42:48,694
I was like, wow!

190
00:42:57,828 --> 00:43:00,331
I cried so much that...

191
00:43:00,497 --> 00:43:01,665
I was taught...

192
00:43:02,583 --> 00:43:07,796
- In school, the king's throne...
- We all have our own sensibility.

193
00:43:09,465 --> 00:43:11,884
<i>I cried because I said to myself,</i>

194
00:43:12,051 --> 00:43:15,179
<i>Wow, look how our ancestors...</i>

195
00:43:15,387 --> 00:43:19,642
<i>The ingenuity of our ancestors,
especially for the throne of King Ghezo.</i>

196
00:43:20,392 --> 00:43:25,230
<i>If you go see the paintings
and sculptures of Benin,</i>

197
00:43:25,397 --> 00:43:27,608
<i>it's not for amusement.</i>

198
00:43:27,816 --> 00:43:32,696
<i>But I also agree with the fellow
who said it's an insult.</i>

199
00:43:32,863 --> 00:43:35,532
<i>Out of 7,000 works, they bring back 26.</i>

200
00:43:35,699 --> 00:43:38,077
<i>And what hurts me the most</i>

201
00:43:38,285 --> 00:43:41,747
<i>is the god</i> Gû <i>, god of iron,
whom we asked for</i>

202
00:43:41,914 --> 00:43:44,208
<i>but we were told to wait.</i>

203
00:43:47,753 --> 00:43:49,213
<i>A historic day.</i>

204
00:43:49,380 --> 00:43:53,342
<i>Experiencing this moment is very moving.</i>

205
00:43:53,467 --> 00:43:54,677
<i>Special.</i>

206
00:43:59,264 --> 00:44:01,433
<i>It's a moment of great emotion</i>

207
00:44:01,600 --> 00:44:02,643
<i>and joy.</i>

208
00:44:02,810 --> 00:44:04,561
<i>And it's a response...</i>

209
00:44:06,105 --> 00:44:09,942
sent out to those who were skeptical

210
00:44:11,527 --> 00:44:14,780
when the issue of restitution

211
00:44:15,447 --> 00:44:16,740
<i>was first raised.</i>

212
00:44:17,533 --> 00:44:21,578
<i>Some people, including some Beninese,</i>

213
00:44:21,745 --> 00:44:23,455
<i>claimed that</i>

214
00:44:24,248 --> 00:44:29,545
<i>Benin did not possess the means,
either financially,</i>

215
00:44:30,504 --> 00:44:34,383
<i>materially or in human resources,
to look after these works.</i>

216
00:44:35,926 --> 00:44:37,928
<i>The works are here now,</i>

217
00:44:38,095 --> 00:44:41,473
<i>so what role can you still play</i>

218
00:44:41,640 --> 00:44:43,475
in the whole process?

219
00:44:45,519 --> 00:44:48,480
Well, the role I have to play

220
00:44:48,647 --> 00:44:50,691
is to pass the torch

221
00:44:51,317 --> 00:44:54,862
because I am already advanced in age

222
00:44:55,029 --> 00:44:58,365
and there has to be a younger generation

223
00:44:58,574 --> 00:45:01,118
in whom we place our trust.

224
00:45:01,660 --> 00:45:04,997
<i>That generation is already there
to take up the torch.</i>

225
00:45:05,164 --> 00:45:08,250
<i>That would be my ultimate satisfaction.</i>

226
00:45:10,878 --> 00:45:13,672
<i>I don't think it's in any way historic.</i>

227
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